This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 26029 | [ Illustration] And now finally, what of William Caxton? |
| 10940 | Am I not fit to be your master? 10940 And that one,"I asked,"with the large Milanese cap on his head, who holds an old book?" |
| 10940 | Eh, but, my son,they said,"have you dispensation from fasting on a Friday?" |
| 10940 | How did our fathers live? |
| 10940 | Of what use are these cloaks? |
| 10940 | That one,I replied,"and who has turned towards us?" |
| 10940 | That one,he answered,"who is scratching the end of his nose with one hand and his beard with the other?" |
| 10940 | What do you think of that? |
| 10940 | What institutions had they? 10940 Whose garments are the more valuable and the more useful? |
| 10940 | Can there be a greater_ miracle_ than is to be seen in this court, where the maimed walk upright?" |
| 10940 | Can you not place before us their pastimes, their hunting parties, their meals, and all sorts of scenes, sad or gay, which composed their home life? |
| 10940 | Frédégonde said one day to Rigouthe,''Why do you continually trouble me? |
| 10940 | One respectable lady approached her and said,''My friend, what do you call that fashion?'' |
| 10940 | What were their political rights? |
| 10940 | Where, then, did the gipsies obtain interpreters? |
| 10940 | Who is there who could thoroughly describe or even appreciate all the happy or unhappy vicissitudes relating to the establishment of the Communes? |
| 10940 | mine, for which I have only paid a sou( about twenty- two francs of present money), or yours, which have cost so much?" |
| 10940 | they answered,"if He had appeared on earth should we still be miserable?" |
| 10940 | what will the Duke Francis and his Bretons do? |
| 15810 | ''If gold ruste, what shal iren do?'' |
| 15810 | ''Let no one say,"Why should I trouble to write books, when they are appearing continually in such numbers? |
| 15810 | ''Thirdly it is something humble: David to Saul,"After whom is the King of Israel come out? |
| 15810 | ''Was Thomas( Aquinas) a doctor? |
| 15810 | ''What? |
| 15810 | ''Why do you delay so long to gratify the wishes of our devout friend Wolter? |
| 15810 | |
| 15810 | And yet what hope had he that his labour was not lost? |
| 15810 | But how is it that this division is suffered to remain? |
| 15810 | By the way he was careful to explain that they must expect no miracle:''we shall see none in Jerusalem, so how can there be one here?'' |
| 15810 | Did they excel in piety? |
| 15810 | Erasmus occasionally lets fall a word of disapproval; but what friends have ever seen eye to eye in all matters? |
| 15810 | Fourthly it is something contemptible: Goliath to David,"Am I a dog that thou comest to me with staves?" |
| 15810 | No benefice, no grant of office or fees? |
| 15810 | VRYE TO ARNOLD OF HILDESHEIM( Schoolmaster at Emmerich): |
| 15810 | Were they noble? |
| 15810 | Were they steadfast in affliction? |
| 15810 | Why not?'' |
| 15810 | With a manuscript, too, the possible reward might well seem scarcely worth the labour; for how could any permanence be ensured for critical work? |
| 15810 | after a dead dog? |
| 15810 | after a flea?" |
| 15810 | once inside, who would wish to stir abroad? |
| 13403 | Are there many instances of people having been bit by mad animals? |
| 13403 | How much is paid per day for ploughing with two oxen? 13403 Is the state of a bachelor aggravated and rendered less desirable? |
| 13403 | What is the value of whales of different sizes? |
| 13403 | Which food has been experienced to be most portable and most nourishing for keeping a distressed ship''s crew from starving? |
| 13403 | [ 82] Sidney foresees the difficulty his brother may have:How shall I get excellent men to take paines to speake with me? |
| 13403 | ( 1876?) |
| 13403 | 1595(?). |
| 13403 | 1605(?). |
| 13403 | 1690?] |
| 13403 | A few random examples of this list are:"Which are the favourite herbs of the sheep of this country?" |
| 13403 | A. Paris( n.d.)( 1552?). |
| 13403 | After what manner the subjects in both countries shewe their obedience to their prince, or oppose themselves against him? |
| 13403 | Alas, good Sir, what can a man learne in thirty yeeres?" |
| 13403 | By what means?" |
| 13403 | Devereux, Robert, Earl of Essex( or Bacon?). |
| 13403 | Footnote 202:_ Quo Vadis?_ A Just Censure of Travel as it is undertaken by the Gentlemen of our Nation, London, 1617. |
| 13403 | Hall mutters to his servants,"Jesus can you not knocke the boyes head and the wall together, sith he runnes a- bragging thus?" |
| 13403 | Imprinted at London for Edward A(? |
| 13403 | What Englishman could not know a Frenchman by this ridiculous picture?... |
| 13403 | What is the greatest vice in both nacions? |
| 13403 | What should this good man doe? |
| 13403 | With two horses?" |
| 13403 | [ London? |
| 13403 | _ Quo Vadis? |
| 20804 | ''Where is your pen?'' |
| 20804 | Are we thereby warranted in concluding that the younger Giovanni Borgia was a son of Alexander VI? |
| 20804 | But who, except those who had the power to do so could have compelled the court to remain silent? |
| 20804 | Could a young creature of only fourteen years remain pure in such an atmosphere? |
| 20804 | Could he believe in the immortality of the soul and the existence of a divine Being? |
| 20804 | Did Lucretia ever see the youthful artist, subsequently the friend of the noble lady, Vittoria Colonna, whose portrait he painted? |
| 20804 | Her intellect too, although uncultivated, must have been vigorous; for if not, how could she have maintained her relations with the cardinal? |
| 20804 | How did he overcome the warnings, the qualms of conscience, and how was it possible for him constantly to conceal them under a joyous exterior? |
| 20804 | Is this because she was guilty of the most hideous crimes, or is it simply because she has been unjustly condemned by the world to bear its curse? |
| 20804 | Madonna Adriana asked,''Is it true that she is not allowed to come here any more than she was permitted to go to Capodimonte and Marta?'' |
| 20804 | Num te iterum tinxit Venus? |
| 20804 | Vannozza doubtless was of great beauty and ardent passions; for if not, how could she have inflamed a Rodrigo Borgia? |
| 20804 | Was she also a child of the mother of Lucretia and Cæsar? |
| 20804 | Was the care with which Alexander had his unfortunate son- in- law watched merely a bit of deceit? |
| 20804 | What have you to say to me?" |
| 20804 | What shall I add? |
| 20804 | When he had departed, Lucretia said to Jacomino:"Did you hear what was said? |
| 20804 | [ 200] Laeto nata solo, dextrâ, rosa, pollice carpta; Unde tibi solito pulcrior, unde color? |
| 20804 | an potius tibi tantum Borgia purpureo praebuit ore decus? |
| 44235 | ''Art thou not Oderigi? 44235 But what, I say, are you and your ladies, and the Duke, and the rest of you grandees about? |
| 44235 | I afterwards inquired of his Holiness if he had any news? 44235 What will become of us,"said Leo to Giorgi, the Venetian Ambassador, who brought him the news of the defeat--"and of you?" |
| 44235 | ***** But where was the minion for whom all this crime and misery had been perpetrated? |
| 44235 | Art not thou Agobbio''s glory, glory of that art Which they of Paris call the limner''s skill?'' |
| 44235 | But what better can one make of it? |
| 44235 | From the picture by? |
| 44235 | I next asked how his Holiness stood with the Swiss? |
| 44235 | Is she entangled in the toils of Secundio or Trivulzio? |
| 44235 | It is thrown into a dialogue between himself, Sadoleto, Filippo Beroaldo the younger, and Sigismondo[ Conti?] |
| 44235 | On my modifying this terrible question to the more human form-- Which picture would you choose if you might have one? |
| 44235 | Qual e quel si potente che asicure Ogi la vita sua per l''altro giorno, Tante son spesse et orende le sciagure?" |
| 44235 | The Marquis, being otherwise occupied, and suffering great pain, replied,''How can I tell? |
| 44235 | What is my Ippolita doing? |
| 44235 | Why, then, apply such standard to works already old ere it had been adopted? |
| 44235 | [ Footnote 284:"Sacra sub extrema si forte requiritis hora Cur Leo non potuit sumere? |
| 44235 | [ Footnote* 114: Can this be an allusion to S. Francesco of Assisi?] |
| 44235 | [ Illustration:_ Alinari_ PORTRAIT OF A LADY, HER HAIR DRESSED IN THE MANNER OF THE FIFTEENTH CENTURY_ From the picture by? |
| 44235 | [* 114][ Footnote* 112: For instance, in the work of Botticelli, I suppose, or Verrocchio, or Mantegna?] |
| 42560 | You are the possessor,he was asked,"of a small and, I may say, very choice collection of Italian pictures, are you not?" |
| 42560 | [ 162][ Footnote 161: The tract by Ivano(? 42560 Among his attendants Burchard mentions a thousand Gascon and Scotch infantry[ Guascones et Scottenses? 42560 And even if it had been, whatduty"did the Urbinati owe to a bastard? |
| 42560 | During next day, which was Saturday, the bride was occupied all the morning in washing[ dying?] |
| 42560 | For, with all deference, who in this age has more fairly taken arms? |
| 42560 | L''angelico consorzio, con fervore Il glorioso objetto contemplante, Benchè beato, pur vi sta tremante, E tu ardisci parlar senza rossore? |
| 42560 | O when, in this his mouldering garment frail, Did man, whose thread soon breaks and joins no more, Clear his own path, or by his power prevail? |
| 42560 | Once, meeting a citizen who had daughters to marry, he said to him,''How is your family?--have you got any of your girls disposed of?'' |
| 42560 | The Duke answered with a smile,''And where shall we place the earth of the ditch itself?'' |
| 42560 | The idea was thus repeated by Sannazaro:--"Aut nihil aut Cæsar vult dici Borgia: quid ni? |
| 42560 | Think you that it has ever crossed the Alps?" |
| 42560 | To one,''How are you?'' |
| 42560 | Vuoi gustar qui l''aura del Ben eterno E non correggi la tua vita enorme? |
| 42560 | Whereupon he, looking round, called for the master of his household, and said, in presence of the court,''Hear you what this man says? |
| 42560 | Would it have been a virtue in him to hate them?] |
| 42560 | [ Footnote* 63: Which among the condottieri is worthy of what Dennistoun seems to regard as only to be bestowed on the best of men? |
| 42560 | [_ Thus read_]"Who shall sway the Apennines? |
| 42560 | and having maintained your ground against their attack, does not this encourage you to set upon them when flying? |
| 42560 | or''Have you got a wife yet?'' |
| 42560 | or''Where is your brother?'' |
| 42560 | sister|? |
| 42560 | to a third,''How does your trade thrive?'' |
| 42560 | to another,''How is your old father?'' |
| 42560 | who has led armies under happier auspices? |
| 42560 | whose conduct in pitched battles or in sieges has been more exemplary? |
| 42560 | wouldst thou thus my gallant comrades quit, In time of need, to gaze upon a corpse? |
| 18839 | __ Ta douleur, du Perrier, sera donc éternelle? 18839 Alphonce, le roy d''Arragon, Le Gracieux Duc de Bourbon, Et Artus, le Duc de Bretaigne, Et Charles Septiesme, le Bon?.... 18839 Encor fais une question: Lancelot, le roy de Behaigne, Où est il? 18839 He answered, somewhat angrily:In what did you think? |
| 18839 | Le roy de Chippre, de renom? |
| 18839 | Mais où est le preux Charlemaigne!__ ENVOI.__ Où est Claguin, le bon Breton? |
| 18839 | Mais où sont les neiges d''antan?__ Où est la très sage Hellois, Pour qui fut chastré et puis moyne Pierre Esbaillart à Saint- Denis? |
| 18839 | Mais où sont les neiges d''antan?__ Où est la très sage Hellois, Pour qui fut chastré et puis moyne Pierre Esbaillart à Saint- Denis? |
| 18839 | Où est le Tiers Calixte Dernier decedé de ce nom, Qui quatre ans tint le papaliste? |
| 18839 | Où est son tayon?.... |
| 18839 | Où le conte daulphin d''Auvergne Et le bon feu Duc d''Alençon?... |
| 18839 | Semblablement, où est la royne Qui commanda que Buridan Fust gecté en ung sac en Saine? |
| 18839 | The old monk had said to him:"In what resolution do you die?" |
| 18839 | What animal of the sixteenth century lives so clearly as these two? |
| 18839 | _ Blanche_ may be Blanche of Castille, but more likely she was a vision of Villon''s own, for what did St. Louis''mother ever sing? |
| 18839 | _ Mais quelle recompense aurois- je de tant suivre Vos danses nuict et jour, un laurier sur le front? |
| 18839 | _ THE DEAD LORDS.__ Qui plus? |
| 18839 | et le bon roy d''Espaigne Duquel je ne sçay pas le nom?... |
| 18839 | pource Que j''ay perdu depuis trois jours Mon bien, mon plaisir, mes amours: Et quoy? |
| 2398 | And Amile also, as if in sleep, heard those words; and he awoke and said, Who is it, my comrade, that hath spoken with thee? 2398 Again, was it in four years and by renewed labour never really completed, or in four months and as by stroke of magic, that the image was projected? 2398 And he lay down over them and began to weep bitterly and said, Hath any man yet heard of a father who of his own will slew his children? 2398 And what does the spirit need in the face of modern life? 2398 But why should sculpture thus limit itself to pure form? 2398 But, after all, it may be asked, is a painter like Botticelli-- a secondary painter-- a proper subject for general criticism? 2398 By means of what strange affinities had the person and the dream grown up thus apart, and yet so closely together? 2398 Can art represent men and women in these bewildering toils so as to give the spirit at least an equivalent for the sense of freedom? 2398 Can we bring down that ideal into the gaudy, perplexed light of modern life? 2398 Does it give me pleasure? 2398 How could such an one ever again endure the greyness of the ideal or spiritual world? 2398 How is my nature modified by its presence, and under its influence? 2398 How may we see in them all that is to be seen in them by the finest senses? 2398 How was Greece enabled to force its thought upon Europe? 2398 I m Ganzen, Guten, Wahren, resolut zu leben-- is Goethe''s description of his own higher life; and what is meant by life in the whole-- im Ganzen? 2398 Is that culture a lost art? 2398 Shall I not keep faith with him who was faithful to me even unto death? 2398 The question he asks is always:--In whom did the stir, the genius, the sentiment of the period find itself? 2398 Under what conditions was that effected? 2398 What effect does it really produce on me? 2398 What is the precise value of this system of sculpture, this low relief? 2398 What is the whole physical life in that moment but a combination of natural elements to which science gives their names? 2398 What is this song or picture, this engaging personality presented in life or in a book, to ME? 2398 What should we have thought of the vertiginous prophetess at the very centre of Greek religion? 2398 What was the relationship of a living Florentine to this creature of his thought? 2398 What were the conditions under which this ideal, this standard of artistic orthodoxy, was generated? 2398 Who, if he saw through all, would fret against the chain of circumstance which endows one at the end with those great experiences? 2398 With the sensuous element in Greek art he deals in the pagan manner; and what is implied in that? 2398 and if so, what sort or degree of pleasure? 2398 where was the receptacle of its refinement, its elevation, its taste? 50577 ***** But where, meanwhile, was the army of the League? 50577 Another is, what if the Pope should escape from the castle by aid of the enemy? 50577 Are not his stanzas a solace to the jaded pilgrim, who sings them to alleviate the irksomeness of his hot and weary way? 50577 Do you not hear them chanted all day long in the highways and the fields? 50577 From a picture in the Albani Palace in Rome 88? 50577 In the third place, should it come to an assault and the Pontiff unluckily fall? 50577 In what was Donatello poorer than Michelangelo or Niccolò Pisano than either? 50577 Is it not so?] 50577 Monsieur di Borbone accordingly decided on approaching the walls, and on Sunday morning the 5th we made a lodgment within[ beyond?] 50577 Rome, Kestner Museum; another female portrait:_ Ibit ad geminos lucida fama pollo_(?). 50577 That others than myself I must deplore? 50577 Then, rushing to his father, he exclaimed,''So you are come to kill me?'' 50577 Upon what laws of nature are regulated the gradations of aerial perspective, or the receding or flattened surfaces of basso- relievo? 50577 What are the truths of nature? 50577 What means of expression did Dante lack that Milton enjoyed, or Sophocles? 50577 What, indeed, is art but a tissue of conventionalities, even when the imitation of external objects is its aim? 50577 Whence then this difference? 50577 Who would assert that the truncheons confided to him by the Church, Venice, and Florence, were not of silver? 50577 Ye fabled joys, ye tales of empty love, What are ye now, if twofold death be nigh? 50577 [ Footnote* 156: How could Italy have a ballad poetry full of national sentiment before she became a nation? 50577 [ Footnote* 201: Yes? 50577 [ Footnote* 227: No? 50577 [ Illustration:_ Alinari_? 50577 and is my store Of griefs become so scanty, that my own Are not enough to moan? 50577 and may not the moral paralysis which impeded effective tactics in the army be fairly adduced in mitigation of their unauthorised furloughs? 50577 and why should jewels and embroidery, that seem beautiful in Crivelli''s saints or Dello''s pageants, be vulgar gewgaws on recent canvasses? 50577 married? 50577 my Lord is ill, and am I not to see him? |
| 36245 | Est- ce là défense et illustration,he exclaims,"ou plus tost offense et dénigration?" |
| 36245 | Take an actual history,says Scaliger;"how does Lucan differ, for example, from Livy? |
| 36245 | [ 142] But what, according to Castelvetro, are the conditions of stage representation? 36245 [ 227] That is, how does a poem differ from a well- written historical narrative, if the former be without organic unity? |
| 36245 | [ 61] Poetry, then, is an ideal representation of life; but should it be still further limited, and made an imitation of only human life? 36245 After all, since it is the public who pays for these stupidities, why should we not serve what it wants? 36245 But after all, what is_ extra rem_? 36245 But how out of purpose, and place, do I name art? 36245 But how should he be that just imitator of life, whilst he himself knows not its measures, nor how to guide himself by judgment and understanding? 36245 But if poetry is a matter of inspiration, how can it be called an art? 36245 But what is the origin of the two other unities,--the unities of time and place? 36245 But what produces laughter? 36245 But who can doubt it? 36245 Et voir à nos misteres Les Payens asservis sous les loix salutaires De nos Saints et Martyrs? 36245 First, what is the meaning of imitation? 36245 How did the classic spirit arise? 36245 How then are the true poets to be known? 36245 If genius alone suffices, what need is there of study and artifice? 36245 Now, in what way can we discover exactly how to imitate nature, and perceive whether or not we have imitated it correctly? 36245 Now, what constitutes a serious action, and what actions are not suited to the dignified character of tragedy? 36245 The imitation of the classics having thus become essential to literary creation, what was to be its relation to the imitation of nature? 36245 The question as Giraldi had stated it was this: Does every poem need to have unity? 36245 The question as discussed in the Tasso controversy had changed to this form: What is unity? 36245 The question at issue, as we have seen, is that of unity; that is, does the heroic poem need unity? 36245 To whom then are the rules of Aristotle useful? 36245 What is the aim of the poet? 36245 What more can the poet desire, and indeed what more can he find in life, and find there with the same certainty and accuracy? 36245 What was the origin of the principles and precepts of neo- classicism? 36245 What, then, is the function of the poet? 36245 Whence did it come, and how did it develop? 36245 [ 184] Why should tragedy be limited as to time, and not epic poetry? 36245 [ 476] Where shall you find in life such a friend as Pylades, such a hero as Orlando, such an excellent man as Æneas? 36245 and what in life is the subject- matter of this imitation? 36245 but, How are the poets to be used? 36245 et du vieux testament Voir une tragedie extraite proprement? 36245 quel plaisir seroit- ce à cette heure de voir Nos poëtes Chrestiens, les façons recevoir Du tragique ancien? 31303 ''And how dost thou know me?'' |
| 31303 | ''And what are these?'' 31303 ''Then tell me why,''said the man,''you yourself are weeping with such grief? |
| 31303 | ''What dost thou here?'' 31303 ''What is that to you?'' |
| 31303 | And what attitude, what gesture, can he expect from this stripped and artificially draped model? |
| 31303 | But had these Germans of the days of Luther really no thought beyond their own times and their own country? |
| 31303 | Could it be otherwise? |
| 31303 | Does the art of Italy tell an impossible, universal lie? |
| 31303 | Had they not discovered that what had been called right had often been unnatural, and what had been called wrong often natural? |
| 31303 | Had they really no knowledge of the antique? |
| 31303 | He might as well ask, Why did the commonwealths not turn into a modern monarchy? |
| 31303 | If Cæsar Borgia be free to practise his archery upon hares and deer, why should he not practise it upon these prisoners? |
| 31303 | If he had for his mistress every woman he might single out from among his captives, why not his sister? |
| 31303 | If he have the force to carry out a plan, why should a man stand in his way? |
| 31303 | Is he to forget the saints and Christ, and give himself over to Satan and to Antiquity? |
| 31303 | Is he to yield or to resist? |
| 31303 | Is it a thing so utterly dead as to be fit only for the scalpel and the microscope? |
| 31303 | Is the impression received by the Elizabethan playwrights a correct impression? |
| 31303 | Is the new century to find the antique still dead and the modern still mediæval? |
| 31303 | Is this really a bacchanal? |
| 31303 | Scientifically we doubtless lose; but is the past to be treated only scientifically? |
| 31303 | Sismondi asks indignantly, Why did the Italians not form a federation as soon as the strangers appeared? |
| 31303 | Such are the parents, Faustus and Helena; we know them; but who is this son Euphorion? |
| 31303 | Was Italy in the sixteenth century that land of horrors? |
| 31303 | Was the relation between them that of tuition, cool and abstract; or of fruitful love; or of deluding and damning example? |
| 31303 | What has become of Calypso''s island? |
| 31303 | What passes in the mind of that artist? |
| 31303 | What surprise, what dawning doubts, what sickening fears, what longings and what remorse are not the fruit of this sight of Antiquity? |
| 31303 | What tragic type can this evil Italy of Renaissance give to the world? |
| 31303 | What was that strong intellectual food which revived the energies and enriched the blood of the Barbarians of the sixteenth century? |
| 31303 | What were those intellectual riches of the Renaissance? |
| 31303 | What would have been the art of the Renaissance without the antique? |
| 31303 | What would the noble knights and ladies of Ariosto and Spenser think of them? |
| 31303 | What would they say, these romantic, dainty creatures, were they to meet Nausicaa with the washed linen piled on her waggon? |
| 31303 | Whence do they come? |
| 31303 | Where in this Renaissance of Italian literature, so cheerful and light of conscience, is the foul and savage Renaissance of English tragedy? |
| 31303 | Who can prevent him? |
| 31303 | Who will blame him? |
| 31303 | Why? |
| 31303 | and can it not give us, and do we not owe it, something more than a mere understanding of why and how? |
| 31303 | cried the man;''it is for a stinking hound that you waste the tears of your body? |
| 31303 | of the orchards of Alcinous? |
| 31303 | or is the art of England the victim of an impossible, universal hallucination? |
| 31304 | But where is the use of telling us all this? |
| 31304 | ("Io servo vostra moglie, Don Eugenio favorisce la mia; che male c''e?" |
| 31304 | A no place, nowhere; yet full of details; minute inventories of the splendid furniture of castles( castles where? |
| 31304 | All his humanities, all his Provençal lore go into these poems-- written for whom? |
| 31304 | And what are those things? |
| 31304 | Are not these mediæval poets leagued together in a huge conspiracy to deceive us? |
| 31304 | But could such love as this exist, could it be genuine? |
| 31304 | But how achieved? |
| 31304 | But is it right that we should feel thus? |
| 31304 | But is it right thus to pardon, redeem, and sanctify; thus to bring the inferior on to the level of the superior? |
| 31304 | Can there be love between man and wife? |
| 31304 | Equality? |
| 31304 | Fools, can you tell what did or did not take place in a poet''s mind? |
| 31304 | For her? |
| 31304 | For is he not the very incarnation of chivalry, of beauty, and of love? |
| 31304 | Has such a thing really existed? |
| 31304 | In short, is not this"Vita Nuova"a mere false ideal, one of those works of art which, because they are beautiful, get worshipped as holy? |
| 31304 | Is it Christian, Pagan, Mohammedan? |
| 31304 | Is this not vitiating our feelings, blunting our desire for the better, our repugnance for the worse? |
| 31304 | It is, in its very intensity, a vision of love; what if it be a vision merely conceived and never realized? |
| 31304 | Now, how does Fra Angelico represent this? |
| 31304 | Roncisvalle, Charlemagne, the paladins, paganism, Christendom-- what of them? |
| 31304 | Shall we say that it is sentiment? |
| 31304 | Stone of the Caaba or chalice of the Sacrament? |
| 31304 | The great question is, How did these men of the Renaissance make their dead people look beautiful? |
| 31304 | The ideal, perhaps, of only one moment, scarcely of a whole civilization; or rather( how express my feeling?) |
| 31304 | The songs of the troubadours and minnesingers, what are they to our feelings? |
| 31304 | Where is Godfrey, or Francis, or Dominick? |
| 31304 | Where the moral struggles of the Middle Ages? |
| 31304 | Why so? |
| 31304 | Why this vagueness, this imperfection in all mediæval representations of life? |
| 31304 | how reached? |
| 41924 | What, then, do you propose? |
| 41924 | ''If we are not ourselves pious,''said Julius II.,''why should we prevent other people from being so?'' |
| 41924 | ''Who in Florence would have thought that a poor bell- ringer of a priest would be made Pope, to the confusion of the proud?'' |
| 41924 | ''Who,''he exclaims,''will discover a cure for the ignorance and vile sloth of these copyists, who spoil everything and turn it to nonsense? |
| 41924 | An tu illam unquam duxisses uxorem si virginitatem per te servare potuisset? |
| 41924 | Are not our minds permeated with their thoughts? |
| 41924 | But how was this effected? |
| 41924 | Do not the masterpieces of modern literature hold in solution the best that can be got from them for future uses? |
| 41924 | Had she become, he asks, a star in heaven, and did the blessed gods and heroines enjoy her splendour? |
| 41924 | Have not the ancients done as much for us as they can do? |
| 41924 | How could they return home and confess that the rhetoric of their Chancellor had been silenced by a witty secretary? |
| 41924 | How, for example, can we ascribe to Zeus the procreation of spurious as well as genuine offspring? |
| 41924 | If Cicero, Livy, and other illustrious ancients were to return to life, do you think they would understand their own works? |
| 41924 | Materiam quæris? |
| 41924 | Maxime, quid dubitas? |
| 41924 | Pike ti soi kai toutois? |
| 41924 | Poliziano''s lament for Lorenzo was therefore, as it were, a prophecy of his own fate: Quis dabit capiti meo Aquam? |
| 41924 | Quid pro sertis Syrioque liquore Liquisti? |
| 41924 | Quid taces, homo miserrime?'' |
| 41924 | Quis tantis non gaudeat et glorietur hospitibus?... |
| 41924 | Rura mea hæc tecum communia; viximus una: Te moriente igitur curnam mihi vita relicta est? |
| 41924 | Still doubting, Maximus? |
| 41924 | Talem quem mihi des alium?'' |
| 41924 | The following couplet on the death of Cesare Borgia is celebrated:-- Aut nihil aut Cæsar vult dici Borgia; quidni? |
| 41924 | Tibi pater illam dedisset profugo, ignobili, impuro? |
| 41924 | Turce, quid insultas? |
| 41924 | What for our garlands and our perfumes hast thou left? |
| 41924 | What force can stand against the name of Romans?'' |
| 41924 | What was culture in comparison with the salvation of the soul? |
| 41924 | What was his theme? |
| 41924 | Whence came this new scourge of humanity? |
| 41924 | Who builds a shrine and burns a lamp before his statue now? |
| 41924 | Who can dispute the Roman right? |
| 41924 | Who crowns his bust with laurels, or celebrates his birthday and his deathday with solemn festivals and pompous panegyrics? |
| 41924 | Why should they not be read in English versions, and the time expended upon Greek and Latin grammar be thus saved? |
| 41924 | Why should time be spent upon the dreams of poets, when every minute might be well employed in pondering the precepts of the Gospels? |
| 41924 | Why, then, when thou must die, am I still left to live? |
| 41924 | [ 110]''Where,''cried Petrarch,''can the empire of the world be found, except in Rome? |
| 41924 | [ Footnote 112:''Qui enim hodie magis ignari rerum Romanarum sunt, quam Romani Cives? |
| 41924 | [ Footnote 113:''Quis enim dubitare potest, quin illico surrectura sit si coeperit se Roma cognoscere?'' |
| 41924 | and works of art? |
| 41924 | quis oculis meis Fontem lachrymarum dabit? |
| 15400 | ''Am I Machiavel?'' |
| 15400 | ''Where,''he cries,''are the doctors of old times, the saints, the learning, charity, chastity of the past?'' |
| 15400 | ''Who,''exclaims the poet,''has wrought this wrong?'' |
| 15400 | ''Why should a father fear among his children?'' |
| 15400 | And what, then, is this likewise? |
| 15400 | And what? |
| 15400 | And whither could he look for help? |
| 15400 | But could not even they be employed to purge the sacred soil of Italy from the Barbarians? |
| 15400 | But who profited by that labor? |
| 15400 | Had Carmagnuola been convicted of treason? |
| 15400 | Hell for you? |
| 15400 | How could he be sure that the spirit came from God? |
| 15400 | How far, we may ask, were these dark crimes of violence actuated by astrological superstition? |
| 15400 | How would the Conqueror, now styled Flagellum Dei, deal with the abomination of desolation seated in the holy place of Christendom? |
| 15400 | Roaming its galleries and leaning from its windows he exclaimed with Job:[3]''_ Quare de vulvâ eduxisti me? |
| 15400 | Shall I not be able from any angle whatsoever of the earth to gaze upon the sun and stars? |
| 15400 | Still there is nothing to render it impossible that the''Chronicle,''as we possess it, in the texts of 1450(?) |
| 15400 | The deaths will be so many that the buriers shall go through the streets crying out: Who hath dead, who hath dead? |
| 15400 | The night that Peter Soderini died, His soul flew down unto the mouth of hell:''What? |
| 15400 | Then he speaks of his own fate:''What shall be the end of our war, you ask? |
| 15400 | There is the further question of_ cui bono?_ which in all problems of literary forgery must first receive some probable solution. |
| 15400 | Was he being punished for his ill success in the campaign of the preceding years? |
| 15400 | Were they, however, true; or were they a malevolent lie? |
| 15400 | What Italian would be found to refuse him homage? |
| 15400 | What is the wonder if a Benvenuto Cellini should be the outcome of the same society as that which formed a Cesare Borgia? |
| 15400 | What jealousy would thwart him? |
| 15400 | What must that man be who deserves the name of Cortegiano, and how must he conduct himself? |
| 15400 | What people would refuse him allegiance? |
| 15400 | What proof is there that the vanity or the cupidity of any parties was satisfied by its production? |
| 15400 | What prophet of Israel from Samuel to Isaiah was not the maker and destroyer of kings and constitutions? |
| 15400 | What would he now do with her-- reform the republic-- legislate-- impose a levy on the citizens, and lead them forth to battle? |
| 15400 | Whether the Renaissance of the modern world would not have been yet more brilliant if Italy had remained free, who shall say? |
| 15400 | Which of us now warms and thrills with emotion at hearing the name of Aldus Manutius, or of Henricus Stephanus, or of Johannes Froben? |
| 15400 | Whither are they bound? |
| 15400 | Who but he whose voice alone had power to assemble and to sway the Florentines should now direct them? |
| 15400 | Who but the monk who had predicted the invasion should now attempt to control it? |
| 15400 | Who can exaggerate their wretchedness? |
| 15400 | Yet what was the gift with which he came before them as a suppliant, crawling to the footstool of their throne? |
| 15400 | [ 2] Is there in fact such a thing as Hæmatomania, Bloodmadness? |
| 35095 | How can I sing light- souled and fancy- free When my loved lord no longer smiles on me? 35095 Lord, when shall come the day I long to see, When by pure love I shall Be drawn to Thee? |
| 35095 | What shall I say? 35095 Because your neighbor I commend, And yet from you all praise withhold:{ 468} But say, why should I waste my time Praising your merits or your rhyme? 35095 But-- where are the last year''s snows? 35095 But-- where are the last year''s snows? |
| 35095 | Can anything be more acute, more profound, more refined, than the judgment of Linacre? |
| 35095 | Did praise ever come from men by whom one could more wish to be praised? |
| 35095 | Echo where? |
| 35095 | For me, in torture Thou resign''st Thy breath, Nailed to the cross, and sav''st me by Thy death: Say, can these sufferings fail my heart to move? |
| 35095 | Has nature ever moulded anything gentler, pleasanter, or happier, than the mind of Thomas More?" |
| 35095 | How could their presence be explained far from the sea and completely covered up? |
| 35095 | How did he become engaged on the expedition at this time? |
| 35095 | If the bishops and the clergy of the country were willing to accept the King as the head of the Church, why should a layman hesitate? |
| 35095 | If to take flight to an abode more dear, Well- feathered wings you on your shoulders sway? |
| 35095 | Is it significant that we in our time have found nothing better to put there than the outworn symbol of a statue to Diana? |
| 35095 | Midas treads a wearier measure: All he touches turns to gold: If there be no taste of pleasure, What''s the use of wealth untold? |
| 35095 | Nay, know ye any so great?" |
| 35095 | Of course it is literal common sense, but then what has common sense ever availed against fashion? |
| 35095 | Of her, what soul could weary be? |
| 35095 | Standing before Donatello''s statue of St. Mark, he cried out,''Mark, why do n''t you speak to me?'' |
| 35095 | The Queen indignantly demanded when she heard of it,"Who gave permission to Columbus to parcel out my vassals to anyone?" |
| 35095 | Was there ever a chorus of praise quite so harmonious? |
| 35095 | Was there ever a more confident genius? |
| 35095 | What but Thyself can now deserve my love? |
| 35095 | What now, Mother Eve? |
| 35095 | What''s the joy his fingers hold, When he''s forced to thirst for aye? |
| 35095 | Where are they, O Virgin Queen? |
| 35095 | Where is your mind now? |
| 35095 | Wherefore should he stick to swear? |
| 35095 | Who can fail to admire Grocyn, with all his encyclopaedic erudition? |
| 35095 | Why is it when men make their gods they make them worse than themselves? |
| 35095 | Why should we waste our vernal years In hoarding useless treasure? |
| 35095 | Why, before Cervantes came to laugh Spain''s chivalry away, should he not be a Spanish Bayard, a Spanish Gaston de Foix, or indeed both in one?" |
| 35095 | Will pity not be given For one short look so full thereof? |
| 35095 | tell of these two things the just degree, Great learning or great wealth; the better which? |
| 35095 | who back the same Voice from lake and river throws, Lovely beyond human frame: But-- where are the last year''s snows? |
| 35095 | { 448} How can I sing light- souled and fancy- free When my loved lord no longer smiles on me?" |
| 16504 | ''Have you not heard of the peril which threatens the very existence of books? |
| 16504 | ''What shall I say of their noble- natured daughter? |
| 16504 | ''Who was it,''he says,''who suggested my correspondence with Virginia? |
| 16504 | ''s parting words to Joseph Scaliger:''Est- il vrai que vous avez été de Paris à Dijon sans aller à la selle?''] |
| 16504 | A book of some utility was published in 1703 at Salzburg(? |
| 16504 | And so forth through eighty lines in which every conceivable change is rung upon_ Amo o non amo?... |
| 16504 | Are ye Christian too? |
| 16504 | As Breugger wrote with brutal crudity to Kepler:''What profit did he gain by enduring such torments? |
| 16504 | As he afterwards confessed, he ran the greatest risks in this adventure; but who, he said, could take up arms against a lover? |
| 16504 | But how did she deal with that rank growth of licentious literature which had sprung up during the Renaissance period? |
| 16504 | But how should the unfortunate Francesco be entrapped? |
| 16504 | But how, it may be asked, was it possible to expand the story of Venus and Adonis into an epic of 45,000 lines? |
| 16504 | But what can we do now that she has taken the veil?'' |
| 16504 | But why repaint the picture of Italian decadence, or dwell again upon the fever of that phthisical consumption? |
| 16504 | But why should any one desire to have such verses buried in his grave? |
| 16504 | Can we say the same for Hegel''s system, or for Schopenhauers or for the encyclopaedic ingenuity of Herbert Spencer? |
| 16504 | Come tormento fia, se da diletto? |
| 16504 | Did Tasso mean that the contrast between past and present was too bitter? |
| 16504 | Did he not maintain a theory of the universe which even that perilous speculator and political schemer, Francis Bacon, sneered at as nugatory? |
| 16504 | Did then her resuscitated Catholicism succeed in permeating the Italians with the spirit of Christ and of the Gospel? |
| 16504 | E forse ardore? |
| 16504 | Had not Violante resisted the seductions of all Rome, and repelled the advances even of the Duke of Guise? |
| 16504 | Had not a Duchess of Amalfi been murdered for contracting a marriage with a gentleman of her household? |
| 16504 | Had not a Venetian noble pledged his word for the former? |
| 16504 | Had she perchance connived at her husband''s murder? |
| 16504 | Has any solid gain of man been lost on the stream of time to us- ward? |
| 16504 | Has anything final and conclusive been arrived at? |
| 16504 | He only felt himself neglected, insulted, outraged: Questa è la data fede? |
| 16504 | How can it do otherwise? |
| 16504 | How much of time remains in front? |
| 16504 | If there were no God to punish crimes, as he believed, could he not have pretended any thing to save his life?'' |
| 16504 | Ond''è ch''or tanto ardire in voi s''alletti? |
| 16504 | Perchè le luci angeliche e serene Ricopre della doglia oscuro panno? |
| 16504 | Sarpi illustrated Aretino''s cynical sentence:''How can you speak evil of your neighbor? |
| 16504 | Shall I not behold the sun and stars from every spot of earth? |
| 16504 | Son questi i miei bramati alti ritorni? |
| 16504 | The Pope only answered:''And the Duchess? |
| 16504 | The priest Giacomo Bertola, confessor of the nuns of S. Margherita; who was his devotee? |
| 16504 | To what depths are we destined to fall in the future?'' |
| 16504 | Was it strange that the majority should reflect that, after all, the old ways are the best? |
| 16504 | Was it strange that, after long distracting aimless wars, they should hail peace at any price? |
| 16504 | Was not the latter a privilege which S. Mark extended to all suppliants? |
| 16504 | Was she an accomplice in the tragedy? |
| 16504 | Were the people more contented and less torn by factions, happier in their homes, less abandoned to the insanities of baleful superstitions? |
| 16504 | What are you dreaming of, when now that almost every published book is interdicted, you still think of making new ones? |
| 16504 | What call had this self- panegyrist to stir souls from comfortable slumbers? |
| 16504 | What had Tassoni for his outfit? |
| 16504 | What have they done with her?'' |
| 16504 | What is the force of thought, the fervor of emotion, the acute perception of truth in nature and in man, which lies behind that manneristic screen? |
| 16504 | What more do you want? |
| 16504 | What right had he to style the knowledge of his brethren ignorance? |
| 16504 | What was it, then, that Tasso, this''child of a later and a colder age,''as Shelley called him, gave of permanent value to European literature? |
| 16504 | What was the cause of his death? |
| 16504 | What wise man ever spoke in prose or verse better than this madman? |
| 16504 | What, indeed, was this more highly- wrought theology, this purer wisdom? |
| 16504 | Where, indeed, shall we find''the light that never was on sea or land''throughout Bologna? |
| 16504 | Who was happier than Torquato now? |
| 16504 | Who, for instance, can tolerate this picture of a young man''s foot shod with a blue buskin? |
| 16504 | Why did he ever leave Sorrento? |
| 16504 | Why should not he avail himself of house- roof in his travels, a privilege which was always open to friars? |
| 16504 | Will it bear investigation in the light of the Dialogues on Epic Poetry? |
| 16504 | Will it fulfill the expectation raised in every Court and literary coterie of Italy? |
| 16504 | Will the Church be satisfied with its morality; the Holy Office with its doctrine? |
| 16504 | Yet why do I speak of healthy literature? |
| 16504 | [ 137] Is it rational, he asks, to maintain that every sentence in the Latin text is impeccable? |
| 16504 | [ 63]''What will my good lord Antonio say when he shall hear of his Tasso''s death? |
| 16504 | a che ti die Natura Ne''più begli anni tuoi Fior di beltà si delicato e vago, Se tu se''tanto a calpestarlo intento? |
| 16504 | carnis sextertium(?) |
| 16504 | per Dio, donna, Se romper si potria quelle grandi ale? |
| 16504 | what are we about then?" |
| 29574 | 27 What do you talke of sleepe? |
| 29574 | 29 Thus made, what maiest thou not command, In mighty_ Amuraths_ wide Empery? |
| 29574 | 35 But say I languish, faint, and grow forlorne, Fall sicke, and mourne: nay, pine away for thee, Wouldst then for euer hold me yet in scorne? |
| 29574 | 37 Dwel''st thou on forme? |
| 29574 | 38 Why dost thou weep? |
| 29574 | 39 Wilt thou be mine? |
| 29574 | 44 Now say mine eies& cheeks are faire, what then? |
| 29574 | 45 But say great prince, I had a wanton eye, Would you adde_ Syrius_ to the sommer sunne? |
| 29574 | 6 Who reads or heares the losse of that great town_ Constantinople_ but doth wet his eyes? |
| 29574 | 66 Maide, why commit you wilfull periurie? |
| 29574 | 72 Shall I feare this worlds losse enioying heauen, Or thinke of danger when an Angel guards me? |
| 29574 | 8 Seest thou my sonne( quoth she) and then she fround, Those brattish elues, that dally on the ground? |
| 29574 | Accuse the Fates, or thee shall I accuse? |
| 29574 | Alas poore soule;( quoth shee) and did he dye? |
| 29574 | And art thou so vnwilling then, quoth hee, To doome the sentence which I aske of thee? |
| 29574 | And counterfeiting speech vnknowne, she said, A daughters name, me thinkes, doth not agree, Ist well with your owne child in loue to be? |
| 29574 | And must he be a coward dotes on beauty? |
| 29574 | And pardon my rude specch, for lo you see, I plead for life, and who''s not loath to dye? |
| 29574 | And shall I then run headlong to the flame? |
| 29574 | And though( quoth he) thou scorn''d to doe my will, What lets me now my minde for to fulfill? |
| 29574 | And whither steales thou furious_ Cynaras_? |
| 29574 | And whurle hote flaming fire where tow doth lie By which combustion all might be vndone? |
| 29574 | Art thou in loue, or witcht by any wight? |
| 29574 | Ay me( quoth_ Philos_) what man can despise Such amourous looks, sweet tongues,& most sweet eies? |
| 29574 | Beauty is blacke, defam''d by wicked men, And yet must euery beauty make men sue? |
| 29574 | But I will sweare, said he: So_ Iason_ did, Replide faire_ Hiren_, yet who faithlesse more, or more inconstant to his sworne loues bed? |
| 29574 | But why doe I digresse the path I tread, Cloying your eares with that your eyes doe read? |
| 29574 | But yet packe hence thou foule incestious loue, What, wilt vpon thy only father dote? |
| 29574 | C''s[ John Chalkhill''s?] |
| 29574 | Can greater glory to my life be giuen, Then her maiesticke beauty that rewards me? |
| 29574 | Can her embraces so my soule remoue? |
| 29574 | Can_ Vulcan_ forge so foule an arrow now? |
| 29574 | Come kisse thy father, gentle daughter then,_ A_nd learne to sport thee in a wanton bed; Is this the tricks( she softly said) of men? |
| 29574 | Daughter( quoth she) why art thou thus alone? |
| 29574 | Daughter, quoth he, with eyes full fraught with teares, What hast thou done? |
| 29574 | Did_ Cupid_ then ere shoot so yet before? |
| 29574 | How bitter is sweet loue, that loues alone, And is not sympathis''d, like to a man? |
| 29574 | How cam''st thou hither( then amaine he cries) To kil my heart? |
| 29574 | How great( said she) ô_ Venus_ mayst thou be, How was I rauished this present night, In feeling of your pleasant sports in me? |
| 29574 | How many margent notes can we vnfold, Mourning for virgins that haue bene too blame? |
| 29574 | How nobly mightst thereby increase thy fame, How quickly shouldst a son gaine vnto thee? |
| 29574 | I clipt a man in prime of his delight, What liuely pleasures did I there conceiue? |
| 29574 | May dreames a future chance to vs portend? |
| 29574 | Melts not thy hart(_ Gyneura_) at his cares? |
| 29574 | Mine eyes( quoth he) subornd to murder me? |
| 29574 | O faire_ Gyneura_, how long wil''t be ere safron- robed_ Hymen_ doe vnite vs? |
| 29574 | Oh heauens, what new- founde griefes possesse my mind, what rare impassionated fits be these? |
| 29574 | Oh how vniust art thou? |
| 29574 | Or be offended with me for the same? |
| 29574 | Or further: will dame_ Venus_ euermore Such cruelty vnto her seruants show? |
| 29574 | Or who is glutted with the sight of heauen, Where still the more we looke, the more is seene? |
| 29574 | Renowned King, but that your constant loue Restraines my tongue& holds my speeches in, A wanton question I would to thee moue? |
| 29574 | Set white to white, and who commendeth either? |
| 29574 | Since I must write of thy so sad confusion, shall I say_ Cupid_ with his brand did fire thee? |
| 29574 | Speake sweetest fayre, but one kinde word to me, How can alas that be offence in thee? |
| 29574 | The King then cheeres his daughter, in his arme, Why dost thou weep? |
| 29574 | The King, not deeming who lay by his side, Replies, what hurt deere Lady can it be? |
| 29574 | The Lady frown''d,& stopt her speaking farther, And said get h[=e]ce, is''t shame to loue our father? |
| 29574 | The glorious Sunne, when in his glittring pride, Scowring the heauens, in progresse he doth ride, Who runnes to see? |
| 29574 | The rosie bowers that heate of Sunne did saue, And yeelded to thy sence a pleasant smile? |
| 29574 | Then shal this lucklesse plot of ground remaine, Th''occasion that my loue I not obtaine? |
| 29574 | Vnhallowed lust, for loues lies drownd in poison in what blacke ornament shall I attire thee? |
| 29574 | What haue I gain''d? |
| 29574 | What is it to be fayre? |
| 29574 | What meane my dreams? |
| 29574 | What need she decke her selfe with art( quoth he) Or hide those beauties with her brauerie, Which addeth glory to the meanst attire? |
| 29574 | What pleasure can a sterne grim face affoord, A swarfie colour or rough shagged haire, Or Rauen blacke? |
| 29574 | What, are they gone? |
| 29574 | What, sleepst thou_ Myrha_? |
| 29574 | Where are those eyes, those glassy eyes of thine, That lent the glorious Sun his chiefest light? |
| 29574 | Where be the walks that thou wast wo nt to haue The shady groues paued with Camomile? |
| 29574 | Where is that Angels voyce, that voyce deuine, Whose wel- tun''d t[=o]gue did al the gods delight? |
| 29574 | Where is the face that did all faces staine, But shrunke within a hard consolid barke? |
| 29574 | Where litle babes fr[=o] windows were pusht down Yong Ladies blotted with adulteries, Old fathers scourg''d with all base villanies? |
| 29574 | Who hop''st to finde in this accursed place? |
| 29574 | Why didst thy Princely Father so beguile? |
| 29574 | Why dost thou blush? |
| 29574 | Why hast deceiu''d my aged blosom''d haires? |
| 29574 | Why seekes a light to open thy owne shame? |
| 29574 | Why should it not then stand right so with him, Since of one nature we participate? |
| 29574 | Why should not Gods this loue of mine permit? |
| 29574 | Why so are yours, yet do I dote on you? |
| 29574 | Would_ Cynarus_ thou hadst some other name, How fitly mightst thou haue a loue of me? |
| 29574 | Wouldst thou haue me pittie before they doe? |
| 29574 | Yet she did know I was her father deere, What meant she then to seeke me in such sort? |
| 29574 | Your company I most of all affect, Continue but your loue, it shall suffice, These wrangling husbands why should I respect? |
| 29574 | are not thy bright transparent eyes yet blinde VVith monstrous diluge of o''reflowing teares? |
| 29574 | doth time thy glory rust? |
| 29574 | haue they effect at all? |
| 29574 | my fathers foule disgrace, My owne dishonor, and my friends disdaine; What have I won? |
| 29574 | or who his sight doth lacke? |
| 29574 | quoth_ Myrha_, bursting out with cryes, What shall I do that haue so vilely erred? |
| 29574 | remaines there yet disdaines within thy mind? |
| 27766 | ''And do I look thus to thee?'' 27766 ''Tis Beatrice then who holds your heart in thrall?" |
| 27766 | A girl a condottiere-- who ever heard of such a prodigy? |
| 27766 | And Anne, whom I thought so indifferent to my career, to my very existence, did this for me? |
| 27766 | And could they give you no better lodging than that? |
| 27766 | And do you think I have not suffered? |
| 27766 | And how shall we do that? |
| 27766 | And my sister? |
| 27766 | And shall I not find you again, O my beloved? |
| 27766 | And what is to hinder my killing you first, my little tigress? |
| 27766 | And what manner of creature may that be? |
| 27766 | And what of that? 27766 And what,"asked the horrified Brandilancia,"was the motive of this crime?" |
| 27766 | And what,he asked,"would you choose that rôle to be?" |
| 27766 | And wherefore in Rome? 27766 And you did this to give me pleasure?" |
| 27766 | Appeal to her heart in the last resort I grant you, but only thus: Lady, will you have me? 27766 Bravo, dear Uncle, I have guessed this ambition, have I not? |
| 27766 | But where are the other gems? |
| 27766 | But why not, my Celio? |
| 27766 | But will she go? |
| 27766 | Deserters? |
| 27766 | Did she go to meet me? 27766 Did she not receive my letter?" |
| 27766 | Did you find your horse in the stables? 27766 Did you think I would suffer you to die in the trap into which you had ventured for love of me? |
| 27766 | Do you mean that your husband thought I meant_ you_? |
| 27766 | Do you mean to provoke me? |
| 27766 | Do you not recognise that contadina,the dwarf replied,"the one standing between the fountain and the parapet yonder? |
| 27766 | Fly,she repeated in bewilderment,"and leave your kingdom, your crown?" |
| 27766 | Gramercy,he cried,"shall so fair a prize be won foully by false plagiarism?" |
| 27766 | Has your Highness any preference as to my residence during your absence? |
| 27766 | Have I been condemned to death? |
| 27766 | Have I not heard,Imperia hazarded boldly,"that he is to marry the Maria Dovizio whom I met at Cetinale?" |
| 27766 | Have you any guess as to whom he may be? |
| 27766 | Have you forgotten,I asked,"that you have just been made a cardinal?" |
| 27766 | Have you gone to the bottom? |
| 27766 | How can that be since he has never seen me? |
| 27766 | How did you know me? |
| 27766 | How may that be,laughed Eleanor,"if I am''supreme o''er the garden?'' |
| 27766 | I am with you in that business,I assured Imperia,"but how can we effect it?" |
| 27766 | I ask you of what good to tantalise me with impossible suggestions? 27766 I would be overjoyed to carry out your plan, my good friend,"replied Brandilancia,"but shall I be safe? |
| 27766 | If this is true is the Signorina safe in his power? |
| 27766 | Imagine a semaphore in the place of those monstrous and absurd columns-- what are they, by the way? 27766 Is he indeed a hog?" |
| 27766 | Is it not apparent? 27766 Is it she, who has rescued me?" |
| 27766 | Is it so? |
| 27766 | Is that a beacon? |
| 27766 | Is the life of a savage in the wilderness a fit one for a daughter of the Medici? |
| 27766 | Is the villa under some enchantment? |
| 27766 | Is this all you have brought? |
| 27766 | It is good of you, Signorina,he said,"to think of me in my trouble; or is it perchance your mistress who has sent you?" |
| 27766 | Leave it to me; think you I have not long since foreseen and provided for such an emergency? |
| 27766 | Leonora,the Cardinal said softly,"have you heard what Lucrezia was saying, that this young poet has written an epic? |
| 27766 | May she have all happiness,Brandilancia exclaimed fervently,"but to whom then do I owe my release?" |
| 27766 | My wife? |
| 27766 | Nay, how could that be possible? 27766 O Uncle, will you? |
| 27766 | Of warning? |
| 27766 | On whose authority do you presume to do a thing so outrageous? |
| 27766 | Paulette, is it you? |
| 27766 | Radicofani, is this indeed the rogue who slipped from your clutches? |
| 27766 | She has the eyes? |
| 27766 | Since I am to bring away the casket,I replied,"for what purpose do you send this key? |
| 27766 | Tell me, my niece, have we in all Italy a poet who can voice such a theme? |
| 27766 | The Earl of Essex? |
| 27766 | The Grand Duke has commanded this,Brandilancia asked,"through the intervention of my faithful friend the Earl of Essex?" |
| 27766 | Then it is the Signorina who has effected my deliverance? |
| 27766 | Then you do not care to keep my first gift? |
| 27766 | Then you know not that my uncle has sent Radicofani to take you to Florence? |
| 27766 | Think you, the Duke would trust your promise? 27766 What answer you to this accusation, Richard?" |
| 27766 | What can have angered her? 27766 What expedient do you suggest Leonora?" |
| 27766 | What if Radicofani spoke the truth? |
| 27766 | What is your present position? |
| 27766 | What loss of time is this? |
| 27766 | What manner of man was this Ferdinando de''Medici who had converted his garden pleasance into a museum? |
| 27766 | What method were fairer, I ask you? |
| 27766 | What were you about to say? |
| 27766 | Who can have incited Camillo to such a resolution? |
| 27766 | Who is it,she asked drily,"who has the honour of being the embodiment of the Earl of Essex''s ideal of womanly perfection?" |
| 27766 | Who is there? |
| 27766 | Why did you not shoot me when I was at the lower turn of the road, my friend? |
| 27766 | Why should I put myself under his orders? |
| 27766 | Would I we d such a King whom I had learned to love, though in disguise? 27766 Would he so yield me, think you?" |
| 27766 | Would you like to rule, little princess? |
| 27766 | You can not bear this disappointment, say you, Ricciardo? 27766 You have brought me a message from your commander?" |
| 27766 | You have known it all along? |
| 27766 | You remember the eyeless basilisk which we found near Imola? |
| 27766 | You were right, you see, quite right, all is lost-- why do you not say''I told you so''? |
| 27766 | You would not then have disclaimed sending the message implied by the flowers which I attached to his mahl stick? |
| 27766 | You, sir? |
| 27766 | Your gift? 27766 *** And who shall say that Tasso did not make good the promise of his patroness? 27766 An she will_ not_, what would your servility gain? 27766 And what pray you would the Signora Imperia say to that? |
| 27766 | And with but so little more of endowment I might have done it, for after all is not the inner ear, the second sight, the major part of genius? |
| 27766 | Are you not ashamed, I insist, to accept all this and then to treat your affianced husband with such indignity? |
| 27766 | As for my loving brother- in- law, your noble husband----""Why should you mind Camillo''s sulks since I do not? |
| 27766 | But do you not see, Celio, that he must not be implicated in our plots? |
| 27766 | But how should he cross to this doorway? |
| 27766 | But marked you those of her sisters? |
| 27766 | But why may I not do this under my own name, as your authorised messenger?" |
| 27766 | But, look you, what use have I for such useless ornaments as your waxy- pale lilies, your flaunting and fragile roses? |
| 27766 | Can such a summons be disregarded? |
| 27766 | Can you resist my lord?" |
| 27766 | Can you summon him to me, and will he come instantly?" |
| 27766 | Caught A Paphian dove upon a message sent? |
| 27766 | Did you note that startled cry? |
| 27766 | Do you believe this villa when''twas new Was half so beautiful as now it seems? |
| 27766 | Do you realise that you are in a very serious position?" |
| 27766 | Ere that happened footsteps were heard and the voice of the Princess calling,"Joachim, where are you?" |
| 27766 | Hast thou sinned in aught Offensive to the heavenly powers? |
| 27766 | Have we missed each other?" |
| 27766 | Have you written other books as entertaining?" |
| 27766 | How could he when he had only his beautiful but soulless wife Chiara Fancelli to paint from?'' |
| 27766 | How long must he retain this cramped position? |
| 27766 | I gained his victories and I commanded the_ escadron sacrée_ which protected his person in the retreat, and what is my reward?" |
| 27766 | I wonder now if you have heard of a secret organisation called the Carbonari? |
| 27766 | If I can wait, can not you? |
| 27766 | If she believed him erring was the high- spirited wife capable of forgiveness? |
| 27766 | Ill favoured I? |
| 27766 | Is he as valiant in arms as he is lovable, as fortunate as he is deserving?" |
| 27766 | Is it possible that she suspects that her reign is over?" |
| 27766 | Is it, perchance, that Monna Afra may retain for herself any of the contents of the_ coffre_?" |
| 27766 | Is not Pompeo Colonna a cardinal? |
| 27766 | Is there a possibility of your true love failing, if so be he but enter the contest?" |
| 27766 | Is there any power that can divide us?" |
| 27766 | It was good? |
| 27766 | King Louis had indeed explained it to him before sending him to Aldobrandino, and Richard had demanded carelessly:"Of what sort is the maiden?" |
| 27766 | May I read the letter? |
| 27766 | Now confess, can anything be fairer? |
| 27766 | Oh, Celio, was there ever such magnanimity?" |
| 27766 | Oh, why did God give her the form of an angel and put my soul in the body of a demon?" |
| 27766 | Once for all I ask, will you accept my offer?" |
| 27766 | Only the musical plash of the fountains and the sonorous undertone of the organ, like the distant roar of surf upon the beach? |
| 27766 | Ought he to make a sudden rush for life and liberty? |
| 27766 | Said I not rightly a peach- blossom? |
| 27766 | Say what thou seest below the ages stream, Tell us, is life''s enigma known to thee? |
| 27766 | Shall I confess to thee my secret thoughts? |
| 27766 | Shall I show your worship to your own room, or will you await the ladies in the library?" |
| 27766 | She is near- sighted; have you not noted, as she looks from her window of the Belvedere how she scans the objects in the garden through its lenses?" |
| 27766 | Signorina how can I ever thank you? |
| 27766 | Then the King asked Sancie loudly:"Are you content to give your hand to the winner of this contest?" |
| 27766 | Then you are not Essex?" |
| 27766 | Thy doubtful bow against some deer herd bent Sacred to Dian? |
| 27766 | To curry favour with Cardinal de''Medici?" |
| 27766 | Was it Radicofani? |
| 27766 | Was it a comedy, or am I in earnest? |
| 27766 | Was there nothing which he held sacred, no terror in earth or hell which could daunt his inexorable will? |
| 27766 | Was there, I questioned, no motive within the complicated mechanism of Cesare''s mind upon which I could play? |
| 27766 | Were workmen preparing to wall up the exit? |
| 27766 | What a pillow was that for a bridegroom, eh, Ricciardo?" |
| 27766 | What am I that I should hold you thus when you stand in danger of your life?" |
| 27766 | What business could she have there at such an hour? |
| 27766 | What can you do?" |
| 27766 | What do you say, Leonora, shall we confess that we have made a mistake and return?" |
| 27766 | What else could you expect of such a woman? |
| 27766 | What fruit bear they, I ask? |
| 27766 | What have I to offer him? |
| 27766 | What need of lights? |
| 27766 | What news do you bring from the Grand Duke, Captain? |
| 27766 | What other signification could be placed upon this supposititious drama which they were to evolve together? |
| 27766 | What think you was Ariosto''s meed for dedicating to his patron the_ Orlando Furioso_? |
| 27766 | What was the boon which gave Tasso so much bliss? |
| 27766 | Which shall it be?" |
| 27766 | Who could the lady be? |
| 27766 | Who in our day can interpret the poetry which I feel here but can not express? |
| 27766 | Who knows when Napoleon will think of us? |
| 27766 | Why did the Princess''s colour come and go as she listened, her cheek much too near his passionate lips? |
| 27766 | Why do you hesitate? |
| 27766 | Why need I tell you all? |
| 27766 | Why not in it making all better and happier?'' |
| 27766 | Why not, since my ambitions are for you as well as for myself? |
| 27766 | Why should you not succeed? |
| 27766 | Will he soon return to us?" |
| 27766 | Will it please you to join her train as Manager of her Royal Theatre and Purveyor of Sports to the French Court? |
| 27766 | Would he be left here until starvation released him from agony and his bones bleached in the sun? |
| 27766 | Would you be capable of the devotion which you demand of him?" |
| 27766 | Would you give yourself to the_ man_ you loved knowing that he was not of royal birth?" |
| 27766 | Would you we d this true lover, not knowing that he was a King? |
| 27766 | You must fly, but how? |
| 27766 | You refuse my peace- offerings; you will not visit us?" |
| 27766 | You would like more? |
| 27766 | Your eyes are better than mine, is it she?" |
| 27766 | _ May_ I then keep it?" |
| 27766 | and how can you get it to me?" |
| 27766 | dearest lady, can you think of no way of persuading the Signor Ippolito to renounce his suit?" |
| 27766 | he cried,"have you come to gloat over and increase my agony?" |
| 27766 | she cried,"then you are not-- not Henry of Navarre?" |
| 27766 | well- a- day Why should our young Endymion pine away?''" |
| 27766 | what is fame, what is honour,"he cried,"to love like yours? |
| 27766 | whither is it flown, For which in secret every heart repines? |