This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 18971 | VIII PLATE 20 These two sketches were taken from an 18th century(?) |
| 41717 | 1742 Flower in vase 1742 Heart 1751 House 1765 Inscription 1662 Motto or text 1651 Mustard- coloured canvas 1728 Name of maker(? |
| 41717 | All schooldays''friendship, childhood innocence? |
| 41717 | Do n''t you like the fir- cones?" |
| 41717 | Do n''t you remember how fond she used to be of picking them up in her little basket at the dear old place? |
| 41717 | SAMPLER(? |
| 41717 | SCOTTISH(?). |
| 41717 | scene 2, Helena addresses Hermia as follows:--"O, is all forgot? |
| 28269 | A beautiful material, if you are to better it( and if not why work upon it at all? |
| 28269 | And is she persuaded that her artless spray of flowers, or the ironed- off pattern she has bought, is all that art could be? |
| 28269 | And what, then, about originality? |
| 28269 | But suppose it is puckered? |
| 28269 | But why apply the term"satin- stitch"exclusively to parallel lines of stitches all of a length? |
| 28269 | How else suit the design to the stitch, the stitch to the design? |
| 28269 | How should she know? |
| 28269 | Is anyone nowadays modest enough to do work such as the couching in outline in Illustration 90? |
| 28269 | Is that to be a thing altogether of the past now that we have Art Needlework? |
| 28269 | ONE STITCH OR MANY? |
| 28269 | ONE STITCH, OR MANY? |
| 28269 | Or has she thought? |
| 28269 | The embroiderer of the 13th century was not afraid of that( aimed at it, perhaps? |
| 28269 | The question almost occurs: with what can one not embroider? |
| 28269 | What though she be a painter too? |
| 28269 | Why not drop titles, and call stitches by the plainest and least mistakable names? |