trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
early english books	170
english books online	139
the name of	136
according to the	121
as well as	115
part of the	103
one of the	98
of all the	95
of the poem	93
text creation partnership	93
the end of	92
there is no	91
of the action	89
based on the	84
to be a	81
out of the	80
ought to be	80
the death of	79
so much as	78
of the same	78
of the fable	75
the epick poem	74
of the epick	73
it may be	73
and in the	73
end of the	73
the nature of	72
of the world	71
a great deal	71
to be the	70
nature of the	67
keying and markup	65
all the rest	65
knight of the	64
is to be	64
it is not	64
make use of	64
of the gods	64
that of the	63
for want of	62
the rest of	62
in the world	61
this is the	61
the character of	59
and all the	59
it is a	58
not so much	58
in the first	56
characters represented either	56
marked as illegible	56
represented either as	56
either as utf	56
that they are	56
as if they	55
to make a	55
that it is	54
on the other	54
there is a	53
the cause of	53
and that the	53
the knight of	52
in the same	52
a man of	51
for div a	51
notes for div	51
and of the	50
which is the	49
not to be	49
a number of	49
it is the	49
a great many	48
to make the	48
would have been	48
and the other	47
all sorts of	47
the beginning of	47
as it is	47
early works to	46
that which is	46
as if he	46
of the first	46
notes on the	45
if he had	44
so great a	44
so that the	44
homer and virgil	44
and on the	43
made use of	43
the practice of	43
that he was	42
there was a	42
of the manners	42
which the poet	42
a kind of	42
on the contrary	42
the vnity of	42
if it be	42
in all the	41
this is what	41
of the iliad	41
of the aeneid	41
he does not	41
of the work	40
those that are	40
that he is	39
as much as	39
the terms of	39
they are not	38
he would have	38
sampled and proofread	38
is not the	38
i know not	38
of such a	38
as for the	38
there are a	38
owned by the	37
coded from proquest	37
pfs batch review	37
of creative commons	37
encoded text transcribed	37
and markup reviewed	37
books online text	37
keyboarded and encoded	37
support to the	37
the work described	37
the institutions providing	37
markup reviewed and	37
the early english	37
this keyboarded and	37
edition of the	37
i text is	37
for keying and	37
and xml conversion	37
to the early	37
for commercial purposes	37
phase i text	37
above is co	37
text can be	37
without asking permission	37
assigned for keying	37
images scanned from	37
financial support to	37
encoded edition of	37
even for commercial	37
can be copied	37
work described above	37
all without asking	37
proquest page images	37
text transcribed from	37
institutions providing financial	37
this phase i	37
tcp assigned for	37
the text can	37
iv tiff page	37
by the institutions	37
the manners of	37
and encoded edition	37
scanned from microfilm	37
kb of xml	37
distributed and performed	37
from proquest page	37
vnity of the	37
described above is	37
providing financial support	37
terms of creative	37
available for reuse	37
to the terms	37
keyed and coded	37
text and markup	37
online text creation	37
text is available	37
reviewed and edited	37
and coded from	37
is available for	37
of the second	36
the action of	36
of the people	36
by this means	36
such as are	36
one of them	36
as in the	35
and this is	35
in his own	35
for their own	35
of the roman	35
i will not	35
in the midst	35
of the other	35
all the world	35
the midst of	34
that can be	34
is given to	34
in such a	34
is not so	34
are to be	34
that it was	34
out of their	34
out of his	34
for to be	33
makes use of	33
some of them	33
if they had	33
the rules of	33
there is not	33
the design of	33
that he had	33
it was a	33
there is nothing	33
the first is	33
that there is	33
with all the	33
great deal of	33
that in all	32
of the character	32
the time of	32
i do not	32
of the whole	32
of time and	32
will not be	32
and that of	32
and the same	32
one of these	32
of the hero	32
that a man	31
of his own	31
to do so	31
the names of	31
and to the	31
for the most	31
divided into two	31
but it is	31
of the original	31
the subject of	30
nothing else but	30
to have been	30
is very good	30
i could not	30
and for the	30
some of the	30
was divided into	30
is the greater	29
are a number	29
characters will be	29
in mind that	29
the person of	29
that the poet	29
and sometimes a	29
did not meet	29
on the new	29
the process of	29
as it were	29
tiff page images	29
never have been	29
it must be	29
the true nature	29
and the publisher	29
can be made	29
if an author	29
translated into english	29
character of the	29
of the process	29
the anger of	29
of the poet	29
one and the	29
the first edition	29
the most part	29
which did not	29
on the text	29
or tei g	28
to a limit	28
readable characters will	28
text encoding initiative	28
processed by university	28
was a compelling	28
tcp aimed to	28
or for an	28
on the image	28
true nature of	28
works in other	28
not able to	28
for accuracy and	28
aimed to produce	28
the publisher proquest	28
him in the	28
meet qa standards	28
encoded texts based	28
whichever is the	28
variety of subject	28
page images in	28
should bear in	28
keyers to be	28
out by editorial	28
mnemonic sdata character	28
elements to simplify	28
opposed to critical	28
to critical editions	28
texts based on	28
of tcp data	28
understanding these processes	28
language title published	28
as opposed to	28
unicode or tei	28
characters or elements	28
in english were	28
oxford and the	28
to create diplomatic	28
publisher proquest to	28
reason to do	28
structural encoding based	28
data within the	28
make clear that	28
encoding was enhanced	28
of instances per	28
every monographic english	28
their early english	28
by editorial teams	28
the project have	28
to be redone	28
edition of a	28
tcp is to	28
quality assurance was	28
between and available	28
simplify the filling	28
encoded as gap	28
university of nebraska	28
any assumptions that	28
into english verse	28
have been issued	28
during phase of	28
using tcp tei	28
therefore of any	28
a works in	28
instances per text	28
usually the first	28
to range over	28
to encode one	28
tcp files to	28
appears in ncbel	28
likelihood such instances	28
produce large quantities	28
of known extent	28
later edition of	28
enhanced and or	28
with mnemonic sdata	28
converting tcp files	28
between the universities	28
image sets were	28
or later edition	28
for an anonymous	28
available in eebo	28
to produce large	28
image sets published	28
the print record	28
instances will never	28
create accurately transcribed	28
tei g elements	28
a partnership between	28
transcribed and encoded	28
published between and	28
now take and	28
made about the	28
possible up to	28
linked to page	28
of the moone	28
a work was	28
available at the	28
each text was	28
to facilitate morpho	28
proofread for accuracy	28
transformed into placeholder	28
and characters marked	28
variously as sgml	28
known extent have	28
carried out by	28
the usual project	28
was proofread for	28
limit of instances	28
be made about	28
the universities of	28
then carried out	28
overall quality of	28
the keyers to	28
errors will remain	28
at by a	28
these texts for	28
accurately transcribed and	28
tcp is a	28
of textual data	28
been transformed into	28
given to their	28
we respectfully request	28
was chosen if	28
i am not	28
transcription and basic	28
these processes should	28
returned to the	28
remain and some	28
sdata character entities	28
and available in	28
included and sometimes	28
now and then	28
as if the	28
sets published by	28
time and funding	28
as gap s	28
lincoln and northwestern	28
placeholder characters or	28
work was chosen	28
create diplomatic transcriptions	28
into two phases	28
the overall quality	28
and those which	28
to page images	28
the image sets	28
was based on	28
guidelines are available	28
credit and attribution	28
eligible for inclusion	28
attribution is given	28
sent to external	28
chose to create	28
their original source	28
was intended to	28
gaps by user	28
the texts were	28
level of the	28
if there was	28
selection was intended	28
by user contributors	28
changes to facilitate	28
wide variety of	28
have been released	28
issued variously as	28
chosen if there	28
where possible up	28
project was divided	28
domain as of	28
phase of the	28
is a partnership	28
print record of	28
then their works	28
of the period	28
an anonymous work	28
not meet qa	28
and basic encoding	28
usual project restraints	28
or lossless xml	28
standards were returned	28
markup guidelines are	28
by university of	28
restraints of time	28
texts were encoded	28
in oxford and	28
of the texts	28
mind that in	28
the text creation	28
can now take	28
corrected where possible	28
editorial teams in	28
text was proofread	28
record of the	28
the tei in	28
partnership between the	28
to simplify the	28
public domain as	28
companies for transcription	28
characters marked as	28
sometimes a second	28
is to encode	28
should make clear	28
of michigan and	28
or at least	28
were encoded and	28
proquest to create	28
of gaps by	28
a compelling reason	28
title published between	28
with changes to	28
text with mnemonic	28
texts have been	28
a limit of	28
images in accordance	28
sets were sent	28
will never have	28
the general aim	28
take and use	28
in libraries guidelines	28
to create accurately	28
a second or	28
such instances will	28
of a works	28
text selection was	28
in this place	28
published by proquest	28
english were prioritized	28
unicode or text	28
text strings within	28
was then carried	28
qa standards were	28
the text encoding	28
the texts have	28
ascii text with	28
by proquest via	28
of the print	28
selection was based	28
is but a	28
the tcp texts	28
request that due	28
p using tcp	28
and therefore chose	28
to reflect the	28
texts created during	28
a wide variety	28
anyone can now	28
bibliography of english	28
encoded and linked	28
should be aware	28
released into the	28
of creating the	28
of each text	28
but we respectfully	28
some errors will	28
oxford and michigan	28
will be marked	28
any remaining illegibles	28
over a wide	28
users should be	28
of any assumptions	28
for transcription and	28
accuracy and those	28
project have been	28
illegibles were encoded	28
are eligible for	28
michigan and oxford	28
their own purposes	28
general aim of	28
there are some	28
tei in libraries	28
intended to range	28
a part of	28
project restraints of	28
original in the	28
at the text	28
those which did	28
were corrected where	28
to tei p	28
been looked at	28
and therefore of	28
of every monographic	28
was enhanced and	28
be marked as	28
with level of	28
encoding based on	28
creation partnership web	28
reflect the true	28
were encoded as	28
external keying companies	28
have been transformed	28
extent have been	28
of a work	28
latin and welsh	28
their works are	28
and linked to	28
and oxford and	28
therefore chose to	28
the encoding was	28
been issued variously	28
in all likelihood	28
about the data	28
a tcp editor	28
illegible were corrected	28
accordance with level	28
that due credit	28
respectfully request that	28
works are eligible	28
gap elements of	28
of subject areas	28
and encoded texts	28
or corrected and	28
or elements to	28
are available at	28
universities of michigan	28
copies of the	28
created by converting	28
all likelihood such	28
number of works	28
teams in oxford	28
assurance was then	28
data is very	28
and use these	28
quality of tcp	28
is in the	28
looked at by	28
files to tei	28
tcp data is	28
cambridge bibliography of	28
range over a	28
remaining illegibles were	28
to external keying	28
into the public	28
and or corrected	28
in other languages	28
editions of a	28
the public domain	28
have been looked	28
were returned to	28
been released into	28
and markup guidelines	28
tei p using	28
first editions of	28
textual data within	28
notably latin and	28
of works in	28
second or later	28
some readable characters	28
created during phase	28
new cambridge bibliography	28
due credit and	28
large quantities of	28
works in english	28
were sent to	28
will remain and	28
of the tei	28
by a tcp	28
within the usual	28
quantities of textual	28
while the overall	28
use these texts	28
as of january	28
tcp project was	28
into placeholder characters	28
if it were	28
filling in of	28
users should bear	28
texts for their	28
strings within braces	28
by converting tcp	28
in accordance with	28
up to a	28
aim of eebo	28
corrected and characters	28
assumptions that can	28
proquest via their	28
aware of the	28
encode one copy	28
process of creating	28
of the project	28
as illegible were	28
and some readable	28
the filling in	28
the new cambridge	28
although there are	28
partnership web site	28
elements of known	28
or text strings	28
compelling reason to	28
keying companies for	28
be aware of	28
of these two	28
bear in mind	28
processes should make	28
of english literature	28
via their early	28
mainly structural encoding	28
in of gaps	28
and attribution is	28
creating the tcp	28
to the keyers	28
to their original	28
the manner of	27
is not a	27
the same manner	27
the poet has	27
all manner of	27
with such a	27
and that is	27
as he was	27
of the romans	27
the honour of	27
he could not	27
that all the	27
to be so	27
the art of	27
he that hath	27
such a one	27
to that of	27
of their owne	27
of the earth	27
to see the	27
but in the	26
the other hand	26
of the body	26
the original in	26
in the iliad	26
the number of	26
so much the	26
in this age	26
which we have	26
the story of	26
for it is	26
is a great	26
of the sunne	26
or any other	26
of the two	25
at the same	25
matter of the	25
of the most	25
of those that	25
as they are	25
in the poem	25
as far as	25
these are the	25
to make use	25
that in the	25
by reason of	25
which was the	25
at the end	25
when they are	25
to his own	25
that he has	25
and with a	25
and the most	25
at the first	25
of so many	25
to make them	25
parts of the	24
reproduction of the	24
i care not	24
an honest man	24
great deal more	24
many of them	24
we have already	24
argument of the	24
beginning of the	24
the matter of	24
him to be	24
them to be	24
the body of	24
a man to	24
was to be	24
out of a	24
the other side	24
the order of	24
rest of the	24
to such a	23
the god of	23
after he had	23
a mind to	23
ought to have	23
and to be	23
of his poem	23
when he was	23
and he that	23
i haue not	23
it in the	23
of the land	23
of the city	23
the better to	23
in a word	23
and that he	23
one of his	23
which i have	23
explanatory notes on	23
but such as	23
his own country	23
that are not	23
there was no	23
this is a	23
he did not	23
and the like	22
to be more	22
the causes of	22
that i may	22
and when he	22
name of a	22
would not be	22
is the most	22
as long as	22
in the night	22
this sort of	22
of their own	22
and therefore i	22
i doe not	22
of this age	22
well as the	22
english verse by	22
page notes on	22
of all sorts	22
which he was	22
that they were	22
they are so	22
the son of	22
was the first	22
that i am	22
the taking of	22
to be made	22
the poet makes	22
the fable of	22
that they had	21
and they are	21
the duration of	21
several sorts of	21
that they may	21
to make him	21
aristotle and horace	21
the same time	21
that there are	21
with a great	21
the first part	21
he might have	21
and from thence	21
the glory of	21
he would not	21
verse by mr	21
the mouth of	21
the actions of	21
of the time	21
with the same	21
the top of	21
to see a	21
to make it	21
to make an	21
that is the	21
to be found	21
not at all	20
and that they	20
and such as	20
under the name	20
of the great	20
he should be	20
but what is	20
the parts of	20
as that of	20
at this time	20
anger of achilles	20
they could not	20
fable of the	20
he was a	20
to do with	20
the sight of	20
by the name	20
king of the	20
that i had	20
to the very	20
body of the	20
and those that	20
the knowledge of	20
because it is	20
action of the	20
any of the	20
of that which	20
the foundation of	20
of the church	20
the king of	20
if i should	20
them to the	20
it was not	20
that i should	20
the poet is	20
them in the	20
and are to	20
with as much	19
that i haue	19
to give the	19
and then they	19
and the rest	19
to the world	19
as soon as	19
for feare of	19
it to be	19
has been said	19
to shew the	19
when he is	19
duration of the	19
contrary to the	19
the whole world	19
and in a	19
of the mind	19
of all his	19
as they were	19
that is to	19
the best of	19
but they are	19
if we would	19
but that i	19
the people of	19
satyr of juvenal	19
and in this	19
but by the	19
part of his	19
of the times	19
after the same	19
at the beginning	19
of a good	19
if he be	19
they do not	19
of a great	19
would not have	19
of the nature	19
for all the	19
cause of the	19
is that which	19
both of them	19
the valour of	19
in the whole	19
a wise man	19
the greatest part	19
and that which	19
the power of	19
is the same	19
no more than	19
it to the	18
in a poem	18
to have a	18
and when they	18
of his hero	18
they are in	18
each of them	18
it is but	18
in the morning	18
the first of	18
use of them	18
a sort of	18
to whom he	18
he was not	18
the hands of	18
in spight of	18
i am sure	18
two or three	18
of homer and	18
the last of	18
he will not	18
is not to	18
for a man	18
be able to	18
of it in	18
and then he	18
if a man	18
according to their	18
that they might	18
could not be	18
he is not	18
that he may	18
which is a	18
the title of	18
with so much	18
but for the	18
a great deale	18
the first book	18
it would be	18
if they were	18
the subject matter	18
by the same	18
that i was	18
t is a	18
which are the	18
at that time	18
but of a	18
but he that	18
any of them	18
of fooliana the	17
together with the	17
a description of	17
to be as	17
in the person	17
so it is	17
a man may	17
as he is	17
for he that	17
i haue seene	17
so full of	17
than that of	17
the second is	17
to be of	17
i have already	17
the author of	17
it will be	17
the way to	17
to that which	17
s this keyboarded	17
when they were	17
this is not	17
name of the	17
that is not	17
we are not	17
which we call	17
in a great	17
those of the	17
though it be	17
t is not	17
the second part	17
to the gods	17
the epick fable	17
the signe of	17
they may be	17
the absence of	17
not in the	17
of a poem	17
i would not	17
to be in	17
estc s this	17
he is a	17
know not what	17
all this is	17
and then the	17
and such like	17
but if the	17
in the very	17
the temple of	17
of those who	17
you shall see	17
the way of	17
he was so	17
necessary to the	17
to which the	17
in order to	17
it is no	16
the presence of	16
most of them	16
but a little	16
by the way	16
to see how	16
there were no	16
what has been	16
the return of	16
he had a	16
no more of	16
are in the	16
for the better	16
they are the	16
thou shalt not	16
they would not	16
in love with	16
it is as	16
so much to	16
him in his	16
must not be	16
it was the	16
such as the	16
any thing that	16
if there be	16
translated by mr	16
part of it	16
a piece of	16
of an action	16
the epick action	16
and so they	16
should not be	16
use of the	16
design of the	16
of his owne	16
if i had	16
amongst the romans	16
for the tarquins	16
the other two	16
to the action	16
first part of	16
the same in	16
and there is	16
and as the	16
and with the	16
that there was	16
but those that	16
we are to	16
and by the	16
and in all	16
he that is	16
they will be	16
i pray you	16
in his owne	16
you shall haue	16
that he would	16
of the common	16
himself to the	16
practice of homer	16
i tell thee	16
we do not	16
and it is	16
to the other	16
in the beginning	16
the ruin of	16
if they be	16
to the fable	16
the satires of	16
he will be	16
made choice of	16
not have been	16
is the cause	16
to be an	16
of a man	16
the persons of	16
may not be	16
according to his	16
and at last	15
is the first	15
i know it	15
when i was	15
than in the	15
what i have	15
in the aeneid	15
it be a	15
the liberty of	15
order of the	15
the truth of	15
but this is	15
it is to	15
it be not	15
is capable of	15
in which he	15
such as they	15
are not so	15
those who are	15
as i have	15
for such a	15
all that is	15
those who have	15
the example of	15
much the more	15
in the time	15
and what is	15
of the grecians	15
no manner of	15
to be sold	15
and to make	15
of this kind	15
of all that	15
we ought to	15
which ought to	15
the goddess of	15
that we may	15
are not to	15
master of the	15
and not a	15
the action is	15
and that this	15
the holy ghost	15
that i might	15
the shape of	15
in the middle	15
the latin poet	15
greatest part of	15
that i could	15
the first and	15
the compass of	15
upon the stage	15
signe of the	15
where he was	15
because they are	15
to all the	15
the eyes of	15
of this hero	15
that they haue	15
that which we	15
the effects of	14
and at the	14
we have been	14
to take the	14
for this reason	14
there be some	14
and which is	14
when he had	14
covantage keyed and	14
and such a	14
in this case	14
are the most	14
they would have	14
if you can	14
a kinde of	14
in the persons	14
to haue a	14
of them in	14
the house of	14
the roman empire	14
and in their	14
seem to be	14
but that the	14
come to the	14
my selfe to	14
by way of	14
a man would	14
that they would	14
this kind of	14
and of a	14
that will not	14
for they are	14
to their owne	14
the manners and	14
that in his	14
character of a	14
text notes for	14
i have not	14
it shall be	14
should be so	14
of the best	14
they haue a	14
so that i	14
seems to have	14
he was to	14
be a man	14
to one of	14
a good woman	14
to take a	14
the meaning is	14
which they have	14
the price of	14
the hero of	14
an instance of	14
subject matter of	14
concerning the manners	14
any thing of	14
but now i	14
and if he	14
of them to	14
it cannot be	14
of them are	14
it should be	14
to those that	14
i could wish	14
and so the	14
to give them	14
up to the	14
the fayry champion	14
from the original	14
of which they	14
the place of	14
by this time	14
of it is	14
him by the	14
to the rules	14
that she was	14
men and women	14
the original text	14
in any of	14
the golden age	14
in my opinion	14
what the poet	14
in the manners	14
and for a	14
as to the	14
apex covantage keyed	14
he must be	14
part of their	14
who was the	14
the effect of	14
original text notes	14
in the fable	14
that he might	14
and as for	14
to make his	13
the destruction of	13
i must confesse	13
description of a	13
the second satyr	13
the first satyr	13
let us now	13
put to death	13
and thou shalt	13
an account of	13
of the greeks	13
to the reader	13
in respect of	13
the gates of	13
that in a	13
that you are	13
he ought to	13
causes of the	13
and so i	13
and like a	13
for there is	13
of one of	13
in the action	13
of the minde	13
was in the	13
which may be	13
what we have	13
of his age	13
in his hand	13
but when i	13
said to be	13
began to be	13
from the very	13
throughout the whole	13
the hand of	13
to the subject	13
reason of the	13
the face of	13
of the house	13
upon this account	13
of which we	13
the world is	13
of a king	13
to be his	13
that he should	13
those that be	13
could not have	13
into the sea	13
that which he	13
if i may	13
whether it be	13
when it is	13
that i have	13
let him be	13
in their owne	13
the precepts of	13
in former ages	13
of the country	13
which he had	13
that it would	13
the poet had	13
in the second	13
amongst the rest	13
but that which	13
to know what	13
such as these	13
what is the	13
and of all	13
aptara keyed and	13
the help of	13
him to the	13
end of this	13
and when the	13
that they cannot	13
the dignity of	13
an end to	13
for all that	13
he makes use	13
treatise of the	13
to be accounted	13
that they be	13
that if they	13
the works of	13
that which i	13
in favour of	13
none of the	13
end to the	13
for my part	13
the assistance of	13
and the best	13
him with a	13
description of the	13
even in the	13
and i will	13
in the epick	13
of such as	13
of the last	13
but that it	13
they should be	13
in these daies	13
the world was	13
of the one	13
else but the	13
was of a	13
of this nature	13
any of these	13
the court of	13
at his shop	13
in danger of	13
it were a	13
taking of troy	13
and though they	13
this was the	13
in imitation of	13
which is more	13
as it was	13
to be seene	13
him that is	12
to be but	12
which they are	12
the man that	12
of any other	12
that they can	12
and not to	12
would not haue	12
that are so	12
of which the	12
the description of	12
was not so	12
for the common	12
are a great	12
into the world	12
proper to the	12
at this present	12
the whole poem	12
a stc estc	12
the justness of	12
for when the	12
are in a	12
in the other	12
an example of	12
as to be	12
and if it	12
there must be	12
but there are	12
of the law	12
is to say	12
nothing to do	12
on the same	12
by the hand	12
the mother of	12
the poet ought	12
practice of our	12
the siege of	12
the light of	12
the reason of	12
on the top	12
through all the	12
of a state	12
giue and bequeath	12
when it was	12
to bring in	12
that they should	12
at the signe	12
in the mean	12
that he does	12
then is the	12
the rest are	12
the bounds of	12
by no means	12
to which he	12
for i haue	12
of the old	12
thou shalt see	12
before they were	12
i my selfe	12
you shall finde	12
in the english	12
they are but	12
is not enough	12
that the world	12
the founder of	12
one of those	12
i haue heard	12
i may be	12
but it was	12
for them to	12
that they have	12
the essence of	12
to the end	12
i shall not	12
met with in	12
seems to be	12
of his action	12
the colour of	12
as i was	12
library and art	12
of the war	12
it is pride	12
for that which	12
the same with	12
the conclusion of	12
consequence of the	12
subject of the	12
yet they are	12
the sixth satyr	12
and all his	12
as we have	12
the change of	12
the love of	12
stc estc s	12
in the wars	12
of this satyr	12
of all things	12
and if the	12
of the state	12
they doe not	12
be of the	12
but that they	12
with respect to	12
of all our	12
if they doe	12
and art gallery	12
the will of	12
the priviledge of	12
as he could	12
to please the	12
to the first	12
him in a	12
the pleasure of	12
the secrets of	12
for fear of	12
of our poets	12
as soone as	12
but on the	12
in the meane	12
and a great	12
which was to	12
of him that	12
in the way	12
in which the	12
of which i	12
them from the	12
essence of the	12
acquainted with the	12
make a man	12
if any one	12
in the most	12
may be the	12
those that doe	12
without the least	12
are of the	12
much as to	12
to which is	12
so much for	12
to be observed	12
the office of	12
huntington library and	12
the lawes of	12
for me to	12
the minds of	12
that no man	12
to the epick	12
i was in	12
are not able	12
conditions of the	11
and yet he	11
deal of difference	11
of which was	11
he had been	11
in a manner	11
out of this	11
i haue knowne	11
be met with	11
the folly of	11
in any thing	11
that which was	11
of a more	11
to the right	11
with many a	11
the recital of	11
and make them	11
and those of	11
but they must	11
of aulus persius	11
in the former	11
of the court	11
was the most	11
necessary for the	11
for the time	11
to the great	11
the place where	11
they are as	11
that may be	11
of what he	11
of them that	11
they would be	11
the iliad is	11
for which reason	11
to him that	11
it does not	11
in honour of	11
the middle of	11
such a case	11
by the help	11
he has made	11
the race of	11
do not know	11
in this satyr	11
with a little	11
so far from	11
of mine owne	11
by his own	11
if there were	11
and the second	11
and out of	11
the same person	11
a man that	11
the mean time	11
and if they	11
the henry e	11
and now the	11
each of these	11
in the british	11
the state of	11
for his own	11
and by that	11
not the least	11
knowledge of the	11
book of the	11
the beauty of	11
fooliana the fatte	11
of difference between	11
member of the	11
would be a	11
the government of	11
and in his	11
added to the	11
were to be	11
idea of the	11
ought not to	11
to the tune	11
then all the	11
himself to be	11
of the town	11
but when he	11
out of her	11
last of these	11
i saw a	11
i may not	11
if you will	11
the reason why	11
the very name	11
of the greatest	11
there are two	11
the vertue of	11
had the same	11
the pride of	11
in their own	11
which we may	11
the necessity of	11
then in the	11
that we are	11
the account of	11
and if thou	11
to be done	11
then to the	11
and that it	11
only in the	11
i haue done	11
use of this	11
but they will	11
like that of	11
the force of	11
those things which	11
that which the	11
to speake of	11
as they do	11
in the country	11
the doctrine of	11
is one of	11
and for his	11
aulus persius flaccus	11
i did not	11
came to the	11
that he hath	11
or to be	11
though they be	11
they are all	11
the poet says	11
worthy to be	11
in that place	11
alludes to the	11
of the three	11
the third satyr	11
and you shall	11
is said to	11
to speak of	11
the conduct of	11
as he that	11
and made a	11
of the poets	11
and many other	11
a consequence of	11
in the proposition	11
with all his	11
a man is	11
the master of	11
this text has	11
and will not	11
siege of troy	11
is only a	11
first of these	11
they were to	11
but there is	11
he has given	11
and let him	11
ennius and pacuvius	11
they will not	11
as if it	11
and he will	11
of any thing	11
in the next	11
is it not	11
the british library	11
to the people	11
of the sea	11
nor is it	11
and with his	11
manners of the	11
for the same	11
which the romans	11
as there are	11
of the soule	11
the proposition of	11
the tune of	11
under the names	11
i giue and	11
so that they	11
a matter of	11
most of his	11
the narration of	11
poet ought to	11
in the manner	11
at last he	11
the women of	10
is there any	10
of our order	10
part of this	10
this or that	10
is nothing else	10
global keyed and	10
of so much	10
they did not	10
they are no	10
is not an	10
with a design	10
in the east	10
the worst of	10
that in their	10
for in the	10
the world with	10
the fifth satyr	10
if i could	10
they had been	10
that ought to	10
the forme of	10
that one may	10
the thoughts of	10
the first thing	10
in the last	10
thou canst not	10
is of a	10
was the cause	10
that those who	10
hero of the	10
under pretence of	10
and the action	10
and by his	10
of the person	10
integrity of the	10
is no more	10
estc r this	10
and with all	10
at all times	10
by all the	10
him of the	10
ocm this keyboarded	10
of the personages	10
that he could	10
which they were	10
by which the	10
all these things	10
in some places	10
to those who	10
of our modern	10
good sir john	10
that i can	10
but i am	10
of the narration	10
during the time	10
of a harlot	10
the eye of	10
and last of	10
they were not	10
it in his	10
the rule of	10
the fourth satyr	10
but if i	10
to the poets	10
r this keyboarded	10
the poet should	10
in all probability	10
most excellent maiestie	10
of other men	10
is of the	10
gates of the	10
king of rome	10
who was a	10
if that they	10
spi global keyed	10
he made a	10
the walls of	10
the romans were	10
the vices of	10
this is an	10
not farre from	10
to the kings	10
and by this	10
a good man	10
actions of the	10
us of the	10
and there are	10
is the very	10
the aeneid is	10
much of the	10
went to the	10
is ready to	10
is like the	10
let it be	10
to the king	10
of the fifth	10
was a great	10
thought to have	10
and the first	10
is so far	10
in times past	10
said to have	10
i tell you	10
to the ground	10
in the general	10
our poets have	10
in the matter	10
the action and	10
in stead of	10
the characters of	10
the reputation of	10
so that he	10
and make a	10
reproduction of original	10
man in the	10
may be said	10
more than the	10
of so great	10
in these words	10
are proper to	10
of the golden	10
the rage of	10
in the city	10
it had been	10
that which they	10
were it not	10
and the third	10
on his head	10
there is none	10
by the poets	10
the opinion of	10
to and fro	10
that they do	10
the soul of	10
as good a	10
the roman church	10
of original in	10
where there is	10
they ought to	10
had a great	10
the isle of	10
to see his	10
in the house	10
and not the	10
after this manner	10
not of the	10
as may be	10
the prince of	10
with all their	10
up and down	10
that all things	10
of a very	10
with one another	10
in all sorts	10
and that in	10
that one might	10
for though i	10
in all his	10
of it to	10
for those that	10
is necessary to	10
in the henry	10
has not been	10
most of the	10
all the parts	10
of the age	10
here and there	10
in the shape	10
he be a	10
that hee that	10
but that he	10
for they haue	10
of the place	10
is by this	10
and yet in	10
as they have	10
as i haue	10
and yet the	10
as is the	10
of which he	10
such things as	10
he makes a	10
those that were	10
of his fable	10
of the poore	10
was of the	10
in the end	10
the one is	10
into the body	10
and though i	10
he had no	10
to play the	10
but when the	10
among the romans	10
it will not	10
narration of the	10
i had not	10
first king of	10
and all their	10
and it may	10
whom he had	10
as they haue	10
a text in	10
he had the	10
the loss of	10
three sorts of	10
the reign of	10
is not this	10
the fable and	10
he had not	10
him to his	10
to a more	10
free from all	10
of all this	10
he was in	10
is full of	10
instance of this	10
he may be	10
if he would	10
the head of	10
at last i	10
be found in	10
time of the	10
so they are	10
do with the	10
of their poems	10
might be the	10
to hold the	10
to whom they	10
for this purpose	10
you shall not	10
not worth a	10
and for their	10
of a common	10
that the epick	10
in the court	10
price six pence	10
but if thou	10
to secure their	10
in the sixth	10
are of a	10
and bequeath to	10
reason of this	10
on one side	10
you with a	9
textual changes and	9
who by the	9
on the left	9
to the same	9
says that the	9
and i have	9
aim at restoring	9
a great measure	9
the chief of	9
to be very	9
which is added	9
short title catalog	9
open for the	9
out of that	9
of the author	9
the most excellent	9
t is true	9
that support the	9
taken from the	9
stationer meant to	9
tokenized and linguistically	9
the goodness of	9
and from the	9
persons of the	9
the english short	9
essential to the	9
preserves archaic forms	9
in the roman	9
in these dayes	9
of all these	9
the life of	9
of a text	9
is an enriched	9
more computationally tractable	9
nothing in the	9
i need not	9
as if their	9
that he that	9
there be a	9
this part of	9
i thinke it	9
thing that is	9
to the sea	9
at any time	9
to death by	9
has a mind	9
in time of	9
is that of	9
to give you	9
it in a	9
to give a	9
name of poet	9
in one of	9
this in the	9
to the last	9
the danger of	9
easier to read	9
and linguistically annotated	9
professional end users	9
to such as	9
the form of	9
him out of	9
of the sixth	9
is a signe	9
they had not	9
he speaks of	9
of his life	9
amateur and professional	9
and yet not	9
to be with	9
the text the	9
from that time	9
and the whole	9
but now the	9
there have been	9
by any other	9
these sorts of	9
changes aim at	9
end users from	9
of his friend	9
they be not	9
church and state	9
at making the	9
we have said	9
are capable of	9
in a standardized	9
of a most	9
not say that	9
statues of the	9
they were all	9
of the latin	9
in a glasse	9
xml conversion a	9
an end of	9
i began to	9
conclusion of the	9
on the one	9
the city of	9
although it be	9
was not the	9
be no more	9
changes and metadata	9
of the tcp	9
curation by amateur	9
of the soul	9
in the fourth	9
other parts of	9
and suitable for	9
is pride that	9
they were in	9
on either side	9
in this kind	9
to the roman	9
the humour of	9
textual changes aim	9
if they are	9
as there is	9
support the display	9
and if that	9
the age of	9
the text more	9
making the text	9
and i am	9
to the place	9
character in the	9
all of them	9
a standardized format	9
an epick poem	9
i haue a	9
much as a	9
to the common	9
tcp digital transcription	9
to the life	9
the picture of	9
is proper to	9
the same author	9
or else they	9
that the action	9
man to be	9
suitable for network	9
drawn from the	9
by and by	9
but hee that	9
that we have	9
the best and	9
it were not	9
be in a	9
estc r ocm	9
annotated with morphadorner	9
it by the	9
of aristotle and	9
of the ancients	9
format that preserves	9
standardized format that	9
at this day	9
into such a	9
to shew his	9
upon the account	9
to make their	9
where they are	9
the poet does	9
the war of	9
the author or	9
choice of the	9
did i for	9
of the day	9
from many walks	9
to this effect	9
for him that	9
given to the	9
of a poet	9
that the very	9
proposition of the	9
and is not	9
had a mind	9
their own hands	9
nothing of the	9
the conditions of	9
from the time	9
if they would	9
goodness of the	9
an enriched version	9
this text is	9
whom i have	9
to the contrary	9
but at the	9
when he hath	9
the law of	9
were wont to	9
much to the	9
is no less	9
for the subject	9
display of a	9
themselues to be	9
when they be	9
it was so	9
and professional end	9
but when they	9
other such like	9
yet for all	9
if this be	9
each of which	9
i for this	9
all the gods	9
are such as	9
the second book	9
the character in	9
if he were	9
was but a	9
the night before	9
so in the	9
as if we	9
in all this	9
great deale of	9
let them not	9
they dare not	9
and so much	9
of what they	9
you must not	9
the history of	9
i knowe not	9
by which he	9
in the case	9
the satyr of	9
but a very	9
one of their	9
out of my	9
to his owne	9
of the rest	9
in the art	9
view of the	9
make a great	9
enrichments aim at	9
names of the	9
at the least	9
restoring the text	9
good or bad	9
of the seventh	9
the very first	9
sold at his	9
text in a	9
been tokenized and	9
is a very	9
me to be	9
knights of the	9
there are many	9
no need of	9
metadata enrichments aim	9
the fables of	9
and with their	9
them out of	9
for though the	9
as great a	9
translated out of	9
is not in	9
soon as the	9
by any means	9
and the aeneid	9
made a law	9
the tcp digital	9
as i said	9
to your lordship	9
to say that	9
a great number	9
was wont to	9
when the poet	9
in this last	9
and to have	9
but let them	9
version of the	9
to form the	9
way of living	9
number of the	9
then to be	9
of the subject	9
and then a	9
the first king	9
as we hinted	9
many walks of	9
of the poetical	9
of them is	9
english short title	9
some part of	9
there is an	9
but he will	9
based collaborative curation	9
text more computationally	9
to make this	9
a long time	9
it is that	9
fully proofread approx	9
is a discourse	9
put an end	9
the annotation includes	9
at restoring the	9
text in the	9
was so far	9
to give him	9
not been fully	9
there are no	9
of my own	9
as if that	9
not only the	9
the same thing	9
there is some	9
him to a	9
to their own	9
but a few	9
but to the	9
must haue a	9
these two things	9
vpon the earth	9
by amateur and	9
by the poet	9
it is in	9
only to be	9
that went before	9
collaborative curation by	9
in all these	9
the poet gives	9
of this poem	9
yet in the	9
foundation of the	9
the epick narration	9
walks of life	9
aim at making	9
text has been	9
want of a	9
enriched version of	9
the other of	9
death of patroclus	9
annotation includes standard	9
xml conversion the	9
had not the	9
or stationer meant	9
of the several	9
my self to	9
the meaning of	9
spellings that support	9
should be the	9
i have said	9
character of achilles	9
nothing but a	9
i cannot tell	9
for they were	9
the mind of	9
r ocm this	9
text the author	9
of a fable	9
but if they	9
the roman satire	9
fit to be	9
linguistically annotated with	9
earlyprint project evanston	9
that preserves archaic	9
to whom the	9
i shall be	9
and so to	9
standard spellings that	9
must needs have	9
the inclinations of	9
he that can	9
if one should	9
so much in	9
be sure to	9
and all that	9
a man should	9
in this sense	9
meant to publish	9
had not been	9
the world will	9
shape of a	9
the text has	9
i can tell	9
things that are	9
of our times	9
the consequence of	9
of the air	9
of all other	9
the course of	9
some sort of	9
them in their	9
will be a	9
very name of	9
on this subject	9
includes standard spellings	9
author or stationer	9
text is an	9
the very same	9
respect to the	9
that is a	9
but in this	9
enough to make	9
has been tokenized	9
the riuer of	9
been fully proofread	9
in the mouth	9
poet in the	9
the display of	9
i had a	9
the disposition of	9
two sorts of	9
the meane time	9
must needs be	9
to the whole	9
but with a	9
and metadata enrichments	9
the sum of	9
users from many	9
some will say	9
of one and	9
is the reason	9
this way of	9
from his own	9
in steed of	9
might not be	9
the losse of	9
any thing to	9
of gold and	9
for him to	9
of the word	9
use of it	9
it with a	9
text has not	9
of these things	8
to a certain	8
any thing else	8
but he was	8
the fourth book	8
sons he had	8
none of them	8
for the first	8
the father of	8
in his first	8
that is done	8
almost all the	8
the rigour of	8
any such thing	8
i would haue	8
they are made	8
for which he	8
a one as	8
the thirteenth satyr	8
relation to the	8
a woman that	8
letters under their	8
make it appear	8
them for their	8
such men as	8
of the cabal	8
of the trojans	8
in some sort	8
the poetical goodness	8
the ghost of	8
to giue a	8
that such an	8
embassadors might be	8
that the embassadors	8
the common people	8
i should neuer	8
they care not	8
the fury of	8
it was of	8
if any of	8
all good men	8
the embassadors might	8
from each other	8
the idea of	8
use of to	8
the personages of	8
to lay down	8
to find the	8
to no purpose	8
the excellency of	8
on the stage	8
such as have	8
there be many	8
each member of	8
is the best	8
enter in the	8
in a little	8
that when they	8
the kings most	8
i must confess	8
the names and	8
for i am	8
though he be	8
to be taken	8
be a good	8
in my mind	8
such or such	8
in one and	8
of their sincerity	8
the good of	8
londoners petition for	8
that he did	8
clarke of the	8
which is not	8
if i were	8
the poet in	8
to have the	8
what they are	8
but to be	8
of his country	8
it is now	8
some of his	8
should have been	8
to the eye	8
in the following	8
transcription a of	8
but of the	8
to be no	8
presence of the	8
will make him	8
the other is	8
in a day	8
the skill of	8
as i could	8
of the trojan	8
titus and tiberius	8
hands for the	8
being the first	8
what they have	8
when she was	8
and hee that	8
as if i	8
nothing to be	8
the inhabitants of	8
those that haue	8
out of all	8
the side of	8
the most famous	8
that such a	8
which i had	8
account of the	8
the several sorts	8
may well be	8
the birth of	8
either in the	8
are the only	8
the business of	8
the vse of	8
that kind of	8
of the things	8
might be assured	8
which he has	8
a poore man	8
now to be	8
and several other	8
for all this	8
which is most	8
that hee had	8
the first fruits	8
of their country	8
nothing is more	8
sum of which	8
i pray thee	8
which are not	8
for the rest	8
and if you	8
and his whole	8