This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
do you know | 197 |
do you think | 136 |
what do you | 127 |
i am not | 109 |
one of the | 98 |
the other one | 86 |
out of the | 86 |
in front of | 75 |
i have been | 73 |
in order to | 69 |
a lot of | 67 |
do you want | 64 |
you are a | 63 |
do you mean | 63 |
goes to the | 62 |
there is a | 61 |
that i am | 60 |
it is not | 60 |
what is it | 59 |
i want to | 59 |
you know that | 58 |
you want to | 56 |
i am going | 56 |
that you are | 55 |
enters from the | 55 |
you know what | 55 |
what are you | 55 |
and i have | 52 |
in the background | 52 |
the name of | 51 |
now i am | 50 |
it is a | 50 |
it is the | 49 |
i have to | 49 |
there is no | 48 |
but i have | 48 |
to the right | 48 |
that i have | 47 |
out to the | 45 |
what kind of | 45 |
he goes out | 45 |
and i am | 45 |
am going to | 44 |
why do you | 44 |
front of the | 44 |
and it is | 44 |
to the left | 44 |
on the table | 44 |
you are not | 43 |
at the right | 43 |
i have never | 42 |
think of it | 42 |
that you have | 41 |
you had better | 41 |
you have been | 41 |
in the same | 40 |
a number of | 40 |
you think i | 40 |
do you see | 40 |
up to the | 40 |
on the other | 39 |
i have not | 39 |
for that reason | 39 |
i had to | 38 |
and now i | 38 |
there is nothing | 38 |
as well as | 37 |
am i to | 37 |
so that i | 37 |
first of all | 37 |
and for that | 37 |
is to be | 36 |
i tell you | 35 |
the old lady | 35 |
but it is | 35 |
from the right | 34 |
on the floor | 34 |
at the left | 34 |
what have you | 34 |
but i am | 34 |
master of q | 33 |
at the table | 33 |
nothing at all | 33 |
from the left | 33 |
and then i | 33 |
ought to be | 33 |
for a moment | 33 |
i have no | 33 |
and begins to | 32 |
in the meantime | 32 |
i am a | 32 |
now and then | 32 |
as if i | 32 |
for a while | 31 |
are you going | 31 |
the young lady | 31 |
master of ceremonies | 31 |
the sake of | 31 |
it seems to | 31 |
to be a | 31 |
that kind of | 31 |
and then you | 30 |
get out of | 30 |
a while ago | 30 |
not at all | 30 |
door in the | 30 |
and now you | 30 |
for i am | 30 |
for the sake | 30 |
down at the | 30 |
of the lord | 30 |
goes up to | 30 |
as i have | 29 |
to the door | 29 |
i have a | 29 |
what is the | 29 |
over to the | 29 |
seems to me | 29 |
it must be | 29 |
who has been | 29 |
to do so | 29 |
look at the | 28 |
at the same | 28 |
and you are | 28 |
you have to | 28 |
on the stage | 28 |
to have a | 28 |
the other hand | 28 |
all the rest | 28 |
you mean to | 28 |
i wanted to | 28 |
and you have | 28 |
to be the | 27 |
have you been | 27 |
in the rear | 27 |
of the play | 27 |
this is the | 27 |
of the house | 27 |
are you not | 27 |
is going to | 27 |
it would be | 26 |
and it was | 26 |
why did you | 26 |
i should like | 26 |
that he is | 26 |
for that matter | 26 |
are to be | 26 |
what is that | 26 |
you see that | 26 |
the same time | 26 |
go to the | 26 |
want me to | 26 |
in the doorway | 25 |
i am sure | 25 |
i have heard | 25 |
so that the | 25 |
now you are | 25 |
appears in the | 25 |
should like to | 25 |
how can you | 25 |
all of us | 25 |
on account of | 25 |
is that you | 25 |
i think i | 25 |
to look at | 24 |
used to be | 24 |
if i were | 24 |
that was the | 24 |
the middle of | 24 |
as if it | 24 |
that i was | 24 |
do you hear | 24 |
if you were | 24 |
in this house | 24 |
i cannot tell | 24 |
the rest of | 24 |
that i can | 24 |
on the right | 24 |
to do with | 24 |
of his own | 24 |
you want me | 24 |
in the middle | 24 |
of that kind | 24 |
what i have | 24 |
it is as | 23 |
out through the | 23 |
he has been | 23 |
listen to me | 23 |
you are right | 23 |
if i had | 23 |
away from me | 23 |
heard from the | 23 |
as it is | 23 |
of the king | 23 |
is it not | 23 |
all the time | 23 |
away from here | 23 |
and if you | 23 |
and then the | 23 |
has to be | 23 |
let me see | 23 |
middle of the | 22 |
and if i | 22 |
when i was | 22 |
what it is | 22 |
know how to | 22 |
i think it | 22 |
is heard from | 22 |
of the kind | 22 |
to be pitied | 22 |
nothing but a | 22 |
but if you | 22 |
seems to be | 22 |
and there is | 22 |
is that so | 22 |
and when i | 22 |
you ought to | 22 |
in the world | 22 |
name of the | 22 |
as i am | 22 |
how do you | 22 |
down on the | 22 |
then i shall | 22 |
not going to | 22 |
it has been | 22 |
you are the | 21 |
as if you | 21 |
what does it | 21 |
there will be | 21 |
of the church | 21 |
goes out to | 21 |
i have seen | 21 |
you can see | 21 |
a couple of | 21 |
now i have | 21 |
back and forth | 21 |
is not the | 21 |
sits down at | 21 |
the use of | 21 |
i know that | 21 |
as long as | 21 |
you have a | 21 |
goes over to | 21 |
and so i | 21 |
seems to have | 20 |
a look at | 20 |
is as if | 20 |
i have always | 20 |
be able to | 20 |
the door in | 20 |
i am the | 20 |
a piece of | 20 |
just the same | 20 |
a sort of | 20 |
for me to | 20 |
it is to | 20 |
you are to | 20 |
on the left | 20 |
in spite of | 20 |
will have to | 20 |
as if he | 20 |
but i cannot | 20 |
to do it | 20 |
the end of | 20 |
i should have | 20 |
to go to | 19 |
he goes to | 19 |
as you have | 19 |
but now i | 19 |
but there is | 19 |
tell you that | 19 |
of all the | 19 |
i can hear | 19 |
she goes out | 19 |
going to be | 19 |
we have to | 19 |
if you have | 19 |
what am i | 19 |
what you are | 19 |
want to be | 19 |
you think so | 19 |
the only one | 19 |
i am to | 19 |
we have been | 19 |
i have had | 19 |
a pair of | 19 |
and i shall | 19 |
in the name | 19 |
more than i | 19 |
away from the | 19 |
a man of | 19 |
side of the | 19 |
and he has | 19 |
and that is | 18 |
there are crimes | 18 |
of the child | 18 |
for this reason | 18 |
crimes and crimes | 18 |
what you have | 18 |
did you ever | 18 |
have never seen | 18 |
so that it | 18 |
i think you | 18 |
it in the | 18 |
you have not | 18 |
wait a little | 18 |
on a chair | 18 |
had to be | 18 |
are crimes and | 18 |
i am afraid | 18 |
in a moment | 18 |
i can see | 18 |
it was not | 18 |
to speak of | 18 |
part of the | 18 |
as if the | 18 |
and in the | 18 |
did you get | 18 |
take care of | 17 |
i ask you | 17 |
out of it | 17 |
but i can | 17 |
do you believe | 17 |
have to be | 17 |
in order that | 17 |
that he has | 17 |
have you ever | 17 |
it will be | 17 |
that i may | 17 |
and do you | 17 |
the same way | 17 |
but i know | 17 |
it was the | 17 |
will you please | 17 |
he was a | 17 |
but tell me | 17 |
have a look | 17 |
end of the | 17 |
as a rule | 17 |
some kind of | 17 |
door at the | 17 |
if it had | 17 |
if you are | 17 |
as you are | 17 |
the sun is | 17 |
i can tell | 17 |
in that way | 17 |
that you were | 17 |
the king is | 17 |
door on the | 17 |
goes toward the | 17 |
just as well | 17 |
a great deal | 17 |
you tell me | 17 |
to the king | 17 |
there is something | 17 |
that it is | 17 |
you know who | 17 |
i was not | 16 |
why should i | 16 |
would have been | 16 |
shall have to | 16 |
i know what | 16 |
must be a | 16 |
that would be | 16 |
you see the | 16 |
as you know | 16 |
when you are | 16 |
the right of | 16 |
this is not | 16 |
to think of | 16 |
get away from | 16 |
when you were | 16 |
you going to | 16 |
child in white | 16 |
give me a | 16 |
are going to | 16 |
a chance to | 16 |
if you only | 16 |
if it were | 16 |
that it was | 16 |
on one of | 16 |
to tell you | 16 |
toward the door | 16 |
where did you | 16 |
in the face | 16 |
i have done | 16 |
takes out a | 16 |
have had to | 16 |
i love you | 16 |
that is not | 16 |
on her knees | 16 |
you know the | 16 |
but you have | 16 |
do you say | 16 |
you have had | 16 |
the man who | 16 |
a glass of | 16 |
the last time | 16 |
he is not | 16 |
it is my | 16 |
look at me | 16 |
sits down on | 16 |
to see that | 16 |
but you are | 16 |
you have never | 16 |
in the first | 16 |
must have been | 16 |
and so you | 16 |
i can do | 16 |
what has happened | 16 |
the little one | 16 |
in the kitchen | 16 |
picks up the | 16 |
at that time | 15 |
to me as | 15 |
i should say | 15 |
in his hand | 15 |
you seem to | 15 |
there you see | 15 |
that is to | 15 |
when i am | 15 |
to make a | 15 |
the door at | 15 |
in the foreground | 15 |
have you heard | 15 |
i know it | 15 |
such a lot | 15 |
what was it | 15 |
there is one | 15 |
to run away | 15 |
i have already | 15 |
for i have | 15 |
in her hand | 15 |
when you have | 15 |
in a word | 15 |
but he is | 15 |
but do you | 15 |
and i can | 15 |
and goes out | 15 |
as if to | 15 |
and then he | 15 |
i used to | 15 |
the work of | 15 |
that i had | 15 |
it was you | 15 |
the right to | 15 |
am not going | 15 |
and then we | 15 |
i suppose you | 15 |
because you are | 15 |
there was a | 15 |
but you must | 15 |
do you remember | 15 |
why should you | 15 |
the centre of | 15 |
that he was | 15 |
that i could | 15 |
you must not | 15 |
the way it | 15 |
it can be | 15 |
to get out | 15 |
one who has | 15 |
is only one | 14 |
as if she | 14 |
and when you | 14 |
of something else | 14 |
you are my | 14 |
eric and thyra | 14 |
from the outside | 14 |
anders persson and | 14 |
as soon as | 14 |
one of her | 14 |
one of them | 14 |
on top of | 14 |
the second floor | 14 |
in the city | 14 |
out of his | 14 |
on the contrary | 14 |
back to the | 14 |
see that the | 14 |
i had a | 14 |
what does that | 14 |
have you not | 14 |
go to bed | 14 |
so that you | 14 |
talk like that | 14 |
in the way | 14 |
both of you | 14 |
enter from the | 14 |
can be seen | 14 |
i thank you | 14 |
i shall be | 14 |
through the door | 14 |
in my own | 14 |
there is the | 14 |
and mons nilsson | 14 |
a part of | 14 |
me as if | 14 |
a little more | 14 |
the door and | 14 |
toward the right | 14 |
talk of something | 14 |
give me your | 14 |
of the same | 14 |
come with me | 14 |
he is a | 14 |
i wish to | 14 |
who are you | 14 |
up to her | 14 |
that he had | 14 |
did you say | 14 |
it is too | 14 |
at the door | 14 |
here is the | 14 |
go out to | 14 |
but it was | 14 |
what do i | 14 |
have come to | 14 |
is nothing but | 14 |
in a low | 14 |
to have been | 14 |
you must be | 14 |
in the house | 14 |
i am hoping | 14 |
into the room | 14 |
want to go | 14 |
for it is | 14 |
from the background | 14 |
in regard to | 14 |
what did you | 13 |
can you tell | 13 |
which you have | 13 |
i must have | 13 |
so you have | 13 |
is nothing to | 13 |
i am so | 13 |
thank you for | 13 |
and sits down | 13 |
kind of thing | 13 |
to get a | 13 |
to me that | 13 |
it had been | 13 |
i can feel | 13 |
we are not | 13 |
all over again | 13 |
he does not | 13 |
you shall have | 13 |
out on the | 13 |
have you to | 13 |
can you see | 13 |
i have got | 13 |
it was i | 13 |
of it is | 13 |
the head of | 13 |
let us talk | 13 |
if you please | 13 |
let me have | 13 |
after a pause | 13 |
have not been | 13 |
been able to | 13 |
the left of | 13 |
for you to | 13 |
the part of | 13 |
all that is | 13 |
if you will | 13 |
in love with | 13 |
but i think | 13 |
down to the | 13 |
you have got | 13 |
all of them | 13 |
why are you | 13 |
as he is | 13 |
you think of | 13 |
to take the | 13 |
on the second | 13 |
in the distance | 13 |
persson and mons | 13 |
not to be | 13 |
to the captain | 13 |
she goes to | 13 |
are we to | 13 |
you wanted to | 13 |
of such a | 13 |
how can i | 13 |
i know nothing | 13 |
so you are | 13 |
that i might | 13 |
the sight of | 13 |
i must go | 13 |
am afraid of | 13 |
and i know | 13 |
see musical appendix | 13 |
the will of | 13 |
know what is | 13 |
the door on | 13 |
no right to | 13 |
going to the | 13 |
the bridal crown | 13 |
he wants to | 13 |
let us get | 13 |
say that i | 13 |
you wish to | 13 |
where is the | 13 |
to see you | 13 |
the table and | 12 |
the first time | 12 |
and i was | 12 |
centre of the | 12 |
out of here | 12 |
the first one | 12 |
right of the | 12 |
to be in | 12 |
appears on the | 12 |
of the room | 12 |
and opens it | 12 |
and his wife | 12 |
i hope you | 12 |
anything at all | 12 |
pointing to the | 12 |
left of the | 12 |
is to say | 12 |
be with you | 12 |
he sits down | 12 |
from the rear | 12 |
in this case | 12 |
does it matter | 12 |
seem to be | 12 |
one of those | 12 |
you in the | 12 |
up in the | 12 |
down in the | 12 |
so that he | 12 |
that was a | 12 |
go away from | 12 |
you will be | 12 |
now you have | 12 |
you know how | 12 |
i was a | 12 |
have to go | 12 |
to the city | 12 |
how did you | 12 |
you do not | 12 |
and then she | 12 |
leading to the | 12 |
there is only | 12 |
who is that | 12 |
back into the | 12 |
out of my | 12 |
into the world | 12 |
of the whole | 12 |
it does not | 12 |
that i should | 12 |
and for the | 12 |
i to do | 12 |
more and more | 12 |
on the ground | 12 |
i can only | 12 |
mean to say | 12 |
going to have | 12 |
and the child | 12 |
you care to | 12 |
and the other | 12 |
what was that | 12 |
she has been | 12 |
us talk of | 12 |
of the stage | 12 |
the same kind | 12 |
that of a | 12 |
in one of | 12 |
i thought you | 12 |
think i am | 12 |
a moment ago | 12 |
takes hold of | 12 |
a question of | 12 |
to the bed | 12 |
kind of a | 12 |
you are thinking | 12 |
it was a | 12 |
i did not | 12 |
sit here and | 12 |
than i can | 12 |
he will be | 12 |
you think that | 12 |
in the tower | 12 |
at that moment | 12 |
him on the | 12 |
what can be | 12 |
one of his | 12 |
the lord has | 12 |
let us go | 12 |
where are you | 12 |
see that you | 12 |
if you can | 12 |
feel as if | 11 |
in accordance with | 11 |
now you can | 11 |
out of your | 11 |
because i have | 11 |
want to get | 11 |
both of us | 11 |
there must be | 11 |
what can i | 11 |
if he were | 11 |
on the same | 11 |
is just as | 11 |
go back to | 11 |
but when i | 11 |
of your own | 11 |
i could never | 11 |
are you doing | 11 |
was nothing but | 11 |
i am in | 11 |
begins to play | 11 |
have had a | 11 |
at each other | 11 |
now you must | 11 |
i think the | 11 |
are thinking of | 11 |
who is he | 11 |
see that he | 11 |
that have been | 11 |
of the floor | 11 |
of course i | 11 |
which i have | 11 |
think it would | 11 |
then i have | 11 |
all sorts of | 11 |
of the door | 11 |
the other side | 11 |
and what is | 11 |
more or less | 11 |
the foot of | 11 |
it is true | 11 |
be called a | 11 |
at a time | 11 |
that cannot be | 11 |
the fact that | 11 |
can see that | 11 |
now i shall | 11 |
i wonder if | 11 |
and yet i | 11 |
to his feet | 11 |
hold of the | 11 |
sit down and | 11 |
because i am | 11 |
and let us | 11 |
in the church | 11 |
in the right | 11 |
you are talking | 11 |
know that the | 11 |
that is what | 11 |
the beginning of | 11 |
what have i | 11 |
the intimate theatre | 11 |
and you can | 11 |
not in the | 11 |
that has been | 11 |
catches sight of | 11 |
in the end | 11 |
to tell me | 11 |
toward the background | 11 |
a good deal | 11 |
he must have | 11 |
at this moment | 11 |
a few moments | 11 |
do you really | 11 |
to play the | 11 |
is a door | 11 |
and for this | 11 |
so far as | 11 |
here i am | 11 |
life out of | 11 |
just as if | 11 |
that they are | 11 |
some of the | 11 |
goes into the | 11 |
in such a | 11 |
seemed to me | 11 |
thinking of the | 11 |
looking at the | 11 |
you say that | 11 |
that is the | 11 |
a low voice | 11 |
the stage is | 11 |
he had been | 11 |
the rear wall | 11 |
followed by the | 11 |
of my youth | 11 |
the judge and | 11 |
and then they | 11 |
as far as | 11 |
is said to | 11 |
leave me alone | 11 |
scene of the | 11 |
in the air | 11 |
if i can | 11 |
on the sofa | 11 |
in the play | 11 |
at the foot | 11 |
i was born | 11 |
but when you | 11 |
more than one | 11 |
you who have | 11 |
if it be | 11 |
members of the | 11 |
the life out | 11 |
you are too | 11 |
as good as | 11 |
i shall have | 11 |
so that we | 11 |
to say that | 11 |
i beg you | 11 |
in the woods | 11 |
are you afraid | 11 |
be in the | 11 |
i have come | 11 |
the king has | 11 |
does not answer | 11 |
you think it | 11 |
i have nothing | 11 |
then there is | 11 |
who was it | 11 |
to get away | 11 |
while you are | 11 |
have always been | 11 |
know what you | 11 |
the edge of | 11 |
with the king | 10 |
of the people | 10 |
the way of | 10 |
think i can | 10 |
now they are | 10 |
if i only | 10 |
that of the | 10 |
to listen to | 10 |
can be done | 10 |
wait a moment | 10 |
is in the | 10 |
you know it | 10 |
looks as if | 10 |
of the country | 10 |
i think so | 10 |
think you are | 10 |
the presence of | 10 |
because you have | 10 |
look like a | 10 |
and that was | 10 |
bear in mind | 10 |
for all that | 10 |
to be seen | 10 |
you to say | 10 |
and the old | 10 |
that we have | 10 |
you mean that | 10 |
was i who | 10 |
but this is | 10 |
get rid of | 10 |
you should be | 10 |
should not be | 10 |
the meaning of | 10 |
the people are | 10 |
i came here | 10 |
upon a time | 10 |
in the next | 10 |
the dream play | 10 |
to an end | 10 |
you are going | 10 |
that you may | 10 |
did he say | 10 |
you see how | 10 |
think i have | 10 |
all about it | 10 |
know what that | 10 |
know that you | 10 |
to give you | 10 |
to the old | 10 |
i cannot do | 10 |
the right and | 10 |
he opens the | 10 |
there on the | 10 |
which means that | 10 |
the play is | 10 |
you were a | 10 |
you were born | 10 |
the matter with | 10 |
beg your pardon | 10 |
you know why | 10 |
has been a | 10 |
is not a | 10 |
they say that | 10 |
come and play | 10 |
you are so | 10 |
corner of the | 10 |
to the sheriff | 10 |
there you are | 10 |
know what i | 10 |
and you will | 10 |
that she is | 10 |
i should be | 10 |
have you seen | 10 |
speak of it | 10 |
you believe that | 10 |
the rear door | 10 |
the church of | 10 |
out into the | 10 |
if i could | 10 |
look at that | 10 |
after a while | 10 |
you might have | 10 |
will not be | 10 |
and i think | 10 |
how are you | 10 |
anything of the | 10 |
to believe that | 10 |
an end to | 10 |
in his own | 10 |
all the right | 10 |
at the time | 10 |
the art of | 10 |
went to the | 10 |
the door is | 10 |
i have the | 10 |
to make the | 10 |
for my sake | 10 |
and have a | 10 |
do you like | 10 |
know what to | 10 |
there was no | 10 |
i do not | 10 |
the child in | 10 |
cannot do it | 10 |
and this is | 10 |
he who has | 10 |
have nothing to | 10 |
speak of the | 10 |
of the world | 10 |
be ashamed of | 10 |
i tried to | 10 |
of the window | 10 |
but if i | 10 |
to me like | 10 |
an expression of | 10 |
have been in | 10 |
that will be | 10 |
than anything else | 10 |
go toward the | 10 |
you are still | 10 |
then i am | 10 |
opens the door | 10 |
then you are | 10 |
will soon be | 10 |
to be your | 10 |
that there is | 10 |
i know you | 10 |
mons and anders | 10 |
and i could | 10 |
i am too | 10 |
then you can | 10 |
the peace of | 10 |
a little while | 10 |
when it is | 10 |
talk of it | 10 |
was to be | 10 |
they go out | 10 |
then i must | 10 |
what you say | 10 |
of the young | 10 |
we had better | 10 |
to each other | 10 |
want to know | 10 |
and the children | 10 |
of the law | 10 |
it means that | 10 |
i was to | 10 |
then it is | 10 |
if it is | 10 |
of the court | 10 |
of the sea | 10 |
what did he | 10 |
it to be | 10 |
nothing but the | 10 |
the only thing | 10 |
me out of | 9 |
pardon me for | 9 |
for i know | 9 |
what sort of | 9 |
you at the | 9 |
now he is | 9 |
he wanted to | 9 |
to the judge | 9 |
how about the | 9 |
look at this | 9 |
rises and goes | 9 |
i have suffered | 9 |
dance of death | 9 |
you must have | 9 |
he must be | 9 |
the sign of | 9 |
out of this | 9 |
i think he | 9 |
i am sorry | 9 |
to see the | 9 |
across the stage | 9 |
word of god | 9 |
sun is shining | 9 |
the spook sonata | 9 |
he had to | 9 |
entering from the | 9 |
have never been | 9 |
the curtain rises | 9 |
can that be | 9 |
you think he | 9 |
i am glad | 9 |
what i am | 9 |
me into the | 9 |
run away from | 9 |
head of the | 9 |
you have done | 9 |
out of a | 9 |
have to say | 9 |
stops in front | 9 |
it is all | 9 |
i suppose i | 9 |
it was he | 9 |
first and last | 9 |
i am no | 9 |
of the new | 9 |
like that of | 9 |
the help of | 9 |
that is why | 9 |
once upon a | 9 |
of the most | 9 |
of the sun | 9 |
when i came | 9 |
you hear the | 9 |
you believe in | 9 |
are you so | 9 |
i shall not | 9 |
you are in | 9 |
of my own | 9 |
enters and goes | 9 |
know what it | 9 |
him in the | 9 |
i believe you | 9 |
it is so | 9 |
you are now | 9 |
i have made | 9 |
to the church | 9 |
the spot of | 9 |
i see that | 9 |
me in a | 9 |
in the morning | 9 |
what you mean | 9 |
that we are | 9 |
the baron and | 9 |
who is the | 9 |
is waiting for | 9 |
can tell you | 9 |
his hand to | 9 |
song of the | 9 |
you know me | 9 |
in from the | 9 |
me like a | 9 |
look at it | 9 |
i am free | 9 |
as bad as | 9 |
is the matter | 9 |
of the old | 9 |
to meet him | 9 |
will be here | 9 |
me that you | 9 |
he would have | 9 |
telling the truth | 9 |
be of any | 9 |
the song of | 9 |
as to the | 9 |
a state of | 9 |
even if it | 9 |
what he said | 9 |
but in the | 9 |
to come here | 9 |
that reason i | 9 |
he seems to | 9 |
may be sure | 9 |
to his wife | 9 |
but it has | 9 |
but i do | 9 |
the reason why | 9 |
me your hand | 9 |
then i should | 9 |
i must say | 9 |
and let me | 9 |
judge and the | 9 |
what of it | 9 |
half an hour | 9 |
he has a | 9 |
to the window | 9 |
they have been | 9 |
know what he | 9 |
you will have | 9 |
and a few | 9 |
master of quarantine | 9 |
was you who | 9 |
have never heard | 9 |
it may be | 9 |
you have become | 9 |
then you have | 9 |
as it was | 9 |
on the mouth | 9 |
does that mean | 9 |
and i will | 9 |
but now you | 9 |
the master of | 9 |
look at you | 9 |
sight of the | 9 |
there can be | 9 |
you ever see | 9 |
must have a | 9 |
and when he | 9 |
together with the | 9 |
and i had | 9 |
but i was | 9 |
can i do | 9 |
out in the | 9 |
to say about | 9 |
but if he | 9 |
to get the | 9 |
her on the | 9 |
was it not | 9 |
let him come | 9 |
who have been | 9 |
until at last | 9 |
you may be | 9 |
if you could | 9 |
the dance of | 9 |
a long time | 9 |
a right to | 9 |
enters with a | 9 |
thought of it | 9 |
you let me | 9 |
i had been | 9 |
the first scene | 9 |
how many times | 9 |
if you want | 9 |
as he was | 9 |
of the table | 9 |
because he is | 9 |
it is that | 9 |
in one hand | 9 |
did you see | 9 |
by the hand | 9 |
is that the | 9 |
when he is | 9 |
as in the | 9 |
it ought to | 9 |
are in the | 9 |
i am still | 9 |
if you had | 9 |
a young man | 9 |
away from you | 9 |
was in the | 9 |
and yet you | 9 |
the hands of | 9 |
but let us | 9 |
in mind that | 9 |
it is he | 9 |
where is my | 9 |
she is a | 9 |
regard to the | 9 |
you can never | 9 |
the daughter of | 9 |
you love me | 9 |
with all the | 9 |
do i care | 9 |
the young king | 9 |
account of the | 9 |
i could only | 9 |
there are two | 9 |
be here soon | 9 |
in a few | 9 |
will be a | 9 |
to me a | 9 |
in the cellar | 9 |
a feeling that | 9 |
of all this | 9 |
go with you | 9 |
come here and | 9 |
have been a | 9 |
me in the | 9 |
waiting for you | 9 |
the one who | 8 |
rest of the | 8 |
i thought i | 8 |
man who has | 8 |
into the water | 8 |
angry with you | 8 |
he is in | 8 |
that you can | 8 |
the mother of | 8 |
not afraid of | 8 |
and there are | 8 |
that is a | 8 |
up to his | 8 |
you only knew | 8 |
of the time | 8 |
in half an | 8 |
you have seen | 8 |
in the floor | 8 |
as much as | 8 |
into the church | 8 |
come to the | 8 |
of the first | 8 |
to the ground | 8 |
you can go | 8 |
men are to | 8 |
let us have | 8 |
because he had | 8 |
and i wish | 8 |
to the daughter | 8 |
auberge des adrets | 8 |
had better go | 8 |
has not been | 8 |
i have read | 8 |
i told you | 8 |
in the hallway | 8 |
i can never | 8 |
you to be | 8 |
for the last | 8 |
front of it | 8 |
i feel as | 8 |
you gave me | 8 |
we had been | 8 |
me when i | 8 |
same kind of | 8 |
have i done | 8 |
feel at home | 8 |
i have forgotten | 8 |
the background is | 8 |
aware of the | 8 |
and goes to | 8 |
you should have | 8 |
in the room | 8 |
what is your | 8 |
all that i | 8 |
where am i | 8 |
a whole lot | 8 |
this very day | 8 |
you that i | 8 |
to put it | 8 |
gert the printer | 8 |
what they are | 8 |
come back to | 8 |
the auberge des | 8 |
to go out | 8 |
and all the | 8 |
so i have | 8 |
those that are | 8 |
for now i | 8 |
you really think | 8 |
the dark lady | 8 |
will be no | 8 |
dressed in a | 8 |
have you no | 8 |
look at them | 8 |
believe that you | 8 |
then you would | 8 |
it on the | 8 |
would be a | 8 |
i have grown | 8 |
me if i | 8 |
for your sake | 8 |
does it mean | 8 |
across the table | 8 |
puts his hand | 8 |
which he has | 8 |
did you have | 8 |
it is possible | 8 |
of the main | 8 |
do with the | 8 |
at the sight | 8 |
for a few | 8 |
sign of the | 8 |
daughter of the | 8 |
here in the | 8 |
what is this | 8 |
are a man | 8 |
have you done | 8 |
you despise me | 8 |
you find it | 8 |
the habit of | 8 |
it is only | 8 |
the round room | 8 |
said to be | 8 |
and he is | 8 |
in the centre | 8 |
to begin with | 8 |
they are not | 8 |
appears at the | 8 |
to tell the | 8 |
through the window | 8 |
and on the | 8 |
ought to have | 8 |
the left side | 8 |
to come and | 8 |
so much the | 8 |
we had to | 8 |
and she is | 8 |
by means of | 8 |
it to the | 8 |
is it you | 8 |
god in heaven | 8 |
and yet it | 8 |
for those who | 8 |
is a good | 8 |
from behind the | 8 |
door to the | 8 |
think it is | 8 |
he wears a | 8 |
this kind of | 8 |
the right is | 8 |
tell the truth | 8 |
and at last | 8 |
it was as | 8 |
the door of | 8 |
is it true | 8 |
i believe it | 8 |
least of all | 8 |
look at him | 8 |
you think she | 8 |
for you are | 8 |
on the sidewalk | 8 |
seated at the | 8 |
far as i | 8 |
at last i | 8 |
during the last | 8 |
in the place | 8 |
so to speak | 8 |
at a table | 8 |
can hear the | 8 |
if i am | 8 |
one who is | 8 |
but there are | 8 |
whom i have | 8 |
it should be | 8 |
law of the | 8 |
can it be | 8 |
have the same | 8 |
much the better | 8 |
i am also | 8 |
that i cannot | 8 |
how am i | 8 |
where is he | 8 |
of the children | 8 |
noise is heard | 8 |
in the forest | 8 |
hard to tell | 8 |
seem to have | 8 |
i had no | 8 |
get to the | 8 |
of the cross | 8 |
i dare not | 8 |
always the same | 8 |
the whole world | 8 |
on the road | 8 |
a word to | 8 |
and how about | 8 |
and as i | 8 |
i know the | 8 |
of her own | 8 |
glass of water | 8 |
do you ask | 8 |
i am now | 8 |
i hear the | 8 |
of a sudden | 8 |
in other words | 8 |
i sit here | 8 |
it were a | 8 |
going to die | 8 |
i have tried | 8 |
and you had | 8 |
should have been | 8 |
in his arms | 8 |
he is the | 8 |
to get up | 8 |
as if they | 8 |
me a little | 8 |
he puts his | 8 |
the first act | 8 |
you get the | 8 |
may as well | 8 |
looks like a | 8 |
get into the | 8 |
you are always | 8 |
it is very | 8 |
to the table | 8 |
his arm around | 8 |
said to have | 8 |
is one of | 8 |
and then there | 8 |
want to see | 8 |
is worse than | 8 |
the sound of | 8 |
in a state | 8 |
what he is | 8 |
to the other | 8 |
redeemer still liveth | 8 |
know that i | 8 |
and so on | 8 |
somebody is coming | 8 |
me that i | 8 |
i have learned | 8 |
go into the | 8 |
had been a | 7 |
a noise is | 7 |
he is going | 7 |
the king to | 7 |
have a feeling | 7 |
a little too | 7 |
wish to see | 7 |
and at the | 7 |
of his hand | 7 |
i have only | 7 |
but not in | 7 |
all of a | 7 |
or at least | 7 |
i go to | 7 |
have to do | 7 |
both of them | 7 |
to get into | 7 |
with an expression | 7 |
and to the | 7 |
i to get | 7 |
are you still | 7 |
men and women | 7 |
have to tell | 7 |
there has been | 7 |
have been the | 7 |
from the table | 7 |
have said it | 7 |
away with you | 7 |
father was a | 7 |
the lord will | 7 |
call it a | 7 |
like to have | 7 |
the thought of | 7 |
the blind man | 7 |
father and mother | 7 |
i am ashamed | 7 |
get hold of | 7 |
has always been | 7 |
much for that | 7 |
but i must | 7 |
then you must | 7 |
have to take | 7 |
have you noticed | 7 |
the church and | 7 |
the same thing | 7 |
ready for the | 7 |
she begins to | 7 |
even if you | 7 |
you know him | 7 |
lady in white | 7 |
me to be | 7 |
and that the | 7 |
the way i | 7 |
the house and | 7 |
for there is | 7 |
nothing to do | 7 |
and he was | 7 |
come back here | 7 |
to read the | 7 |
of the second | 7 |
come here to | 7 |
go out and | 7 |
covered by a | 7 |
she seems to | 7 |
has begun to | 7 |
and carrying a | 7 |
where i am | 7 |
you can be | 7 |
which is a | 7 |
we were to | 7 |
it must have | 7 |
the bottom of | 7 |
as we are | 7 |
i suppose it | 7 |
around the corner | 7 |
in this world | 7 |
and you shall | 7 |
do you not | 7 |
that she has | 7 |
back to your | 7 |
going to do | 7 |
goes out through | 7 |
to say to | 7 |
how did it | 7 |
think that i | 7 |
after the fire | 7 |
the one i | 7 |
which is the | 7 |
i am as | 7 |
when i first | 7 |
the members of | 7 |
is he who | 7 |
we have a | 7 |
so you must | 7 |
god bless you | 7 |
it was nothing | 7 |
and that i | 7 |
edge of the | 7 |
in the water | 7 |
on the forehead | 7 |
to think that | 7 |
i saw the | 7 |
i have thought | 7 |
this is a | 7 |
i cannot see | 7 |
charge of the | 7 |
one of my | 7 |
be afraid of | 7 |
is more than | 7 |
what has he | 7 |
order to get | 7 |
from the city | 7 |
for then the | 7 |
must not be | 7 |
to keep the | 7 |
asked you to | 7 |
when we were | 7 |
to look for | 7 |
but i should | 7 |
so it seems | 7 |
looking hard at | 7 |
you were the | 7 |
to be my | 7 |
what is he | 7 |
on the outside | 7 |
as you please | 7 |
of the swedish | 7 |
the idea of | 7 |
in this matter | 7 |
we shall have | 7 |
to be ashamed | 7 |
there in the | 7 |
it used to | 7 |
and then it | 7 |
part of a | 7 |
i came to | 7 |
far away from | 7 |
on the piano | 7 |
can you explain | 7 |
he tries to | 7 |
is there anything | 7 |
you think the | 7 |
that you cannot | 7 |
was it that | 7 |
to all the | 7 |
as one of | 7 |
and you may | 7 |
he has had | 7 |
had not been | 7 |
in the swedish | 7 |
put on the | 7 |
i should never | 7 |
it has to | 7 |
come to an | 7 |
on the roof | 7 |
can i have | 7 |
i see him | 7 |
jumps up and | 7 |
you must go | 7 |
tell me now | 7 |
of a new | 7 |
us get away | 7 |
connection with the | 7 |
you had to | 7 |
of it as | 7 |
a time when | 7 |
by the door | 7 |
is all right | 7 |
to be found | 7 |
with a gesture | 7 |
he will come | 7 |
you had a | 7 |
and there was | 7 |
it is she | 7 |
so hard to | 7 |
have no right | 7 |
if i have | 7 |
have mercy on | 7 |
the house of | 7 |
in this place | 7 |
baron and the | 7 |
a young girl | 7 |
and it has | 7 |
was that you | 7 |
i am tired | 7 |
say that the | 7 |
ask you to | 7 |
you that you | 7 |
but i suppose | 7 |
for they are | 7 |
had come to | 7 |
to sit here | 7 |
but as a | 7 |
you go to | 7 |
with the help | 7 |
and the baroness | 7 |
so that she | 7 |
i find it | 7 |
to be afraid | 7 |
of the hut | 7 |
enough to make | 7 |
it had to | 7 |
leads to the | 7 |
is this the | 7 |
to the prince | 7 |
of the windows | 7 |
a little better | 7 |
it looks as | 7 |
i begin to | 7 |
i can get | 7 |
can be no | 7 |
back of the | 7 |
when he has | 7 |
he is now | 7 |
to the officer | 7 |
a new life | 7 |
to see if | 7 |
to his own | 7 |
you could only | 7 |
is the only | 7 |
he picks up | 7 |
if she were | 7 |
because it is | 7 |
the first warning | 7 |
and that you | 7 |
is also a | 7 |
there was not | 7 |
most of the | 7 |
or do you | 7 |
to hear it | 7 |
of the two | 7 |
what are we | 7 |
out of her | 7 |
it comes to | 7 |
and so they | 7 |
and what do | 7 |
can no longer | 7 |
do not know | 7 |
was it you | 7 |
you get your | 7 |
ought to know | 7 |
when i have | 7 |
have a talk | 7 |
let me go | 7 |
the criminal code | 7 |
but it does | 7 |
it cannot be | 7 |
is seated at | 7 |
and you know | 7 |
hands it to | 7 |
say a word | 7 |
have anything to | 7 |
are you to | 7 |
as you see | 7 |
of the author | 7 |
are heard from | 7 |
are you saying | 7 |
are you looking | 7 |
it to me | 7 |
when she is | 7 |
a man from | 7 |
away from him | 7 |
she sits down | 7 |
once for all | 7 |
i have just | 7 |
afraid of you | 7 |
see for yourself | 7 |
you have already | 7 |
see such a | 7 |
want to do | 7 |
have i been | 7 |
now i know | 7 |
but that was | 7 |
do you call | 7 |
the road to | 7 |
can see the | 7 |
in a rage | 7 |
be angry with | 7 |
and does not | 7 |
that must be | 7 |
he did not | 7 |
spirit of the | 7 |
have you any | 7 |
because he was | 7 |
talk to me | 7 |
that he will | 7 |
the air is | 7 |
i fear it | 7 |
you came here | 7 |
he has never | 7 |
under the ban | 7 |
you were to | 7 |
and goes up | 7 |
turned into a | 7 |
to one of | 7 |
it might be | 7 |
and we have | 7 |
church of st | 7 |
and i suppose | 7 |
so i am | 7 |
what is there | 7 |
would you like | 7 |
at the writing | 7 |
was as if | 7 |
to her feet | 7 |
the left and | 7 |
that is just | 7 |
because of the | 7 |
think it was | 7 |
sure that the | 7 |
but i never | 7 |
the sun has | 7 |
do you realise | 7 |
olof and lars | 7 |
sake of the | 7 |
is it possible | 7 |
standing in the | 7 |
you have said | 7 |
a man who | 7 |
had to come | 7 |
know who i | 7 |
you know i | 7 |
set you free | 7 |
of the baroness | 7 |
give you a | 7 |
it is just | 7 |
have you got | 7 |
her head and | 7 |
stay at home | 7 |
not that i | 7 |
is too late | 7 |
but all the | 7 |
tell me why | 7 |
here comes the | 7 |
made out of | 7 |
the children are | 7 |
found in the | 7 |
in the last | 7 |
i could see | 7 |
if she had | 7 |
be possible to | 7 |
a human being | 7 |
the son of | 7 |
is there no | 7 |
the convent of | 7 |
had better not | 7 |
to believe in | 7 |
who can tell | 7 |
by august strindberg | 7 |
and i should | 7 |
i ought to | 7 |
a series of | 7 |
at his watch | 7 |
and he will | 7 |
that they have | 7 |
me tell you | 7 |
debit and credit | 7 |
and throws it | 7 |
i might be | 7 |
is heard outside | 7 |
were you not | 7 |
no reason why | 7 |
he is always | 6 |
but you cannot | 6 |
i suppose they | 6 |
life and death | 6 |
is it about | 6 |
it looks like | 6 |
tell you what | 6 |
not a single | 6 |
one has to | 6 |
in my mind | 6 |
me as a | 6 |
are you the | 6 |
have tried to | 6 |
i shall tell | 6 |
at the corner | 6 |
on the wall | 6 |
it is over | 6 |
i shall die | 6 |
and when she | 6 |
the prince is | 6 |
to leave the | 6 |
and if he | 6 |
the hyacinth room | 6 |
you see now | 6 |
he will never | 6 |
himself at the | 6 |
my redeemer still | 6 |
and let the | 6 |
know all about | 6 |
he and i | 6 |
you have no | 6 |
at one of | 6 |
would like to | 6 |
than any other | 6 |
for a little | 6 |
to and fro | 6 |
he is to | 6 |
toward the left | 6 |
is nothing left | 6 |
there are no | 6 |
see how the | 6 |
the corner of | 6 |
to take care | 6 |
is it the | 6 |
and see the | 6 |
it to you | 6 |
will come back | 6 |
have i not | 6 |
away from her | 6 |
what is meant | 6 |
who was that | 6 |
how could you | 6 |
it seemed to | 6 |
angry at me | 6 |
his name is | 6 |
this i have | 6 |
the one that | 6 |
walking back and | 6 |
in this respect | 6 |
to find out | 6 |
and picks up | 6 |
comes out of | 6 |
anything to do | 6 |
at the beginning | 6 |
lot of people | 6 |
the ballet girl | 6 |
the face of | 6 |
could never have | 6 |
word to say | 6 |
in the mill | 6 |
to the man | 6 |
see that i | 6 |
it is better | 6 |
the joy of | 6 |
her by the | 6 |
but it will | 6 |
on the island | 6 |
what makes you | 6 |
and they have | 6 |
of god is | 6 |
you hear what | 6 |
has never been | 6 |
who said that | 6 |
you do it | 6 |
lying on the | 6 |
but we must | 6 |
the hand and | 6 |
and as a | 6 |
eyes of the | 6 |
chest of drawers | 6 |
have told you | 6 |
i have lost | 6 |
soon be here | 6 |
my father was | 6 |
into which i | 6 |
on this side | 6 |
into the fireplace | 6 |
you dare to | 6 |
a sense of | 6 |
what i say | 6 |
pacing back and | 6 |
as you do | 6 |
do is to | 6 |
and one of | 6 |
here we have | 6 |
does it not | 6 |
the street door | 6 |
her arms around | 6 |
who is coming | 6 |
reason why i | 6 |
to talk of | 6 |
in connection with | 6 |
the front of | 6 |
the body of | 6 |
in the mirror | 6 |
i asked you | 6 |
you thinking of | 6 |
come to think | 6 |
an eye on | 6 |
at this time | 6 |
the courage to | 6 |
the form of | 6 |
a few words | 6 |
all of it | 6 |
when he was | 6 |
piece of advice | 6 |
as a man | 6 |
put the blame | 6 |
are said to | 6 |
nothing of that | 6 |
each other at | 6 |
the tops of | 6 |
who i am | 6 |
a touch of | 6 |
the time when | 6 |
do you still | 6 |
five years ago | 6 |
of the city | 6 |
same time he | 6 |
anders persson of | 6 |
kind of people | 6 |
reason i have | 6 |
look at your | 6 |
they call it | 6 |
are you talking | 6 |
of your life | 6 |
since i was | 6 |
you will not | 6 |
as i do | 6 |
put in a | 6 |
they will be | 6 |
alice and curt | 6 |
music is heard | 6 |
the like of | 6 |
in the papers | 6 |
never have believed | 6 |
whom you have | 6 |
out for a | 6 |
you think you | 6 |
hand as if | 6 |
she does not | 6 |
on his face | 6 |
two years ago | 6 |
you are at | 6 |
at the window | 6 |
take a look | 6 |
them in the | 6 |
she puts her | 6 |
of master olof | 6 |
picking up the | 6 |
and what are | 6 |
in the closet | 6 |
be sure that | 6 |
then he has | 6 |
it is for | 6 |
i am beginning | 6 |
all this time | 6 |
on the bench | 6 |
hand up to | 6 |
takes off his | 6 |
takes a seat | 6 |
first scene of | 6 |
to thank you | 6 |
she has not | 6 |
here we are | 6 |
speak to me | 6 |
want to play | 6 |
you say anything | 6 |
the blame on | 6 |
so much for | 6 |
of the soul | 6 |
me one thing | 6 |
i am here | 6 |
the bed and | 6 |
olof remains silent | 6 |
can hear it | 6 |
think he is | 6 |
know nothing at | 6 |
it will not | 6 |
you have made | 6 |
the fall of | 6 |
afraid of me | 6 |
the room and | 6 |
which he had | 6 |
the kind that | 6 |
what you said | 6 |
but no one | 6 |
care of your | 6 |
then we are | 6 |
all of you | 6 |
you are getting | 6 |
all the same | 6 |
part of his | 6 |
look at her | 6 |
for the first | 6 |
thing like that | 6 |
looked as if | 6 |
was a man | 6 |
wanted me to | 6 |
the place of | 6 |
living in the | 6 |
you were when | 6 |
at the head | 6 |
where do you | 6 |
to the end | 6 |
to speak to | 6 |
care to be | 6 |
not allowed to | 6 |
am beginning to | 6 |
now it is | 6 |
and so it | 6 |
it was that | 6 |
she rises and | 6 |
the king will | 6 |
i might have | 6 |
if i told | 6 |
i had not | 6 |
if there be | 6 |
and now it | 6 |
have a chance | 6 |
you have lost | 6 |
i cannot understand | 6 |
door of the | 6 |
what you want | 6 |
to play with | 6 |
the time of | 6 |
the wife of | 6 |
the door to | 6 |
of the matter | 6 |
is that a | 6 |
had to do | 6 |
to wait for | 6 |
of all human | 6 |
have you really | 6 |
he is dead | 6 |
the vestry board | 6 |
and listen to | 6 |
and yet we | 6 |
i can no | 6 |
we have not | 6 |
here he comes | 6 |
the doorway at | 6 |
have to wait | 6 |
i have said | 6 |
it is no | 6 |
did i say | 6 |
she is not | 6 |
of the prince | 6 |
one of us | 6 |
i beg your | 6 |
on the walls | 6 |
and go to | 6 |
i have my | 6 |
when he comes | 6 |
ever see such | 6 |
is followed by | 6 |
been guilty of | 6 |
you get it | 6 |
i am always | 6 |
i shall ask | 6 |
you for the | 6 |
the life of | 6 |
a cup of | 6 |
is about to | 6 |
and see that | 6 |
foot of the | 6 |
may i ask | 6 |
windows in the | 6 |
with his hand | 6 |
it not be | 6 |
and hands it | 6 |
that my redeemer | 6 |
of a man | 6 |
have reason to | 6 |
i thought the | 6 |
to make you | 6 |
how could i | 6 |
of the open | 6 |
we shall be | 6 |
not the least | 6 |
in the dining | 6 |
for us to | 6 |
got hold of | 6 |
should have to | 6 |
who has done | 6 |
does he want | 6 |
too much for | 6 |
here is my | 6 |
there are a | 6 |
ought not to | 6 |
a man is | 6 |
no longer be | 6 |
let you go | 6 |
you not going | 6 |
as you say | 6 |
the telegraph receiver | 6 |
there was something | 6 |
the result of | 6 |
so we have | 6 |
just think of | 6 |
i hate you | 6 |
in the presence | 6 |
and look at | 6 |
can feel it | 6 |
to whom you | 6 |
think that you | 6 |
to the devil | 6 |
he carries a | 6 |
the way you | 6 |
to know that | 6 |
it was only | 6 |
can hardly be | 6 |
you to do | 6 |
for a new | 6 |
the meantime the | 6 |
he begins to | 6 |
on either side | 6 |
is a little | 6 |
i got to | 6 |
the whole country | 6 |
is it a | 6 |
the table is | 6 |
it be possible | 6 |
there is not | 6 |
are we not | 6 |
have to get | 6 |
tell me what | 6 |
that you might | 6 |
with the rest | 6 |
want to die | 6 |
may the lord | 6 |
i wish you | 6 |
and so he | 6 |
i am an | 6 |
to a certain | 6 |
to the point | 6 |
not long ago | 6 |
i am only | 6 |
am to be | 6 |
the way to | 6 |
are you sure | 6 |
who is not | 6 |
to her mother | 6 |
in the open | 6 |
that the king | 6 |
for it was | 6 |
like to see | 6 |
the wind is | 6 |
from his pocket | 6 |
raising his voice | 6 |
it will soon | 6 |
out of me | 6 |
is not so | 6 |
one by one | 6 |
god have mercy | 6 |
i am looking | 6 |
now there is | 6 |
she seats herself | 6 |
by the arm | 6 |
understand what you | 6 |
in a way | 6 |
as if my | 6 |
straight in the | 6 |
to go with | 6 |
i went to | 6 |
the open sea | 6 |
have the right | 6 |
not a word | 6 |
look after my | 6 |
in my dreams | 6 |
in a single | 6 |
sitting at the | 6 |
go right on | 6 |
as a child | 6 |
the light of | 6 |
which i am | 6 |
picks up a | 6 |
you were not | 6 |
his own life | 6 |
and no one | 6 |
here in a | 6 |
that sort of | 6 |
for the moment | 6 |
no more than | 6 |
of the other | 6 |
what does the | 6 |
enters through the | 6 |
what is to | 6 |
for that is | 6 |
listen to him | 6 |
when it was | 6 |
who wants to | 6 |
was he who | 6 |
he goes toward | 6 |
then she takes | 6 |
of his first | 6 |
on your own | 6 |
but why do | 6 |
and she has | 6 |
now i can | 6 |
he was in | 6 |
worst of it | 6 |
and he who | 6 |
i have noticed | 6 |
and it seems | 6 |
i know how | 6 |
he used to | 6 |
you shall be | 6 |
are not the | 6 |
a little of | 6 |
never seen him | 6 |
you can hear | 6 |
in the midst | 6 |
it was my | 6 |
close to the | 6 |
is it to | 6 |
you believe me | 6 |
in her hands | 6 |
into the fire | 6 |
the memory of | 6 |
that was not | 6 |
what i said | 6 |
you as i | 6 |
is the king | 6 |
with me to | 6 |
he is still | 6 |
but do not | 6 |
front of her | 6 |
and not the | 6 |
and if it | 6 |
makes a gesture | 6 |
coat of arms | 6 |
but first of | 6 |
the second scene | 6 |
is too much | 6 |
although i am | 6 |
give it to | 6 |
keep an eye | 6 |
the servant girl | 6 |
you were in | 6 |
angry with me | 6 |
they go toward | 6 |
so it is | 6 |
now i want | 6 |
in the other | 6 |
you would be | 6 |
did you notice | 6 |
his hand on | 6 |
plays by august | 6 |
who is this | 6 |
to put the | 6 |
permit me to | 6 |
but we are | 6 |
a few minutes | 6 |
you think there | 6 |
wall of the | 6 |
perhaps i may | 6 |
most of all | 6 |
of our own | 6 |
the laws of | 6 |
the midst of | 6 |
say that he | 6 |
too much of | 6 |
you forgive me | 6 |
have been there | 6 |
shame on you | 6 |
on the coffin | 6 |
of the night | 6 |
is there to | 6 |
were in the | 6 |
now i must | 6 |
way to the | 6 |
persson of rankhyttan | 6 |
the dead man | 6 |
the table with | 6 |
but what is | 6 |
is no longer | 6 |
of you to | 6 |
i believe that | 6 |
on which are | 6 |
it is impossible | 6 |
in the easy | 6 |
to your mother | 6 |
spot of light | 6 |
am not the | 6 |
and a little | 6 |
want you to | 6 |
through the windows | 6 |
nothing about it | 6 |
in the past | 6 |
what it was | 6 |
the metrical version | 6 |
maurice and henriette | 6 |
the worst of | 6 |
i had never | 6 |
ashamed of yourself | 6 |
god be with | 6 |
it will come | 6 |
are done with | 6 |
to get rid | 6 |
i want you | 6 |
of other people | 6 |
we to do | 6 |
tell me that | 6 |
you think a | 6 |
may have been | 5 |
was a good | 5 |
for a long | 5 |
you willing to | 5 |
he raises the | 5 |
woe to us | 5 |
it is what | 5 |
to the mother | 5 |
i am very | 5 |
gesture as if | 5 |
almost as if | 5 |
me with the | 5 |
her in the | 5 |
and i cannot | 5 |
there you have | 5 |
had been the | 5 |
so full of | 5 |
second scene of | 5 |
i have long | 5 |
the hanseatic office | 5 |
the honour of | 5 |
has gone to | 5 |
which has been | 5 |
you will see | 5 |
it makes me | 5 |
but when he | 5 |
waiting for me | 5 |
on the whole | 5 |
it is hard | 5 |
is just what | 5 |
then it must | 5 |
for his sake | 5 |
it is this | 5 |
think he has | 5 |
the power of | 5 |
think i would | 5 |
and the man | 5 |
to figure out | 5 |
accordance with the | 5 |
of the family | 5 |
have been taken | 5 |
up with a | 5 |
the whole thing | 5 |
to be settled | 5 |
of the doorway | 5 |
i thought so | 5 |
to take place | 5 |
it seems as | 5 |
can i tell | 5 |
i thought it | 5 |
then he goes | 5 |
i have taken | 5 |
as i had | 5 |
the picture of | 5 |
we get to | 5 |
into his arms | 5 |
so i guess | 5 |
in the second | 5 |
in store for | 5 |
and throws them | 5 |
at the edge | 5 |
him out of | 5 |
for the children | 5 |
and a pair | 5 |
and who has | 5 |
you have suffered | 5 |
city of luebeck | 5 |
to hurt you | 5 |
we are all | 5 |
thure and his | 5 |
it was so | 5 |
i first met | 5 |
and what does | 5 |
is found in | 5 |
himself in the | 5 |
but with a | 5 |
wife and children | 5 |
not so much | 5 |
because i love | 5 |
as you may | 5 |
the background and | 5 |
but what can | 5 |
think of the | 5 |
mean that i | 5 |
you heard that | 5 |
want to hear | 5 |
for the purpose | 5 |
my name is | 5 |
up on the | 5 |
look out for | 5 |
i had better | 5 |
you have heard | 5 |
is not to | 5 |
you have taken | 5 |
and now the | 5 |
she was a | 5 |
if i may | 5 |
the ringing of | 5 |
she takes out | 5 |
form of a | 5 |
to make me | 5 |
trying to get | 5 |
to look after | 5 |
what have we | 5 |
standing by the | 5 |
begins to read | 5 |
sooner or later | 5 |
who has put | 5 |
to the front | 5 |
ask him to | 5 |
in need of | 5 |
stands in the | 5 |
the child to | 5 |
will you let | 5 |
be seen by | 5 |
to the first | 5 |
the first and | 5 |
care of the | 5 |
but i want | 5 |
to close the | 5 |
to the people | 5 |
and then to | 5 |
looking for a | 5 |
on the chair | 5 |
of that man | 5 |
am glad to | 5 |
sings melody no | 5 |
it depends on | 5 |
let me tell | 5 |
on midsummer eve | 5 |
could not have | 5 |
in the spring | 5 |
now we are | 5 |
they had been | 5 |
it is you | 5 |
you are no | 5 |
i am old | 5 |
it feels as | 5 |
do for you | 5 |
place in the | 5 |
and puts it | 5 |
a bunch of | 5 |
hold of her | 5 |
on behalf of | 5 |
to become a | 5 |
to live in | 5 |
that the lord | 5 |
i was thinking | 5 |
never dared to | 5 |
then i thought | 5 |
the study of | 5 |
be said to | 5 |
look at my | 5 |
a moment in | 5 |
and that of | 5 |
have made a | 5 |
seen in the | 5 |
is on the | 5 |
look for it | 5 |
and takes the | 5 |
if he should | 5 |
of the tables | 5 |
in place of | 5 |
what he says | 5 |
if you would | 5 |
there was nothing | 5 |
thing to do | 5 |
let it go | 5 |
been up to | 5 |
the swedish people | 5 |
to the public | 5 |
why i have | 5 |
to the theatre | 5 |
you may have | 5 |
you should not | 5 |
to the balustrade | 5 |
from the start | 5 |
of a great | 5 |
to blame for | 5 |
herself on the | 5 |
this reason i | 5 |
speak to you | 5 |
right in the | 5 |
see what is | 5 |
this is what | 5 |
and the young | 5 |
so you know | 5 |
than i know | 5 |
well as in | 5 |
am ashamed of | 5 |
in which i | 5 |
then we shall | 5 |
he should be | 5 |
look as if | 5 |
my dear child | 5 |
for then he | 5 |
you are doing | 5 |
we are saying | 5 |
a gesture as | 5 |
and now he | 5 |