trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
one of the	912
as well as	595
of the renaissance	556
the duke of	501
of the church	467
the sixteenth century	455
in order to	432
the fifteenth century	409
the history of	406
the middle ages	390
to have been	384
the end of	380
on the th	357
the th of	352
of the most	343
at the same	334
the same time	328
of the fifteenth	298
of the time	282
and in the	279
at this time	270
the court of	267
the name of	266
of the sixteenth	252
the death of	252
of the great	248
that of the	245
the house of	244
duke of urbino	243
end of the	239
part of the	233
of the world	233
it is not	232
some of the	227
it was not	224
and of the	221
that he had	221
that he was	220
history of the	219
of the middle	218
the spirit of	216
of his own	214
in spite of	213
the age of	210
seems to have	209
of the italian	206
in which the	200
the hands of	197
the influence of	197
which he had	196
the life of	193
it may be	193
the time of	192
said to have	190
according to the	189
the beginning of	189
there is no	187
in which he	186
and it is	186
that it was	182
in the same	182
it was the	180
on the other	178
the fact that	178
would have been	176
and it was	175
of the french	174
of his life	172
the king of	172
it would be	170
a number of	169
it is a	169
of all the	167
many of the	166
with regard to	165
the church of	165
at the end	164
the art of	163
of the city	162
to be the	160
which had been	156
the council of	156
the study of	155
of the people	155
be found in	155
as to the	153
in the first	152
in the sixteenth	151
a man of	151
a series of	149
the work of	147
out of the	147
in the history	145
account of the	145
it is the	144
of the holy	143
he was a	141
of the new	141
one of his	140
of the first	139
he had been	138
of the same	138
is to be	138
of the duke	137
to be a	136
of the age	135
must have been	134
a sort of	133
the fourteenth century	133
of the roman	133
the service of	133
so far as	132
the use of	132
which he was	132
there is a	132
spirit of the	130
simile of a	130
at that time	129
of the old	129
was one of	127
in the church	127
there was a	127
and on the	126
it has been	126
it will be	125
of the house	124
as in the	124
in the middle	124
to be found	123
the head of	123
members of the	123
the story of	122
in his own	122
but it is	122
is said to	122
and to the	121
in the vatican	120
the close of	119
the other hand	118
the thirteenth century	118
in the world	118
there was no	118
the holy see	117
the men of	117
it was a	117
those of the	117
on account of	116
the castle of	115
on the contrary	115
well as the	115
to the duke	115
it was in	113
but it was	113
by means of	112
that they were	112
of the modern	111
the middle of	111
at the court	111
at the time	110
of the medici	110
and that the	109
the course of	109
who had been	109
of the pope	108
is one of	108
men of the	108
him in the	107
the title of	107
the purpose of	106
as it was	106
of the italians	105
beginning of the	105
in order that	105
the character of	104
so as to	104
in the year	104
the duchy of	103
when he was	103
the reign of	103
of the state	103
half of the	103
in the following	103
as it is	103
in consequence of	102
francesco maria i	102
the subject of	102
which we have	102
the state of	101
not to be	100
one of these	100
was in the	100
he could not	99
of the jesuits	99
he did not	99
could not be	98
was to be	98
a kind of	98
the picture by	98
the works of	98
we have seen	98
most of the	98
the number of	98
of his time	97
for the purpose	97
of the king	97
the whole of	97
of the two	97
this is the	97
of his age	97
that it is	96
influence of the	96
in the fifteenth	96
the cause of	96
the rest of	95
for the first	94
the most important	94
he was the	94
in the hands	94
as soon as	93
him to the	93
the power of	93
the seventeenth century	92
of the court	92
and by the	92
the development of	91
of this period	91
life of the	91
regard to the	91
the first to	91
as we have	90
the murder of	90
of which the	89
this was the	89
a miniature in	89
might have been	89
of the papacy	89
which i have	88
of the greatest	88
the modern world	88
more than a	88
the midst of	87
of the vatican	87
which they were	87
as far as	87
the first time	87
found in the	87
he was not	87
at the beginning	87
of the inquisition	86
the part of	86
study of the	86
of the papal	86
that he would	86
middle of the	85
of the classics	85
women of the	85
the city of	85
the first of	85
of their own	85
at the age	85
the palace of	85
duke of ferrara	84
in the midst	84
the marquis of	84
and at the	84
it must be	84
general of the	83
in all the	83
the holy office	83
place in the	82
for a time	82
the presence of	82
the cardinal of	82
of francesco maria	82
the grand duke	82
was the first	82
the revival of	81
men and women	81
the author of	81
the university of	81
and all the	81
as early as	81
more or less	81
of the day	81
the right of	80
and with the	80
the people of	80
for the most	80
have been the	80
we have already	80
the love of	80
than that of	80
duchess of urbino	79
now in the	79
of alexander vi	79
of the fourteenth	79
one of them	79
of the duchy	79
to that of	79
which it was	78
council of trent	78
the pope and	78
must not be	78
whom he had	78
one of those	78
of those who	78
due to the	77
of the republic	77
the value of	77
it is to	77
years of age	77
of the council	77
of the century	77
of the palace	76
that he should	76
of the thirteenth	76
as it were	76
the duchess of	76
conception of the	76
of the whole	75
and that he	75
to the church	75
had to be	75
as one of	75
the battle of	74
sense of the	74
the names of	74
as i have	74
in the great	74
the loss of	74
part in the	74
the italian renaissance	74
to which the	74
may have been	73
the bishop of	73
be able to	73
the kingdom of	73
of this time	73
after the picture	73
to the pope	73
the discovery of	72
of the early	72
at this period	72
king of france	72
it had been	72
the point of	72
of one of	71
the eyes of	71
the most part	71
of a miniature	71
appears to have	71
that in the	71
but in the	71
in this way	71
of which he	71
to which he	71
will be found	70
of the country	70
i do not	70
the fall of	70
the hand of	70
a matter of	70
to his own	70
in the palace	70
or at least	70
and for the	70
the place of	70
the origin of	70
with which he	69
duke of milan	69
the genius of	69
duke francesco maria	69
of the last	69
of the order	69
the authority of	69
to say that	69
the first half	69
of the period	69
manuscript of the	68
description of the	68
the order of	68
may be said	68
to the world	68
the manner of	68
are to be	68
the object of	68
of the ancient	68
which they had	68
in one of	68
and he was	68
the unity of	67
of the human	67
seem to have	67
some of his	67
together with the	67
spite of the	67
that he might	67
of the greek	67
it is true	67
the possession of	66
the earl of	66
side of the	66
the nature of	66
name of the	66
first half of	66
master of the	66
in the last	66
time of the	66
and above all	66
point of view	66
and the other	66
the interests of	65
the company of	65
up to the	65
were to be	65
character of the	65
at all events	65
the count of	65
hands of the	65
the sack of	65
by no means	65
greek and latin	65
had been the	65
the church and	65
he would have	65
close of the	65
of the town	65
of his family	64
of charles v	64
of a new	64
the archives of	64
the marriage of	64
the man who	64
it is in	64
it was only	64
to the holy	64
sack of rome	64
more and more	64
with his own	64
at all times	64
it is said	64
the form of	64
by the duke	64
of the cardinal	64
on the part	63
in addition to	63
the last of	63
of the present	63
the papal court	63
to the king	63
the mother of	63
in the second	63
is in the	63
for a long	63
the sense of	63
picture of the	63
francesco maria ii	63
such as the	63
knowledge of the	63
of charles viii	62
the eighteenth century	62
of the empire	62
the most beautiful	62
some of them	62
of the emperor	62
service of the	62
they were not	62
duke of gandia	62
portion of the	62
even in the	62
the condition of	62
in a letter	62
the laws of	62
a young man	61
to do so	61
of such a	61
the literature of	61
of the men	61
order of the	61
on the death	61
of the popes	61
he had to	61
him as a	61
of the spanish	61
in the service	61
he had not	60
the members of	60
of the best	60
to make the	60
they had been	60
head of the	60
the necessity of	60
the dukes of	60
in the course	60
he had no	60
of a great	60
of the seventeenth	60
of the venetian	59
which it is	59
given to the	59
at the head	59
ought to be	59
the school of	59
himself to the	59
of the english	59
the words of	59
the case of	59
in the most	58
with which the	58
them to the	58
of the latter	58
them in the	58
during the renaissance	58
the result of	58
is not the	58
as he was	58
owing to the	58
was destined to	58
on the subject	58
have been a	58
we do not	58
a few years	58
in the fourteenth	58
much of the	57
that i have	57
of duke federigo	57
the days of	57
the prince of	57
of his son	57
the period of	57
the basis of	57
work of the	57
had not been	57
of the three	57
the walls of	57
in those days	56
power of the	56
a few days	56
the introduction of	56
than any other	56
of the duchess	56
that is to	56
that they had	56
the imitation of	56
came to be	56
of the kingdom	56
could not have	56
age of the	56
same time the	56
is no doubt	56
down to the	56
it was to	56
church of s	55
the side of	55
and the duke	55
miniature in the	55
son of the	55
well as in	55
as they were	55
be said to	55
the arts of	55
the care of	55
from time to	55
and a half	55
him in his	55
a long time	55
in which it	55
in the city	55
on this occasion	55
so long as	55
to the same	55
tells us that	55
time to time	55
idea of the	54
of leo x	54
the courts of	54
of the borgias	54
in the archives	54
a man who	54
dukes of urbino	54
of his father	54
it is impossible	54
is to say	54
that he could	54
be regarded as	54
in the field	54
the greatest of	54
preserved in the	54
art of the	54
was born in	54
many of them	54
author of the	54
the theory of	54
of a woodcut	54
an account of	54
and when the	54
it must not	54
it is only	53
the della rovere	53
the protection of	53
no less than	53
the progress of	53
in the renaissance	53
of the nobility	53
story of the	53
he seems to	53
the convent of	53
state of the	53
that of a	53
that she was	53
by the pope	53
of the nation	53
of the north	53
it was his	53
italy in the	53
looked upon as	53
as a rule	53
the crown of	52
it in the	52
the style of	52
use of the	52
in so far	52
the fate of	52
the position of	52
do not know	52
of the other	52
so that the	52
example of the	52
of the ancients	52
those who have	52
with all the	52
of the grand	52
the women of	52
as he had	52
the education of	52
for a moment	52
in which they	52
of the florentine	52
of the league	52
house of este	52
of the poet	52
in favour of	52
leonardo da vinci	52
he was in	51
as much as	51
of his holiness	51
of them were	51
the beauty of	51
and one of	51
a part of	51
origin of the	51
to the most	51
on his return	51
connected with the	51
as that of	51
the importance of	50
to the court	50
the expense of	50
after the death	50
any of the	50
in the case	50
period of the	50
in regard to	50
the mind of	50
is that of	50
in a few	50
the wife of	50
and in a	50
in the castle	50
at the close	50
the centre of	50
the practice of	50
was not the	50
to make a	50
to see the	50
not only the	50
the example of	50
and they were	50
that we have	50
the absence of	50
the sake of	49
church of the	49
and some of	49
to take the	49
and that of	49
such was the	49
which is the	49
member of the	49
all of them	49
with that of	49
king of naples	49
it would have	49
the maintenance of	49
on the ground	49
in such a	49
under the name	49
and in his	49
works of art	49
the lord of	49
the society of	49
the language of	49
count of urbino	49
the government of	49
the library of	49
of all that	49
for the sake	49
that there was	49
of the lord	49
known as the	49
had come to	48
of the past	48
in connection with	48
of all kinds	48
to the new	48
the dignity of	48
to the great	48
the son of	48
nature of the	48
library of paris	48
on the same	48
of the humanists	48
the question of	48
a letter to	48
years of his	48
to be seen	48
of the young	48
literature of the	47
in the modern	47
the establishment of	47
in the duchy	47
of this work	47
of the catholic	47
the fame of	47
in a great	47
at this epoch	47
the catholic revival	47
because of the	47
to show that	47
to the end	47
supposed to be	47
it to the	47
the effect of	47
revival of learning	47
was that of	47
the publication of	47
by which the	47
the date of	47
during the middle	47
death of his	47
he had the	47
more than the	46
that of his	46
some of these	46
a great many	46
works of the	46
was a great	46
he had a	46
in an age	46
consequence of the	46
of the common	46
the middle age	46
it as a	46
the election of	46
of the peninsula	46
of the family	46
the direction of	46
of the reformation	46
to his son	46
the idea of	46
edition of the	46
that had been	46
that there is	46
of its own	45
was a man	45
among the most	45
possession of the	45
the affairs of	45
as long as	45
they could not	45
of the castle	45
the siege of	45
has been said	45
men of letters	45
imitation of the	45
the book of	45
in the pitti	45
the growth of	45
the birth of	45
it would seem	45
the appearance of	45
book of the	45
he returned to	45
the world of	45
of that age	45
in a word	45
the states of	45
the ruins of	45
of our own	45
the execution of	45
of the despots	45
in our time	45
to the french	44
on the st	44
as a matter	44
of which we	44
the kings of	44
at any rate	44
to all the	44
of the index	44
love of the	44
they did not	44
of the times	44
was able to	44
the princes of	44
at the moment	44
not have been	44
a portion of	44
the twelfth century	44
the foundation of	44
court of the	44
only in the	44
there is nothing	44
and in this	44
a woodcut in	44
condition of the	44
the lives of	44
of some of	44
the person of	44
of the revival	44
connection with the	43
founder of the	43
in the cathedral	43
with the pope	43
the administration of	43
it should be	43
of the year	43
in like manner	43
his history of	43
at the expense	43
of the classical	43
it is difficult	43
the invention of	43
marquis of mantua	43
of julius ii	43
attention to the	43
the occasion of	43
of the second	43
of the highest	43
of urbino and	43
of the latin	43
the policy of	43
it was at	43
into the hands	43
the glory of	43
with a view	43
and those of	43
the peace of	42
he does not	42
which has been	42
the nd of	42
half a century	42
the thought of	42
but he was	42
to think that	42
when it was	42
of these men	42
and there is	42
the king and	42
by the church	42
to return to	42
authority of the	42
scholars of the	42
the st of	42
the first place	42
in the early	42
death of the	42
i have not	42
the details of	42
the possibility of	42
the habit of	42
a few months	42
all sorts of	42
on the whole	42
was due to	42
about the same	42
th of june	42
it seems to	42
a sense of	42
of the chief	42
to the papacy	42
in the uffizi	42
at a time	42
for some time	41
the collection of	41
with the exception	41
the rules of	41
the interest of	41
of the nobles	41
of the work	41
of a few	41
the greater part	41
the minds of	41
he went to	41
be seen in	41
belonged to the	41
the following year	41
in the matter	41
in accordance with	41
of the art	41
but there is	41
after his death	41
by the french	41
and of his	41
it is no	41
more than one	41
court of urbino	41
not so much	41
one or two	41
it does not	41
of the soul	41
him from the	41
the duke and	41
the streets of	41
daughter of the	41
the sphere of	41
in the streets	41
of his contemporaries	41
the new learning	41
that he is	41
took place in	41
and from the	41
the duke was	41
in their own	41
in the french	41
with the same	41
is true that	40
as they are	40
of the body	40
a work of	40
interest in the	40
the aid of	40
the benefit of	40
the action of	40
fact that the	40
is impossible to	40
genius of the	40
a time when	40
a place in	40
derived from the	40
to think of	40
a picture of	40
in the state	40
as the most	40
the face of	40
theory of the	40
the annals of	40
from that of	40
for which he	40
the pitti gallery	40
in the presence	40
which have been	40
of the life	40
of his day	40
i know not	40
the uffizi gallery	40
man of the	40
for his own	40
where he was	39
by one of	39
we find him	39
a view to	39
attached to the	39
the formation of	39
to such a	39
the matter of	39
and when he	39
the british museum	39
says that the	39
archives of modena	39
presence of the	39
piero della francesca	39
no doubt that	39
to do with	39
to be in	39
of the garter	39
two or three	39
like that of	39
with the duke	39
was not until	39
of his brother	39
a member of	39
at the very	39
over to the	39
as to be	39
and his son	39
of thought and	39
the credit of	39
details of the	39
the custom of	39
which may be	39
the creation of	39
of the antique	39
the knowledge of	38
in his life	38
the writings of	38
here and there	38
matter of fact	38
would not be	38
it appears that	38
national library of	38
he might have	38
number of the	38
for him the	38
of the history	38
in the end	38
him by the	38
to secure the	38
of italy in	38
the daughter of	38
him with the	38
which was the	38
on his way	38
the advantage of	38
and to have	38
the tridentine council	38
devotion to the	38
to whom he	38
view of the	38
in the papal	38
the conduct of	38
the exception of	38
devoted to the	38
a period of	38
well as of	38
the amount of	38
it is possible	38
when he had	38
was born at	37
of the imperial	37
to the papal	37
the attitude of	37
at the present	37
and as a	37
of the villa	37
once in the	37
of his work	37
is not a	37
has already been	37
and the first	37
he would not	37
part of his	37
in the north	37
people of the	37
in favor of	37
his way to	37
of the epic	37
about this time	37
for him to	37
and the pope	37
to francesco maria	37
i have been	37
palace of the	37
by the same	37
the renaissance was	37
pico della mirandola	37
on the nd	37
as a man	37
the arms of	37
of the drama	37
the town of	37
of the christian	37
said that the	37
th of august	37
in the art	37
in the library	37
a copy of	37
in the spring	37
there can be	37
all the more	37
the rights of	37
we need not	37
sir thomas more	37
the light of	37
and even the	37
on the one	37
the most interesting	37
of the th	37
he died in	37
of the spirit	37
many of his	37
the gates of	36
the inhabitants of	36
development of the	36
the principles of	36
from a miniature	36
of the arts	36
they do not	36
those who had	36
of which was	36
lives of the	36
of the medicean	36
that they are	36
compared with the	36
at one time	36
it is enough	36
would not have	36
of france and	36
and the same	36
not hesitate to	36
not a few	36
and so forth	36
is not to	36
the hope of	36
is the first	36
on the occasion	36
the abbey of	36
not only in	36
the scholars of	36
of the florentines	36
of the man	36
of the word	36
of his death	36
early in the	36
but for the	36
of human life	36
of a man	36
life of a	36
many of these	36
the ruin of	36
for it is	36
so much as	36
a state of	36
that the duke	36
the eternal city	36
is the most	36
to those who	36
i have already	36
of the book	36
was not a	36
the sight of	36
in the house	36
in the time	36
the defence of	36
he was born	36
the invasion of	36
in the possession	35
went to the	35
something of the	35
i have said	35
first of these	35
to the fact	35
be gathered from	35
th of september	35
chief of the	35
by him in	35
time in the	35
all that is	35
of the tridentine	35
during the sixteenth	35
this is not	35
the conditions of	35
greater part of	35
the memory of	35
by way of	35
of which is	35
the return of	35
all the world	35
the master of	35
in front of	35
it is clear	35
by his own	35
the sale of	35
by which he	35
poets of the	35
seen in the	35
in the present	35
ludovico il moro	35
of the corporation	35
that they should	35
the poetry of	35
th of october	35
to be able	35
the vita nuova	35
the attention of	35
the fine arts	35
is well known	35
of the universe	35
was the most	35
of the royal	35
in the thirteenth	35
of his genius	35
duchy of urbino	35
it is now	35
is difficult to	35
not be forgotten	35
of the borgia	34
to whom the	34
was not so	34
to believe that	34
they have been	34
that it would	34
a letter from	34
be well to	34
reference to the	34
the father of	34
in the very	34
that this was	34
of italy and	34
him to be	34
it is probable	34
years of the	34
to one of	34
the rank of	34
we find that	34
characteristic of the	34
none of the	34
the family of	34
parts of the	34
he is said	34
the present day	34
the most famous	34
early as the	34
appear to have	34
a few of	34
he must have	34
earl of essex	34
the law of	34
of the university	34
to have a	34
in other words	34
up in the	34
which we are	34
large number of	34
each of these	34
was about to	34
the low countries	34
in italy and	34
for their own	34
as to his	34
of francis i	34
such is the	34
led to the	34
of which they	34
of the eighteenth	34
from the first	34
was obliged to	34
of his state	34
of a single	34
the existence of	33
that the pope	33
to maintain the	33
i am not	33
in that age	33
well as to	33
rather than to	33
the sistine chapel	33
of the general	33
of all his	33
for many years	33
to the vatican	33
come to be	33
was followed by	33
the men who	33
had not yet	33
he was at	33
in the way	33
far as the	33
by the side	33
and the most	33
the patronage of	33
it is easy	33
and that his	33
the body of	33
which he has	33
have come to	33
to which they	33
under the influence	33
to the public	33
the church was	33
the charm of	33
in the words	33
he had already	33
not in the	33
to go to	33
the sound of	33
gave rise to	33
that she had	33
grand duke of	33
but they were	33
the parliament of	33
states of the	33
may still be	33
of the race	33
had been a	33
the science of	33
a piece of	33
artists of the	33
with whom he	33
we find the	33
was given to	33
his letter to	33
the duty of	33
of his character	33
that he did	33
the renaissance period	33
that they might	33
of that city	33
company of jesus	33
in the national	33
of the madonna	33
the nineteenth century	33
he and his	33
care of the	33
we must not	33
duchess of ferrara	32
the shape of	32
the latter was	32
the taste of	32
knew how to	32
who died in	32
by francesco maria	32
in our own	32
worthy of the	32
the republic of	32
during the first	32
the opening of	32
the vatican library	32
is probable that	32
the best of	32
the sacred college	32
for the church	32
archives of the	32
seems to me	32
of the subject	32
the qualities of	32
of which were	32
of her husband	32
if he had	32
in proportion as	32
in the next	32
of the poor	32
not only to	32
them by the	32
to the emperor	32
the capital of	32
should have been	32
the opinion of	32
to him the	32
came to the	32
princes of the	32
it was impossible	32
the portrait of	32
a letter of	32
enabled him to	32
may be found	32
the french court	32
the same as	32
the cathedral of	32
in the latter	32
of the religious	32
ceased to be	32
on which the	32
the day of	32
the expression of	32
movement of the	32
whom we have	32
they had to	32
followed by the	32
the roman church	32
at the university	32
been able to	32
in the name	32
interests of the	32
the renaissance in	32
him with a	32
he began to	32
ought to have	32
the pontificate of	32
the soul of	32
even to the	32
of the della	32
addressed to the	32
which we shall	32
returned to the	32
supposed to have	31
the height of	31
for in the	31
the sovereignty of	31
little more than	31
in the autumn	31
of his house	31
in the peninsula	31
to speak of	31
or to the	31
discovery of america	31
the restoration of	31
the evolution of	31
letter to his	31
is not surprising	31
in matters of	31
of the various	31
him in a	31
had not the	31
regarded as the	31
while he was	31
and he had	31
in the meantime	31
the conception of	31
his life of	31
him of the	31
the means of	31
end of his	31
was the only	31
in that of	31
beauty of the	31
the function of	31
of these was	31
it must have	31
those who were	31
the coronation of	31
the freedom of	31
in the ducal	31
of the prince	31
from the picture	31
most of them	31
as a consequence	31
as those of	31
the strength of	31
the autumn of	31
and the whole	31
the throne of	31
added to the	31
may be seen	31
the renaissance to	31
is easy to	31
fall of the	31
culture of the	31
was on the	31
to him by	31
francesco maria della	31
and the great	31
if it be	31
to those of	31
should not be	31
in the centre	31
to a certain	31
france and spain	31
we must remember	31
of the dukes	31
the scene of	31
the tale of	31
letter to the	31
at that period	31
be remembered that	31
relation to the	31
writers of the	31
discovery of the	31
belonging to the	31
our own time	31
the composition of	30
gold and silver	30
by him to	30
the modern time	30
a friend of	30
maria della rovere	30
castle of s	30
of his subjects	30
action of the	30
the fifteenth and	30
of the visconti	30
is due to	30
giovanni della rovere	30
whom he was	30
by his father	30
to prove that	30
the pope to	30
theory of poetry	30
a history of	30
of the former	30
in the direction	30
the most illustrious	30
as he is	30
portrait of the	30
to receive the	30
that i may	30
of his art	30
of the earlier	30
of the german	30
of his nephew	30
the corruption of	30
he was to	30
that has been	30
we are not	30
belongs to the	30
same time he	30
so much of	30
opinion of the	30
the office of	30
one of their	30
qualities of the	30
those of his	30
arms of the	30
the french and	30
the limits of	30
a short time	30
of his master	30
to the roman	30
and the church	30
the houses of	30
was sent to	30
in the old	30
the most distinguished	30
work on the	30
of rome and	30
had been made	30
the arrival of	30
of it in	30
he is the	30
giuliano della rovere	30
he has been	30
the papal states	30
in the evening	30
made for the	30
in the eyes	30
who was a	30
of the principal	29
woodcut in the	29
a daughter of	29
it might be	29
in the british	29
and died in	29
of the noble	29
to be of	29
care for the	29
the chapter on	29
to meet the	29
the manuscript of	29
in the life	29
by the people	29
the same year	29
of the classic	29
that there were	29
in their hands	29
to the old	29
in the south	29
the terms of	29
account of his	29
it with the	29
that you will	29
library of the	29
of which it	29
in the days	29
the papal throne	29
could have been	29
of the gerusalemme	29
the human mind	29
of men and	29
under the title	29
the way of	29
he succeeded in	29
of the war	29
for this purpose	29
a large number	29
of that time	29
to the utmost	29
his life in	29
he had made	29
education of the	29
of art and	29
on one occasion	29
aware of the	29
rather than the	29
is enough to	29
not only of	29
of italy was	29
with which they	29
a native of	29
the ladies of	29
and in order	29
treatise on the	29
to provide for	29
in the other	29
yet it is	29
in no way	29
the golden age	29
for he was	29
the price of	29
himself in the	29
duchy of milan	29
th of april	29
had recourse to	29
convent of s	29
in the original	29
the artists of	29
the college of	29
in the form	29
consisted of a	29
of the reason	29
of the earth	29
which was to	29
which in the	29
was at the	29
the meaning of	29
the will of	29
in his work	29
may be well	29
if it were	29
rest of the	29
such men as	29
we shall find	29
from the pope	29
open to the	29
to have had	29
of which are	29
vittorino da feltre	29
of the greeks	29
may be called	29
in his youth	29
and many of	29
in love with	29
the spring of	29
so that he	29
the standard of	29
may be gathered	28
nor is it	28
regarded as a	28
the shadow of	28
council of ten	28
it to be	28
of the law	28
were bound to	28
centre of the	28
the independence of	28
policy of the	28
has never been	28
the french king	28
in any other	28
a great measure	28
has been the	28
in the italian	28
in the public	28
last of the	28
by the council	28
francesco di giorgio	28
of the jews	28
the cities of	28
italians of the	28
he is a	28
the corporation of	28
was no longer	28
the pope was	28
nor did he	28
books of the	28
not fail to	28
of life and	28
said to be	28
of his works	28
of his uncle	28
in recent years	28
th of january	28
more than any	28
a visit to	28
would be a	28
th of may	28
in the kingdom	28
the italians of	28
eyes of the	28
of the public	28
course of time	28
by far the	28
of so many	28
that they could	28
the truth of	28
the triumph of	28
during the last	28
public and private	28
the tyranny of	28
of the blood	28
of the school	28
most of his	28
life in the	28
for the benefit	28
were in the	28
which i had	28
under the protection	28
for those who	28
be forgotten that	28
the force of	28
he was an	28
to be made	28
the source of	28
addition to the	28
the ducal collection	28
the success of	28
instead of being	28
also in the	28
which was a	28
to the renaissance	28
with each other	28
by order of	28
the arts and	28
down to us	28
for the duke	28
has come to	28
foundation of the	28
only a few	28
the field of	28
in honour of	28
the present time	28
with those of	28
that he has	28
the chair of	28
on his own	28
to rome in	27
the roman empire	27
of the famous	27
a new and	27
of the count	27
th of november	27
that is the	27
the church in	27
seems to be	27
one of which	27
of which i	27
the model of	27
the way for	27
is proved by	27
of all these	27
the man of	27
of the ducal	27
which took place	27
of the older	27
the accession of	27
those who are	27
this was not	27
the privilege of	27
duke guidobaldo ii	27
th of march	27
to the present	27
interest of the	27
especially in the	27
are among the	27
of the counter	27
and then the	27
of this century	27
be allowed to	27
from his own	27
to the people	27
of his country	27
in the chapter	27
at first sight	27
the same way	27
in the palazzo	27
in the university	27
in the shape	27
is said that	27
of the free	27
in the face	27
the world to	27
the french army	27
was but a	27
had been in	27
they are not	27
picture by titian	27
set out for	27
the one hand	27
the extinction of	27
from the same	27
relations with the	27
and this was	27
at a later	27
him to his	27
in concert with	27
to follow the	27
the common life	27
the duties of	27
of the colonna	27
of duke francesco	27
is supposed to	27
of the poem	27
led him to	27
middle ages and	27
above all the	27
the decline of	27
in his hand	27
of letters and	27
they were to	27
deserves to be	27
and the renaissance	27
titian in the	27
which he is	27
was not to	27
a general council	27
from the time	27
the exercise of	27
was not only	27
it is this	27
the following letter	27
in the eighteenth	27
the fourteenth and	27
in his history	27
far as it	27
there was nothing	27
that i am	27
the ambition of	27
the poet is	27
and of all	27
duke of romagna	27
the secret of	27
the poets of	27
all the other	27
italy during the	27
of the sacred	27
put to death	27
duke of calabria	27
on this point	27
the time when	27
the type of	27
made in the	27
made by the	27
way in which	27
the fortunes of	27
in his time	27
to trace the	27
a system of	27
i have seen	27
we have a	27
in all its	27
of the cathedral	27
an imitation of	27
the cultivation of	27
the help of	27
of his native	27
by titian in	27
it was necessary	27
than to the	26
all that was	26
the holy land	26
in reference to	26
by all the	26
and as the	26
midst of the	26
towards the end	26
with the most	26
the national library	26
the center of	26
it did not	26
which she had	26
of the intellect	26
to bring about	26
for all the	26
will be seen	26
the renaissance had	26
an edition of	26
instead of the	26
to come to	26
the pope had	26
to the history	26
in the manner	26
side by side	26
in the habit	26
conditions of the	26
but at the	26
can be no	26
a variety of	26
of the citizens	26
much more than	26
the moment of	26
state of things	26
accordance with the	26
the old man	26
a later period	26
was forced to	26
of michael angelo	26
the merit of	26
we have the	26
is full of	26
with him in	26
captain of the	26
acquainted with the	26
the same period	26
was allowed to	26
to show how	26
seem to be	26
the reputation of	26
work of his	26
duke of florence	26
apart from the	26
to point out	26
in case of	26
of duke guidobaldo	26
portion of his	26
affairs of the	26
nothing of the	26
value of the	26
banner of the	26
to whom i	26
the property of	26
the manners of	26
th of july	26
in the preface	26
the testimony of	26
for a while	26
the news of	26
interested in the	26
to understand the	26
if they were	26
the same day	26
renaissance in italy	26
kingdom of naples	26
the requirements of	26
the ideal of	26
and of a	26
the services of	26
to the state	26
the spectacle of	26
before his death	26
of pius iv	26
the league of	26
the towns of	26
at the first	26
there are many	26
a century later	26
course of the	26
devoted himself to	26
the legend of	26
during this period	26
news of the	26
between the two	26
was ready to	26
the italians were	26
she did not	26
in the town	26
at his death	26
his return to	26
which seems to	26
these are the	26
or in the	26
fifteenth and sixteenth	26
his description of	25
few of the	25
so many of	25
place of the	25
of a noble	25
to take up	25
the command of	25
his death in	25
have not been	25
are full of	25
of louis xii	25
the life and	25
the picture of	25
for the last	25
but on the	25
to make it	25
to the study	25
to use the	25
cloth of gold	25
fourteenth and fifteenth	25
a great deal	25
by the king	25
of the place	25
than in the	25
but as the	25
a life of	25
of the national	25
but with the	25
a hundred years	25
of these two	25
may be mentioned	25
crown of naples	25
taste of the	25
nor was this	25
because it was	25
in the seventeenth	25
the description of	25
for it was	25
of the assassins	25
of his reign	25
has not been	25
for such a	25
to give a	25
an age when	25
of the mind	25
of the twelfth	25
a multitude of	25
there is not	25
of the third	25
a means of	25
a pupil of	25
unity of time	25
that no one	25
at least the	25
as a result	25
of the crown	25
that we may	25
the rule of	25
his life and	25
and to his	25
the element of	25
the world has	25
back to the	25
from one of	25
the see of	25
in the morning	25
during the next	25
the seat of	25
he came to	25
the culture of	25
as has been	25
does not appear	25
just as the	25
of his position	25
costumes of the	25
and in which	25
philos and licia	25
as of the	25
to the whole	25
of the society	25
of this kind	25
of the romans	25
the want of	25
of the very	25
so much to	25
an age of	25
might be expected	25
in the country	25
to the modern	25
command of the	25
the most brilliant	25
each of them	25
of the learned	25
for the future	25
the writers of	25
when they were	25
the opportunity to	25
marquis of pescara	25
that we are	25
of his wife	25
the world and	25
which the pope	25
the majority of	25
which would have	25
to accept the	25
the charge of	25
age of twenty	25
of the golden	25
of the saints	25
well as by	25
to give the	25
have been in	25
in the work	25
did not hesitate	25
they were in	25
the last supper	25
your most illustrious	25
the new testament	25
hundred and fifty	25
things of the	25
that it has	25
as the first	25
and especially the	25
by those who	25
of the clergy	25
in the new	25
of the many	25
influence on the	25
the lady of	25
result of the	25
of the fine	25
all over the	25
in the manuscript	25
establishment of the	25
the only one	25
began to be	24
and those who	24
where he had	24
the catholic church	24
and who had	24
the teaching of	24
on the point	24
to describe the	24
lord of pesaro	24
each of the	24
to which we	24
a source of	24
the conclusion of	24
the french language	24
the heart of	24
is worthy of	24
in praise of	24
to his holiness	24
to become the	24
likely to be	24
the results of	24
him at the	24
at this juncture	24
with the title	24
greatest of the	24
from an engraving	24
his relations with	24
and the new	24
to the ground	24
to the general	24
his father had	24
to rome to	24
the right to	24
the aim of	24
is that the	24
the grand tour	24
of all sorts	24
valley of the	24
filippo maria visconti	24
place among the	24
of an italian	24
there is an	24
the judgment of	24
of his predecessors	24
of time and	24
that i should	24
the post of	24
of the cardinals	24
he is not	24
the student of	24
ought not to	24
kings of france	24
from the french	24
duke of tuscany	24
manners of the	24
the future of	24
of his great	24
the army of	24
rather than a	24
of the virgin	24
the preservation of	24
in this matter	24
the venetian ambassador	24
the most remarkable	24
who did not	24
miniature in a	24
manner in which	24
of them in	24
he had done	24
mind of the	24
from which the	24
none of them	24
the other side	24
the ferrarese ambassador	24
the chief of	24
the mass of	24
the relations of	24
from the greek	24
on the way	24
said that he	24
to some extent	24
the greatness of	24
in the reign	24
translation of the	24
to him a	24
hand of the	24
the perfection of	24
be said that	24
the advent of	24
the supremacy of	24
philippe le bel	24
to his father	24
the doctrine of	24
opening of the	24
the young men	24
the founder of	24
after he had	24
from that time	24
poetry of the	24
because it is	24
the conquest of	24
with all his	24
of louis xi	24
two of the	24
to him that	24
we shall see	24
as a poet	24
in by the	24
at once to	24
object of the	24
the god of	24
we know that	24
difference between the	24
to make his	24
to form a	24
opposition to the	24
order that the	24
were allowed to	24
a lady of	24
to the highest	24
and he has	24
that all the	24
names of the	24
the virgin and	24
latin and greek	23
of a century	23
continued to be	23
work in the	23
th of february	23
of italian literature	23
the wars of	23
to the crown	23
the weight of	23
as though the	23
a body of	23
deserve to be	23
be difficult to	23
to the city	23
the preface to	23
all kinds of	23
his patronage of	23
in presence of	23
of the orsini	23
the difficulty of	23
and also to	23
age in which	23
the garden of	23
an example of	23
in search of	23
a portrait of	23
of the marquis	23
in the spirit	23
the month of	23
far as to	23
gave him a	23
the city was	23
is clear that	23
it is certain	23
the resources of	23
sympathy with the	23
they were the	23
the substance of	23
his own hand	23
that the world	23
count of montefeltro	23
not at all	23
carried on by	23
all parts of	23
which it had	23
the nations of	23
king of spain	23
of the ecclesiastical	23
a list of	23
the moment when	23
will be remembered	23
as for the	23
the second half	23
painters of the	23
the powers of	23
he found himself	23
soon as the	23
condemned to death	23
in the latin	23
of the works	23
and we have	23
return to the	23
given by the	23
which the duke	23
in a manuscript	23
about the middle	23
with a few	23
the support of	23
of the lady	23
of paul iii	23
in return for	23
a crowd of	23
had long been	23
the merits of	23
from the duke	23
the territory of	23
of the kings	23
the fact of	23
the letters of	23
the imagination of	23
but this is	23
there is the	23
him as the	23
battle of the	23
the ground that	23
and that it	23
nel quale se	23
as if the	23
as in a	23
to a great	23
we owe the	23
the intellectual life	23
arts and letters	23
brethren of the	23
the chiefs of	23
it was no	23
himself at the	23
in a very	23
in the garden	23
at this moment	23
that at the	23
of her life	23
of her own	23
from the middle	23
the management of	23
duke and duchess	23
head of a	23
and sixteenth centuries	23
that the french	23
think of the	23
none of these	23
the duke had	23
the making of	23
him that he	23
of them is	23
though it is	23
it was this	23
in the fact	23
in the piazza	23
he should be	23
the roman court	23
by the inquisition	23
with the french	23
it could not	23
the method of	23
of the next	23
instance of the	23
proved by the	23
the sons of	23
the cosmographie universelle	23
that the king	23
fell into the	23
time when the	23
in the hope	23
the massacre of	23
for which they	23
about the beginning	23
as it may	23
gathered from the	23
the next century	23
form of the	23
to make them	23
the place where	23
the traditions of	23
to explain the	23
himself and his	23
of the signory	23
mother of the	23
had begun to	23
there is in	23
possession of his	23
was at first	23
but from the	23
would be to	23
i could not	23
to the first	23
publication of the	23
in common with	23
change in the	23
of the poetics	23
the destruction of	23
would seem that	23
few years later	23
pope julius ii	23
at this point	23
church and state	23
of the dead	23
and fifteenth centuries	23
to support the	23
to find that	22
the pages of	22
the time and	22
the fruit of	22
but there was	22
any one who	22
from the king	22
according to his	22
the causes of	22
house of the	22
at the vatican	22
sigismondo pandolfo malatesta	22
and by his	22
three or four	22
in which she	22
to the best	22
she was the	22
and on his	22
practice of the	22
the cost of	22
of the commonwealth	22
to carry out	22
in the person	22
at the papal	22
murder of the	22
succeeded to the	22
but of the	22
defence of the	22
effect of the	22
a pair of	22
more than once	22
the elevation of	22
the treaty of	22
this time that	22
they might be	22
of her father	22
of italy to	22
the young man	22
of the later	22
sum of money	22
he had received	22
the mode of	22
the medium of	22
estimate of the	22
during the reign	22
the events of	22
of a general	22
of the divine	22
to the house	22
to find a	22
of the high	22
sir philip sidney	22
the difficulties of	22
the honor of	22
to him in	22
on their own	22
seemed to him	22
it was written	22
and in consequence	22
and this is	22
the poems of	22
out by the	22
and a few	22
and his wife	22
the list of	22
of learned men	22
in course of	22
order that he	22
commentary on the	22
is not known	22
in all respects	22
to visit the	22
the first book	22
come down to	22
on this subject	22
one hundred and	22
as late as	22
explanation of the	22
out of his	22
after the close	22
it was an	22
alfonso of naples	22
what we have	22
days of the	22
position of the	22
advantage of the	22
to their own	22
in that city	22
induced him to	22
of whom were	22
houses of the	22
he wished to	22
letters of the	22
in the light	22
age of thirty	22
virgin and child	22
the orlando furioso	22
we have been	22
on the stage	22
italy of the	22
so great a	22
for the use	22
the war of	22
of sixtus iv	22
over the world	22
the tales of	22
been said that	22
be taken as	22
all the rest	22
to our own	22
than those of	22
the whole world	22
very different from	22
in italy in	22
on all sides	22
of the earliest	22
of a certain	22
and there were	22
the domain of	22
expression of the	22
by the way	22
it is interesting	22
the vices of	22
to him as	22
and began to	22
which must have	22
of the army	22
to the italian	22
are said to	22
well as a	22
of the princes	22
he entered the	22
his relation to	22