trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
as we have	77
as in chap	75
to make a	63
two ounces of	63
it in a	60
the way to	56
in the furnace	55
and let it	54
let it stand	53
we have shewn	51
put it into	51
a very fine	50
and put it	49
the art of	48
make use of	48
way to make	47
way of making	45
an ounce of	44
in a crucible	42
the colour of	41
it into a	41
put them into	38
you must take	38
if it be	38
you may make	38
the way of	37
put it in	37
part of the	37
of the same	37
in the same	36
to make it	36
and it will	36
out of the	35
when it is	35
ought to be	33
how to make	33
little by little	32
take it off	31
add to it	31
prepared as in	31
art of glass	31
that it may	30
of the body	30
it in the	29
then let it	29
them in a	29
have a very	29
it may be	29
it will be	28
which will be	27
and put them	27
all sorts of	27
take out the	26
as well as	26
then put it	26
as much as	26
in a glass	26
them into a	26
one ounce of	26
which you may	26
an impalpable powder	26
into a glass	26
a pound of	25
glass of lead	25
of the furnace	25
of natural crystal	25
then take it	25
a crucible covered	25
salt of tartar	24
the space of	24
another way to	24
it with a	24
to the bottom	24
which is the	23
and grind it	23
the end of	23
twenty four hours	23
it with the	23
you must put	23
of crocus martis	23
to extract the	23
to an impalpable	22
half an ounce	22
we have said	22
six ounces of	22
manganese of piedmont	22
which may be	22
early english books	22
of the colour	22
as soon as	22
grind it with	22
four ounces of	22
we have already	22
according to the	22
the manner of	22
which you must	22
and when it	21
than the former	21
it is not	21
into a crucible	21
to make the	21
the whole well	21
by reason of	21
take it out	21
you must be	21
we will shew	20
you will have	20
set it in	20
as in the	20
the bottom of	20
have shewn in	20
end of the	20
three ounces of	20
that they may	20
the whole reduced	20
into the pot	19
of the art	19
them well together	19
of manganese of	19
and set it	19
which is a	19
covered and luted	19
which must be	19
put them in	19
as we shall	19
another way of	19
in the preceding	19
as you please	19
english books online	18
a gentle fire	18
take two ounces	18
made use of	18
with a little	18
as you can	18
and keep it	18
bottom of the	18
put into a	18
then put the	18
the preceding chapter	18
crucible covered and	18
of a very	17
when you have	17
of the fire	17
will have a	17
to make this	17
the use of	17
cast it into	17
must be made	17
you must not	17
till it be	17
it into the	17
if you would	17
you must have	17
into a pot	16
whereof we have	16
in the fire	16
not to be	16
in a pot	16
one pound of	16
again into the	16
them in the	16
in the next	16
as it were	16
you may use	16
in a little	16
for the space	15
ounces of natural	15
through a fine	15
in this art	15
keep it for	15
little and little	15
a glazed earthen	15
at the wheel	15
because it is	15
scales of copper	15
all manner of	15
of this book	15
take off the	15
in a brass	15
to be used	15
in the middle	15
we will give	15
pound of aqua	15
of the glass	15
this is the	14
if the colour	14
of aqua fortis	14
in the former	14
then put them	14
as the former	14
pound of crystal	14
the next chapter	14
the middle of	14
on the fire	14
whole reduced to	14
it on a	14
painting on glass	14
over a gentle	14
are to be	14
will be of	14
vitriol of venus	14
by little and	14
of it in	14
of this colour	14
we have given	14
into an earthen	14
let it cool	14
the name of	14
mix them well	14
put the whole	13
be of a	13
the mouth of	13
in the precedent	13
and you will	13
let it dry	13
it for use	13
oyl of spike	13
ounces of minium	13
and to make	13
six pound of	13
until it be	13
to melt and	13
and so let	13
of all the	13
and let them	13
and put the	13
the colour be	13
mix the whole	13
ounces of sal	13
the furnace to	13
of the head	13
at the bottom	13
put in the	13
its weight of	13
side of the	13
it is the	13
it on the	13
it must be	13
to make them	13
must be very	13
very fine and	13
much as you	12
after you have	12
and stir it	12
one part of	12
then the other	12
that of the	12
it again into	12
shewn in the	12
forty eight grains	12
early works to	12
grains of verdigrease	12
to give it	12
of copper thrice	12
to which add	12
into a glazed	12
that you may	12
a quarter of	12
with the same	12
may be wrought	12
a fine sieve	12
the better to	12
and in the	12
reason of the	12
you would have	12
may be made	12
natural crystal prepared	12
whole well together	12
it into water	12
of precious stones	12
we shall shew	12
and with a	11
very fine powder	11
a quantity of	11
and dry it	11
for your use	11
colour of the	11
for that purpose	11
to make crocus	11
use of it	11
to prepare the	11
the other side	11
one of the	11
you must first	11
you are to	11
when you haue	11
keep it in	11
fine salt of	11
colour in glass	11
then take out	11
the colours of	11
it very well	11
it as you	11
with oyl of	11
to make all	11
and make them	11
into the furnace	11
the design and	11
with your hands	11
on a marble	11
in the sun	11
is the best	11
eight grains of	11
a little time	11
and it is	11
text creation partnership	11
of all sorts	11
shew how to	11
by means of	11
give it a	11
of the work	11
four pound of	11
of painting on	11
middle of the	11
in the first	11
the whole in	11
extract the tincture	10
put it again	10
to give them	10
to make glass	10
three or four	10
which is not	10
shew the way	10
than the precedent	10
that it is	10
the preparation of	10
painting on enamel	10
a great deal	10
is not so	10
to each pound	10
it to the	10
cut and polish	10
draw off the	10
to those who	10
let it remain	10
of the water	10
and as much	10
make a very	10
diamonds of alanson	10
the whole into	10
the tincture of	10
to shew the	10
again in the	10
which we have	10
there are several	10
you must make	10
of cold water	10
a little more	10
in this manner	10
and the same	10
is to be	10
of scales of	10
that can be	10
the beauty of	10
for painting on	10
ounce of our	10
the powder of	10
you must add	10
and set them	10
we have noted	10
in this book	10
head and receiver	10
so let it	10
it with your	10
or any other	10
of the nose	10
a brass mortar	10
four grains of	10
must be done	9
the most part	9
of prepared zaffer	9
in the pot	9
it as before	9
art of painting	9
draw it out	9
whole into a	9
the head and	9
feretto of spain	9
for the sake	9
to it a	9
of making crocus	9
covered with another	9
be made of	9
in the following	9
powder of crystal	9
and contents of	9
and half of	9
design and contents	9
it off and	9
that there is	9
the former chapter	9
it to a	9
the sake of	9
to paint on	9
a very fair	9
a pot in	9
but if you	9
together in a	9
be done with	9
scales of iron	9
to be made	9
put the matter	9
see if the	9
so that it	9
then let the	9
the water of	9
let them stand	9
let them be	9
quarter of an	9
as you find	9
you find it	9
of the vessel	9
lute it well	9
you shall see	9
is made of	9
great deal of	9
may make a	9
to give the	9
and several other	9
and the other	9
a pot heated	9
on one side	9
the making of	9
you may work	9
that all the	9
they must be	9
which ought to	9
when you would	9
all we have	9
put in more	9
and so put	9
of those who	9
based on the	9
for it will	9
and then put	9
of several colours	9
and a little	9
of piedmont prepared	9
contents of this	9
powder in a	9
pot in the	9
five or six	9
that you must	9
shewn in chap	9
which is very	9
and if you	9
all the colours	9
the price of	9
and two ounces	9
house furnace for	9
make a paste	9
is not to	9
the water be	9
it at the	9
will be very	9
there is a	9
as you think	8
it be not	8
take care to	8
of our fine	8
the matter into	8
can be made	8
set it on	8
it be too	8
of this art	8
in an earthen	8
of calx of	8
take notice of	8
and then you	8
must not be	8
put it on	8
they may be	8
there are some	8
for six hours	8
more or less	8
let it settle	8
of all other	8
when they are	8
in warm water	8
then set it	8
colour will be	8
our fine salt	8
the sixth book	8
which we will	8
temper it with	8
and when the	8
in the flame	8
of making glass	8
have a fine	8
of the pot	8
you may see	8
melted and purified	8
crucible covered with	8
and put in	8
of salt of	8
and lute it	8
fairer than the	8
you shall haue	8
lay it on	8
as i haue	8
for twenty four	8
paint on enamel	8
with the other	8
then dry it	8
mouth of the	8
in the art	8
with your pen	8
heated in the	8
it is impossible	8
reiterate this process	8
grains of crocus	8
of the crucible	8
was the first	8
you may draw	8
and you may	8
the spirit of	8
for making glass	8
melt and purifie	8
the rest of	8
you must also	8
for if you	8
the same pot	8
in a glazed	8
keying and markup	8
to the eye	8
it will make	8
the pot to	8
some of the	8
at the first	8
in the air	8
it out of	8
put in a	8
cover it with	8
must have a	8
off the water	8
of crystal fritt	8
it all over	8
it is true	8
then take a	8
the annealing furnace	8
if you will	8
eight ounces of	8
into the water	8
make all sorts	8
those who have	8
a sort of	8
till the water	8
you may have	8
in a reverberatory	8
a sheet of	8
pound of calx	8
the time of	8
into the same	8
with the glass	8
in the annealing	8
for tinging glass	8
of our powder	8
but you must	8
on the top	8
glazed earthen vessel	8
ounces of our	8
in glass of	8
and last of	8
it will become	8
of the powder	8
that it will	8
use of this	8
for three days	8
ten pound of	8
pot heated in	8
the method of	8
to all the	8
and searce it	8
as it is	8
in fine powder	8
our powder of	8
set them in	8
at your pleasure	8
when you are	8
we will not	8
let them dry	8
you haue done	8
the preparation in	8
you must observe	8
take away the	8
or you may	8
and of the	8
for fear the	8
pound of the	8
calx of lead	8
of a fine	8
then you may	8
and for the	8
them to the	7
to draw the	7
the whole being	7
notes for div	7
of powder of	7
be of the	7
which are the	7
it up into	7
out the matter	7
and take out	7
may the better	7
in a manner	7
and thus you	7
a piece of	7
be used in	7
to take out	7
is the most	7
mix them together	7
as you see	7
making crocus martis	7
two or three	7
the top of	7
a great glass	7
and you must	7
stick to the	7
as if it	7
bring it to	7
twenty four grains	7
of the curious	7
filings of iron	7
take a pound	7
as you shall	7
will give you	7
and the like	7
is a very	7
the secrets of	7
ounces of manganese	7
to the end	7
a paste for	7
it maketh a	7
then it is	7
found in the	7
copper thrice calcined	7
you must grind	7
the best and	7
well with the	7
and when you	7
those who are	7
and make it	7
use of the	7
of the philosophers	7
as directed in	7
tinging of glass	7
the aqua fortis	7
of the colours	7
of making a	7
finer than the	7
with aqua fortis	7
fine powder in	7
make it up	7
from the other	7
as to the	7
it well with	7
the same furnace	7
to make use	7
as you may	7
in the most	7
colour of gold	7
let it be	7
and take care	7
and how to	7
the colour is	7
with an iron	7
in the bottom	7
let it melt	7
it out and	7
but if it	7
of the face	7
one and the	7
they will be	7
to take away	7
then you must	7
being well melted	7
manner of painting	7
parts of the	7
several ways of	7
tinged of a	7
it will not	7
what we have	7
spirit of saturn	7
so that you	7
put a little	7
it little by	7
if i would	7
it in an	7
stop the matras	7
it stand a	7
to imitate the	7
each pound of	7
in the darkest	7
to make oriental	7
for div a	7
there is no	7
where it is	7
to make ultra	7
the same time	7
ounce and half	7
two drams of	7
of the metal	7
it melt and	7
in a good	7
an earthen pot	7
may work it	7
and so to	7
you can get	7
into another vessel	7
of our crystal	7
to take the	7
the fire in	7
the furnace for	7
sold for s	7
the same manner	7
glazed earthen pot	7
if it were	7
it is a	7
and let the	7
way to calcine	7
glass of a	7
add to this	7
the order of	7
a dram of	7
then you will	7
put into it	7
to fine powder	7
equal parts of	7
take ten ounces	7
at the same	7
in the body	7
after this manner	7
stir it well	7
for fear of	7
it is good	7
a second time	7
so fine and	6
into a furnace	6
in a close	6
ounces of very	6
made with vinegar	6
whereof we will	6
marked as illegible	6
way to prepare	6
of venus without	6
is the reason	6
vessel of cold	6
for the better	6
into fine powder	6
in the shade	6
it begins to	6
painting vpon glasse	6
and saturnus glorificatus	6
as fine and	6
of the world	6
for the same	6
for an hour	6
and such as	6
and that they	6
very well with	6
use of them	6
pot to melt	6
make enamel of	6
with gumme water	6
of a face	6
a glass body	6
of an hour	6
five ounces of	6
the first and	6
what quantity you	6
in a furnace	6
crocus martis prepared	6
together with the	6
has not been	6
we have heretofore	6
we have promised	6
a third time	6
to a fine	6
as they are	6
and such like	6
in the world	6
for the first	6
shew in the	6
continue to do	6
another glass body	6
with a pen	6
in a small	6
to have a	6
sorts of colours	6
into a large	6
furnace for three	6
this sort of	6
of the hand	6
in good fusion	6
so as to	6
them as before	6
take one ounce	6
and that the	6
obliges us to	6
to be observed	6
where let it	6
some of it	6
in this chapter	6
to tinge glass	6
the crucible in	6
more of the	6
those that are	6
dry in the	6
and which will	6
with the iron	6
iron or steel	6
hours in the	6
enamel of a	6
represented either as	6
into a vessel	6
of all kindes	6
of the most	6
and are now	6
it a little	6
ounces of the	6
this art of	6
which would be	6
an ounce and	6
crucible in a	6
and grind them	6
characters represented either	6
off the fire	6
whether it be	6
colour pleases you	6
a glazed pot	6
gold or silver	6
grains of manganese	6
as much of	6
take out your	6
to have the	6
a vessel of	6
whole reduced into	6
have already given	6
off all the	6
for this purpose	6
may be done	6
will make it	6
fit for the	6
the best of	6
but it is	6
for want of	6
the said manufacture	6
after the same	6
must take care	6
than the rest	6
twenty pound of	6
last of all	6
exposed to the	6
make crocus martis	6
of the earth	6
on the other	6
is found in	6
a good crucible	6
you may put	6
this way of	6
the darkest places	6
a long time	6
then cast the	6
them with a	6
crocus martis calcined	6
ounce of zaffer	6
other precious stones	6
you may take	6
of it selfe	6
to impalpable powder	6
of the said	6
to make aqua	6
and you shall	6
it off the	6
it through a	6
a book of	6
that is to	6
as if they	6
the caput mortuum	6
and all the	6
for two hours	6
draw it with	6
the proportion of	6
take a quantity	6
the colour pleases	6
the lapis lazuli	6
sides of the	6
make glass of	6
furnace to bake	6
taking care to	6
the true colour	6
put to it	6
off well with	6
at the glass	6
have recourse to	6
of principal powder	6
the church of	6
you may be	6
so that the	6
stirring the metal	6
be very fine	6
must add to	6
with warm water	6
the crucible being	6
black and white	6
for the most	6
if they were	6
in the th	6
on your marble	6
top of the	6
you can draw	6
the invention of	6
one third of	6
and mix them	6
and so the	6
reduced to fine	6
and laie it	6
and in a	6
of the materials	6
remain in the	6
and searce them	6
reduced to a	6
caput mortuum of	6
and then let	6
is the same	6
well melted and	6
the drawing of	6
ounces of prepared	6
of the first	6
and well mixed	6
then cast it	6
a small fire	6
in the midst	6
to make an	6
by the name	6
will give the	6
enamel and glass	6
soon as it	6
to colour glass	6
you must therefore	6
it is in	6
have the colour	6
according as the	6
at the end	6
very fine blue	6
and put into	6
of making ferretto	6
may make it	6
plates of copper	6
before you put	6
put into the	6
either as utf	6
hands and feet	6
as for example	6
will be in	6
third part of	6
gold and silver	6
as not to	6
a reverberatory furnace	6
directed in chap	6
white glazed pot	6
a fine powder	6
as if the	5
it by the	5
would have it	5
much more excellent	5
in drawing of	5
in this work	5
online text creation	5
and so make	5
shadowed with blew	5
powder of lapis	5
draw it over	5
you must draw	5
and be sure	5
with the former	5
for all manner	5
the institutions providing	5
upon the paper	5
shall shew in	5
how to prepare	5
all the water	5
you must lay	5
upon a sheet	5
by how much	5
with the like	5
then put in	5
and the matter	5
fine white sand	5
put the crucible	5
way to extract	5
you have the	5
to the terms	5
by little into	5
iv tiff page	5
of it self	5
a paste of	5
separated from the	5
on a gentle	5
edge of your	5
sampled and proofread	5
and those which	5
into a great	5
tcp assigned for	5
encoded edition of	5
to the early	5
it in this	5
it is to	5
phase i text	5
in the city	5
to be the	5
of white enamel	5
of iron or	5
for commercial purposes	5
rest of the	5
during the space	5
after you haue	5
it be well	5
several sorts of	5
use of our	5
the glass will	5
than that of	5
let the fire	5
grind it on	5
ounce of manganese	5
you may do	5
of time and	5
keyed and coded	5
ten ounces of	5
we will treat	5
two parts of	5
we come to	5
soon as the	5
the violence of	5
which makes it	5
all your colours	5
and be very	5
and diamonds of	5
to separate the	5
and the colour	5
the subject of	5
and markup reviewed	5
that you cannot	5
vessel full of	5
secrets of nature	5
sake of the	5
pfs batch review	5
books online text	5
of lapis lazuli	5
keyboarded and encoded	5
support to the	5
both in the	5
scanned from microfilm	5
measures of the	5
that the fire	5
assigned for keying	5
than any other	5
by the institutions	5
after it is	5
powder on a	5
and lay them	5
take six pound	5
clear and transparent	5
much as will	5
furnace to melt	5
make a fair	5
let it rest	5
the other colours	5
an half of	5
to put in	5
providing financial support	5
as long as	5
dissolve in it	5
come to the	5
by putting in	5
from proquest page	5
for colouring glass	5
in and out	5
a little gum	5
well with a	5
stir it again	5
water of gumme	5
edition of the	5
the midst of	5
a fourth part	5
to enamel on	5
and half an	5
are now sold	5
i would draw	5
them to an	5
tinge glass of	5
add a little	5
as well for	5
and make the	5
you lay it	5
more or lesse	5
the quantity of	5
well as the	5
we have not	5
give you the	5
over the fire	5
of the old	5
available for reuse	5
pot at the	5
the conveniency of	5
will be well	5
very well together	5
they made use	5
of the ingredients	5
on a sand	5
markup reviewed and	5
wherein you must	5
and other things	5
and xml conversion	5
how to extract	5
very well to	5
dry it well	5
stirring it well	5
put on the	5
place of the	5
for it is	5
and take off	5
of the lapis	5
of making the	5
and the water	5
the same as	5
all without asking	5
until the water	5
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you may know	5
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the remaining lead	5
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a third part	5
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london and westminster	5
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degree of heat	5
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copper or brass	5
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in the powder	5
the nature of	5
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where leave it	5
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mortuum of vitriol	5
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fire till it	5
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violence of the	5
to imitate this	5
made of the	5
shadow it with	5
crystal in powder	5
the bignes of	5
text is available	5
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the remainder of	5
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reviewed and edited	5
fourth part of	5
half an hour	5
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warm water to	5
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not to make	5
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seems to be	5
colour and hardness	5
the number of	5
work described above	5
all the world	5
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of crystal ground	5
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the solution of	5
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ferretto of spain	5
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cover and lute	5
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ounces of mercury	5
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the city of	5
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institutions providing financial	5
well purified from	5
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into the vessel	5
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for your purpose	5
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the whole pulverized	5
as before directed	5
a glass of	5
shewing how to	5
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in a vessel	5
text and markup	5
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by which the	5
a fine searce	5
twelve hours in	5
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furnace over a	5
this keyboarded and	5
to give a	5
care not to	5
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directions for the	5
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art of making	5
melt and refine	5
unlesse it be	5
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till all the	5
of a man	5
of the adepti	5
six grains of	5
not at all	5
if you put	5
of it to	5
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to make enamel	5
the work described	5
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encoded text transcribed	5
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you intend to	5
images scanned from	5
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the heat of	5
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of the sea	5
pound of this	5
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it to an	5
at the mouth	5
them with your	5
the first that	5
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financial support to	5
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pound of principal	5
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of saturnus glorificatus	4
to be done	4
the colour will	4
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into another crucible	4
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with a pair	4
the first edition	4
of rosin of	4
to take it	4
space of three	4
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reduced to an	4
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ounces of red	4
notice of the	4
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to the glass	4
at the furnace	4
is shadowed with	4
and pour on	4
according to your	4
then stir it	4
of the former	4
it is of	4
the same earth	4
take off all	4
at the fire	4
to be found	4
without any other	4
one or more	4
a little of	4
and the whole	4
ounces and an	4
of red lead	4
it till it	4
three pound of	4
you have laid	4
a little furnace	4
gold or siluer	4
you must mix	4
the same circumstances	4
they have a	4
for any other	4
the whole work	4
you may with	4
the edge of	4
be the more	4
pieces of crystal	4
preparation of the	4
to the sight	4
know how to	4
different ways of	4
glass in the	4
and are to	4
of crude antimony	4
it again and	4
lead and white	4
on both sides	4
cast the metal	4
the body of	4
put this into	4
of the spirit	4
then put all	4
limming in water	4
fire must be	4
pound of good	4
the second book	4
it by degrees	4
the matter again	4
a little ceruse	4
of the print	4
what hath been	4
of its self	4
do thus thrice	4
with natural crystal	4
to prepare a	4
out of your	4
it in again	4
in the print	4
in the time	4
of lead of	4
as in a	4
and make an	4
and dry them	4
i haue said	4
to see if	4
it be dry	4
they set off	4
your white glazed	4
ought to have	4
you may the	4
with some of	4
of this work	4
which are not	4
now we come	4
ounces of crocus	4
the precedent chap	4
we shall not	4
half a dram	4
not only in	4
all the salt	4
it now standeth	4
on your colours	4
one against the	4
the matter being	4
before you draw	4
be distinguished from	4
stratum super stratum	4
other part of	4
an inch thick	4
our matter prepared	4
as shall be	4
these into a	4
sapphire of a	4
curious in this	4
of works in	4
how sold these	4
to draw withall	4
will be purified	4
great glass body	4
by this means	4
are several sorts	4
more precious than	4
stand in the	4
and see if	4
the works of	4
the body should	4
name of the	4
in a well	4
the melted glass	4
but of a	4
so much the	4
in the price	4
round or square	4
there was a	4
it cannot be	4
must be taken	4
of very fine	4
by the same	4
altered by the	4
of an egge	4
grind them well	4
leaves of copper	4
which will make	4
two hours after	4
and reduce them	4
must be of	4
by a third	4
or rather the	4
as for the	4
lee of urine	4
to prevent the	4
it ought to	4
of which you	4
from the fire	4
the mass into	4
colour in the	4
carbunculus nocte illuminans	4
fire to evaporate	4
and they will	4
to that of	4
in a stone	4
the sulphur be	4
into cold water	4
you will haue	4
it with oyl	4
go out of	4
into another glass	4
it with gumme	4
from the eye	4
heat of the	4
then searce it	4
to be melted	4
will shew how	4
is that which	4
and so set	4
is not enough	4
described in chap	4
inclining to a	4
in colouring of	4
in fair water	4
that in the	4
preparation of this	4
to the other	4
incorporate with the	4
remainder of the	4
it out into	4
be made by	4
searced through a	4
like quantity of	4
it is also	4
colour of it	4
you must do	4
to be seene	4
red as blood	4
report of the	4
lay it in	4
we proceed to	4
such as they	4
in the aire	4
it for a	4
is very good	4
of all manner	4
begins to boil	4
names and mixtures	4
fit to it	4
to draw a	4
will serve well	4
mix it with	4
into a true	4
have an admirable	4
to purifie it	4
whereof we shall	4
of zaffer prepared	4
it self to	4
of the last	4
in making the	4
a small quantity	4
only to shew	4
or any els	4
of the great	4
off best with	4
in a sand	4
be sure you	4
of the learned	4
all parts of	4
you shall have	4
of the matters	4
natural crystal in	4
with a weake	4
of making them	4
this precious stone	4
a white glazed	4
observing all we	4
the first is	4
maps and prints	4
is far more	4
true state of	4
prepared with vinegar	4
of glasse of	4
to make artificiall	4
as often as	4
that is when	4
to calcine gold	4
colour be too	4
or for want	4
used by the	4
the th book	4
your matter is	4
xml conversion the	4
of lead and	4
of feretto of	4
that the matter	4
since we have	4
fire in the	4
that which is	4
as may be	4
precipitate to the	4
and draw off	4
wherein it is	4
their works are	4
it with another	4
water of the	4
is very fine	4
of which we	4
employ themselves in	4
well mixed together	4
must be the	4
for this colour	4
glazed pot at	4
baked and purified	4
a deeper colour	4
them for the	4
care must be	4
off the colours	4
original in the	4
are the most	4
matter prepared with	4
also how to	4
at each time	4
on the furnace	4
and one part	4
in respect of	4
but only to	4
method of painting	4
of the royal	4
out the crucible	4
and no more	4
matter is well	4
to it in	4
it is well	4
of glasse and	4
is to say	4
you think fit	4
bigger then the	4
yet it is	4
not so much	4
when it begins	4
which mix well	4
the names and	4
full of water	4
that they are	4
a red colour	4
and one ounce	4
and work it	4
use of these	4
which does not	4
and white for	4
twelve hours after	4
the colour may	4
in the last	4
in clean water	4
is good for	4
a true diamond	4
that is in	4
put a pound	4
up to the	4
and ten miles	4
a fixt sulphur	4
for two days	4
to be sold	4
for three hours	4
use of a	4
again on the	4
fear it should	4
instruments for drawing	4
herbs and flowers	4
then it will	4
then mix it	4
in the other	4
this process till	4
the businesse of	4
in cold water	4
make it with	4
the italians call	4
of the spirits	4
pass over in	4
good as the	4
it to be	4
of the stone	4
matter into the	4
most of them	4
with a small	4
little of the	4
reduced into fine	4
such as is	4
and other metals	4
and searced through	4
like the true	4
be put into	4
the most perfect	4
the reason is	4
must put it	4
thin plates of	4
of a deeper	4
you must cast	4
in a great	4
at bottom of	4
it stand three	4
a most perfect	4
of enameling on	4
into a good	4
are the best	4
the colours we	4
would make the	4
businesse of glasse	4
reason of its	4
must take a	4
the true state	4
origin of glass	4
and fit to	4
until all the	4
least of all	4
fritt of rochetta	4
to shew how	4
the whole together	4
then it may	4
made by me	4
as big as	4
then draw it	4
in this figure	4
white sapphire into	4
how to imitate	4
the reason of	4
than the others	4
preparation in the	4
all into a	4
or colouring of	4
the matter be	4
them again with	4
lake and white	4
as the best	4
you must pound	4
it had been	4
for all sorts	4
with saturnus glorificatus	4
it over again	4
from the cement	4
with your finger	4
is most used	4
among the rest	4
it is as	4
an ash furnace	4
the same thing	4
of your colour	4
up into cakes	4
only make use	4
have taught in	4
of a woman	4
give it the	4
true manner of	4
of the original	4
manner of making	4
to the fire	4
out all the	4
them very well	4
with the cement	4
well enough without	4
you must continue	4
fifteen pound of	4
before it be	4
as it now	4
to the pot	4
have done it	4
will haue it	4
pot in a	4
but the most	4
proceed to the	4
into the receiver	4
dissolve it in	4
of maps and	4
fine and pure	4
matter tinged of	4
it be a	4
from its salt	4
and full of	4
to the highest	4
it well as	4
when you can	4
only in the	4
glass will be	4
take out of	4
lute the joints	4
and by this	4
at his shop	4
of the other	4
book of dravving	4
means of art	4
mix well together	4
of them are	4
then pound it	4
which the italians	4
then put on	4
well in a	4
of our matter	4
a good fire	4
take a great	4
against the other	4
price of glasse	4
by help of	4
at this day	4
polverine of rochetta	4
so vse it	4
a precious stone	4
the colours from	4
endure the fire	4
as good as	4
it again in	4
you would colour	4
the matter is	4
it over with	4
salt of vitriol	4
or in the	4
or in a	4
to do it	4
glasse of all	4
and pour thereon	4
to avoid the	4
and mixed together	4
decant it off	4
the true manner	4
given in chap	4
have shewn the	4
standeth both in	4
burnish it with	4
into a shell	4
variety of colours	4
we thought it	4
us to give	4
whole being well	4
such as are	4
and pound them	4
continue the fire	4
fire go out	4
and what hath	4
now standeth both	4
times as much	4
where we will	4
you make your	4
mass into a	4
it into an	4
gold and other	4
as you do	4
another very fine	4
colour to glass	4
and mixtures of	4
colours out of	4
make it the	4
the fire is	4
with the names	4
in an iron	4
which if you	4
these are the	4
about half an	4
with powder of	4
when the colour	4
and cake it	4
and forty eight	4
we have taught	4
are of a	4
of the businesse	4
the following chapters	4
so put in	4
in this case	4
to it at	4
proceed as in	4
in the church	4
of thrice calcined	4
natural crystal of	4
for this use	4
make crocus veneris	4
and bake them	4
because of the	4
when he is	4
state of the	4
take equal parts	4
and being well	4
ways of making	4
an earthen glazed	4
an earthen vessel	4
the place where	4
foreign to our	4
dry in a	4
preparation in chap	4
of warm water	4
all your coloured	4
will make a	4
be made in	4
way to paint	4
is in a	4
crucible being cold	4
be very carefull	4
the figure of	4
best of all	4
lead and tin	4
that such as	4
you have thus	4
or with a	4
reduced to powder	4
whole pulverized and	4
is made with	4
sixteen pound of	4
purified from its	4
must put into	4
martis calcined with	4
of other colours	4
necessary instruments for	4
and reduce it	4
observe this rule	4
as you would	4
take twenty pound	4
as can be	4
is of a	4
remains in the	4
as that of	4
themselves in the	4
afterwards into the	4
way of giving	4
tiff page images	4
on the back	4
from the light	4
there is not	4
the fire by	4
but you may	4
be made to	4
add six ounces	4
this you must	4
where it will	4
mixed well together	4
way of imitating	4
shewn the way	4
it will give	4
and grinde it	4
able to draw	4
also for the	4
would draw a	4
with the rest	4
or some other	4
the mean time	4
calx of tin	4
as we will	4
to be taken	4
sold at his	4
with as much	4
and well luted	4
into a white	4
and may be	4
sorts of enamel	4
proportion of a	4
that the body	4
the mild lixivium	4
observing the same	4
over a small	4
set off best	4
last way of	4
as you doe	4
till the sulphur	4
as you have	4
speaking of the	4
grains of our	4
off the colour	4
disposition of the	4
pure salt of	4
are several other	4
mixtures of colours	4
make the glass	4
set off well	4
the glory of	4
sapphire into a	4
will be a	4
all the tincture	4
any part of	4
you think convenient	4
all of them	4
glasse and materialls	4
and that which	4
this is all	4
instead of the	4
for their own	4
the fire must	4
them on a	4
shewn how to	4
the first book	4
colouring of maps	4
of colours used	4
over all the	4
take another glass	4
white for the	4
the same glass	4
mix with the	4
sulphur of saturn	4
for fear it	4
let it alone	4
the origin of	4
or the like	4
a red powder	4
will be as	3
on the image	3
powders well together	3
out your crucible	3
changes to facilitate	3
with an appendix	3
white glazed earthen	3
hole of the	3
a second or	3
of iron scales	3
of a gridelin	3
bignes of the	3
to this noble	3
must put in	3
common salt purified	3
every monographic english	3
colour in crystal	3
the doses of	3
called in latine	3
oxford and the	3
into a marble	3
encoding was enhanced	3
be marked as	3
make colours out	3
to make strong	3
fine and delicate	3
did not meet	3
the fire go	3
a fine sky	3
come to a	3
formerly sold for	3
edition of a	3
the second is	3
possible up to	3
be put in	3
of different colours	3
which may serve	3
and to this	3
into a very	3
which we call	3
and six ounces	3
hard upon a	3
proquest via their	3
them afterwards in	3
you have it	3
of tartar calcined	3
is in good	3
we have been	3
not to put	3
then pound and	3
for making these	3
this will be	3
take very fine	3
the opening of	3
be taken from	3
to produce large	3
one side of	3
of any other	3
a way to	3
eye must be	3
iust such another	3
which is called	3
let it digest	3
such colours as	3
bed of lime	3
care that the	3
the tei in	3
salt of polverine	3
as directed for	3
we have elsewhere	3
processes should make	3
of the mind	3
take a glass	3
all the preparations	3
ounce of scales	3
so put it	3
in by little	3
pieces of glass	3
have at the	3
vessel well stopped	3
now take and	3
putting in the	3
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generall rules for	3
made of this	3
of crystal frit	3
texts for their	3
markup guidelines are	3
the foote marked	3
of casting the	3
eligible for inclusion	3
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in a picture	3
to our purpose	3
the white sapphire	3
that we may	3
many of them	3
should bear in	3
after that you	3
to simplify the	3
not without reason	3
must grind it	3
to a limit	3
with proper sculptures	3
exactlie then heretofore	3
serve well enough	3
you make it	3
of a candle	3
and which they	3
you perceive the	3
treat more largely	3
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the red colour	3
i haue seene	3
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to it some	3
the colours that	3
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of each text	3
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works are eligible	3
matter for enamel	3
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during phase of	3
into your white	3
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