This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
to have been | 168 |
one of the | 134 |
there is no | 133 |
as well as | 131 |
of the poem | 128 |
book of the | 119 |
and of the | 115 |
on the other | 99 |
the son of | 98 |
the death of | 98 |
and the note | 97 |
some of the | 92 |
of the world | 92 |
of the first | 92 |
it is not | 89 |
of the roman | 88 |
seems to have | 87 |
but it is | 85 |
and in the | 81 |
the other hand | 81 |
of the great | 80 |
of the republic | 79 |
there is a | 77 |
the fact that | 76 |
that he was | 74 |
he alludes to | 72 |
is to be | 72 |
of the gods | 71 |
part of the | 71 |
in which he | 71 |
in the first | 70 |
to be the | 70 |
in the same | 69 |
of his own | 69 |
the name of | 68 |
said to have | 67 |
alludes to the | 66 |
the end of | 66 |
the time of | 66 |
of the old | 66 |
the life of | 64 |
the note to | 62 |
of the most | 62 |
a man of | 62 |
may have been | 61 |
the spirit of | 60 |
must have been | 60 |
the ex ponto | 60 |
the power of | 59 |
the fragments of | 58 |
the works of | 58 |
of his life | 57 |
in which the | 57 |
the use of | 57 |
out of the | 56 |
note to the | 56 |
as to the | 56 |
to be a | 55 |
of the greek | 55 |
the sense of | 55 |
of the metamorphoses | 54 |
the story of | 54 |
it is a | 54 |
that of the | 54 |
would have been | 54 |
with which he | 53 |
such as the | 52 |
seems to be | 51 |
poets of the | 50 |
at the same | 50 |
description of the | 50 |
that it was | 50 |
the age of | 50 |
the midst of | 50 |
account of the | 50 |
as in the | 49 |
of the same | 49 |
the same time | 49 |
the daughter of | 48 |
of the age | 48 |
the work of | 48 |
that it is | 47 |
the influence of | 47 |
of the second | 47 |
of the poet | 46 |
the poetry of | 46 |
the first book | 46 |
that he is | 45 |
it is the | 44 |
end of the | 44 |
it may be | 44 |
is said to | 43 |
the cause of | 43 |
of the early | 43 |
the beginning of | 43 |
the augustan age | 43 |
the poem is | 43 |
he was a | 42 |
and to the | 42 |
he seems to | 42 |
it is to | 42 |
in the lines | 42 |
as it is | 41 |
in the midst | 41 |
of the two | 41 |
and ep iii | 41 |
the part of | 40 |
the art of | 40 |
it was the | 39 |
not to be | 39 |
to the passage | 39 |
of the work | 39 |
of the ex | 39 |
one of his | 39 |
in the world | 38 |
at the time | 38 |
of all the | 38 |
the character of | 38 |
the present passage | 38 |
the composition of | 38 |
the author of | 38 |
in the poem | 37 |
the subject of | 37 |
it has been | 37 |
that they were | 37 |
sense of the | 37 |
of human life | 37 |
have been the | 37 |
so far as | 37 |
be able to | 37 |
the language of | 37 |
than that of | 37 |
it was not | 36 |
see the metamorphoses | 36 |
of his age | 36 |
fragments of the | 36 |
story of the | 36 |
with which the | 36 |
it would be | 35 |
of the poems | 35 |
and ep ii | 35 |
there was a | 35 |
use of the | 35 |
the fourth book | 35 |
in the last | 35 |
see the fasti | 35 |
points out to | 35 |
out to me | 35 |
and it is | 34 |
the existence of | 34 |
many of the | 34 |
of the other | 34 |
that you may | 34 |
the second book | 33 |
the reading of | 33 |
that he had | 33 |
the roman poets | 33 |
of the day | 33 |
the father of | 33 |
of the augustan | 33 |
seem to have | 33 |
of the people | 33 |
and by the | 33 |
the year b | 33 |
have been a | 32 |
it is in | 32 |
life of the | 32 |
he does not | 32 |
which he has | 32 |
a kind of | 32 |
the genius of | 32 |
the words of | 32 |
this is the | 32 |
you will be | 32 |
i do not | 32 |
the love of | 32 |
the first to | 31 |
lines of the | 31 |
the loss of | 31 |
in view of | 31 |
the temple of | 31 |
the thought of | 31 |
but there is | 31 |
the meaning of | 31 |
the description of | 30 |
the nature of | 30 |
well as the | 30 |
by no means | 30 |
compare as well | 30 |
the origin of | 30 |
of the time | 30 |
found in the | 30 |
the poets of | 30 |
of the word | 29 |
members of the | 29 |
in spite of | 29 |
him in the | 29 |
the case of | 29 |
see the amores | 29 |
in the present | 29 |
ep iii i | 29 |
of the new | 29 |
and that the | 29 |
as soon as | 29 |
the result of | 29 |
see the note | 28 |
he did not | 28 |
of the older | 28 |
of the empire | 28 |
line of the | 28 |
sympathy with the | 28 |
even in the | 28 |
books of the | 28 |
and do not | 28 |
the form of | 28 |
at the end | 28 |
at tr iii | 28 |
was one of | 27 |
that he has | 27 |
of the city | 27 |
view of the | 27 |
the absence of | 27 |
b and c | 27 |
of the romans | 27 |
refers to the | 27 |
in the year | 27 |
what is the | 27 |
many a time | 27 |
the silver age | 27 |
there is nothing | 27 |
he must have | 27 |
which they were | 26 |
was the first | 26 |
of the present | 26 |
at tr i | 26 |
on account of | 26 |
more than a | 26 |
of the sea | 26 |
of roman literature | 26 |
see the tristia | 26 |
similar phrasing at | 26 |
it is true | 26 |
on the stage | 25 |
it is difficult | 25 |
the whole of | 25 |
the study of | 25 |
that you are | 25 |
the appearance of | 25 |
the poems of | 25 |
of his time | 25 |
the latin language | 25 |
for the most | 25 |
due to the | 25 |
it was a | 25 |
of the night | 25 |
in which they | 25 |
of roman poetry | 25 |
and in his | 25 |
the most part | 25 |
and from the | 25 |
of the annals | 25 |
of their own | 24 |
a sense of | 24 |
he speaks of | 24 |
the mouth of | 24 |
in his own | 24 |
tarrant points out | 24 |
first punic war | 24 |
the time when | 24 |
for the purpose | 24 |
the first punic | 24 |
in the case | 24 |
of the state | 24 |
is one of | 24 |
is found in | 24 |
the plays of | 24 |
if you are | 24 |
are to be | 24 |
is difficult to | 24 |
works of the | 24 |
to be found | 24 |
fourth book of | 23 |
the word is | 23 |
and that he | 23 |
at ep iii | 23 |
in the second | 23 |
and ep i | 23 |
to the world | 23 |
so long as | 23 |
the expression of | 23 |
nature of the | 23 |
midst of the | 23 |
character of the | 23 |
to that of | 23 |
the present day | 23 |
of a great | 23 |
he was the | 23 |
poetry of the | 23 |
that he may | 23 |
he is not | 23 |
if any one | 23 |
it is hard | 23 |
knowledge of the | 23 |
was said to | 23 |
is hard to | 23 |
of a man | 23 |
to the roman | 23 |
the style of | 23 |
and the other | 23 |
be found in | 23 |
many of his | 23 |
one or two | 23 |
by means of | 22 |
the number of | 22 |
of the ancient | 22 |
is not to | 22 |
the reign of | 22 |
but in the | 22 |
there is the | 22 |
an account of | 22 |
of the whole | 22 |
in order to | 22 |
of some of | 22 |
the hands of | 22 |
just as the | 22 |
the purpose of | 22 |
that of a | 22 |
the pontic epistles | 22 |
the names of | 22 |
the wife of | 22 |
according to the | 22 |
the sons of | 22 |
any of the | 22 |
poem on the | 22 |
much of the | 22 |
he is a | 22 |
written in the | 22 |
and to have | 21 |
in one of | 21 |
beginning of the | 21 |
is not the | 21 |
spirit of the | 21 |
in such a | 21 |
the third book | 21 |
the history of | 21 |
the charm of | 21 |
so as to | 21 |
why should i | 21 |
ep iii iii | 21 |
second book of | 21 |
be regarded as | 21 |
the poem of | 21 |
seem to be | 21 |
of a new | 21 |
of thought and | 21 |
is not a | 21 |
of the tristia | 21 |
on the ground | 21 |
and with the | 21 |
among the romans | 21 |
is in the | 21 |
will not be | 21 |
fact that the | 21 |
meaning of the | 21 |
with that of | 21 |
he says that | 21 |
it is clear | 20 |
tr i v | 20 |
age of the | 20 |
to the gods | 20 |
as they are | 20 |
the beauty of | 20 |
from the fact | 20 |
the mind of | 20 |
the middle of | 20 |
as that of | 20 |
author of the | 20 |
the other manuscripts | 20 |
and for the | 20 |
on the same | 20 |
that i am | 20 |
picture of the | 20 |
of the life | 20 |
side of the | 20 |
the poem was | 20 |
the mass of | 20 |
by which the | 20 |
which had been | 20 |
the evidence of | 20 |
of the latin | 20 |
some of his | 20 |
it must be | 20 |
in the fragments | 20 |
of the third | 20 |
in the following | 20 |
of the war | 20 |
as it was | 20 |
in love with | 20 |
the majesty of | 20 |
of the atoms | 19 |
the th poem | 19 |
of his contemporaries | 19 |
well as of | 19 |
why do you | 19 |
than any other | 19 |
the man who | 19 |
in the morning | 19 |
he was born | 19 |
that she is | 19 |
on the part | 19 |
the same phrase | 19 |
tr iv i | 19 |
the presence of | 19 |
it is possible | 19 |
as much as | 19 |
to the poet | 19 |
is supposed to | 19 |
to the same | 19 |
by the romans | 19 |
passage in the | 19 |
that which is | 19 |
of which the | 19 |
speaks of the | 19 |
those of the | 19 |
which it was | 19 |
which he had | 19 |
the recipient of | 19 |
taken from the | 19 |
does not seem | 19 |
ex ponto iv | 19 |
of the earth | 19 |
of the fasti | 19 |
the opening of | 19 |
and it was | 18 |
was in the | 18 |
of the passage | 18 |
in the fourth | 18 |
at ep ii | 18 |
or at least | 18 |
second punic war | 18 |
you shall be | 18 |
or in the | 18 |
in modern times | 18 |
to him in | 18 |
the impression of | 18 |
from the greek | 18 |
in the time | 18 |
a native of | 18 |
in the third | 18 |
that the poet | 18 |
the roman people | 18 |
the sound of | 18 |
he had a | 18 |
for you to | 18 |
that i may | 18 |
the gift of | 18 |
writers of the | 18 |
with one another | 18 |
in honour of | 18 |
with the exception | 18 |
ep ii vii | 18 |
that i have | 18 |
most of the | 18 |
in some of | 18 |
as far as | 18 |
that in the | 18 |
the idea of | 18 |
edition of the | 18 |
and of his | 18 |
with all the | 18 |
but it was | 18 |
the second punic | 18 |
to me the | 18 |
in all the | 18 |
have been written | 18 |
and at the | 18 |
i am not | 18 |
drawn from the | 18 |
might have been | 18 |
of one of | 18 |
tr iv x | 18 |
at tr ii | 18 |
years of the | 18 |
which it is | 18 |
but he is | 18 |
in the words | 17 |
the fair one | 17 |
a work of | 17 |
in the augustan | 17 |
you do not | 17 |
on which the | 17 |
conception of the | 17 |
i have found | 17 |
upon the stage | 17 |
the house of | 17 |
produced by the | 17 |
the best of | 17 |
the close of | 17 |
the effect of | 17 |
of the last | 17 |
the epistle of | 17 |
the exception of | 17 |
is the most | 17 |
the first place | 17 |
it had been | 17 |
in favour of | 17 |
the practice of | 17 |
and of a | 17 |
it was in | 17 |
was to be | 17 |
a description of | 17 |
reference to the | 17 |
of his plays | 17 |
he may have | 17 |
first book of | 17 |
and there is | 17 |
influence of the | 17 |
the new comedy | 17 |
in the later | 17 |
he has no | 17 |
supposed to have | 17 |
ep i ii | 17 |
of the fair | 17 |
the title of | 17 |
to me that | 17 |
of the more | 17 |
in the spirit | 17 |
the passion of | 17 |
the days of | 17 |
on the death | 17 |
known to us | 17 |
in this respect | 17 |
derived from the | 17 |
of the greeks | 17 |
he has been | 17 |
than in the | 17 |
the satires of | 17 |
is that of | 17 |
that there is | 17 |
in regard to | 17 |
ep iii iv | 17 |
translation of the | 17 |
that they are | 17 |
the manner of | 17 |
mentioned in the | 17 |
if it is | 17 |
the course of | 17 |
of such a | 17 |
of the poets | 17 |
on the whole | 17 |
to the first | 17 |
of the silver | 16 |
subject of the | 16 |
the force of | 16 |
the action of | 16 |
at any rate | 16 |
and all the | 16 |
a writer of | 16 |
words of the | 16 |
the roman mind | 16 |
in accordance with | 16 |
to the romans | 16 |
belong to the | 16 |
ep i iii | 16 |
art of love | 16 |
not to have | 16 |
instance of the | 16 |
mass of the | 16 |
there can be | 16 |
the place of | 16 |
by the fact | 16 |
in ancient times | 16 |
in the poetry | 16 |
ep ii ii | 16 |
of the dead | 16 |
the laws of | 16 |
used by the | 16 |
be said to | 16 |
of his day | 16 |
that he might | 16 |
he is in | 16 |
given to the | 16 |
something of the | 16 |
said to be | 16 |
the first of | 16 |
and the same | 16 |
rather than the | 16 |
evidence of the | 16 |
the date of | 16 |
this kind of | 16 |
or of the | 16 |
of his style | 16 |
but they are | 16 |
tr i i | 16 |
to his own | 16 |
and tr v | 16 |
of the original | 16 |
in a great | 16 |
on the subject | 16 |
not seem to | 16 |
at tr v | 16 |
ought to be | 16 |
is clear from | 16 |
the object of | 16 |
of his work | 15 |
in the main | 15 |
of her husband | 15 |
of the past | 15 |
in the sense | 15 |
the last of | 15 |
because it is | 15 |
there was no | 15 |
what do you | 15 |
of life and | 15 |
as long as | 15 |
he is the | 15 |
which he was | 15 |
has been suggested | 15 |
the mother of | 15 |
of his genius | 15 |
to be in | 15 |
by the name | 15 |
than any of | 15 |
from that of | 15 |
owing to the | 15 |
it will be | 15 |
this is a | 15 |
we learn from | 15 |
to which the | 15 |
place in the | 15 |
a later age | 15 |
could not have | 15 |
of a more | 15 |
in this passage | 15 |
in the life | 15 |
it is more | 15 |
close of the | 15 |
portion of the | 15 |
of the earlier | 15 |
for the other | 15 |
would not have | 15 |
at the age | 15 |
name of the | 15 |
example of the | 15 |
if he had | 15 |
compared with the | 15 |
to the great | 15 |
of the best | 15 |
the old roman | 15 |
the lack of | 15 |
down to the | 15 |
the following line | 15 |
the outward world | 15 |
he would have | 15 |
and the first | 15 |
the poem in | 15 |
such passages as | 15 |
history of the | 15 |
it is that | 15 |
of the plays | 15 |
of human nature | 15 |
him in his | 15 |
part of his | 15 |
cause of the | 15 |
the same sense | 15 |
and he was | 15 |
elegy of the | 15 |
in the roman | 15 |
they do not | 15 |
there is some | 15 |
of roman tragedy | 15 |
do you think | 15 |
of the works | 15 |
founded on the | 15 |
parts of the | 15 |
together with the | 15 |
of his death | 15 |
let not the | 15 |
in this sense | 15 |
the birth of | 15 |
in the form | 15 |
in the next | 15 |
that the romans | 15 |
of the young | 15 |
the lines of | 14 |
the fall of | 14 |
to believe that | 14 |
this sense of | 14 |
the speech of | 14 |
when i am | 14 |
under the influence | 14 |
you in the | 14 |
of a poet | 14 |
treatment of the | 14 |
be taken as | 14 |
of the year | 14 |
ovid does not | 14 |
fragments of his | 14 |
the knowledge of | 14 |
a life of | 14 |
in all probability | 14 |
tr iii vii | 14 |
the trojan war | 14 |
of the book | 14 |
free from the | 14 |
second century b | 14 |
is no reason | 14 |
part in the | 14 |
to any one | 14 |
also of the | 14 |
was born in | 14 |
that the poem | 14 |
of the mind | 14 |
of the human | 14 |
his own time | 14 |
of his art | 14 |
is not found | 14 |
it seems to | 14 |
the doctrine of | 14 |
of the later | 14 |
as you are | 14 |
have been preserved | 14 |
let there be | 14 |
in the habit | 14 |
the memory of | 14 |
of those who | 14 |
regard to the | 14 |
explanation of the | 14 |
no reason to | 14 |
by all the | 14 |
you may be | 14 |
the imperial family | 14 |
the walls of | 14 |
after the death | 14 |
of the house | 14 |
ep ii iii | 14 |
to suppose that | 14 |
for the first | 14 |
father of the | 14 |
the corruption of | 14 |
power of the | 14 |
none of the | 14 |
which is not | 14 |
of the outward | 14 |
of the line | 14 |
elsewhere in ovid | 14 |
of the aeneid | 14 |
i will not | 14 |
to those who | 14 |
of the manuscripts | 14 |
there will be | 14 |
the first century | 14 |
the work is | 14 |
him to the | 14 |
the satire of | 14 |
of the greatest | 14 |
hor ep i | 14 |
that i should | 14 |
result of the | 14 |
of the universe | 14 |
but there are | 14 |
to him by | 14 |
may be inferred | 14 |
contact with the | 14 |
of his birth | 14 |
rather than of | 14 |
no more than | 14 |
and tr iv | 14 |
half of the | 14 |
to the present | 14 |
he refers to | 14 |
at met i | 14 |
there are some | 14 |
the gods of | 14 |
poetry of exile | 14 |
if you can | 14 |
is that the | 14 |
in the course | 14 |
the writers of | 14 |
in the middle | 14 |
of his poems | 14 |
the blood of | 14 |
the circumstances of | 14 |
that he did | 14 |
come down to | 14 |
the habit of | 14 |
in the poems | 14 |
of his mistress | 14 |
continued to be | 14 |
was the custom | 14 |
the forms of | 14 |
the notes to | 13 |
the field of | 13 |
to be an | 13 |
the tenth book | 13 |
was born at | 13 |
in which a | 13 |
of early roman | 13 |
of ennius and | 13 |
in praise of | 13 |
is shown by | 13 |
the greatness of | 13 |
the older poet | 13 |
of a later | 13 |
of nature and | 13 |
of his philosophy | 13 |
the testimony of | 13 |
ep ii ix | 13 |
see the art | 13 |
to make the | 13 |
poem is a | 13 |
the state of | 13 |
not have been | 13 |
put up with | 13 |
in the days | 13 |
his sense of | 13 |
is the same | 13 |
to his wife | 13 |
to be of | 13 |
out of which | 13 |
in point of | 13 |
i am in | 13 |
the strength of | 13 |
thought and feeling | 13 |
at the beginning | 13 |
we have already | 13 |
that in which | 13 |
the campus martius | 13 |
a number of | 13 |
style of the | 13 |
not a few | 13 |
the introduction to | 13 |
point of view | 13 |
the hand of | 13 |
there is much | 13 |
under the empire | 13 |
part of a | 13 |
have been more | 13 |
he was not | 13 |
the wealth of | 13 |
of his dramas | 13 |
the tone of | 13 |
which has been | 13 |
of his argument | 13 |
time of the | 13 |
of the fragments | 13 |
poems of exile | 13 |
and the great | 13 |
the last age | 13 |
to be loved | 13 |
in order that | 13 |
ep i viii | 13 |
of the senate | 13 |
any of his | 13 |
of the story | 13 |
hor sat i | 13 |
the most famous | 13 |
notes to the | 13 |
appears to have | 13 |
form of a | 13 |
last age of | 13 |
to whom the | 13 |
let him be | 13 |
of the national | 13 |
by the poet | 13 |
of the emperor | 13 |
to sextus pompeius | 13 |
two of the | 13 |
connected with the | 13 |
appear to be | 13 |
the basis of | 13 |
contained in the | 13 |
will be a | 13 |
the imagination of | 13 |
charm of the | 13 |
thought of the | 13 |
the writings of | 13 |
make use of | 13 |
the aid of | 13 |
and with a | 13 |
in the early | 13 |
the sixth book | 13 |
in the city | 13 |
he has a | 13 |
the rest of | 13 |
the first two | 13 |
of your own | 13 |
the favour of | 13 |
may be said | 13 |
by his own | 13 |
the great poets | 13 |
great poets of | 13 |
be remembered that | 13 |
it is only | 13 |
at ep i | 13 |
worthy of the | 13 |
middle of the | 13 |
the second century | 13 |
you are in | 13 |
not in the | 13 |
the philosophy of | 13 |
each of them | 13 |
of the sun | 13 |
passages in the | 13 |
in the metamorphoses | 13 |
the bosom of | 13 |
the authority of | 13 |
of all things | 13 |
to the last | 13 |
is addressed to | 13 |
the battle of | 13 |
those who are | 13 |
the same manner | 13 |
and the most | 13 |
the conclusion that | 13 |
it would have | 12 |
poem of lucretius | 12 |
is true that | 12 |
and he is | 12 |
the gods have | 12 |
likely to have | 12 |
which they are | 12 |
by the use | 12 |
the literature of | 12 |
compare ep ii | 12 |
appearance of the | 12 |
the shade of | 12 |
the correct reading | 12 |
with regard to | 12 |
the poet was | 12 |
of plautus and | 12 |
to a great | 12 |
of the soul | 12 |
not only of | 12 |
out of his | 12 |
which seems to | 12 |
for it is | 12 |
and not to | 12 |
spite of the | 12 |
in the age | 12 |
to his friends | 12 |
the world of | 12 |
they have been | 12 |
if you do | 12 |
the pleasures of | 12 |
son of atreus | 12 |
the decay of | 12 |
it is noteworthy | 12 |
there is little | 12 |
it is of | 12 |
it to be | 12 |
acquainted with the | 12 |
the duties of | 12 |
nor does the | 12 |
when you have | 12 |
may not be | 12 |
plays of plautus | 12 |
his own experience | 12 |
he might have | 12 |
attributed to the | 12 |
yet it is | 12 |
was not a | 12 |
and let the | 12 |
the schools of | 12 |
the fear of | 12 |
of the golden | 12 |
action of the | 12 |
this is not | 12 |
condition of the | 12 |
origin of the | 12 |
the charms of | 12 |
in this manner | 12 |
which we have | 12 |
i would not | 12 |
of the trojan | 12 |
there is an | 12 |
and tr iii | 12 |
ep ii v | 12 |
down to us | 12 |
the writing of | 12 |
in place of | 12 |
as to his | 12 |
the development of | 12 |
at tr iv | 12 |
the cultivation of | 12 |
and he has | 12 |
the interest of | 12 |
tells us that | 12 |
fact that he | 12 |
of a roman | 12 |
plautus and terence | 12 |
in any case | 12 |
author of a | 12 |
the publication of | 12 |
it is impossible | 12 |
of his great | 12 |
ep i v | 12 |
death of the | 12 |
is found at | 12 |
of the stage | 12 |
member of the | 12 |
was a man | 12 |
the point of | 12 |
like that of | 12 |
i shall be | 12 |
of his poem | 12 |
the growth of | 12 |
to say that | 12 |
in connexion with | 12 |
death of his | 12 |
passage in which | 12 |
as a poet | 12 |
he will not | 12 |
him from the | 12 |
to the mind | 12 |
the spirit and | 12 |
the war with | 12 |
why dost thou | 12 |
poet of the | 12 |
says that he | 12 |
at that time | 12 |
much to the | 12 |
appear to have | 12 |
the first time | 12 |
of his friends | 12 |
only in the | 12 |
worthy to be | 12 |
as he was | 12 |
text of the | 12 |
idea of the | 12 |
that i had | 12 |
if there is | 12 |
and dignity of | 12 |
of modern times | 12 |
a member of | 12 |
at met xv | 12 |
to be taken | 12 |
of the principate | 12 |
allusion to the | 12 |
discussion of the | 12 |
is the only | 12 |
out of a | 12 |
of his friend | 12 |
born in the | 12 |
ep iii ix | 12 |
in addition to | 12 |
that he wrote | 12 |
the annals of | 12 |
in all his | 12 |
the black sea | 12 |
opening of the | 12 |
suited to the | 12 |
and that of | 12 |
men of the | 12 |
to the other | 11 |
in which it | 11 |
genius of the | 11 |
tenth book of | 11 |
supposed to be | 11 |
with which it | 11 |
the example of | 11 |
the introduction of | 11 |
between the two | 11 |
compare ep i | 11 |
interest in the | 11 |
the praises of | 11 |
the minds of | 11 |
of all his | 11 |
is no doubt | 11 |
the elder seneca | 11 |
light on the | 11 |
if they were | 11 |
his treatment of | 11 |
fantham points out | 11 |
the rites of | 11 |
of the text | 11 |
belonged to the | 11 |
to refer to | 11 |
an age of | 11 |
the statement of | 11 |
tr iii x | 11 |
of the genius | 11 |
the tragedies of | 11 |
as a whole | 11 |
the gifts of | 11 |
could not be | 11 |
an end to | 11 |
of the power | 11 |
of the country | 11 |
favour of the | 11 |
presence of the | 11 |
of latin poetry | 11 |
of the satires | 11 |
of his works | 11 |
poem was written | 11 |
of this edition | 11 |
should not be | 11 |
the view of | 11 |
the ears of | 11 |
them in the | 11 |
the value of | 11 |
we have a | 11 |
no less than | 11 |
is wont to | 11 |
compare tr i | 11 |
a poem on | 11 |
the criticism of | 11 |
temple of apollo | 11 |
due to his | 11 |
it is at | 11 |
suggested by the | 11 |
ep i vii | 11 |
see the pontic | 11 |
of your mistress | 11 |
on the one | 11 |
similar to that | 11 |
the principles of | 11 |
as one of | 11 |
the loves of | 11 |
ep iii ii | 11 |
the heart of | 11 |
large number of | 11 |
as i am | 11 |
that of his | 11 |
in the tristia | 11 |
in the line | 11 |
in the best | 11 |
to whom he | 11 |
will be the | 11 |
be the first | 11 |
the most important | 11 |
the wise man | 11 |
what shall i | 11 |
tr v xii | 11 |
of the heavens | 11 |
should be taken | 11 |
a state of | 11 |
literature of the | 11 |
in this poem | 11 |
to the fair | 11 |
to the imagination | 11 |
fragments of ennius | 11 |
ep iii v | 11 |
a long time | 11 |
at am iii | 11 |
nor is it | 11 |
which may be | 11 |
is full of | 11 |
of the muses | 11 |
honour of the | 11 |
to the fact | 11 |
of the iliad | 11 |
for all the | 11 |
fear of death | 11 |
which the poet | 11 |
in the mouth | 11 |
of the imperial | 11 |
that i was | 11 |
the standard of | 11 |
the destruction of | 11 |
that no one | 11 |
professor goldwin smith | 11 |
life in the | 11 |
both of the | 11 |
the teaching of | 11 |
in a more | 11 |
to see the | 11 |
of the play | 11 |
he is to | 11 |
the custom to | 11 |
it is no | 11 |
compare tr iii | 11 |
the progress of | 11 |
of the poetry | 11 |
to the old | 11 |
to give a | 11 |
because of the | 11 |
amico suo m | 11 |
a mind to | 11 |
such is the | 11 |
in any way | 11 |
under the name | 11 |
it was to | 11 |
the ground that | 11 |
in the fifth | 11 |
and let him | 11 |
also in the | 11 |
the vices of | 11 |
third book of | 11 |
of his father | 11 |
refer to the | 11 |
of my mistress | 11 |
in the latter | 11 |
led him to | 11 |
for a long | 11 |
the conditions of | 11 |
of my own | 11 |
the return of | 11 |
there are many | 11 |
and now the | 11 |
of his wife | 11 |
a passage in | 11 |
shall be the | 11 |
in the way | 11 |
of his personal | 11 |
in the ex | 11 |
same phrase at | 11 |
of his satire | 11 |
the lines in | 11 |
the th line | 11 |
days of the | 11 |
the greatest of | 11 |
years of his | 11 |
he had been | 11 |
the kind of | 11 |
at one time | 11 |
the opening lines | 11 |
and the like | 11 |
the ninth book | 11 |
it does not | 11 |
the arms of | 11 |
not of the | 11 |
to have a | 11 |
the surface of | 11 |
it as a | 11 |
regarded as the | 11 |
we do not | 11 |
is known of | 11 |
of the th | 11 |
of the italian | 11 |
there are no | 11 |
satire of lucilius | 11 |
born in b | 10 |
in the state | 10 |
schools of rhetoric | 10 |
tr i viii | 10 |
of his exile | 10 |
of lucretius and | 10 |
from the same | 10 |
the custom of | 10 |
influence on the | 10 |
the same way | 10 |
of a poem | 10 |
the eyes of | 10 |
addressed to the | 10 |
of the schools | 10 |
to the conclusion | 10 |
which you are | 10 |
son of a | 10 |
of roman comedy | 10 |
in the th | 10 |
lucretius and catullus | 10 |
have come down | 10 |
to his mistress | 10 |
and let not | 10 |
while you are | 10 |
to one of | 10 |
the class of | 10 |
at this time | 10 |
impression of the | 10 |
the first and | 10 |
the faults of | 10 |
more and more | 10 |
ep i ix | 10 |
of character and | 10 |
effect of the | 10 |
apart from the | 10 |
at his best | 10 |
of men of | 10 |
that he should | 10 |
we are told | 10 |
of a very | 10 |
was written in | 10 |
the speeches of | 10 |
is much more | 10 |
form of literature | 10 |
of the race | 10 |
it was written | 10 |
the older poets | 10 |
the one hand | 10 |
than to the | 10 |
in the opening | 10 |
of greece and | 10 |
be given to | 10 |
as to their | 10 |
of that age | 10 |
with which they | 10 |
reign of nero | 10 |
as often as | 10 |
the text of | 10 |
the word in | 10 |
it is necessary | 10 |
the position of | 10 |
on the day | 10 |
you will not | 10 |
who was the | 10 |
form of the | 10 |
of feeling and | 10 |
if you will | 10 |
the waters of | 10 |
the same is | 10 |
there are two | 10 |
and let her | 10 |
to be called | 10 |
she has been | 10 |
is the first | 10 |
in consequence of | 10 |
of these passages | 10 |
the light of | 10 |
of the four | 10 |
time when the | 10 |
of the waves | 10 |
body of the | 10 |
of greek poetry | 10 |
let it be | 10 |
the poet is | 10 |
the conception of | 10 |
the early poets | 10 |
his life in | 10 |
three books of | 10 |
the poem with | 10 |
that can be | 10 |
for an account | 10 |
of the few | 10 |
the order of | 10 |
which i have | 10 |
see at viii | 10 |
the weakness of | 10 |
the fame of | 10 |
is a great | 10 |
over and above | 10 |
but at the | 10 |
the limits of | 10 |
for him to | 10 |
odes of horace | 10 |
the letter to | 10 |
of the slave | 10 |
they are the | 10 |
aspects of the | 10 |
much the same | 10 |
a series of | 10 |
in the more | 10 |
mouth of the | 10 |
not only the | 10 |
the representation of | 10 |
have been in | 10 |
of the long | 10 |
roman poets of | 10 |
of greek art | 10 |
the pages of | 10 |
all that is | 10 |
they were not | 10 |
of his mind | 10 |
of his satires | 10 |
the truth of | 10 |
whoever you are | 10 |
ep ii i | 10 |
in the earlier | 10 |
of the famous | 10 |
of this poem | 10 |
i may be | 10 |
as to be | 10 |
is possible that | 10 |
nothing of the | 10 |
were in the | 10 |
instead of the | 10 |
poets of rome | 10 |
the feelings of | 10 |
from his own | 10 |
the translation of | 10 |
is mentioned by | 10 |
jason and medea | 10 |
of her own | 10 |
let her be | 10 |
which you have | 10 |
and some of | 10 |
do not you | 10 |
as a rule | 10 |
he will be | 10 |
the head of | 10 |
such expressions as | 10 |
the enjoyment of | 10 |
the facts of | 10 |
with a little | 10 |
of the argument | 10 |
to have had | 10 |
a portion of | 10 |
the poem are | 10 |
an old man | 10 |
with all his | 10 |
but what is | 10 |
in the whole | 10 |
to imitate the | 10 |
for what is | 10 |
to do with | 10 |
the conduct of | 10 |
composition of his | 10 |
the objects of | 10 |
in common with | 10 |
he has the | 10 |
the door of | 10 |
the other plays | 10 |
of any other | 10 |
with a few | 10 |
to do so | 10 |
which he lived | 10 |
to your mistress | 10 |
in the language | 10 |
that he died | 10 |
the care of | 10 |
at the present | 10 |
reading of the | 10 |
the fate of | 10 |
tr v vii | 10 |
of the modern | 10 |
and tr i | 10 |
into the black | 10 |
representation of the | 10 |
because he is | 10 |
different from the | 10 |
of the epic | 10 |
the same kind | 10 |
the freedom and | 10 |
there is not | 10 |
see at ii | 10 |
the duty of | 10 |
the civil war | 10 |
in dread of | 10 |
they are not | 10 |
to the end | 10 |
date of his | 10 |
the greek language | 10 |
we learn that | 10 |
years of age | 10 |
that the work | 10 |
of his country | 10 |
be in the | 10 |
here referred to | 10 |
the seventh book | 10 |
the capture of | 10 |
is noteworthy that | 10 |
after his death | 10 |
with the greatest | 10 |
i am a | 10 |
soon as he | 10 |
there may be | 10 |
on the mind | 10 |
and the notes | 10 |
he is more | 10 |
the passage is | 10 |
the god of | 10 |
many a one | 10 |
and that it | 10 |
in the greek | 10 |
study of the | 10 |
of the family | 10 |
life of pleasure | 10 |
him as a | 10 |
you are not | 10 |
and the whole | 10 |
some of these | 10 |
he could not | 10 |
peleus and thetis | 10 |
and as a | 10 |
of the fourth | 10 |
in the letters | 10 |
an example of | 10 |
of the man | 10 |
know how to | 10 |
from the other | 10 |
the university of | 10 |
at met ii | 10 |
a few of | 9 |
the attention of | 9 |
it is by | 9 |
as if they | 9 |
at its best | 9 |
libra norit et | 9 |
witness to the | 9 |
here alluded to | 9 |
characteristic of the | 9 |
for the same | 9 |
of the name | 9 |
and am i | 9 |
accordance with the | 9 |
his life and | 9 |
to the second | 9 |
the friend of | 9 |
of latin literature | 9 |
imagination of the | 9 |
that she may | 9 |
of so many | 9 |
a poet of | 9 |
the early roman | 9 |
regarded as a | 9 |
all the world | 9 |
ep ii viii | 9 |
by the roman | 9 |
a discussion of | 9 |
back to the | 9 |
was the son | 9 |
the hours of | 9 |
the last book | 9 |
i should be | 9 |
long as the | 9 |
as it were | 9 |
when you are | 9 |
the mystery of | 9 |
feeling of the | 9 |
of the ancients | 9 |
also by the | 9 |
have had a | 9 |
ep ii x | 9 |
is that which | 9 |
times in the | 9 |
in some respects | 9 |
the fault of | 9 |
th line of | 9 |
the union of | 9 |
is in a | 9 |
to the state | 9 |
works of art | 9 |
can be no | 9 |
at the very | 9 |
delight in the | 9 |
description of a | 9 |
the life and | 9 |
the republic and | 9 |
on the contrary | 9 |
which is the | 9 |
afforded by the | 9 |
to make it | 9 |
devoted to the | 9 |
beauty of the | 9 |
he who is | 9 |
seems to mean | 9 |
appreciation of the | 9 |
is that he | 9 |
that there was | 9 |
through all the | 9 |
in the temple | 9 |
be inferred that | 9 |
in his mind | 9 |
likely to be | 9 |
must be remembered | 9 |
of ex ponto | 9 |
but he has | 9 |
the will of | 9 |
this was the | 9 |
exhibited in the | 9 |
there is any | 9 |
this and the | 9 |
belief in the | 9 |
he describes the | 9 |
are found in | 9 |
development of the | 9 |
the only instance | 9 |
expression to the | 9 |
of the language | 9 |
is taken from | 9 |
they were written | 9 |
is a good | 9 |
and sincerity of | 9 |
of catullus and | 9 |
than in any | 9 |
reminds us of | 9 |
not found in | 9 |
and the following | 9 |
the question of | 9 |
the roman stage | 9 |
to the public | 9 |
the popularity of | 9 |
to show that | 9 |
the weight of | 9 |
of the fact | 9 |
of his brother | 9 |
when she has | 9 |
do you mean | 9 |
on the authority | 9 |
to the more | 9 |
by whom the | 9 |
poem of the | 9 |
added to the | 9 |
of the author | 9 |
connexion with the | 9 |
during this period | 9 |
art of the | 9 |
go to the | 9 |
along with the | 9 |
well have been | 9 |
the ideal of | 9 |
the great roman | 9 |
who has been | 9 |
in the theatre | 9 |
is there any | 9 |
the hearts of | 9 |
the condition of | 9 |
a great measure | 9 |
after he had | 9 |
is no need | 9 |
in the presence | 9 |
as he is | 9 |
time of his | 9 |
the world is | 9 |
the golden age | 9 |
in roman literature | 9 |
but of the | 9 |
the sun and | 9 |
in the very | 9 |
in many of | 9 |
of the subject | 9 |
in the beginning | 9 |
the line of | 9 |
of the deep | 9 |
mention of the | 9 |
you have a | 9 |
for the sense | 9 |
the passage in | 9 |
for the loss | 9 |
and on the | 9 |
for he is | 9 |
it is found | 9 |
epistles of horace | 9 |
a full discussion | 9 |
to be able | 9 |
of this kind | 9 |
is to say | 9 |
introduction to the | 9 |
in the great | 9 |
the possession of | 9 |
shall be a | 9 |
as compared with | 9 |
ep i i | 9 |
a line of | 9 |
of pleasure and | 9 |
the other side | 9 |
which the world | 9 |
what has been | 9 |
instances of the | 9 |
of its own | 9 |
of naevius and | 9 |
poems of catullus | 9 |
is derived from | 9 |
this poem is | 9 |
date of the | 9 |
that she might | 9 |
temples of the | 9 |
something of a | 9 |
to make a | 9 |
i know not | 9 |
in behalf of | 9 |
a few years | 9 |
come to the | 9 |
were written in | 9 |
lines in which | 9 |
the hair of | 9 |
the second and | 9 |
the rise of | 9 |
on which he | 9 |
the elegiac poets | 9 |
on the roman | 9 |
of the body | 9 |
rome in the | 9 |
tr v x | 9 |
he shows a | 9 |
we have no | 9 |
of his moral | 9 |
ah wretched me | 9 |
but do you | 9 |
not by the | 9 |
among the most | 9 |
after the manner | 9 |
in these lines | 9 |
passage from the | 9 |
such a manner | 9 |
than those of | 9 |
social and political | 9 |
tr iii xiv | 9 |
the first three | 9 |
away from the | 9 |
to those of | 9 |
if he were | 9 |
the subjects of | 9 |
as when the | 9 |
in the hands | 9 |
the hercules furens | 9 |
we have seen | 9 |
men in the | 9 |
is due to | 9 |
the first is | 9 |
at met ix | 9 |
between and a | 9 |
it should be | 9 |
tone of the | 9 |
up to the | 9 |
a friend of | 9 |
in the book | 9 |
perhaps the most | 9 |
of the times | 9 |
see the epistle | 9 |
in the most | 9 |
harmony with the | 9 |
of men and | 9 |
when he was | 9 |
in the woods | 9 |
the merits of | 9 |
suggests to me | 9 |
to him the | 9 |
it is for | 9 |
the record of | 9 |
distinct from the | 9 |
seen in the | 9 |
the worship of | 9 |
are in the | 9 |
was the cause | 9 |
in the deep | 9 |
the verse of | 9 |
the charming fair | 9 |
difference between the | 9 |
of the lyre | 9 |
early in the | 9 |
of roman character | 9 |
the letters of | 9 |
that is the | 9 |
compare ep iii | 9 |
evidence for the | 9 |
what it is | 9 |
for his own | 9 |
in the passage | 9 |
is it to | 9 |
it is probable | 9 |
the odes of | 9 |
the fact of | 9 |
of one who | 9 |
probable that the | 9 |
for which see | 9 |
of his mother | 9 |
a letter to | 9 |
language of the | 9 |
had not the | 9 |
by the time | 9 |
the next line | 9 |
norit et aere | 9 |
as of the | 9 |
of which it | 9 |
of the river | 9 |
in a later | 9 |
other instances of | 9 |
existence of the | 9 |
work of the | 9 |
of him as | 9 |
has already been | 9 |
he had not | 9 |
in ancient literature | 9 |
in the forum | 9 |
the tale of | 9 |
order of the | 8 |
first century b | 8 |
hence it is | 8 |
on both sides | 8 |
have been born | 8 |
to the modern | 8 |
the image of | 8 |
of the amores | 8 |
but it seems | 8 |
to the young | 8 |
he died at | 8 |
the south wind | 8 |
hor sat ii | 8 |
the principate of | 8 |
have to be | 8 |
a passage of | 8 |
in need of | 8 |
the choice of | 8 |
names of the | 8 |
on every side | 8 |
in his poems | 8 |
a few lines | 8 |
as a variant | 8 |
of the heroic | 8 |
of most manuscripts | 8 |
sixth book of | 8 |
was a city | 8 |
those who were | 8 |
believe that the | 8 |
in harmony with | 8 |
i have seen | 8 |
to my mistress | 8 |
right and wrong | 8 |
the first satire | 8 |
in the extreme | 8 |
same is true | 8 |
by which they | 8 |
to be said | 8 |
referring to the | 8 |
as a man | 8 |
may well have | 8 |
must have had | 8 |
character of a | 8 |
of the nile | 8 |
is more than | 8 |
in the circus | 8 |
of the death | 8 |
of sympathy with | 8 |
is free from | 8 |
to think that | 8 |
called by the | 8 |
in elegiac verse | 8 |
as a soldier | 8 |
i did not | 8 |
the verge of | 8 |
the want of | 8 |
in the absence | 8 |
can hardly be | 8 |
is probable that | 8 |
phrase in the | 8 |
a later date | 8 |
majesty of the | 8 |
even in a | 8 |
a passage from | 8 |
prose and verse | 8 |
love for the | 8 |
the supposition that | 8 |
character of his | 8 |
among the greeks | 8 |
and what is | 8 |
one of them | 8 |
in keeping with | 8 |
and there are | 8 |
greek and latin | 8 |
here and at | 8 |
that he would | 8 |
to him as | 8 |
in his poem | 8 |
familiar with the | 8 |
black sea about | 8 |
more likely to | 8 |
compare am ii | 8 |
it might be | 8 |
is confirmed by | 8 |
his native district | 8 |
she is not | 8 |
of the passages | 8 |
life and the | 8 |
of the woods | 8 |
the source of | 8 |
and was the | 8 |
first three books | 8 |
the protection of | 8 |
the waves of | 8 |
the beauties of | 8 |
we find in | 8 |
glory of the | 8 |
in the other | 8 |
at fast i | 8 |
to his friend | 8 |
you must not | 8 |
if you had | 8 |
of his native | 8 |
in ovid only | 8 |
brought to rome | 8 |
of the younger | 8 |
is not so | 8 |
will be seen | 8 |
the race of | 8 |
in the text | 8 |
be compared with | 8 |
if you were | 8 |
sound of the | 8 |
known to have | 8 |
i have no | 8 |
that they may | 8 |
view of life | 8 |
no need of | 8 |
in the public | 8 |
the roman character | 8 |
conditions of life | 8 |
the two great | 8 |
day on which | 8 |
to the consulship | 8 |
of his verse | 8 |
so fond of | 8 |
image of the | 8 |
long line of | 8 |
the task of | 8 |
the silence of | 8 |
the province of | 8 |
a later time | 8 |
in support of | 8 |
with such a | 8 |
they were the | 8 |
may be regarded | 8 |
the banks of | 8 |
the realms of | 8 |
he had written | 8 |
i have not | 8 |
the whole world | 8 |
i have been | 8 |
of the audience | 8 |
to avoid the | 8 |
ovid uses the | 8 |
any one should | 8 |
of the fifth | 8 |
in the eighth | 8 |
of the pentameter | 8 |
more or less | 8 |
the pleasure of | 8 |
a letter of | 8 |
the contemplation of | 8 |
that the gods | 8 |
and variety of | 8 |
in the seventh | 8 |
it is said | 8 |
the comedy of | 8 |
has all the | 8 |
he would be | 8 |
and as the | 8 |
reason to suppose | 8 |
illustration of the | 8 |
the arrival of | 8 |
to the poor | 8 |
it is an | 8 |
of the various | 8 |
will be found | 8 |
for her to | 8 |
tr v v | 8 |
in which his | 8 |
on his behalf | 8 |
the social and | 8 |
which they have | 8 |
can not be | 8 |
up in the | 8 |
of b and | 8 |
the marriage of | 8 |
is impossible to | 8 |
passage of the | 8 |
castor and pollux | 8 |
ninth book of | 8 |
tr v ii | 8 |
the present instance | 8 |
which he himself | 8 |
those who have | 8 |
rather than a | 8 |
from the very | 8 |
not of a | 8 |
of the spirit | 8 |
of these poems | 8 |
and of their | 8 |
himself to the | 8 |
end of his | 8 |
his old age | 8 |
age in which | 8 |
by the same | 8 |
ep ii iv | 8 |
could have been | 8 |
a matter of | 8 |
frequent use of | 8 |
the present poem | 8 |
he is no | 8 |
the only other | 8 |
the belief in | 8 |
to the composition | 8 |
of his subject | 8 |
the start of | 8 |
of his tragedies | 8 |
of the thought | 8 |
if any person | 8 |
his passion for | 8 |
life of rome | 8 |
the processes of | 8 |
the explanation of | 8 |
might well have | 8 |
of the land | 8 |
the direction of | 8 |
in the sixth | 8 |
son of the | 8 |
do not know | 8 |
the city of | 8 |
ep i vi | 8 |
the poet of | 8 |
as distinct from | 8 |
which have been | 8 |
common with the | 8 |
the face of | 8 |
tr iii iv | 8 |
to the older | 8 |
of the argonauts | 8 |
to all the | 8 |
is made to | 8 |
is able to | 8 |
of the youths | 8 |
hard to say | 8 |
the first instance | 8 |
for which compare | 8 |
he has not | 8 |
to that which | 8 |
the exercise of | 8 |
for a full | 8 |
should have been | 8 |
was not the | 8 |
course of the | 8 |
from the life | 8 |
as the most | 8 |
of his heart | 8 |
flows into the | 8 |
the open air | 8 |
poets of greece | 8 |
of many of | 8 |
in the history | 8 |
of the popular | 8 |
moved by the | 8 |
of roman history | 8 |
the lot of | 8 |
different from that | 8 |
and those of | 8 |
in the manner | 8 |
that ovid is | 8 |
for the gods | 8 |
to go to | 8 |
as a result | 8 |
a feeling of | 8 |
of these two | 8 |
be admitted that | 8 |
not improbable that | 8 |
the man of | 8 |
the work was | 8 |
as i was | 8 |
more than one | 8 |
to come to | 8 |
comedy of athens | 8 |
there is thus | 8 |
while i am | 8 |
the glory of | 8 |
version of the | 8 |
of rome was | 8 |
the exploits of | 8 |
for the stage | 8 |
structure of the | 8 |
if he is | 8 |
those of his | 8 |
the roman youth | 8 |
probably have been | 8 |
of power and | 8 |
to a friend | 8 |
suo m ad | 8 |
satires of horace | 8 |
nor do the | 8 |
in a sense | 8 |
the king of | 8 |
have seen the | 8 |
that is to | 8 |
was a native | 8 |
pliny the elder | 8 |
it appears from | 8 |
in defence of | 8 |
a few words | 8 |
to some of | 8 |
tr iv v | 8 |
in the old | 8 |
by the poets | 8 |
in any of | 8 |
attributed to him | 8 |
the creation of | 8 |
the period of | 8 |
temple of venus | 8 |
see the notes | 8 |
more than the | 8 |
the terrors of | 8 |
there shall be | 8 |
attention to the | 8 |
to the text | 8 |
that the roman | 8 |
am i to | 8 |
in the lofty | 8 |
of the passion | 8 |
because of its | 8 |
he is at | 8 |
of peleus and | 8 |
i should not | 8 |
for the future | 8 |
the following passage | 8 |
he who has | 8 |
to the general | 8 |
this seems to | 8 |
to which he | 8 |
the temples of | 8 |
if a man | 8 |
that i could | 8 |
the importance of | 8 |
while it is | 8 |
from the world | 8 |
yet there is | 8 |
when i was | 8 |
lines such as | 8 |
the length of | 8 |
as they were | 8 |
and with her | 8 |
the edition of | 8 |
doubt as to | 8 |
in a state | 8 |
he may be | 8 |
compare tr v | 8 |
at met vi | 8 |
do you not | 8 |
traces of the | 8 |
that he could | 8 |
the merit of | 8 |
placed in the | 8 |
of the finest | 8 |
been suggested that | 8 |
an object of | 8 |
a poem of | 8 |
have found no | 8 |
passion of love | 8 |
the shores of | 8 |
of the stoic | 8 |
at the close | 8 |
he is said | 8 |
the ground with | 8 |
praise of the | 8 |
history of latin | 8 |
with the sword | 8 |
for a time | 8 |
a great poet | 8 |
of his son | 8 |
at am ii | 8 |
a fragment of | 8 |
many a thing | 8 |
if it were | 8 |
is true of | 8 |
the members of | 8 |
i used to | 8 |
use of his | 8 |
in prose and | 8 |
the colour of | 8 |
expressed in the | 8 |
in such passages | 8 |
few of the | 8 |
nature of his | 8 |
annals of ennius | 8 |
he had no | 8 |
may be a | 8 |
say that the | 8 |
the same age | 8 |
with the preceding | 8 |
the equestrian order | 8 |
as professor r | 8 |
and tr ii | 8 |
the festival of | 8 |
is at least | 8 |
in a passage | 8 |
of heart and | 8 |
me to be | 8 |
is not in | 8 |
in a poem | 8 |
it in the | 8 |
can only be | 8 |
the modern world | 8 |
of the circus | 8 |
to indicate the | 8 |
i am ashamed | 8 |
the way of | 8 |
but if you | 8 |
of his master | 7 |
in the commentary | 7 |
the person of | 7 |
can be more | 7 |
the early morning | 7 |
type of the | 7 |
in all their | 7 |
be the same | 7 |
his choice of | 7 |
the symbol of | 7 |
in the two | 7 |
not found elsewhere | 7 |
in my own | 7 |
subject of his | 7 |
you may not | 7 |
the shades of | 7 |
sense of beauty | 7 |
of which they | 7 |
result of a | 7 |
the tomb of | 7 |
have used the | 7 |
that she has | 7 |
the outbreak of | 7 |
which she has | 7 |
has been made | 7 |
is by no | 7 |
the songs of | 7 |
the descendant of | 7 |
about the same | 7 |
forth from the | 7 |
the celebration of | 7 |
to speak of | 7 |
to the th | 7 |
publication of the | 7 |
of the individual | 7 |
rest of the | 7 |
with his own | 7 |
is not known | 7 |
ruler of the | 7 |
hor carm iv | 7 |
and that you | 7 |
another of the | 7 |
ancient and modern | 7 |
when he is | 7 |
in a large | 7 |
the arts of | 7 |
of all is | 7 |
of the majesty | 7 |
the statues of | 7 |
where he is | 7 |
of lucilius and | 7 |
ancient or modern | 7 |
at any time | 7 |
an imitation of | 7 |
his power of | 7 |
for the sake | 7 |
far removed from | 7 |
letters of cicero | 7 |
that you have | 7 |
in presence of | 7 |
the construction of | 7 |
clear from the | 7 |
no trace of | 7 |
at all events | 7 |
general character of | 7 |
the town of | 7 |
the lines which | 7 |
the sum of | 7 |
to my own | 7 |
of the beauteous | 7 |
stage in the | 7 |
the manuscripts of | 7 |
from the text | 7 |
and beauty of | 7 |
of the earliest | 7 |
it must have | 7 |
able to give | 7 |
of roman life | 7 |
to be sought | 7 |
had never been | 7 |
is to the | 7 |
though there is | 7 |
a part of | 7 |
conditions of the | 7 |
hor carm i | 7 |
i was the | 7 |
than the other | 7 |
either in the | 7 |
the gates of | 7 |
suppose that the | 7 |
and i will | 7 |
if they had | 7 |
you are the | 7 |
with the more | 7 |
number of the | 7 |
for a similar | 7 |
times of the | 7 |
little more than | 7 |
for this sense | 7 |
was the most | 7 |
for this purpose | 7 |
at the funeral | 7 |
to the fasti | 7 |
of them are | 7 |
modelled on the | 7 |
but to the | 7 |
with the view | 7 |
such as that | 7 |
the breath of | 7 |
it is quite | 7 |
the medea of | 7 |
dignity of the | 7 |
have been made | 7 |
shows that the | 7 |
that she was | 7 |
from time to | 7 |
the triumph of | 7 |
to have the | 7 |
indicates that the | 7 |
the necessity of | 7 |
present to the | 7 |
which are the | 7 |
in the fasti | 7 |
shown by the | 7 |
the strength and | 7 |
are you going | 7 |
of a rival | 7 |
again in the | 7 |
what would you | 7 |
is of the | 7 |
that he who | 7 |
the office of | 7 |
strength of the | 7 |
with the mind | 7 |
the poor man | 7 |
when she shall | 7 |
in the reign | 7 |
to the main | 7 |
that you should | 7 |
take care that | 7 |
opens with a | 7 |
one of those | 7 |
as if you | 7 |
of the true | 7 |
is used of | 7 |
and let them | 7 |
in the original | 7 |
was the daughter | 7 |
at hor carm | 7 |
while he was | 7 |
in the works | 7 |
of the divine | 7 |
of the senses | 7 |
is not improbable | 7 |
in any other | 7 |
with the spirit | 7 |
the stamp of | 7 |
the ars amatoria | 7 |
same sense of | 7 |
in awe of | 7 |
the foundation of | 7 |
is proved by | 7 |
pliny the younger | 7 |
representative of the | 7 |
to the stars | 7 |
the brother of | 7 |
the whole poem | 7 |
of mind and | 7 |
the feeling of | 7 |
it is easy | 7 |
of julius caesar | 7 |
is perhaps the | 7 |
whole of the | 7 |
the lips of | 7 |
was the author | 7 |
that does not | 7 |
account of his | 7 |
treatment of his | 7 |
i have lived | 7 |
the roman drama | 7 |
terrors of the | 7 |
is common in | 7 |
the deaths of | 7 |
and many a | 7 |
are known to | 7 |
all the gods | 7 |
is quoted by | 7 |
is supported by | 7 |
presented to the | 7 |
cited by old | 7 |
in the latin | 7 |
was wont to | 7 |
to in the | 7 |
would be a | 7 |
the old woman | 7 |
phrasing at tr | 7 |
the people of | 7 |
spirit in which | 7 |
the portico of | 7 |
he wrote a | 7 |
in the universe | 7 |
than of the | 7 |
of his poetry | 7 |
the poet himself | 7 |
of a friend | 7 |
three or four | 7 |
by the old | 7 |
the happiness of | 7 |
the roman ladies | 7 |
congenial to the | 7 |
the family of | 7 |
the structure of | 7 |
if it be | 7 |
and in a | 7 |
to appreciate the | 7 |
this passage is | 7 |
the old man | 7 |
some of them | 7 |
at sen ag | 7 |
us of the | 7 |
the statement that | 7 |
to the latin | 7 |
auctor electorum etonensium | 7 |
and not the | 7 |
in a long | 7 |
any one to | 7 |
applied to the | 7 |
the old men | 7 |
in preference to | 7 |
was made of | 7 |
it in his | 7 |
first of these | 7 |
to give the | 7 |
the type of | 7 |
to have made | 7 |
to a certain | 7 |
to be ranked | 7 |
or whether the | 7 |
to endure the | 7 |
of the natural | 7 |
formed part of | 7 |
second and third | 7 |
in the aeneid | 7 |
made of the | 7 |
whom he was | 7 |
of many a | 7 |
at a price | 7 |
am i viii | 7 |
of the preceding | 7 |
the topic of | 7 |
have a mind | 7 |
the romans in | 7 |
acquaintance with the | 7 |
similar wording at | 7 |
there is another | 7 |
through the whole | 7 |
the old comedy | 7 |
and that which | 7 |
satires and epistles | 7 |
length of time | 7 |
of his character | 7 |
when he had | 7 |
to me in | 7 |
early roman tragedy | 7 |
tr iv vi | 7 |
among the poets | 7 |
the shape of | 7 |
of ep i | 7 |
by the great | 7 |
add to this | 7 |
compare aa ii | 7 |
take care to | 7 |
the honour of | 7 |
in ep iv | 7 |
of greek and | 7 |
and the use | 7 |
if he be | 7 |
the result is | 7 |
is possible to | 7 |
absence of any | 7 |
to the sea | 7 |
that ovid was | 7 |
to use the | 7 |
they are so | 7 |
celebration of the | 7 |
passages of the | 7 |
the experience of | 7 |
both in the | 7 |
must not be | 7 |
you will have | 7 |
but they were | 7 |
of the stream | 7 |
to and fro | 7 |
by the author | 7 |
at met iii | 7 |
the later poets | 7 |
through the midst | 7 |
written in a | 7 |
the preceding line | 7 |
of roman satire | 7 |
poem of naevius | 7 |
tr i ix | 7 |
friend of the | 7 |
and met xiii | 7 |
evidence of his | 7 |
in an age | 7 |
of jason and | 7 |
there is more | 7 |
of the drama | 7 |
to make use | 7 |
whether he is | 7 |
in all its | 7 |
been preserved to | 7 |
the young man | 7 |
the fair to | 7 |
what is to | 7 |
for me to | 7 |
account for the | 7 |
that i might | 7 |
the land of | 7 |
ad sextum pompeium | 7 |
if there was | 7 |
is the reading | 7 |
spirit of a | 7 |
forms of literature | 7 |
to show the | 7 |
to be used | 7 |
on his own | 7 |
may be in | 7 |
been written in | 7 |
in what manner | 7 |
at a later | 7 |
love of the | 7 |
them to the | 7 |
we seem to | 7 |
conclusion that the | 7 |
his way to | 7 |