This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
the aga kaga | 51 |
there was a | 39 |
a lot of | 19 |
looked at retief | 19 |
to his feet | 19 |
shook his head | 18 |
one of the | 18 |
looked at the | 17 |
a couple of | 17 |
out of the | 17 |
on the floor | 16 |
retief looked at | 16 |
i want to | 15 |
miss meuhl said | 15 |
it was a | 15 |
the center of | 14 |
i have a | 14 |
turned to the | 13 |
take a look | 13 |
over to the | 13 |
a look at | 13 |
what do you | 13 |
a matter of | 12 |
what are you | 12 |
on the desk | 12 |
by keith laumer | 12 |
extensive research did | 11 |
publication was renewed | 11 |
he turned to | 11 |
into the room | 11 |
that the u | 11 |
copyright on this | 11 |
cleared his throat | 11 |
did not uncover | 11 |
evidence that the | 11 |
research did not | 11 |
he looked at | 11 |
as soon as | 11 |
any evidence that | 11 |
this publication was | 11 |
center of the | 11 |
uncover any evidence | 11 |
retief and magnan | 11 |
on this publication | 11 |
side of the | 11 |
was produced from | 11 |
not uncover any | 11 |
the captain said | 11 |
stepped into the | 11 |
worlds of if | 10 |
to be a | 10 |
produced from worlds | 10 |
this etext was | 10 |
from worlds of | 10 |
the edge of | 10 |
etext was produced | 10 |
the aga kagans | 9 |
in the belt | 9 |
picked up the | 9 |
you want to | 9 |
on the other | 9 |
got to his | 9 |
looked at him | 9 |
i have to | 9 |
came up to | 9 |
would be a | 9 |
if science fiction | 9 |
do you know | 9 |
of if science | 9 |
across the room | 8 |
watched as the | 8 |
what kind of | 8 |
to have a | 8 |
edge of the | 8 |
retief shook his | 8 |
out of here | 8 |
up to the | 8 |
to take a | 8 |
a number of | 8 |
i hope you | 8 |
at retief and | 8 |
turned back to | 8 |
retief watched as | 8 |
by the way | 8 |
of the room | 8 |
at the door | 8 |
it would be | 8 |
to the door | 8 |
aga kaga said | 8 |
the rest of | 8 |
the top of | 8 |
appeared on the | 8 |
on the table | 7 |
how do you | 7 |
magnan looked at | 7 |
not at all | 7 |
are you going | 7 |
i had a | 7 |
this is a | 7 |
out of sight | 7 |
i wonder what | 7 |
of the terrestrial | 7 |
down at the | 7 |
on his back | 7 |
retief turned to | 7 |
in the center | 7 |
the two men | 7 |
the moss rock | 7 |
some of the | 7 |
to the floor | 7 |
across the table | 7 |
stared at the | 7 |
back in the | 7 |
back to the | 7 |
up with a | 6 |
half an hour | 6 |
to see you | 6 |
would have been | 6 |
what about the | 6 |
retief took a | 6 |
at the top | 6 |
it on the | 6 |
of the mission | 6 |
it looks like | 6 |
keep an eye | 6 |
matter of fact | 6 |
the foreign office | 6 |
some kind of | 6 |
an eye on | 6 |
i told you | 6 |
i thought you | 6 |
the military attache | 6 |
you have a | 6 |
it in the | 6 |
want to get | 6 |
i suggest you | 6 |
i got a | 6 |
up in the | 6 |
waved a hand | 6 |
i wonder if | 6 |
up on the | 6 |
in the air | 6 |
there was no | 6 |
glanced at the | 6 |
seems to be | 6 |
what is it | 6 |
on the screen | 6 |
front of the | 6 |
of the house | 6 |
like to take | 6 |
of the two | 6 |
at the far | 6 |
better be getting | 5 |
he said softly | 5 |
the ambassador said | 5 |
get to the | 5 |
have been a | 5 |
to be the | 5 |
the desk screen | 5 |
turned to retief | 5 |
was a sound | 5 |
for you to | 5 |
of the floor | 5 |
looked up at | 5 |
said in a | 5 |
opened the door | 5 |
the qornt are | 5 |
how did you | 5 |
in the corps | 5 |
have to be | 5 |
of the table | 5 |
the front of | 5 |
the chief of | 5 |
mind if i | 5 |
to get a | 5 |
last of the | 5 |
bo bergman said | 5 |
the other side | 5 |
in an hour | 5 |
the police chief | 5 |
opened his mouth | 5 |
of the car | 5 |
look at that | 5 |
a bunch of | 5 |
out of this | 5 |
up to retief | 5 |
up from the | 5 |
a bit of | 5 |
in his chair | 5 |
to get you | 5 |
he glanced at | 5 |
clear of the | 5 |
with the other | 5 |
got plenty of | 5 |
stared at retief | 5 |
the last of | 5 |
will be a | 5 |
reached for the | 5 |
he picked up | 5 |
glanced around the | 5 |
see to it | 5 |
you going to | 5 |
across the desk | 5 |
to see the | 5 |
do you mean | 5 |
retief put his | 5 |
as a matter | 5 |
member of the | 5 |
get out of | 5 |
i take it | 5 |
i want you | 5 |
here in the | 5 |
going to do | 5 |
to make a | 5 |
the man said | 5 |
blinked at retief | 5 |
the front seat | 5 |
the bearded man | 5 |
what did you | 5 |
like to see | 5 |
took out a | 5 |
and sat down | 5 |
the other hand | 5 |
the terrestrial consul | 5 |
at the table | 5 |
the side of | 5 |
he said in | 5 |
most of the | 5 |
in the morning | 5 |
top of the | 5 |
the far side | 5 |
like to be | 5 |
of the tower | 5 |
half a dozen | 5 |
who are you | 5 |
never mind the | 5 |
more than a | 4 |
in the silence | 4 |
as he passed | 4 |
the ministry of | 4 |
to go to | 4 |
rest of the | 4 |
into the hall | 4 |
him to the | 4 |
surface of the | 4 |
no need to | 4 |
i shall expect | 4 |
reference to the | 4 |
there are the | 4 |
that you were | 4 |
with reference to | 4 |
the importance of | 4 |
he took a | 4 |
here in a | 4 |
tell you what | 4 |
one of those | 4 |
where are you | 4 |
did you do | 4 |
got to get | 4 |
cloud of smoke | 4 |
the groaci are | 4 |
that sort of | 4 |
one of your | 4 |
to see to | 4 |
back at the | 4 |
you know what | 4 |
what i can | 4 |
closed his mouth | 4 |
the corps will | 4 |
the dining room | 4 |
in the hands | 4 |
at the end | 4 |
with his left | 4 |
shluh said in | 4 |
we have to | 4 |
want you to | 4 |
that was a | 4 |
ambassador spradley said | 4 |
across to the | 4 |
went to the | 4 |
he turned and | 4 |
you out of | 4 |
going on here | 4 |
look at the | 4 |
was a long | 4 |
retief released the | 4 |
for the last | 4 |
at the moment | 4 |
be the first | 4 |
general minerals is | 4 |
raised his eyebrows | 4 |
crashed to the | 4 |
close to the | 4 |
through the crowd | 4 |
i tell you | 4 |
of the city | 4 |
glanced at his | 4 |
out through the | 4 |
be in a | 4 |
fifteen or twenty | 4 |
the banquet hall | 4 |
i think i | 4 |
by no means | 4 |
retief went on | 4 |
retief said blandly | 4 |
to get to | 4 |
a set of | 4 |
held up a | 4 |
the terrestrial ambassador | 4 |
a sound of | 4 |
headed for the | 4 |
and turned to | 4 |
the jolly barge | 4 |
i have an | 4 |
the weight of | 4 |
is not a | 4 |
on the way | 4 |
you know about | 4 |
the boyar chef | 4 |
onto his back | 4 |
at his watch | 4 |
this is an | 4 |
did you get | 4 |
an hour later | 4 |
want to see | 4 |
onto the floor | 4 |
could have been | 4 |
general minerals has | 4 |
they were a | 4 |
retief stood up | 4 |
of the tank | 4 |
i want a | 4 |
retief stepped into | 4 |
retief said softly | 4 |
i think the | 4 |
i think you | 4 |
threw his weight | 4 |
keith laumer the | 4 |
said in terran | 4 |
to the left | 4 |
i know you | 4 |
crossed to the | 4 |
along to the | 4 |
but there are | 4 |
glanced over the | 4 |
up at retief | 4 |
to a halt | 4 |
sort of thing | 4 |
rounded a corner | 4 |
i have been | 4 |
toward the door | 4 |
glanced at retief | 4 |
chief of state | 4 |
at miss meuhl | 4 |
he said to | 4 |
you must be | 4 |
down the slope | 4 |
to see me | 4 |
i can do | 4 |
raised a fist | 4 |
and take a | 4 |
you and your | 4 |
i would have | 4 |
magnan cleared his | 4 |
going to have | 4 |
it will be | 4 |
man in a | 4 |
as to the | 4 |
in the same | 4 |
is that the | 4 |
the head of | 4 |
to get the | 4 |
the hands of | 4 |
off the air | 4 |
stick to the | 4 |
the last two | 4 |
in that case | 4 |
i can assure | 4 |
two hundred years | 4 |
him onto his | 4 |
and in the | 4 |
flipped a key | 4 |
at the port | 4 |
he turned back | 4 |
in a few | 4 |
can assure you | 4 |
it to the | 4 |
in the front | 4 |
stood in the | 4 |
of the first | 4 |
you do with | 4 |
to dispose of | 4 |
a little more | 4 |
from his desk | 4 |
the door and | 4 |
at all sure | 4 |
a good time | 4 |
a moment later | 4 |
the corps diplomatique | 4 |
known as the | 4 |
on your way | 4 |
out a hand | 4 |
two of the | 4 |
of the groacian | 4 |
but i guess | 4 |
we have a | 4 |
the honor to | 4 |
he stared at | 3 |
looking at retief | 3 |
the rear of | 3 |
to meet them | 3 |
to handle the | 3 |
a long moment | 3 |
pick up the | 3 |
what was the | 3 |
and see if | 3 |
he stepped to | 3 |
was a faint | 3 |
he held up | 3 |
and i are | 3 |
to the screen | 3 |
through the door | 3 |
retief dropped his | 3 |
a good idea | 3 |
the terrestrial embassy | 3 |
miss meuhl gasped | 3 |
retief left the | 3 |
to a tall | 3 |
the trouble with | 3 |
looked down at | 3 |
the nenni are | 3 |
are you doing | 3 |
of the situation | 3 |
he moved off | 3 |
retief settled himself | 3 |
see if you | 3 |
give you a | 3 |
pushed through the | 3 |
away from the | 3 |
to a stop | 3 |
ready to lift | 3 |
at one of | 3 |
sit tight and | 3 |
a pleasure to | 3 |
is a little | 3 |
what to do | 3 |
around the room | 3 |
of the same | 3 |
himself in a | 3 |
to know what | 3 |
retief stepped out | 3 |
his left hand | 3 |
too many of | 3 |
he stood up | 3 |
i know how | 3 |
has the honor | 3 |
the voice said | 3 |
we go in | 3 |
to be in | 3 |
the corps is | 3 |
of the qornt | 3 |
the pocket of | 3 |
on the ramp | 3 |
when i was | 3 |
corner of the | 3 |
sixty years ago | 3 |
it seems the | 3 |
magnan found his | 3 |
as for the | 3 |
less than an | 3 |
stood in groups | 3 |
retief pulled off | 3 |
the captain looked | 3 |
make out the | 3 |
held out his | 3 |
it will work | 3 |
one hundred thousand | 3 |
pulled off his | 3 |
sounds like a | 3 |
on his cigar | 3 |
at an end | 3 |
in less than | 3 |
there you are | 3 |
retief pulled the | 3 |
it will make | 3 |
put up a | 3 |
the stern of | 3 |
the alien and | 3 |
other side of | 3 |
raised a hand | 3 |
and looked at | 3 |
the public interest | 3 |
no more than | 3 |
on behalf of | 3 |
of the agreement | 3 |
permit me to | 3 |
in a hurry | 3 |
to see it | 3 |
around a little | 3 |
i have here | 3 |
the yill interpreter | 3 |
the dispatch clerk | 3 |
through the opening | 3 |
picked up a | 3 |
have you been | 3 |
a piece of | 3 |
into the banquet | 3 |
handed it over | 3 |
what in the | 3 |
he raised a | 3 |
what appeared to | 3 |
the wisdom of | 3 |
his head and | 3 |
you mean you | 3 |
to move in | 3 |
a dozen or | 3 |
of the way | 3 |
thought they were | 3 |
and have a | 3 |
to middle gear | 3 |
he moved to | 3 |
the bogan students | 3 |
the man on | 3 |
by the time | 3 |
floor with a | 3 |
there was an | 3 |
smiled at retief | 3 |
he watched the | 3 |
and slammed a | 3 |
retief leaned on | 3 |
appears to be | 3 |
he closed the | 3 |
of the men | 3 |
his finger watch | 3 |
here and there | 3 |
one by one | 3 |
these are the | 3 |
narrowed his eyes | 3 |
the good corporal | 3 |
a task force | 3 |
with a sigh | 3 |
there was another | 3 |
into his mouth | 3 |
let me at | 3 |
get down to | 3 |
down in a | 3 |
there are some | 3 |
a strained voice | 3 |
you should have | 3 |
looks like the | 3 |
a position to | 3 |
led the way | 3 |
this is no | 3 |
you can get | 3 |
is better than | 3 |
to get down | 3 |
looked at his | 3 |
open at the | 3 |
i seem to | 3 |
was at the | 3 |
she looked at | 3 |
to pick up | 3 |
tapped at the | 3 |
the presence of | 3 |
put it away | 3 |
opened his eyes | 3 |
the groaci embassy | 3 |
calls for a | 3 |
a party of | 3 |
if you have | 3 |
advise you to | 3 |
in charge of | 3 |
you can take | 3 |
snapped off the | 3 |
one of them | 3 |
a hundred credits | 3 |
closed the door | 3 |
to the ship | 3 |
have no fear | 3 |
magnan cut in | 3 |
the corps has | 3 |
back to your | 3 |
where is it | 3 |
retief as he | 3 |
and the other | 3 |
to think of | 3 |
the sound of | 3 |
would you say | 3 |
at a sound | 3 |
of course not | 3 |
expect me to | 3 |
to the corps | 3 |
retief and georges | 3 |
stepped out of | 3 |
less than four | 3 |
you have no | 3 |
said i was | 3 |
out the window | 3 |
the soetti attack | 3 |
followed by a | 3 |
magnan put in | 3 |
be glad to | 3 |
the first in | 3 |
retief turned and | 3 |
interior of the | 3 |
down onto the | 3 |
it was an | 3 |
have any trouble | 3 |
turned to look | 3 |
if i have | 3 |
that the nenni | 3 |
in a tight | 3 |
and into the | 3 |
i doubt that | 3 |
want to know | 3 |
you have the | 3 |
the end of | 3 |
of the fourth | 3 |
you seem to | 3 |
on your part | 3 |
of the old | 3 |
us in the | 3 |
of the other | 3 |
than an hour | 3 |
have a feeling | 3 |
i have the | 3 |
for a long | 3 |
motioned to the | 3 |
must have been | 3 |
out a long | 3 |
that will be | 3 |
we like to | 3 |
going to be | 3 |
part of the | 3 |
he came up | 3 |
light flashed on | 3 |
to do with | 3 |
if you can | 3 |
without a struggle | 3 |
a great deal | 3 |
at that time | 3 |
just a routine | 3 |
retief turned at | 3 |
he flipped the | 3 |
of the aga | 3 |
busy right now | 3 |
and the chef | 3 |
his voice was | 3 |
i thought it | 3 |
when we get | 3 |
looked over the | 3 |
held out a | 3 |
at his finger | 3 |
at government house | 3 |
at the foreign | 3 |
in the face | 3 |
be a good | 3 |
want to go | 3 |
on its back | 3 |
the matter of | 3 |
come to the | 3 |
he opened his | 3 |
in the car | 3 |
of you to | 3 |
of a terrestrial | 3 |
between clenched teeth | 3 |
be all right | 3 |
across the floor | 3 |
as terrestrial consul | 3 |
the wine crop | 3 |
do you suppose | 3 |
the idea of | 3 |
i know that | 3 |
on a light | 3 |
they seemed to | 3 |
retief studied the | 3 |
i believe you | 3 |
to observe the | 3 |
glared at him | 3 |
had a feeling | 3 |
the sentry box | 3 |
it into the | 3 |
in the mirror | 3 |
the floor with | 3 |
in time to | 3 |
retief glanced back | 3 |
two big men | 3 |
have in mind | 3 |
it is for | 3 |
up at the | 3 |
zorn looked at | 3 |
dark of the | 3 |
you plan to | 3 |
what would you | 3 |
in the open | 3 |
down on the | 3 |
how can we | 3 |
red light flashed | 3 |
a cloud of | 3 |
for a moment | 3 |
tour of the | 3 |
under his arm | 3 |
only been here | 3 |
of the red | 3 |
spoke into the | 3 |
drew out a | 3 |
come out here | 3 |
head of the | 3 |
used to be | 3 |
the car passed | 3 |
i know a | 3 |
a fat man | 3 |
it sounds like | 3 |
be easy to | 3 |
the birthday cake | 3 |
looks like a | 3 |
a word with | 3 |
couple of hundred | 3 |
entered the room | 3 |
may as well | 3 |
and of course | 3 |
when i get | 3 |
let me see | 3 |
the soft one | 3 |
of the kitchen | 3 |
to the police | 3 |
what the devil | 3 |
all the time | 3 |
ducked his head | 3 |
in the corridor | 3 |
the ambassador snapped | 3 |
right to the | 3 |
that this is | 3 |
of the boys | 3 |
affairs of a | 3 |
there must be | 3 |
said to the | 3 |
stepped to the | 3 |
seem to recall | 3 |
with a sharp | 3 |
retief took the | 3 |
far side of | 3 |
we have no | 3 |
and walked away | 3 |
the shelter of | 3 |
corps diplomatique terrestrienne | 3 |
out from the | 3 |
then there are | 3 |
retief moved off | 3 |
in a parking | 3 |
get back to | 3 |
in a position | 3 |
each of the | 3 |
a sort of | 3 |
do you have | 3 |
i can see | 3 |
to get back | 3 |
the aga kagan | 3 |
no intention of | 3 |
a parking orbit | 3 |
went to his | 3 |
out in a | 3 |
put his hands | 3 |
door into a | 3 |
to the letter | 3 |
where i can | 3 |
thought you were | 3 |
past him and | 3 |
have you ever | 3 |
out of your | 3 |
aga kaga snarled | 3 |
over the top | 3 |
yill at the | 3 |
then turned to | 3 |
maybe i can | 3 |
his eye stalks | 3 |
off along the | 3 |
moved toward the | 3 |
get you out | 3 |
you get it | 3 |
the political officer | 3 |
of the local | 3 |
know how it | 3 |
this will be | 3 |
two thousand students | 3 |
i guess i | 3 |
to the service | 3 |
dropped it on | 3 |
jolly barge hotel | 3 |
be in charge | 3 |
to the consulate | 3 |
the same instant | 3 |
this is not | 3 |
a bundle of | 3 |
think of it | 3 |
and put it | 3 |
and took out | 3 |
aga kagans have | 3 |
you and i | 3 |
found his voice | 3 |
i was thinking | 3 |
it is a | 3 |
i know of | 3 |
it might be | 3 |
see what i | 3 |
his hands on | 3 |
along with the | 3 |
second secretary magnan | 3 |
a hint of | 3 |
fingers on the | 3 |
good time to | 3 |
to keep the | 3 |
retief picked up | 3 |
you know the | 3 |
in the meantime | 3 |
the chef said | 3 |
the other centers | 3 |
magnan leaned back | 3 |
to the port | 3 |
an inside pocket | 3 |
at the bottom | 3 |
up in a | 3 |
chief of mission | 3 |
in this sector | 3 |
appeared to be | 3 |
seem to be | 3 |
out on the | 3 |
a mortgage on | 3 |
reflected from a | 3 |
but this is | 3 |
to the point | 3 |
this side of | 3 |
to be going | 3 |
as long as | 3 |
pursed his lips | 3 |
talked to the | 3 |
the groaci would | 3 |
what happened to | 3 |
of the corps | 3 |
he got to | 3 |
in the eye | 3 |
will have to | 3 |
credits a ton | 3 |
couple of weeks | 3 |
the far end | 3 |
and headed for | 3 |
leaned back and | 3 |
thought it was | 3 |
you take the | 3 |
first in line | 3 |
like these folks | 3 |
took the papers | 3 |
part of them | 3 |
at the man | 3 |
retief opened the | 3 |
as chief of | 3 |
members of the | 3 |
at the center | 3 |
prepared to be | 3 |
you say to | 3 |
the shadow of | 3 |
to have to | 3 |
his lips and | 3 |
look at retief | 3 |
retief leaned back | 3 |
the ring of | 3 |
my dear retief | 3 |
are you sure | 3 |
pulled himself up | 3 |
pulled off the | 3 |
how did they | 2 |
the light of | 2 |
of the galaxy | 2 |
far end of | 2 |
from the other | 2 |
good idea to | 2 |
and cleared his | 2 |
where it is | 2 |
you gentlemen are | 2 |
behind the sheds | 2 |
but how can | 2 |
the leading qornt | 2 |
vehicle was drawn | 2 |
to tell you | 2 |
and threw his | 2 |
of the staff | 2 |
take care of | 2 |
but i have | 2 |
to deal with | 2 |
massaging his hand | 2 |
at gun point | 2 |
as the two | 2 |
a small man | 2 |
with a flourish | 2 |
light of the | 2 |
at the tiller | 2 |
i mean the | 2 |
on the wall | 2 |
in this instance | 2 |
stepped from the | 2 |
his face with | 2 |
looked up from | 2 |
will they be | 2 |
we want to | 2 |
bit of sport | 2 |
mancziewicz looked at | 2 |
waste any time | 2 |
pushed back his | 2 |
as a fellow | 2 |
in the palace | 2 |
table at the | 2 |
like to have | 2 |
the men at | 2 |
retief strolled over | 2 |
scared of you | 2 |
retief reached out | 2 |
same instant that | 2 |
looked retief over | 2 |
could make out | 2 |
said the old | 2 |
i have my | 2 |
you getting at | 2 |
where have you | 2 |
let me know | 2 |
like to talk | 2 |
on the side | 2 |
at a time | 2 |
had been a | 2 |
came to his | 2 |
came to rest | 2 |
the open door | 2 |
flipped the key | 2 |
of the land | 2 |
we understand each | 2 |
a hell of | 2 |
shape of the | 2 |
moment of silence | 2 |
a potent weapon | 2 |
will have a | 2 |
he wants to | 2 |
can run it | 2 |
that sounds like | 2 |
the face of | 2 |
surely you jest | 2 |
to the broad | 2 |
candid with you | 2 |
said the fustian | 2 |
have died in | 2 |
you what i | 2 |
your new liner | 2 |
to ask questions | 2 |
wiped his nose | 2 |
black and white | 2 |
time for a | 2 |
and looked down | 2 |
one side of | 2 |
you the truth | 2 |
you to come | 2 |
said to retief | 2 |
in another two | 2 |
the ambassador looked | 2 |
sternwheeler went on | 2 |
miss furkle said | 2 |
as the guard | 2 |
restrain my men | 2 |
a heavy door | 2 |
i should think | 2 |
five minutes passed | 2 |
this is your | 2 |
took a cigar | 2 |
in a crowd | 2 |
gate to the | 2 |
top of his | 2 |
wish only friendship | 2 |
and stuffed a | 2 |
the terrestrial delegation | 2 |
deal with a | 2 |
white light flooded | 2 |
it was my | 2 |
the butt of | 2 |
to come to | 2 |
as retief swung | 2 |
we get the | 2 |
the policies of | 2 |
a diplomat of | 2 |
what good would | 2 |
the conference table | 2 |
would be better | 2 |
never mind that | 2 |
mouth and swallowed | 2 |
will be in | 2 |
man in the | 2 |
to the edge | 2 |
have to get | 2 |
a diplomatic representative | 2 |
and watched as | 2 |
with the gun | 2 |
his left arm | 2 |
spend a lot | 2 |
and planted a | 2 |
this one in | 2 |
out and give | 2 |
to make planetfall | 2 |
youth in the | 2 |
to get space | 2 |
you to take | 2 |
the old fustian | 2 |
in the thick | 2 |
a clatter of | 2 |
the effect that | 2 |
we be sure | 2 |
retief put out | 2 |
in accordance with | 2 |
she turned to | 2 |
to ask you | 2 |
section spoke up | 2 |
many of them | 2 |
hands and feet | 2 |
for a drink | 2 |
glumly at the | 2 |
the part of | 2 |
but it will | 2 |
a few days | 2 |
the flank of | 2 |
across his paunch | 2 |
retief went to | 2 |
trouble with the | 2 |
way to a | 2 |
drummed his fingers | 2 |
flank of the | 2 |
group of terrestrials | 2 |
first secretary and | 2 |
word of a | 2 |
the size of | 2 |
the terrestrial settlers | 2 |
can take a | 2 |
can we be | 2 |
closed one eye | 2 |
the consulate has | 2 |
to have them | 2 |
planetary manager general | 2 |
the old fellow | 2 |
are you proposing | 2 |
hundred thousand credits | 2 |
the two dawns | 2 |
groacian blowing a | 2 |
they were all | 2 |
at the consulate | 2 |
the fustians are | 2 |
back in operation | 2 |
raised his glass | 2 |
caught a glimpse | 2 |
lot of junk | 2 |
as the music | 2 |
you know that | 2 |
retief waited while | 2 |
then the other | 2 |
of the best | 2 |
retief emerged from | 2 |
you think i | 2 |
platform at the | 2 |
you should be | 2 |
the one who | 2 |
on the ground | 2 |
and with reference | 2 |
a momentary silence | 2 |
first of the | 2 |
retief said conversationally | 2 |
be holed up | 2 |
understand each other | 2 |
come to think | 2 |
retief rose and | 2 |
stopped by the | 2 |
know just how | 2 |
are in the | 2 |
paper with a | 2 |
orange and green | 2 |
i see your | 2 |
blow for blow | 2 |
what have you | 2 |
the handle of | 2 |
sheet of parchment | 2 |
there would be | 2 |
looked around at | 2 |
that he will | 2 |
ready for the | 2 |
when you get | 2 |
members of my | 2 |
back to his | 2 |
lot of attention | 2 |
not more than | 2 |
last chance number | 2 |
the needler and | 2 |
to see zorn | 2 |
you were in | 2 |
on the tablecloth | 2 |
the way out | 2 |
to come back | 2 |
stay here and | 2 |
it across to | 2 |
only a few | 2 |
that the corps | 2 |
nothing less than | 2 |
seem to have | 2 |
more than ten | 2 |
a pity we | 2 |
go to the | 2 |
of course the | 2 |
funny kind of | 2 |
on the bare | 2 |
going over to | 2 |
cop in the | 2 |
is it you | 2 |
and flame qornt | 2 |
man with a | 2 |
of the door | 2 |
waiting for the | 2 |
the floor and | 2 |
to a low | 2 |
turned at a | 2 |
we would be | 2 |
the privilege of | 2 |
i guess that | 2 |
i assure you | 2 |
i got to | 2 |
i had hoped | 2 |
was a clatter | 2 |
jerked his head | 2 |
we diplomats are | 2 |
going to tell | 2 |
you more than | 2 |
the back seat | 2 |
but we have | 2 |
across to retief | 2 |
into a potent | 2 |
with a clatter | 2 |
the long run | 2 |
of his head | 2 |
leaned forward to | 2 |
of the picture | 2 |
we are a | 2 |
meuhl said sharply | 2 |
do you mind | 2 |
has a habit | 2 |
back in his | 2 |
to go over | 2 |
like a good | 2 |
i may be | 2 |
there in the | 2 |
the groaci were | 2 |
i thought they | 2 |
a whissle feather | 2 |
as the first | 2 |
he crossed to | 2 |
with a finger | 2 |
as well as | 2 |
in the house | 2 |
soon as we | 2 |
popped a grape | 2 |
with a broken | 2 |
aga kagan government | 2 |
and bo bergman | 2 |
aga kaga grunted | 2 |
wonder what he | 2 |
a tall glass | 2 |
right idea on | 2 |
folder from his | 2 |
the terrestrial mission | 2 |
he lowered himself | 2 |
might be a | 2 |
as you wish | 2 |
my hands on | 2 |
i noticed you | 2 |
i guess the | 2 |
in a broad | 2 |
the way of | 2 |
i doubt if | 2 |
number nine mining | 2 |
on his face | 2 |
want a word | 2 |
a pretty good | 2 |
a long time | 2 |
not my baggage | 2 |
i know the | 2 |
and he was | 2 |
be back here | 2 |
at the edge | 2 |
groups of three | 2 |
a tall man | 2 |
be here in | 2 |
return to the | 2 |
yourself from your | 2 |
a few things | 2 |
most generous offer | 2 |
got a leg | 2 |
the paper with | 2 |
on its side | 2 |
of a first | 2 |
a city man | 2 |
to a place | 2 |
to cabin fifty | 2 |
i gotta go | 2 |
them out of | 2 |
hand toward the | 2 |
miss yolanda meuhl | 2 |
side of a | 2 |
c banquet synthesizer | 2 |
and a black | 2 |
i see it | 2 |
of the mosaic | 2 |
an excellent opportunity | 2 |
is that it | 2 |
retief looked up | 2 |
with a knife | 2 |
of youth groups | 2 |
of the third | 2 |
with the latest | 2 |
picked up his | 2 |
over the hill | 2 |
waiting to see | 2 |
and then we | 2 |
in order to | 2 |
have to come | 2 |
he raised his | 2 |
get off a | 2 |
as retief came | 2 |
use of the | 2 |
to see him | 2 |
started across the | 2 |
a hand in | 2 |
sat on the | 2 |
retief stepped to | 2 |
handed over a | 2 |
struggled to his | 2 |
magnan tugged at | 2 |
out a cloud | 2 |
in the next | 2 |
he tells you | 2 |
up to a | 2 |
are going to | 2 |
looked thoughtfully at | 2 |
from the pocket | 2 |
as he stepped | 2 |
about ten years | 2 |
if i know | 2 |
talk to you | 2 |
caught sight of | 2 |
i could have | 2 |
himself from the | 2 |
kind of thing | 2 |
the groacian autonomy | 2 |
that time to | 2 |
looked at magnan | 2 |
was to be | 2 |
he glanced around | 2 |
three of you | 2 |
the lands of | 2 |
we got nothing | 2 |
afford to be | 2 |
awoke with a | 2 |
to give you | 2 |
must go through | 2 |
call it off | 2 |
i get my | 2 |
station number nine | 2 |
i suppose so | 2 |
chief of the | 2 |
got a little | 2 |
of the drive | 2 |
down on a | 2 |
leave this building | 2 |
he dropped it | 2 |
puffed at his | 2 |
enlightened galactic opinion | 2 |
it convenient to | 2 |
across the crowd | 2 |
retief looked back | 2 |
to do now | 2 |
came up and | 2 |
locking the door | 2 |
and by the | 2 |
door and stepped | 2 |
to study the | 2 |
the cook said | 2 |
captain looked at | 2 |
the padded seat | 2 |
i shall be | 2 |
the yill at | 2 |
in my youth | 2 |
it with the | 2 |
he dropped the | 2 |
minutes passed before | 2 |
be the end | 2 |
i confess the | 2 |
answer is no | 2 |
magnan looked up | 2 |
they got no | 2 |
elevator to the | 2 |
meeting in the | 2 |
of the fustians | 2 |
in case i | 2 |
call me general | 2 |
where is that | 2 |
time in the | 2 |
i had it | 2 |
holds a mortgage | 2 |
i saw something | 2 |
under the weight | 2 |
to use this | 2 |
caught his eye | 2 |
got a chance | 2 |
as retief watched | 2 |
you get in | 2 |
a choleric eye | 2 |
from the left | 2 |
nine years ago | 2 |
into the water | 2 |
see you later | 2 |
tall glass door | 2 |
to consider the | 2 |
i guess you | 2 |
work on the | 2 |
you tell me | 2 |
and the yill | 2 |
two on the | 2 |
out this way | 2 |
offered it to | 2 |
the new qornt | 2 |
the ambassador smiled | 2 |
of my government | 2 |
have a long | 2 |
the right idea | 2 |
as he closed | 2 |
car to a | 2 |
know the way | 2 |
to keep it | 2 |
snatched up a | 2 |
the entry to | 2 |
and picked up | 2 |
see to the | 2 |
have time to | 2 |
the open port | 2 |
conversion of a | 2 |
to the sentry | 2 |
to get over | 2 |
in return for | 2 |
the qornt were | 2 |
reaching for the | 2 |
bring in the | 2 |
he had a | 2 |
the son of | 2 |
you get that | 2 |
the potentate and | 2 |
and stepped out | 2 |
to do the | 2 |
to enjoy a | 2 |
to shluh in | 2 |
how many tractors | 2 |
far enough to | 2 |
i took a | 2 |
and handed it | 2 |
the only ones | 2 |
which way to | 2 |
we have in | 2 |
a man of | 2 |
give me the | 2 |
long enough to | 2 |
the two big | 2 |
the third secretary | 2 |
to change course | 2 |
say that i | 2 |
the new regime | 2 |
a place of | 2 |
was going to | 2 |
the cloud layer | 2 |
you can do | 2 |
topped a rise | 2 |
trussed me and | 2 |
ought to be | 2 |
it had been | 2 |
we ought to | 2 |
rifle at retief | 2 |
that reflected from | 2 |
and see that | 2 |
the operations building | 2 |
a continental siege | 2 |
little matter of | 2 |
continental siege unit | 2 |
the ambassador was | 2 |
retief looked across | 2 |
the table and | 2 |
have a little | 2 |
back against the | 2 |
the pumping station | 2 |
of a door | 2 |
need i remind | 2 |
included in the | 2 |
the croanie legation | 2 |
the matter to | 2 |
across at the | 2 |
record of this | 2 |
you should know | 2 |
in his faint | 2 |
do you think | 2 |
lowered his voice | 2 |
by any chance | 2 |
entering into the | 2 |
i was a | 2 |
quick to follow | 2 |
the car to | 2 |
on a few | 2 |
you could be | 2 |
to do anything | 2 |
that tried to | 2 |
do the same | 2 |
but i think | 2 |
the time i | 2 |
back in a | 2 |
to be specific | 2 |
have to rely | 2 |
the table were | 2 |
hundred years ago | 2 |
in a way | 2 |
fishing is good | 2 |
from the screen | 2 |
on to the | 2 |
around at the | 2 |
shouldered man with | 2 |
the briefing room | 2 |
nenni are a | 2 |
pistol in his | 2 |
yet learned the | 2 |
got as much | 2 |
and stepped into | 2 |
of a massive | 2 |
connection with the | 2 |
consul whaffle would | 2 |
the technical college | 2 |
flashed the light | 2 |
grape into his | 2 |
to the gaping | 2 |
excellent opportunity for | 2 |
get my hands | 2 |
now that the | 2 |
have plenty of | 2 |
to see what | 2 |
turned back the | 2 |
no time to | 2 |
as the aga | 2 |
zubb stepped forward | 2 |
that the soetti | 2 |
retief heard a | 2 |
looked a little | 2 |
by the aga | 2 |
a hand languidly | 2 |
the hatch popped | 2 |
soon as the | 2 |
come on out | 2 |
soon as you | 2 |
at each other | 2 |
the two on | 2 |
wait a minute | 2 |
have to try | 2 |
raised his voice | 2 |
you got a | 2 |
at the foot | 2 |
toward the car | 2 |
the black wine | 2 |
were a little | 2 |
as the heavy | 2 |
skis over their | 2 |
show of resistance | 2 |
eye on retief | 2 |
pulled the car | 2 |
along in a | 2 |
going to make | 2 |
on the best | 2 |
the mosaic of | 2 |
sure we can | 2 |
a hard time | 2 |
like to farm | 2 |
in a chair | 2 |
in the end | 2 |
hand shot out | 2 |
the words of | 2 |
you get back | 2 |
was a click | 2 |
miss meuhl stared | 2 |
but as you | 2 |
he waved a | 2 |
you to do | 2 |
see that you | 2 |
to keep them | 2 |
mosaic of the | 2 |
sincerely hope not | 2 |
i swear it | 2 |
dropped his cigar | 2 |
his desk to | 2 |
sit here and | 2 |
along the narrow | 2 |
be a pretty | 2 |
i was about | 2 |
the necessity for | 2 |
to the local | 2 |
word to them | 2 |
no point in | 2 |
a rasp of | 2 |
you are a | 2 |
way you came | 2 |
your name is | 2 |
the table at | 2 |
end of the | 2 |
you have in | 2 |
the tower trembled | 2 |
with a number | 2 |
like to fight | 2 |
and magnan took | 2 |
up the mike | 2 |
confess at first | 2 |
put a foot | 2 |
the mail must | 2 |
on which we | 2 |
as the chef | 2 |
aga kaga held | 2 |
a grape into | 2 |
stepped around him | 2 |
i shall ask | 2 |
with the internal | 2 |
he sat down | 2 |
sound behind him | 2 |
had in mind | 2 |
for a man | 2 |
i joined up | 2 |
turned and went | 2 |
from a distance | 2 |
the power pistol | 2 |
of state and | 2 |
for a few | 2 |
and lit a | 2 |
faith in the | 2 |
was talking about | 2 |
where did you | 2 |
let out a | 2 |
his mouth and | 2 |
there are no | 2 |
think it will | 2 |
in low voices | 2 |
side to side | 2 |
are the new | 2 |
you as terrestrial | 2 |
the length of | 2 |
when the ambassador | 2 |
between the treads | 2 |
to operate the | 2 |
turn over to | 2 |
rolled his eyes | 2 |
he paused at | 2 |
had no idea | 2 |
over the side | 2 |
said in his | 2 |
turned at the | 2 |
for a change | 2 |
if you get | 2 |
been through a | 2 |
arapoulous went on | 2 |
lock and stepped | 2 |
on the soetti | 2 |
happened to your | 2 |
staff in the | 2 |
shadows across the | 2 |
born after a | 2 |
want to have | 2 |
their way to | 2 |
same way you | 2 |
to look at | 2 |
not much of | 2 |
retief glanced over | 2 |
is merely to | 2 |
in the long | 2 |
leading to the | 2 |
to the flap | 2 |
at retief with | 2 |
chip said softly | 2 |
can lick any | 2 |
i have done | 2 |
waved at the | 2 |
hoshick rippled his | 2 |
moved off silently | 2 |
i might be | 2 |
it is to | 2 |
a few men | 2 |
bergman and tove | 2 |
the clerk said | 2 |
of the revolution | 2 |
off in mid | 2 |
there is much | 2 |
go down and | 2 |
plan of action | 2 |
corasol and the | 2 |
of the surface | 2 |
out in the | 2 |
live too long | 2 |
it takes to | 2 |
me at the | 2 |
ask you to | 2 |
and snapped off | 2 |
of you gentlemen | 2 |
my pocket recorder | 2 |
get space on | 2 |
which had been | 2 |
as he came | 2 |
into the center | 2 |
lot of time | 2 |
as it happens | 2 |
in grimy leather | 2 |
put his elbow | 2 |
looked across at | 2 |
to stay here | 2 |
a plan of | 2 |
and then to | 2 |
hurry back to | 2 |
he flipped a | 2 |
slip of paper | 2 |
would be to | 2 |
man stepped back | 2 |
magnan drew a | 2 |
so much as | 2 |
that would be | 2 |
creaked to a | 2 |
warming up for | 2 |
off toward the | 2 |
the globe slowed | 2 |
to go on | 2 |
of this new | 2 |
as a second | 2 |
are born after | 2 |
more of the | 2 |
to express regret | 2 |
aga kagans to | 2 |
across to magnan | 2 |
that the entire | 2 |
to stare at | 2 |
bottom of the | 2 |
the impression that | 2 |
the carapace and | 2 |
business in the | 2 |
sign like a | 2 |
in the consulate | 2 |
blowing a nose | 2 |
the internal affairs | 2 |
corner of his | 2 |
of a third | 2 |
and i have | 2 |
and watched the | 2 |
like you to | 2 |
plan to use | 2 |
to figure out | 2 |
moved off along | 2 |
hands on his | 2 |
take you to | 2 |
he held out | 2 |
from the cdt | 2 |
you expect me | 2 |
a trio of | 2 |
out at the | 2 |
might as well | 2 |
had better be | 2 |
if you feel | 2 |
to sit on | 2 |
of the prophet | 2 |
desk at his | 2 |
from the car | 2 |
in the shadow | 2 |
tove shook his | 2 |
along the corridor | 2 |
his weak voice | 2 |
in a low | 2 |
a member of | 2 |
it appears our | 2 |
and passed it | 2 |
of the yill | 2 |
magnan came up | 2 |
on the grass | 2 |
side as they | 2 |
a wisp of | 2 |
whatta ya mean | 2 |
in view of | 2 |
to the communicator | 2 |
for industrial use | 2 |
laughter rang in | 2 |
with regard to | 2 |
best i can | 2 |
getting out here | 2 |
glanced at a | 2 |
groacian vibrated his | 2 |
better than the | 2 |
it was as | 2 |
eased the door | 2 |
magnan leaned forward | 2 |
sand to a | 2 |
the slope to | 2 |
we have plenty | 2 |
settle down to | 2 |
i see that | 2 |
i may have | 2 |
the big leader | 2 |
a call to | 2 |
paint on the | 2 |
retief put the | 2 |
sight of retief | 2 |
my dear sir | 2 |
to face retief | 2 |
embroil the planet | 2 |
mean to say | 2 |
the fustian on | 2 |
interest in a | 2 |
retief watched the | 2 |
is to make | 2 |
a serious problem | 2 |
errand to run | 2 |
and went into | 2 |
to let us | 2 |
the crowd had | 2 |
retief half rose | 2 |
for a while | 2 |
back to retief | 2 |
and make no | 2 |
horny and pud | 2 |
flame qornt said | 2 |
sector just now | 2 |
a groacian blowing | 2 |
pulled out a | 2 |
and went out | 2 |
on their behalf | 2 |
the tractors are | 2 |
eye in a | 2 |
i had my | 2 |
entered the ship | 2 |
made his way | 2 |
the middle of | 2 |
spradley glanced at | 2 |
hand at the | 2 |
the restraining harness | 2 |
to the chin | 2 |
i am here | 2 |
the value of | 2 |
what i mean | 2 |
find it convenient | 2 |
it all about | 2 |
presents his compliments | 2 |
it is true | 2 |
if it works | 2 |
in a couple | 2 |
me on the | 2 |
what would be | 2 |
and so on | 2 |
picked it up | 2 |
fled into exile | 2 |
i have some | 2 |
just give me | 2 |
and ready for | 2 |
the two bottles | 2 |
a diplomat is | 2 |
i heard you | 2 |
you can see | 2 |
have been completely | 2 |
retief across the | 2 |
four hours to | 2 |
as he moved | 2 |
retief glanced around | 2 |
his hands up | 2 |
lull in the | 2 |
fell on his | 2 |
the local communicator | 2 |
and moved off | 2 |
to be generous | 2 |
hung in the | 2 |
a first secretary | 2 |
the speaker blared | 2 |
armed men in | 2 |
the whine of | 2 |
to the groaci | 2 |
to the shelter | 2 |
retief came up | 2 |
was a momentary | 2 |
the first of | 2 |
at a table | 2 |
about my baggage | 2 |
be with you | 2 |
to your chair | 2 |
just before the | 2 |
lands of the | 2 |
quite a little | 2 |
a most interesting | 2 |
tried to make | 2 |
and the two | 2 |
to the next | 2 |
to the presence | 2 |
a long wait | 2 |
a worthless rock | 2 |
the pen and | 2 |
around to the | 2 |
i remind you | 2 |
retief came to | 2 |
retief got to | 2 |
but i thought | 2 |
telling you to | 2 |
aga kaga seized | 2 |
and sent a | 2 |
retief handed over | 2 |
the light around | 2 |
to the tower | 2 |
to open the | 2 |
moved up to | 2 |
full power to | 2 |
are there any | 2 |
the fact that | 2 |
terms of the | 2 |
the gun barrel | 2 |
moved along to | 2 |
break down the | 2 |
to make an | 2 |
that he had | 2 |
in your pockets | 2 |
drew a large | 2 |
a voice said | 2 |
i suggest we | 2 |
got to do | 2 |
to keep your | 2 |
on his helmet | 2 |
around his desk | 2 |
on the leathery | 2 |
a chunk of | 2 |
piece of work | 2 |
reflected from the | 2 |
a sour smile | 2 |
can you read | 2 |
he has in | 2 |
i thought the | 2 |
at exit ten | 2 |
prizes for the | 2 |
at the paper | 2 |
by the door | 2 |
from under the | 2 |
him to a | 2 |
a hand at | 2 |
in the middle | 2 |
his nose on | 2 |
followed a moment | 2 |
earth by keith | 2 |
the service door | 2 |
you got to | 2 |
how much do | 2 |
a muffled curse | 2 |
we wish to | 2 |
pleasure to deal | 2 |
the blood on | 2 |
himself to the | 2 |
you hit it | 2 |
out from under | 2 |
reached for retief | 2 |
one of these | 2 |
out his hand | 2 |
cigar over the | 2 |
bolo model wv | 2 |
to catch a | 2 |
in a matter | 2 |
to make amends | 2 |
is at an | 2 |
and dropped it | 2 |
soon as i | 2 |
dawn when retief | 2 |
ready to go | 2 |
leaned on the | 2 |
on the snow | 2 |
this opportunity to | 2 |
try to get | 2 |
for me to | 2 |
as well they | 2 |
for the wine | 2 |
the alien went | 2 |
name of the | 2 |
a shot of | 2 |
we tried to | 2 |
the work of | 2 |
but i confess | 2 |
through the drapes | 2 |
at that baggage | 2 |
put it on | 2 |
the basis of | 2 |
of the body | 2 |
and the same | 2 |
it makes for | 2 |
he leaned close | 2 |
are on me | 2 |
in the padded | 2 |
dropped the mike | 2 |
know about the | 2 |
against the deep | 2 |
perhaps we could | 2 |
brisk time of | 2 |
know about it | 2 |
step into the | 2 |
retief reached the | 2 |
mail must go | 2 |
talked in low | 2 |
would be the | 2 |
now get going | 2 |
retief put a | 2 |
a look around | 2 |
time of it | 2 |
you damn fool | 2 |
and then the | 2 |
presence of the | 2 |
retief clambered up | 2 |
the door of | 2 |
a deep voice | 2 |
it over a | 2 |
for your safety | 2 |
if you want | 2 |
i advise you | 2 |
behind the sentry | 2 |
on the corps | 2 |
in his briefcase | 2 |
gulver in the | 2 |
same to you | 2 |
magnan opened his | 2 |
his back in | 2 |
to the shipyard | 2 |
to a guest | 2 |
a hand toward | 2 |
we had a | 2 |
the same way | 2 |
to suit me | 2 |
of the long | 2 |
raised the sabre | 2 |
he said dully | 2 |
be a pity | 2 |
in the game | 2 |
as far as | 2 |
chance number nine | 2 |
to arrange for | 2 |
cocked his head | 2 |
an expression of | 2 |
and raised a | 2 |
the immense fustian | 2 |
mate of drones | 2 |
i can run | 2 |
in the clear | 2 |
shall look forward | 2 |
go along with | 2 |
is the best | 2 |
by the open | 2 |
get around to | 2 |
the task force | 2 |
the entire mission | 2 |
weight against the | 2 |
a red light | 2 |
have you got | 2 |
a little late | 2 |
if you think | 2 |
i had to | 2 |
just in case | 2 |
put it over | 2 |
retief looked around | 2 |
close the door | 2 |
he and retief | 2 |
clatter of feet | 2 |
and opened his | 2 |
retief puffed at | 2 |
planet in war | 2 |
a word of | 2 |
on the deck | 2 |
do we do | 2 |
the blue and | 2 |
from the alien | 2 |
was bare rock | 2 |
you know these | 2 |
cigar in silence | 2 |
you talking about | 2 |
show you the | 2 |
in a small | 2 |
looked at each | 2 |
to the warehouse | 2 |
for a city | 2 |
them on the | 2 |
wrapped in a | 2 |
wonder if you | 2 |
plenty of time | 2 |
a side street | 2 |
weight of his | 2 |
or one of | 2 |
model c banquet | 2 |
of paper from | 2 |
ambassador glared at | 2 |
spend all their | 2 |
in a moment | 2 |
and hung with | 2 |
this business of | 2 |
the council stool | 2 |
of the groaci | 2 |
to the other | 2 |
do with the | 2 |
groaci would be | 2 |
it is the | 2 |
the control compartment | 2 |
the first time | 2 |
his eyes toward | 2 |
something in the | 2 |
as the car | 2 |
to find out | 2 |
faced man in | 2 |
red wine and | 2 |
the guest of | 2 |
to take us | 2 |
in an arc | 2 |
the word of | 2 |
one eye in | 2 |
do you get | 2 |
you need anything | 2 |
be back to | 2 |
we pick up | 2 |
leaned close to | 2 |
to the situation | 2 |
the wrong time | 2 |
at the spot | 2 |
it behind the | 2 |
get a big | 2 |
a pack of | 2 |
way to the | 2 |
to sector hq | 2 |
to miss meuhl | 2 |
a little too | 2 |
got the right | 2 |
that our mr | 2 |
retief rolled aside | 2 |
in spite of | 2 |
and the others | 2 |
in the yellow | 2 |
of the crew | 2 |
on his feet | 2 |
i think that | 2 |
i can keep | 2 |
i have your | 2 |
six foot three | 2 |
he reached for | 2 |
have to run | 2 |
retief of the | 2 |
if they were | 2 |
and a lot | 2 |
take me to | 2 |
an officer of | 2 |
the diplomatic corps | 2 |
to the cdt | 2 |
no more of | 2 |
snapped him onto | 2 |
on in the | 2 |
sealed record of | 2 |
out of it | 2 |
of corps support | 2 |
to have you | 2 |
in concordiat times | 2 |
like to try | 2 |
is to the | 2 |
for a week | 2 |
spradley looked up | 2 |
with the corps | 2 |
shall i say | 2 |
i hope not | 2 |
you have to | 2 |
moment later by | 2 |
instant that the | 2 |
he asked for | 2 |
hands of the | 2 |
will not be | 2 |
tell him i | 2 |
am the terrestrial | 2 |
into a narrow | 2 |
as a continental | 2 |
men in the | 2 |
the remainder of | 2 |
he passed the | 2 |
his cigar and | 2 |
to the lodge | 2 |
to a frenzy | 2 |
over his head | 2 |
the terrestrial states | 2 |
tried to get | 2 |
the kind of | 2 |
gathered around the | 2 |
i should dislike | 2 |
to roolit i | 2 |
would never have | 2 |
in the public | 2 |
and reached for | 2 |
around the table | 2 |
turned to arapoulous | 2 |
off at sunset | 2 |
lit a cigar | 2 |
up a hand | 2 |
the advantages of | 2 |
opened a drawer | 2 |
be getting back | 2 |
likely to be | 2 |
gravel gertie ii | 2 |
the cop in | 2 |
the answer is | 2 |
a length of | 2 |
the local youth | 2 |
his elbow on | 2 |
are of no | 2 |
sounds like the | 2 |
has in mind | 2 |
it is written | 2 |
run into the | 2 |
come out now | 2 |
the extent of | 2 |
it is my | 2 |
what it is | 2 |
lay in the | 2 |
he eased the | 2 |
necked man appeared | 2 |
wine crop is | 2 |
arrange for a | 2 |
at the office | 2 |
sat down and | 2 |
a crowd of | 2 |
let us go | 2 |
the merchant service | 2 |
up from his | 2 |
his breast pocket | 2 |
sponsorship of youth | 2 |
had a little | 2 |
magnan toward the | 2 |
should dislike to | 2 |
the fishing is | 2 |
i was grateful | 2 |
you were going | 2 |
call them back | 2 |
the foreign ministry | 2 |
yards from the | 2 |
want to catch | 2 |
place of papers | 2 |
view of the | 2 |
of us here | 2 |
light flooded the | 2 |
a cigar from | 2 |
visible in the | 2 |
ten years back | 2 |
to catch the | 2 |
reached out and | 2 |
nothing like that | 2 |
he turned his | 2 |
at the gate | 2 |
a variety of | 2 |
of his chair | 2 |
but never mind | 2 |
with both hands | 2 |
a passenger liner | 2 |
shall we go | 2 |
pick up a | 2 |
been here a | 2 |
that we have | 2 |
need to keep | 2 |
this is the | 2 |
have to move | 2 |
he leaned back | 2 |
his fingers on | 2 |
to the foreign | 2 |
better get some | 2 |
in dealing with | 2 |
the bottom of | 2 |
how to shoot | 2 |
they entered the | 2 |
we get to | 2 |
that i did | 2 |
no interference from | 2 |
son of a | 2 |
at the wine | 2 |
you with the | 2 |
here with a | 2 |
from now on | 2 |
they passed through | 2 |
the use of | 2 |
lead the way | 2 |
a thumb at | 2 |
of the most | 2 |
handle of the | 2 |
claim to the | 2 |
look at it | 2 |
corasol shook his | 2 |
in the sudden | 2 |
retief raised his | 2 |
of this matter | 2 |
with you as | 2 |
all their time | 2 |
gotta go now | 2 |
the terran party | 2 |
the entire affair | 2 |
see your point | 2 |
at the front | 2 |
fist down on | 2 |
the name of | 2 |
to stand on | 2 |
he would be | 2 |
in the sector | 2 |
take it away | 2 |
in the lift | 2 |
the best i | 2 |
we did not | 2 |
man in grimy | 2 |
back to flamme | 2 |
to get off | 2 |
no attempt to | 2 |
has its uses | 2 |
the madman from | 2 |
of a place | 2 |
as you say | 2 |
we shall see | 2 |
of this system | 2 |
over his shoulder | 2 |
to bring them | 2 |
feel bad about | 2 |
with the rest | 2 |
a turn of | 2 |
of the three | 2 |
a glimpse of | 2 |
ambassador glanced around | 2 |
the destruction of | 2 |
an arc that | 2 |
you ever heard | 2 |
food and water | 2 |
may lose my | 2 |
face of the | 2 |
the music stopped | 2 |
from side to | 2 |
i had you | 2 |
would find it | 2 |
of one of | 2 |
before i take | 2 |
due to the | 2 |
at retief uncertainly | 2 |
man on the | 2 |
at the head | 2 |
to find a | 2 |
features appeared on | 2 |
into the gloom | 2 |
the heavy vehicle | 2 |
an old diplomatic | 2 |
officer of the | 2 |
a passing flat | 2 |
have to say | 2 |
later by a | 2 |
turned to stare | 2 |
time to waste | 2 |
of the consulate | 2 |
to get through | 2 |
looked across the | 2 |
the opportunity to | 2 |
edge of a | 2 |
a matter for | 2 |
never heard about | 2 |
matter for the | 2 |
five hundred tractors | 2 |
just want to | 2 |
go along now | 2 |
in the rear | 2 |
of peace enforcers | 2 |
of a low | 2 |
eyebrows went up | 2 |
are set up | 2 |
may i ask | 2 |
a standard anti | 2 |
blinked at it | 2 |
i was yer | 2 |
men at the | 2 |
a habit of | 2 |
it was all | 2 |
and leave the | 2 |
his place beside | 2 |
as we have | 2 |
my men will | 2 |
we plan to | 2 |
scrap of paper | 2 |
door of a | 2 |
came to attention | 2 |
turned to shluh | 2 |
jerking a thumb | 2 |
and if i | 2 |
on the part | 2 |
who could appreciate | 2 |
derned if i | 2 |
of the soft | 2 |
put out a | 2 |
i confess at | 2 |
i said i | 2 |
blue and flame | 2 |
that lead block | 2 |
flipped on a | 2 |
planet of this | 2 |
a handful of | 2 |
how many qornt | 2 |
to wreck the | 2 |
of your mind | 2 |
going on there | 2 |
from the room | 2 |
he followed the | 2 |
at the same | 2 |
you figure out | 2 |
ministry of culture | 2 |
him by the | 2 |
that snapped him | 2 |
shifted to middle | 2 |
to join in | 2 |
a brisk time | 2 |
if there are | 2 |
this is far | 2 |
his way through | 2 |
the needler in | 2 |
after a vintage | 2 |
got a hundred | 2 |
retief said in | 2 |
have an idea | 2 |
the ambassador glanced | 2 |
do you plan | 2 |
over the edge | 2 |
a message to | 2 |
and the dust | 2 |
you notice the | 2 |
crossed the room | 2 |
shot out to | 2 |
known as a | 2 |
heard about the | 2 |
may be an | 2 |
retief stepped up | 2 |
if general minerals | 2 |
off in a | 2 |
on top of | 2 |
any better than | 2 |
have i got | 2 |
of a long | 2 |
was no alarm | 2 |
i sincerely hope | 2 |
punched a button | 2 |
a few months | 2 |
i hope that | 2 |
you can find | 2 |
huge fustian elder | 2 |
according to some | 2 |
said between clenched | 2 |
into a vast | 2 |
elbow on the | 2 |
eye at retief | 2 |
think i should | 2 |
of wine into | 2 |
up the needler | 2 |
going to sit | 2 |
must be an | 2 |
to do is | 2 |
a sound behind | 2 |
the next stool | 2 |
of ripe grain | 2 |
had a brisk | 2 |
to the sidelines | 2 |
up against the | 2 |
on us to | 2 |
retief and mancziewicz | 2 |
over their shoulders | 2 |
he slammed the | 2 |
quite in order | 2 |
his fringe tentacles | 2 |
at the blood | 2 |
take the chance | 2 |
down the table | 2 |
i made a | 2 |
heard about it | 2 |
glare of the | 2 |
on the slopes | 2 |
of the planetary | 2 |
and a few | 2 |
into the cabin | 2 |
to rely on | 2 |
a pair of | 2 |
at the rear | 2 |
the ship trembled | 2 |
of the capital | 2 |
at the wrong | 2 |
a few years | 2 |
a group of | 2 |
left fist shot | 2 |
through the floor | 2 |
i hear the | 2 |
shelter of the | 2 |
in a tangle | 2 |
i know not | 2 |
of you are | 2 |
four days to | 2 |
to recommend your | 2 |
nine mining company | 2 |
through the heavy | 2 |
to regional headquarters | 2 |
without so much | 2 |
the king is | 2 |
of the matter | 2 |
of the shed | 2 |
made myself clear | 2 |
on the paper | 2 |
to the center | 2 |
entry to the | 2 |
retief pocketed the | 2 |
while you were | 2 |
a tall girl | 2 |
three months ago | 2 |
a secret project | 2 |
news for you | 2 |
eyes set among | 2 |
over to roolit | 2 |
headed man said | 2 |
rolling his eyes | 2 |
your course for | 2 |
out here to | 2 |
some of our | 2 |
have a plan | 2 |
five minutes later | 2 |
an opportunity to | 2 |
plan my own | 2 |
we go to | 2 |
and drop it | 2 |
leave him to | 2 |
to embark on | 2 |
the foot of | 2 |
adhering to the | 2 |
looked at her | 2 |
pulled at his | 2 |
the next step | 2 |
length of the | 2 |
the sirenian system | 2 |
we qornt like | 2 |
i was astonished | 2 |
and said nothing | 2 |
a power pistol | 2 |
it seems to | 2 |
to put the | 2 |
madman from earth | 2 |
opportunity for you | 2 |
to the city | 2 |
a flurry of | 2 |
and get out | 2 |
the last time | 2 |
internal affairs of | 2 |
trailed off as | 2 |
to the wall | 2 |
in the world | 2 |
this would be | 2 |
for a minute | 2 |
under the impression | 2 |
at his side | 2 |
an ornately decorated | 2 |
what about that | 2 |
fist shot out | 2 |
that kind of | 2 |
they tried to | 2 |
complain to the | 2 |
like to go | 2 |
he gestured to | 2 |
strolled over to | 2 |
with one of | 2 |
a show of | 2 |
for the moment | 2 |
his lower lip | 2 |
his mandibles in | 2 |
to talk about | 2 |
the door swung | 2 |
shluh raised his | 2 |
tove and bo | 2 |
gathered in the | 2 |
ministry of youth | 2 |
in the office | 2 |
the buzzer sounded | 2 |
wants to be | 2 |
nodded and moved | 2 |
libraries and education | 2 |
in any event | 2 |
the room to | 2 |
reached across the | 2 |
want to look | 2 |
can keep an | 2 |
less than three | 2 |
plunged down to | 2 |
to one of | 2 |
the steam car | 2 |
the elevator to | 2 |
cold as hell | 2 |
bo bergman and | 2 |
put us in | 2 |
the corridor and | 2 |
rear of the | 2 |
broad wink at | 2 |
sit around and | 2 |
the ambassador came | 2 |