quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
early english books online	139
the end of the	58
characters represented either as	56
represented either as utf	56
notes for div a	51
the knight of the	51
of the epick poem	48
encoded edition of the	37
owned by the institutions	37
and coded from proquest	37
financial support to the	37
keyed and coded from	37
and markup reviewed and	37
assigned for keying and	37
text and markup reviewed	37
books online text creation	37
edition of the work	37
even for commercial purposes	37
the early english books	37
the text can be	37
all without asking permission	37
i text is available	37
according to the terms	37
tcp assigned for keying	37
institutions providing financial support	37
phase i text is	37
from proquest page images	37
for keying and markup	37
work described above is	37
this phase i text	37
text can be copied	37
the work described above	37
to the terms of	37
by the institutions providing	37
described above is co	37
is available for reuse	37
support to the early	37
to the early english	37
online text creation partnership	37
text is available for	37
keyboarded and encoded edition	37
coded from proquest page	37
the institutions providing financial	37
the terms of creative	37
encoded text transcribed from	37
this keyboarded and encoded	37
images scanned from microfilm	37
providing financial support to	37
terms of creative commons	37
english books online text	37
of the work described	37
markup reviewed and edited	37
and encoded edition of	37
the vnity of the	36
the nature of the	36
not so much as	34
a great deal of	33
in the midst of	30
iv tiff page images	29
of the process of	29
there are a number	29
encoding based on the	28
then their works are	28
was then carried out	28
credit and attribution is	28
linked to page images	28
some errors will remain	28
given to their original	28
been looked at by	28
or for an anonymous	28
was intended to range	28
released into the public	28
print record of the	28
textual data within the	28
was a compelling reason	28
due credit and attribution	28
should be aware of	28
p using tcp tei	28
was divided into two	28
are a number of	28
true nature of the	28
by a tcp editor	28
and those which did	28
reflect the true nature	28
will remain and some	28
a number of works	28
be aware of the	28
the texts were encoded	28
proquest via their early	28
possible up to a	28
to produce large quantities	28
transcribed and encoded texts	28
into the public domain	28
made about the data	28
encoding was enhanced and	28
mainly structural encoding based	28
text selection was based	28
of the print record	28
whichever is the greater	28
general aim of eebo	28
image sets published by	28
later edition of a	28
via their early english	28
should make clear that	28
universities of michigan and	28
sets published by proquest	28
data within the usual	28
were encoded and linked	28
but we respectfully request	28
did not meet qa	28
transcription and basic encoding	28
gaps by user contributors	28
anyone can now take	28
should bear in mind	28
their early english books	28
record of the period	28
the overall quality of	28
a compelling reason to	28
project have been released	28
external keying companies for	28
which did not meet	28
these processes should make	28
selection was based on	28
partnership between the universities	28
transformed into placeholder characters	28
any remaining illegibles were	28
the project have been	28
or corrected and characters	28
filling in of gaps	28
variety of subject areas	28
as opposed to critical	28
on the new cambridge	28
of michigan and oxford	28
although there are a	28
now take and use	28
the image sets published	28
guidelines are available at	28
the encoding was enhanced	28
on the text encoding	28
qa standards were returned	28
work was chosen if	28
tcp data is very	28
to reflect the true	28
to create accurately transcribed	28
number of works in	28
bear in mind that	28
included and sometimes a	28
tcp is a partnership	28
and or corrected and	28
tei in libraries guidelines	28
new cambridge bibliography of	28
markup guidelines are available	28
have been transformed into	28
then carried out by	28
of tcp data is	28
copies of the texts	28
texts have been issued	28
companies for transcription and	28
some readable characters will	28
language title published between	28
of instances per text	28
works are eligible for	28
for transcription and basic	28
texts for their own	28
with level of the	28
aimed to produce large	28
and use these texts	28
the general aim of	28
those which did not	28
unicode or tei g	28
understanding these processes should	28
or tei g elements	28
oxford and the publisher	28
project was divided into	28
public domain as of	28
likelihood such instances will	28
to range over a	28
tcp is to encode	28
or elements to simplify	28
tcp files to tei	28
aware of the process	28
of the project have	28
encoded as gap s	28
within the usual project	28
tei p using tcp	28
the filling in of	28
quality of tcp data	28
placeholder characters or elements	28
that can be made	28
elements to simplify the	28
take and use these	28
assumptions that can be	28
and characters marked as	28
to simplify the filling	28
texts were encoded and	28
standards were returned to	28
these texts for their	28
while the overall quality	28
project restraints of time	28
text with mnemonic sdata	28
have been looked at	28
the usual project restraints	28
were returned to the	28
large quantities of textual	28
and available in eebo	28
respectfully request that due	28
we respectfully request that	28
corrected and characters marked	28
and encoded texts based	28
usually the first edition	28
and therefore of any	28
of creating the tcp	28
was enhanced and or	28
be made about the	28
their works are eligible	28
the process of creating	28
selection was intended to	28
text strings within braces	28
users should be aware	28
processed by university of	28
reason to do so	28
text creation partnership web	28
errors will remain and	28
proquest to create accurately	28
in mind that in	28
characters marked as illegible	28
mnemonic sdata character entities	28
based on the new	28
attribution is given to	28
creating the tcp texts	28
to tei p using	28
returned to the keyers	28
were encoded as gap	28
intended to range over	28
to their original source	28
a limit of instances	28
enhanced and or corrected	28
text was proofread for	28
by proquest via their	28
works in english were	28
a work was chosen	28
of time and funding	28
chose to create diplomatic	28
editorial teams in oxford	28
the true nature of	28
assurance was then carried	28
the new cambridge bibliography	28
bibliography of english literature	28
remaining illegibles were encoded	28
users should bear in	28
range over a wide	28
tcp aimed to produce	28
texts created during phase	28
for their own purposes	28
can be made about	28
based on the text	28
the print record of	28
to a limit of	28
for accuracy and those	28
wide variety of subject	28
between the universities of	28
cambridge bibliography of english	28
up to a limit	28
at by a tcp	28
marked as illegible were	28
notably latin and welsh	28
all likelihood such instances	28
been released into the	28
on the image sets	28
therefore of any assumptions	28
into placeholder characters or	28
that in all likelihood	28
in of gaps by	28
creation partnership web site	28
to page images in	28
carried out by editorial	28
published between and available	28
to create diplomatic transcriptions	28
title published between and	28
the tei in libraries	28
to external keying companies	28
sent to external keying	28
have been released into	28
created during phase of	28
in oxford and michigan	28
or later edition of	28
accurately transcribed and encoded	28
first editions of a	28
the universities of michigan	28
are eligible for inclusion	28
overall quality of tcp	28
of a works in	28
is a partnership between	28
phase of the project	28
encoded and linked to	28
to encode one copy	28
sets were sent to	28
level of the tei	28
by university of nebraska	28
of works in other	28
never have been looked	28
and the publisher proquest	28
compelling reason to do	28
over a wide variety	28
teams in oxford and	28
available at the text	28
and some readable characters	28
with changes to facilitate	28
a works in english	28
the text creation partnership	28
characters or elements to	28
edition of a work	28
by editorial teams in	28
are available at the	28
restraints of time and	28
process of creating the	28
and oxford and the	28
of a work was	28
and markup guidelines are	28
such instances will never	28
there was a compelling	28
with mnemonic sdata character	28
meet qa standards were	28
quality assurance was then	28
created by converting tcp	28
accordance with level of	28
processes should make clear	28
instances will never have	28
not meet qa standards	28
any assumptions that can	28
in all likelihood such	28
chosen if there was	28
the texts have been	28
of textual data within	28
accuracy and those which	28
issued variously as sgml	28
use these texts for	28
and sometimes a second	28
page images in accordance	28
proofread for accuracy and	28
and attribution is given	28
a second or later	28
mind that in all	28
at the text creation	28
tcp project was divided	28
publisher proquest to create	28
request that due credit	28
been transformed into placeholder	28
elements of known extent	28
been issued variously as	28
ascii text with mnemonic	28
images in accordance with	28
was chosen if there	28
for an anonymous work	28
keying companies for transcription	28
in english were prioritized	28
of known extent have	28
of the tei in	28
michigan and oxford and	28
structural encoding based on	28
corrected where possible up	28
files to tei p	28
will never have been	28
of every monographic english	28
the publisher proquest to	28
during phase of the	28
of any assumptions that	28
readable characters will be	28
keying and markup guidelines	28
if there was a	28
quantities of textual data	28
and therefore chose to	28
is to encode one	28
limit of instances per	28
converting tcp files to	28
by converting tcp files	28
therefore chose to create	28
will be marked as	28
in accordance with level	28
of gaps by user	28
of each text was	28
sometimes a second or	28
and linked to page	28
produce large quantities of	28
were corrected where possible	28
simplify the filling in	28
the public domain as	28
known extent have been	28
changes to facilitate morpho	28
is given to their	28
was based on the	28
based on the image	28
illegibles were encoded as	28
illegible were corrected where	28
each text was proofread	28
be marked as illegible	28
data is very good	28
or text strings within	28
keyers to be redone	28
as illegible were corrected	28
out by editorial teams	28
second or later edition	28
domain as of january	28
remain and some readable	28
texts based on the	28
were sent to external	28
of the texts have	28
to the keyers to	28
gap elements of known	28
extent have been transformed	28
usual project restraints of	28
the text encoding initiative	28
that due credit and	28
the keyers to be	28
a wide variety of	28
create accurately transcribed and	28
works in other languages	28
looked at by a	28
where possible up to	28
opposed to critical editions	28
was proofread for accuracy	28
a partnership between the	28
image sets were sent	28
divided into two phases	28
can now take and	28
unicode or text strings	28
encoded texts based on	28
editions of a works	28
nature of the print	28
characters will be marked	28
published by proquest via	28
have been issued variously	28
between and available in	28
one and the same	27
for the most part	26
the original in the	26
on the other hand	26
of the original in	26
to make use of	25
translated into english verse	25
reproduction of the original	24
a great deal more	24
the rest of the	24
explanatory notes on the	23
as if he had	23
the beginning of the	22
into english verse by	22
at the end of	22
knight of the sunne	22
page notes on the	22
as if they had	22
knight of the moone	22
as well as the	21
english verse by mr	21
by the name of	20
under the name of	20
the name of a	19
at the same time	19
the character of the	19
the fable of the	19
is a great deal	18
the duration of the	18
the anger of achilles	18
estc s this keyboarded	17
of the nature of	17
in the person of	17
the action of the	17
s this keyboarded and	17
after the same manner	17
the practice of homer	16
on the other side	16
part of the action	16
all the rest of	15
the body of the	15
the greatest part of	15
so much the more	14
that there is no	14
the original text notes	14
and this is the	14
covantage keyed and coded	14
the design of the	14
apex covantage keyed and	14
text notes for div	14
and are to be	14
from the original text	14
original text notes for	14
the name of the	14
the signe of the	14
the subject matter of	14
he makes use of	13
of homer and virgil	13
the first part of	13
vnity of the character	13
in the first book	13
the taking of troy	13
as if they were	13
in the time of	13
aptara keyed and coded	13
there is not a	13
in the beginning of	13
and all the rest	12
nothing else but the	12
a stc estc s	12
stc estc s this	12
at the signe of	12
of all the rest	12
with a great deal	12
library and art gallery	12
and on the other	12
huntington library and art	12
i giue and bequeath	11
in the british library	11
the cause of the	11
and that of the	11
great deal of difference	11
the last of these	11
first part of the	11
of aulus persius flaccus	11
for a man to	11
in the mean time	11
i know not what	11
the poet ought to	11
part of the poem	11
the first of these	11
by the help of	11
in such a case	11
original in the british	11
of the roman empire	11
to the tune of	11
treatise of the epick	11
the practice of our	11
deal of difference between	11
is not to be	11
at the beginning of	11
the causes of the	10
and the rest of	10
the gates of the	10
on the top of	10
are not able to	10
subject matter of the	10
in the henry e	10
what has been said	10
there is a great	10
so much as to	10
under the names of	10
giue and bequeath to	10
that is to say	10
original in the henry	10
in all sorts of	10
estc r this keyboarded	10
which ought to be	10
to the rules of	10
the manners of the	10
nothing to do with	10
global keyed and coded	10
the siege of troy	10
r this keyboarded and	10
spi global keyed and	10
a part of the	10
is nothing else but	10
ocm this keyboarded and	10
the master of the	10
reproduction of original in	10
in the persons of	10
an enriched version of	9
the proposition of the	9
in the epick poem	9
end of the action	9
support the display of	9
has not been fully	9
textual changes and metadata	9
by amateur and professional	9
of aristotle and horace	9
in the meane time	9
of a text in	9
enriched version of the	9
and on the contrary	9
many walks of life	9
in the shape of	9
end users from many	9
been fully proofread approx	9
standard spellings that support	9
into the body of	9
metadata enrichments aim at	9
text in a standardized	9
the character of a	9
not been fully proofread	9
restoring the text the	9
to which is added	9
of the tcp digital	9
aim at making the	9
standardized format that preserves	9
put to death by	9
at making the text	9
users from many walks	9
is not so much	9
be met with in	9
and metadata enrichments aim	9
the tcp digital transcription	9
and professional end users	9
the text more computationally	9
enrichments aim at making	9
this text is an	9
and xml conversion a	9
curation by amateur and	9
a text in a	9
the conclusion of the	9
and suitable for network	9
make use of them	9
aim at restoring the	9
it is pride that	9
by reason of the	9
the display of a	9
collaborative curation by amateur	9
text has been tokenized	9
making the text more	9
did i for this	9
english short title catalog	9
that of the iliad	9
the number of the	9
all the parts of	9
r ocm this keyboarded	9
of the epick fable	9
amateur and professional end	9
stationer meant to publish	9
the subject of the	9
that preserves archaic forms	9
vnity of the action	9
annotation includes standard spellings	9
changes aim at restoring	9
from many walks of	9
text is an enriched	9
the essence of the	9
in a great measure	9
estc r ocm this	9
sold at his shop	9
the annotation includes standard	9
character of the hero	9
professional end users from	9
has been tokenized and	9
and xml conversion the	9
a great deale of	9
based collaborative curation by	9
at restoring the text	9
that ought to be	9
a standardized format that	9
author or stationer meant	9
format that preserves archaic	9
the names of the	9
the text the author	9
the text has been	9
the matter of the	9
display of a text	9
the very name of	9
text more computationally tractable	9
duration of the action	9
the parts of the	9
linguistically annotated with morphadorner	9
in the english short	9
includes standard spellings that	9
is an enriched version	9
this text has not	9
tokenized and linguistically annotated	9
the author or stationer	9
text the author or	9
textual changes aim at	9
in a standardized format	9
the english short title	9
the death of patroclus	9
changes and metadata enrichments	9
and linguistically annotated with	9
or stationer meant to	9
spellings that support the	9
text has not been	9
version of the tcp	9
been tokenized and linguistically	9
practice of our poets	9
of the epick action	9
that support the display	9
nature of the epick	9
matter of the poem	9
the character of achilles	8
the kings most excellent	8
the mouth of the	8
the time of the	8
before they were to	8
the order of the	8
the night before they	8
of a great many	8
an end to the	8
and that the embassadors	8
iv tiff page image	8
has a mind to	8
to the kings most	8
to the epick poem	8
of the character in	8
the sum of which	8
under their own hands	8
be assured of their	8
are to be sold	8
two sons he had	8
fable of the iliad	8
upon the account of	8
occasioned upon the londoners	8
the person of the	8
is one of the	8
such a one as	8
transcription a of text	8
he had by her	8
tcp digital transcription a	8
the first king of	8
enter in the night	8
in the same manner	8
upon the londoners petition	8
they were to return	8
left open for the	8
letters under their own	8
own hands for the	8
in one and the	8
embassadors might be assured	8
are a great many	8
hands for the tarquins	8
londoners petition for peace	8
as soon as the	8
and the same person	8
the several sorts of	8
gates of the city	8
the londoners petition for	8
of all sorts of	8
the hero of the	8
might be assured of	8
member of the cabal	8
the embassadors might be	8
that the embassadors might	8
with promises to this	8
that he does not	8
that there is nothing	8
for the tarquins to	8
for want of a	8
so much as a	8
their own hands for	8
assured of their sincerity	8
sum of which was	8
this text in the	8
to enter in the	8
put an end to	8
sons he had by	8
end of the second	8
digital transcription a of	8
be left open for	8
night before they were	8
the statues of the	8
homer and virgil have	8
the tarquins to enter	8
the character in the	8
each member of the	8
promises to this effect	8
tarquins to enter in	8
that the gates of	8
the death of his	8
he alludes to the	8
the shape of a	8
open for the tarquins	8
that are proper to	7
mona logarbo text and	7
logarbo text and markup	7
of text r in	7
is the reason why	7
a of text r	7
kings most excellent maiestie	7
of the same nature	7
r in the english	7
and it may be	7
category of texts with	7
which is the most	7
and the death of	7
of the character of	7
the integrity of the	7
i doubt not but	7
goodness of the manners	7
a consequence of the	7
the midst of the	7
of the second satyr	7
and as for the	7
of the causes of	7
nature of the fable	7
the actions of the	7
that they are not	7
these two sorts of	7
the conditions of the	7
the rest of his	7
it is not so	7
the absence of vlysses	7
puts this text in	7
for there is no	7
let me tell you	7
poet makes use of	7
logarbo sampled and proofread	7
be a man of	7
words puts this text	7
of the second book	7
according to the rules	7
to his own country	7
with a design to	7
of so great a	7
it may be the	7
in the first place	7
is a kind of	7
written in latin by	7
huber text and markup	7
rate of defects per	7
the poet does not	7
of one and the	7
of the fable of	7
huber sampled and proofread	7
by the same author	7
had a mind to	7
the action and the	7
the rate of defects	7
the beginning of this	7
essence of the fable	7
that a man would	7
as we hinted before	7
book of the aeneid	7
body of the poem	7
during the time of	7
the narration of the	7
i would not haue	7
mona logarbo sampled and	7
o that i had	7
all that has been	7
is said to have	7
of ennius and pacuvius	7
to do with the	7
text r in the	7
the poet makes use	7
is the cause of	7
the presence of the	7
the rigour of their	7
if he be a	7
that it is not	7
by this means the	7
would not have been	7
if it be not	7
the best methods towards	6
least might be restored	6
under the government of	6
not tolerate that licentious	6
and to concert with	6
the justness of the	6
proposed to the aquilii	6
of the south indies	6
if it were not	6
is as it were	6
the top of the	6
as that of the	6
beginning of the action	6
the loose young noblemen	6
the aquilii and vitellii	6
an essay upon satyr	6
means to bring back	6
time began to be	6
with some sort of	6
the manners and the	6
the better to secure	6
insinuate themselves among the	6
whereby it was declared	6
in the way of	6
be observed in the	6
the epick poem is	6
there is no need	6
a capital crime in	6
best methods towards their	6
are made use of	6
brutus administred an oath	6
seruant to the kings	6
was the cause of	6
of their new laws	6
because the rigour of	6
the recitals whereof are	6
the knights of the	6
end of the poem	6
race out of rome	6
to the knowledge of	6
any thing that is	6
it was declared a	6
the mother of the	6
better to secure their	6
licentious way of living	6
to be solde at	6
it seems as if	6
the destruction of troy	6
tolerate that licentious way	6
with them the best	6
gave not over their	6
and made a decree	6
in the presence of	6
here vpon the earth	6
the rest of mankind	6
however they gave not	6
with respect to the	6
as if there were	6
the vnravelling of the	6
the beginning of his	6
are to be solde	6
to be found in	6
that their estates at	6
so much as one	6
solliciting that their estates	6
last of these were	6
this is what we	6
were brothers to brutus	6
themselves among the loose	6
the second king of	6
and the better to	6
was first proposed to	6
by the hand of	6
it is not the	6
of fooliana the fatte	6
essential to the fable	6
of several sorts of	6
and i do not	6
that time began to	6
of the action of	6
of the golden age	6
parts of the epick	6
to suffer any more	6
from that time began	6
government of their kings	6
the doctrine of the	6
put a stop to	6
of the vnity of	6
way of living which	6
subject of the poem	6
not so much to	6
concerning the nature of	6
in the temple of	6
in the fourth book	6
of the several sorts	6
methods towards their restoration	6
they came to the	6
on the right hand	6
but underhand to insinuate	6
whole race out of	6
crime in any person	6
latin by the same	6
underhand to insinuate themselves	6
might be restored them	6
rigour of their new	6
have a mind to	6
it will not be	6
to brutus his wife	6
embassadours under pretence of	6
first proposed to the	6
which we have already	6
weary of a common	6
nothing else but a	6
that has been said	6
in their own nature	6
under pretence of solliciting	6
under the allegories of	6
the second part of	6
the persons of the	6
part of the world	6
but he that hath	6
there are a great	6
to insinuate themselves among	6
a description of the	6
by any means to	6
the pleasure of the	6
there is nothing more	6
brothers to brutus his	6
concert with them the	6
annotation on thomason copy	6
tarquin and his whole	6
to be sold at	6
suffer any more kings	6
laws did not tolerate	6
is not enough to	6
that he did not	6
in latin by the	6
in the art of	6
and last of all	6
administred an oath by	6
that he made a	6
new laws did not	6
by driving tarquin and	6
for the sake of	6
fatal to his family	6
if it be a	6
but send embassadours under	6
them the best methods	6
when they are in	6
the very essence of	6
of gold and silver	6
did not tolerate that	6
of living which they	6
and by that alliance	6
of solliciting that their	6
these were brothers to	6
for as much as	6
in the practice of	6
both men and women	6
their estates at least	6
this design was first	6
themselves never to suffer	6
narration ought to be	6
was declared a capital	6
at least might be	6
an oath by which	6
endeavour by any means	6
by the light of	6
the government of their	6
by that alliance easily	6
to the aquilii and	6
that of the aeneid	6
bring back the tarquins	6
the manner of the	6
that licentious way of	6
who grew weary of	6
to concert with them	6
practice of homer and	6
tom of all trades	6
be sold at his	6
the minds of the	6
this is the first	6
of the aeneid is	6
let us now see	6
oath by which the	6
design was first proposed	6
by the assistance of	6
of these were brothers	6
the subject of his	6
they gave not over	6
fell in love with	6
declared a capital crime	6
which from that time	6
from place to place	6
the matter of it	6
the foundation of the	6
it is tobacco that	6
on the side of	6
to secure their liberty	6
that i should neuer	6
we are not to	6
his whole race out	6
second king of rome	6
makes use of the	6
that he was not	6
the face of the	6
within the compass of	6
but such as are	6
the return of vlysses	6
of the body of	6
capital crime in any	6
never to suffer any	6
send embassadours under pretence	6
the bishop of rome	6
by which the romans	6
pretence of solliciting that	6
satyr of aulus persius	6
driving tarquin and his	6
their new laws did	6
the reason of this	6
of the duration of	6
and his whole race	6
estates at least might	6
to bring back the	6
the knowledge of the	6
the lawes of the	6
was the son of	6
any means to bring	6
as well as of	6
the empire of the	6
among the loose young	6
in any person who	6
the name of god	6
grew weary of a	6
i may so say	6
that is proper to	6
it is the most	5
mother of the gods	5
a man of some	5
causes of the manners	5
wherein he relates what	5
we will begin with	5
of the first satyr	5
make use of this	5
it would have been	5
before the death of	5
to that which is	5
as it were a	5
that he is not	5
we shall treat of	5
and there is no	5
there you shall see	5
that he might not	5
the cause of all	5
in one of his	5
will begin with the	5
the colour of the	5
on the one side	5
that many of them	5
the very soul of	5
from all manner of	5
by the death of	5
vnity of the fable	5
and by this means	5
blaney sampled and proofread	5
the ruin of troy	5
according to the poets	5
and the practice of	5
and now and then	5
in the mouth of	5
relates what hapned to	5
necessary to the fable	5
but if it be	5
the end of this	5
woman from a bad	5
and are to bee	5
the revenge of achilles	5
as if it were	5
the women of this	5
but as soon as	5
but those that are	5
as well as they	5
the personages of the	5
a great many episodes	5
to make a man	5
in the daies of	5
to say concerning the	5
in any of these	5
that which is most	5
that the cause of	5
a good woman from	5
to be an honest	5
is no great matter	5
above the rest of	5
but will you now	5
a discourse in verse	5
in the composition of	5
of texts with between	5
those women that be	5
proper to the subject	5
if they had beene	5
the title of the	5
concerning the manners of	5
ought to have been	5
such or such a	5
the poet gives us	5
the hands of the	5
the riches of the	5
in the proposition of	5
texts with between and	5
there is not any	5
the power of the	5
in love with her	5
of the fable and	5
in his right hand	5
of fooliana the deuout	5
subject of his poem	5
there be some that	5
a number of them	5
it is to be	5
his severall shapes and	5
in the city of	5
the death of turnus	5
of the first sort	5
and essential to the	5
is a part of	5
an instance of this	5
and the worlds follies	5
in its own nature	5
to make the world	5
the truth of history	5
in relation to the	5
as well as he	5
which serves as a	5
satires of aulus persius	5
as much as i	5
the midst of his	5
orders to be observed	5
several sorts of verse	5
to make it appear	5
action of the aeneid	5
of the action and	5
the cause of this	5
on the left hand	5
there are so many	5
to make an end	5
which i have already	5
the precepts of aristotle	5
be made use of	5
the very end of	5
if there be any	5
of the manners of	5
made use of in	5
of the latin poet	5
in the second part	5
if i may so	5
the form of the	5
and this is what	5
the death of hector	5
and that it is	5
to be called a	5
been the cause of	5
there can be no	5
to the precepts of	5
into the compass of	5
essential part of the	5
one of the most	5
he has a mind	5
i have to say	5
jonathan blaney text and	5
the story of hypsipyle	5
make use of it	5
a great number of	5
my ladies looking glasse	5
hapned to him in	5
in the house of	5
of the second part	5
the valour of achilles	5
the satires of aulus	5
in the middle of	5
the assistance of the	5
will be sure to	5
it makes no matter	5
end of the seventh	5
matter of the epick	5
what i have to	5
the fable and the	5
he does not say	5
it may be said	5
of the iliad is	5
of the fifth book	5
for ought i know	5
of the whole poem	5
that which is the	5
between and defects per	5
one of these two	5
the gift of the	5
the rules of art	5
that they may be	5
part of the fable	5
to be observed in	5
good woman from a	5
blaney text and markup	5
the goodness of the	5
be made a god	5
of the action is	5
to take notice of	5
have no manner of	5
to the age of	5
if there were no	5
the innes of court	5
for which he was	5
that it is a	5
is to be found	5
was of the same	5
so great a master	5
a man would thinke	5
my selfe to be	5
to be met with	5
to accommodate himself to	5
is the effect of	5
in the tragedy of	5
to him in his	5
as well as i	5
which we call the	5
the people of this	5
is the end of	5
no not so much	5
it was sinne that	5
when they came to	5
as if the same	5
empire of the world	5
there is nothing in	5
that the knight of	5
that which we have	5
severall shapes and transmigrations	5
the eye of the	5
in the sight of	5
last will and testament	5
jonathan blaney sampled and	5
end to the other	5
the same in the	5
that there was no	5
as long as the	5
be in danger of	5
for the conduct of	5
if it bee not	5
it to be a	5
nor is there any	5
which was to be	5
one of the three	5
the most part of	5
now and then a	5
by the practice of	5
the story of the	5
he relates what hapned	5
during the absence of	5
the first book of	5
with between and defects	5
precepts of aristotle and	5
him in his severall	5
thing in the world	5
are of the same	5
greatest part of the	5
what hapned to him	5
on the death of	5
are such as are	5
the rest of these	5
with all sorts of	5
in the hands of	5
in his severall shapes	5
in the gift of	5
for the love of	5
by the means of	5
of so many heroes	5
as long as they	5
he be a man	5
as a foundation to	5
it ought to be	5
are not to be	5
and other parts of	5
have each of them	4
is that of the	4
and one of the	4
and honours of his	4
is to be a	4
the general character of	4
not with a design	4
of this great poet	4
they are capable of	4
in all the world	4
the honestie of this	4
the honour of the	4
of the third satyr	4
in the defence of	4
at the very first	4
hee is sure to	4
a cluster of drunkards	4
son sextus committed on	4
make use of machines	4
of those that are	4
with all my heart	4
for it is the	4
they ought to have	4
giue me leaue to	4
was wont to be	4
and took a journey	4
that part of the	4
in the bodleian library	4
which rome was built	4
the help of l	4
best musitian of his	4
and the other is	4
their formes of gouernment	4
a great part of	4
iournall of all his	4
wrote long before horace	4
at his shop in	4
what we have said	4
there is none but	4
the hero in the	4
a journey to greece	4
general character of the	4
the second thing is	4
the intrigue of the	4
of the first performer	4
virgil makes use of	4
free from all manner	4
banners and honours of	4
i know not how	4
of the fifth satyr	4
out of the church	4
as far as he	4
speech occasioned upon the	4
the very nature of	4
upon the theater among	4
being the first fruits	4
nothing but what is	4
fit for nothing but	4
conclusion of the action	4
be an honest man	4
skill against the most	4
or a mockery upon	4
by the rule of	4
try his skill against	4
i hope in god	4
honours of his family	4
not one of the	4
the name of achilles	4
the true picture of	4
so out of measure	4
the common places of	4
among the ordinary comedians	4
for ought that i	4
that we ought to	4
hung up among the	4
long as they were	4
he bore away the	4
strangely displaied by r	4
of this nation are	4
to the design of	4
in his own country	4
at the head of	4
for the foundation of	4
of the poetical goodness	4
as far as the	4
they would have been	4
face of the earth	4
is not any one	4
and thou shalt see	4
theater among the ordinary	4
to the emperor claudius	4
the best musitian of	4
the body of his	4
to try his skill	4
the death of john	4
of the first booke	4
in the market place	4
of which they are	4
the vizard of vertue	4
fable of the aeneid	4
a poem is a	4
you shall haue some	4
notes on the fourth	4
an allusion to that	4
the fables of aesop	4
has been said in	4
the wife of agamemnon	4
on the thirteenth satyr	4
with that of the	4
the usual recompence of	4
the dignity of the	4
did all he could	4
and deification of claudius	4
as for the rest	4
if i had not	4
and so much for	4
to that of the	4
design of the poet	4
the next of kin	4
under the reign of	4
the order of this	4
and communicates intelligence from	4
not make use of	4
extemporary ansvver to a	4
his son sextus committed	4
which we call a	4
clock in the morning	4
to make a great	4
the person of his	4
and strength of the	4
death and deification of	4
sing upon the theater	4
matter of a poem	4
of all his observations	4
many of the athenian	4
not so much for	4
is upon this account	4
you shall haue them	4
there is likewise a	4
this is what aristotle	4
condescended to act and	4
the inner temple gent	4
in the name of	4
so much of the	4
of the second table	4
a man of honour	4
as a man of	4
the order of nature	4
the latter end of	4
merry orders to be	4
he speaks of the	4
for the barbarous rape	4
to all the rest	4
to greece on purpose	4
hero of the poem	4
of john lambert esq	4
part of the subject	4
if we consider the	4
and the taking of	4
by reason of his	4
was hated for his	4
as virgil has done	4
he had the same	4
the rules of aristotle	4
message of john lambert	4
that the episodes of	4
communicates intelligence from all	4
not the matter of	4
he frequently condescended to	4
the sequel of the	4
which the poet makes	4
of the other personages	4
of the roman church	4
all he could to	4
the author of this	4
had been the cause	4
met with in the	4
to be a poet	4
and that is the	4
if he had not	4
for want of wit	4
of the excellencies of	4
the barbarous rape which	4
vnity of the hero	4
at the same instant	4
the first fruits of	4
the best part of	4
as also of the	4
that which we call	4
so far from being	4
at this present houre	4
will you now to	4
far as he could	4
if we would but	4
in his preface before	4
i my selfe haue	4
this is only a	4
a satyr against separatists	4
the natures of the	4
by the law of	4
the wound of vlysses	4
it was the custom	4
and end of the	4
this is the reason	4
foundation of all the	4
till the end of	4
added to the action	4
have nothing to do	4
at the birth of	4
of the parts of	4
as well as in	4
and bequeath to you	4
to be made a	4
to the manners and	4
has nothing to do	4
which the poet ought	4
action of the poem	4
this part of the	4
lose so great a	4
now to peace encline	4
the names of beasts	4
is a known story	4
cause of the manners	4
in two or three	4
to form the manners	4
i am not so	4
act and sing upon	4
and there is nothing	4
the epick action is	4
barbarous rape which his	4
the worlds follies and	4
to the knight of	4
came to the age	4
they are not so	4
to the temple of	4
of those who have	4
be hung up among	4
in the times of	4
of the whole world	4
the poet in this	4
the practice of the	4
sextus committed on lucretia	4
notes on the sixth	4
ought to be active	4
death regretted nothing more	4
there is nothing to	4
for which reason the	4
famous artists of that	4
what he means by	4
the practice of virgil	4
into the house of	4
artists of that country	4
this kind of poem	4
no such thing as	4
exact iournall of all	4
and that he was	4
well acquainted with the	4
thoughts of the epick	4
no better than a	4
in time of need	4
and if it be	4
not over their precensions	4
had the priviledge of	4
the happiness of kings	4
the second prouince of	4
what is meant by	4
notes on the second	4
for div a e	4
in spight of all	4
quoth the fayry champion	4
met together at schiedam	4
long and short syllables	4
they are not able	4
usual recompence of the	4
that these two things	4
i could not forbear	4
two or three of	4
rule of gods word	4
in the manner of	4
will be glad to	4
if thou hap to	4
who was compelled thereto	4
his skill against the	4
the fashion of the	4
songs of the chorus	4
is to lay down	4
ought to be made	4
made english by mr	4
at his death regretted	4
character in the poem	4
the first and most	4
the action would have	4
for the common good	4
to be made of	4
that this is not	4
the iliad is the	4
nature of the people	4
we have already said	4
in the sequel of	4
for nothing but to	4
not at all necessary	4
the garland and instrument	4
that the world was	4
to a cluster of	4
the world is become	4
to be but a	4
cause of all the	4
but that it is	4
serves as a foundation	4
they ought to be	4
to the mercy of	4
the first is the	4
for it is a	4
opposite to that of	4
the athenian young noblemen	4
that there are some	4
of the clock in	4
by the outward show	4
from time to time	4
of the first part	4
which his son sextus	4
is nothing to be	4
the causes of all	4
to the very end	4
the foundation of some	4
and ought to be	4
of wits to be	4
enough to make a	4
the valour of aeneas	4
the truth of this	4
in the fable of	4
that the name of	4
or not give him	4
as an omen of	4
all other sorts of	4
there is no god	4
shall be in danger	4
he will be sure	4
he had a mind	4
there be a number	4
bore away the garland	4
are necessary to the	4
progresse through great britaine	4
and other such like	4
whom the poets feign	4
to one of the	4
by the discovery of	4
the most famous artists	4
on the coast of	4
the rule of gods	4
of a noble family	4
after the death of	4
a frolick to horn	4
of the romans was	4
what has been already	4
of the seventh summer	4
as much as the	4
is the same in	4
of the justness of	4
translated into english by	4
the first platform of	4
to be hung up	4
eye of the world	4
alludes to the story	4
of the integrity of	4
that i may not	4
to speak of the	4
to rome in triumph	4
but to return to	4
for the honour of	4
make an end of	4
journey to greece on	4
may be the poet	4
on purpose to try	4
of difference between the	4
the president of presidents	4
the idea i have	4
a little of the	4
second part of the	4
in the heat of	4
thou art the man	4
of the sixth satyr	4
from the mouth of	4
so much for the	4
and yet for all	4
on his left arm	4
is a discourse in	4
notes on the first	4
hampdens speech occasioned upon	4
i am of opinion	4
the company of those	4
instrument to be hung	4
end of the first	4
the sports of the	4
which was the most	4
by sea and land	4
of the number of	4
to the story of	4
of a reformed life	4
there is no man	4
a man of a	4
one or the other	4
the justness of his	4
is what the poet	4
i do not doubt	4
who by the help	4
in the manners of	4
if you will not	4
as soon as he	4
have been discoursing of	4
if the poet had	4
the message of john	4
and such other like	4
and that he might	4
any thing of his	4
the excellencies of homer	4
and that they had	4
the light of the	4
in the sixth book	4
is so far from	4
to be of a	4
were not able to	4
in the first part	4
the name of poet	4
because it is the	4
other part of the	4
most famous artists of	4
the remaining part of	4
it was lawfull for	4
which was the usual	4
from one end to	4
all his observations during	4
the quality of the	4
of the trojan war	4
the age of puberty	4
time out of mind	4
alluding to that of	4
to fight upon the	4
his death regretted nothing	4
to the right honourable	4
ansvver to a cluster	4
if they had been	4
notes on the fifth	4
they do not know	4
to the order of	4
the family of the	4
a friend of mine	4
nine of the clock	4
was industrious to be	4
at last he was	4
greece on purpose to	4
have said concerning the	4
the genius of the	4
recompence of the first	4
hills on which rome	4
said in favour of	4
the picture of a	4
a part of it	4
hated for his pride	4
to make his escape	4
the two parts of	4
in the sea of	4
called by the name	4
the plot or intrigue	4
regretted nothing more sensibly	4
rape which his son	4
we have said concerning	4
the people of rome	4
is not an episode	4
in such a manner	4
the forme of a	4
both the garland and	4
the nature of these	4
is the action of	4
of the same mind	4
on the walls of	4
or exact iournall of	4
the poem and the	4
neuer honest till now	4
and for the barbarous	4
i think my self	4
upon the death and	4
frequently condescended to act	4
among the banners and	4
be added to the	4
be thought to have	4
the keeper of the	4
several sorts of actions	4
ye combat of caps	4
piece of friar bacons	4
than that the world	4
the first epistle of	4
is the practice of	4
an extemporary ansvver to	4
all sorts of sinnes	4
wife to the emperor	4
after what has been	4
the founder of rome	4
come to the knowledge	4
as vlysses and aeneas	4
of the inner temple	4
several sorts of verses	4
the glory of the	4
that they might be	4
the eyes of the	4
that in former ages	4
from whom he bore	4
that he should be	4
it might not be	4
the majesty of the	4
after the model of	4
musitian of his age	4
answer to the proclamation	4
wife to caius caligula	4
and the second is	4
and last of the	4
without so much as	4
a description of a	4
by the tyranny of	4
action would have been	4
observations during the time	4
purpose to try his	4
than any of the	4
ought to be a	4
the rest of their	4
where there is no	4
is the nature of	4
to maintain this reputation	4
made by timothy gunton	4
whom he bore away	4
and instrument to be	4
ought not to be	4
that his thoughts are	4
of the athenian young	4
you shall see the	4
one may observe the	4
of the anger of	4
is not with a	4
the glory of his	4
the cause of so	4
one end to the	4
original in the bodleian	4
has nothing in it	4
it is but to	4
of this in the	4
was of a noble	4
not be amiss to	4
of our modern poets	4
it is that makes	4
manners of the gods	4
of the great duke	4
at his full length	4
death of john bradshaw	4
that he would have	4
to be at the	4
the first author of	4
a person of quality	4
the business of the	4
and amongst the rest	4
to the levees of	4
mockery upon the death	4
integrity of the action	4
the death and deification	4
have the honour of	4
we have been discoursing	4
was one of the	4
the true resemblance of	4
of the fourth satyr	4
cut out her tongue	4
is not able to	4
the sound of a	4
or the plaine path	4
in a condition to	4
justness of the character	4
by reason of their	4
when he was in	4
is cast upon the	4
is a discourse invented	4
the cause of their	4
the consequence of the	4
up among the banners	4
ought to be the	4
of that which is	4
the sixth satyr of	4
this action then is	4
and by and by	4
in the next place	4
in the character of	4
of it in the	4
as high as the	4
a great many other	4
of the gods in	4
that they could not	4
of an epick poem	4
the way of the	4
by the lawes of	4
first king of rome	4
does not at all	4
have already taken notice	4
the anger of this	4
his pride and cruelty	4
but there are some	4
as well in the	4
poets make use of	4
the definition of the	4
which i will not	4
the thirteenth satyr of	4
the clock in the	4
allusion to that of	4
for the subject of	4
who was the son	4
of the same kind	4
if he had been	4
in running the races	4
when there is no	4
of friar bacons brazen	4
the theater among the	4
inform us of the	4
is not the least	4
the office of a	4
thirteenth satyr of juvenal	4
and the duration of	4
a mockery upon the	4
the matter of his	4
for his pride and	4
there is no hope	4
does not so much	4
and sing upon the	4
and not daring to	4
he was industrious to	4
of the other two	4
has been already said	4
is by this means	4
according to the intent	4
and the cause of	4
with a kind of	4
we have already taken	4
as if it had	4
in the eye of	4
looke in a glasse	4
be solde at the	4
and as if they	4
at the sight of	4
they are made use	4
if it be but	4
causes of the action	4
into the hands of	4
if there be no	4
you now to peace	4
was so far from	4
solde at the signe	4
as a token of	4
the same with that	4
the space of a	4
in the court of	4
as it is a	4
to the end that	4
to the power of	4
there is not so	4
of homer in the	4
and the iron age	4
and the same action	4
the character of his	4
worlds follies and abuses	4
and at his death	4
the necessity of this	4
i do not know	4
took a journey to	4
all that went before	4
was put to death	4
it would be a	4
against the most famous	4
notes on the third	4
poem is a discourse	4
the declining state of	4
nature of the things	4
the banners and honours	4
in answer to the	4
end of this satyr	4
to be seen in	4
of the first book	4
this is what the	4
with the point downward	4
his observations during the	4
to be full of	4
was the usual recompence	4
and is as it	4
is as good a	4
he that hath no	4
to act and sing	4
in so much that	4
for all the world	4
garland and instrument to	4
is not worth a	4
which is the very	4
on which rome was	4
the place where they	4
he that should but	3
in the third book	3
the losing of our	3
from the white sow	3
form mens manners by	3
are not in the	3
by the roscian law	3
other mens healths were	3
with all its circumstances	3
a malicious man makes	3
to him that is	3
signe of the talbot	3
he would have him	3
to bee most excellent	3
is an action of	3
upon the same subject	3
and to those who	3
currs fetcht from amongst	3
in the same order	3
the greeks and romans	3
so as to make	3
it shall not be	3
this is likewise what	3
thinke it to be	3
it is become so	3
virginity is a vertue	3
as is that of	3
the true character of	3
though i know that	3
promotion in all professions	3
and in all the	3
to do with a	3
in the new fashion	3
is an equivocal term	3
i know not why	3
you an account of	3
between the songs of	3
it does not follow	3
make use of these	3
went into the house	3
there is nothing but	3
thou shalt see the	3
he is said to	3
be discerned a wise	3
a whole company of	3
into english from the	3
that i may be	3
shall not trouble my	3
being a discovery of	3
the least shew of	3
very essence of the	3
he was commanded to	3
a mind to know	3
there bee a number	3
by the example of	3
as if they would	3
diuided into two bookes	3
to hear the lawyers	3
see if i could	3
a new original preface	3
newly augmented and enlarged	3
speake a little of	3
the speeches and actions	3
agrees very well with	3
is related in verse	3
this is what virgil	3
some god or other	3
must be attributed to	3
the poem ought to	3
a description of time	3
mercurius venereus wherein he	3
they had from the	3
homer in the iliad	3
and drew them into	3
and make use of	3
the thoughts and the	3
the war of thebes	3
the office of the	3
the c category of	3
some part of their	3
not farre from these	3
of forming the plot	3
and that by the	3
and integrity of the	3
he was forced to	3
learn to be just	3
who could not so	3
juvenal by henry higden	3
title of the poem	3
for the publick good	3
found lately amongst his	3
the son of king	3
all sorts of people	3
the very beginning of	3
are so much the	3
in the depth of	3
if they doe not	3
were it not for	3
he would have his	3
him to be a	3
when he sees the	3
in that of the	3
borealis de la garde	3
of a good woman	3
it must be granted	3
the paradise of fooliana	3
in a moral sense	3
does not say that	3
of such things as	3
in the wars of	3
that the action is	3
to be a whole	3
and the design of	3
up the greatest part	3
this is what he	3
amongst his own papers	3
petition of prince butler	3
it is capable of	3
but it is not	3
sports of the fifth	3
the death of so	3
that if they doe	3
state of epick poetry	3
vicious multiplication of fables	3
in danger of iudgment	3
thinke him to be	3
of long and short	3
if he had said	3
and the other answers	3
as it is reported	3
and barke at the	3
all those that doe	3
so that he had	3
so much that the	3
the series of the	3
but there is a	3
he has given to	3
fruits of a reformed	3
be carried to the	3
order of the garter	3
made choice of a	3
i was forced to	3
we may see it	3
of the poem and	3
the fruits of the	3
for he did not	3
he will not allow	3
a thing to be	3
deification of claudius caesar	3
mark of honour and	3
on the shore of	3
observed in the manners	3
that the poet makes	3
gratiam totius auditorii mercurialis	3
make a shift to	3
greatest part of his	3
remaining part of the	3
notions and religion of	3
at the foote of	3
i hope you are	3
for those that are	3
in all the rest	3
but at last he	3
this is the way	3
a quarter of an	3
and from thence to	3
foure and twenty houres	3
may be the more	3
the whore of babylon	3
the importance of the	3
intelligence from all places	3
you shall not finde	3
for foure and twenty	3
the subject of this	3
of the subject matter	3
of the same party	3
poem on the times	3
his words are these	3
the account of the	3
and will no more	3
quite contrary to the	3
abusers of the time	3
i call to minde	3
between agamemnon and achilles	3
what remains of alba	3
this is not all	3
but now i think	3
in those things which	3
one against the other	3
of prince butler prays	3
it is dangerous to	3
upon such or such	3
such shows as these	3
for the publishing of	3
proper and necessary to	3
a business of the	3
up the character of	3
if they had not	3
the rods and ax	3
all the fables of	3
so well acquainted with	3
and let me tell	3
in gratiam totius auditorii	3
are suitable to the	3
will last till seven	3
concerning the original and	3
it is like the	3
nothing in the world	3
at the mouth of	3
would have him be	3
on what to resolve	3
a mind to be	3
and there are none	3
that a misunderstanding between	3
if any of the	3
as we now call	3
the silence of the	3
that had been the	3
and easie to be	3
which we may call	3
original and progress of	3
curre of the round	3
and the manners of	3
understanding and judging of	3
brought into the world	3
one of the principal	3
wits to be sold	3
the more probable opinion	3
but it is the	3
an action that is	3
the side of horace	3
he thought it was	3
supposes nothing before it	3
walking to and fro	3
that are contrary to	3
of juvenal by henry	3
of these two sorts	3
in the feat of	3
is a signe of	3
the government of it	3
the name of manners	3
with a white stone	3
there needs no more	3
they are able to	3
and if it were	3
the time of his	3
products of citron beds	3
a stop to its	3
the compass of a	3
original preface upon the	3
and the valour of	3
the rape of europa	3
censor of good manners	3
one of his personages	3
to be so much	3
the other two poems	3
the nature of this	3
in which he was	3
and contents of this	3
knowne to be a	3
as the name of	3
each part of the	3
the sentence of death	3
it may well bee	3
drinking of other mens	3
and then begins to	3
the end of their	3
the first chapter of	3
though i must confesse	3
a man to be	3
condition of the people	3
the reign of augustus	3
in the nature of	3
of which we have	3
the whole rablement of	3
all the priviledges of	3
to justifie my opinion	3
if any one come	3
siefring text and markup	3
that it was not	3
and of all the	3
first opening of the	3
if this be granted	3
equality of the manners	3
i would not be	3
both this and that	3
could not have been	3
a great respect for	3
what i have said	3
the unity of the	3
if any man be	3
out of dutch by	3
part of the country	3
standing in the pillory	3
a relation of two	3
in the course of	3
under one and the	3
the words of the	3
is just the same	3
what is their vowed	3
world or a description	3
him out of his	3
it could not be	3
the design of virgil	3
his preface before his	3
and in all his	3
to give an account	3
of which they have	3
made all the sail	3
that a man may	3
is a matter of	3
since he was a	3
is quite contrary to	3
there would be no	3
the conduct of the	3
his shop at the	3
the first a south	3
not on what to	3
according to the number	3
as well as to	3
not to be so	3
by this means that	3
of the hero in	3
world was neuer honest	3
but in that town	3
them out of their	3
but the poet has	3
first fruits of a	3
translated out of dutch	3
of any thing that	3
the priests of the	3
yet i am sure	3
in a pittifull taking	3
his most excellent maiestie	3
the cause of that	3
may be of some	3
but that which is	3
of the foundation of	3
to be a sea	3
should take special care	3
i had a great	3
epick narration ought to	3
the same wretched kind	3
bite and barke at	3
very soul of the	3
argument and contents of	3
the god of sleep	3
will not let to	3
of all the good	3
to have had a	3
for any thing else	3
with explanatory notes at	3
vilest thing in the	3
in each of their	3
t is not the	3
in most of his	3
infernall characters into english	3
the piety of aeneas	3
knowe you not him	3
to the custom of	3
tooth for the pope	3
then he makes a	3
in the piazza in	3
by my troth i	3
that will not lend	3
in the reign of	3
very useful and necessary	3
the action ought to	3
duration of the epick	3
were not to be	3
knight of the sun	3
a woman that is	3
discovery of a passage	3
the city of troy	3
the entrance of the	3
ought to have with	3
to make it more	3
the midst of this	3
other qualifications of the	3
good circumstance that the	3
that they ought to	3
qualification of the manners	3
et in gratiam totius	3
with his home returne	3
her into a bitch	3
the hand of a	3
with so great a	3
relating the nature of	3
forming the plot or	3
nothing to be vnlawfull	3
the names of some	3
whether such impetuous drinking	3
of iuvenal and persius	3
together with the satires	3
has been said on	3
or a description of	3
and this was the	3
english from the french	3
of which i haue	3
barke at the fantasticall	3
that are now in	3
the narration ought to	3
has done in his	3
to and fro in	3
of this age are	3
art the man that	3
i will not trouble	3
that during the time	3
his walking to and	3
the action which is	3
this discourse is in	3
it is no matter	3
first draught of the	3
there is still another	3
this is the practice	3
of those that be	3
and those that were	3
that it should be	3
signification of the word	3
is so far the	3
storm in that discovery	3
will not be amiss	3
of a few months	3
a late lying scandalous	3
i thinke it may	3
malicious man makes reasons	3
a discourse concerning the	3
necessary for the right	3
the letter of the	3
if it be granted	3
character of the other	3
and so they are	3
with a new original	3
hetherto vnknowne by an	3
the coast of sicily	3
in the heighth of	3
i shall not trouble	3
the curse of the	3
that a man could	3
was a man of	3
if you haue any	3
the vilest thing in	3
what we have already	3
a poem on the	3
it is the same	3
the care of the	3
the cure of the	3
it would not be	3
for a few days	3
narration of the aeneid	3
for it may be	3
the will of the	3
but that he has	3
so that there is	3
most fresh and newly	3
to the king of	3
there are some persons	3
he is but a	3
begining next tuesday in	3
the church of rome	3
the equality of the	3
a share in the	3
assistance of the gods	3
if he did not	3
or at the least	3
with times merry orders	3
and your fame will	3
and with his foot	3
and the order of	3
from the slavery of	3
famous curre of the	3
beginning of this action	3
though it may be	3
make this one reflection	3
lawes of the land	3
and the necessity of	3
the poetical goodness of	3
the life of his	3