trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
repeat from to	153
the st on	94
of last round	80
in the same	79
at the top	75
the top of	73
of the work	73
in the centre	72
the centre of	67
the end of	66
it may be	63
is to be	62
one of the	61
top of the	60
end of the	57
it is not	57
as in the	57
side of the	54
in order to	53
of an inch	53
part of the	52
carried out in	50
centre of the	50
the work is	49
of the stitch	47
as well as	47
the direction of	46
in the case	44
the use of	44
at the end	43
great exhibition prize	43
in which the	43
the case of	43
it will be	42
on to the	42
a piece of	42
on th l	41
but it is	41
direction of the	40
there is a	39
on the other	39
it is worked	39
st on th	39
on the sampler	38
on nd l	38
with the needle	37
centre loop of	37
in the first	37
into th loop	37
the effect of	37
treble of last	37
it is a	37
to be worked	37
edge of the	37
to the end	36
in this way	36
of the stuff	36
of the same	36
st on nd	35
treble at the	34
into centre loop	34
to the right	33
the same way	33
on next l	33
the point of	33
shown in fig	33
at the back	33
of the material	32
the lines of	32
is shown in	32
of this kind	32
the st into	31
the working of	31
out of the	30
the stitch is	30
so as to	30
the back of	29
and it is	29
of the needle	29
there is no	29
of the sampler	29
and bring it	29
the thread through	29
shown in the	28
is worked in	28
according to the	28
and albert museum	28
be seen in	28
victoria and albert	28
of the last	27
are to be	27
and in the	27
in the diagram	27
back of the	27
the victoria and	27
and fasten off	27
it can be	27
the name of	26
as it is	26
under the ch	26
in a frame	26
from right to	26
are worked in	26
this is a	26
right to left	26
it would be	26
which it is	26
will be seen	25
the th century	25
the surface of	25
seen in the	25
of the pattern	25
bring it out	25
head crochet cotton	25
is carried out	25
to the left	25
that is to	24
and so on	24
point of the	24
of the first	24
left to right	24
at the point	23
used for the	23
an example of	23
that it is	23
threads of the	23
the same as	23
be worked in	23
from left to	23
some of the	23
be carried out	23
worked in the	23
for it is	23
in the victoria	23
with cotton no	23
the other hand	22
repeat all round	22
can be seen	22
to have been	22
the last stitch	22
on the right	22
in the direction	22
more or less	21
each of the	21
a row of	21
piece of work	21
it should be	21
in the engraving	21
insert the needle	21
in the hand	21
should not be	21
the eighteenth century	21
treble in the	21
the right side	21
gold and silver	21
lines of the	21
of the seventeenth	21
loop of the	21
to and fro	21
the thread is	21
in the second	21
made use of	21
the wrong side	20
the seventeenth century	20
a matter of	20
of the ch	20
may be seen	20
draw the thread	20
in the next	20
as a rule	20
of the thread	20
make a chain	20
th of an	20
the stitches are	20
the size of	20
for the purpose	20
at the corners	20
of the design	20
a chain of	19
pass the slip	19
to form a	19
and repeat round	19
from times more	19
to work it	19
repeat times more	19
the slip stitch	19
work treble in	19
can be used	19
repeat from times	19
loop of ch	19
a variety of	19
as shown in	19
by means of	19
of the th	19
is to say	19
done in the	18
of the two	18
slip stitch over	18
it has been	18
of the warp	18
on the lower	18
the needle in	18
st into th	18
at the beginning	18
the edge of	18
illustrated in fig	18
in the sampler	18
to the material	18
this kind of	18
into rd loop	18
of the three	18
kind of work	18
work of the	18
of the leaf	17
on the wrong	17
a kind of	17
stitches in the	17
of the worker	17
be used for	17
put your needle	17
is not so	17
to make the	17
to be done	17
the gold thread	17
your needle out	16
in the last	16
a sort of	16
it must be	16
in the way	16
surface of the	16
bring your needle	16
bring the thread	16
on reverse side	16
x all round	16
the number of	16
two or three	16
turn on reverse	16
the form of	16
in stem stitch	16
the space of	16
can be made	16
is used for	16
repeat from till	16
it is the	16
of last row	16
all kinds of	16
the last row	16
the pattern is	16
of the eighteenth	16
the heading of	16
the way of	16
to the back	16
the first of	15
carried out with	15
on the first	15
stitch in the	15
in the working	15
filled in with	15
must be taken	15
at the same	15
of the stitches	15
in square crochet	15
the other side	15
upon the surface	15
portion of a	15
needle and thread	15
part of a	15
may be used	15
reproduced in fig	15
the beginning of	15
be done in	15
the colour of	15
repeat to the	15
is in the	15
by the name	15
the method of	15
taken from a	15
to work a	15
the ends of	15
is one of	15
a series of	15
on each side	15
on the upper	14
the right hand	14
half of the	14
method of work	14
in at the	14
outline of the	14
the thread round	14
in any case	14
the reign of	14
the same manner	14
work treble at	14
is done in	14
the most part	14
x cerise in	14
backwards and forwards	14
when it is	14
formerly in the	14
used in the	14
the point where	14
to make it	14
owing to the	14
same as last	14
the fact that	14
st on next	14
the design is	14
the first row	14
the middle of	14
seems to have	14
and draw the	14
it to the	14
it is in	14
the lower edge	14
the threads of	14
through on the	14
in the following	14
long and short	14
to carry out	14
a portion of	14
decrease a sq	14
such as the	13
through at the	13
of the chain	13
this may be	13
put it in	13
the needle through	13
worked in a	13
parts of the	13
example of this	13
of the next	13
which completes the	13
the art of	13
on one side	13
be made of	13
the sampler is	13
to be filled	13
gradation of colour	13
the needle is	13
way of working	13
of the flower	13
the left hand	13
the first stitch	13
for the most	13
two of the	13
as may be	13
at regular intervals	13
in this case	13
that there is	13
the appearance of	13
if it is	13
the needle and	13
to be seen	13
those of the	13
through to the	13
upon the material	13
th and th	13
the rest of	13
to be a	13
instead of being	13
stitch is worked	13
to keep the	13
on the loop	13
of the period	13
to work the	13
in the round	13
at the base	13
two on the	13
work can be	13
eighth of an	13
between the two	13
plain in the	13
end with sq	13
use of the	13
point where the	13
of the canvas	12
colour of the	12
i have seen	12
of which the	12
the upper edge	12
has been done	12
by the author	12
begin and end	12
begin on the	12
of the ground	12
and end as	12
to the work	12
it is quite	12
length of the	12
the traced line	12
end of every	12
the work to	12
care must be	12
such things as	12
in the upper	12
can be done	12
and the like	12
may be done	12
which is a	12
to form the	12
ends of the	12
what is called	12
to the other	12
which can be	12
the same loop	12
of the line	12
close to the	12
middle of the	12
must not be	12
and for the	12
must be worked	12
it does not	12
can be obtained	12
example of a	12
that of the	12
on both sides	12
portion of sampler	12
number of stitches	12
at the commencement	12
due to the	12
in the th	12
methods of work	12
be found in	12
be described as	12
the outline of	12
end as usual	12
in round loop	12
this method of	12
method of working	12
bring it through	12
to show the	12
is an example	12
to make a	12
has to be	11
it at the	11
this can be	11
as a matter	11
of the time	11
a great deal	11
it is to	11
portion of the	11
shades of green	11
of the stitching	11
out at the	11
worked with the	11
effect of the	11
beginning of the	11
in the text	11
of the threads	11
work in the	11
is a very	11
in such a	11
it is possible	11
into a round	11
plain at the	11
where it is	11
of the most	11
as to the	11
of all kinds	11
to be found	11
the commencement of	11
so that the	11
in advance of	11
of the leaves	11
the face of	11
done in a	11
can be carried	11
rest of the	11
of the art	11
as much as	11
a single thread	11
the base of	11
stitches of the	11
from till sq	11
can be worked	11
at the side	11
from the back	11
miss the space	11
one at the	11
the top and	11
there must be	11
stitch on the	11
the first place	11
it is done	11
to be the	11
the next row	11
on the surface	11
the length of	11
to do this	11
of work is	11
on either side	11
the first half	11
and there is	11
the other end	11
each side of	11
may be made	11
into every loop	10
in the form	10
in the lower	10
variety of stitches	10
right side of	10
instead of the	10
of the embroidery	10
this is not	10
not so much	10
in satin stitch	10
into centre of	10
order to make	10
is not a	10
at a time	10
is given in	10
the treble of	10
they may be	10
towards the right	10
loop as before	10
the same time	10
in th row	10
the tree of	10
of the treble	10
in the work	10
heading of the	10
very much the	10
of the square	10
into the stuff	10
a line of	10
should be worked	10
under your thumb	10
same loop as	10
chain of last	10
the next stitch	10
will be found	10
to the next	10
it is well	10
of every row	10
the fine art	10
work the same	10
of the linen	10
edges of the	10
the choice of	10
is known as	10
from twice more	10
is worked over	10
for this purpose	10
samplers of the	10
face of the	10
bring the needle	10
the age of	10
except in the	10
point of view	10
the same stitch	10
the place of	10
chain of stitches	10
of which is	10
at each end	10
of it is	10
needle in the	10
of the left	10
or what not	10
is made of	10
as it were	10
be made use	10
as in illustration	10
repeat from twice	10
in the frame	9
on the next	9
of the right	9
this is the	9
in which it	9
the property of	9
the sewing down	9
the last two	9
work to be	9
the whole of	9
and work the	9
it in the	9
worked into the	9
made in the	9
on the last	9
on the second	9
in imitation of	9
thread of the	9
piece of embroidery	9
be seen that	9
used as a	9
in the other	9
is a good	9
on the same	9
the effect is	9
to the surface	9
base of the	9
it out on	9
on st l	9
is made in	9
the manner of	9
of the border	9
to give a	9
at the edges	9
make it round	9
rd loop of	9
open square crochet	9
out on the	9
same as the	9
be used as	9
over the surface	9
as far as	9
in the right	9
is in progress	9
work is done	9
taken from the	9
is useful for	9
this is to	9
in and out	9
exactly the same	9
and of the	9
which is the	9
most of the	9
the history of	9
to suit the	9
in the two	9
head knitting cord	9
this stitch is	9
a method of	9
have been worked	9
slip on the	9
the threads are	9
the side of	9
they are worked	9
the thread in	9
in conjunction with	9
put the needle	9
for embroidery purposes	9
the help of	9
the embroidery is	9
upper edge of	9
that i have	9
adam and eve	9
attached to the	9
from the centre	9
upon the warp	9
may be required	9
chain join to	9
the ground is	9
on the left	9
thread must be	9
the work of	9
carried out by	9
the majority of	9
to be made	9
intended to be	9
it is used	8
down to the	8
repeat from the	8
of the l	8
the thread to	8
the needle on	8
through the centre	8
worked on the	8
the decoration of	8
from n to	8
which is in	8
is taken from	8
the reverse side	8
from the engraving	8
and on the	8
you come to	8
the last one	8
chains of last	8
and the pattern	8
illustrated in plate	8
thread to the	8
on tapestry embroideries	8
to work f	8
work has been	8
of charles i	8
of the weft	8
the upper part	8
to work b	8
of the frame	8
is to make	8
on the needle	8
the addition of	8
last of the	8
at the right	8
they must be	8
carry out the	8
drawn thread work	8
through the loop	8
on the face	8
as will be	8
similar to the	8
a number of	8
should be of	8
during the process	8
is that in	8
stitch of the	8
th loop of	8
in the making	8
from side to	8
needle on the	8
the difficulty of	8
at the other	8
they can be	8
gold thread is	8
of the row	8
which is not	8
from a to	8
regard to the	8
the last of	8
of the other	8
repeat from n	8
to the front	8
and his queen	8
under every ch	8
early th century	8
thread through at	8
is a useful	8
it through on	8
are in the	8
it should not	8
has already been	8
of this work	8
kind of thing	8
shades of colour	8
of the loom	8
sides of the	8
side to side	8
found to be	8
the lower roller	8
only in the	8
to which it	8
the story of	8
be of the	8
the samplers of	8
may be worked	8
working of the	8
work done in	8
in its way	8
as the last	8
in the manner	8
to work with	8
cerise in next	8
the study of	8
of which are	8
the diagram shows	8
to the ground	8
of the fabric	8
that the stitches	8
to work d	8
is a great	8
of the colour	8
that may be	8
is done by	8
worked over with	8
at the centre	8
an inch in	8
to work g	8
the material to	8
that is not	8
in each of	8
which they are	8
on each of	8
in coloured silks	8
the material is	8
must be done	8
it is necessary	8
the edges of	8
well as the	8
of the best	8
the ground material	8
case of the	8
bringing it out	8
is intended to	8
and the same	8
lines of stitching	8
the second row	8
round the edge	8
to explain the	8
the human figure	8
imitation of tapestry	8
the white silk	8
width of the	8
join to th	8
with regard to	8
case of a	8
the same kind	8
needle out at	8
the xiiith century	8
into same loop	8
it into a	8
two rows of	8
space of two	8
to which the	8
from c to	8
both sides of	8
and that the	8
method of couching	8
but there is	8
advance of the	8
of the one	8
under the thumb	8
than in the	8
it is as	8
in next chain	8
of the flowers	7
the way it	7
the long stitch	7
it has a	7
over the l	7
of the way	7
centre of each	7
it is true	7
same number of	7
join on the	7
which may be	7
way in which	7
as i have	7
of the space	7
that in which	7
to the design	7
which have been	7
on which the	7
at first sight	7
remainder of the	7
from g to	7
repeat from p	7
over the two	7
through the stuff	7
repeat from v	7
made by the	7
repeat from t	7
use of a	7
for the next	7
the best of	7
buttonhole stitch and	7
to carry it	7
that it has	7
the last round	7
from e to	7
one or two	7
repeat from e	7
kinds of work	7
same way as	7
as last row	7
late th century	7
stitch is shown	7
there are various	7
of a design	7
as they are	7
sewn down with	7
by the way	7
the thread under	7
work it is	7
met with in	7
in one direction	7
out in this	7
of the end	7
in the end	7
in same chain	7
repeat from a	7
good example of	7
that it should	7
and must be	7
and work treble	7
of the samplers	7
in th chain	7
there is in	7
will be noticed	7
in twisted silk	7
of the form	7
thread round the	7
all round the	7
the material and	7
one side of	7
have been used	7
is my name	7
use is made	7
in the xiiith	7
or it may	7
of the kind	7
trace two parallel	7
from i to	7
on the l	7
the remainder of	7
to do it	7
what is known	7
and repeat the	7
repeat from g	7
in the main	7
and you have	7
on the material	7
your needle into	7
the same piece	7
from p to	7
stitches must be	7
of the back	7
it on the	7
the needle out	7
in almost every	7
carry it out	7
when the work	7
worked with a	7
an overcast stitch	7
the life of	7
from r to	7
worked from the	7
the same number	7
stitch to the	7
of a sampler	7
repeat from l	7
can hardly be	7
that there are	7
portions of the	7
as we have	7
in the design	7
in the latter	7
two parallel lines	7
and in a	7
rows of squares	7
repeat from r	7
drawing of the	7
in coloured silk	7
which is to	7
on the th	7
it is more	7
and the other	7
in the loop	7
sixteenth of an	7
goes by the	7
but they are	7
form of decoration	7
the variety of	7
is shown at	7
it is made	7
chain of e	7
example of the	7
in last row	7
pattern in the	7
has very much	7
from v to	7
front of the	7
matter of fact	7
exhibited in the	7
to its being	7
in buttonhole stitch	7
and it will	7
from l to	7
the way the	7
a combination of	7
tree of life	7
is made by	7
at the ends	7
from t to	7
and knot stitches	7
way it is	7
if there is	7
the nineteenth century	7
the second of	7
towards the left	7
bottom of the	7
stitch in a	7
and thread through	7
one in the	7
of any kind	7
of some kind	7
from a piece	7
repeat from i	7
as it does	7
with a needle	7
and to the	7
so far as	7
the thread must	7
repeat from c	7
an inch from	7
from the earliest	7
the first and	7
in that case	7
to work e	7
of the reign	7
such a way	7
commencement of the	7
a way of	7
but it may	7
size of the	7
account of the	7
by way of	7
of the forms	7
and out of	7
and short stitch	7
the petals of	7
of the human	7
is in a	7
sampler by elizabeth	7
which we have	7
there are two	7
stitches on each	7
made of the	7
sampler by mary	7
an embroidery frame	7
of the required	7
of each of	7
in chain stitch	7
the stitch to	7
a sampler dated	7
in the fine	7
together at the	7
of the gold	7
it out again	7
stitch is a	7
of the following	7
to the point	7
might be used	7
first half of	7
in the year	7
of the past	7
at the points	7
not to be	7
is well to	7
where it came	6
it was not	6
and bring the	6
there will be	6
one to the	6
of the traced	6
would be a	6
suited to the	6
appear to be	6
there is not	6
round the needle	6
to draw the	6
be noticed that	6
of sampler by	6
be able to	6
the same direction	6
inch from the	6
for the use	6
is a sort	6
change to the	6
in the usual	6
work is that	6
in one at	6
which form the	6
an inch of	6
with reference to	6
of a small	6
great deal of	6
an inch further	6
pasted on to	6
in this volume	6
surface of a	6
the influence of	6
a good deal	6
the next process	6
the sampler was	6
much of the	6
which it was	6
the way to	6
it is also	6
row of insertion	6
of your work	6
on centre of	6
the border of	6
eye of the	6
in the embroidery	6
embroidery reproduced in	6
as in fig	6
piece of the	6
is possible to	6
up and down	6
in one of	6
the two sides	6
be obtained in	6
alphabets and numerals	6
of various kinds	6
the xviith century	6
laid on the	6
it is carried	6
the raw edges	6
begin by making	6
is that it	6
to take up	6
examination of the	6
been worked in	6
the next two	6
is illustrated in	6
as if it	6
appearance of a	6
across the space	6
work is to	6
row is worked	6
beginning on the	6
and at the	6
the pattern in	6
work of this	6
same kind of	6
cover for a	6
be worked from	6
depends upon the	6
at the present	6
that we have	6
illustrated in the	6
of the upper	6
the eye of	6
on the loom	6
much the same	6
to trace the	6
in the middle	6
the design of	6
first and last	6
is filled in	6
will probably be	6
the width of	6
the kind of	6
of e of	6
the threads that	6
the work has	6
leaves and flowers	6
is used in	6
lower edge of	6
part of an	6
consists of a	6
more than a	6
on the stuff	6
light and shade	6
stem stitch and	6
much as possible	6
laid upon the	6
it is so	6
that the work	6
thread in the	6
is difficult to	6
your needle in	6
with a brush	6
repeat from x	6
at the lower	6
the same place	6
may be of	6
as illustrated in	6
may have been	6
a white linen	6
which there is	6
in same as	6
same piece of	6
extract from the	6
birds and beasts	6
are done in	6
is not possible	6
border to sampler	6
and the stitch	6
in place by	6
of the rows	6
character of the	6
the necessity of	6
to work c	6
it in at	6
from the beginning	6
be allowed to	6
the loop of	6
illustrations in the	6
begin with sq	6
work on the	6
stitches at the	6
it is often	6
join to the	6
top and bottom	6
lends itself to	6
in its place	6
cut and drawn	6
to be applied	6
place of the	6
stitches in one	6
of the cord	6
the result of	6
years of age	6
the lower portion	6
that has been	6
and silver threads	6
in st chain	6
the chain of	6
the same thing	6
name of the	6
that it was	6
the drawing of	6
from x to	6
in front of	6
of the lines	6
a stitch in	6
the centre is	6
and sewn down	6
they are not	6
to that of	6
shown in illustration	6
the date of	6
by working the	6
reference to the	6
found in the	6
in exactly the	6
will be a	6
it is always	6
needle under the	6
of old work	6
is sewn down	6
keeping the thread	6
made of a	6
a way as	6
at the required	6
draw it through	6
the purpose of	6
similar to that	6
the bottom of	6
the judgment of	6
be used in	6
stitch and darning	6
was done in	6
is that the	6
in the pattern	6
may be the	6
is not the	6
work in illustration	6
an inch below	6
way as to	6
a on the	6
in the early	6
of the round	6
another way of	6
petals of the	6
st into rd	6
in white and	6
cut out of	6
may be put	6
again on the	6
and they are	6
the part of	6
shown at fig	6
of chain stitch	6
on the subject	6
there should be	6
the stitches must	6
fact that the	6
the character of	6
the aid of	6
wrong side of	6
the left thumb	6
of working the	6
to follow the	6
to the velvet	6
it is difficult	6
so long as	6
of the band	6
to make them	6
the side pieces	6
there would be	6
at the bottom	6
next process is	6
of a leaf	6
work may be	6
a few stitches	6
it might be	6
it is most	6
be taken that	6
likely to be	6
many of the	6
is apt to	6
is worked by	6
thread under your	6
the subject of	6
needle in again	6
it may have	6
down of the	6
is necessary to	6
in the left	6
to work upon	6
again and again	6
for carrying out	6
out in a	6
judgment of paris	6
second and third	6
is all in	5
the stitch in	5
in the leaves	5
of one of	5
of the bar	5
may be a	5
of the stem	5
or three threads	5
in some way	5
stitch of chain	5
the finished work	5
of the renaissance	5
the names of	5
be used with	5
thing to be	5
probably due to	5
beginning and end	5
in every stitch	5
insert the hook	5
along the line	5
left of the	5
but in the	5
cut or open	5
double back stitch	5
the needlework is	5
the next loops	5
all in one	5
the design has	5
warp and weft	5
is a most	5
magazine of art	5
the beginning and	5
may not be	5
of it in	5
the present day	5
so that there	5
of the foundation	5
must have been	5
at the edge	5
with which the	5
is worked as	5
the line of	5
must then be	5
at a little	5
it seems to	5
of this volume	5
was worked by	5
and that is	5
the thread and	5
a form of	5
that the worker	5
next shade of	5
of silk or	5
is easy to	5
intervals over the	5
two in one	5
being worked in	5
from the bottom	5
in illustration is	5
the greater part	5
it is embroidered	5
by the needle	5
thumb to the	5
use of in	5
on the part	5
in this stitch	5
on the chain	5
embroideries in the	5
then in round	5
the thread down	5
be done with	5
of all the	5
by the use	5
with gold thread	5
examples of old	5
of this is	5
now in the	5
change of colour	5
of collotype reproductions	5
the head of	5
that in the	5
two threads of	5
stitch in every	5
then work the	5
this makes it	5
work is in	5
top and base	5
pattern may be	5
the collotype plates	5
upon the right	5
of james i	5
the hand or	5
pattern upon the	5
this would be	5
always in the	5
and all the	5
the same colour	5
of a large	5
it is advisable	5
the thumb and	5
loop at the	5
a record of	5
sampler in the	5
the flower is	5
a good example	5
ways in which	5
that they are	5
in every one	5
in this country	5
belonging to the	5
of tapestry pictures	5
any of the	5
up the centre	5
to the shape	5
down at the	5
on st d	5
then insert the	5
the front and	5
over the held	5
first row of	5
in the loom	5
the space to	5
good deal of	5
a group of	5
explains the working	5
stitch may be	5
they should be	5
is not to	5
and one of	5
in the ch	5
some kind of	5
in the present	5
and these are	5
up with a	5
to th d	5
either side of	5
take hold of	5
appears to be	5
material at the	5
is always the	5
greater part of	5
matter of course	5
need not be	5
the way in	5
to cover a	5
three treble of	5
to go round	5
it came out	5
and can be	5
the sixteenth century	5
pass the needle	5
of the little	5
covered by the	5
of the point	5
two shades of	5
is the case	5
an examination of	5
in process of	5
the left of	5
repeat the same	5
way is to	5
with the point	5
by this method	5
work in which	5
of cut work	5
of the lower	5
what it can	5
of the previous	5
property of the	5
colour in the	5
other side of	5
to be carried	5
cerise in the	5
half an inch	5
section of the	5
is quite easy	5
in shades of	5
in no way	5
the starting point	5
owing to its	5
and the thread	5
is not always	5
of carrying out	5
but with the	5
way of the	5
every one of	5
to be joined	5
it is best	5
be lined with	5
or open work	5
the stitch at	5
away from the	5
the centre and	5
of a colour	5
and this is	5
one into the	5
the book is	5
at equal distances	5
be cut off	5
they were in	5
the material in	5
and i have	5
be taken to	5
given in illustration	5
and in this	5
across to the	5
the needle as	5
is not much	5
susannah and the	5
line at the	5
one of these	5
of applied work	5
in this plate	5
something of the	5
to represent the	5
the rows of	5
and the two	5
under the heading	5
and hold it	5
for by the	5
in shading stitch	5
the technique of	5
upon white linen	5
side of it	5
to be used	5
now work the	5
here and there	5
the embroidery of	5
space to be	5
is an excellent	5
in order that	5
and the elders	5
draw it up	5
hagar and ishmael	5
for the decoration	5
is formed of	5
of the rollers	5
a loop on	5
and silver thread	5
the introduction of	5
shade of green	5
the cross stave	5
to the stitch	5
with the lightest	5
the piece of	5
with the darkest	5
row of the	5
it with the	5
which the work	5
is reproduced in	5
about th of	5
and in loop	5
the second and	5
in process in	5
is cut out	5
be a very	5
x repeat all	5
row of stitches	5
pass the thread	5
seem to have	5
diagram shows the	5
the th loop	5
would seem to	5
this kind may	5
the british museum	5
that can be	5
from the point	5
be done on	5
of the various	5
the production of	5
of gold and	5
be worked with	5
three chains of	5
cut out and	5
whatever it may	5
stitch can be	5
xivth century english	5
were it not	5
but it has	5
working of g	5
for this reason	5
the pattern upon	5
slip the needle	5
according to their	5
is for the	5
taken that the	5
it makes a	5
the ground with	5
than it is	5
to the top	5
may be described	5
with an overcast	5
edge of a	5
is obtained by	5
long in same	5
a question of	5
and over the	5
worked in two	5
in the chapter	5
hold the thread	5
that is a	5
a part of	5
together in the	5
upon a white	5
on the under	5
no more than	5
occurs in the	5
was one of	5
and the following	5
the first two	5
are sewn down	5
a little distance	5
stitches can be	5
a thread of	5
upon the threads	5
the needle under	5
of it being	5
variety in the	5
be remembered that	5
as to form	5
they are usually	5
the origin of	5
method of filling	5
by no means	5
x cerise on	5
which would be	5
upper part of	5
mode of working	5
of the loop	5
much used for	5
for working upon	5
of the four	5
and the work	5
stitch with the	5
of colour and	5
upon the stuff	5
embroideries of the	5
be filled in	5
to say that	5
where you joined	5
the two first	5
join at the	5
of colour in	5
take up the	5
fixed in place	5
the centre stitch	5
to the last	5
more than one	5
stitch as the	5
be applied to	5
the border at	5
b and c	5
to cover it	5
it is sometimes	5
advantage of the	5
samplers in the	5
of design and	5
to have a	5
the arms of	5
over the ground	5
the same in	5
value of the	5
the th round	5
through the material	5
on the opposite	5
have to be	5
is to work	5
the two ends	5
is quite simple	5
at the sides	5
in the reproduction	5
it and the	5
ancient method of	5
of the collar	5
of the subject	5
a specimen of	5
on the line	5
to which we	5
well as for	5
upon the ground	5
whole of the	5
ground is of	5
is most often	5
of a piece	5
two pieces of	5
be taken in	5
it is useful	5
is in satin	5
edgings and insertions	5
the three treble	5
and gold thread	5
the possession of	5
are built up	5
threads that are	5
the nature of	5
school of art	5
of these stitches	5
in the one	5
the worker is	5
stretched in the	5
it is usually	5
the pattern must	5
work should be	5
of the whole	5
every loop of	5
the costume of	5
stitch of last	5
until you have	5
then take the	5
by william morris	5
is composed of	5
pages of collotype	5
up in the	5
stitch and its	5
in which they	5
the product of	5
as nearly as	5
for the stalk	5
the ground in	5
such as that	5
in the background	5
would have been	5
little of the	5
work would be	5
from where you	5
the stitching is	5
the stitches used	5
almost entirely in	5
turn back and	5
form of a	5
there is nothing	5
the foundation chain	5
through over the	5
is often used	5
the reverse of	5
round to the	5
the thing to	5
that of a	5
examples of this	5
thread can be	5
with which it	5
at each corner	5
worked as follows	5
reverse of the	5
with the same	5
white linen ground	5
to the same	5
should be laid	5
for the pattern	5
plate plate a	5
stitches in this	5
a xivth century	5
in a stitch	5
be seen by	5
needle through the	5
the under side	5
suitable for the	5
of the early	5
process is to	5
figure in the	5
the weft threads	5
of the cross	5
is seen in	5
well within the	5
is only a	5
of the features	5
into the other	5
stitch from the	5
sampler which bears	4
taken in the	4
other side the	4
the st ch	4
executed by miss	4
with a fine	4
the square at	4
with stitches in	4
the flesh in	4
of queen esther	4
the latter being	4
it is called	4
the piece is	4
in curved lines	4
must be used	4
to the art	4
to work in	4
from q to	4
the upper one	4
i have one	4
the pattern may	4
the worker and	4
of henry viii	4
the work it	4
in the ground	4
and the date	4
the one treble	4
of the use	4
crossed the atlantic	4
from d to	4
described on page	4
to a point	4
of the applied	4
is not only	4
repeat from w	4
number of threads	4
designer and worker	4
piece of material	4
to pierce the	4
can be procured	4
the held down	4
thread through to	4
it is kept	4
employed in the	4
an inch lower	4
weft of the	4
working on the	4
th chain stitch	4
to the th	4
of stitch to	4
of hagar and	4
out in the	4
u to u	4
specimens of needlework	4
in on the	4
the application of	4
the evolution of	4
to its use	4
on a warp	4
from m to	4
change in direction	4
in original page	4
the period of	4
it is only	4
if they had	4
origin of samplers	4
well as to	4
work is carried	4
close it into	4
two pieces together	4
an illustration of	4
the chapter upon	4
in again at	4
four shades of	4
of the east	4
part where the	4
variety of the	4
sampler illustrated in	4
it is better	4
does not seem	4
the veins of	4
as for a	4
thread is used	4
confined to the	4
stitch is not	4
of one side	4
the opposite side	4
r to r	4
the sampler of	4
which the warp	4
the ways in	4
on the d	4
broderie en lacet	4
they do not	4
th to th	4
cut off the	4
can be very	4
to be drawn	4
it out immediately	4
edge to edge	4
in the stitch	4
as in all	4
as that on	4
and so forth	4
from h to	4
keeping with the	4
shape of the	4
the linen thread	4
in all the	4
books of ornamental	4
all the world	4
and satin stitches	4
is best to	4
of the patterns	4
shown in this	4
must now be	4
the work would	4
make a round	4
of this stitch	4
to the size	4
two hundred and	4
we do not	4
which is more	4
our first parents	4
f to f	4
form a loop	4
to work h	4
quite easy to	4
to be able	4
that the thread	4
it is worth	4
will make the	4
be seen on	4
dress of the	4
edge of your	4
to the linen	4
stitches on the	4
beads on the	4
mesh of the	4
from which it	4
one in which	4
c on the	4
by passing the	4
in samplers dated	4
until there are	4
stitches follow the	4
three rows of	4
at the time	4
version of this	4
would not be	4
of the figure	4
in one colour	4
other parts of	4
stitch is made	4
but this is	4
the two threads	4
satin stitch is	4
come in the	4
in plate iii	4
over two threads	4
so much the	4
mirrors of fashion	4
x eight close	4
to the centre	4
the work should	4
much the effect	4
repeat from b	4
late in the	4
of the earliest	4
there are no	4
to draw a	4
finished with a	4
in much the	4
packing down of	4
all along the	4
must always be	4
on the traced	4
the chains of	4
the limit of	4
k to k	4
x miss two	4
the two rows	4
be placed upon	4
may be added	4
stitch of each	4
the first edition	4
and last stitches	4
instead of a	4
worked from right	4
apt to be	4
wound upon the	4
these little pictures	4
stitch is done	4
the forms of	4
the frame is	4
are used in	4
this kind is	4
the same on	4
the first d	4
usually done in	4
into the heading	4
of the braid	4
a round loop	4
worked in square	4
cerise on next	4
the white beads	4
is very pretty	4
over and under	4
five treble of	4
might be described	4
that shown in	4
the left edge	4
various kinds of	4
hold of the	4
nd loop of	4
the best way	4
to the pattern	4
it is said	4
as it was	4
veins of the	4
down with the	4
is said to	4
t to t	4
in that of	4
of satin stitch	4
by varying the	4
series of examples	4
form to be	4
of the large	4
the gold is	4
use to which	4
design of the	4
of a casket	4
towards the end	4
the lower line	4
to be covered	4
couched on to	4
from embroidery reproduced	4
of our own	4
q to q	4
manner of tapestry	4
if the work	4
inch lower down	4
on which work	4
web of the	4
repeat from s	4
be of any	4
cut and embroidered	4
made at the	4
the advantage of	4
can be arranged	4
from a xivth	4
centre of ch	4
come to the	4
or to the	4
it was in	4
with the white	4
the stitches is	4
but that is	4
next treble of	4
it round the	4
worked in this	4
for a bassinet	4
be done by	4
reign of james	4
of the cap	4
used in conjunction	4
enlarged from embroidery	4
a quarter of	4
my name and	4
of f on	4
which are worked	4
from w to	4
of the house	4
state of preservation	4
under each ch	4
out of fashion	4
a solid filling	4
pattern must be	4
working of f	4
there results a	4
to keep it	4
of a double	4
kind may be	4
the pattern and	4
in the exhibition	4
which in the	4
on last l	4
sewing down of	4
the difficulties of	4
as to make	4
the process of	4
work double in	4
the making of	4
directly on to	4
that they were	4
is a question	4
be knotted on	4
covered with close	4
can easily be	4
chain stitch of	4
line and bring	4
it not that	4
the small mesh	4
for the work	4
of the figures	4
as long as	4
from edge to	4
in french knots	4
s to s	4
art in needlework	4
tree of knowledge	4
which will be	4
the late th	4
in that the	4
from b to	4
of these flowers	4
it is dated	4
thread through the	4
from s to	4
together on the	4
and it was	4
point a on	4
at all events	4
the process is	4
the reason for	4
border of mary	4
of at the	4
is as well	4
of refilling the	4
from foreign sources	4
a to a	4
an end of	4
a stitch on	4
which was not	4
o to o	4
is known by	4
line to be	4
in the illustration	4
with the thumb	4
form a round	4
design and workmanship	4
stitch to be	4
to be very	4
be sewn down	4
detached from the	4
kinds of embroidery	4
of the five	4
in the stitching	4
are taken from	4
the opposite direction	4
the type of	4
where they are	4
n to n	4
in crewel stitch	4
worked in short	4
st into the	4
loop of next	4
of them is	4
and embroidered work	4
of the twist	4
out the pattern	4
needle into the	4
having made a	4
the usual way	4
is the name	4
inch in width	4
the pattern being	4
place of origin	4
that at the	4
will not be	4
a loop at	4
thread is taken	4
twist the thread	4
may perhaps be	4
stitch and the	4
w to w	4
in two shades	4
nearly as possible	4
worked over the	4
much the appearance	4
crochet edgings and	4
it from the	4
on such a	4
c to d	4
the work was	4
in various ways	4
of this book	4
at an angle	4
over a padding	4
would be very	4
not be too	4
than to work	4
from k to	4
edge to the	4
they are sometimes	4
size of this	4
in split stitch	4
it is seldom	4
repeat from d	4
it is hardly	4
are shown in	4
space is filled	4
embroidered in coloured	4
stitch is used	4
of the nineteenth	4
stitch at the	4
up with the	4
the warp threads	4
thread through on	4
turn the work	4
of g on	4
it was a	4
of pictures in	4
kind of embroidery	4
to be noted	4
order to be	4
of inlaid work	4
it is by	4
samplers were made	4
to fill up	4
of french knots	4
is practically the	4
of filling a	4
and the first	4
used as an	4
at the upper	4
whilst the work	4
if it were	4
of light and	4
that the drawing	4
hundred and fifty	4
down the centre	4
round with a	4
this is for	4
the upper roller	4
into the material	4
in white thread	4
and end of	4
i have been	4
up by the	4
must be a	4
direction of stitch	4
the outlines of	4
used to be	4
it lends itself	4
by making a	4
been able to	4
date of the	4
in the samplers	4
the following pages	4
the metal pin	4
at d is	4
is a method	4
done in square	4
of ornamental design	4
to the worker	4
be obtained by	4
small pieces of	4
thread berlin wool	4
drawing the thread	4
interest and value	4
is quite possible	4
have been the	4
the threads in	4
the dress of	4
of origin of	4
in the most	4
on white linen	4
both background and	4
repeat from k	4
from till within	4
and put it	4
material to be	4
the fringe is	4
a representation of	4
a single line	4
bound in cloth	4
repeat from h	4
cross each other	4
on an enlarged	4
round the edges	4
attention to the	4
each succeeding row	4
straight across the	4
of a bed	4
face worked in	4
a darker colour	4
in this and	4
of gold thread	4
that is the	4
up on the	4
it may not	4
or in a	4
such as is	4
louis de farcy	4
of stitches in	4
from the left	4
the use to	4
the same length	4
not to do	4
down on the	4
worked solid in	4
there is an	4
by martha c	4
to each other	4
an inch wide	4
that the sampler	4
of buttonhole stitch	4
we have not	4
worked in split	4
out on a	4
plate plate no	4
in many ways	4
to the edge	4
the central stalk	4
from f to	4
to be most	4
incidents in the	4
in the xviith	4
down at intervals	4
and the effect	4
loop on the	4
worked in floss	4
the stitchery of	4
and the ground	4
again in the	4
an enlarged scale	4
th century work	4
it is important	4
toilet cover in	4
insert the point	4
where the needle	4
in working a	4
g to g	4
of the weaving	4
draw the loop	4
one must be	4
aid of the	4
at the outset	4
part of it	4
which should be	4
along the bottom	4
and draw it	4
parallel lines upon	4
same stitch as	4
one or other	4
the th and	4
repeat from beginning	4
and may be	4
thread through over	4
work as follows	4
into the same	4
century english cope	4
in which case	4
stitches should be	4
where there is	4
at point a	4
b to b	4
is no reason	4
a view to	4
it was the	4
two ways of	4
a foundation of	4
said to have	4
until the whole	4
in black silk	4
a double outline	4
in readiness for	4
f on the	4
the next treble	4
of steel beads	4
as the work	4
the seventeenth and	4
be covered by	4
the worker had	4
you have the	4
h to h	4
as seen in	4
in the possession	4
needle to the	4
round and round	4
known by the	4
the warp is	4
this is shown	4
with the other	4
certain amount of	4
at right angles	4
the sampler which	4
the metal thread	4
half a century	4
so that they	4
rows of outline	4
e to e	4
follow the lines	4
where the last	4
alike on both	4
largely used in	4
fixed in the	4
till within sq	4
but the last	4
from u to	4
it under the	4
to the first	4
three times the	4
two threads in	4
by edward johnston	4
years of the	4
point to be	4
and make a	4
is necessary for	4
is filled with	4
though it may	4
view of the	4
out with a	4
a frame of	4
on the centre	4
is sometimes called	4
work must be	4
as if they	4
of the church	4
process of making	4
is the same	4
one treble of	4
lines upon the	4
the leaves in	4
in gold embroidery	4
the stem of	4
at each edge	4
folds of drapery	4
be very much	4
the earliest specimens	4
needle at the	4
about inches in	4
handsomely bound in	4
l to l	4
various ways of	4
the leaves are	4
worked on a	4
from o to	4
can be avoided	4
when worked in	4
been done in	4
a half inches	4
also for the	4
in every row	4
used in this	4
now the same	4
in foundation stitch	4
each other at	4
is not easy	4
in loop d	4
double in the	4
flat and raised	4
worked round the	4
great variety of	4
described in the	4
in plate ii	4
in gold and	4
as on the	4
makes a good	4
must be cut	4
name of a	4
for the back	4
cut out the	4
in no case	4
first of all	4
i to i	4
being worked on	4
of work in	4
in short stitches	4
side the same	4
fill up the	4
of the tree	4
worked in lines	4
this and the	4
by the aid	4
way as a	4
in the plain	4
top of a	4
worked on it	4
appearance of the	4
the stem is	4
work will be	4
it in place	4
a succession of	4
as in process	4
we have seen	4
down the chain	4
lines of thread	4
stitch in twisted	4
they have been	4
of portion of	4
can be fixed	4
a satin stitch	4
in old work	4
is laid on	4
the points of	4
to the needle	4
with a stiletto	4
at least as	4
the surface is	4
keeping your thread	4
carrying out of	4
age of the	4
when i was	4
use of purls	4
done in this	4
the letters are	4
join to a	4
to be placed	4
it was used	4
and couched cord	4
draw the needle	4
mr clement shorter	4
worked upon a	4
from the last	4
has been made	4
woven in coloured	4
on to a	4
on the cord	4
petit point pictures	4
what is to	4
x repeat to	4
stitches may be	4
keep it in	4
it into the	4
or for the	4
much of it	4
by using a	4
from which the	4
in this respect	4
with embroidery cotton	4
the ground fabric	4
it round and	4
the author and	4
in the costume	4
is done with	4
required for the	4
that illustrated in	4
lies in the	4
to right and	4
of the simplest	4
on account of	4
on to it	4
a stitch of	4
to cut the	4
direction opposite to	4
background and pattern	4
is on the	4
and work from	4
entirely covered with	4
of cut and	4
appear to have	4
in some of	4
end of thread	4