This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
do you know what | 50 |
i am going to | 44 |
in front of the | 41 |
what do you mean | 38 |
and for that reason | 30 |
for the sake of | 30 |
on the other hand | 27 |
it seems to me | 25 |
do you think i | 25 |
do you know that | 25 |
at the same time | 24 |
i should like to | 24 |
what do you think | 24 |
what do you want | 23 |
the middle of the | 22 |
goes out to the | 21 |
you want me to | 21 |
sits down at the | 21 |
it is as if | 20 |
out to the right | 20 |
in the middle of | 20 |
in the name of | 19 |
the door in the | 19 |
the name of the | 19 |
out to the left | 19 |
goes to the door | 19 |
are to be pitied | 18 |
goes over to the | 18 |
are crimes and crimes | 18 |
is heard from the | 17 |
there are crimes and | 17 |
do you want to | 17 |
do you mean to | 17 |
enters from the right | 17 |
enters from the left | 16 |
what am i to | 16 |
are you going to | 16 |
in the same way | 16 |
i am not going | 15 |
as if i were | 15 |
the door at the | 15 |
have a look at | 14 |
he goes to the | 14 |
talk of something else | 14 |
down at the table | 14 |
i have never seen | 14 |
door in the rear | 14 |
to me as if | 13 |
anders persson and mons | 13 |
the door on the | 13 |
such a lot of | 13 |
on the second floor | 13 |
i am afraid of | 13 |
go out to the | 13 |
goes up to the | 13 |
do you know who | 13 |
persson and mons nilsson | 13 |
the right of the | 12 |
let us talk of | 12 |
am not going to | 12 |
as if you were | 12 |
the centre of the | 12 |
the end of the | 12 |
what do you say | 12 |
that kind of thing | 12 |
there is nothing to | 12 |
there is only one | 12 |
as if it had | 11 |
in a low voice | 11 |
now i am going | 11 |
the life out of | 11 |
door in the background | 11 |
the left of the | 11 |
so that i can | 11 |
she goes to the | 11 |
am i to do | 11 |
door at the right | 11 |
out of the window | 10 |
and now i am | 10 |
enters from the background | 10 |
what does it matter | 10 |
and do you know | 10 |
you are thinking of | 10 |
get out of here | 10 |
middle of the floor | 10 |
do you want me | 10 |
get away from here | 10 |
on one of the | 10 |
that is to say | 10 |
it was i who | 10 |
at the foot of | 10 |
what are you doing | 10 |
but i am not | 10 |
to get out of | 9 |
as if it were | 9 |
you think i am | 9 |
i shall have to | 9 |
the child in white | 9 |
what does that mean | 9 |
you mean to say | 9 |
give me your hand | 9 |
seems to have been | 9 |
what have you to | 9 |
through the door in | 9 |
to the right of | 9 |
for that reason i | 9 |
more than i can | 9 |
and for this reason | 9 |
door on the right | 9 |
front of the house | 9 |
anything of the kind | 9 |
the judge and the | 9 |
what can i do | 9 |
sits down on the | 9 |
did you ever see | 9 |
on account of the | 9 |
do you think of | 9 |
what is the matter | 9 |
what kind of a | 9 |
do you think he | 9 |
where did you get | 9 |
i thank you for | 9 |
once upon a time | 9 |
stops in front of | 9 |
it was you who | 9 |
the dance of death | 9 |
i can tell you | 8 |
in half an hour | 8 |
you are to be | 8 |
the auberge des adrets | 8 |
i want to go | 8 |
and the old lady | 8 |
the song of the | 8 |
in a state of | 8 |
in front of it | 8 |
how do you know | 8 |
as if he were | 8 |
i have come to | 8 |
at the sight of | 8 |
the rest of the | 8 |
that you are a | 8 |
you know that the | 8 |
where are you going | 8 |
this is not the | 8 |
you know what that | 8 |
in regard to the | 8 |
but now i am | 8 |
do you know why | 8 |
to the door at | 8 |
what do i care | 8 |
there will be no | 8 |
you will have to | 8 |
you are a man | 8 |
you may be sure | 8 |
do you believe that | 8 |
so that i may | 8 |
can you tell me | 8 |
what have you done | 8 |
if it had been | 8 |
if you only knew | 8 |
so much the better | 8 |
for the last time | 8 |
if i could only | 8 |
appears in the doorway | 8 |
i cannot do it | 8 |
sign of the cross | 8 |
the sign of the | 8 |
bear in mind that | 8 |
and that was the | 7 |
you think i can | 7 |
as if i had | 7 |
have no right to | 7 |
to the door and | 7 |
in order to get | 7 |
but do you know | 7 |
do you think so | 7 |
to think of it | 7 |
you know what i | 7 |
i think it would | 7 |
for a few moments | 7 |
it is too late | 7 |
it is to be | 7 |
catches sight of the | 7 |
and goes up to | 7 |
i feel as if | 7 |
a noise is heard | 7 |
the same kind of | 7 |
and there is a | 7 |
seems to me that | 7 |
one of the most | 7 |
what do you see | 7 |
he goes out to | 7 |
in the way of | 7 |
that i am not | 7 |
the sun is shining | 7 |
there can be no | 7 |
baron and the baroness | 7 |
but i have not | 7 |
it was as if | 7 |
come to an end | 7 |
you ought to be | 7 |
us talk of something | 7 |
have a feeling that | 7 |
mean to say that | 7 |
on the left side | 7 |
to do with the | 7 |
in one of the | 7 |
the baron and the | 7 |
goes out through the | 7 |
with an expression of | 7 |
what are you saying | 7 |
seems to me as | 7 |
and i had to | 7 |
it looks as if | 7 |
let us get away | 7 |
you know what is | 7 |
and it is not | 7 |
a glass of water | 7 |
men are to be | 7 |
i think you are | 7 |
with the help of | 7 |
to the left of | 7 |
what does it mean | 7 |
all of a sudden | 7 |
and now you are | 7 |
ought to be ashamed | 7 |
the edge of the | 7 |
is going to be | 7 |
the church of st | 7 |
what are we to | 7 |
the sake of the | 7 |
a part of the | 7 |
the head of the | 7 |
if it were a | 7 |
and what do you | 7 |
on the other side | 7 |
do you think the | 7 |
and hands it to | 6 |
anders persson of rankhyttan | 6 |
nothing of that kind | 6 |
the spot of light | 6 |
judge and the old | 6 |
do you know how | 6 |
my redeemer still liveth | 6 |
i can see that | 6 |
you want to be | 6 |
will have to be | 6 |
i beg your pardon | 6 |
in the doorway at | 6 |
walking back and forth | 6 |
to get away from | 6 |
and you are not | 6 |
and for that matter | 6 |
i am to be | 6 |
the door of the | 6 |
know what it is | 6 |
in front of her | 6 |
get out of this | 6 |
do you think it | 6 |
like that of a | 6 |
i have a feeling | 6 |
in the first scene | 6 |
do you think that | 6 |
out through the door | 6 |
how am i to | 6 |
heard from the outside | 6 |
so much for that | 6 |
what did you say | 6 |
he sits down at | 6 |
that my redeemer still | 6 |
am i to get | 6 |
i have never been | 6 |
the same time he | 6 |
what did he say | 6 |
know that you are | 6 |
the door to the | 6 |
in the presence of | 6 |
out through the window | 6 |
should like to have | 6 |
of the same kind | 6 |
one of the windows | 6 |
going to have a | 6 |
to the old lady | 6 |
goes to the bed | 6 |
you had better not | 6 |
but first of all | 6 |
at the left of | 6 |
first scene of the | 6 |
there is nothing left | 6 |
to one of the | 6 |
and i have to | 6 |
it will soon be | 6 |
they go toward the | 6 |
i sit here and | 6 |
if you could only | 6 |
a lot of people | 6 |
to take care of | 6 |
to be afraid of | 6 |
but there is no | 6 |
at one of the | 6 |
the members of the | 6 |
in the meantime the | 6 |
at the right is | 6 |
there is a door | 6 |
pacing back and forth | 6 |
for the first time | 6 |
you seem to be | 6 |
how do you like | 6 |
i am beginning to | 6 |
i can hear the | 6 |
do you think she | 6 |
the first scene of | 6 |
feel as if i | 6 |
i am not the | 6 |
think it would be | 6 |
at the head of | 6 |
in the midst of | 6 |
it has to be | 6 |
keep an eye on | 6 |
comes out of the | 6 |
goes toward the door | 6 |
know who i am | 6 |
how did you get | 6 |
what is it you | 6 |
it ought to be | 6 |
in the centre of | 6 |
and goes to the | 6 |
god be with you | 6 |
plays by august strindberg | 6 |
enters from the rear | 6 |
what are you going | 6 |
know nothing at all | 6 |
door at the left | 6 |
us get away from | 6 |
name of the lord | 6 |
anything to do with | 6 |
i have never heard | 6 |
are we to do | 6 |
you ever see such | 6 |
to get rid of | 6 |
you not going to | 6 |
but it does not | 6 |
what can be done | 6 |
the foot of the | 6 |
as if she were | 6 |
are you not going | 6 |
it was he who | 6 |
but i have a | 5 |
door leading to the | 5 |
in the round room | 5 |
should like to see | 5 |
in so far as | 5 |
i am sorry for | 5 |
as if she had | 5 |
as the curtain rises | 5 |
i can no longer | 5 |
have a right to | 5 |
what is meant by | 5 |
is said to have | 5 |
what was it you | 5 |
her face in her | 5 |
am afraid of you | 5 |
i am ashamed of | 5 |
to me like a | 5 |
and this is the | 5 |
why do you ask | 5 |
to the door on | 5 |
in from the left | 5 |
on top of the | 5 |
i have had to | 5 |
in accordance with the | 5 |
the will of god | 5 |
of the kind that | 5 |
to speak of the | 5 |
i know how to | 5 |
what do you know | 5 |
ever see such a | 5 |
if i can only | 5 |
and a pair of | 5 |
i know nothing at | 5 |
it will not be | 5 |
can hardly be called | 5 |
i have no right | 5 |
the form of a | 5 |
goes to the balustrade | 5 |
what have you been | 5 |
face in her hands | 5 |
windows in the background | 5 |
falls on her knees | 5 |
and i know that | 5 |
the way it is | 5 |
pure word of god | 5 |
it was nothing but | 5 |
the eyes of the | 5 |
that i had to | 5 |
second scene of the | 5 |
see that he is | 5 |
know what you mean | 5 |
is no reason why | 5 |
you have said it | 5 |
i am too old | 5 |
the right is a | 5 |
are heard from the | 5 |
or what do you | 5 |
there is no other | 5 |
i have tried to | 5 |
do you hear the | 5 |
do you really think | 5 |
sits down in the | 5 |
enter from the left | 5 |
in the first act | 5 |
you are going to | 5 |
for this reason i | 5 |
do you see how | 5 |
the like of it | 5 |
play the part of | 5 |
take care of your | 5 |
you mean that i | 5 |
because i love you | 5 |
but it will be | 5 |
one of the tables | 5 |
door on the left | 5 |
i want to get | 5 |
and then there is | 5 |
are you afraid of | 5 |
in the habit of | 5 |
you know what he | 5 |
it is hard to | 5 |
put the blame on | 5 |
and now i have | 5 |
let me tell you | 5 |
goes toward the right | 5 |
i asked you to | 5 |
and what are you | 5 |
you know who i | 5 |
sits down on a | 5 |
go back to your | 5 |
thure and his wife | 5 |
it is just as | 5 |
the presence of the | 5 |
i am glad to | 5 |
not been able to | 5 |
have you to say | 5 |
the corner of the | 5 |
i could never have | 5 |
hand up to his | 5 |
it feels as if | 5 |
could never have believed | 5 |
be ashamed of yourself | 5 |
it is he who | 5 |
the stage is darkened | 5 |
i know that you | 5 |
to have a look | 5 |
there are so many | 5 |
you had better go | 5 |
to go to bed | 5 |
not the work of | 5 |
am glad to hear | 5 |
and i am not | 5 |
tell you that you | 5 |
i tell you that | 5 |
the second scene of | 5 |
free city of luebeck | 5 |
that you have been | 5 |
i want you to | 5 |
but i think it | 5 |
you have had a | 5 |
i have not been | 5 |
to be ashamed of | 5 |
are you willing to | 5 |
to be in the | 5 |
the young lady is | 5 |
as i have already | 5 |
it looks like a | 5 |
what is your name | 5 |
is nothing but a | 5 |
the work of man | 5 |
have not been able | 5 |
can you see that | 5 |
a glass of wine | 5 |
on the same side | 5 |
be an end to | 5 |
the pure word of | 5 |
and it seems to | 5 |
edge of the sea | 5 |
he goes toward the | 5 |
you see that the | 5 |
you were when you | 5 |
and sits down on | 5 |
what is the meaning | 5 |
as long as the | 5 |
as well as in | 5 |
the sake of your | 5 |
if you were to | 5 |
to speak of it | 5 |
leaps to his feet | 5 |
is the meaning of | 5 |
at the edge of | 5 |
have the right to | 5 |
it is possible that | 5 |
god have mercy on | 5 |
i can feel it | 5 |
not telling the truth | 5 |
kisses him on the | 5 |
the door with the | 5 |
the worst of it | 5 |
down on a chair | 5 |
on the table and | 5 |
to get into the | 5 |
we shall have to | 5 |
a gesture as if | 5 |
you can see that | 5 |
of the criminal code | 5 |
down on the floor | 5 |
as i am not | 5 |
get out of it | 5 |
it seems as if | 5 |
would you care to | 5 |
he is going to | 5 |
to tell the truth | 5 |
who was it that | 5 |
when i first met | 5 |
what have i done | 5 |
and i have never | 5 |
i have nothing to | 5 |
is sitting at the | 5 |
that i am a | 5 |
of the play is | 5 |
and goes over to | 5 |
on account of his | 5 |
to play the part | 5 |
just as if i | 5 |
up to the table | 5 |
and i was to | 5 |
and in the meantime | 5 |
but it is not | 5 |
you see that he | 5 |
one of her hands | 5 |
are you so sure | 5 |
the other side of | 5 |
so far as i | 5 |
did you have to | 5 |
more than i know | 5 |
i want to see | 4 |
and there is the | 4 |
if there be any | 4 |
will be here soon | 4 |
you were born to | 4 |
do you wish to | 4 |
the peace of old | 4 |
even if it be | 4 |
at the feet of | 4 |
and now you want | 4 |
his hand to his | 4 |
is one of those | 4 |
the day after to | 4 |
but i want to | 4 |
where am i to | 4 |
he opens the door | 4 |
i know what you | 4 |
did you get your | 4 |
at the age of | 4 |
out of the room | 4 |
is not the work | 4 |
on top of it | 4 |
i have already said | 4 |
have you heard of | 4 |
a glance at the | 4 |
puts her arms around | 4 |
tell me why you | 4 |
a piece of advice | 4 |
by the rear door | 4 |
and how about the | 4 |
must listen to me | 4 |
the fact that the | 4 |
he must have been | 4 |
then i shall be | 4 |
i be of any | 4 |
a look at the | 4 |
the master of ceremonies | 4 |
she goes up to | 4 |
have a chance to | 4 |
the door and opens | 4 |
other side of the | 4 |
that it can be | 4 |
to go to the | 4 |
and i have been | 4 |
the part of a | 4 |
a pair of gloves | 4 |
i am so tired | 4 |
into the hands of | 4 |
if i am not | 4 |
in order that he | 4 |
and there is no | 4 |
as if he had | 4 |
behind one of the | 4 |
be of any help | 4 |
for a long time | 4 |
i command you to | 4 |
have you been doing | 4 |
the entry of the | 4 |
i suppose i must | 4 |
if i only knew | 4 |
it comes to the | 4 |
for that reason you | 4 |
going to be a | 4 |
little thing like that | 4 |
in that way i | 4 |
would it not be | 4 |
than all the rest | 4 |
as well as the | 4 |
why are you so | 4 |
and have a look | 4 |
you seem to have | 4 |
in charge of the | 4 |
want to go home | 4 |
get out of the | 4 |
sit down at the | 4 |
do you know him | 4 |
peace of old age | 4 |
takes hold of the | 4 |
think that i am | 4 |
if i tell you | 4 |
can it be possible | 4 |
table and begins to | 4 |
can you forgive me | 4 |
me out of the | 4 |
but i have no | 4 |
and i am sure | 4 |
did you say anything | 4 |
have anything to do | 4 |
heard in the distance | 4 |
do you think a | 4 |
you have never seen | 4 |
know what that means | 4 |
am going to die | 4 |
have to tell you | 4 |
the life of the | 4 |
the doorway at the | 4 |
the first one to | 4 |
you ought to know | 4 |
do you know the | 4 |
that would be a | 4 |
be here in a | 4 |
those of other people | 4 |
would have been a | 4 |
the free city of | 4 |
there ought to be | 4 |
in the next room | 4 |
thank you for it | 4 |
the hand of the | 4 |
the top of a | 4 |
have a lot of | 4 |
to a certain extent | 4 |
to the bed and | 4 |
how can i tell | 4 |
what we are saying | 4 |
when it comes to | 4 |
you must not be | 4 |
who is coming there | 4 |
what a lot of | 4 |
you ought to have | 4 |
very kind of you | 4 |
now i am tired | 4 |
there is no reason | 4 |
for that reason we | 4 |
for the same reason | 4 |
end of the table | 4 |
in order that the | 4 |
to the sheriff call | 4 |
to be the first | 4 |
appears in the hallway | 4 |
he picks up the | 4 |
seemed to me as | 4 |
you think there is | 4 |
i fear it is | 4 |
i see that you | 4 |
a number of times | 4 |
do you think we | 4 |
are thinking of the | 4 |
but i am also | 4 |
takes hold of his | 4 |
goes straight up to | 4 |
far as i can | 4 |
one of the casks | 4 |
is seated at the | 4 |
if you want to | 4 |
that you are not | 4 |
but you must not | 4 |
where have you been | 4 |
in the world of | 4 |
out of the way | 4 |
but there is one | 4 |
remains to be seen | 4 |
to see that the | 4 |
the king is coming | 4 |
wanted to run away | 4 |
what sort of a | 4 |
the only thing i | 4 |
you are the only | 4 |
you know that we | 4 |
is waiting for you | 4 |
far away from here | 4 |
out into the world | 4 |
there was a time | 4 |
have nothing to do | 4 |
i have to take | 4 |
that you have a | 4 |
that sort of thing | 4 |
in spite of all | 4 |
when i think of | 4 |
you think i would | 4 |
is lying on the | 4 |
you come with me | 4 |
so that i had | 4 |
i used to be | 4 |
when i look at | 4 |
in the rear and | 4 |
is to become of | 4 |
all the rest of | 4 |
let me have a | 4 |
as one of the | 4 |
falls to the ground | 4 |
and goes out to | 4 |
tell me one thing | 4 |
you know that i | 4 |
she goes out to | 4 |
that is just what | 4 |
i should say so | 4 |
as soon as i | 4 |
has been guilty of | 4 |
have mercy on us | 4 |
so that he can | 4 |
up to the bed | 4 |
dark grows the sky | 4 |
what kind of people | 4 |
i wonder if it | 4 |
used to be a | 4 |
down there in the | 4 |
do you believe in | 4 |
i must tell you | 4 |
seats himself at the | 4 |
if i were to | 4 |
and now it is | 4 |
enters and goes up | 4 |
you are trying to | 4 |
you tell me what | 4 |
why should you be | 4 |
there is one thing | 4 |
is more than i | 4 |
has in the meantime | 4 |
what do i see | 4 |
entry of the boyars | 4 |
know what to do | 4 |
glad to hear it | 4 |
i wish to see | 4 |
her in his arms | 4 |
can i be of | 4 |
mention the name of | 4 |
his arm around her | 4 |
know that i am | 4 |
take a look at | 4 |
to look at them | 4 |
in the hands of | 4 |
are you looking for | 4 |
in front of him | 4 |
olof andersson of wik | 4 |
i am tired of | 4 |
go to the devil | 4 |
so that i might | 4 |
the convent of vreta | 4 |
that has to be | 4 |
enter from the right | 4 |
i first met you | 4 |
how does he look | 4 |
is a door leading | 4 |
let me see if | 4 |
you must listen to | 4 |
his hand to the | 4 |
how do you mean | 4 |
in spite of everything | 4 |
she seems to be | 4 |
a moment in the | 4 |
either side of the | 4 |
it is true that | 4 |
when the curtain rises | 4 |
down on the sofa | 4 |
go away from me | 4 |
the master of quarantine | 4 |
what is to become | 4 |
it is not the | 4 |
let myself be fooled | 4 |
do you realise that | 4 |
back and forth in | 4 |
himself at the table | 4 |
to me that i | 4 |
the hands of the | 4 |
and begins to play | 4 |
what is the use | 4 |
bye for a while | 4 |
mons nilsson of aspeboda | 4 |
it would have been | 4 |
it used to be | 4 |
appears in the door | 4 |
i know nothing about | 4 |
i have been in | 4 |
the place de roquette | 4 |
the reason why i | 4 |
is the use of | 4 |
take care of yourself | 4 |
but this is not | 4 |
the art of living | 4 |
you think i have | 4 |
and the young lady | 4 |
what are you looking | 4 |
down at the writing | 4 |
will you let me | 4 |
you seen anything of | 4 |
door and opens it | 4 |
into the arms of | 4 |
on board the boat | 4 |
at the table and | 4 |
appears at the right | 4 |
from time to time | 4 |
if you care to | 4 |
i think it is | 4 |
what was that you | 4 |
do you see that | 4 |
not allowed to be | 4 |
to go with you | 4 |
the bois de boulogne | 4 |
at a time when | 4 |
you want to play | 4 |
in connection with the | 4 |
as i have always | 4 |
are you doing here | 4 |
tell you that i | 4 |
the matter with you | 4 |
to make sure that | 4 |
i cannot deny that | 4 |
than i can tell | 4 |
over to the captain | 4 |
it is not easy | 4 |
have i got to | 4 |
by the hand and | 4 |
we are going to | 4 |
enters from behind the | 4 |
you must be a | 4 |
then there will be | 4 |
a good deal more | 4 |
you are my friend | 4 |
what do you hear | 4 |
for a moment in | 4 |
let me help you | 4 |
a little thing like | 4 |
do you see now | 4 |
in front of kersti | 4 |
tell you what i | 4 |
entering from the rear | 4 |
it would be better | 4 |
do you think you | 4 |
the daughter and the | 4 |
i suppose you have | 4 |
at that moment the | 4 |
with denmark and norway | 4 |
as if you had | 4 |
goes up to her | 4 |
to listen to you | 4 |
a little better than | 4 |
i thought i might | 4 |
around the neck of | 4 |
and that is why | 4 |
you tell me why | 4 |
hands it to the | 4 |
the last time i | 4 |
you going to do | 4 |
did you get it | 4 |
are you thinking of | 4 |
at the end of | 4 |
one hundred thousand francs | 4 |
noise is heard outside | 4 |
what in the world | 4 |
and bear in mind | 4 |
let it go at | 4 |
the name of christ | 4 |
should be able to | 4 |
i am sorry to | 4 |
know anything at all | 4 |
has been turned into | 4 |
they go out to | 4 |
see that you have | 4 |
seated at the table | 4 |
i hope you will | 4 |
door in the floor | 4 |
but why do you | 4 |
is the matter with | 4 |
i am jealous of | 4 |
and if he should | 4 |
and look at the | 4 |
one who has been | 4 |
barbro and the children | 4 |
may be sure that | 4 |
at the beginning of | 4 |
in such a way | 4 |
out of the question | 4 |
do you know where | 4 |
have been told that | 4 |
the time when the | 4 |
set fire to the | 4 |
nothing to do with | 4 |
what are you talking | 4 |
takes her by the | 4 |
the boat at the | 4 |
is that you are | 4 |
the man who has | 4 |
of the vestry board | 4 |
to be able to | 4 |
i must admit that | 4 |
front of the door | 4 |
through the rear door | 4 |
you only knew how | 4 |
arch of the doorway | 4 |
have never seen him | 4 |
just think of it | 4 |
i should have to | 4 |
to his feet and | 4 |
you think of it | 4 |
i suppose it is | 4 |
is not easy to | 4 |
on either side of | 4 |
i have told you | 4 |
stupid you were when | 4 |
and you have to | 4 |
i thought you had | 4 |
all i can do | 4 |
why do you think | 4 |
now i want to | 4 |
you think she will | 4 |
but i believe it | 4 |
i had a friend | 4 |
the left side of | 4 |
then she goes to | 3 |
want to go to | 3 |
you look like a | 3 |
why did you marry | 3 |
do you want anything | 3 |
got hold of the | 3 |
the inside of the | 3 |
that he is still | 3 |
almost as if i | 3 |
that i can hear | 3 |
from the right and | 3 |
going to get married | 3 |
and all the rest | 3 |
speak of it as | 3 |
has been watching her | 3 |
sure that you are | 3 |
the doorway in the | 3 |
be angry with me | 3 |
you at the same | 3 |
and yet we are | 3 |
it is the god | 3 |
to see that you | 3 |
that i was too | 3 |
it is not enough | 3 |
he was an idiot | 3 |
is pacing back and | 3 |
that i know of | 3 |
you will soon see | 3 |
so that i could | 3 |
you know what the | 3 |
the garden of eden | 3 |
you good in stead | 3 |
it is not wise | 3 |
not for the sake | 3 |
i let you go | 3 |
in which you have | 3 |
from the left with | 3 |
i am hoping that | 3 |
here is the contract | 3 |
going to the king | 3 |
and yet it is | 3 |
to look at it | 3 |
in the spring of | 3 |
the final metrical version | 3 |
because he had made | 3 |
in the fall of | 3 |
a case like this | 3 |
you feel at home | 3 |
meaning of all this | 3 |
go away from you | 3 |
a look at you | 3 |
marvellous man of god | 3 |
why should it be | 3 |
i can feel the | 3 |
the heads of the | 3 |
shall have the right | 3 |
heard from the church | 3 |
when i came here | 3 |
olof and lars andersson | 3 |
an audience with the | 3 |
and while you are | 3 |
a lot of money | 3 |
white and pink roses | 3 |
the hand and leads | 3 |
do you hear that | 3 |
the war of liberation | 3 |
is to be a | 3 |
know what i am | 3 |
i have always had | 3 |
i think you have | 3 |
with a lot of | 3 |
he who feeds the | 3 |
go toward the door | 3 |
who have had to | 3 |
you know what you | 3 |
what has he been | 3 |
all at birth and | 3 |
they know not what | 3 |
and all i can | 3 |
are you talking of | 3 |
come to think of | 3 |
you should not be | 3 |
i think i have | 3 |
but all the same | 3 |
an introduction by edwin | 3 |
his hand as if | 3 |
expected it to be | 3 |
are of the same | 3 |
in a sort of | 3 |
it so hard to | 3 |
so you know that | 3 |
to say to you | 3 |
so that you may | 3 |
on the right and | 3 |
here we have the | 3 |
how it can be | 3 |
and you have never | 3 |
his hand on his | 3 |
peace of the lord | 3 |
and puts one hand | 3 |
he seems to be | 3 |
i was not born | 3 |
i have been there | 3 |
must have been in | 3 |
was that you said | 3 |
you say is true | 3 |
and now i want | 3 |
at each other in | 3 |
give you this ring | 3 |
was a good and | 3 |
but not a sound | 3 |
and goes toward the | 3 |
with the sanction of | 3 |
he cut off the | 3 |
learned to keep silent | 3 |
nod in the blowing | 3 |
i was a child | 3 |
and why should i | 3 |
it depends on the | 3 |
and then i shall | 3 |
to the master of | 3 |
see such a lot | 3 |
of the rear wall | 3 |
at this late hour | 3 |
you were going to | 3 |
goes to the window | 3 |
with a suggestion of | 3 |
the reason why we | 3 |
feel at home in | 3 |
lord be with you | 3 |
that he has been | 3 |
as if we were | 3 |
am going to tell | 3 |
christian ii of denmark | 3 |
to be brought up | 3 |
beside the body of | 3 |
want to listen to | 3 |
what did i say | 3 |
to close the door | 3 |
the province of dalecarlia | 3 |
give me a glass | 3 |
the chair of state | 3 |
door of the hut | 3 |
will of god be | 3 |
but now i have | 3 |
more than you can | 3 |
if i say that | 3 |
to come back here | 3 |
go away from here | 3 |
the lady in white | 3 |
but you are a | 3 |
seems almost as if | 3 |
do you good in | 3 |
as it is possible | 3 |
but do you think | 3 |
born with a caul | 3 |
just as good as | 3 |
is not telling the | 3 |
be of any service | 3 |
is my task to | 3 |
the same time the | 3 |
he been doing in | 3 |
sinks down on the | 3 |
i am forced to | 3 |
it is my task | 3 |
there will be an | 3 |
of the house and | 3 |
the rank of major | 3 |
at the bottom of | 3 |
you are a beast | 3 |
want to live any | 3 |
how many times have | 3 |
who is going to | 3 |
say that i have | 3 |
as you are now | 3 |
he is guilty of | 3 |
to run away from | 3 |
the old lady is | 3 |
at the risk of | 3 |
have you seen anything | 3 |
of it any more | 3 |
do you think there | 3 |
i got to do | 3 |
the light of the | 3 |
looks as if it | 3 |
from the lips of | 3 |
toward the background and | 3 |
from behind one of | 3 |
the chair to the | 3 |
in time with the | 3 |
you explain why you | 3 |
if i had not | 3 |
came to an end | 3 |
in the hyacinth room | 3 |
a servant of the | 3 |
that remains to be | 3 |
she has on a | 3 |
out through the rear | 3 |
want to tell you | 3 |
are a lot of | 3 |
the two of you | 3 |
i am not familiar | 3 |
never be able to | 3 |
we must have a | 3 |
the sake of our | 3 |
it be possible that | 3 |
of a man is | 3 |
her handkerchief to her | 3 |
up and begins to | 3 |
the carriage is waiting | 3 |
out his hand to | 3 |
wished the life out | 3 |
me into the water | 3 |
to the end of | 3 |
it hurts me to | 3 |
entering from the right | 3 |
kisses her on the | 3 |
and in that way | 3 |
me to go with | 3 |
they say that he | 3 |
to the bottom of | 3 |
but you had better | 3 |
a door in the | 3 |
the list of characters | 3 |
the comedy of tobit | 3 |
then i want to | 3 |
when you were a | 3 |
chair and sits down | 3 |
have you heard the | 3 |
out on the sidewalk | 3 |
every bit of it | 3 |
you come and play | 3 |
look after my children | 3 |
mine has been turned | 3 |
it is easy to | 3 |
a thing like this | 3 |
so far as he | 3 |
go out into the | 3 |
do you like her | 3 |
good and noble man | 3 |
she is a little | 3 |
to curt listen to | 3 |
can you doubt it | 3 |
i know what to | 3 |
is as if the | 3 |
we are done with | 3 |
in front of a | 3 |
come with me to | 3 |
i have noticed that | 3 |
you talk like that | 3 |
at the intimate theatre | 3 |
as long as i | 3 |
but as a rule | 3 |
i suppose there are | 3 |
life out of us | 3 |
there is plenty of | 3 |
the background is raised | 3 |
and does not answer | 3 |
is just as well | 3 |
a chair and sits | 3 |
other god but he | 3 |
a man of my | 3 |
what is that i | 3 |
there has been no | 3 |
it seems almost as | 3 |
do you know to | 3 |
the deans of the | 3 |
you must have been | 3 |
what does he want | 3 |
finger across his lips | 3 |
now i shall have | 3 |
more than anything else | 3 |
of the lord has | 3 |
the curtain with his | 3 |
have you not seen | 3 |
the meaning of all | 3 |
is to be seen | 3 |
you see that they | 3 |
in the distance melody | 3 |
first of all i | 3 |
opposite each other at | 3 |
as one who has | 3 |
and you had to | 3 |
is in store for | 3 |
and you ought to | 3 |
bracelet out of the | 3 |
now i know what | 3 |
of anders persson and | 3 |
could be such a | 3 |
to curt now he | 3 |
asleep on a chair | 3 |
on a chair beside | 3 |
now i am free | 3 |
from the poetic edda | 3 |
no other god but | 3 |
in company with a | 3 |
the left stands a | 3 |
i am no longer | 3 |
such an extent that | 3 |
because i am not | 3 |
is one of the | 3 |
a gust of wind | 3 |
the spot of sunlight | 3 |
what is it i | 3 |
there is to be | 3 |
but i have been | 3 |
ought to be the | 3 |
over there on the | 3 |
up to his heart | 3 |
it had to come | 3 |
of her hand and | 3 |
forgive me that you | 3 |
you happen to be | 3 |
in a different way | 3 |
you have a way | 3 |
i have learned from | 3 |
go to the city | 3 |
say that i was | 3 |
at the table on | 3 |
i was talking of | 3 |
then we can talk | 3 |
as well as by | 3 |
you see that i | 3 |
as if speaking to | 3 |
you have to tell | 3 |
his arms about her | 3 |
is it all right | 3 |
been running around with | 3 |
a sign to the | 3 |
how much do you | 3 |
the apartment on the | 3 |
you so sure of | 3 |
is it possible that | 3 |
i do not know | 3 |
i can hardly be | 3 |
be found in the | 3 |
my mother and my | 3 |
the road to the | 3 |
be a lot of | 3 |
you are a thief | 3 |
paper in his hand | 3 |
in one hand and | 3 |
now you can go | 3 |
and forth on the | 3 |
have to pardon me | 3 |
chair to the left | 3 |
o god in heaven | 3 |
in order to hide | 3 |
of course i do | 3 |
that you have got | 3 |
care of your own | 3 |
that i am jealous | 3 |
you must give me | 3 |
then i must ask | 3 |
the distance melody no | 3 |
where the fiddlers were | 3 |
puts his hand to | 3 |
but i have seen | 3 |
that i have been | 3 |
ought to know that | 3 |
please leave me alone | 3 |
am i going to | 3 |
in spirit and in | 3 |
did you get the | 3 |
they say it is | 3 |
had to be called | 3 |
tell me that you | 3 |
during the following scene | 3 |
have reason to believe | 3 |
i know all about | 3 |
but why should you | 3 |
what does this mean | 3 |
out through the background | 3 |
how do you think | 3 |
goes into the church | 3 |
as if all the | 3 |
the common title of | 3 |
you please tell me | 3 |
the slippers of abu | 3 |
you know how to | 3 |
name of the king | 3 |
the rose on the | 3 |
it will be a | 3 |
to thank you for | 3 |
have you ever felt | 3 |
and then you can | 3 |
but not in the | 3 |
and picks up the | 3 |
then he sits down | 3 |
the beginning of the | 3 |
of the third act | 3 |
when i woke up | 3 |
had a friend who | 3 |
the young lady appears | 3 |
thank you for the | 3 |
a few minor points | 3 |
must go back to | 3 |
on the side of | 3 |
he puts his hand | 3 |
of his first great | 3 |
want to do it | 3 |
which means that he | 3 |
and if you feel | 3 |
and at the same | 3 |
but i know that | 3 |
sit in judgment on | 3 |
then i should have | 3 |
what is there to | 3 |
heard us you have | 3 |
i know the people | 3 |
the joy that was | 3 |
it is all over | 3 |
ever since i was | 3 |
but it is a | 3 |
might just as well | 3 |
holding out her hand | 3 |
his hands to his | 3 |
middle of the room | 3 |
rises and goes out | 3 |
to the buffet and | 3 |
straight in the eye | 3 |
you know that it | 3 |
a friend of the | 3 |
comes in from the | 3 |
might be called a | 3 |
the same to you | 3 |
i can do so | 3 |
why did you not | 3 |
but now you must | 3 |
he seats himself at | 3 |
but the pure word | 3 |
the fiddlers were seated | 3 |
in front of himself | 3 |
me as if the | 3 |
me a glass of | 3 |
it seemed as if | 3 |
you may well ask | 3 |
do you know if | 3 |
is the reason why | 3 |
asked you to stay | 3 |
for that kind of | 3 |
talk of that now | 3 |
leaping to his feet | 3 |
to speak to you | 3 |
in spite of his | 3 |
the rest of us | 3 |
know what is meant | 3 |
with an introduction by | 3 |
the same reason that | 3 |
how did it happen | 3 |
was mine has been | 3 |
are moments when i | 3 |
in the metrical version | 3 |
it is not true | 3 |
when i tried to | 3 |
makes a gesture as | 3 |
toward the door on | 3 |
have not a single | 3 |
i may as well | 3 |
you go to the | 3 |
puts one hand up | 3 |
you say to that | 3 |
in a few days | 3 |
it is better to | 3 |
to her mouth and | 3 |
visible in the dining | 3 |
now i must go | 3 |
have you been up | 3 |
you have given me | 3 |
noise is heard from | 3 |
to tell you what | 3 |
the windows on the | 3 |
will you please tell | 3 |
i went to the | 3 |
ask you to forgive | 3 |
is the only one | 3 |
is no other god | 3 |
now when you are | 3 |
father was a good | 3 |
would you like to | 3 |
her on the forehead | 3 |
why do you call | 3 |
you been up to | 3 |
the lord high constable | 3 |
it is not a | 3 |
i should prefer to | 3 |
a good and noble | 3 |
well for you to | 3 |
looking out through the | 3 |
whom you are talking | 3 |
is as if i | 3 |
middle arch of the | 3 |
you have had enough | 3 |
look at this one | 3 |
i just wanted to | 3 |
that used to be | 3 |
what you always say | 3 |
has seemed to me | 3 |
it not be possible | 3 |
one hand up to | 3 |
what will he say | 3 |
just wait a little | 3 |
at the left is | 3 |
at this time of | 3 |
of our own day | 3 |
have a way of | 3 |
to be angry with | 3 |
i have heard that | 3 |
been awake all night | 3 |
the mother of the | 3 |
it would be just | 3 |
i had never seen | 3 |
been turned into woe | 3 |
made available by the | 3 |
i should never have | 3 |
why do you look | 3 |
so you want to | 3 |
is worse than anything | 3 |
goes out by the | 3 |
by the door at | 3 |
ask him to come | 3 |
a great deal in | 3 |
out of the earth | 3 |
was a time when | 3 |
know that they are | 3 |
in the background is | 3 |
as much as you | 3 |
i think i am | 3 |
how have you been | 3 |
her hands as if | 3 |
that is not the | 3 |
is of the kind | 3 |
the neck begins to | 3 |
have you to do | 3 |
that was the reason | 3 |
that i was not | 3 |
this was what i | 3 |
like all the rest | 3 |
standing in the middle | 3 |
and the baroness enter | 3 |
it on the floor | 3 |
be back in a | 3 |
is not the place | 3 |
i never heard of | 3 |
is not to be | 3 |
he disappears into the | 3 |
or do you not | 3 |
is heard in the | 3 |
such things can be | 3 |
and you are my | 3 |
i must have been | 3 |
am not at all | 3 |
if you want me | 3 |
corner of the house | 3 |
of king charles xv | 3 |
do you know john | 3 |
none of my concern | 3 |
appearing in the doorway | 3 |
come to see that | 3 |
on the floor with | 3 |
where do you get | 3 |
back to your own | 3 |
straight up to the | 3 |
plenty of time to | 3 |
it has also been | 3 |
wish to see you | 3 |
with the clover leaf | 3 |
i mean well by | 3 |
the tops of the | 3 |
i was in the | 3 |
will spare my life | 3 |
birches nod in the | 3 |
the desk of the | 3 |
and what is he | 3 |
was the end of | 3 |
that was the end | 3 |
are seated at the | 3 |
to the point where | 3 |
only get hold of | 3 |
here is my hand | 3 |
and not the least | 3 |
it is nothing but | 3 |
in the blowing breeze | 3 |
hand on his sword | 3 |
i am a child | 3 |
speak a word to | 3 |
peter andersson of berga | 3 |
the doves begin to | 3 |
joy that was mine | 3 |
i wish i were | 3 |
of the hut and | 3 |
of the intimate theatre | 3 |
one of the main | 3 |
you can never get | 3 |
may i speak a | 3 |
and then i thought | 3 |
around her waist you | 3 |
that i am going | 3 |
for that reason the | 3 |
who feeds the birds | 3 |
in the direction of | 3 |
have never been able | 3 |
of the second act | 3 |
in the same manner | 3 |
to you at the | 3 |
the shades are raised | 3 |
but as long as | 3 |
a game of chess | 3 |
in a lowered voice | 3 |
parchment across the table | 3 |
do you know me | 3 |
believe that you are | 3 |
i am looking after | 3 |
the joy of life | 3 |
the natural course of | 3 |
wishing the life out | 3 |
had a chance to | 3 |
as if they had | 3 |
god will spare my | 3 |
for the purpose of | 3 |
and go to bed | 3 |
he is one of | 3 |
am going to have | 3 |
on the left and | 3 |
and just now i | 3 |
nothing to be afraid | 3 |
he will come back | 3 |
go and see the | 3 |
but i know how | 3 |
i speak a word | 3 |
was nothing but a | 3 |
why should i be | 3 |
that was mine has | 3 |
over there you see | 3 |
the only thing that | 3 |
what are you to | 3 |
her on the mouth | 3 |
him on the forehead | 3 |
hands to his face | 3 |
you had better keep | 3 |
looks at his watch | 3 |
rose on the table | 3 |
were nothing but a | 3 |
going to preach to | 3 |
go toward the background | 3 |
have a talk with | 3 |
stay where you are | 3 |
under the common title | 3 |
an image of the | 3 |
here you can see | 3 |
in love with me | 3 |
carl peter andersson of | 3 |
i shall tell you | 3 |
and sits down beside | 3 |
over to the door | 3 |
am sorry to say | 3 |
the hour when i | 3 |
i have heard of | 3 |
the same way as | 3 |
the days when we | 3 |
know what to believe | 3 |
i am the man | 3 |
can see that you | 3 |
of it is a | 3 |
me have a look | 3 |
know not what they | 3 |
i had in mind | 3 |
when i was a | 3 |
i should have been | 3 |
behind the curtain with | 3 |
up there on the | 3 |
at the right of | 3 |
visible to the spectators | 3 |
it is not for | 3 |
and pull down the | 3 |
feels as if i | 3 |
you are not the | 3 |
of god be done | 3 |
to get up on | 3 |
to hide his emotion | 3 |
you to do with | 3 |
to help me with | 3 |
is he who has | 3 |
and takes out a | 3 |
mother and my sisters | 3 |
royal palace at stockholm | 3 |
that is what i | 3 |
i think it was | 3 |
a word to say | 3 |
had no right to | 3 |
have been living in | 3 |
do you notice that | 3 |
with all sorts of | 3 |
you have to be | 3 |
and now i must | 3 |
at the auberge des | 3 |
curtain with his arm | 3 |
talk of it any | 3 |
to come and play | 3 |
you know to whom | 3 |
do you mean by | 3 |
it is going to | 3 |
putting his arm around | 3 |
for then he would | 3 |
what to do with | 3 |
at the same table | 3 |
to live any longer | 3 |
the lord is with | 3 |
go down and eat | 3 |
is found in the | 3 |
go back to the | 3 |
do you want of | 3 |
been lying to me | 3 |
can you explain why | 3 |
think we had better | 3 |
a great deal of | 3 |
one and one make | 3 |
we have not been | 3 |
when the child was | 3 |
that he is coming | 3 |
has he been doing | 3 |
you mean to do | 3 |
you think i could | 3 |
to be thinking of | 3 |
dream of my youth | 3 |
there used to be | 3 |
at last i have | 3 |
a door on the | 3 |
know nothing about it | 3 |
a cup of coffee | 3 |
you see now that | 3 |
worse than anything else | 3 |
lord is with him | 3 |
can tell you that | 3 |
and that those who | 3 |
that reason i have | 3 |
to the extent of | 3 |
then i had to | 3 |
the prince and swanwhite | 3 |
them out of the | 3 |
she sits down on | 3 |
out of his hand | 3 |
it is impossible to | 3 |
what you are doing | 3 |
the use of talking | 3 |
will be here in | 3 |
i to get them | 3 |
if i told you | 3 |
i want to be | 3 |
i wanted to run | 3 |
here in a moment | 3 |
but you have to | 3 |
and henriette are seated | 3 |
whom i have never | 3 |
seems as if i | 3 |
down in the easy | 3 |
answers in the same | 3 |
shadow picture of the | 3 |
the sanction of the | 3 |
in my own house | 3 |
to get mixed up | 3 |
the windows in the | 3 |
with his arm around | 3 |
there is no one | 3 |
know who you are | 3 |
it had never existed | 3 |
i must say that | 3 |
in and have a | 3 |
has no right to | 3 |
if you wanted to | 3 |
and as such you | 3 |
and it was not | 3 |
of course i will | 3 |
it appears to me | 3 |
on the verge of | 3 |
i have to sit | 3 |
they are going to | 3 |
me more than anything | 3 |
look at each other | 3 |
side of the door | 3 |
on the ground floor | 3 |
you a while ago | 3 |
then she takes out | 3 |
this is the way | 3 |
when we get to | 3 |
we get to the | 3 |
be the hour when | 3 |
come and play tennis | 3 |
she goes into the | 3 |
for now i am | 3 |
is the little one | 3 |
he is followed by | 3 |
you know that she | 3 |
to make his acquaintance | 3 |
as long as we | 3 |
is standing in the | 3 |
turn out the light | 3 |
if god will spare | 3 |
each one of them | 3 |
am going to be | 3 |
the minutes of the | 3 |
but what can be | 3 |
i can do for | 3 |
scene of the third | 3 |
the consul and gerda | 3 |
of course it is | 3 |
then you can see | 3 |
to tell me all | 3 |
her by the hand | 3 |
will no longer be | 3 |
run away from the | 3 |
as i can see | 3 |
to do is to | 3 |
as i had expected | 3 |
then you had better | 3 |
through the middle arch | 3 |
the simoom is here | 3 |
to such an extent | 3 |
not a single friend | 3 |
wish that you may | 3 |
the middle arch of | 3 |
think i am going | 3 |
that i have never | 3 |
and there was not | 3 |
i have to thank | 3 |
where is he now | 3 |
should be ashamed of | 3 |
down on the chair | 3 |
do you want a | 3 |
you were too cowardly | 3 |
arm around her waist | 3 |
i ask you to | 3 |
take me away from | 3 |
a look at this | 3 |
one of her fingers | 3 |
he is nothing but | 3 |
i can see the | 3 |
i can do what | 3 |
in the hour of | 3 |
a chest of drawers | 3 |
you are in the | 3 |
why did you have | 3 |
and i am going | 3 |
a time when you | 3 |
the stage turns dark | 3 |
want me to go | 3 |
had the right to | 3 |
makes the sign of | 3 |
what have you there | 3 |
you are waiting for | 3 |
to meet him and | 3 |
throws them out of | 3 |
doorway in the rear | 3 |
to love each other | 3 |
has to be settled | 3 |
left side of the | 3 |
put it in a | 3 |
and it is my | 3 |
natural course of events | 3 |
am jealous of your | 3 |
the action takes place | 3 |
did you ever hear | 3 |
as far as i | 3 |
what is worse than | 3 |
he will be here | 3 |
at the centre of | 3 |
and at the edge | 3 |
i can do is | 3 |
am going to the | 3 |
in order to be | 3 |
what is it about | 3 |
that is the reason | 3 |
can you tell what | 3 |
recites to subdued music | 3 |
go to the theatre | 3 |
i have not a | 3 |
standing in the doorway | 3 |
to the servant girl | 3 |
born on a sunday | 3 |
walks to and fro | 3 |
if it had never | 3 |
my life and my | 3 |
a basket full of | 3 |
on the rear wall | 3 |
for that very reason | 3 |
in the island of | 3 |
not as far as | 3 |
you have had to | 3 |
going up to the | 3 |
the chest of drawers | 3 |
the solution of the | 3 |
to listen to the | 3 |
a little of everything | 3 |
the peace of the | 3 |
can do is to | 3 |
for your own sake | 3 |
i wish that you | 3 |
think i have been | 3 |
so you have been | 3 |
the royal palace at | 3 |
light of the sun | 3 |
is a door in | 3 |
out and pass on | 3 |
but i can do | 3 |
in order that they | 3 |
you know john andersson | 3 |
find it hard to | 3 |
for this reason you | 3 |
the body of kersti | 3 |
i know you are | 3 |
order that he may | 3 |
such a way that | 3 |
in the door to | 3 |
out through the middle | 3 |
the doors of the | 3 |
that i have not | 3 |
what i have been | 3 |
day of the year | 3 |
want to get out | 3 |
is one thing that | 3 |
at birth and death | 3 |
there was not a | 3 |
was to be the | 3 |
would have been better | 3 |
and a few chairs | 3 |
the daughter of the | 3 |
wanted me to obey | 3 |
without being able to | 3 |
to get at the | 3 |
has been lying to | 3 |
the spirit of the | 3 |
and the deans of | 3 |
how can you know | 3 |
i think i know | 3 |
have you heard that | 3 |
a word to you | 3 |
where did you learn | 3 |
i am sure that | 3 |
nothing to say about | 3 |
and soon it will | 3 |
i had to sit | 3 |
i am longing for | 3 |
the lord be with | 3 |
covers his eyes with | 3 |
of the lord be | 3 |
to all of us | 3 |
you really think he | 3 |
in the course of | 3 |
never been able to | 3 |
if you are not | 3 |
it must be a | 3 |
to tell you that | 3 |
come to your senses | 3 |
have done nothing wrong | 3 |
then you would be | 3 |
disappears into the gateway | 3 |
far in the forest | 3 |
think it would have | 3 |
not what they do | 3 |
what does it say | 3 |
come over here and | 3 |
hold of his head | 3 |
if it only be | 3 |
know what you are | 3 |
i have done so | 3 |
so i have heard | 3 |
back and forth on | 3 |
but it was not | 3 |
if you have anything | 3 |
the king has sent | 3 |
maurice and henriette are | 3 |
swanwhite and the prince | 3 |
come and play with | 3 |
do you remember when | 3 |
out one of her | 3 |
be angry with you | 3 |
i have been told | 3 |
of the young king | 3 |
so you have found | 3 |
cursed be the hour | 3 |
doorway leading to the | 3 |
days when we were | 3 |
boat at the left | 3 |
both of you are | 3 |
feel at home here | 3 |
the only one to | 3 |
the only one who | 3 |
there are moments when | 3 |
let me have the | 3 |
which i was born | 3 |
goes toward the left | 3 |
you what i have | 3 |
been living in the | 3 |
if you had been | 3 |
the front of the | 3 |
the owner of the | 3 |
in keeping with the | 3 |
and all of us | 3 |
do you say to | 3 |
you want to go | 3 |
come back to me | 3 |
so that we can | 3 |
and i have done | 3 |
the shadow picture of | 3 |
i think i can | 3 |
if i ask you | 3 |
the left is a | 3 |
i am not at | 3 |
thought i might be | 3 |
most of the time | 3 |
i have never had | 3 |
you could only see | 3 |
let us have a | 3 |
in the rear is | 3 |
a number of other | 3 |
to say that he | 3 |
to shake hands with | 3 |
up to her and | 3 |
there in the valley | 3 |
are in the habit | 3 |
the word of god | 3 |
i want to sleep | 3 |
to do with them | 3 |
the widow and the | 3 |
in the same tone | 3 |
owner of the house | 3 |
alone on the stage | 3 |
and that kind of | 3 |
are you looking at | 3 |
from the rear with | 3 |
but when you have | 3 |
so sure of that | 3 |
he catches sight of | 3 |
you shall have your | 3 |
he goes up to | 3 |
as soon as the | 3 |
looking at his watch | 3 |
up to the old | 3 |
were when you thought | 3 |
slippers of abu casem | 3 |
i go to the | 3 |
you want to get | 3 |
in order to see | 3 |
what i have done | 3 |
will be coming in | 3 |
am not afraid of | 3 |
if i had been | 3 |
it seemed to me | 3 |
in the next moment | 3 |
what i am saying | 3 |
to keep away from | 3 |
start a new life | 3 |
the door leading to | 3 |
there has been a | 3 |
what is that you | 3 |
to say a word | 2 |
good luck to you | 2 |
and puts them into | 2 |
that you are talking | 2 |
you playing the ghost | 2 |
of which may be | 2 |
off a piece of | 2 |
but i might be | 2 |
to make you out | 2 |
in order not to | 2 |
the play as a | 2 |
you can see it | 2 |
away in the distance | 2 |
to hear what the | 2 |
the better part of | 2 |
see the pastor now | 2 |
the rest of you | 2 |
each other to death | 2 |
the dream play the | 2 |
she had no reason | 2 |
the centre of it | 2 |
there are those who | 2 |
one of those that | 2 |
her head and shoulders | 2 |
give them a new | 2 |
like to have a | 2 |
good as the other | 2 |
enters and goes to | 2 |
the world is evil | 2 |
token thereof i give | 2 |
the broken image of | 2 |
through the windows and | 2 |
to read in a | 2 |
the sexton and his | 2 |
attend to your duties | 2 |
the queen goes out | 2 |
up to the door | 2 |
has a right to | 2 |
what i had in | 2 |
had an interest in | 2 |
that will be enough | 2 |
one thing to another | 2 |
the mistress of the | 2 |
i cannot live without | 2 |
her a pair of | 2 |
members of the court | 2 |
as if we had | 2 |
get a glimpse of | 2 |
take any stock in | 2 |
of death part i | 2 |
these two trustworthy men | 2 |
firs and singing lindens | 2 |
hold of her hand | 2 |
when you say it | 2 |
the one with which | 2 |
that it is a | 2 |
of times in the | 2 |
kind of language is | 2 |
you must go alone | 2 |
mean what he said | 2 |
hands up to his | 2 |
through the fields come | 2 |
a reminder of the | 2 |
have learned how to | 2 |
nothing at all about | 2 |
has been that i | 2 |
it is that the | 2 |
the table on the | 2 |
an eye for an | 2 |
if it comes to | 2 |
him a cuff on | 2 |
goes up to windrank | 2 |
such things have happened | 2 |
was not put on | 2 |
for then they will | 2 |
how can you believe | 2 |
i am waiting for | 2 |
in front of me | 2 |
palms of his hands | 2 |
may not take it | 2 |
arms around each other | 2 |
by the help of | 2 |
appendix to the bridal | 2 |
wrought in moments of | 2 |
is just as good | 2 |
becomes aware of the | 2 |
a relative of the | 2 |
door on the same | 2 |
but i have grown | 2 |
seated at a table | 2 |
of a new time | 2 |
you see that we | 2 |
and guilt have their | 2 |
centre of the rear | 2 |
all the same i | 2 |
you may expect anything | 2 |
the child away from | 2 |
lost their power of | 2 |
spook sonata the first | 2 |
as a danish province | 2 |
is none but the | 2 |
me a chance to | 2 |
have come to see | 2 |
do you call it | 2 |
gets to be so | 2 |
of a swedish bride | 2 |
the mark of the | 2 |
any kind of distinction | 2 |
you should be able | 2 |
seen in the doorway | 2 |
i used to have | 2 |
what is it that | 2 |
want to have any | 2 |
years i have been | 2 |
me while i am | 2 |
and the tops of | 2 |
was forced on me | 2 |
will soon see what | 2 |
you ever see a | 2 |
why i had to | 2 |
but if you are | 2 |
took you to be | 2 |
are said to have | 2 |
while at the same | 2 |
in the winter of | 2 |
you liar born of | 2 |
coming in a moment | 2 |
but when it comes | 2 |
accordance with the law | 2 |
now i lay me | 2 |
as they call it | 2 |
wanted to try you | 2 |
the use of quarrelling | 2 |
to his face and | 2 |
your hand on my | 2 |
right there is a | 2 |
bunch of roses in | 2 |
solution of the world | 2 |
know what can be | 2 |
scene of the second | 2 |
i am not allowed | 2 |
may be regarded as | 2 |
but first you must | 2 |
you are not a | 2 |
to the church and | 2 |
good enough for you | 2 |
know what he said | 2 |
that i was the | 2 |
quite as bad as | 2 |
you must be very | 2 |
stairs leading to the | 2 |
view of the matter | 2 |
must be a villain | 2 |
be evenly divided by | 2 |
in the summer of | 2 |
against kersti margaret hansdaughter | 2 |
think of what you | 2 |
you are the man | 2 |
best one of all | 2 |
at the mill scene | 2 |
what is weighing on | 2 |
can i have that | 2 |
bear that in mind | 2 |
be sure i have | 2 |
but we are not | 2 |
i wanted to say | 2 |
i want to tell | 2 |
appears at her window | 2 |
what does that help | 2 |
is to serve the | 2 |
it is a question | 2 |
then he gets angry | 2 |
debit and credit advent | 2 |
might have guessed that | 2 |
the end of our | 2 |
is that i am | 2 |
they had to come | 2 |
the first time in | 2 |
you must be prepared | 2 |
you feel as if | 2 |
goes out with the | 2 |
the playing of the | 2 |
will not come back | 2 |
you ever looked at | 2 |
there is the music | 2 |
there is nothing in | 2 |
stockholm and the open | 2 |
i have a few | 2 |
what has happened here | 2 |
rock on the road | 2 |
i shall wait a | 2 |
you thinking of the | 2 |
so there is no | 2 |
so little of a | 2 |
peace in the name | 2 |
and the blue sea | 2 |
please ask reginald to | 2 |
will be possible to | 2 |
are you still playing | 2 |
die all of a | 2 |
are a hard man | 2 |
become aware of the | 2 |
is so full of | 2 |
the one i wanted | 2 |
but you may be | 2 |
you have found it | 2 |
far as i know | 2 |
a perfectly legal way | 2 |
will soon be here | 2 |
reading a comic paper | 2 |
first we must have | 2 |
i have always done | 2 |
i think it must | 2 |
school all over again | 2 |
be better if it | 2 |
the palm of his | 2 |
in all of us | 2 |
hanging over the fire | 2 |
be regarded as a | 2 |
but what is this | 2 |
to wenches leads each | 2 |
how could i tell | 2 |
can see that we | 2 |
to the other side | 2 |
looked to me like | 2 |
the scene is laid | 2 |
we have reason to | 2 |
and now you shall | 2 |
suppose there are good | 2 |
had just published a | 2 |
by the front door | 2 |
the will of him | 2 |
the door remains open | 2 |
the one who must | 2 |
imagine that i am | 2 |
which you know already | 2 |
you know the old | 2 |
who has done this | 2 |
and you are going | 2 |
the light is turned | 2 |
care of the child | 2 |
hold out your neck | 2 |
he had to go | 2 |
of all human virtues | 2 |
is only one god | 2 |
thy loins and arise | 2 |
above and from below | 2 |
you talking to yourself | 2 |
spits in her face | 2 |
feel that i am | 2 |
to believe that all | 2 |
do as we ask | 2 |
the play in its | 2 |
not that kind of | 2 |
toward the right there | 2 |
the same time it | 2 |
downward on the sofa | 2 |
of his head and | 2 |
we had to get | 2 |
rising up in bed | 2 |
it is the only | 2 |
when i had been | 2 |
that i could be | 2 |
up to her mouth | 2 |
has been a fire | 2 |
the sight of his | 2 |
yet we have to | 2 |
that i may sleep | 2 |
and rings a bell | 2 |
and he has also | 2 |
out of the box | 2 |
crimes and crimes introduction | 2 |
the dispensation of grace | 2 |
the perspiration from her | 2 |
little out of the | 2 |
be thinking of the | 2 |
you please ask reginald | 2 |
song of the sun | 2 |
your hand that you | 2 |
have to go to | 2 |
greeting from your father | 2 |
my poor little flower | 2 |
i am convinced that | 2 |
front of her a | 2 |
to think evil of | 2 |
can be sure of | 2 |
in order to make | 2 |
and you say this | 2 |
is it going to | 2 |
in the city and | 2 |
been able to clear | 2 |
and strikes a few | 2 |
and shame must i | 2 |
now i shall leave | 2 |
at the swedish theatre | 2 |
for i have never | 2 |
wanted me to be | 2 |
want to talk of | 2 |
that might well be | 2 |
nothing but the pure | 2 |
that you are to | 2 |
you looking at my | 2 |
are good reasons for | 2 |
are rocking the winds | 2 |
know what will happen | 2 |
for a thing like | 2 |
opening in the floor | 2 |
to be so hard | 2 |
i have been dreaming | 2 |
then we can see | 2 |
neither one of us | 2 |
are a little better | 2 |
i cannot say that | 2 |
that he is going | 2 |
be possible to get | 2 |
behind the corner of | 2 |
out of his own | 2 |
kersti gave it to | 2 |
of the main doorway | 2 |
silent for a moment | 2 |
and throws it on | 2 |
i suppose they are | 2 |
version of the play | 2 |
of the danish king | 2 |
i am nothing but | 2 |
assume that you are | 2 |
you came here to | 2 |
been a prisoner in | 2 |
that the dead man | 2 |
leading to the pulpit | 2 |
pretending not to notice | 2 |
you catch sight of | 2 |
face with his hands | 2 |
keep away from me | 2 |
you are filling up | 2 |
taste for chaste young | 2 |
the same as ever | 2 |
partly that it was | 2 |
the moment you have | 2 |
what we had been | 2 |
used to do it | 2 |
have to thank you | 2 |
was the one who | 2 |
wrong can be righted | 2 |
upon a time the | 2 |
waiting for an answer | 2 |
are hung over the | 2 |
study of master olavus | 2 |
kind of word is | 2 |
puts her fingers into | 2 |
you read the papers | 2 |
but if i have | 2 |
were looking at somebody | 2 |
song of the high | 2 |
i to sit here | 2 |
of the free city | 2 |
the water is rising | 2 |
you were born in | 2 |
now you want to | 2 |
doves begin to stir | 2 |
with a gesture of | 2 |
against the kings of | 2 |
too good for that | 2 |
henriette are seated at | 2 |
at home in the | 2 |
how much you know | 2 |
and runs out to | 2 |
the reward of the | 2 |
from one of the | 2 |
you will accept it | 2 |
we were to speak | 2 |
the banns have been | 2 |
the opening in the | 2 |
down one of the | 2 |
through the doorway is | 2 |
you dare to look | 2 |
the door is heard | 2 |
to talk of it | 2 |
that all who are | 2 |
pardon me for asking | 2 |
if i had a | 2 |
what kind of language | 2 |
is as if they | 2 |
until we are married | 2 |
his way to the | 2 |
but you ought to | 2 |
gives a sign to | 2 |
villa outside the city | 2 |
this is a place | 2 |
of the last act | 2 |
it must be hard | 2 |
i thought you were | 2 |
the shutters covering the | 2 |
singer enters from the | 2 |
go out through the | 2 |
and death are equals | 2 |
but now it does | 2 |
black as the tarn | 2 |
your highness ought to | 2 |
to look at your | 2 |
that there will be | 2 |
up to him and | 2 |
you know what my | 2 |
there is not one | 2 |
he had ever before | 2 |
none of your business | 2 |
better than the rest | 2 |
in one act characters | 2 |
kersti plays on the | 2 |
whose is the fault | 2 |
seems to me the | 2 |
as before i am | 2 |
without a roof over | 2 |
do you find anything | 2 |
but there was a | 2 |
within the presence of | 2 |
appears in the wheel | 2 |
going out to the | 2 |
look at the cradle | 2 |
and one of your | 2 |
you can just as | 2 |
understand you at all | 2 |
portrait of the old | 2 |
seeing that you have | 2 |
do you think they | 2 |
the seven deadly sins | 2 |
for me to say | 2 |
am to be pitied | 2 |
of the king to | 2 |
very nice of you | 2 |
that is not true | 2 |
the big bell at | 2 |
reminds me of the | 2 |
i feel sorry for | 2 |
care for me at | 2 |
i thought he had | 2 |
she bends down over | 2 |
for a moment the | 2 |
have never seen you | 2 |
the rear wall is | 2 |
the lord has heard | 2 |
is it i hear | 2 |
i can only have | 2 |
the founder of modern | 2 |
comes running from the | 2 |
stone that seems to | 2 |
once i used to | 2 |
official report is printed | 2 |
thou therefore gird up | 2 |
it was used for | 2 |
and it will be | 2 |
centre of it is | 2 |
were taken to the | 2 |
a few moments the | 2 |
turns to the right | 2 |
that is now being | 2 |
and thanks unto the | 2 |
puts his hand over | 2 |
have you had any | 2 |
do you realise now | 2 |
with three other one | 2 |
is the beginning of | 2 |
as well have been | 2 |
some time in the | 2 |
get an audience with | 2 |
the blue dove inn | 2 |
let us leave the | 2 |
doors in the background | 2 |
it seems to have | 2 |
appears outside the gates | 2 |
by the corner of | 2 |
you in that package | 2 |
look as if you | 2 |
that baby lacks nothing | 2 |
in the second scene | 2 |
no right to prove | 2 |
in store for you | 2 |
a talk with you | 2 |
give you a piece | 2 |
are you not afraid | 2 |
you have never been | 2 |
not going to look | 2 |
nothing but the truth | 2 |
not put on the | 2 |
but it is too | 2 |
for the new faith | 2 |
i am expecting a | 2 |
is heard from above | 2 |
is no worse than | 2 |
and wine brings light | 2 |
i set you to | 2 |
never heard the word | 2 |
was that i had | 2 |
who knew how to | 2 |
and so i get | 2 |
not look in the | 2 |
stare at each other | 2 |
is to be read | 2 |
throwing herself into the | 2 |
together with there are | 2 |
his eyes with his | 2 |
what might be called | 2 |
of it is that | 2 |
spot of sunlight appears | 2 |