quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
as we have shewn	31
the way to make	30
put it into a	30
prepared as in chap	28
the art of glass	25
and put it into	23
to an impalpable powder	22
put them into a	21
half an ounce of	19
of manganese of piedmont	19
we have shewn in	19
put it in a	19
in the preceding chapter	18
the end of the	18
take two ounces of	18
early english books online	18
and put them into	17
and when it is	17
have a very fine	17
crucible covered and luted	17
of the art of	16
ounces of natural crystal	15
for the space of	15
you will have a	15
a crucible covered and	15
as we have said	14
the whole reduced to	14
by little and little	14
then put it into	14
of the colour of	14
another way of making	14
pound of aqua fortis	14
and let it stand	14
the bottom of the	13
part of the body	13
into a crucible covered	13
that it may be	13
in the next chapter	13
and put it in	13
set it in a	13
two ounces of natural	13
put them in a	12
the whole well together	12
mix the whole well	12
in a crucible covered	12
cast it into water	12
by reason of the	12
as much as you	12
then take it off	12
over a gentle fire	12
keep it for use	12
them in a crucible	12
the way of making	12
another way to make	12
of natural crystal prepared	12
it in a glass	11
keep it in a	11
then let it stand	11
and grind it with	11
and keep it for	11
have shewn in the	11
into a glazed earthen	11
the middle of the	11
then take it out	11
fine salt of tartar	10
then put it in	10
in a little time	10
two ounces of sal	10
through a fine sieve	10
put it into the	10
with oyl of spike	10
again into the pot	10
in a brass mortar	10
will be of a	10
as we shall shew	9
the whole into a	9
you must be very	9
way to make a	9
take it off and	9
way of making crocus	9
scales of copper thrice	9
put it again into	9
put the whole into	9
manganese of piedmont prepared	9
a very fine powder	9
put it in the	9
contents of this book	9
and contents of this	9
design and contents of	9
a great deal of	9
the design and contents	9
for the sake of	9
mix them well together	9
and you will have	9
and it will be	9
in the former chapter	9
crucible covered with another	8
and so let it	8
a pound of aqua	8
it in a pot	8
a quarter of an	8
the mouth of the	8
and two ounces of	8
the head and receiver	8
for twenty four hours	8
pot in the furnace	8
grains of crocus martis	8
is not to be	8
of scales of copper	8
of calx of lead	8
a pot heated in	8
a crucible covered with	8
to make all sorts	8
make all sorts of	8
heated in the furnace	8
of our fine salt	8
our fine salt of	8
if it be too	8
you may make a	8
in glass of lead	8
to extract the tincture	8
bottom of the vessel	8
and set it in	8
in the annealing furnace	8
of our powder of	8
it again into the	8
forty eight grains of	8
which will be of	7
have shewn in chap	7
notes for div a	7
the art of painting	7
of a very fine	7
to each pound of	7
out of the fire	7
when you haue done	7
them into a crucible	7
take it out and	7
let it stand a	7
twenty four grains of	7
extract the tincture of	7
our powder of crystal	7
into the pot to	7
to make use of	7
in the furnace to	7
grind it with the	7
of copper thrice calcined	7
in the middle of	7
then take out the	7
fine powder in a	7
pot heated in the	7
will have a very	7
one ounce of our	7
at the same time	7
pound of calx of	7
of making crocus martis	7
to give it a	7
the colour of gold	7
and let it dry	7
it little by little	7
it into a glass	7
see if the colour	7
you may work it	7
way to make crocus	6
characters represented either as	6
it into a crucible	6
in the bottom of	6
it in a crucible	6
in a pot in	6
and let it cool	6
make use of it	6
when it is in	6
represented either as utf	6
that they may be	6
and last of all	6
set it on a	6
house furnace for three	6
you must have a	6
take a quantity of	6
so that it may	6
powder in a brass	6
it in the furnace	6
a glazed earthen vessel	6
in the same furnace	6
for painting on glass	6
as in the former	6
to make glass of	6
and it will make	6
all sorts of colours	6
as we have heretofore	6
the colour pleases you	6
then you will have	6
vessel of cold water	6
for the most part	6
the top of the	6
way of making a	6
make it up into	6
take out the matter	6
let it melt and	6
we will give you	6
take a pound of	6
the furnace to bake	6
vitriol of venus without	6
quarter of an hour	6
take one ounce of	6
as soon as it	6
it out of the	6
to make a very	6
if you would have	6
to a fine powder	6
way of making ferretto	6
it in a close	6
that can be made	6
we have already given	6
pound of crystal fritt	6
shewn in the preceding	6
by the name of	6
the whole reduced into	6
make use of the	6
of crocus martis calcined	6
ounce and half of	6
one pound of aqua	6
which ought to be	6
to the bottom of	6
you may make it	6
of painting on glass	6
an ounce and half	6
reduced to fine powder	6
ounces of manganese of	6
it may be wrought	6
take it out of	6
the colour of the	6
in the darkest places	6
to make crocus martis	6
crystals and diamonds of	5
the way to prepare	5
keyboarded and encoded edition	5
according to the terms	5
for keying and markup	5
coded from proquest page	5
pound of principal powder	5
to extract the colours	5
they made use of	5
you may make your	5
a vessel of cold	5
make a paste for	5
well melted and purified	5
during the space of	5
pound of crystal ground	5
of the work described	5
you would have it	5
with two ounces of	5
as directed in chap	5
four grains of verdigrease	5
it on the fire	5
in the precedent chapter	5
then put the matter	5
to make enamel of	5
whole reduced to fine	5
keyed and coded from	5
tcp assigned for keying	5
online text creation partnership	5
financial support to the	5
then put them in	5
then set it in	5
at the bottom of	5
and an half of	5
the text can be	5
markup reviewed and edited	5
and put them in	5
to the terms of	5
phase i text is	5
terms of creative commons	5
one and the same	5
encoded text transcribed from	5
books online text creation	5
we have shewn chap	5
described above is co	5
the true colour of	5
owned by the institutions	5
to the early english	5
is available for reuse	5
encoded edition of the	5
two ounces of prepared	5
the terms of creative	5
the early english books	5
it in the same	5
to take out the	5
english books online text	5
text is available for	5
for all manner of	5
you may make use	5
for fear of breaking	5
out of the pot	5
in a glazed pot	5
take it off the	5
text can be copied	5
till the water be	5
and half an ounce	5
work described above is	5
whether the colour be	5
which cut and polish	5
by the institutions providing	5
of all sorts of	5
draw it with your	5
if the colour be	5
upon a sheet of	5
the same dose of	5
and the art of	5
the art of making	5
a pot in the	5
ounce of crocus martis	5
them to an impalpable	5
you must add to	5
furnace to melt and	5
fire till it be	5
and markup reviewed and	5
it off the fire	5
this keyboarded and encoded	5
and then let it	5
put into a glass	5
shew the way of	5
as much as will	5
text and markup reviewed	5
the rest of the	5
take four ounces of	5
as soon as the	5
after the same manner	5
caput mortuum of vitriol	5
as well as the	5
this phase i text	5
from proquest page images	5
to make a fair	5
in a close vessel	5
you must have the	5
i text is available	5
if i would draw	5
and as soon as	5
little by little into	5
into a pot heated	5
on the other side	5
sake of the curious	5
then put the whole	5
even for commercial purposes	5
much as you please	5
twelve hours in the	5
the work described above	5
may make use of	5
all without asking permission	5
the violence of the	5
an ounce of manganese	5
to make a paste	5
to melt and purifie	5
institutions providing financial support	5
grains of manganese of	5
must be done with	5
take ten ounces of	5
ounces of prepared zaffer	5
one part of the	5
and diamonds of alanson	5
and so use it	5
to be used in	5
take six pound of	5
and are now sold	5
where let it stand	5
must add to it	5
we have noted in	5
if the colour pleases	5
and take out the	5
assigned for keying and	5
and coded from proquest	5
as we have noted	5
furnace for three days	5
we will give the	5
and encoded edition of	5
you must take care	5
three or four times	5
then put them into	5
the institutions providing financial	5
edition of the work	5
then let it cool	5
providing financial support to	5
support to the early	5
and lute it well	5
images scanned from microfilm	5
bring it to a	4
the businesse of glasse	4
this second way of	4
and so put in	4
from the top of	4
it with the same	4
into a true diamond	4
before you draw it	4
shadowed with blew verditer	4
it is the best	4
to make crocus veneris	4
at the end of	4
of iron or steel	4
if you would make	4
be sold at his	4
powder on a marble	4
the preparation in the	4
the powder of lapis	4
set it in the	4
the fire must be	4
the proportion of a	4
there are several sorts	4
and put the whole	4
and put it on	4
at the mouth of	4
proceed as in chap	4
which you may make	4
till the sulphur be	4
the sides of the	4
over a small fire	4
of glasse and materialls	4
and set it on	4
put them into an	4
whole into a pot	4
we have said before	4
are to be sold	4
to all the world	4
shall shew in the	4
ounces and an half	4
at bottom of the	4
grind it with gumme	4
glazed pot at the	4
we have taught in	4
in the art of	4
the manner of painting	4
into a white glazed	4
when it begins to	4
and how to make	4
pure salt of tartar	4
in the time of	4
for painting on enamel	4
both in the price	4
glasse of all kindes	4
gold and other metals	4
the true state of	4
and are to be	4
only make use of	4
a glazed earthen pot	4
reduced into fine powder	4
the best of all	4
state of the businesse	4
we will shew how	4
of an ounce of	4
reduced to an impalpable	4
out of the furnace	4
standeth both in the	4
iv tiff page images	4
the preparation in chap	4
the way to calcine	4
businesse of glasse of	4
to paint on enamel	4
it into the pot	4
with a pair of	4
it with gumme water	4
to shew how to	4
well purified from its	4
second way of making	4
that is to say	4
the whole pulverized and	4
in the same pot	4
them into a glazed	4
and forty eight grains	4
the whole being well	4
ounces of crocus martis	4
into a good crucible	4
we shall shew in	4
in the price of	4
to a very fine	4
that so you may	4
there are several other	4
precipitate to the bottom	4
the use of them	4
purified from its salt	4
of all manner of	4
to take away the	4
will shew how to	4
it will give a	4
colouring of maps and	4
into a vessel of	4
the secrets of nature	4
cover it with another	4
them into an earthen	4
ounce of our powder	4
one against the other	4
sold at his shop	4
twenty pound of crystal	4
to a red powder	4
into a glass body	4
into the same pot	4
take out the crucible	4
searced through a fine	4
the method of painting	4
to be sold at	4
and what hath been	4
with the names and	4
names and mixtures of	4
to take off the	4
price of glasse and	4
the heat of the	4
the space of three	4
of the same earth	4
the true manner of	4
when the colour is	4
in a pot heated	4
which is a very	4
you must put it	4
and let it remain	4
whereof we have given	4
how to make artificiall	4
add to it at	4
vessel full of water	4
two ounces of manganese	4
it with a little	4
so let it stand	4
by reason of its	4
to tinge glass of	4
two ounces of our	4
to paint on glass	4
whole reduced into fine	4
we have shewn the	4
burnish it with a	4
and draw off the	4
true state of the	4
and then you may	4
it with your pen	4
it in an earthen	4
and mixtures of colours	4
it all over with	4
shewing how to make	4
the price of glasse	4
then it may be	4
mixtures of colours used	4
six ounces of minium	4
in the following chapters	4
take equal parts of	4
way to make ultra	4
the fire by degrees	4
the remainder of the	4
now we come to	4
and one part of	4
you must put into	4
or colouring of maps	4
other part of the	4
in the church of	4
finer than the rest	4
put it in again	4
a book of dravving	4
them into a pot	4
in the mean time	4
now standeth both in	4
a pot in a	4
and it will become	4
the sake of the	4
the colour be too	4
make glass of lead	4
crocus martis calcined with	4
the name of the	4
put a pound of	4
necessary instruments for drawing	4
observing all we have	4
a very fine blue	4
put it on the	4
matter tinged of a	4
with the water of	4
of maps and prints	4
as you shall see	4
and put into a	4
of feretto of spain	4
it is found in	4
way of making glass	4
of salt of vitriol	4
put into a crucible	4
take twenty pound of	4
way to extract the	4
the origin of glass	4
i would draw a	4
if it be not	4
as in the preceding	4
all sorts of enamel	4
if you will haue	4
into an earthen pot	4
it up into cakes	4
of the businesse of	4
glass of lead of	4
as we have already	4
it now standeth both	4
for tinging of glass	4
and make an essay	4
into a glass cucurbit	4
then let it settle	4
but if it be	4
ounce of manganese of	4
shew the way to	4
way to paint on	4
six pound of principal	4
into fine powder in	4
not only in the	4
which the italians call	4
not to be used	4
add six ounces of	4
how to extract the	4
way of making the	4
let it stand three	4
and add to it	4
and searced through a	4
you will haue it	4
for fear it should	4
an ounce of zaffer	4
make use of our	4
and xml conversion the	4
to those who are	4
it into the same	4
put it into an	4
as it now standeth	4
way to make it	4
the edge of your	4
of lead and tin	4
as if i would	4
which mix well together	4
in the city of	4
matter into the water	4
of glasse of all	4
and keep it in	4
and put in more	4
of the powder of	4
as if they were	4
the names and mixtures	4
of a deeper colour	4
pot at the glass	4
put the matter again	4
must be very carefull	4
full of cold water	3
the caput mortuum of	3
then take off the	3
published between and available	3
shift well enough without	3
sorts of precious stones	3
the overall quality of	3
a wide variety of	3
tcp is a partnership	3
and mixed well together	3
or for want of	3
created by converting tcp	3
into an impalpable powder	3
the breadth of the	3
universities of michigan and	3
their early english books	3
in a short time	3
of venus without corrosive	3
take an ounce of	3
report of the condition	3
ground in a picture	3
editorial teams in oxford	3
of making ferretto of	3
parts of a man	3
accuracy and those which	3
there are some who	3
a number of works	3
which is the most	3
which did not meet	3
aware of the process	3
very usefull for all	3
in drawing of a	3
space of twenty four	3
he is able to	3
compass of the same	3
to create diplomatic transcriptions	3
it into a great	3
have the necessary instruments	3
of a works in	3
and therefore chose to	3
ounces of powder of	3
all sorts of glass	3
are a number of	3
that in all likelihood	3
to their original source	3
after that you must	3
set them in the	3
when he is able	3
by reason of their	3
let it stand to	3
when the lute is	3
usual project restraints of	3
divided into two phases	3
passing a pattent for	3
the necessary instruments for	3
ounce of our crystal	3
and encoded texts based	3
their works are eligible	3
add to it an	3
and available in eebo	3
notably latin and welsh	3
be marked as illegible	3
to the keyers to	3
it in a glazed	3
have recourse to the	3
let it stand ten	3
the space of four	3
parts of the body	3
with mnemonic sdata character	3
texts created during phase	3
hammer and hand all	3
also how to extract	3
between and available in	3
been issued variously as	3
image sets were sent	3
it comes out of	3
the process of creating	3
and now first translated	3
issued variously as sgml	3
it as you please	3
project was divided into	3
used by the picture	3
which is the reason	3
into an earthen glazed	3
reason of the great	3
and several other colours	3
errors will remain and	3
will be marked as	3
again in the same	3
mona logarbo sampled and	3
is in good fusion	3
and to grinde and	3
impalpable powder on a	3
encoding based on the	3
the same furnace as	3
the colours from minerals	3
reduced to impalpable powder	3
will give the preparation	3
marked as illegible were	3
it ought to be	3
the space of twenty	3
given to their original	3
be put into a	3
is to encode one	3
it stand ten hours	3
where possible up to	3
works are eligible for	3
domain as of january	3
made about the data	3
proquest via their early	3
of making ferretto is	3
on a gentle fire	3
fine and good as	3
so let it dry	3
and cast it into	3
as often as you	3
all parts of a	3
bear in mind that	3
and sometimes a second	3
shew several ways of	3
let it cool and	3
and eight grains of	3
in oxford and michigan	3
with the iuice of	3
to the bignes of	3
thin plates of copper	3
the publisher proquest to	3
or corrected and characters	3
as appeareth in the	3
tcp is to encode	3
an ounce of crocus	3
for accuracy and those	3
and ingenuous gentlemen and	3
the order of making	3
then add to it	3
into the public domain	3
users should be aware	3
it into a shell	3
and stir it well	3
take a piece of	3
from time to time	3
after you have thus	3
crystal fritt in powder	3
quality assurance was then	3
accurately transcribed and encoded	3
let it stand in	3
of any assumptions that	3
out by editorial teams	3
diaper and shadow things	3
mainly structural encoding based	3
with changes to facilitate	3
opposed to critical editions	3
elements of known extent	3
which we will give	3
our art of glass	3
exact instructions for making	3
in painting on enamel	3
to make a fine	3
also to diaper and	3
and six ounces of	3
been released into the	3
project restraints of time	3
quantities of textual data	3
the church of st	3
publisher proquest to create	3
have shewn the way	3
make gold and silver	3
reproduction of the original	3
oxford and the publisher	3
gaps by user contributors	3
half a dram of	3
we make use of	3
eight ounces of very	3
processed by university of	3
of time and funding	3
which cover and lute	3
also a pound of	3
at the text creation	3
creating the tcp texts	3
and take care it	3
mnemonic sdata character entities	3
the most part of	3
the lute is dry	3
in an earthen vessel	3
companies for transcription and	3
illegibles were encoded as	3
and to make gold	3
would be too long	3
of all young gentlemen	3
ought not to be	3
filings of iron or	3
then carried out by	3
what we have said	3
any els that are	3
was chosen if there	3
we have promised to	3
of the mild lixivium	3
any remaining illegibles were	3
a close vessel for	3
make use of this	3
els that are desirous	3
to range over a	3
to two ounces of	3
returned to the keyers	3
to preserve it from	3
public domain as of	3
mans time well spent	3
it stand a while	3
elements to simplify the	3
to be taken from	3
did not meet qa	3
in accordance with level	3
texts based on the	3
you must draw the	3
and so keep it	3
the usual project restraints	3
take four pound of	3
as they are now	3
tcp data is very	3
into a pot in	3
a limit of instances	3
make enamel of a	3
a glass of lead	3
as is done in	3
copies of the texts	3
between the universities of	3
and or corrected and	3
been looked at by	3
you must pound it	3
a very fine emerald	3
them with your hands	3
sapphire into a true	3
was based on the	3
for a long time	3
cast the matter into	3
art of dravving vvith	3
another way of giving	3
to encode one copy	3
an ounce of our	3
of known extent have	3
it will be necessary	3
be of a fine	3
take off all the	3
by proquest via their	3
separated from the cement	3
the image sets published	3
external keying companies for	3
what hath been formerly	3
work to make him	3
some readable characters will	3
white glazed earthen pot	3
of the process of	3
keying companies for transcription	3
create accurately transcribed and	3
of it in the	3
ten ounces of our	3
these fifteen yeers last	3
was intended to range	3
extent have been transformed	3
it will be purified	3
now take and use	3
limit of instances per	3
what quantity you please	3
or any els that	3
users should bear in	3
based on the image	3
and for the better	3
martis made with vinegar	3
were encoded as gap	3
later edition of a	3
remaining illegibles were encoded	3
or later edition of	3
you must put to	3
and pure salt of	3
therefore you must be	3
colours just before prepared	3
in the precedent chap	3
and the publisher proquest	3
of dravving vvith the	3
this art of glass	3
they set off best	3
may learn by this	3
one of the most	3
attribution is given to	3
we have already said	3
in of gaps by	3
and limming in water	3
of the lapis lazuli	3
are eligible for inclusion	3
with the aqua fortis	3
the way to give	3
which you must take	3
works in english were	3
behoofe of all young	3
let it remain until	3
measures of the head	3
or for an anonymous	3
of twenty four hours	3
mouth of the furnace	3
we have said in	3
then stop the matras	3
intended to range over	3
and hand all arts	3
and most ingenious art	3
are available at the	3
was the first that	3
and oxford and the	3
by means of art	3
tcp aimed to produce	3
sometimes a second or	3
some errors will remain	3
we respectfully request that	3
fine filings of iron	3
to page images in	3
let the lute dry	3
into your white glazed	3
encoding was enhanced and	3
makers in the cities	3
into a very fine	3
was proofread for accuracy	3
smal as you can	3
calcine them in a	3
the whole in a	3
it must be made	3
sets published by proquest	3
to become practicioners in	3
about half an hour	3
to shadow other greens	3
how also to diaper	3
colour of precious stones	3
and linked to page	3
restraints of time and	3
it hard upon a	3
the space of two	3
artificiall pastels to draw	3
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which it communicates to	2
which will have the	2
wherein let them stand	2
for this you must	2
with a dogs tooth	2
as you can well	2
a gentle fire for	2
the colour is not	2
your lights be placed	2
ounces of very pure	2
then stir it well	2
very much to their	2
was the first author	2
revered by all nations	2
we will not repeat	2
the depth of the	2
put this powder into	2
to it at four	2
with a little ceruse	2
you have occasion for	2
incorporate the powder of	2
of flour of brimstone	2
and they can scarce	2
whereof we have already	2
and eight ounces of	2
white for painting on	2
it must be shadowed	2
before you lay it	2
and let it settle	2
lazuli with the strong	2
you must also take	2
an ash furnace over	2
then take a cushion	2
garments to the body	2
and for such as	2
imitate fine oriental pearl	2
them again at the	2
pound it in a	2
this text in the	2
three ounces of aqua	2
will be necessary to	2
it remain in the	2
you may make what	2
powder and put it	2
be made so much	2
an ounce of scales	2
to be baked and	2
and so write with	2
lay your colours on	2
art of painting on	2
is the best and	2
to evaporate as before	2
set it to cool	2
the tincture of kerm	2
common fair water to	2
that they may mix	2
off into another vessel	2
gently into another vessel	2
of all the works	2
sheet of cleane white	2
after the like manner	2
the text more computationally	2
you may use red	2
very fine green enamel	2
and as it were	2
the principal powder in	2
in the right placing	2
make diamonds of alanson	2
you may use sometimes	2
may the more easily	2
shewing the way to	2
receiver begin to grow	2
of the same aqua	2
the sulphur be consumed	2
mortar to an impalpable	2
if in room of	2
as well as iron	2
of your knife finely	2
put them into their	2
it again on the	2
take a peece of	2
of the body bends	2
for the goldsmiths to	2
is another way to	2
colours must be grownd	2
of making crocus veneris	2
into your glazed pot	2
last way of making	2
it afterwards into a	2
must be made so	2
the body in an	2
in the henry e	2
of each of these	2
grind it with oyl	2
way of making them	2
must have a little	2
the invention of looking	2
to it an ounce	2
of other colours in	2
this glass being well	2
then increase the fire	2
before you can draw	2
over the fire in	2
quite contrary to that	2
then heretofore taught and	2
will be no occasion	2
the middle of them	2
tinged of a very	2
which will be very	2
when it is cold	2
pound and mix them	2
be of the colour	2
where you should place	2
in the last place	2
crucible well covered and	2
cut and polish it	2
put in a crucible	2
it in common glass	2
the method of drawing	2
will not serve your	2
text has not been	2
of these powders of	2
cannot be made without	2
yet it may be	2
it as you do	2
of the second book	2
grains of prepared zaffer	2
is used for the	2
it as much as	2
the shoulders and other	2
the most clear and	2
an ounce of gold	2
treat more largely of	2
grind them well together	2
shew how to do	2
of a fine iacynth	2
and which has not	2
put into the furnace	2
my merchant for s	2
extracted from polverine of	2
spread it on pieces	2
you must preserve to	2
borax has been dissolved	2
in the galls of	2
admiration of the learned	2
of all kindes of	2
we have not yet	2
hard upon a peice	2
in the first place	2
may be avoided by	2
them settle until the	2
at the signe of	2
in a standardized format	2
the best and finest	2
make a weaker cement	2
you shall perceive the	2
themselves in this art	2
it into a large	2
a pound and half	2
the colour be full	2
mix with the oyl	2
must take an ounce	2
it may be very	2
whole being well pulverized	2
being exposed to the	2
furnace for twenty four	2
where the shadows are	2
several authors have written	2
well enough without this	2
glass of the true	2
you at the first	2
them very well together	2
into the mouth of	2
off the colours with	2
let it stand still	2
reason of their smallness	2
pound it with the	2
is the reason that	2
the worst is past	2
you may also make	2
a glazed earthen pan	2
one ounce of zaffer	2
then put in an	2
a precious stone found	2
shall be directed in	2
enrichments aim at making	2
the admiration of the	2
and so into a	2
to prepare the crucibles	2
eight grains of verdigrease	2
that part that is	2
because the metal will	2
of good crystal fritt	2
that the powders may	2
will give you the	2
wherein put a pound	2
see if it be	2
let it stand the	2
and be very careful	2
made use of to	2
you must take an	2
in the said manufacture	2
one and the other	2
into the same glass	2
grind it on your	2
cover it with a	2
when you would colour	2
to dry in the	2
metadata enrichments aim at	2
be distinguished from fine	2
so let them dry	2
of the royal glass	2
for want of it	2
as we have elsewhere	2
taught in the precedent	2
they set not off	2
ounces of zaffer prepared	2
done put it into	2
them to dry in	2
of lead also in	2
must not thicken it	2
you shall see occasion	2
so as it may	2
not that of the	2
and take the remaining	2
take a great glass	2
to prepare a mild	2
may cut and polish	2
we have noted on	2
the method of cleansing	2
must grind your colours	2
then put to it	2
a vessel full of	2
add to this two	2
the making of these	2
very fine blue enamel	2
in a well closed	2
for which reason we	2
dry in the sun	2
all other is most	2
and the two last	2
of the body in	2
this text is an	2
a of text r	2
and presse it hard	2
will give a very	2
water for giving transparency	2
not so much difficulty	2
the display of a	2
you must lay your	2
there is nothing in	2
oyl of spike on	2
in such a posture	2
draw it over againe	2
you have made this	2
to shew the manner	2
them in a vessel	2
red hot in a	2
ounces of tartar calcined	2
which will be in	2
with proper sculptures written	2
another very fine blue	2
natural crystal in powder	2
this two ounces of	2
collaborative curation by amateur	2
to bake and finish	2
from all manner of	2
pot in a glass	2
digital transcription a of	2
as well as possible	2
at his shop at	2
very fine and pure	2
aim at restoring the	2
boiling hot into an	2
in a glass cucurbite	2
it on with your	2
you may know if	2
water be all coloured	2
from polverine of rochetta	2
figure of mans body	2
nothing can be more	2
it the colours of	2
and by this means	2
then let it alone	2
the solution of the	2
fear it should break	2
are obliged to have	2
which repolish at the	2
from many walks of	2
on a reverberatory fire	2
for half an hour	2
furnace may serve for	2
then it will be	2
in a crucible well	2
in an ash furnace	2
it a good fire	2
to make those red	2
is not the same	2
same as the former	2
with a weake water	2
it to a red	2
will be well purified	2
out and let it	2
into it also a	2
a crucible into the	2
then mix the whole	2
five or six times	2
which you must be	2
another way to harden	2
serve well enough for	2
put to a little	2
and receiver with wet	2
it melt and purifie	2
woont to be made	2
it stand to melt	2
three or four hours	2
let it stand till	2
the drawing of a	2
them well on a	2
than we can tell	2
put this into a	2
we shall prescribe in	2
a pair of pliers	2
agree with all colours	2
the vessel that contains	2
again at the wheel	2
poure away the water	2
it is of a	2
proper sculptures written originally	2
when it is melted	2
away from our sight	2
of vitriol calcined ad	2
you must make use	2
give you the preparation	2
same circumstances for baking	2
of cleansing the ultra	2
in respect of their	2
the place where this	2
moreover as in the	2
martis prepared with vinegar	2
and then take it	2
natural crystal of a	2
shop at the signe	2
we have given in	2
calx of lead also	2
which will guide you	2
and dry it in	2
in a crucible into	2
be finer than the	2
and the same quantity	2
cannot be altered by	2
as painters do their	2
doing anything by hand	2
which put in the	2
then try the colour	2
original in the henry	2
there are many other	2
blue and yellow make	2
you drew upon the	2
and make them exceeding	2
phlegm in balneo mariae	2
if it do not	2
colour you would have	2
then see if the	2
leaving it there for	2
bore them through with	2
find the matter tinged	2
this powder of crystal	2
the water be all	2
the pot to be	2
then you must take	2
the head to the	2
but also for the	2
then let it be	2
it in a vessel	2
the head too big	2
four grains of our	2
will do very well	2
of those who have	2
the subject of the	2
how to make it	2
much of iron scales	2
must take care of	2
the colour may be	2
berries make iust such	2
to be obserued in	2
the text the author	2
you can never recover	2
so that you shall	2
the first two hours	2
and repeat this process	2
a reverberatory to calcine	2
the left side of	2
text is an enriched	2
make a glass of	2
will be a very	2
in his th book	2
flame of a candle	2
put that powder into	2
the brawne of the	2
puts this text in	2
mass into a glass	2
miles distance of the	2
an hour over a	2
and lute them well	2
turn white sapphire into	2
way to make enamel	2
add to each pound	2
and grind it very	2
which may be made	2
is quite contrary to	2
of fine white sand	2
and sometimes lake and	2
you must at the	2
separating the colours of	2
ounces of salt of	2
who knows how to	2
has been often experimented	2
cement for separating the	2
is not possible to	2
and set them to	2
to make fine and	2
that cannot be altered	2
take it off this	2
the manner of the	2
the colour must be	2
we will here add	2
and grind this powder	2
your lead or coale	2
to enamel on copper	2
the phlegm in balneo	2
the same manner you	2
to make oriental topaz	2
and of all the	2
little into your matras	2
our principal prepared powder	2
till it be dry	2
put the mass into	2
this furnace may serve	2
since it is found	2
this colour will be	2
this is the reason	2
the order of the	2
put the crucible on	2
must be very cautious	2
you will find at	2
is very different from	2
continue to do thus	2
in the mouth of	2
now we proceed to	2
stroake must be so	2
by putting in a	2
of our principal prepared	2
the matter is well	2
it on a porphyry	2
the glory of the	2
beyond the limits of	2
only shew the way	2
put these into a	2
shoulders and other things	2
the wheel to give	2
glass of a blue	2
you must skim off	2
ounces of aqua regalis	2
great deal of time	2
with an ounce of	2
and make them look	2
a little more of	2
of gold or silver	2
they put in a	2
you must wash it	2
it in the aire	2
and let it drie	2
the colour and hardness	2
by your own iudgement	2
exposed to the air	2
which is known to	2
distance of the same	2
his shop at the	2
making vitriol of venus	2
him in such a	2
what colours must be	2
of necessity foreshorten him	2
according to ye order	2
great deal of care	2
sorts of enamel are	2
is fit to make	2
must lay your colours	2
it at four times	2
are now sold for	2
furnace for enameling and	2
of the most noble	2
in the intended corporation	2
true colour of oriental	2
two ounces of crude	2
properties of precious stones	2
well at each time	2
of our crystal ground	2
and linguistically annotated with	2
in a crucible with	2
haue occasion to vse	2
several ways of making	2
which fall from the	2
and let them be	2
the way how to	2
prepared with saturnus glorificatus	2
we will treat more	2
and continue to do	2
the glaire of egges	2
of avernia into diamonds	2
ten grains of crocus	2
crystal of a viper	2
you shall haue occasion	2
and put the remainder	2
of scales of iron	2
all the pieces of	2
settle to the bottom	2
is a perfect metal	2
how to make ultra	2
you shall begin to	2
your maps or pictures	2
stick to the pot	2
correct the colours just	2
twenty four hours after	2
of thrice calcined copper	2
to make it of	2
the flame and smoak	2
off and cake it	2
it be too light	2
painting on enamel and	2
comes from persia and	2
we have just now	2
by little into your	2
another very fine rose	2
when you would use	2
out the way of	2
give them the true	2
them through with a	2
space of three hours	2
put in the powder	2
as good as the	2
will be fit for	2
the side of the	2
quarter of a pound	2
give the name of	2
cast it into the	2
to make in natural	2
fear of breaking the	2
it into the fire	2
which would break them	2
small as you can	2
it dry for two	2
of madder for lake	2
made of the same	2
a second time in	2
observe whether the colour	2
more easie to make	2
it be quite setled	2
must of necessity foreshorten	2
that it may cool	2
it should stick to	2
has been tokenized and	2
the same degree of	2
the metal will rise	2