quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
at the same time	293
of the fifteenth century	276
on the th of	266
of the sixteenth century	242
the end of the	208
one of the most	197
of the middle ages	172
at the end of	155
in the history of	144
in the sixteenth century	142
the duke of urbino	133
the history of the	122
on the other hand	118
as well as the	115
at the court of	107
is said to have	106
the beginning of the	99
of the house of	97
in the hands of	94
seems to have been	91
is one of the	88
the spirit of the	88
to be found in	86
in the fifteenth century	85
the middle of the	84
for the purpose of	83
was one of the	83
at the age of	83
in the midst of	81
of the duke of	81
for the first time	79
in the church of	77
at the beginning of	77
the council of trent	76
after the picture by	71
simile of a miniature	71
of the fourteenth century	70
for the most part	69
of the thirteenth century	68
in spite of the	67
the influence of the	67
in the middle ages	66
the first half of	66
be found in the	65
with regard to the	64
the close of the	63
on the part of	62
on the death of	61
at the time of	60
the time of the	60
in the course of	60
the hands of the	60
the king of france	59
as one of the	58
at the head of	58
in the service of	57
the sack of rome	57
there is no doubt	55
of a miniature in	55
as well as in	55
the men of the	55
from time to time	55
said to have been	54
the name of the	54
the same time the	54
in the archives of	53
to the duke of	53
one of the greatest	52
first half of the	52
the duke of ferrara	52
of the italian renaissance	51
simile of a woodcut	51
a miniature in the	51
the service of the	51
is to be found	50
it must not be	50
for a long time	50
at the close of	50
in so far as	50
after the death of	50
of the seventeenth century	49
that is to say	49
for the sake of	49
in the case of	49
the house of este	49
under the name of	47
during the middle ages	46
the revival of learning	45
in the fourteenth century	44
the head of the	44
the members of the	44
of the modern world	43
on account of the	43
the duke of milan	43
as a matter of	43
into the hands of	43
in the middle of	42
he seems to have	42
the study of the	41
at the expense of	41
the church of s	41
to the holy see	41
the th of june	41
as we have seen	40
of a woodcut in	40
may be said to	40
will be found in	40
it is impossible to	40
to the court of	40
the character of the	39
in the presence of	39
it was not until	39
of the holy office	39
and at the same	39
end of the fifteenth	39
was the first to	39
with the exception of	38
with a view to	38
it is true that	38
national library of paris	38
the duke of gandia	38
of the holy see	38
in the uffizi gallery	38
as well as of	38
a matter of fact	38
half of the sixteenth	37
of the council of	37
and one of the	37
the story of the	37
in the castle of	37
the court of urbino	36
the author of the	36
the death of his	36
end of the sixteenth	36
the church of the	36
the th of august	36
the dukes of urbino	36
the women of the	36
it would have been	35
at a time when	35
of the history of	35
the th of september	35
the greater part of	35
in the possession of	35
the part of the	34
was a man of	34
in the first place	34
the duchy of urbino	34
on the occasion of	34
on the st of	34
as early as the	34
as well as to	33
of the court of	33
it is difficult to	33
in the time of	33
must not be forgotten	33
under the influence of	33
men of the renaissance	33
the fact that the	33
the first of these	33
seem to have been	33
the palace of the	32
of the middle age	32
by the side of	32
the power of the	32
some of the most	32
appears to have been	32
the authority of the	32
be said to have	32
in the palace of	32
the life of the	31
the king of naples	31
the th of october	31
during the sixteenth century	31
and the duke of	31
it is probable that	31
duke francesco maria i	31
in the thirteenth century	31
he is said to	31
in the house of	30
the same time he	30
one of the great	30
to the fact that	30
it is easy to	30
in the name of	30
the age of the	30
the art of the	30
states of the church	30
the death of the	30
to be able to	30
the duchess of urbino	30
in one of the	30
the states of the	30
in the british museum	29
we do not know	29
it is not surprising	29
in consequence of the	29
the use of the	29
the count of urbino	29
but it was not	29
the order of the	29
francesco maria della rovere	29
women of the renaissance	29
a woodcut in the	29
in the pitti gallery	29
of the church and	29
in a great measure	28
the marquis of mantua	28
of the king of	28
of the della rovere	28
the origin of the	28
on the nd of	28
for the benefit of	28
in the direction of	28
under the protection of	28
the th of april	28
the end of his	28
of the eighteenth century	28
is not to be	28
in the library of	28
in the words of	28
to that of the	28
the castle of s	28
of the dukes of	28
of the most important	28
the court of the	28
the rest of the	27
by titian in the	27
the italians of the	27
in the days of	27
in the first half	27
in the eyes of	27
it is said that	27
in the shape of	27
half of the fifteenth	27
the th of november	27
a large number of	27
of the men of	27
the th of march	27
not be forgotten that	27
the discovery of america	27
may be gathered from	27
in the life of	27
from the picture by	27
of the common life	27
towards the end of	26
in accordance with the	26
of the life of	26
on the one hand	26
from a miniature in	26
it may be well	26
the duchy of milan	26
and on the th	26
the archives of the	26
in his history of	26
in the habit of	26
the picture by titian	26
it was in the	26
in a letter to	26
in the spring of	26
the kingdom of naples	26
about the same time	26
the life of a	25
a member of the	25
to the study of	25
the convent of s	25
the scholars of the	25
he was the first	25
the company of jesus	25
at the university of	25
the literature of the	25
the last of the	25
it is enough to	25
the earl of essex	25
the genius of the	25
the crown of naples	25
the th of january	25
the people of the	25
the eyes of the	25
the presence of the	25
as well as by	25
the unity of time	25
the council of ten	25
the th of may	25
the midst of the	25
so far as it	25
of one of the	24
in addition to the	24
on the subject of	24
of the corporation of	24
picture by titian in	24
to have been a	24
the course of the	24
there can be no	24
in the autumn of	24
the fourteenth and fifteenth	24
the th of july	24
in the eighteenth century	24
in the art of	24
to the end of	24
under the title of	24
one of the first	24
beginning of the sixteenth	24
in the chapter on	24
in the form of	24
in the reign of	24
grand duke of tuscany	24
in order that the	24
of duke francesco maria	24
to the history of	24
miniature in the manuscript	24
in the following year	24
the side of the	24
age of the despots	24
the greatest of the	24
did not hesitate to	23
the middle ages and	23
fifteenth and sixteenth centuries	23
the imitation of the	23
in the manuscript of	23
on the ground that	23
about the middle of	23
the nature of the	23
sense of the word	23
it is clear that	23
of the tridentine council	23
a miniature in a	23
in the matter of	23
an account of the	23
about the beginning of	23
of the greatest of	23
a part of the	23
the centre of the	23
a few years later	23
the fall of the	23
it would seem that	23
fourteenth and fifteenth centuries	23
the fifteenth and sixteenth	23
once in the ducal	22
to have been the	22
from the time of	22
the second half of	22
the kings of france	22
is no doubt that	22
with that of the	22
as i have said	22
that he did not	22
in regard to the	22
in the ducal collection	22
on his way to	22
years of his life	22
the discovery of the	22
of the duchy of	22
in order that he	22
in the person of	22
all over the world	22
the interests of the	22
manuscript of the fifteenth	22
the period of the	22
the th of february	22
it seems to me	22
and some of the	22
the work of the	22
after the close of	22
during the reign of	22
before the end of	21
the duke and duchess	21
as well as a	21
on the point of	21
the cosmographie universelle of	21
the names of the	21
in spite of his	21
it may be said	21
imitation of the classics	21
of some of the	21
as a means of	21
the book of the	21
in the manner of	21
the national library of	21
as soon as the	21
it must have been	21
that it would be	21
the marquis of pescara	21
in the same way	21
be gathered from the	21
the king of spain	21
library of the arsenal	21
livre du roy modus	21
the care of the	21
as far as the	21
with the title of	21
of the cardinal of	21
it will be remembered	21
in the annals of	21
of the state of	21
the age of twenty	21
in the same year	21
it is interesting to	21
the works of the	21
come down to us	20
of the church of	20
order that he might	20
by the council of	20
of the most beautiful	20
it is possible that	20
are to be found	20
the rest of europe	20
than that of the	20
brethren of the common	20
in the streets of	20
of the kings of	20
one of the best	20
of the renaissance were	20
of the duchess of	20
the court of france	20
for the use of	20
with the duke of	20
may be well to	20
the art of war	20
it was at this	20
in an age when	20
by the fact that	20
in course of time	20
to the house of	20
in which he lived	20
in which he was	20
so far as to	20
in the way of	20
second half of the	20
we must remember that	20
in the seventeenth century	20
at a later period	20
the head of a	19
in the fact that	19
at the early age	19
it is certain that	19
in connection with the	19
at the moment of	19
and it was not	19
cosmographie universelle of munster	19
of the art of	19
the early age of	19
in the spirit of	19
of which he was	19
in such a way	19
be seen in the	19
it is in the	19
of italy in the	19
the development of the	19
the value of the	19
in his life of	19
for the education of	19
the action of the	19
from the fact that	19
that it was the	19
of the most interesting	19
of the unity of	19
to be seen in	19
well as in the	19
the foundation of the	19
in the style of	19
a place in the	18
in which it was	18
the duke of calabria	18
he was a man	18
the latter half of	18
which he had been	18
the virgin and child	18
no doubt at all	18
we have already seen	18
in the month of	18
as soon as he	18
it is to be	18
middle of the sixteenth	18
to be regarded as	18
the th of december	18
and in order to	18
a certain number of	18
the prince of orange	18
in the cosmographie universelle	18
that he had been	18
the opening of the	18
the beauty of the	18
of the renaissance in	18
in the kingdom of	18
of a number of	18
a portion of the	18
of the death of	18
the parliament of paris	18
the ruins of the	18
more than any other	18
of the nineteenth century	18
at the papal court	18
was due to the	18
of the fifteenth and	18
the founder of the	18
at the hands of	18
in spite of all	18
to the king of	18
the arms of the	18
the interest of the	18
the most important of	18
a young man of	18
the hands of a	18
men of the time	18
in the centre of	18
and that he had	18
after the manner of	18
which we have already	18
it must be remembered	18
by the duke of	18
in the modern time	18
may still be seen	18
the brethren of the	18
could not have been	17
the walls of the	17
with the aid of	17
that he was the	17
on the morning of	17
in one of his	17
was by no means	17
may be found in	17
the court of ferrara	17
the league of cambray	17
in the duchy of	17
of the human mind	17
of the revival of	17
is easy to understand	17
it has been said	17
took place in the	17
the sixteenth century the	17
as well as his	17
for the murder of	17
is no doubt at	17
of the women of	17
of the vita nuova	17
his description of the	17
the church and the	17
the condition of the	17
in the face of	17
it was not till	17
by means of a	17
in the age of	17
the banks of the	17
the first of the	17
in the absence of	17
from the hands of	17
the age in which	17
in the work of	17
he was one of	17
the form of a	17
the protection of the	17
the property of the	17
the state of the	17
of the first half	17
the duke of romagna	17
middle of the fifteenth	17
on the history of	17
the pope and the	17
the inquisition and the	17
it would be difficult	17
to the service of	16
one of the assassins	16
that he was a	16
the house of aragon	16
some idea of the	16
the place of the	16
in the mind of	16
of the twelfth century	16
in the light of	16
of the grand duke	16
the artists of the	16
the whole of the	16
the fate of the	16
it may have been	16
a manuscript of the	16
the middle ages were	16
in our own time	16
close of the fifteenth	16
place in the history	16
has come to be	16
the dignity of the	16
one of the chief	16
as a man of	16
can be no doubt	16
is proved by the	16
the last years of	16
in the low countries	16
in the beginning of	16
in the second place	16
for its own sake	16
the library of the	16
spirit of the renaissance	16
in which they were	16
the grand duke of	16
in favour of the	16
in order to be	16
by the death of	16
during the pontificate of	16
the greek and latin	16
of the castle of	16
of the city of	16
in the summer of	16
the education of the	16
end of his life	16
italy in the sixteenth	16
nel quale se contiene	16
most illustrious and most	16
at the present time	16
a miniature of the	16
of the renaissance to	16
the establishment of a	16
in the twelfth century	16
of the fine arts	16
in the hope of	16
on his return to	16
to the sound of	16
as that of the	16
could not fail to	16
in order to secure	16
of the roman empire	16
the fact that he	16
the way in which	16
as well as for	16
of the assassins of	16
but there is no	16
the valley of the	16
little more than a	16
in the interest of	16
of the th of	16
put an end to	16
art of the renaissance	16
was not to be	16
are among the most	16
of the papal court	16
ought to have been	15
to the spirit of	15
face to face with	15
woodcut in the cosmographie	15
from that of the	15
of the school of	15
in front of the	15
the abbey of st	15
the history of medicine	15
the inhabitants of the	15
the princes of the	15
was not until the	15
for which he was	15
in favor of the	15
on the rd of	15
who seems to have	15
with an introduction by	15
in the sense of	15
the manner in which	15
in the world of	15
the hand of his	15
he was in the	15
the position of the	15
the establishment of the	15
as a consequence of	15
side by side with	15
that he should have	15
of the king and	15
may be regarded as	15
and the beginning of	15
in the cathedral of	15
at the bottom of	15
it would not be	15
the kingdom of the	15
of the pope and	15
it was he who	15
at the time when	15
the face of the	15
the early middle ages	15
to the cause of	15
in the sistine chapel	15
latter half of the	15
end of the eighteenth	15
circulation of the blood	15
the cardinal of pavia	15
with the name of	15
in the end of	15
for the study of	15
through the medium of	15
on the art of	15
is not surprising that	15
the hand of the	15
in the national library	15
of the marquis of	15
at this time that	15
the expense of the	15
the language of the	15
to the rank of	15
in which it is	15
the nations of the	15
in spite of its	15
to take part in	15
the battle of the	15
the later middle ages	15
been one of the	15
the mind of the	15
the time of his	15
a few of the	15
supposed to have been	15
on the other side	15
has been said that	15
the lives of the	15
in a state of	15
it is one of	15
the manner of the	15
one and the same	15
by means of the	15
he was able to	15
miniature in a manuscript	15
it could not be	15
the invention of printing	15
the ruin of the	15
of the time and	15
the fifteenth century was	15
a number of the	14
to the crown of	14
during the course of	14
does not seem to	14
the requirements of the	14
but it is a	14
of the time is	14
the king and queen	14
in spite of this	14
preserved in the archives	14
the age of leo	14
in which he had	14
the hands of his	14
it is necessary to	14
it will be seen	14
the case of the	14
under the direction of	14
to the time of	14
mighty and potent lords	14
in the minds of	14
on his return from	14
is preserved in the	14
by far the most	14
the della rovere family	14
it is noticeable that	14
le marche e per	14
for the last time	14
the ducal collection at	14
under the care of	14
in the study of	14
per le marche e	14
the history of italian	14
the affairs of the	14
of the discovery of	14
the point of view	14
of the influence of	14
the benefit of the	14
the middle ages had	14
in the collection of	14
the history of art	14
to the number of	14
in the character of	14
as far as possible	14
congregation of the index	14
of a series of	14
that it was not	14
by a series of	14
be regarded as the	14
the former of these	14
the details of the	14
the circulation of the	14
over and over again	14
that he could not	14
which must have been	14
the duke of bracciano	14
took the place of	14
is now in the	14
the love of the	14
in a manuscript of	14
a more or less	14
in the field of	14
by means of which	14
in order to bring	14
for the maintenance of	14
the first years of	14
would be difficult to	14
by piero della francesca	14
in italy during the	14
as we have already	14
in presence of the	14
with his own hand	14
in consequence of this	14
that there is no	14
the writers of the	14
the culture of the	14
ducal collection at urbino	14
italians of the renaissance	14
as in the case	14
of greek and latin	14
in the vatican library	14
the chief of the	14
the twelfth and thirteenth	14
of time and place	14
to one of the	14
in the company of	14
the court of rome	14
of the gerusalemme liberata	14
a great many of	14
from the middle ages	14
are said to have	14
the manners of the	14
the king and the	14
but it is not	14
be looked upon as	14
the publication of the	14
of the catholic revival	14
to such an extent	14
the cause of the	14
study of the classics	14
the fifteenth century the	14
duke francesco maria ii	14
the function of the	14
it is worthy of	14
in the event of	14
he would have been	14
of which they were	14
it was the custom	13
the work of his	13
as if it were	13
the golden age of	13
the duke of burgundy	13
the latter part of	13
the spirit of his	13
end of the century	13
of the most distinguished	13
with which he was	13
by one of the	13
and that of the	13
the rest of his	13
the laws of the	13
we have seen that	13
once in the possession	13
the conclusion of the	13
coronation of charles v	13
a quarter of a	13
it was thus that	13
of the end of	13
the livre du roy	13
and it was only	13
the council of constance	13
the men of this	13
is said to be	13
not only in the	13
as a result of	13
of the order of	13
as if they were	13
artists of the renaissance	13
the pope and his	13
until the end of	13
of his life in	13
a history of the	13
about the end of	13
of men and women	13
may be called the	13
the person of the	13
with the spirit of	13
of the new learning	13
of the artists of	13
it was impossible to	13
the exigencies of the	13
as i have already	13
and there is no	13
the university of paris	13
it is unnecessary to	13
to which we have	13
the subject of the	13
the statutes of the	13
a letter written by	13
during the fifteenth century	13
under the patronage of	13
have been one of	13
i do not know	13
attracted the attention of	13
on account of its	13
it would be easy	13
appear to have been	13
in italy in the	13
spirit of the age	13
on the side of	13
the archives of modena	13
this is not the	13
women of the time	13
the theory of the	13
take part in the	13
it was not so	13
age in which he	13
the unity of the	13
of the catholic church	13
the house of borgia	13
in the works of	13
of the time was	13
it might have been	13
to the influence of	13
the master of the	13
the last of these	13
on the accession of	13
one of these was	13
of the ancient world	13
on francesco maria i	13
of the fact that	13
the style of the	13
to the age of	13
not seem to have	13
of the spirit of	13
it is curious to	13
of the time of	13
it is evident that	13
the congregation of the	13
the minds of the	13
the taste of the	13
at the battle of	13
and on the other	13
storia della letteratura italiana	13
end of the fourteenth	13
the murder of his	13
the administration of the	13
twelfth and thirteenth centuries	13
the meaning of the	13
the marriage of his	13
the creation of a	13
in the fourteenth and	13
for the duke of	13
it is not the	13
of the kingdom of	13
to say that the	13
the kings of the	13
of the bishop of	12
knight of the garter	12
which he did not	12
at a period when	12
in the conduct of	12
the writings of the	12
and many of the	12
the influence of his	12
the title of the	12
it was here that	12
of the classical revival	12
to which he had	12
in italy and greece	12
quarter of a century	12
that they could not	12
a lady of the	12
formed part of the	12
in the national gallery	12
would be easy to	12
nations of the north	12
the early sixteenth century	12
be one of the	12
of the town of	12
the picture by raphael	12
in a sort of	12
as it is in	12
the administration of justice	12
the duchess of ferrara	12
the age of thirty	12
at the french court	12
it was impossible for	12
is due to the	12
from all parts of	12
from one of the	12
so far as the	12
and it is to	12
into one of the	12
period of the renaissance	12
the cultivation of the	12
have come down to	12
all the members of	12
in opposition to the	12
the practice of the	12
associate of ignatius loyola	12
of the church in	12
the words of the	12
of the present day	12
the glory of the	12
that there was no	12
prepared the way for	12
of greece and rome	12
the same time that	12
the cause of his	12
the number of the	12
the last day of	12
of a man who	12
italy of the renaissance	12
would not have been	12
the object of the	12
in most of the	12
for the history of	12
the whole history of	12
the poets of the	12
the church of st	12
memoirs of the dukes	12
of the early renaissance	12
and a number of	12
the courts of love	12
the society of the	12
the history of this	12
the porta del popolo	12
may be taken as	12
the sixteenth century was	12
it is not necessary	12
the houses of the	12
of which we have	12
the return of the	12
the great work of	12
have been able to	12
the appearance of the	12
the tyranny of the	12
toward the end of	12
the death of alexander	12
a picture of the	12
the son of a	12
of the abbey of	12
greater part of the	12
it was necessary to	12
on the strength of	12
of the renaissance was	12
it is possible to	12
for which they were	12
at a moment when	12
of the people of	12
in the school of	12
it is well known	12
the murder of the	12
with the house of	12
to the convent of	12
the restoration of the	12
vauquelin de la fresnaye	12
entered the service of	12
to the duchy of	12
the italy of the	12
the invasion of italy	12
it is to the	12
period of his life	12
in a series of	12
to do with the	12
della francesca in the	12
the records of the	12
a great deal of	12
during the first half	12
during the renaissance period	12
lost no time in	12
might have been expected	12
as a specimen of	12
at the disposal of	12
from the pen of	12
of the two sicilies	12
in the domain of	12
that he was not	12
i commend myself to	12
with the holy see	12
the art of poetry	12
to believe that the	12
of the nature of	12
in order to obtain	12
ought not to be	12
of the brethren of	12
was given to the	12
is that of a	12
the beginning of his	12
he was born at	11
the unity of place	11
one of the few	11
in the opinion of	11
to the development of	11
at that time the	11
the possession of the	11
the top of the	11
they ought to be	11
a man of the	11
of the works of	11
to be one of	11
the early part of	11
what may be called	11
in a position to	11
the fall of constantinople	11
and some of them	11
and above all the	11
and the influence of	11
he is one of	11
at the request of	11
the jurisdiction of the	11
the mother of the	11
to the state of	11
piero della francesca in	11
with the king of	11
to think of the	11
seems to have had	11
the shape of a	11
to the signory of	11
the marriage of the	11
which it had been	11
the duchy of ferrara	11
became one of the	11
of the sacred college	11
in the preface to	11
and in spite of	11
of the national library	11
due to the fact	11
the difference between the	11
about the time of	11
during the reigns of	11
the coronation of the	11
the truth of this	11
the peace of italy	11
the circumstances under which	11
the annals of the	11
of the roman court	11
became more and more	11
the aim of the	11
the principles of the	11
by raphael in the	11
point of view of	11
in the development of	11
as well as their	11
the greater number of	11
of the renaissance as	11
of letters and arts	11
history of the popes	11
to the value of	11
is true that the	11
end of the thirteenth	11
we have come to	11
it was only by	11
which led to the	11
of the roman church	11
the chair of st	11
the office of the	11
with reference to the	11
be no doubt that	11
by the bishop of	11
he had been the	11
the rest of italy	11
the history of scholarship	11
which they had been	11
that the duke of	11
formed the basis of	11
of those who had	11
in the affairs of	11
he was born in	11
at the moment when	11
the attitude of the	11
of the italians in	11
at the courts of	11
in the university of	11
on the night of	11
the men and women	11
at the point of	11
to have been his	11
was said to have	11
in the arts of	11
the duke of orleans	11
duke of urbino chapter	11
of lorenzo the magnificent	11
one of the earliest	11
every country in europe	11
in the second half	11
to the art of	11
the support of the	11
the result was that	11
the wife of a	11
of the new testament	11
must be remembered that	11
of the men who	11
the sound of the	11
but at the same	11
the rules of the	11
duke federigo of urbino	11
the supremacy of the	11
after the fall of	11
the manuscript of the	11
was looked upon as	11
the emperor charles v	11
a great number of	11
of the palace of	11
been the first to	11
sacraments of the church	11
to which he was	11
at the same moment	11
the republic of venice	11
his work as a	11
the elevation of the	11
with the help of	11
so many of the	11
well as by the	11
was at this time	11
a large portion of	11
the chiefs of the	11
the intellectual life of	11
took place on the	11
at the sight of	11
to provide for the	11
seventeenth and eighteenth centuries	11
the dedication of the	11
towards the close of	11
men of this time	11
well as of the	11
he was met by	11
i have tried to	11
fell into the hands	11
on the one side	11
the commencement of the	11
doctors of the church	11
with which we are	11
in the convent of	11
to be derived from	11
from the hand of	11
on the authority of	11
to the exclusion of	11
by the aid of	11
the first edition of	11
battle of the taro	11
the sovereignty of the	11
the things of the	11
the coronation of charles	11
may have been the	11
he devoted himself to	11
years after his death	11
to the church of	11
the emancipation of the	11
in the court of	11
we find in the	11
on the same day	11
the whole of europe	11
the direction of the	11
the church of san	10
the poetry of the	10
through the influence of	10
a good idea of	10
of the members of	10
to the castle of	10
he was a great	10
that he had not	10
the whole of italy	10
at the opening of	10
and those of his	10
and that it was	10
it was not to	10
the governor of the	10
as the author of	10
simile of an engraving	10
the army of the	10
of his native city	10
there is no reason	10
of the french army	10
manner in which the	10
with the assistance of	10
of the lord of	10
of the earl of	10
in honour of the	10
the palaces of the	10
a method for travell	10
the introduction of the	10
of the university of	10
the foot of the	10
since the time of	10
that we owe the	10
of the most famous	10
the freedom of the	10
to show that the	10
man of the world	10
from the king of	10
may be seen in	10
the sacraments of the	10
to the gates of	10
that it is the	10
is the history of	10
looked upon as the	10
the basis of the	10
as it was in	10
in the city of	10
a change in the	10
in the pages of	10
men of his time	10
early part of the	10
as we have said	10
the attention of the	10
died at the early	10
history of the council	10
unities of time and	10
of the reign of	10
must have been a	10
in the battle of	10
of the church was	10
the ambition of the	10
the dress of the	10
the defence of poesy	10
the result of the	10
his commentary on the	10
the palace of s	10
to the will of	10
the growth of the	10
be this as it	10
titian in the uffizi	10
the independence of the	10
but this was not	10
the question of the	10
it is not known	10
the lord of pesaro	10
up to this time	10
for the preservation of	10
of the renaissance period	10
of the eternal city	10
should be allowed to	10
the forces of the	10
the wars of the	10
the subjects of the	10
life and letters of	10
will be seen that	10
before the close of	10
we have seen how	10
early in the sixteenth	10
for the modern world	10
at this time was	10
we are assured that	10
the nobles of the	10
of the world to	10
in the sphere of	10
a time when the	10
at an early age	10
so long as the	10
in the pitti palace	10
one or other of	10
picture by raphael in	10
in consequence of his	10
of the sistine chapel	10
the effect of the	10
the close of his	10
in the early days	10
the duke of savoy	10
a miniature from the	10
as well as from	10
the streets of rome	10
a knight of the	10
of the first magnitude	10
in a few years	10
in the sacristy of	10
the duke of guise	10
in order to make	10
of the most remarkable	10
so great was the	10
francs of present money	10
that it is not	10
the best known of	10
the time when the	10
as will be seen	10
the books of the	10
by the pope and	10
or at least the	10
was in the habit	10
the greatness of the	10
to make room for	10
gonfaloniere of the church	10
a few days after	10
theory of the drama	10
place on the th	10
old man of the	10
of the human race	10
picture once in the	10
of sir thomas more	10
of the church were	10
the memory of the	10
in the preface of	10
was succeeded by his	10
to the bishop of	10
in the interests of	10
such a state of	10
in the use of	10
and it is in	10
the duchess of palliano	10
is to be seen	10
that the king of	10
of one of his	10
in the palazzo ducale	10
and it is not	10
we must not forget	10
that they had been	10
by the name of	10
it was not the	10
the duke francesco maria	10
of the arsenal of	10
in the place of	10
not a few of	10
the house of the	10
the policy of the	10
not been able to	10
is possible that the	10
his history of the	10
it seemed as though	10
it would be a	10
by the help of	10
was the son of	10
the sixteenth century in	10
that many of the	10
in the council of	10
nothing to do with	10
the pleasures of the	10
the occasion of the	10
to prove that the	10
in some of the	10
it will be well	10
the madonna and child	10
men and women who	10
work as a jesuit	10
emancipation of the reason	10
whatever may have been	10
a hundred and fifty	10
the advent of the	10
that he might not	10
went so far as	10
of thought and feeling	10
of the importance of	10
the first time in	10
imperial library of paris	10
to face with the	10
manuscript of the fourteenth	10
the arsenal of paris	10
the reign of louis	10
the formation of a	10
of the jesuits in	10
some of the best	10
commend myself to your	10
i have attempted to	10
at variance with the	10
the murder of her	10
the popes of the	10
of the renaissance is	10
the court of charles	10
on account of their	10
the same time they	10
in the nineteenth century	10
at the instance of	10
within the limits of	10
of the medicean family	10
a letter to the	10
the chapel of the	10
in an age of	10
the qualities of the	10
this as it may	10
to the use of	10
in the neighbourhood of	10
that there was a	10
to the conclusion that	10
was that of a	10
the unities of time	10
in the north of	10
to the priors of	10
and the love of	10
to a great extent	10
with each other in	10
un non so che	10
was buried in the	10
the assassins of sarpi	10
to the care of	10
a portion of his	10
the city of rome	10
doubt at all that	10
the council of basle	10
such a way as	10
at all times and	10
the literary criticism of	10
information with regard to	10
to the grand duke	10
the battle of pavia	10
the extinction of the	10
that this was the	10
throughout the middle ages	10
the end of a	10
tells us that the	10
the morality of the	10
as might be expected	10
of a young man	10
is supposed to have	10
it is no wonder	10
he could not be	9
manners and customs of	9
the course of a	9
an engraving of the	9
among the most beautiful	9
on account of her	9
in the affair of	9
the date of the	9
will be well to	9
it was not long	9
the tables of the	9
in consequence of their	9
the throne of naples	9
nor can it be	9
of the french renaissance	9
by the introduction of	9
the heads of the	9
to the genius of	9
to the government of	9
sense of the term	9
an edition of the	9
of charles the bold	9
the seventeenth and eighteenth	9
a way as to	9
during the seventeenth century	9
whom we have already	9
the company of the	9
the manners and customs	9
not only to the	9
of the age of	9
in his own house	9
of which i have	9
francs of present currency	9
there is nothing to	9
to the rest of	9
he was allowed to	9
we are told that	9
in the evolution of	9
of the florentine republic	9
in the archivio diplomatico	9
as a young man	9
the tradition of the	9
the time of louis	9
by the end of	9
which his father had	9
as if he were	9
the conditions under which	9
the madonna of the	9
much to do with	9
the critical literature of	9
to bring about a	9
the same way as	9
age of the renaissance	9
the execution of the	9
in a few days	9
reform of the church	9
to a certain extent	9
to the princess vittoria	9
to the unity of	9
of the pastor fido	9
of the daughters of	9
to which they were	9
the very end of	9
would have been the	9
had been in the	9
between france and spain	9
of the renaissance and	9
the theory of poetry	9
to make use of	9
the garden of the	9
remainder of his life	9
it is not easy	9
the first of them	9
the author of a	9
he was to be	9
will be remembered that	9
at the risk of	9
to the catholic revival	9
on account of his	9
of the origin of	9
handed over to the	9
the events of the	9
in the neighborhood of	9
as the basis of	9
is that of the	9
invasion of charles viii	9
devoted himself to the	9
quale se contiene la	9
the end of all	9
to the holy land	9
the course of this	9
but it was the	9
throughout the period of	9
will be able to	9
which had long been	9
of the earlier renaissance	9
of the holy roman	9
in other parts of	9
dom diego and ginevra	9
the result of this	9
was followed by the	9
in consequence of a	9
princes of the house	9
on the th he	9
all parts of the	9
must have been the	9
from an engraving by	9
to return to the	9
on the day of	9
the strength of the	9
the rights of the	9
by the courtesy of	9
commentary on the poetics	9
died on the th	9
at the council of	9
we have seen in	9
the time of charlemagne	9
the beginning of this	9
of the grand tour	9
after the battle of	9
from all over the	9
one of the many	9
at the foot of	9
it was too late	9
man of the mountain	9
of cloth of gold	9
with a sort of	9
the relations of the	9
of the golden fleece	9
and the study of	9
for the administration of	9
the republic of florence	9
to speak of the	9
of the theory of	9
of the church to	9
in the sack of	9
and in order that	9
the knowledge of the	9
the renaissance in italy	9
james dennistoun of dennistoun	9
the state of florence	9
of the most serene	9
the castle of st	9
early age of thirty	9
the empire of the	9
the news of the	9
murder of the duke	9
the right of the	9
the history of science	9
is a kind of	9
more than anything else	9
we shall find that	9
the palace of urbino	9
in every country in	9
a list of the	9
the service of his	9
the mouth of the	9
the convent of the	9
the occasion of his	9
the remainder of his	9
on her way to	9
and there is a	9
in all parts of	9
in the vulgar tongue	9
age of leo x	9
end of the twelfth	9
of the count of	9
supposed to be a	9
that this is the	9
and it is the	9
is all the more	9
at the instigation of	9
of francesco maria della	9
received the name of	9
the interests of his	9
by one of his	9
the reform of the	9
to say that he	9
for the care of	9
was not confined to	9
the doge of venice	9
the conduct of the	9
the last duke of	9
that it should be	9
the temper of the	9
the lord of rimini	9
in the following letter	9
to the most illustrious	9
by the study of	9
and that of his	9
the emperor and the	9
first of these was	9
of the family of	9
the decrees of the	9
to profit by the	9
now known as the	9
he goes on to	9
was one of those	9
the period of classicism	9
at the same period	9
and many of them	9
as well as many	9
the scene of his	9
and those of the	9
the night of the	9
after the fresco by	9
care of the insane	9
the middle ages was	9
but it would be	9
we have already mentioned	9
has been called the	9
on the banks of	9
your most illustrious lordship	9
of the man who	9
in imitation of the	9
the imagination of the	9
of a woodcut of	9
an example of the	9
in the modern world	9
of the last supper	9
beginning of the fourteenth	9
the vices of the	9
with those of the	9
than those of the	9
at the mercy of	9
years of the sixteenth	9
this conception of the	9
a man of letters	9
was that of the	9
bear in mind that	9
a woodcut of the	9
the days of the	9
of the modern mind	9
for the service of	9
the body of the	9
now in the uffizi	9
no less than the	9
he was ready to	9
with the view of	9
vied with each other	9
was at that time	9
different from that of	9
the progress of the	9
the maintenance of the	9
the french and the	9
the daughter of the	9
just about the beginning	9
the work of a	9
on one of the	9
to the interests of	9
to take up the	9
in the great hall	9
the latter of whom	9
the importance of the	9
army of the league	9
care for the insane	9
of the livre du	9
the invasion of charles	9
the fortunes of the	9
have had occasion to	9
on the election of	9
there was also a	9
was a native of	9
in that age of	9
is characteristic of the	9
the sight of the	9
the early days of	9
the government of the	9
he died on the	9
influence of the italian	9
of the sack of	9
the example of the	9
the government of his	9
any of his predecessors	9
at the cost of	9
he was forced to	9
from the duke of	9
the opposition of the	9
as soon as they	9
the help of the	9
in the society of	9
large sums of money	9
the provost of paris	9
the most beautiful of	9
in church and state	9
in the first instance	9
of a general council	9
the credit of the	9
and the king of	9
by order of the	9
leonardo da vinci and	9
by the hand of	9
more than a mere	9
the eyes of a	9
the heart of the	9
order of the garter	9
the sixteenth century that	9
the form of the	9
at the price of	9
that he might be	9
of the most brilliant	9
the way for the	9
the history of florence	9
head of the church	9
at this time in	9
of the early sixteenth	9
as it seems to	9
the passage of the	9
do not know what	9
so much so that	9
general of the jesuits	9
have been the first	9
the holy office in	9
by the hands of	9
to the modern world	9
the tales of chivalry	9
and it may be	9
a manuscript in the	9
and in this way	9
him that he had	9
the papacy and the	9
that it was a	9
during the period of	9
in proportion to the	9
the king of the	9
the fathers of the	9
the corruption of the	9
with which they were	9
thirteenth and fourteenth centuries	9
the secret of the	8
of the pitti gallery	8
not to have been	8
on the return of	8
had the advantage of	8
in the oliveriana library	8
as it is now	8
the history of music	8
for the life of	8
within the walls of	8
in every department of	8
was a friend of	8
on their way to	8
in the papal states	8
of the same sort	8
that he had no	8
manuscript of the livre	8
the head of an	8
all the works of	8
the wall of the	8
the th of the	8
the sixteenth and seventeenth	8
scholars of the period	8
of the arts and	8
before the eyes of	8
the object of his	8
he tells us that	8
from place to place	8
the music of the	8
the presentation of the	8
in the pinacoteca of	8
with many of the	8
for the purchase of	8
that he should be	8
in the language of	8
to him by the	8
in concert with the	8
of the early middle	8
on the eve of	8
which was to be	8
of which it is	8
close of the sixteenth	8
under the guidance of	8
with a kind of	8
by the pope to	8
and this is the	8
between the years and	8
of the secchia rapita	8
in the same manner	8
at the present day	8
of the world and	8
still to be seen	8
no doubt that the	8
letters of sir henry	8
took possession of the	8
the close of our	8
the gates of the	8
life of francesco maria	8
the doctrine of the	8
were not allowed to	8
of which we are	8
as soon as it	8
and all the other	8
what is called the	8
the exclusion of the	8
but one of the	8
the duke of valentino	8
with the object of	8
of pity and fear	8
the sanction of the	8
of the arts of	8
and as a result	8
the course of his	8
was supposed to be	8
the letters of the	8
of france and the	8
by the intrigues of	8
the expedition of charles	8
of italy during the	8
and a hundred and	8
be taken as a	8
to the men of	8
the loss of his	8
which we are now	8
of an engraving on	8
some of them were	8
of rome and the	8
in the duomo of	8
one of the important	8
the cardinal della rovere	8
the degree of doctor	8
to the present time	8
so as to be	8
we shall have to	8
men and women of	8
as they were called	8
of the work of	8
enters the service of	8
most important of the	8
the conception of the	8
is no wonder that	8
is by no means	8
in order that they	8
many of them were	8
he had been a	8
may be said that	8
sack of rome in	8
not only with the	8
for the amusement of	8
not to be found	8
a branch of the	8
as has been seen	8
at the period of	8
a daughter of the	8
and the death of	8
knowledge of the classics	8
by the influence of	8
on account of this	8
the description of the	8
the soul of the	8
general theory of poetry	8
by him to the	8
to us in the	8
an idea of the	8
a description of the	8
his account of the	8
the north of italy	8
the election of the	8
to the cardinal of	8
half a century before	8
of philippe le bel	8
the whole of this	8
of the literature of	8
for the marriage of	8
the windows of the	8
was at its height	8
were at the same	8
all the resources of	8
the church of rome	8
and letters of sir	8
of the fourteenth and	8
with more or less	8
in proportion as the	8
now in the pitti	8
in the first of	8
theory of poetry in	8
of the entry of	8
and it was in	8
it is worth while	8
a sum of money	8
had come to be	8
but he could not	8
a new era for	8
in the defence of	8
the picture by piero	8
from the castle of	8
the balance of power	8
the court of his	8
the possession of james	8
a consequence of the	8
which i have been	8
been the subject of	8
an integral part of	8
down to our own	8
upon the point of	8
last years of the	8
the sixteenth century there	8
king of the romans	8
costumes of the fifteenth	8
a picture once in	8
the whole body of	8
in keeping with the	8
the aid of the	8
oratory of divine love	8
to the level of	8
the light of the	8
picture by piero della	8
as the price of	8
kingdom of the two	8
of all that is	8
and customs of the	8
it was during this	8
of the age in	8
to point out the	8
one of them is	8
on the battle of	8
to the scene of	8
to what extent the	8
the history of his	8
the back of the	8
the pontiff and the	8
league against charles v	8
years and a half	8
of the fall of	8
this was not the	8
the cardinal of rouen	8
he returned to his	8
which seems to have	8
for the student of	8
in the borgia apartments	8
of the blessed virgin	8
the antique and the	8
the privileges of the	8
from the study of	8
of a miniature from	8
the critics of the	8
from the reign of	8
of a lady of	8
is worthy of note	8
in the next century	8
the people and the	8
of god and the	8
it was on the	8
part of the fifteenth	8
to do more than	8
that there should be	8
for the defence of	8
two hundred and fifty	8
as is shown by	8
on the ground of	8
it was to the	8
is believed to have	8
in name of the	8
of the vatican library	8
of one of these	8
the decoration of the	8
under the command of	8
of such men as	8
his elevation to the	8
there can be little	8
it must be admitted	8
in the chapel of	8
of the aristotelian canons	8
one of his most	8
of whom we have	8
the archivio diplomatico at	8
of duke guidobaldo i	8
of information with regard	8
and the duchess of	8
possession of james dennistoun	8
with the addition of	8
by the sale of	8
or at all events	8
the view of france	8
as a jesuit in	8
by him in the	8
the reign of charles	8
the loss of a	8
at the height of	8
his ambassador in rome	8
of the birth of	8
come to an end	8
tells us that he	8
the critical activity of	8
the expenses of the	8
on the last day	8
the arts and crafts	8
the prince of salerno	8
great works of art	8
his way to rome	8
the matter of the	8
were it not that	8
has been attributed to	8
in the last century	8
took the name of	8
in order to see	8
of italy had been	8
of the tridentine decrees	8
cardinal giulio della rovere	8
the courts of italy	8
wrote a series of	8
was the work of	8
the house of medici	8
general of the ecclesiastical	8
his election to the	8
the ends of the	8
banner of the corporation	8
a victim to the	8
of gian galeazzo visconti	8
spirit of the time	8
the imitation of christ	8
that your lordship would	8
on a visit to	8
from a picture once	8
latter part of the	8
a knowledge of the	8
as long as the	8
the private life of	8
the function of poetry	8
the passes of the	8
at the castle of	8
the will of the	8
last duke of urbino	8
sacristy of san lorenzo	8
at a subsequent period	8
is supposed to be	8
the whole of his	8
found it necessary to	8
murder of her husband	8
the advantage of the	8
he was wont to	8
the door of the	8
the arrival of the	8
the founders of the	8
must bear in mind	8
the picture of the	8
the sway of the	8
a picture in the	8
the great men of	8
to the amount of	8
of piero della francesca	8
the university of padua	8
took up his abode	8
he points out that	8
given to the world	8
at the root of	8
a time in the	8
is an imitation of	8
by the example of	8
the constitution of the	8
general of the church	8
the limits of the	8
the course of which	8
it is due to	8
there is not a	8
on the ruins of	8
middle ages and the	8
the reign of the	8
duke of urbino was	8
end of the year	8
this is the first	8
to the utmost of	8
to the present day	8
with whom he was	8
sixteenth and seventeenth centuries	8
of the prince of	8
the day of his	8
on a level with	8
the movement of the	8
the house of a	8
when he came to	8
history of the revival	8
well as to the	8
but of all the	8
the extent of the	8
it does not appear	8
in a letter of	8
of some of these	8
the loss of the	8
this state of things	8
the results of his	8
was so great that	8
the great hall of	8
a man who had	8
and are to be	8
the wealth of the	8
and the company of	8
may be consulted for	8
to those of the	8
to bring about the	8
of the parliament of	8
against the duke of	8
such a way that	8
to the laws of	8
in his native town	8
at the door of	8
illustrious and most excellent	8
some of the greatest	8
the majority of the	8
what we now call	8
on the character of	8
the presence of a	8
his letter to the	8
the leaders of the	8
as he had been	8
he was bound to	8
culture of the renaissance	8
to the point of	8
so far as he	8
but on the contrary	8
for the exercise of	8
to the pope for	8
his death and character	8
ages and the renaissance	8
which at that time	8
by the laws of	8
of the greek and	8
from the renaissance to	8
the council of the	8
of leonardo da vinci	8
which was destined to	8
of sir henry wotton	8
after the middle of	8
to the task of	8
in favour of his	8
from the painting by	8
in a short time	8
history of the papacy	8
the nobility of the	8
the songs of the	8
with the intention of	8
so that it was	8
the honor of the	8
of the christian religion	8
more than a century	8
is not necessary to	8
the part played by	8
of the renaissance had	8
the daughters of the	8
at this time and	8
may be mentioned the	8
we can trace the	8
the fact that it	8
is reported to have	8
has told the story	8
on either side of	8
the bridge of s	8
of the league of	8
for the holy office	8
a whole series of	8
a large part of	8
from an engraving of	8
the society of jesus	8
of the dark ages	8
battle of la molinella	8
the state archives of	8
the beginning of a	8
that he had already	8
the people of urbino	8
looked upon as a	8
reason to suppose that	8
the old man of	8
has come down to	8
for that of the	8
in the literature of	8
we are forced to	8
the sake of the	8
of his age and	8
to the requirements of	8
on his own account	8
the thirteenth and fourteenth	8
a place among the	8
the schools of the	8
on the top of	8
the children of the	8
at this time is	8
the general theory of	8
an end to the	8
very much interested in	8
other members of the	7
it is only in	7
who was born in	7
is one of those	7
one of these is	7
the fact remains that	7
the circumstances of his	7
it seems to have	7
that they might be	7
by ludovico il moro	7
in the abbey of	7
in the garden of	7
enough has been said	7
the training of the	7
those who wish to	7
part and parcel of	7
have not been able	7
as it may seem	7
for the expression of	7
of interest in the	7
off the yoke of	7
for the decoration of	7
the church of sta	7
the glory of god	7
the age of forty	7
the profit of the	7
the next two centuries	7
in the latter part	7
might be able to	7
may be read with	7
of his life and	7
duke of urbino to	7
all the more interesting	7
the archives of that	7
beyond the limits of	7
social condition of the	7
he died at the	7
the history of literature	7
in the last resort	7
the traditions of the	7
army of charles viii	7
the manuscript of livre	7
and was followed by	7
the completion of the	7
from a miniature of	7
so far as they	7
the invention of the	7
at one and the	7
to be looked upon	7
the romance of the	7
of the eleventh century	7
when they came to	7
the massacre of sinigaglia	7
the course of time	7
it is not likely	7
the reins of government	7
invasion of italy by	7
at all of the	7
is clear that he	7
of the most prominent	7
the details of this	7
five years of age	7
the vow of poverty	7
the precepts of the	7
his relation to modern	7
the princes of italy	7
the possession of his	7
a certain amount of	7
carmina quinque illustrium poetarum	7
is not so much	7
and it has been	7
first care was to	7
the confidence of the	7
son of the church	7
as they ought to	7
children are connected thus	7
to be a good	7
in the pontificate of	7
gave rise to a	7
was the origin of	7
in the appendix to	7
his connection with the	7
to have been born	7
the fifteenth century had	7
to set out for	7
it is not possible	7
the history of a	7
of the poetic art	7
by the presence of	7
reign of charles vi	7
had been sent to	7
that the history of	7
a man who was	7
are preserved in the	7
greek and latin authors	7
the courtesy of g	7
at the siege of	7
the gates of rome	7
in the guise of	7
popes of the renaissance	7
the existence of the	7
after a miniature in	7
many of the great	7
ceased to be the	7
cardinal nicholas of cusa	7
to go to the	7
the influence of italian	7
the latin and greek	7
important part in the	7
by a number of	7
for a period of	7
from the rest of	7
as a work of	7
grand duke of florence	7
the blood of the	7
the treasures of the	7
the morning of the	7
was born in at	7
but it was too	7
be summed up in	7
a chapel in the	7
the followers of giotto	7
it would be interesting	7
be found in his	7
literary criticism of the	7
in that of the	7
by the genius of	7
not appear to have	7
so as to make	7
to the see of	7
his services to the	7
there was a great	7
the march of ancona	7
had the opportunity to	7
in a world of	7
is well known that	7
the civilization of the	7
there is in the	7
for a time in	7
under the sway of	7
the middle ages the	7
by reason of the	7
the cardinal of s	7
integral part of the	7
the fifteenth century and	7
of france and spain	7
almost needless to say	7
for the church of	7
the voyage of italy	7
the university of bologna	7
the arts of the	7
the best sense of	7
the true sense of	7
on a large scale	7
that it was only	7
the art of painting	7
to the best of	7
instructions for forreine travell	7
in the courts of	7
to have been in	7
one of their number	7
the invasion of the	7
of the poet to	7
the interest of his	7
natural children are connected	7
at the same epoch	7
in the last years	7
the tower of the	7
was carried on by	7
of the twelfth and	7
romagna and la marca	7
of the lords of	7
found in the appendix	7
in many of the	7
found in the fact	7
would have been well	7
in the exercise of	7
a window of the	7
the truth is that	7
was the mother of	7
the investiture of the	7
can be little doubt	7
in command of the	7
was the custom of	7
the same may be	7
the greeks and romans	7
valley of the tiber	7
of a kind of	7
in the true sense	7
their way to the	7
the development of modern	7
in order to avoid	7
was destined to be	7
the fury of the	7
the seat of war	7
which the duke of	7
it worth while to	7
in the first volume	7
was in the hands	7
to the marquis of	7
that they were not	7
care for the ailing	7
of francesco maria i	7
the art of italy	7
were to be found	7
the most part of	7
part played by the	7
into a sort of	7
which had to be	7
fathers of the church	7
one of the principal	7
the patronage of the	7
the duke of palliano	7
the cities of italy	7
the ladies of her	7
centuries and a half	7
intellectual life of the	7
gave rise to the	7
worthy of note that	7
but there was no	7
the metropolis of christendom	7
of boiardo and ariosto	7
the captain of the	7
death of his wife	7
and the spirit of	7
the enemies of the	7
within the precincts of	7
in his own person	7
to have been an	7
consecration of the kings	7
he could not have	7
state archives of modena	7
the authority of aristotle	7
the doctors of the	7
and it is a	7
the failure of the	7
who was one of	7
they would have been	7
it is only by	7
a visit to the	7