quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
the top of the	59
at the top of	54
the centre of the	47
in the case of	43
in the centre of	39
the st on th	39
the end of the	39
st on th l	39
the direction of the	38
treble of last round	36
the st on nd	35
st on nd l	34
into centre loop of	34
treble at the top	33
victoria and albert museum	28
the victoria and albert	27
from right to left	26
the back of the	26
from left to right	23
in the victoria and	23
at the end of	22
in the same way	21
on the other hand	20
the point of the	20
th of an inch	20
work treble in the	19
that is to say	19
repeat from times more	19
the slip stitch over	18
st into th loop	18
pass the slip stitch	18
the st into th	18
of the th century	17
it will be seen	17
on the wrong side	17
make a chain of	17
is carried out in	16
of the seventeenth century	16
as in the case	16
the lines of the	16
the edge of the	16
turn on reverse side	16
by the name of	15
of the eighteenth century	15
and bring it out	15
repeat to the end	15
in the direction of	15
bring your needle out	15
loop of the ch	14
direction of the stitch	14
work treble at the	14
the st on next	14
draw the thread through	13
as shown in the	13
eighth of an inch	13
bring the thread through	13
be seen in the	13
for the most part	13
is one of the	13
on the right side	13
the surface of the	13
st on next l	13
begin and end as	12
the middle of the	12
and end as usual	12
the point where the	12
in the same manner	12
the threads of the	12
care must be taken	12
the effect of the	11
the beginning of the	11
to the end of	11
and bring it through	11
it is worked in	11
repeat from till sq	11
the rest of the	11
is shown in fig	11
the ends of the	11
as a matter of	11
at the beginning of	10
the same loop as	10
in order to make	10
the heading of the	10
miss the space of	10
at the same time	10
point of the needle	10
repeat from twice more	10
may be seen in	10
the treble of last	10
at the point where	10
can be seen in	10
the outline of the	10
same loop as before	10
be made use of	10
centre loop of ch	10
top of the treble	10
the needle and thread	10
in the way of	10
in the same loop	10
is an example of	10
a chain of stitches	9
the same as the	9
the right side of	9
the upper edge of	9
two on the loop	9
at the commencement of	9
of the treble of	9
seems to have been	9
can be carried out	9
right side of the	9
the end of every	9
the colour of the	9
chain of last round	9
as in the engraving	9
the face of the	9
worked in the same	9
the base of the	9
the case of a	8
will be seen that	8
the needle on the	8
is shown in the	8
plain in the centre	8
to carry out the	8
put the needle in	8
on the other side	8
of the last row	8
plain at the top	8
it is to be	8
thread through at the	8
x cerise in next	8
bring it through on	8
this kind of work	8
in advance of the	8
and draw the thread	8
the working of the	8
the thread through at	8
to be worked in	8
in the form of	8
as well as the	8
side of the work	8
in the first place	8
the case of the	8
the length of the	8
the space of two	8
end of every row	8
repeat from n to	8
the same as last	8
it through on the	8
on the lower edge	8
from side to side	8
through to the back	8
the edges of the	8
to carry it out	7
has very much the	7
repeat from a to	7
done in the hand	7
repeat from i to	7
an example of a	7
the thread must be	7
repeat from r to	7
trace two parallel lines	7
repeat from c to	7
the tree of life	7
but it is not	7
shown in the diagram	7
exhibited in the victoria	7
repeat from e to	7
it is well to	7
or it may be	7
in the first of	7
long and short stitch	7
sixteenth of an inch	7
one of the most	7
the first half of	7
repeat from v to	7
treble in the same	7
repeat from l to	7
the remainder of the	7
the commencement of the	7
can be used as	7
the work to be	7
needle and thread through	7
same as last row	7
insert the needle on	7
the same way as	7
at the top and	7
the work is done	7
be carried out in	7
a piece of work	7
the thread round the	7
goes by the name	7
in the right hand	7
it will be noticed	7
it should not be	7
of the first row	7
repeat from p to	7
on each side of	7
of an inch from	7
of the last stitch	7
in such a way	7
bring it out again	7
a portion of a	7
repeat from t to	7
the same number of	7
of the stitch is	7
of the reign of	7
the last of the	7
a matter of fact	7
repeat from g to	7
edge of the work	7
upper edge of the	7
done in a frame	7
in the xiiith century	6
wrong side of the	6
as will be seen	6
at the base of	6
be done in the	6
the stitch is worked	6
in and out of	6
the number of stitches	6
the petals of the	6
first half of the	6
of this kind of	6
there is a great	6
put your needle into	6
to be found in	6
your needle out at	6
centre loop of the	6
in the same direction	6
repeat from x to	6
thread under your thumb	6
of the left hand	6
of the work is	6
a great deal of	6
needle out at the	6
in the manner of	6
can be obtained in	6
a way as to	6
the size of the	6
the needle in the	6
is shown in illustration	6
is a sort of	6
illustrations in the text	6
chain of e of	6
be used as a	6
the same kind of	6
of the traced line	6
for the use of	6
the st into rd	6
end of the eighteenth	6
gold and silver threads	6
the side of the	6
chains of last round	6
the eye of the	6
the next process is	6
the wrong side of	6
the same piece of	6
the width of the	6
st into rd loop	6
can be done in	6
in each of the	6
on to the material	6
this kind of thing	6
on the surface of	6
an inch from the	6
be found in the	6
back of the work	6
treble in the centre	6
from a piece of	6
the appearance of a	6
as much as possible	6
at the back of	6
as may be seen	6
use is made of	6
may be made of	6
into rd loop of	6
it is carried out	6
the part of the	6
in one at the	6
top of the three	6
to which it is	6
it is possible to	6
is to be done	6
such a way as	6
what is known as	6
the centre of each	6
of an inch below	6
on the second of	6
the lower edge of	6
the name of the	6
is used for the	6
order to make the	5
end of the cord	5
a matter of course	5
same piece of work	5
of this kind may	5
out on the lower	5
from where you joined	5
this method of work	5
and out of the	5
is to be the	5
be carried out with	5
in exactly the same	5
seen in the engraving	5
worked in a frame	5
out in this way	5
may be described as	5
at a little distance	5
work has been done	5
each of the three	5
begin on the second	5
is not to be	5
back of the material	5
embroidery reproduced in fig	5
is that in which	5
is not so much	5
the whole of the	5
in the hand or	5
under the heading of	5
the property of the	5
put your needle in	5
of an inch of	5
bring the needle out	5
rd loop of the	5
a on the sampler	5
th loop of the	5
be taken that the	5
the judgment of paris	5
are to be worked	5
join at the end	5
the work of the	5
embroideries in the manner	5
the other side of	5
the space to be	5
put it in at	5
change to the next	5
the use of the	5
to the surface of	5
every one of the	5
to be carried out	5
it can be used	5
work of this kind	5
the beginning and end	5
of the three treble	5
is shown at fig	5
worked from the engraving	5
back of the sampler	5
will be noticed that	5
may be used for	5
about th of an	5
bring it out on	5
when the work is	5
to the back of	5
stitches in one at	5
which is to be	5
the way in which	5
as may be required	5
that i have seen	5
may be done in	5
the three treble of	5
on the part of	5
at the beginning and	5
carried out in a	5
of an inch in	5
then in round loop	5
the form of a	5
the fact that the	5
the first and last	5
at the ends of	5
advance of the last	5
the needle in again	5
threads of the canvas	5
end of the seventeenth	5
upper part of the	5
side of the stuff	5
the method of work	5
but it is a	5
the thread under your	5
each side of the	5
on either side of	5
kind of work is	5
three chains of last	5
it is not possible	5
cut or open work	5
one at the end	5
next process is to	5
an example of this	5
stitch is shown in	5
susannah and the elders	5
the use of a	5
gold and silver thread	5
by the use of	5
as well as for	5
of an inch further	5
in same as last	5
a good example of	5
both sides of the	5
x repeat all round	5
be used for the	5
in the next loops	5
the first row of	5
the working of g	5
worked in the hand	5
in imitation of tapestry	5
on the face of	5
it in at the	5
a good deal of	5
carried out in this	5
through the centre of	5
as shown in fig	5
the greater part of	5
bring the needle through	5
end of the thread	5
out of the way	5
x cerise in the	5
with regard to the	5
the bottom of the	5
the top and base	5
which it is worked	5
other side of the	5
pages of collotype reproductions	5
upon the surface of	5
the reverse of the	5
in front of the	5
must be taken that	5
work is to be	5
the drawing of the	5
it is not a	5
for the purpose of	5
it is difficult to	5
at the point of	5
is worked in the	5
the upper part of	5
thread to the right	5
it into a round	5
top of the one	5
join to th d	5
with an overcast stitch	5
then insert the needle	5
three treble of last	5
be worked from the	5
the samplers of the	5
as it is not	5
in the fine art	5
should be worked in	5
and bring the thread	5
where it came out	5
the threads that are	5
chain stitch of chain	4
end of the row	4
of hagar and ishmael	4
the use of purls	4
of a piece of	4
on an enlarged scale	4
round the point of	4
from c to d	4
needle through at the	4
stitch as the last	4
except in the case	4
in the reign of	4
whatever it may be	4
heading of the last	4
centre of the ch	4
upon the right side	4
both background and pattern	4
is attached to the	4
the aid of the	4
from c to c	4
the one treble of	4
top of the next	4
the ways in which	4
parallel lines upon the	4
of the one treble	4
the first of these	4
repeat from h to	4
eye of the needle	4
to the left of	4
in the first stitch	4
there is no reason	4
first and last stitches	4
x repeat to the	4
in the costume of	4
much the appearance of	4
one into the other	4
worked in this way	4
the web of the	4
is intended to be	4
of the colour of	4
in the xviith century	4
of the flower is	4
in the upper part	4
the art of embroidery	4
of colour in the	4
is a great deal	4
the way it is	4
one side of the	4
edge of the line	4
line and bring it	4
rd loop of ch	4
begin by making a	4
parallel lines on the	4
done in square crochet	4
follow the lines of	4
is done in the	4
repeat from f to	4
as well as to	4
from embroidery reproduced in	4
the second and third	4
part of the work	4
on to the linen	4
is worked as follows	4
edge of the material	4
to the next shade	4
what has been done	4
in process in the	4
and put it in	4
the needle through the	4
by the aid of	4
make a round loop	4
a xivth century english	4
way it is done	4
there would be a	4
lines on the material	4
five treble of last	4
by passing the needle	4
from edge to edge	4
laid upon the material	4
your needle into the	4
now the same as	4
and a half inches	4
cover in square crochet	4
into the heading of	4
of the line to	4
work is carried out	4
instead of at the	4
in the working of	4
much the same way	4
the size of this	4
outline of the pattern	4
from h to h	4
the line to be	4
upon a white linen	4
and it is not	4
f on the sampler	4
the next shade of	4
lid of a casket	4
of each of the	4
out at the top	4
stretched in the frame	4
stitch in twisted silk	4
from n to n	4
x to the end	4
the manner of tapestry	4
beginning and end of	4
in the next two	4
is not easy to	4
lines upon the material	4
of cut and embroidered	4
it is necessary to	4
the material to be	4
a variety of stitches	4
it is quite easy	4
work double in the	4
must be taken to	4
is worked over with	4
method of filling a	4
the needle through at	4
thread through on the	4
insert the needle in	4
face worked in split	4
next treble of last	4
in some of the	4
done in the way	4
of the same kind	4
much the effect of	4
the next treble of	4
from b to b	4
repeat from s to	4
are to be seen	4
that it should be	4
the same stitch as	4
repeat from k to	4
the pattern in the	4
the other side the	4
the stitches must be	4
of the five treble	4
buttonhole stitch and darning	4
from a xivth century	4
at the upper edge	4
from a to b	4
it is best to	4
example of this is	4
from e to e	4
repeat from till within	4
of this kind is	4
one at the corners	4
that the work is	4
enlargement of portion of	4
work can be done	4
a certain amount of	4
from a to a	4
to the size of	4
th and th centuries	4
worked into the stuff	4
one treble of last	4
the th loop of	4
the working of f	4
this is to be	4
pasted on to the	4
worked from left to	4
the surface of a	4
treble in the ch	4
the top and bottom	4
from t to t	4
from o to o	4
an inch lower down	4
process in the diagram	4
the under side of	4
of gold and silver	4
same stitch as the	4
it is not easy	4
in the left hand	4
of one of the	4
in process of making	4
the form to be	4
line to be worked	4
packing down of the	4
repeat from b to	4
direction of the twist	4
the th and th	4
in two shades of	4
enlarged from embroidery reproduced	4
from m to m	4
from l to l	4
close it into a	4
the late th century	4
from v to v	4
in the following pages	4
two parallel lines on	4
seven treble of last	4
is quite easy to	4
crochet edgings and insertions	4
into th loop of	4
the use to which	4
left to right and	4
from r to r	4
of an inch wide	4
two or three threads	4
the character of the	4
towards the end of	4
in this way the	4
in the th century	4
might be described as	4
with a view to	4
have been worked in	4
working of g on	4
by the help of	4
a quarter of an	4
to form a round	4
a piece of the	4
the place of the	4
that shown in fig	4
the five treble of	4
at the fine art	4
as in process in	4
and insert the needle	4
is to be found	4
the shape of the	4
from i to i	4
sampler of cut and	4
on the same edge	4
the reign of james	4
stitches on each of	4
seem to have been	4
the pattern upon the	4
from q to q	4
from w to w	4
that in which the	4
from till within sq	4
be made of a	4
a white linen ground	4
repeat from d to	4
in order to be	4
in the same stitch	4
the diagram shows the	4
in the possession of	4
parts of the work	4
alike on both sides	4
there is in the	4
the age of the	4
repeat from u to	4
the sewing down of	4
at the side of	4
might be used for	4
it is in the	4
as to form a	4
the veins of the	4
through on the upper	4
is taken from a	4
is my name and	4
it is quite possible	4
carried out with a	4
one of the simplest	4
worked from right to	4
this is shown in	4
be worked in the	4
work of the th	4
of the next treble	4
of an inch lower	4
on each of the	4
c on the sampler	4
from u to u	4
the method of working	4
but it may be	4
on the traced line	4
repeat from m to	4
as seen in the	4
top of the five	4
to be able to	4
probably due to the	4
the work is to	4
on to the velvet	4
cut and embroidered work	4
working of f on	4
from d to d	4
at the present day	4
the thread through on	4
at the other end	4
the st into the	4
attached to the material	4
the left of the	4
from the point of	4
from s to s	4
th chain stitch of	4
together at the top	4
this kind may be	4
to be seen in	4
are to be found	4
from f to f	4
directly on to the	4
the work would be	4
reign of james i	4
i have never seen	4
from g to g	4
of the human figure	4
and there is a	4
quarter of an inch	4
cerise in the same	4
x cerise on next	4
a piece of old	4
very much the effect	4
made use of in	4
xivth century english cope	4
cut out of the	4
repeat from w to	4
is illustrated in fig	4
from k to k	4
were it not that	4
the work is in	4
through at the top	4
used for the purpose	4
repeat from o to	4
in the british museum	4
repeat from q to	4
as nearly as possible	4
it is true that	4
stitch in the making	4
the pattern must be	4
the dress of the	4
from p to p	4
take hold of the	4
of the sampler is	4
in much the same	4
which the work is	4
it is as well	4
work the same as	4
through over the held	4
edge of your work	4
by a row of	3
with the help of	3
raised rose crochet collar	3
it is advisable to	3
the lines of stitching	3
for a hadrot lamp	3
where you joined no	3
of the seven treble	3
to cast on with	3
the underlay is of	3
the warp must be	3
to make up the	3
repeat from the st	3
is laid on the	3
satin and crewel stitches	3
from v to w	3
and all kinds of	3
inch in advance of	3
the thread to the	3
of the art of	3
as well not to	3
second and third of	3
a way of working	3
hand or in a	3
two three chains of	3
work is that in	3
is in some respects	3
of the tree of	3
work to be done	3
made at the beginning	3
this method of working	3
embroidered in coloured silk	3
on both sides of	3
and penelope crochet hook	3
the second of the	3
plate a group of	3
hold the thread down	3
of pictures in imitation	3
end of the traced	3
one or other of	3
turn back and work	3
of these little pictures	3
and work treble at	3
the ground is of	3
of an inch apart	3
st chain of e	3
of the warp and	3
the part where the	3
knots and knot stitches	3
chosen to suit the	3
the th century were	3
put it in again	3
needle on the upper	3
be couched on to	3
sampler illustrated in fig	3
for it is a	3
the stitch to the	3
together so as to	3
be of the best	3
from x to y	3
a little in advance	3
of any kind is	3
is always the same	3
this is done by	3
the centre of one	3
sampler which bears her	3
every square of the	3
insert the hook in	3
that the sampler was	3
the held down thread	3
the direction opposite to	3
to the variety of	3
threads of the linen	3
does not amount to	3
the arrangement of the	3
there are various ways	3
that illustrated in plate	3
the late mr a	3
of the weft threads	3
the stitches in the	3
the top of each	3
or in a frame	3
the late lady maria	3
of the back of	3
the stitch used in	3
round to the left	3
about half an inch	3
from z to z	3
from satin and crewel	3
a series of examples	3
by ann maria wiggins	3
missing any at the	3
as far as possible	3
is no reason why	3
thread round to the	3
come under the heading	3
out in block shading	3
as it is called	3
the fact that it	3
and in the year	3
a sprig of flower	3
of the stitch to	3
slip stitch on the	3
it has very much	3
solid in shading stitch	3
colour is to be	3
at regular intervals over	3
rows of outline stitch	3
to the direction of	3
to the fact that	3
the head of a	3
stitches in the direction	3
it in its place	3
which bears her name	3
at point a on	3
my name and when	3
oval tidy for easy	3
under your thumb to	3
and what is called	3
a chain of about	3
it is useful for	3
end of the stem	3
to the left and	3
more likely to be	3
in th of an	3
the thread in the	3
with a slip stitch	3
at the edges of	3
manner of tapestry pictures	3
offshoots from satin and	3
may be lined with	3
the seven treble of	3
in the garden of	3
the case may be	3
the top of a	3
portion of a large	3
point where the last	3
in which case the	3
little in advance of	3
do two on the	3
heading of the first	3
it is not necessary	3
alternately from left to	3
the upper roller is	3
the needle is brought	3
it is necessary for	3
to complete the stitch	3
of the next l	3
the centre loop of	3
portion of sampler by	3
the same on both	3
the top of line	3
to be done on	3
on the first of	3
it is easy to	3
on the opposite line	3
you come to within	3
ancient method of couching	3
each side of it	3
the stitches used in	3
part of the leaf	3
work as th row	3
an enlarged scale in	3
inch from the beginning	3
cover for a hadrot	3
sewn down with stitches	3
it is one of	3
the contour of the	3
from e to f	3
there is not much	3
hand end of the	3
can be worked in	3
points about the thread	3
half an inch in	3
same in the next	3
to and fro in	3
as mirrors of fashion	3
has the advantage of	3
secure the end of	3
mention of sampler by	3
fingers of the left	3
over its own end	3
from l to m	3
is done in square	3
in its simplest form	3
an inch further along	3
and illustrations in the	3
of the leaves in	3
to be filled in	3
was thirteen years of	3
chain repeat times more	3
is carried out by	3
is taken from the	3
to its being of	3
the variety of stitches	3
taken from a xviith	3
the working of a	3
by counting the threads	3
out your needle at	3
as if they had	3
two parallel lines upon	3
same on both sides	3
in which it is	3
surface of the material	3
will be seen in	3
the way of working	3
repeat from z to	3
in open square crochet	3
of the pattern being	3
christ in the temple	3
the name given to	3
worked in french knots	3
each under the ch	3
carried out in two	3
is cut out of	3
patterns of this kind	3
working a raised bar	3
it is not so	3
chain of about stitches	3
embroidery and tapestry weaving	3
stitch of last row	3
same number of threads	3
it would be possible	3
if the work is	3
cast on with two	3
space to be filled	3
according to the engraving	3
border for bassinet quilt	3
be described as a	3
two treble of last	3
the needle may be	3
an inch in width	3
so that there are	3
carried out in block	3
mary hall is my	3
this is for the	3
not missing any at	3
will be found in	3
centre of the two	3
work done in the	3
to st chain of	3
enlarged scale in fig	3
and when i was	3
between two of the	3
must be worked in	3
place of origin of	3
in the nature of	3
under the st ch	3
on one side and	3
it has already been	3
point which is to	3
now work the same	3
the effect of this	3
and the reverse side	3
from x to x	3
in a darker colour	3
alternately long and short	3
to edge of the	3
difficult to work upon	3
through from the back	3
repeat the th round	3
in the same piece	3
piece of work is	3
hundred and fifty years	3
easy chair or sofa	3
first two links of	3
the date of the	3
the costume of the	3
the name of a	3
squire and his lady	3
silk upon white linen	3
age i ended this	3
design carried out in	3
hall is my name	3
will be seen by	3
the origin of the	3
is apt to be	3
and end of every	3
out in a frame	3
has a way of	3
out of the warp	3
couched on to the	3
bringing it out immediately	3
and such things as	3
met with in the	3
worked with a stout	3
but in any case	3
at a point which	3
in most of the	3
the next step is	3
on the first stitch	3
with the plain scarlet	3
one of the two	3
the same in the	3
any at the corners	3
a stoutly twisted thread	3
counting the threads of	3
the influence of the	3
of the rows of	3
to it on the	3
in antique point lace	3
or whatever it may	3
same colour as the	3
in the usual way	3
to leave space for	3
methods of refilling the	3
in order to give	3
a method of work	3
filling can be seen	3
to take up stitches	3
is that it is	3
edge to edge of	3
run a few stitches	3
th row of insertion	3
stitches follow the lines	3
stitch in a frame	3
of england and wales	3
join to st chain	3
the material to the	3
top of the two	3
in the same place	3
long in same as	3
are carried out in	3
the hand or in	3
the latter half of	3
by doing two in	3
samplers as records of	3
work can be carried	3
must be used with	3
with the small mesh	3
of the last round	3
be as nearly as	3
the same colour as	3
one way or another	3
is to be used	3
doing two in one	3
very much the appearance	3
the needle enters the	3
direction of the lines	3
a portion of an	3
would seem to be	3
on stitches on each	3
the thread too tightly	3
under side of the	3
the design is a	3
samplers of the period	3
into every loop of	3
there is no need	3
curtain and stove apron	3
protection and preservation of	3
the size of a	3
as th row of	3
should be of the	3
of light and shade	3
on the upper line	3
the space is filled	3
is for the most	3
collar in spanish rose	3
and in loop d	3
would be difficult to	3
can be made use	3
the shape to be	3
piece of the stuff	3
face of the stuff	3
be made of the	3
on the white silk	3
is due to the	3
chain repeat all round	3
then darn it with	3
they are worked in	3
shown in this plate	3
from the fact that	3
the sampler which bears	3
the design has been	3
of filling a space	3
used in conjunction with	3
on centre of ch	3
each section of the	3
you put your needle	3
of the gold thread	3
can be seen on	3
on the upper edge	3
on the material and	3
of the type of	3
a single line of	3
with the lightest green	3
is a piece of	3
plain of last round	3
are worked in the	3
joining in the same	3
are two ways of	3
the last two of	3
draw the loop through	3
a detail of foliage	3
the design of the	3
regular intervals over the	3
in keeping with the	3
as illustrated in fig	3
the reign of henry	3
is to make the	3
taken from a piece	3
of the first edition	3
on a foundation of	3
whilst the work is	3
the first of which	3
an examination of the	3
by the addition of	3
it out on a	3
of the work to	3
to be met with	3
and in the second	3
edge th of an	3
carried out in the	3
to which we have	3
of the ground fabric	3
needle at the point	3
it out immediately below	3
and it may be	3
either side of the	3
the help of a	3
deep border for bassinet	3
join in the same	3
which completes the round	3
your needle at the	3
shades of green wool	3
thumb to the right	3
the chain that crosses	3
centre of the flower	3
and you have the	3
and from right to	3
method of work is	3
piece of old work	3
border to sampler by	3
buttonhole stitch in the	3
be worked in square	3
of the nineteenth century	3
place the left thumb	3
to be a very	3
the needle to the	3
it may be said	3
can be obtained by	3
those of the last	3
through on the lower	3
a frame of this	3
the direction of its	3
in this plate is	3
an important part in	3
the working of b	3
be seen that the	3
pictures in imitation of	3
a loop on the	3
as the case may	3
the completed work is	3
is a method of	3
the gold thread is	3
worked by counting the	3
on the inner side	3
from the earliest times	3
threads which form the	3
wool netted cover for	3
as to make it	3
the outlines of the	3
to hang in folds	3
between it and the	3
stitches in the round	3
the thread through to	3
an inch in advance	3
in the first half	3
with the point of	3
way in which the	3
plates and illustrations in	3
thread through over the	3
it out on line	3
material and bring the	3
in the choice of	3
seventeenth and eighteenth centuries	3
in the lower roller	3
and the effect of	3
repeated again and again	3
it is interesting to	3
worked in square crochet	3
of the preceding row	3
books of ornamental design	3
then repeat the same	3
and the stitch is	3
to the front again	3
change of colour in	3
in spanish rose point	3
in embroideries of the	3
more or less open	3
of the two treble	3
tidy for easy chair	3
is to be worked	3
the material at the	3
in precisely the same	3
from t to u	3
both sides to correspond	3
with gold and silver	3
squares at each end	3
to the head of	3
the hair of the	3
your thread to the	3
couverette for an easy	3
to the lines of	3
of the plain of	3
with a kind of	3
the left edge of	3
eighths of an inch	3
is as well not	3
with stitches in the	3
through on the left	3
carried out by the	3
the seventeenth and eighteenth	3
in the majority of	3
very little of the	3
patterns are built up	3
third of an inch	3
it is possible that	3
in order to keep	3
top of the plain	3
hanging to the head	3
the st on the	3
is exhibited in the	3
the border of a	3
is given in the	3
in the chapter upon	3
other side the same	3
mass of french knots	3
is usually composed of	3
the rd loop of	3
stitching up at the	3
a point which is	3
it would be difficult	3
which can be used	3
in the nineteenth century	3
three stitches in one	3
of this may be	3
it at the back	3
in lines across the	3
the way of the	3
as to follow the	3
so as to form	3
is given in illustration	3
from a xviith century	3
on with two needles	3
you have the first	3
greater part of the	3
centre of the chain	3
the first two links	3
the technique of weaving	3
for permission to reproduce	3
embroidery with gold and	3
for a bed quilt	3
part of the worker	3
next two three chains	3
size of this o	3
in a slanting direction	3
is quite possible to	3
join to nd chain	3
the last row of	3
the part to be	3
in at the top	3
to the material is	3
crochet counterpane for a	3
an easy chair or	3
stripe for a bed	3
needle in again at	3
thirteen years of age	3
then work the same	3
years of age i	3
two chain of last	3
is by no means	3
of origin of samplers	3
illustrated in the diagram	3
apron in broderie en	3
that used for the	3
be worked in a	3
the pattern may be	3
from r to s	3
put the thread round	3
your thumb to the	3
the entire surface of	3
xiiith and xivth centuries	3
as well as in	3
can be used for	3
the work is carried	3
to the shape of	3
of our first parents	3
what is to be	3
the majority of the	3
in the second row	3
out of the frame	3
across the face of	3
cover for a tea	3
of the needle in	3
needle in the right	3
of the use of	3
if they had been	3
back of the stuff	3
and repeat to the	3
the left and hold	3
royal school of art	3
in the round loop	3
counterpane for a bassinet	3
put your needle under	3
in close parallel lines	3
from i to k	3
the whole of this	3
top of the seven	3
exactly the same way	3
to make a stitch	3
cast on stitches on	3
the work must be	3
fixed in place by	3
the whole into a	3
name and when i	3
threads at a time	3
is known by the	3
the two chain of	3
the stitch is used	3
the plain of last	3
and it is a	3
keeping the thread to	3
one thread of the	3
needle out on the	3
shape to be filled	3
there are two ways	3
your needle under the	3
hold of the thread	3
long stitches and darning	3
in one shade of	3
outline of the design	3
a spangled wool netted	3
two threads in height	3
of the material and	3
the end that points	3
to gradation of colour	3
made use of to	3
in any case the	3
a portion of the	3
the manner in which	3
the xiiith and xivth	3
in every stitch of	3
begin on the first	3
great variety of stitches	3
in broderie en lacet	3
when worked with a	3
i was thirteen years	3
three chain of last	3
latter half of the	3
an inch of the	3
that is to be	3
it may be as	3
for an easy chair	3
the legend of the	3
in which they are	3
is a kind of	3
the weft threads have	3
designed and executed by	3
it is evident that	3
of warp and weft	3
insert the point of	3
the work it is	3
may well have been	3
with three stitches in	3
nd chain of e	3
they cross each other	3
of the right kind	3
the work of a	3
the material and bring	3
material of which the	3
from n to o	3
repeat in the same	3
head of a bed	3
make it round and	3
working of the stitch	3
draw the needle and	3
till you come to	3
the decoration of the	3
and repeat the th	3
so as to follow	3
far as i have	3
and there is no	3
vestments and the like	3
take advantage of the	3
appear to have been	3
as it was called	3
rows of next shade	3
worked with the needle	3
the fault of the	3
in a variety of	3
of the history of	3
is made use of	3
between each under the	3
is seen in the	3
knit two pieces together	3
in the direction opposite	3
xvith and xviith century	3
repeat from y to	3
of the stitches is	3
face of the sampler	3
from a sampler dated	3
it lends itself to	3
between the thumb and	3
various methods of refilling	3
a representation of the	3
to the method of	3
the next two three	3
thread through to the	3
it is worked over	3
to knit two pieces	3
over the held down	3
to keep it in	3
last of the samplers	3
has been done in	3
there must be no	3
is often used for	3
when it is remembered	3
direction opposite to that	3
it is sometimes called	3
the work can be	3
of the same colour	3
you may see in	3
the lower portion of	3
it may have been	3
the thickness of the	3
as a specimen of	3
for hanging to the	3
the two treble of	3
of the same piece	3
a variety of ways	3
in round loop d	3
into the th loop	3
to the last stitch	3
be worked with the	3
from the centre outwards	3
sampler reproduced in fig	3
netted cover for a	3
by means of the	3
somewhat the effect of	3
work is in progress	3
different shades of colour	3
as it is worked	3
the first of the	3
be seen in fig	3
are found to be	3
to nd chain of	3
be fixed in the	3
in th chain stitch	3
is the name given	3
spangled wool netted cover	3
i ended this in	3
small pieces of work	3
as well as of	3
of age i ended	3
for this method of	3
the famous syon cope	3
drawings by the author	3
manuscript and inscription letters	3
map of england and	3
when i was thirteen	3
by the author and	3
the figure in the	3
to that of the	3
as that on illustration	3
described in the following	3
number of stitches on	3
worked in buttonhole stitch	3
a part of the	3
as closely as possible	3
stitch in last row	3
taking care not to	3
carrying out of the	3
in order that the	3
from g to h	3
the mesh of the	3
be knotted on to	3
and work the same	3
of the same length	3
from p to q	3
that there is no	3
left in the plain	3
on the collotype plates	3
of alphabets and numerals	3
the sampler reproduced in	3
arranged so as to	3
in the opposite direction	3
up at the back	3
to and fro over	3
from y to y	3
the needle under the	3
left and hold it	3
tidy in square crochet	3
the cut edge of	2
the other needle in	2
round the top of	2
enters the material at	2
early in the nineteenth	2
as far as i	2
under the point of	2
it may have arisen	2
thread must be kept	2
all the world over	2
portion of embroidery reproduced	2
of the two threads	2
weaving chapter xv introduction	2
into the same loop	2
of the stitch and	2
which the needle is	2
corners as many as	2
praise of the needle	2
one double of last	2
it must not be	2
sewing down of the	2
and it will be	2
work is most often	2
between the second and	2
ancient weaving taken from	2
then join on the	2
buttonhole stitch can be	2
where you last brought	2
be placed upon it	2
stitch in coarse twisted	2
sampler of raised work	2
be seen in many	2
worked on the loop	2
together on the right	2
it out again on	2
the two materials being	2
out under the loop	2
it after it is	2
of the border of	2
it out through the	2
it out th of	2
twisting the cotton twice	2
an account of the	2
it came out before	2
to be arranged in	2
shown on an enlarged	2
must be cut off	2
in order to learn	2
the work is completed	2
with the darkest green	2
with silk spools and	2
bead border makes the	2
work upon the ground	2
it may be made	2
are used in this	2
padded with embroidery cotton	2
the tree of knowledge	2
the needlework is done	2
being made at the	2
a common practice to	2
of carrying out the	2
on the reverse side	2
following always the lines	2
the corporation of maidstone	2
was one of the	2
the border at the	2
on the last stitch	2
of the stitch can	2
left instead of from	2
and worked over with	2
special care must be	2
a very simple matter	2
pattern in the bare	2
removed from the machine	2
embroidery frame treated as	2
a narrow piece of	2
stitch filling spaces nos	2
it can best do	2
take away from the	2
a little lower down	2
the artistic value of	2
pass the needle under	2
be carried out by	2
so long as it	2
it is usual to	2
refilling the open spaces	2
to the centre of	2
html version of this	2
pass the needle and	2
the number of foundation	2
order to show the	2
it is customary to	2
was much used for	2
one to the other	2
it between the left	2
be no occasion to	2
as this stitch is	2
is worked by counting	2
might be done with	2
left thumb over the	2
in the one case	2
it through over the	2
pin it out on	2
a kind of darning	2
in the diagram shows	2
through at the required	2
out about th of	2
precautions for the prevention	2
use may be made	2
in position as shown	2
be the left edge	2
a reprint of the	2
can be made of	2
given in this volume	2
drawing the thread quite	2
if only it is	2
of e of st	2
at the corners to	2
when land is gone	2
a small section of	2
both in colour and	2
two of which are	2
to right and from	2
in the story of	2
base of the flower	2
but it has been	2
emblems of the passion	2
floss is sewn down	2
top of the nine	2
limit to the variety	2
on which it is	2
for the prevention of	2
where it turns gives	2
one is certainly lighter	2
to work from the	2
about five feet by	2
is the case in	2
come on the right	2
with two threads of	2
effect of gilt gesso	2
over a single thread	2
and work them in	2
the groundwork of the	2
colour in the weft	2
frame treated as a	2
is worked over a	2
it into a little	2
embroidered xviith or xviiith	2
the property of miss	2
stitch and its offshoots	2
to show the pattern	2
it can be obtained	2
and run in the	2
miss one stitch of	2
for the next row	2
the centre of chains	2
thumb and first finger	2
the early seventeenth century	2
the use of these	2
lines of the design	2
it is worth while	2
employed in old work	2
little distance from the	2
to belong to the	2
carried out in laid	2
cope preserved at steeple	2
which the worker had	2
the starting point of	2
this can be made	2
stitch of the last	2
loop of st ch	2
different parts of the	2
pattern darned on it	2
canvas in cross or	2
by the way in	2
of the stitch would	2
the arms of henry	2
all along the line	2
towards the middle of	2
be seen on page	2
of the stitches in	2
it is a useful	2
straight across the warp	2
curtain two yards wide	2
the hole made by	2
the addition of the	2
at the time of	2
hundred years or so	2
to be worked with	2
of the darker wool	2
reverse of the usual	2
is at least as	2
so that there is	2
intervals over the surface	2
of the top of	2
a beautiful example of	2
the story of daphne	2
leaving the pattern in	2
it two or three	2
is used for this	2
and methods of work	2
fro in close parallel	2
such a work as	2
a view to its	2
to give a tint	2
the thread being passed	2
of as many holes	2
of flat and raised	2
all upon the surface	2
in which the needle	2
a plea for simplicity	2
shape of the space	2
colour of the ground	2
of embroidery reproduced in	2
three times the size	2
in conjunction with cross	2
will remain as now	2
in short stitches of	2
if it were a	2
all the following rows	2
and the gold thread	2
the thread to and	2
on every chain stitch	2
of the way the	2
where you put it	2
pincushion cover in point	2
its being of the	2
backwards and forwards thus	2
from one place to	2
enlarged from the sampler	2
the centre of it	2
samplers in the victoria	2
this may be done	2
of old work is	2
top of christening cap	2
has the appearance of	2
and draw the loop	2
the lower part of	2
the stitches do not	2
to work solid crewel	2
examples of this work	2
from which the weft	2
does not lend itself	2
to have been used	2
to the left is	2
edge of the spine	2
from the foregoing that	2
represent a phase of	2
french knots in the	2
it in the left	2
to stretch the material	2
in the first three	2
there are so many	2
but it is also	2
danger of splitting the	2
taken once to and	2
as if it were	2
is composed of a	2
it at the centre	2
is the work of	2
cord twisted by hand	2
always the lines of	2
stitch at d is	2
with the white silk	2
and at the point	2
it is probable that	2
of an altar cloth	2
loop of last round	2
the life of a	2
top of the loom	2
detail from a xivth	2
join to th long	2
part ii tapestry weaving	2
piece of work in	2
will be seen from	2
they were in vogue	2
of the cross stave	2
the manner of the	2
for the decoration of	2
the required surface in	2
they are usually dated	2
e of st section	2
the end of thread	2
surface of the stuff	2
precisely the same way	2
every one but the	2
the body of the	2
down the end of	2
x methods of work	2
in both weaving and	2
emblems the uses of	2
when i am dead	2
its various good points	2
laid on to the	2
and all the following	2
a circle as possible	2
loop of the next	2
it is better not	2
of great interest to	2
or with satin or	2
may be attached by	2
in advance of where	2
a good method of	2
be sewn down to	2
one of the earliest	2
commencement of each needle	2
other parts of the	2
to fill in the	2
across the surface of	2
stitches are to be	2
illustrated in plate xxiii	2
it is not always	2
into the nd loop	2
from the edge of	2
where you joined the	2
xiii the garniture of	2
the king and queen	2
a single thread or	2
embroidery illustrated in plate	2
embroidery cotton and worked	2
over with floss in	2
would have to be	2
process of making and	2
and work from left	2
embroidery in purl and	2
an equal number of	2
the forms of the	2
in almost every instance	2
the way the cord	2
itself may be described	2
of all the arts	2
with the last stitch	2
in coloured silks upon	2
a detail from an	2
variety in the patterns	2
one square at each	2
of a variety of	2
a thin coating of	2
portion of sampler of	2
into pieces of the	2
which are worked in	2
in a frame with	2
the first link of	2
in coloured silk upon	2
the choice of stitch	2
direction of its twist	2
to correspond with the	2
be the best of	2
upper side of the	2
of the work of	2
with the other threads	2
the engraving will show	2
cover a space with	2
accomplished work has been	2
hole made by the	2
dipping it into a	2
by inserting the needle	2
of colour can easily	2
does it appear to	2
and executed by miss	2
a good state of	2
in the end loop	2
used also for the	2
has somewhat the effect	2
in a good state	2
should be of a	2
evolution of the sampler	2
between the two rows	2
of the one double	2
back of casket in	2
to the linen ground	2
between the first and	2
down with the thumb	2
cotton twice over the	2
of all kinds of	2
the chapter on shading	2
be taken through to	2
used in this way	2
very faithful to the	2
slip on the first	2
it seems to me	2
a thread of flax	2
brussels or venetian edging	2
of which they are	2
instead of a single	2
work from left to	2
has only to be	2
in the fashionable style	2
as an examination of	2
to form a loop	2
down the centre of	2
very well be used	2
over the part to	2
passing of the needle	2
and in one of	2
for there is a	2
th diamond from the	2
the design of this	2
the st of the	2
has come under my	2
centre of the last	2
edges of the forms	2
though it may be	2
part of the beautiful	2
join where the two	2
shows the method of	2
round a thread of	2
of a large surface	2
pride elizabeth creasey her	2
note on their materials	2
draw the thread too	2
in two rows of	2
where it requires a	2
in which the gold	2
st into the nd	2
threads of all kinds	2
embroidery chapter i introduction	2
silk in bright colours	2
the garniture of work	2
use to which the	2
patterns employed in old	2
not be too long	2
satin and plumage stitches	2
contour in chain stitch	2
late lady maria ponsonby	2
to the point of	2
work done in a	2
kind of thing must	2
is that it should	2
where there is no	2
chapter iv stitches introduction	2
part of a fan	2
requisites for transferring patterns	2
are intended to be	2
one of the stitches	2
giving the effect of	2
we arrive at a	2
to keep the edges	2
xi embroidery with gold	2
there are stitches on	2
between those of the	2
was not confined to	2
of cut work is	2
which it may be	2
the work has a	2
which find a place	2
a large xviith century	2
with the arms of	2
stitching in such a	2
in that case the	2
end of every round	2
the tension of the	2
an altar cloth band	2
it saves confusion to	2
be seen from the	2
is about inches long	2
suited to the method	2
by reference to the	2
and working down to	2
on the brown silk	2
in the early seventeenth	2
the same way that	2
of this is given	2
and tie it in	2
repeat this all round	2
looks best when carried	2
threads in every square	2
is to be carried	2
in which both warp	2
together in the same	2
square of the pattern	2
you have only to	2
thread forms a loop	2
deep point lace edging	2
off at every row	2
round the outside of	2
a long and a	2
insert it at the	2
such as is shown	2
durability of the work	2
one or two of	2
until the space is	2
of the thread and	2
until you have made	2
with a note on	2
of which the warp	2
end of the bar	2
are shown in the	2
the thumb and insert	2
by pupil in orphan	2
outlined in crewel stitch	2
weaving is carried out	2
for it is as	2
iii pattern designing the	2
two pieces of ancient	2
about a quarter of	2
to its interest and	2
of from left to	2
in close buttonhole stitches	2
is done on a	2
with an open filling	2
by working stitches with	2
edge of the braid	2
at the top with	2
for which it is	2
it is made in	2
of white linen work	2
if it is to	2
of flowers and small	2
on it after it	2
at the corners as	2
pattern made by the	2
twist the needle round	2
the introduction of the	2
threads of the fabric	2
when the work was	2
in the next row	2
infrequently met with in	2
the central stalk are	2
it is worked from	2
of george the third	2
the effect of a	2
the evolution of the	2
are stitches on each	2
this can be done	2
needle to the left	2
laid down in string	2
then the work would	2
printed in original page	2
should be sewn down	2
out of the stitch	2
a little to the	2
as specimens of needlework	2
of the nine treble	2
an interesting technical point	2
there may be occasions	2
is only in the	2
where the first half	2
narrow piece of whalebone	2
that there is a	2
draw the thread in	2
are shown in fig	2
english cope preserved at	2
the distance between the	2
the first stitch is	2
be filled in with	2
double it in half	2
in parallel lines close	2
not to draw the	2
may be required to	2
in the treasury of	2
from tombs in egypt	2
only in the case	2
before doing this round	2
stitch of chain of	2
is perhaps the most	2
work of any size	2
are the product of	2
the first part of	2
the markings of the	2
where the thread has	2
church vestments and the	2
be thy guide and	2
taken from side to	2
which it is in	2
to explain the working	2
the filling in of	2
the cotton twice over	2
as records of national	2
it is about inches	2
scarlet and darkest green	2
it at the edges	2
and in this way	2
add either a crochet	2
chapter viii methods of	2
was the outcome of	2
for the upper side	2
of the two chain	2
of portion of sampler	2
out at the point	2
shown in the second	2
it is worked by	2
the royal school of	2
you put the needle	2
with which it was	2
vertical and horizontal lines	2
only in the last	2
the jesse cope in	2
next point of g	2
in no case does	2
twice over the hook	2
the upper line one	2
pointing towards the right	2
the work at the	2
in the diagram the	2
have been corrected in	2
the raised effect is	2
each of the chains	2
pearls and precious stones	2
the upper side of	2
have seen in the	2
the needle round and	2
reference to the back	2
the embroidery is to	2
as a form of	2
and the following is	2
from the life of	2
the texture of the	2
is that known as	2
yards of ordinary sized	2
which goes by the	2
band round the head	2
in the th chain	2
of a good outline	2
designed by william morris	2
your needle out about	2
the form of design	2
the same place in	2
of types of open	2
down towards the right	2
that the thread is	2
portion of sampler in	2
and then twisted back	2
bring it up on	2
nothing could be more	2
the finished work will	2
appliance enables the worker	2
as well as its	2
i to i sq	2
bring it out a	2
as many as may	2
method of working the	2
with a french knot	2
strip of tudor work	2
throw the thread round	2
should not be used	2
the date of its	2
more or less in	2
follows in each of	2
yellow silk upon white	2
stitch on the first	2
in these days of	2
in the loop of	2
chains of last row	2
centre of one side	2
the whole number of	2
curtain shown in plate	2
for carrying out in	2
let vertue be thy	2
through at the right	2
carried out with such	2
of material that is	2
the end of it	2
except that it has	2
if you were going	2
it was impossible to	2
method of carrying out	2
not possible to get	2
end that points downwards	2
taken from tombs in	2
be removed from the	2
what it can do	2
there is a special	2
follow out some prearranged	2
but in adversity not	2
close to the last	2
in the famous syon	2
edge of the band	2
which has very much	2
detail from an embroidered	2
are so many eights	2
wool and covered with	2
in prosperity friends will	2
every row which is	2
the ground fabric is	2
work lies in the	2
word to the worker	2
the question is how	2
very similarly to the	2
cut off at every	2
late xvith century embroidered	2
again and again for	2
moses in the bullrushes	2
outlined with chain stitch	2
have never seen the	2
as early as the	2
have been invented by	2
went out of fashion	2
in which there is	2
made use of as	2
all kinds of pretty	2
way of the stuff	2
the metal pin is	2
with a needle and	2
this would be to	2
solution of the difficulty	2
on the st of	2
the inner one is	2
that they cross each	2
to have been a	2
the outlines are made	2
in fashion similar to	2
would be possible to	2
on to a board	2
as many holes up	2
in again on the	2
round the outline of	2
the fringe is to	2
done in order to	2
then in each chain	2
two hundred and fifty	2
and pasted on to	2
number of threads in	2
according to the design	2
as satisfactory as the	2
be seen at once	2
and money is spent	2
in chain stitch with	2
would appear to be	2
from top of christening	2
leaf in close buttonhole	2
as a canvas stitch	2
the outside of the	2
place it in the	2
not easy to say	2
inch lower down and	2
size of that used	2
by the same hole	2
is a beautiful specimen	2
right to left instead	2
more difficult to draw	2
the oversewing at the	2
have before us a	2
not so much for	2
direction of the stitches	2
it is worked openly	2
with the result that	2
a white satin ground	2
long and a short	2
designed to show how	2
are by no means	2
at the same point	2
one passing of the	2
of refilling the open	2
worked on to the	2
part of the same	2
coloured silk threads upon	2
to come in the	2
you were going to	2
upon the face of	2
a plain white linen	2
the same person is	2
has been carried to	2
if the linen is	2
threads upon a white	2
work and stitches introduction	2
stitch of this kind	2
thread out at the	2
the lines of sewing	2
masterpieces of the art	2
of the frame and	2
in the eighteenth century	2
so many eights and	2
window curtain and stove	2
of that used for	2
th loop of ch	2
that the stitch is	2
competes in effect with	2
then it would be	2
lines of the drawing	2
on fourth of ch	2
your needle into line	2
this circle work l	2
the left finger and	2
end of the first	2
not likely to be	2
and are to be	2
filled in with the	2
of this stitch in	2
may be allowed to	2
we know of no	2
the close of the	2
the space of six	2
needle so as to	2
xviith or xviiith century	2
a tracing of the	2
through the loop and	2
the end of white	2
which completes the leaf	2
should be the best	2
this can be seen	2
be taken in working	2
which is one of	2
the corners as many	2
about stitches in length	2
the points of the	2
should be in the	2
down of the weft	2
by those who had	2
again on the upper	2
for such purposes as	2
design by walter crane	2
church work should be	2
to be worked over	2
should be laid over	2
of the whole whilst	2
most excelent let vertue	2
the form of prayers	2
would have given a	2
method to use for	2
with the exception of	2
carry out the diagram	2
in the cross direction	2
it is not difficult	2
of the leaf is	2
which there is no	2
eights and five over	2
which to mount the	2
samplers so far as	2
or bound in cloth	2
more than a quarter	2
laid over one of	2
is suited only to	2
work on each part	2
the sampler illustrated in	2
middle of the cheek	2
its interest and value	2
is that the stitches	2
the use of two	2
the age of a	2
of a double outline	2
the lions of england	2
of which are worked	2
it must be done	2
to the difficulty of	2
shading in embroidery is	2
of a pattern of	2
in the proper form	2
survey of the stitches	2
raw edge of the	2
friends will be plenty	2
xiv practical directions transferring	2
the point of one	2
on the left side	2
canvas and berlin wool	2
it goes without saying	2
the roundness of the	2
this is the last	2
the pattern is planned	2
been corrected in the	2
each part x d	2
marked upon the warp	2
of the last one	2
of work finishing off	2
and over that the	2
that it is worked	2
plays an important part	2
finger of the left	2
be allowed to suggest	2
in the rendering of	2
description of working diagram	2
letters are worked in	2
may be worked from	2
short or split stitch	2
nuns of little gidding	2
a very pretty effect	2
are in the round	2
the mat should now	2
then pass the thread	2
which are to be	2
be a reason for	2
to parents and preceptors	2
the lower one is	2
so that the thread	2
for needlework in the	2
an inch of stuff	2
as a device for	2
parallel lines close together	2
not lend itself to	2
needle through the centre	2
the other end of	2
marigold in paules churchyard	2
thread down with the	2
another point to be	2
bead on every chain	2
out again on the	2
working of b on	2
of ancient weaving taken	2
make sure of a	2
close series of knots	2
after the manner of	2
left at regular intervals	2
bound in cloth gilt	2
out of the threads	2
if drawn together at	2
was at one time	2
the border consists of	2
which both warp and	2
running to and fro	2
of the lower line	2
slip on the top	2
bead border all round	2
easily be carried out	2
allied to the art	2
excelent let vertue be	2
material to be worked	2
of the stalks and	2
and in a line	2
is obtained by an	2
piece of the same	2
if the stitches are	2
the second row is	2
is practically the same	2
as i have said	2
is particularly suitable for	2
out on a pillow	2
it may be worked	2
in the middle ages	2
a simple method of	2
centre loop of nd	2
fixed in the lower	2
in the sampler illustrated	2
the carrying out of	2
we have seen in	2
the traced line about	2
order to work it	2
from end to end	2
in the exact centre	2
of all the available	2