This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
on the other hand | 81 |
the note to the | 54 |
he alludes to the | 53 |
at the same time | 44 |
book of the metamorphoses | 43 |
the end of the | 39 |
of the ex ponto | 39 |
is said to have | 39 |
in the midst of | 39 |
seems to have been | 38 |
note to the passage | 37 |
points out to me | 35 |
and the note to | 33 |
as well as the | 30 |
one of the most | 27 |
the story of the | 26 |
at the end of | 25 |
see the note to | 25 |
for the most part | 25 |
of the augustan age | 25 |
in the case of | 24 |
it is difficult to | 24 |
the first punic war | 24 |
the midst of the | 23 |
the fragments of the | 23 |
fourth book of the | 22 |
it is hard to | 22 |
the fourth book of | 22 |
the second book of | 21 |
the fact that the | 21 |
he seems to have | 21 |
to have been the | 21 |
the beginning of the | 21 |
of the first book | 20 |
said to have been | 20 |
the works of the | 20 |
seem to have been | 19 |
as well as of | 19 |
in the year b | 19 |
in the fragments of | 19 |
second book of the | 19 |
for the purpose of | 18 |
in view of the | 18 |
book of the fasti | 18 |
in the time of | 18 |
tarrant points out to | 18 |
on the part of | 18 |
the author of the | 18 |
the second punic war | 18 |
the first book of | 17 |
the poets of the | 17 |
to have been a | 17 |
with the exception of | 17 |
of the poem is | 17 |
on the death of | 17 |
is one of the | 16 |
it is to be | 16 |
is not to be | 16 |
by the fact that | 16 |
was one of the | 16 |
in the first place | 16 |
the art of love | 16 |
first book of the | 16 |
an account of the | 15 |
of the silver age | 15 |
age of the republic | 15 |
the nature of the | 15 |
the mass of the | 15 |
at the age of | 15 |
in the poetry of | 15 |
was said to have | 14 |
there is no reason | 14 |
seems to be the | 14 |
of the second book | 14 |
the close of the | 14 |
after the death of | 14 |
at the time of | 14 |
of some of the | 14 |
in the habit of | 14 |
the spirit of the | 14 |
of the works of | 14 |
it was the custom | 14 |
the part of the | 14 |
to be found in | 14 |
the description of the | 14 |
from the fact that | 14 |
the second century b | 13 |
at the time when | 13 |
the name of the | 13 |
in the same manner | 13 |
that he was a | 13 |
out to me the | 13 |
in the augustan age | 13 |
in the days of | 13 |
was the first to | 13 |
in the fourth book | 13 |
see the art of | 13 |
in the present passage | 13 |
but there is no | 13 |
the last age of | 13 |
the middle of the | 13 |
under the influence of | 13 |
in the course of | 13 |
last age of the | 13 |
it is true that | 12 |
the poetry of exile | 12 |
by the use of | 12 |
the notes to the | 12 |
of the life of | 12 |
it has been suggested | 12 |
in the form of | 12 |
of the roman people | 12 |
that he did not | 12 |
the great poets of | 12 |
it is clear from | 12 |
the form of a | 12 |
the fact that he | 12 |
the life of the | 12 |
the subject of the | 12 |
the use of the | 11 |
come down to us | 11 |
in one of his | 11 |
but it is not | 11 |
fantham points out to | 11 |
the same phrase at | 11 |
the time of the | 11 |
one of the great | 11 |
the tenth book of | 11 |
be found in the | 11 |
in spite of the | 11 |
in the spirit of | 11 |
the thought of the | 11 |
book of the tristia | 11 |
by the name of | 11 |
the opening of the | 11 |
poets of the augustan | 11 |
third book of the | 11 |
at the beginning of | 11 |
see the pontic epistles | 11 |
is supposed to have | 11 |
in the middle of | 11 |
for the first time | 11 |
books of the ex | 11 |
book of the ex | 11 |
in the ex ponto | 11 |
of the latin language | 11 |
the third book of | 11 |
mass of the people | 11 |
the influence of the | 10 |
the origin of the | 10 |
as in the present | 10 |
of the plays of | 10 |
of the first punic | 10 |
it is noteworthy that | 10 |
the poem of lucretius | 10 |
to the conclusion that | 10 |
in regard to the | 10 |
on the one hand | 10 |
the appearance of the | 10 |
of the outward world | 10 |
and at the same | 10 |
the death of his | 10 |
that he was born | 10 |
for an account of | 10 |
it is possible that | 10 |
the poems of exile | 10 |
out to me that | 10 |
does not seem to | 10 |
is no reason to | 10 |
the schools of rhetoric | 10 |
on the ground that | 10 |
at the present day | 10 |
the temple of apollo | 10 |
at tr i i | 10 |
with that of the | 10 |
in some of the | 10 |
the death of the | 10 |
the meaning of the | 10 |
appears to have been | 10 |
the words of the | 10 |
was a man of | 10 |
of the third book | 10 |
the author of a | 9 |
and ep ii iii | 9 |
he speaks of the | 9 |
the odes of horace | 9 |
of the satires of | 9 |
the reading of the | 9 |
in a great measure | 9 |
the poetry of the | 9 |
in such a manner | 9 |
the poem is a | 9 |
the satire of lucilius | 9 |
into the black sea | 9 |
on account of the | 9 |
was the custom to | 9 |
the reign of nero | 9 |
on the authority of | 9 |
poets of the republic | 9 |
libra norit et aere | 9 |
and ep iii iv | 9 |
of one of his | 9 |
in the presence of | 9 |
of the second century | 9 |
th line of the | 9 |
the result of the | 9 |
of the genius of | 9 |
he says that he | 9 |
was the son of | 9 |
there can be no | 9 |
appear to have been | 9 |
in the hands of | 9 |
there is no need | 9 |
of the imperial family | 9 |
given to the world | 9 |
of the poem are | 9 |
it must be remembered | 9 |
the part of a | 9 |
of the first century | 9 |
a description of the | 9 |
in the first book | 9 |
have come down to | 9 |
the fragments of ennius | 9 |
for a long time | 9 |
in the life of | 9 |
in accordance with the | 9 |
the composition of his | 9 |
of the second punic | 9 |
of his own time | 9 |
it was in the | 9 |
to him in the | 9 |
the mouth of the | 9 |
the father of the | 9 |
of thought and feeling | 9 |
the cause of the | 9 |
may be regarded as | 8 |
must be remembered that | 8 |
in the mouth of | 8 |
the sound of the | 8 |
in the absence of | 8 |
the ninth book of | 8 |
in common with the | 8 |
if you do not | 8 |
in the poems of | 8 |
the time of his | 8 |
the effect of the | 8 |
in the temple of | 8 |
a member of the | 8 |
of the other plays | 8 |
that it is the | 8 |
of the fact that | 8 |
see the epistle of | 8 |
flows into the black | 8 |
and ep iii i | 8 |
the annals of ennius | 8 |
as soon as he | 8 |
at ep iii i | 8 |
under the name of | 8 |
after the manner of | 8 |
the son of atreus | 8 |
the first century b | 8 |
the same is true | 8 |
in the age of | 8 |
to the composition of | 8 |
it may be inferred | 8 |
of peleus and thetis | 8 |
see the notes to | 8 |
in the same way | 8 |
the black sea about | 8 |
of a later age | 8 |
of the poetry of | 8 |
of the republic and | 8 |
sixth book of the | 8 |
the genius of the | 8 |
the end of his | 8 |
in the present instance | 8 |
the plays of plautus | 8 |
great poets of the | 8 |
of b and c | 8 |
the character of the | 8 |
it is probable that | 8 |
three books of the | 8 |
he must have been | 8 |
the character of a | 8 |
the son of a | 8 |
the th line of | 8 |
of the new comedy | 8 |
for the loss of | 8 |
as one of the | 8 |
of the death of | 8 |
the sense of the | 8 |
of the power of | 8 |
to be the first | 8 |
the first three books | 8 |
it would have been | 8 |
it is impossible to | 8 |
in honour of the | 8 |
to the fact that | 8 |
roman poets of the | 8 |
may be inferred that | 8 |
in the history of | 8 |
amico suo m ad | 8 |
seems to be a | 8 |
the temple of venus | 7 |
than that of the | 7 |
temples of the gods | 7 |
in so far as | 7 |
to make use of | 7 |
similar phrasing at tr | 7 |
it is possible to | 7 |
to be able to | 7 |
is hard to say | 7 |
on the other side | 7 |
the same manner as | 7 |
was a native of | 7 |
the sixth book of | 7 |
the first two books | 7 |
but it was not | 7 |
about kilometres east of | 7 |
the bosom of the | 7 |
the war with pyrrhus | 7 |
the power of the | 7 |
was born in the | 7 |
for a full discussion | 7 |
than any of the | 7 |
if there is any | 7 |
the satires of horace | 7 |
which seems to have | 7 |
of the fourth book | 7 |
the publication of the | 7 |
is by no means | 7 |
the outbreak of the | 7 |
and ep ii vii | 7 |
and there is no | 7 |
of the poets of | 7 |
the work of the | 7 |
the rest of the | 7 |
is due to the | 7 |
so long as the | 7 |
to that of the | 7 |
the subject of his | 7 |
black sea about kilometres | 7 |
reason to suppose that | 7 |
as well as in | 7 |
the whole of the | 7 |
the second and third | 7 |
it is not improbable | 7 |
in such passages as | 7 |
supposed to have been | 7 |
in the th poem | 7 |
the names of the | 7 |
the date of his | 7 |
in connexion with the | 7 |
with which he has | 7 |
of the older poets | 7 |
in consequence of the | 7 |
was born in b | 7 |
of ex ponto iv | 7 |
the conclusion that the | 7 |
was the daughter of | 7 |
in the second book | 7 |
in the way of | 7 |
and the use of | 7 |
the opening lines of | 7 |
there is the same | 7 |
he was born in | 7 |
first three books of | 7 |
the greater part of | 7 |
through the midst of | 7 |
the poem was written | 7 |
his sense of the | 7 |
in favour of the | 7 |
with the blood of | 7 |
for the sake of | 7 |
the history of the | 7 |
are to be found | 7 |
of the fragments of | 7 |
the development of the | 7 |
in which they were | 7 |
ninth book of the | 7 |
of his life and | 7 |
he was a man | 7 |
to one of the | 7 |
some of the most | 7 |
is not improbable that | 7 |
seems to have had | 7 |
part of the poem | 7 |
the fear of death | 7 |
the same sense of | 7 |
of the old roman | 7 |
we are told that | 7 |
from time to time | 7 |
the last of the | 7 |
has been suggested that | 7 |
the letters of cicero | 7 |
of the early poets | 7 |
the temples of the | 7 |
in the composition of | 7 |
in the reign of | 7 |
tenth book of the | 7 |
is not found elsewhere | 7 |
and let not the | 7 |
the roman poets of | 7 |
that he may not | 7 |
of the th poem | 7 |
of the most famous | 7 |
be said to have | 7 |
i have found no | 7 |
suggests to me that | 7 |
for this sense of | 6 |
with the spirit of | 6 |
of the majesty of | 6 |
of the poem in | 6 |
a few of the | 6 |
for a discussion of | 6 |
in preference to the | 6 |
of jason and medea | 6 |
as well as by | 6 |
phrase in the same | 6 |
to the effect that | 6 |
some idea of the | 6 |
the strength of the | 6 |
the passion of love | 6 |
to me that ovid | 6 |
by means of which | 6 |
belong to a later | 6 |
opening lines of the | 6 |
of many of his | 6 |
in the letters of | 6 |
tarrant at sen ag | 6 |
the elegiac poets of | 6 |
with some of the | 6 |
may have been the | 6 |
in the works of | 6 |
of the number of | 6 |
the age of cicero | 6 |
the fragments of his | 6 |
of the same elegy | 6 |
as if they were | 6 |
said to be the | 6 |
different from that of | 6 |
the reading of most | 6 |
beginning of the first | 6 |
years of his life | 6 |
doubt as to the | 6 |
the age in which | 6 |
the date of the | 6 |
of the present day | 6 |
it seems to have | 6 |
the same way as | 6 |
born in the year | 6 |
on the same subject | 6 |
elegy of the first | 6 |
at the close of | 6 |
strike away the bar | 6 |
the same phrase in | 6 |
is a kind of | 6 |
in the use of | 6 |
of naevius and ennius | 6 |
of the temple of | 6 |
he refers to the | 6 |
there is a similar | 6 |
likely to have been | 6 |
the back of the | 6 |
is clear from the | 6 |
he probably alludes to | 6 |
the members of the | 6 |
the ex ponto is | 6 |
of early roman history | 6 |
of the mass of | 6 |
at tr iii x | 6 |
that he may have | 6 |
same is true of | 6 |
in the last age | 6 |
his account of the | 6 |
date of his birth | 6 |
the language in which | 6 |
the conclusion of the | 6 |
the first of the | 6 |
the same age as | 6 |
it was not till | 6 |
that the poem was | 6 |
he was born at | 6 |
sense of the word | 6 |
is in the main | 6 |
the life of pleasure | 6 |
in which he lived | 6 |
it is not necessary | 6 |
see the introduction to | 6 |
the existence of a | 6 |
similar phrasing at met | 6 |
in a later age | 6 |
same phrase in the | 6 |
he means to say | 6 |
the recipient of the | 6 |
it is not the | 6 |
on the subject of | 6 |
at the opening of | 6 |
the night pass on | 6 |
he was the first | 6 |
and that he died | 6 |
the circumstances of the | 6 |
end of the second | 6 |
the best of the | 6 |
the same kind of | 6 |
in the expression of | 6 |
the start of the | 6 |
of the night pass | 6 |
poets of the age | 6 |
but it is in | 6 |
in the words of | 6 |
were in the habit | 6 |
was the cause of | 6 |
the new comedy of | 6 |
a work of art | 6 |
but at the same | 6 |
is not necessary to | 6 |
frequent use of the | 6 |
the majesty of the | 6 |
of the older poet | 6 |
poets of a later | 6 |
put an end to | 6 |
in the language of | 6 |
with the view of | 6 |
the course of the | 6 |
is shown by the | 6 |
have been written in | 6 |
to the class of | 6 |
the translation of the | 6 |
the introduction to the | 6 |
in the house of | 6 |
referred to in the | 6 |
in the beginning of | 6 |
that he had a | 6 |
the father of roman | 6 |
at the start of | 6 |
the time when the | 6 |
he is to be | 6 |
in the winter of | 6 |
of the poem was | 6 |
the spirit of a | 6 |
in addition to the | 6 |
the passage in which | 6 |
that he was the | 6 |
of the poems of | 6 |
the first of these | 6 |
a poem on the | 6 |
the hours of the | 6 |
in the fact that | 6 |
is the reading of | 6 |
what do you mean | 6 |
and ep iii iii | 6 |
that in which he | 6 |
have been drawn from | 6 |
there is no trace | 6 |
to the th line | 6 |
in the shape of | 6 |
not seem to be | 6 |
not found elsewhere in | 6 |
that is to say | 6 |
that you may be | 6 |
of the age of | 6 |
in prose and verse | 6 |
the style of the | 6 |
the arrival of the | 6 |
it is necessary to | 6 |
the action of the | 6 |
at ep iii iii | 6 |
is not found in | 6 |
new comedy of athens | 6 |
he is said to | 6 |
that it was written | 6 |
in their modes of | 6 |
days of the republic | 6 |
in a state of | 6 |
of the year b | 6 |
this seems to be | 6 |
in his treatment of | 6 |
so far as they | 6 |
the spirit in which | 6 |
before the time of | 6 |
the plays of seneca | 6 |
one of the few | 6 |
of plautus and terence | 6 |
translation of the metamorphoses | 6 |
hours of the night | 6 |
the doctrine of the | 6 |
of the trojan war | 6 |
book of the amores | 6 |
not only of the | 5 |
the loss of his | 5 |
of one of the | 5 |
to refer to the | 5 |
of the governing class | 5 |
to the death of | 5 |
reminds us of the | 5 |
but there is a | 5 |
the whole range of | 5 |
in presence of the | 5 |
in spite of its | 5 |
in the law courts | 5 |
may be inferred from | 5 |
it may be said | 5 |
the art of the | 5 |
the comedy of plautus | 5 |
the exception of the | 5 |
the day on which | 5 |
the first half of | 5 |
to enable him to | 5 |
of pacuvius and accius | 5 |
and the appearance of | 5 |
enough in view of | 5 |
some of the great | 5 |
the terrors of the | 5 |
it might have been | 5 |
the gods of the | 5 |
the fragments of pacuvius | 5 |
knowledge of the world | 5 |
as distinct from the | 5 |
that it was a | 5 |
the statement of jerome | 5 |
to do with the | 5 |
the poem in a | 5 |
is to be found | 5 |
in the sense of | 5 |
the most famous of | 5 |
in the following line | 5 |
was said to be | 5 |
epithalamium of peleus and | 5 |
fantham suggests to me | 5 |
about the same age | 5 |
book of the annals | 5 |
at the foot of | 5 |
first half of the | 5 |
compare as well tr | 5 |
be the result of | 5 |
body of the poem | 5 |
the establishment of the | 5 |
the action of his | 5 |
and ep i ii | 5 |
of the character of | 5 |
is here alluded to | 5 |
the presence of a | 5 |
of all is the | 5 |
the exercise of his | 5 |
the seventh book of | 5 |
probably alludes to the | 5 |
as that of the | 5 |
of the name of | 5 |
of which they were | 5 |
the mind of the | 5 |
and ep i viii | 5 |
the lines describing the | 5 |
the beginning of his | 5 |
there is no doubt | 5 |
to the spirit of | 5 |
the aid of the | 5 |
in the introduction to | 5 |
meaning of the word | 5 |
it is at least | 5 |
reading of most manuscripts | 5 |
only here and at | 5 |
is derived from the | 5 |
that part of the | 5 |
be able to endure | 5 |
in the third book | 5 |
is the recipient of | 5 |
poet of the silver | 5 |
midst of the waves | 5 |
the cultivation of the | 5 |
the last years of | 5 |
the hearts of men | 5 |
latter part of the | 5 |
of lucilius and horace | 5 |
not to have been | 5 |
it may have been | 5 |
the times in which | 5 |
the lines in which | 5 |
is to be observed | 5 |
in the same metrical | 5 |
let there be a | 5 |
he reminds us of | 5 |
in the last book | 5 |
to be called a | 5 |
it must have been | 5 |
the existence of the | 5 |
the literature of the | 5 |
of the war with | 5 |
so far as you | 5 |
it is found in | 5 |
seems not to have | 5 |
will be found in | 5 |
the latter part of | 5 |
of the reign of | 5 |
for the sense of | 5 |
similar phrasing at ep | 5 |
are known to us | 5 |
of the son of | 5 |
no reason to suppose | 5 |
poem of the book | 5 |
may have been a | 5 |
the founder of the | 5 |
meaning of the passage | 5 |
of his life in | 5 |
the fall of the | 5 |
the genius of greece | 5 |
well as of the | 5 |
according to the scholiast | 5 |
as the work of | 5 |
on the ground of | 5 |
that there was a | 5 |
note to the th | 5 |
as in the case | 5 |
in the poem of | 5 |
of the present passage | 5 |
a full discussion of | 5 |
the vices of the | 5 |
elegiac poets of the | 5 |
the direction of the | 5 |
in the hercules furens | 5 |
might well have been | 5 |
the absence of any | 5 |
on the banks of | 5 |
sea about kilometres east | 5 |
the third century b | 5 |
as a work of | 5 |
found elsewhere in ovid | 5 |
book of the pontic | 5 |
to the power of | 5 |
in the room of | 5 |
in which he describes | 5 |
in harmony with the | 5 |
not seem to have | 5 |
by means of the | 5 |
if any one should | 5 |
at tr iii vii | 5 |
the only instance of | 5 |
compare tr i v | 5 |
the tragedies of seneca | 5 |
the son of the | 5 |
the tone of the | 5 |
in which the poet | 5 |
at ep ii ii | 5 |
end of the first | 5 |
to the facts of | 5 |
a large number of | 5 |
in one of the | 5 |
the imagination of the | 5 |
he has all the | 5 |
of the tristia and | 5 |
died at the age | 5 |
that he died at | 5 |
of the times in | 5 |
as a writer of | 5 |
at tr i viii | 5 |
for the use of | 5 |
the popularity of the | 5 |
must have been written | 5 |
the time in which | 5 |
the manner of the | 5 |
a preferable reading to | 5 |
to the character of | 5 |
only instance of the | 5 |
on account of his | 5 |
who is said to | 5 |
we do not know | 5 |
nothing can be more | 5 |
that you may not | 5 |
tuum libra norit et | 5 |
on the verge of | 5 |
similar to that of | 5 |
would be unjust to | 5 |
to the genius of | 5 |
other writers of the | 5 |
it is not known | 5 |
in the cause of | 5 |
there is not a | 5 |
he here alludes to | 5 |
not be able to | 5 |
is supposed to be | 5 |
in keeping with the | 5 |
the reign of domitian | 5 |
the satires and epistles | 5 |
seventh book of the | 5 |
to get rid of | 5 |
among the poets of | 5 |
the same metrical position | 5 |
a continuation of the | 5 |
little more than a | 5 |
social and political life | 5 |
we learn that the | 5 |
of a man of | 5 |
of the word in | 5 |
is proved by the | 5 |
in any of his | 5 |
the text of the | 5 |
is found in the | 5 |
from the works of | 5 |
the fact that they | 5 |
the custom of the | 5 |
will be seen from | 5 |
there is a certain | 5 |
in his account of | 5 |
i hanc epistulam mittit | 5 |
the fact that it | 5 |
are for the most | 5 |
that it was the | 5 |
with which they were | 5 |
there is no direct | 5 |
same metrical position at | 5 |
of the roman mind | 5 |
as well as his | 5 |
by the action of | 5 |
of the old comedy | 5 |
the time of ennius | 5 |
some of the greatest | 5 |
the belief in the | 5 |
and some of the | 5 |
which of the two | 5 |
it would be hard | 5 |
as well as a | 5 |
post strike away the | 5 |
for more than a | 5 |
on the basis of | 5 |
and the other passages | 5 |
of the old poet | 5 |
imagination of the poet | 5 |
from the testimony of | 5 |
strength and dignity of | 5 |
the banks of the | 5 |
a large proportion of | 5 |
between the death of | 5 |
that there is no | 5 |
the charm of the | 5 |
an example of the | 5 |
of sympathy with the | 5 |
a few years of | 5 |
and ep iii v | 5 |
a passage in the | 5 |
the ancient manuscripts of | 5 |
of the other manuscripts | 5 |
there is a great | 5 |
the son of venus | 5 |
have a mind to | 5 |
difficult to believe that | 5 |
of the poem of | 5 |
of the same kind | 5 |
in the first two | 5 |
history of latin literature | 5 |
same phrase at met | 5 |
of the odes of | 5 |
the hands of the | 5 |
is no need to | 5 |
to the same extent | 5 |
in which it is | 5 |
at the university of | 5 |
at tr iv i | 5 |
the structure of the | 5 |
lines on the death | 5 |
the glory of the | 5 |
the study of the | 5 |
in praise of the | 5 |
in the existence of | 5 |
at the expense of | 5 |
the apotheosis of augustus | 5 |
the years and b | 5 |
before the death of | 5 |
use of the word | 5 |
it is easy to | 5 |
of the greatness of | 5 |
as is shown by | 5 |
in the world of | 5 |
it is characteristic of | 5 |
of the schools of | 5 |
ancient and modern times | 5 |
it seems probable that | 5 |
by mark bear akrigg | 4 |
the university of toronto | 4 |
avia pieridum peragro loca | 4 |
this kind of composition | 4 |
the waters of the | 4 |
have been the son | 4 |
alias gentes barbarus hister | 4 |
members of the imperial | 4 |
in the tenth book | 4 |
mihi filia paene est | 4 |
i am ashamed to | 4 |
the treatment of the | 4 |
be one of the | 4 |
of lucretius and catullus | 4 |
our ignorance of the | 4 |
by a later hand | 4 |
lines in which he | 4 |
the same idiom at | 4 |
the movements of the | 4 |
the course of his | 4 |
as a variant reading | 4 |
to be a preferable | 4 |
between the years and | 4 |
of the great scipio | 4 |
as much as the | 4 |
the case of the | 4 |
the result is that | 4 |
the early tragic poets | 4 |
is in want of | 4 |
in the catalogue of | 4 |
fact that it is | 4 |
have been composed in | 4 |
we have already seen | 4 |
to allude to the | 4 |
is no trace of | 4 |
ovid only here and | 4 |
nearly half a century | 4 |
that there should be | 4 |
in the last two | 4 |
the minds of the | 4 |
the origin of all | 4 |
of the literature of | 4 |
the presence of the | 4 |
means to say that | 4 |
text of ex ponto | 4 |
from the study of | 4 |
been the first to | 4 |
of the nature of | 4 |
the satires of persius | 4 |
one or two of | 4 |
in the lines of | 4 |
in the sixth book | 4 |
and again in the | 4 |
the condition of the | 4 |
in the centre of | 4 |
with the sound of | 4 |
can be no doubt | 4 |
same way as the | 4 |
as a kind of | 4 |
in an age of | 4 |
the duties of a | 4 |
of an earlier time | 4 |
elsewhere in ovid only | 4 |
cui recitem nisi flauis | 4 |
book of the satires | 4 |
the care of the | 4 |
of a very different | 4 |
of the roman poets | 4 |
and that he was | 4 |
non aptum numeris nomen | 4 |
by the practice of | 4 |
in the preface to | 4 |
won the prize for | 4 |
notes to the passages | 4 |
are devoted to the | 4 |
a translation of the | 4 |
a large part of | 4 |
in the tomb of | 4 |
the social and political | 4 |
in which he speaks | 4 |
from the mouth of | 4 |
on the art of | 4 |
by the works of | 4 |
subject of the poem | 4 |
the breath of the | 4 |
the world of letters | 4 |
latter half of the | 4 |
the life of a | 4 |
he belonged to the | 4 |
we may be sure | 4 |
how many a time | 4 |
to be the meaning | 4 |
the real meaning of | 4 |
of the greek drama | 4 |
see the first book | 4 |
there is nothing of | 4 |
and one of the | 4 |
in the open air | 4 |
the supposition that the | 4 |
have been written before | 4 |
the source of the | 4 |
of the fair one | 4 |
at am iii xii | 4 |
he is supposed to | 4 |
period of his life | 4 |
in the lofty woods | 4 |
the first line of | 4 |
that he might not | 4 |
on the palatine hill | 4 |
be the first to | 4 |
it was written in | 4 |
as a man of | 4 |
growth of plants and | 4 |
races in the circus | 4 |
here alludes to the | 4 |
poetry of the age | 4 |
his treatment of the | 4 |
the portico of the | 4 |
in ex ponto iv | 4 |
to go to the | 4 |
compare as well met | 4 |
of the house of | 4 |
the son of tydeus | 4 |
choice of a subject | 4 |
and do not let | 4 |
see the translation of | 4 |
knows not how to | 4 |
the surface of the | 4 |
line of the eighth | 4 |
it is one of | 4 |
the earliest of the | 4 |
there will be a | 4 |
by which they are | 4 |
such at least is | 4 |
in love with two | 4 |
similar passage in the | 4 |
in his life of | 4 |
has been pointed out | 4 |
at tr i v | 4 |
properties of the atoms | 4 |
the conduct of a | 4 |
the charms of the | 4 |
of the life and | 4 |
immensity of the universe | 4 |
in the person of | 4 |
to be in love | 4 |
would be difficult to | 4 |
of the style of | 4 |
as the author of | 4 |
is here referred to | 4 |
concluding lines of the | 4 |
of his birth and | 4 |
our knowledge of the | 4 |
satires and epistles of | 4 |
to take care of | 4 |
at the approach of | 4 |
view of human life | 4 |
spirit of his age | 4 |
men of his time | 4 |
as compared with the | 4 |
as the father of | 4 |
the long line of | 4 |
of the gifts of | 4 |
and personages of the | 4 |
opening of the poem | 4 |
did not live to | 4 |
back of the stage | 4 |
the loss of the | 4 |
in the earlier books | 4 |
under the form of | 4 |
the fifteenth book of | 4 |
of which it was | 4 |
the processes of nature | 4 |
the study of greek | 4 |
index of textual emendations | 4 |
may be recognised in | 4 |
is my correction for | 4 |
of the first period | 4 |
of the later poets | 4 |
is made to the | 4 |
by all the gods | 4 |
ovid seems to have | 4 |
that he has been | 4 |
of the two poets | 4 |
the duties of the | 4 |
the tomb of the | 4 |
for the beauty of | 4 |
of the belief in | 4 |
from the world of | 4 |
the pleasures of the | 4 |
the daughter of nisus | 4 |
the epigrams of martial | 4 |
in celebration of the | 4 |
large number of his | 4 |
to a much greater | 4 |
one and the same | 4 |
questus non aptum numeris | 4 |
which he himself was | 4 |
in greek and latin | 4 |
the criticism of horace | 4 |
notes to the fasti | 4 |
with the greek language | 4 |
to the imperial family | 4 |
manner of his death | 4 |
the authority of the | 4 |
and the sense of | 4 |
he speaks of himself | 4 |
the immensity of the | 4 |
the fragments of accius | 4 |
his passion for lesbia | 4 |
vanity of human wishes | 4 |
and the author of | 4 |
for the text of | 4 |
carmine questus non aptum | 4 |
from the freedom and | 4 |
to the roman people | 4 |
through the medium of | 4 |
the growth of plants | 4 |
his poem on the | 4 |
as these in the | 4 |
passage in which the | 4 |
and ep iii ii | 4 |
line of the th | 4 |
do not bid you | 4 |
contact with the mind | 4 |
the question of the | 4 |
of the doctrine of | 4 |
a great part of | 4 |
compare tr iv i | 4 |
instance of the word | 4 |
on the side of | 4 |
of romulus and remus | 4 |
in my power to | 4 |
it seems to be | 4 |
kilometres east of istanbul | 4 |
mea cui recitem nisi | 4 |
this is the only | 4 |
most of the other | 4 |
has come down to | 4 |
can be little doubt | 4 |
to the end of | 4 |
to the works of | 4 |
of nature and of | 4 |
a good illustration of | 4 |
from the direction of | 4 |
the republic and the | 4 |
that he was not | 4 |
and tr i v | 4 |
was the work of | 4 |
eighth book of the | 4 |
ovid may here be | 4 |
one of the chief | 4 |
the construction of the | 4 |
to the back of | 4 |
and the pontic epistles | 4 |
the title of the | 4 |
more purely artistic pieces | 4 |
by him to the | 4 |
aluit campis herba falisca | 4 |
seems no reason to | 4 |
their modes of combination | 4 |
of the state and | 4 |
of the pleasures of | 4 |
elegy of the second | 4 |
will be able to | 4 |
and it is not | 4 |
modo carmine questus non | 4 |
eadem mihi filia paene | 4 |
of the ars amatoria | 4 |
of the modern world | 4 |
may be quoted as | 4 |
the first and second | 4 |
than any of his | 4 |
the epistles of horace | 4 |
to the imagination of | 4 |
could not have been | 4 |
from the end of | 4 |
on the first punic | 4 |
quem uirtus addidit astris | 4 |
the ruler of the | 4 |
that ovid may here | 4 |
he died at the | 4 |
that it was not | 4 |
an examination of the | 4 |
of what use is | 4 |
the other passages cited | 4 |
in the later books | 4 |
the concluding lines of | 4 |
origin of the belief | 4 |
to a great extent | 4 |
to you in the | 4 |
to a kind of | 4 |
in the interval between | 4 |
be accounted for by | 4 |
more likely to be | 4 |
the manner of his | 4 |
to be in the | 4 |
is that of a | 4 |
the lot of my | 4 |
ancient manuscripts of virgil | 4 |
that they were not | 4 |
the silvae of statius | 4 |
produce the impression of | 4 |
what is to be | 4 |
nor is it a | 4 |
tells us that he | 4 |
from the same source | 4 |
on the staff of | 4 |
the centre of the | 4 |
what shall i do | 4 |
says that he is | 4 |
the duty of the | 4 |
in ovid only at | 4 |
the greatness of the | 4 |
there seems no reason | 4 |
the beginning of b | 4 |
be explained by the | 4 |
quasque alias gentes barbarus | 4 |
in the first line | 4 |
the fragments of lucilius | 4 |
spirit in which he | 4 |
suggest the inference that | 4 |
the writers of comedy | 4 |
last days of the | 4 |
it is supposed that | 4 |
the point of view | 4 |
reading of the other | 4 |
hence it is that | 4 |
the general character of | 4 |
the last days of | 4 |
and the following line | 4 |
the works of ovid | 4 |
as to the general | 4 |
the events of the | 4 |
we have already referred | 4 |
was the wife of | 4 |
and ep ii x | 4 |
passages cited at old | 4 |
to which we have | 4 |
would be hard to | 4 |
the sun and moon | 4 |
the beauty of the | 4 |
the poem with a | 4 |
but it would be | 4 |
his sympathy with the | 4 |
if he had not | 4 |
the introduction of the | 4 |
if she shall be | 4 |
the composition of the | 4 |
as if it were | 4 |
must have been born | 4 |
the same sense at | 4 |
poetry of the republic | 4 |
the body of the | 4 |
he could not have | 4 |
quoted by aulus gellius | 4 |
as that in which | 4 |
in the literature of | 4 |
silence on the subject | 4 |
into the mouth of | 4 |
the same time he | 4 |
so far as it | 4 |
among the roman poets | 4 |
there is nothing in | 4 |
years of the republic | 4 |
in view of his | 4 |
the head of the | 4 |
derived from the greek | 4 |
in the preceding line | 4 |
called by the name | 4 |
in the first punic | 4 |
of the time of | 4 |
in the consulship of | 4 |
the epithalamium of peleus | 4 |
known to us in | 4 |
the only other instance | 4 |
in the interests of | 4 |
hard to resist the | 4 |
is no place for | 4 |
date of his death | 4 |
the battle of the | 4 |
is taken from the | 4 |
may be able to | 4 |
works of the two | 4 |
in many of his | 4 |
and epistles of horace | 4 |
the beauties of nature | 4 |
the influence of his | 4 |
the wealth of the | 4 |
have been preserved by | 4 |
and the power of | 4 |
sum modo carmine questus | 4 |
there is a kind | 4 |
of his death is | 4 |
be able to do | 4 |
epic poetry of the | 4 |
is free from the | 4 |
be attributed to the | 4 |
i will not be | 4 |
on the coast of | 4 |
in ovid only here | 4 |
in need of a | 4 |
the great roman poets | 4 |
that was to be | 4 |
a full report of | 4 |
to the temple of | 4 |
tristia and ex ponto | 4 |
been preserved to us | 4 |
text of the ex | 4 |
the sacred chronicle of | 4 |
the truth of the | 4 |
as soon as i | 4 |
the fourteenth book of | 4 |
the language of the | 4 |
of the present century | 4 |
to the gods of | 4 |
the majesty of nature | 4 |
it must be admitted | 4 |
it is in the | 4 |
of the beauteous fair | 4 |
are in dread of | 4 |
only other instance of | 4 |
the genius of rome | 4 |
fourteenth book of the | 4 |
we learn from the | 4 |
aptum numeris nomen habere | 4 |
to some of his | 4 |
you have a mind | 4 |
it would be difficult | 4 |
the same use of | 4 |
recitem nisi flauis scripta | 4 |
the time of homer | 4 |
see the sixth book | 4 |
by land and sea | 4 |
in his old age | 4 |
is the fact that | 4 |
at the hands of | 4 |
more than any other | 4 |
we find in the | 4 |
wretch that i am | 4 |
early in the morning | 4 |
in the fifth book | 4 |
but it has been | 4 |
that it would be | 4 |
he may have been | 4 |
would probably have been | 4 |
to believe that the | 4 |
members of the aristocracy | 4 |
for the purposes of | 4 |
for a man of | 4 |
the dream of ilia | 4 |
edition of the ex | 4 |
of the pontic epistles | 4 |
the light of day | 4 |
a similar passage in | 4 |
as in the lines | 4 |
it would be unjust | 4 |
in the description of | 4 |
mittuntur quem sum modo | 4 |
the composition of tragedy | 4 |
tibi mittuntur quem sum | 4 |
the nature of his | 4 |
cites among other passages | 4 |
in the place of | 4 |
in the next line | 4 |
be a preferable reading | 4 |
and ep i v | 4 |
the objects of his | 4 |
in the number of | 4 |
the weight of the | 4 |
is known of the | 4 |
in the light of | 4 |
and the notes to | 4 |
been written in the | 4 |
the eighth book of | 4 |
he is going to | 4 |
in the final distich | 4 |
on the supposition that | 4 |
the prologue to the | 4 |
of the golden fleece | 4 |
is the object of | 4 |
to the story of | 4 |
the result of this | 4 |
father of roman literature | 4 |
have been suggested by | 4 |
the age of thirty | 4 |
lines of the second | 4 |
it seems better to | 4 |
there is scarcely a | 4 |
in much the same | 4 |
last years of the | 4 |
see the second book | 4 |
book of the odes | 4 |
was the name of | 4 |
more than a century | 4 |
of the last age | 4 |
and tr iv x | 4 |
and it was not | 4 |
do not seem to | 4 |
ovidii nasonis opera omnia | 4 |
of the man who | 4 |
far as you can | 4 |
the rites of ceres | 4 |
of the passion of | 4 |
the life of nature | 4 |
the promise of the | 4 |
earlier books of the | 4 |
the poem begins with | 4 |
in the seventh book | 4 |
i do not bid | 4 |
if there shall be | 4 |
of the principate of | 4 |
the severity of the | 4 |
of the spirit of | 4 |
the colour of the | 4 |
a portion of the | 4 |
be taken as the | 4 |
a man of letters | 4 |
the horrors of the | 4 |
formed part of the | 4 |
according to one account | 4 |
lot of my foes | 4 |
this and the following | 4 |
on the apotheosis of | 4 |
is a description of | 4 |
to be one of | 4 |
be the lot of | 4 |
the writers of the | 4 |
is difficult to say | 4 |
it is clear that | 4 |
let there be no | 4 |
and the study of | 4 |
and tr iii xii | 4 |
from the point of | 4 |
in which it was | 4 |
fragments of the poem | 4 |
quem sum modo carmine | 4 |
the waves of the | 4 |
the foliage of the | 4 |
in his edition of | 4 |
a passage from the | 4 |
belonged to the class | 4 |
brought to rome as | 4 |
to say that the | 4 |
edition of the tristia | 4 |
the latter half of | 4 |
about the end of | 4 |
that i may not | 4 |
writers of the age | 4 |
is difficult to believe | 4 |
the tristia and ex | 4 |
to the subject of | 4 |
was the mother of | 4 |
his life and character | 4 |
is here referring to | 4 |
the vanity of human | 4 |
as a bridge to | 4 |
which they were written | 4 |
the work of a | 4 |
fifteenth book of the | 4 |
after the time of | 4 |
and at ep iii | 4 |
the poems of catullus | 4 |
it is in his | 4 |
a fragment of the | 4 |
there must have been | 4 |
of the stoic philosophy | 4 |
to the nature of | 4 |
the surface of life | 4 |
does not admit of | 4 |
the poem may have | 4 |
other poets of the | 4 |
in the face of | 4 |
the death of augustus | 4 |
any of the other | 4 |
has nothing of the | 4 |
from the nature of | 4 |
me that ovid may | 4 |
that he is not | 4 |
the first elegy of | 4 |
see at ii alcinoo | 4 |
of the ancient world | 4 |
book is devoted to | 4 |
the value of the | 4 |
in the ninth book | 4 |
of their own accord | 4 |
of the great houses | 4 |
the worship of the | 4 |
loves of jason and | 4 |
which gave birth to | 4 |
a long line of | 4 |
as an example of | 4 |
if you were to | 4 |
of the origin of | 4 |
of the early morning | 4 |
from the fear of | 4 |
on the roman stage | 4 |
as well as from | 4 |
seems to mean the | 4 |
in the neighbourhood of | 4 |
due to the fact | 4 |
greater part of the | 4 |
is the correct reading | 4 |
the loves of jason | 4 |
that it is not | 4 |
the burning of the | 4 |
the representation of the | 4 |
the eruption of vesuvius | 4 |
and ep ii viii | 4 |
you ought to be | 4 |
the absence of the | 4 |
lines of the poem | 4 |
is the cause of | 4 |
there can be little | 4 |
that it is a | 4 |
so well known to | 4 |
in such expressions as | 4 |
must be admitted that | 4 |
of the two great | 4 |
very different from that | 4 |
of the heroic age | 4 |
of the civil war | 4 |
the ground that his | 4 |
in some manuscripts at | 4 |
sacred chronicle of euhemerus | 4 |
when you are in | 4 |
as soon as the | 4 |
of the campus martius | 4 |
an enemy to the | 4 |
the dialogus of tacitus | 4 |
the notes of the | 4 |
other fields of literature | 4 |
was the character of | 4 |
in the lines which | 4 |
as a result of | 4 |
the order of the | 4 |
writers of the new | 4 |
so much of the | 4 |
to a later date | 4 |
would you have me | 4 |
games in honour of | 4 |
spite of the fact | 4 |
of your own accord | 4 |
hor sat i ix | 4 |
he seems to allude | 3 |
to take hold of | 3 |
the evidence of his | 3 |
the fifth elegy of | 3 |
the extremity of the | 3 |
compare tr v iv | 3 |
critical and grammatical studies | 3 |
at the mouth of | 3 |
by ovid literally translated | 3 |
nec me testis eris | 3 |
to the poor and | 3 |
the work of his | 3 |
of this line is | 3 |
the feeling with which | 3 |
in the management of | 3 |
is remarkable for its | 3 |
the wealth of kings | 3 |
but i do not | 3 |
must have been many | 3 |
who have a care | 3 |
would not have been | 3 |
principles of the atomic | 3 |
author in an unfinished | 3 |
the poem of ennius | 3 |
of the alexandrine poets | 3 |
forms one of the | 3 |
the subject in the | 3 |
expression of personal feeling | 3 |
it is more than | 3 |
the pleasure derived from | 3 |
instead of the more | 3 |
the man who has | 3 |
who seems to have | 3 |
zu ovids epistulae ex | 3 |
not far from the | 3 |
bond of union between | 3 |
omnis votiva pateat veluti | 3 |
what is the nature | 3 |
the prose works of | 3 |
the work of men | 3 |
so far as to | 3 |
in such lines as | 3 |
are written in a | 3 |
faciles in tua uota | 3 |
exercise of his art | 3 |
has been already noticed | 3 |
is supported by the | 3 |
the real name of | 3 |
that they were the | 3 |
in none of these | 3 |
the result of a | 3 |
of the roman tragic | 3 |
make use of it | 3 |
of the language of | 3 |
full discussion of the | 3 |
in the older poet | 3 |
the epic poem of | 3 |
the destruction of carthage | 3 |
the representation of a | 3 |
his life in rome | 3 |
many a time have | 3 |
some of the finest | 3 |
of the family of | 3 |
the silence of the | 3 |
as though it had | 3 |
the midst of your | 3 |
was an old man | 3 |
the rising of the | 3 |
a time have i | 3 |
in these lines ovid | 3 |
so long as you | 3 |
is probably due to | 3 |
line of the poem | 3 |
of the manuscripts collated | 3 |
owes much to the | 3 |
from one of his | 3 |
in which he had | 3 |
are here alluded to | 3 |
hast thou to do | 3 |
we are to suppose | 3 |
to judge from the | 3 |
the heat of the | 3 |
the eyes of the | 3 |
by the time of | 3 |
nobis cunctando restituit rem | 3 |
if there is no | 3 |
to a member of | 3 |
the preface to his | 3 |
at the moment when | 3 |
while i am in | 3 |
as much by the | 3 |
left by the author | 3 |
already quoted from the | 3 |
the picture of the | 3 |
see the story of | 3 |
an allusion to the | 3 |
grant points out to | 3 |
poet of his age | 3 |
to the work of | 3 |
morning of the world | 3 |
the play on the | 3 |
be no more than | 3 |
of the young men | 3 |
at tr v v | 3 |
full oft is the | 3 |
by the laws of | 3 |
the death of ennius | 3 |
tarrant points out that | 3 |
some of the poems | 3 |
brought before the mind | 3 |
the poetical style of | 3 |
and the whole of | 3 |
nam me visus homo | 3 |
after the capture of | 3 |
in the world is | 3 |
but it is hard | 3 |
where are you going | 3 |
and the attic dramatists | 3 |
all the processes of | 3 |
of a poem on | 3 |
in the tones of | 3 |
that there is a | 3 |
in his poem on | 3 |
the south of italy | 3 |
would be easy enough | 3 |
the medea of ennius | 3 |
from the lips of | 3 |
at tr iii v | 3 |
the battle of actium | 3 |
in spite of his | 3 |
of the tragedies of | 3 |
when i am in | 3 |
it is not possible | 3 |
is no one who | 3 |
and given to the | 3 |
are in conformity with | 3 |
as to the nature | 3 |
on the minds of | 3 |
the object of the | 3 |
literary art and genius | 3 |
give me back my | 3 |
attributed to him by | 3 |
till the end of | 3 |
of the mind to | 3 |
the other characters are | 3 |
so long as thou | 3 |
and that it is | 3 |
and the art of | 3 |
in dread of you | 3 |
the north of italy | 3 |
at ep ii v | 3 |
in the bosom of | 3 |
the circumstances of his | 3 |
from the fact of | 3 |
see tarrant on sen | 3 |
in a letter to | 3 |
you will have to | 3 |
before the eyes of | 3 |
the first hint of | 3 |
portion of the poem | 3 |
the work of naevius | 3 |
life worthy of the | 3 |
the idea of a | 3 |
dedit latio carmen regale | 3 |
quam sit leuis orbe | 3 |
do you not perceive | 3 |
the spirit of greek | 3 |
puts an end to | 3 |
the aim of his | 3 |
plautus and in the | 3 |
is little more than | 3 |
he has not the | 3 |
descripta tabella vita senis | 3 |
after the loss of | 3 |
than that of any | 3 |
honour of a public | 3 |
been the son of | 3 |
the mystery of the | 3 |
he was the son | 3 |
from the extant fragments | 3 |
the first century of | 3 |
the mouths of the | 3 |
in the annals of | 3 |
one of his fellow | 3 |
he regards as the | 3 |
we may well believe | 3 |
is no reason for | 3 |
of the gravity and | 3 |
be inferred that he | 3 |
above the level of | 3 |
there is nothing to | 3 |
such as that of | 3 |
an anticipation of the | 3 |
first editor to make | 3 |
which may be right | 3 |
upon the shores of | 3 |
was intended by the | 3 |
what is the difference | 3 |
the main body of | 3 |
to the latin language | 3 |
seem appropriate to the | 3 |
may well have been | 3 |
the cause of his | 3 |
be mentioned in his | 3 |
and what is the | 3 |
it is rather in | 3 |
of the most striking | 3 |
partly out of the | 3 |
with his right hand | 3 |
it is clear enough | 3 |
the same metaphor at | 3 |
the publication of his | 3 |
is in love with | 3 |
had a mind to | 3 |
in love with jason | 3 |
of the best of | 3 |
agency of the gods | 3 |
the early years of | 3 |
in point of form | 3 |
the composition of this | 3 |
derived from contemplating the | 3 |
still remain to be | 3 |
poem in praise of | 3 |
and the auspices of | 3 |
proprio cognita marte tibi | 3 |
point of view of | 3 |
see the last book | 3 |
and the book concludes | 3 |
whither are you going | 3 |
a long passage of | 3 |
when all is said | 3 |
would have been less | 3 |
the satires of lucilius | 3 |
of the old greek | 3 |
we seem to catch | 3 |
the fifth book of | 3 |
of this early literature | 3 |
by the force of | 3 |
to the verge of | 3 |
that he is to | 3 |
ex ponto liber qvartvs | 3 |
and the state of | 3 |
progenies alti fortissima donni | 3 |
is related at the | 3 |
but it appears from | 3 |
during the last century | 3 |
was due to the | 3 |
word in this sense | 3 |
let your door be | 3 |
of the forum and | 3 |
that it might not | 3 |
men in the state | 3 |
is a work of | 3 |
treated the subject in | 3 |
battle of the giants | 3 |
of the word is | 3 |
so called from the | 3 |
of members of the | 3 |
the sack of troy | 3 |
three or four times | 3 |
also to have been | 3 |
if well i know | 3 |
must have been more | 3 |
magnis hunc colit ille | 3 |
by the sense of | 3 |
the merit of being | 3 |
received the name of | 3 |
nations of the world | 3 |
habet in nobis iam | 3 |
such a manner as | 3 |
what will become of | 3 |
you will be safe | 3 |
and that which is | 3 |
there is some difference | 3 |
the conception of the | 3 |
fall of the republic | 3 |
the property of the | 3 |
but that you may | 3 |
they are to be | 3 |
the laws of the | 3 |
in the whole work | 3 |
figure is derived from | 3 |
illustrations of his argument | 3 |
of roman literature by | 3 |
but there can be | 3 |
of the masterpieces of | 3 |
with the statement that | 3 |
of catullus and the | 3 |
of the night and | 3 |
for all the wealth | 3 |
to be descended from | 3 |
the line of horace | 3 |
the vault of heaven | 3 |
the idea of law | 3 |
the walls of the | 3 |
the excellence of his | 3 |
the silver age for | 3 |
has the fair been | 3 |
can only refer to | 3 |
was put to death | 3 |
would have been more | 3 |
of thebes by the | 3 |
the poetry of rome | 3 |
why should i be | 3 |
the name of their | 3 |
difficulty in supposing that | 3 |
literally translated into english | 3 |
the son of amyntor | 3 |
that the work is | 3 |
future editors and commentators | 3 |
nature of the subject | 3 |
same phrase at tr | 3 |
which had hitherto been | 3 |
by the author of | 3 |
the creative energy of | 3 |
the analogy of the | 3 |
in the same style | 3 |
the portico of livia | 3 |
with the mind and | 3 |
that it was so | 3 |
the people in their | 3 |
of the thought of | 3 |
which is supposed to | 3 |
the use of his | 3 |
the death of romulus | 3 |
the weapons of the | 3 |
of his own accord | 3 |
of seneca on elizabethan | 3 |
the corruption of the | 3 |
the product of the | 3 |
a bridge to the | 3 |
the luxury of the | 3 |
in the seventh satire | 3 |
in the following lines | 3 |
must have been an | 3 |
in the same place | 3 |
and vigorous understanding of | 3 |
his edition of the | 3 |
the philosophy of lucretius | 3 |
the darkness of the | 3 |
the epic poetry of | 3 |
elements out of which | 3 |
of satire in the | 3 |
poem may have been | 3 |
the commencement of the | 3 |
to be ashamed of | 3 |
of the study of | 3 |
in order that he | 3 |
the influence of ovid | 3 |
take it as a | 3 |
the evidence for the | 3 |
that it may be | 3 |
the weakness of the | 3 |
and also by the | 3 |
by the romans as | 3 |
of the human race | 3 |
one for the other | 3 |
of a national literature | 3 |
a native of the | 3 |
tantum religio potuit suadere | 3 |
distich of the poem | 3 |
the spirit of his | 3 |
the dedication of his | 3 |
the gathering of the | 3 |
cicero was the editor | 3 |
is thought to have | 3 |
have much in common | 3 |
must have been exceedingly | 3 |
in all the heavens | 3 |
of the new literature | 3 |
with many of the | 3 |
the following passage from | 3 |
the iambics of seneca | 3 |
there is no clear | 3 |
of his old age | 3 |
the large number of | 3 |
the shore of the | 3 |
praesens quali iaceamus in | 3 |
to the topic of | 3 |
to the roman mind | 3 |
gave birth to the | 3 |
would seem to have | 3 |
the interest of the | 3 |
of the satire of | 3 |
a writer of the | 3 |
in the account of | 3 |
brink at hor ap | 3 |
period of the republic | 3 |
starts the poem with | 3 |
and the weakness of | 3 |
in the opinion of | 3 |
the importance of the | 3 |
such is the will | 3 |
that they are the | 3 |
by whom he was | 3 |
is spoken of as | 3 |
other mentions of the | 3 |
by the aid of | 3 |
couch and the shade | 3 |
the fact of his | 3 |
to the progress of | 3 |
the bow of cupid | 3 |
as soon as possible | 3 |
by the fragments of | 3 |
modes of thought and | 3 |
of the atomic philosophy | 3 |
a close friend of | 3 |
is reported to have | 3 |
longer and more purely | 3 |
one of the multitude | 3 |
stained with the blood | 3 |
with one another in | 3 |
by b and c | 3 |
in his own time | 3 |
at rome in the | 3 |
men of his own | 3 |
have been recovered by | 3 |
bear witness to the | 3 |
mihi post nullos umquam | 3 |
the field of battle | 3 |
the other side of | 3 |
text of the poems | 3 |
the offspring of the | 3 |
a line of the | 3 |
may be found in | 3 |
a prima manu relicto | 3 |
you are about to | 3 |
treatment of the story | 3 |
established itself at rome | 3 |
during the second punic | 3 |
that which has been | 3 |
the fourth and fifth | 3 |
if it had been | 3 |
of the lack of | 3 |
may be no more | 3 |
be remembered that the | 3 |
from the writings of | 3 |
quos aluit campis herba | 3 |
indu foro lato sanctoque | 3 |
the case of any | 3 |
the following is the | 3 |
muter ut ista heinsius | 3 |
of human life in | 3 |
of nature as a | 3 |
his uacuum caesar germanicus | 3 |
i am in doubt | 3 |
here and at tr | 3 |
in prose or verse | 3 |
to suppose that they | 3 |
he is at home | 3 |
and it would be | 3 |
the midst of his | 3 |
may be in part | 3 |
as far as we | 3 |
rem e nilo gigni | 3 |
why should i mention | 3 |
locum scythico uacuum mutabor | 3 |
the final distich of | 3 |
poets of the period | 3 |
there is such a | 3 |
the opinion that the | 3 |
on the top of | 3 |
i want to see | 3 |
apparently the only instance | 3 |
harbinger of burning rays | 3 |
it may be urged | 3 |
with those of the | 3 |
campus martius and the | 3 |
main body of the | 3 |
in ancient and modern | 3 |
the faults of the | 3 |
the place of the | 3 |
tabida consumit ferrum lapidemque | 3 |
the letters to atticus | 3 |
be taken as a | 3 |
make her to be | 3 |
the poet of the | 3 |
of the story of | 3 |
i am ashamed of | 3 |
of the social and | 3 |
the sons of germanicus | 3 |
may be doubted whether | 3 |
with something of the | 3 |
good illustration of the | 3 |
seems to point to | 3 |
to be pleasing to | 3 |
might have been a | 3 |
the agon capitolinus and | 3 |
was a roman poet | 3 |
of ep i ii | 3 |
quite different from the | 3 |
books of the poem | 3 |
ex ponto is the | 3 |
aliquam quae te mutauerit | 3 |
a life worthy of | 3 |
were used by the | 3 |
could never have been | 3 |
provided by the internet | 3 |
the lines of the | 3 |
there is much that | 3 |
is characteristic of the | 3 |
of aeneas and dido | 3 |
in the last years | 3 |
the threshold of the | 3 |
nisi flauis scripta corallis | 3 |
and a sense of | 3 |
you will be the | 3 |
the statues of the | 3 |
scenes in which the | 3 |
on his journey to | 3 |
in sympathy with the | 3 |
it is not so | 3 |
there could be no | 3 |
of the influence of | 3 |
the influence of a | 3 |
of catullus and calvus | 3 |
the limits of the | 3 |
see the beginning of | 3 |
all the poets of | 3 |
indicate that he was | 3 |
the loss of her | 3 |
the separation of the | 3 |
that he might be | 3 |
beauty of the world | 3 |
the third book is | 3 |
the poetical character of | 3 |
into the life of | 3 |
that dwell in the | 3 |
my correction for the | 3 |
uel si non ipse | 3 |
genius of the roman | 3 |
of the third century | 3 |
that i might not | 3 |
b and c are | 3 |
is similar to that | 3 |
the beauty of his | 3 |
in part due to | 3 |
out of so many | 3 |
by the author in | 3 |
of his age and | 3 |
compare ep iii i | 3 |
compare tr v ix | 3 |
fifth book of the | 3 |
in the line of | 3 |
as to the date | 3 |
the comedies of terence | 3 |
be said of the | 3 |
not improbable that the | 3 |
the stars of heaven | 3 |
falls into his usual | 3 |
of the causes of | 3 |
the poem in which | 3 |
sic ego sum longe | 3 |
it is worth while | 3 |
in the purest latin | 3 |
a match for the | 3 |
would that i had | 3 |
the spring of the | 3 |
homo pulcher per amoena | 3 |
as if they had | 3 |
by the spirit of | 3 |
the will of the | 3 |
the songs of the | 3 |
from the opening of | 3 |
and ep i ix | 3 |
in form and style | 3 |
to the celebration of | 3 |
for the corruption of | 3 |
in a similar context | 3 |
exigua si nos ea | 3 |
that he had no | 3 |
may probably have been | 3 |
fragments of his works | 3 |
he means that the | 3 |
the common aspects of | 3 |
what is known of | 3 |
the earlier books of | 3 |
able to endure the | 3 |
in which he recalls | 3 |
if we do not | 3 |
de mediis cumba resurget | 3 |
offspring of the gods | 3 |
well as of a | 3 |
the juice of the | 3 |
at tr iv x | 3 |
character of early roman | 3 |
the souls of the | 3 |
it in my power | 3 |
the tables of the | 3 |
of the dawn of | 3 |
as we have seen | 3 |
no claim to original | 3 |
the hand of a | 3 |
the diction and rhythm | 3 |
was the recipient of | 3 |
o that i could | 3 |
the houses of the | 3 |
of the people and | 3 |
foro lato sanctoque senatu | 3 |
they belong to the | 3 |
it has been supposed | 3 |
ovid is referring to | 3 |
i conjure thee by | 3 |
which he describes the | 3 |
latent in the national | 3 |
on the burning of | 3 |
leuis haec meritis referatur | 3 |
with his younger rival | 3 |
would be in the | 3 |
ascendency of the senate | 3 |
so far as the | 3 |
and when to be | 3 |
as for instance the | 3 |
nothing is known of | 3 |
period of roman literature | 3 |
were the work of | 3 |
is to be sought | 3 |
thou to do with | 3 |
testis eris falsa solere | 3 |
to be the best | 3 |
known to have been | 3 |
roman tragedy and seneca | 3 |
it is by the | 3 |
to escape from the | 3 |
the transferred sense is | 3 |
line of the epistle | 3 |
the fact of the | 3 |
teubner edition of the | 3 |
credibility of early roman | 3 |
spirit of the age | 3 |
he was a famous | 3 |
a roman poet of | 3 |
of the epistle of | 3 |
or if you are | 3 |
theme of the schools | 3 |
the meaning of this | 3 |
scythico uacuum mutabor ab | 3 |
but perhaps the most | 3 |
it is sufficient to | 3 |
in the shade of | 3 |
of the existence of | 3 |
the family of the | 3 |
it is recorded that | 3 |
the whole of this | 3 |
he was the author | 3 |
in a poet of | 3 |
nullam rem e nilo | 3 |
compare ep i iii | 3 |
his pictures of the | 3 |
and the temples of | 3 |
speech in defence of | 3 |
of the more usual | 3 |
there is thus no | 3 |
the dangers of the | 3 |
of which it is | 3 |
a knowledge of the | 3 |
when to be silent | 3 |
was the custom for | 3 |
fragments of the early | 3 |
by the arts of | 3 |
elegy of this book | 3 |
imply that he was | 3 |
shall be able to | 3 |
is suggested by the | 3 |
in the conception of | 3 |
and of human life | 3 |
a certain amount of | 3 |
be the son of | 3 |
and the enjoyment of | 3 |
that he is in | 3 |
the cause of all | 3 |
of the passage in | 3 |
the field of mars | 3 |
in the manner of | 3 |
recipient of ep i | 3 |
note to the first | 3 |
in which the poem | 3 |
in the campus martius | 3 |
of the art of | 3 |
revelation of a new | 3 |
in the first three | 3 |
and is afraid to | 3 |
is it a mere | 3 |
on hearing of the | 3 |
at ep iii v | 3 |
other passages cited at | 3 |
is nothing of the | 3 |
what hast thou to | 3 |
the spirit of an | 3 |
of lucretius and the | 3 |
at ep i vii | 3 |
the first principles of | 3 |
due in part to | 3 |
si fas est dicere | 3 |
to us in the | 3 |
by the other manuscripts | 3 |
in the field of | 3 |
more in harmony with | 3 |
be the object of | 3 |
the account of the | 3 |
the eighth elegy of | 3 |
the son of battus | 3 |
the first instance in | 3 |
the part of his | 3 |
the great writers of | 3 |
he was not a | 3 |
that he belonged to | 3 |
amaryllis was so fond | 3 |
at a later time | 3 |
the length of the | 3 |
drawn from the life | 3 |
si modo qui periit | 3 |
to the equestrian order | 3 |
a full discussion see | 3 |
which arose out of | 3 |
the gifts of the | 3 |
the threads of the | 3 |
index of topics discussed | 3 |
may be traced in | 3 |
an coeat duratus frigore | 3 |
the daughter of augustus | 3 |
burning of the capitol | 3 |
the fault of her | 3 |
throwing light on the | 3 |
in his list of | 3 |
is no other than | 3 |
which the poem was | 3 |
the contrast between the | 3 |
mortis comites et funeris | 3 |
the part played by | 3 |
teneat glacies iugera multa | 3 |
of all are the | 3 |
get away from the | 3 |
of this kind of | 3 |
the natural order of | 3 |
the traditions of the | 3 |
and the genius of | 3 |
many passages in the | 3 |
stand in need of | 3 |
is to be feared | 3 |
poem in the book | 3 |
pars haec tantum spectata | 3 |
the state and the | 3 |
most famous of the | 3 |
with the charm of | 3 |
era of roman comedy | 3 |
is said to be | 3 |
the teaching of the | 3 |
they may have been | 3 |
but the fact that | 3 |
it is used of | 3 |
what i am doing | 3 |
the book concludes with | 3 |
the outward conditions of | 3 |
and knowledge of the | 3 |
to regard him as | 3 |
in the eighth book | 3 |
the poem on the | 3 |
serves as a bridge | 3 |
the image of the | 3 |
towards the end of | 3 |
it is much more | 3 |
of the ninth book | 3 |
of pleasure and of | 3 |
to the modern reader | 3 |
famous cities of asia | 3 |
those things which you | 3 |
the standard of his | 3 |
his return to rome | 3 |
have no means of | 3 |
of the merits of | 3 |
of which we have | 3 |
by the death of | 3 |
known to us as | 3 |
the first part of | 3 |
the two old men | 3 |
consumit ferrum lapidemque uetustas | 3 |
we learn that he | 3 |
of the early empire | 3 |
of the return of | 3 |
some of these passages | 3 |
religio potuit suadere malorum | 3 |
not seem to occur | 3 |
of the weakness of | 3 |
the tops of the | 3 |
the elder seneca preserves | 3 |
the prize at the | 3 |
upon the gods of | 3 |
to see the consul | 3 |
this is the very | 3 |
the favour of his | 3 |
put out at interest | 3 |
during the lifetime of | 3 |
more likely to have | 3 |
to the roman stage | 3 |
was so fond of | 3 |
in the latin language | 3 |
that the poem is | 3 |
events in roman history | 3 |
substances out of which | 3 |
if there was any | 3 |
of the gods with | 3 |
a friend of the | 3 |
of dressing the hair | 3 |
the case of an | 3 |
the originality of the | 3 |
the attention of the | 3 |
have been given to | 3 |
is perhaps the best | 3 |
instances of the idiom | 3 |
well i know thee | 3 |
and more purely artistic | 3 |
the romans of the | 3 |
to serve as a | 3 |
at the court of | 3 |
the door of his | 3 |
the rise of the | 3 |
in the roman army | 3 |
they were written in | 3 |
by the same author | 3 |
in the month of | 3 |
in some respects the | 3 |
and hor ep i | 3 |
there is no real | 3 |
against him is that | 3 |
the corresponding passage in | 3 |
we have no means | 3 |
tarrant on sen ag | 3 |
to sympathy with the | 3 |
to the sons of | 3 |
of the birds that | 3 |
obruta de mediis cumba | 3 |
all speak the same | 3 |
in the city of | 3 |
his choice of a | 3 |
the knowledge of the | 3 |
especially in view of | 3 |
that he wrote a | 3 |
in the satires of | 3 |
of the work is | 3 |
at pliny nh vi | 3 |
i will visit the | 3 |
at tr v i | 3 |
hor sat ii iii | 3 |
the reason for this | 3 |
order that he may | 3 |
homo nobis cunctando restituit | 3 |
before a roman audience | 3 |
the antiope of pacuvius | 3 |
the state of the | 3 |
belong to the last | 3 |
the poem must have | 3 |
but they do not | 3 |
it is evident that | 3 |
and while you are | 3 |
clear from the opening | 3 |
but it is a | 3 |
the age of the | 3 |
of life in the | 3 |
formandos est tibi magna | 3 |
the mind of man | 3 |
ovid is here referring | 3 |
be able to say | 3 |
is directed against the | 3 |
as will be seen | 3 |
the fair to be | 3 |
when he composed the | 3 |
etiam proprio cognita marte | 3 |
in the opening lines | 3 |
as long as he | 3 |
the lips of the | 3 |
of the equestrian order | 3 |
a consideration of the | 3 |
was the whole of | 3 |
he was attracted to | 3 |
a place in the | 3 |
to whom she bore | 3 |
to some of the | 3 |
the mind of lucretius | 3 |
that she may not | 3 |
in an unfinished state | 3 |
the streets of rome | 3 |
was a member of | 3 |
earlier part of the | 3 |
mentioned at pliny nh | 3 |
belong to the same | 3 |
the extant fragments of | 3 |
for this use of | 3 |
i do not understand | 3 |
the earlier part of | 3 |
gentes barbarus hister obit | 3 |
no less than the | 3 |
the measures of the | 3 |
seneca on elizabethan tragedy | 3 |
to me in my | 3 |
by the contests of | 3 |
is worth while to | 3 |
the great orator and | 3 |
that some of the | 3 |
as if he were | 3 |
uobis est mea questa | 3 |
to be taken seriously | 3 |
the sound of his | 3 |
the inadequacy of his | 3 |
the basis of all | 3 |
comites et funeris atri | 3 |
things on which we | 3 |
but let it be | 3 |
it is most probable | 3 |
et teneat glacies iugera | 3 |
addressed to his wife | 3 |
with the advance of | 3 |
later roman tragedy and | 3 |
the hair of a | 3 |
all the wealth of | 3 |
the stamp of the | 3 |
de uobis est mea | 3 |
be able to see | 3 |
this poem is a | 3 |
from ovid tr v | 3 |
the virtue of a | 3 |
an epic on the | 3 |
in the numantine war | 3 |
and the lines in | 3 |
by the roman ladies | 3 |
to assert that the | 3 |
three consecutive short vowels | 3 |
the passages there cited | 3 |
the death of terence | 3 |
that i may be | 3 |
there was a certain | 3 |
be due to the | 3 |
and ep ii ix | 3 |
it was not a | 3 |
out to me how | 3 |
the services of the | 3 |
by the poet himself | 3 |
the study of philosophy | 3 |
history of roman literature | 3 |
the introduction to his | 3 |
back again to the | 3 |
poem on the first | 3 |
him the name of | 3 |
fragments of his dramas | 3 |
the death of hippolytus | 3 |
si non ipse rogarem | 3 |
his view of life | 3 |
at the same moment | 3 |
and at tr i | 3 |
of such value was | 3 |
to know how to | 3 |
of appius claudius caecus | 3 |
diction and rhythm of | 3 |
in the next note | 3 |
there are none of | 3 |
the contests of the | 3 |
general character of roman | 3 |
the manners of the | 3 |
before the birth of | 3 |
was famous for his | 3 |
that they were written | 3 |
be compared with the | 3 |
and the passages there | 3 |
is the description of | 3 |
of the sons of | 3 |
that the play was | 3 |
of the father of | 3 |
how much of the | 3 |
of rome in the | 3 |
in a long passage | 3 |
the younger son of | 3 |
are supposed to have | 3 |
of the contemplative life | 3 |
which there is no | 3 |
tone of the poem | 3 |
it may be doubted | 3 |
on the day on | 3 |
the pain of the | 3 |
in his own person | 3 |
as often as the | 3 |