This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
did not uncover any | 11 |
copyright on this publication | 11 |
research did not uncover | 11 |
extensive research did not | 11 |
on this publication was | 11 |
uncover any evidence that | 11 |
any evidence that the | 11 |
the center of the | 11 |
this publication was renewed | 11 |
not uncover any evidence | 11 |
evidence that the u | 11 |
produced from worlds of | 10 |
from worlds of if | 10 |
was produced from worlds | 10 |
this etext was produced | 10 |
etext was produced from | 10 |
got to his feet | 9 |
take a look at | 9 |
of if science fiction | 9 |
worlds of if science | 9 |
the edge of the | 8 |
the aga kaga said | 8 |
retief looked at the | 8 |
retief shook his head | 8 |
to take a look | 7 |
in the center of | 6 |
stepped into the room | 6 |
the front of the | 5 |
retief watched as the | 5 |
a matter of fact | 5 |
the last of the | 5 |
there was a sound | 5 |
like to take a | 5 |
on the other side | 5 |
as a matter of | 5 |
he looked at retief | 5 |
the top of the | 5 |
by keith laumer the | 4 |
on the desk screen | 4 |
are you going to | 4 |
i can assure you | 4 |
keep an eye on | 4 |
what do you mean | 4 |
that sort of thing | 4 |
turned to the door | 4 |
i want you to | 4 |
was a sound of | 4 |
he turned back to | 4 |
retief turned to the | 4 |
what did you do | 4 |
appeared on the desk | 4 |
a look at that | 4 |
in the hands of | 4 |
in the front seat | 4 |
on the other hand | 4 |
magnan cleared his throat | 4 |
at the top of | 4 |
the rest of the | 4 |
came up to retief | 4 |
retief stepped into the | 4 |
get you out of | 3 |
here in the belt | 3 |
of the terrestrial embassy | 3 |
where are you going | 3 |
in a position to | 3 |
you going to do | 3 |
the first in line | 3 |
how did you get | 3 |
the aga kaga snarled | 3 |
the corps diplomatique terrestrienne | 3 |
at the far end | 3 |
not at all sure | 3 |
he turned to the | 3 |
looked up at retief | 3 |
has the honor to | 3 |
the other side of | 3 |
looked down at the | 3 |
stepped out of the | 3 |
see what i can | 3 |
there was a faint | 3 |
he got to his | 3 |
out of the car | 3 |
what are you going | 3 |
shluh said in terran | 3 |
what appeared to be | 3 |
other side of the | 3 |
do you know about | 3 |
a good time to | 3 |
with reference to the | 3 |
i seem to recall | 3 |
the floor with a | 3 |
glanced at his finger | 3 |
i want to get | 3 |
he picked up a | 3 |
and take a look | 3 |
he looked at the | 3 |
of the aga kaga | 3 |
if i have to | 3 |
did you do with | 3 |
in a parking orbit | 3 |
tapped at the door | 3 |
him onto his back | 3 |
at the far side | 3 |
i have a feeling | 3 |
retief looked at him | 3 |
the far side of | 3 |
center of the floor | 3 |
then there are the | 3 |
it on the floor | 3 |
at his finger watch | 3 |
a cloud of smoke | 3 |
into the banquet hall | 3 |
red light flashed on | 3 |
what do you know | 3 |
and headed for the | 3 |
the side of the | 3 |
he stared at the | 3 |
with his left hand | 3 |
and took out a | 3 |
dropped it on the | 3 |
a couple of hundred | 3 |
crashed to the floor | 3 |
the head of the | 3 |
the jolly barge hotel | 3 |
i thought it was | 3 |
to get you out | 3 |
see if you can | 3 |
back in the car | 2 |
held out a hand | 2 |
the paper with a | 2 |
could make out the | 2 |
magnan found his voice | 2 |
out of the door | 2 |
at the edge of | 2 |
corasol and the others | 2 |
in a broad wink | 2 |
to the floor with | 2 |
at the wrong time | 2 |
men at the gate | 2 |
there was a clatter | 2 |
of the local youth | 2 |
stood in groups of | 2 |
a pleasure to deal | 2 |
get out of this | 2 |
retief and magnan took | 2 |
mortgage on the best | 2 |
a show of resistance | 2 |
holds a mortgage on | 2 |
the bottom of the | 2 |
he eased the door | 2 |
to the effect that | 2 |
retief looked down at | 2 |
the two on the | 2 |
his mouth and swallowed | 2 |
a couple of weeks | 2 |
take a look around | 2 |
the ministry of youth | 2 |
earth by keith laumer | 2 |
it had been a | 2 |
the aga kaga seized | 2 |
the same instant that | 2 |
up from his desk | 2 |
took a cigar from | 2 |
at the head of | 2 |
and watched as retief | 2 |
waved a hand toward | 2 |
the internal affairs of | 2 |
i was yer age | 2 |
a cigar from his | 2 |
in the long run | 2 |
a moment later by | 2 |
they get around to | 2 |
but how can we | 2 |
he held up a | 2 |
about ten years back | 2 |
and see if you | 2 |
he opened his mouth | 2 |
for a man of | 2 |
i guess that was | 2 |
left fist shot out | 2 |
retief pulled the car | 2 |
that snapped him onto | 2 |
held out his hand | 2 |
retief looked thoughtfully at | 2 |
the rear of the | 2 |
a groacian blowing a | 2 |
a hell of a | 2 |
on the part of | 2 |
the ambassador glared at | 2 |
i should dislike to | 2 |
said between clenched teeth | 2 |
you as terrestrial consul | 2 |
to the warehouse and | 2 |
when i was yer | 2 |
same instant that the | 2 |
conversion of a standard | 2 |
better be getting back | 2 |
came up to the | 2 |
no more than a | 2 |
blue and flame qornt | 2 |
he watched as the | 2 |
let me at the | 2 |
of the mosaic of | 2 |
grape into his mouth | 2 |
man in grimy leather | 2 |
cigar over the side | 2 |
into a potent weapon | 2 |
elbow on the table | 2 |
around his desk to | 2 |
looked at retief uncertainly | 2 |
planet of this system | 2 |
passed it across to | 2 |
any better than the | 2 |
used to be a | 2 |
madman from earth by | 2 |
the car to a | 2 |
sealed record of this | 2 |
puffed at his cigar | 2 |
by the throat and | 2 |
get my hands on | 2 |
strolled over to the | 2 |
want to catch a | 2 |
cop in the front | 2 |
we get to the | 2 |
i am the terrestrial | 2 |
the lands of the | 2 |
held up a hand | 2 |
he raised a fist | 2 |
two hundred years ago | 2 |
too quick to follow | 2 |
came to his feet | 2 |
if you need anything | 2 |
miss meuhl said sharply | 2 |
he closed the door | 2 |
his fingers on the | 2 |
folder from his desk | 2 |
i can see you | 2 |
close to the screen | 2 |
a few years back | 2 |
awoke with a start | 2 |
get out of here | 2 |
a lot of junk | 2 |
hoshick of the mosaic | 2 |
up to the sentry | 2 |
right to the chin | 2 |
his elbow on the | 2 |
what in the world | 2 |
is at an end | 2 |
led the way to | 2 |
under the weight of | 2 |
a red light flashed | 2 |
at the front of | 2 |
what are you getting | 2 |
retief pulled off his | 2 |
that this is a | 2 |
looked at each other | 2 |
what do we do | 2 |
followed a moment later | 2 |
fell on his back | 2 |
turned to bo bergman | 2 |
spend a lot of | 2 |
retief and magnan followed | 2 |
yill at the table | 2 |
shifted to middle gear | 2 |
from side to side | 2 |
one side of the | 2 |
popped a grape into | 2 |
retief puffed at his | 2 |
the right idea on | 2 |
the ambassador glanced around | 2 |
if there are no | 2 |
features appeared on the | 2 |
from the pocket of | 2 |
side of the room | 2 |
to pick up the | 2 |
struggled to his feet | 2 |
it would be a | 2 |
the planet in war | 2 |
retief looked around at | 2 |
in an arc that | 2 |
lay in the center | 2 |
less than an hour | 2 |
picked up the mike | 2 |
another man put in | 2 |
the table at the | 2 |
this would be a | 2 |
get down to the | 2 |
there was a click | 2 |
over to roolit i | 2 |
retief opened the door | 2 |
looked at his watch | 2 |
at the table were | 2 |
the details of the | 2 |
number nine mining company | 2 |
retief put a foot | 2 |
got as much right | 2 |
must have been a | 2 |
front of the tank | 2 |
at the man on | 2 |
the aga kagans to | 2 |
flashed the light around | 2 |
retief came to his | 2 |
of the two dawns | 2 |
she looked at retief | 2 |
stepped from the car | 2 |
zorn looked at retief | 2 |
ducked his head and | 2 |
far end of the | 2 |
do you plan to | 2 |
seems to be having | 2 |
would have been a | 2 |
in a tight hat | 2 |
be a good idea | 2 |
closed one eye in | 2 |
his hands on his | 2 |
there was no alarm | 2 |
a brisk time of | 2 |
he glanced around the | 2 |
corasol shook his head | 2 |
to be a pretty | 2 |
head of the table | 2 |
going over to the | 2 |
over to the warehouse | 2 |
pulled at his lower | 2 |
only been here a | 2 |
over to the sidelines | 2 |
drummed his fingers on | 2 |
say that i did | 2 |
said i was grateful | 2 |
the aga kaga grunted | 2 |
it looks like the | 2 |
retief looked at her | 2 |
of a standard anti | 2 |
for a long moment | 2 |
a first secretary and | 2 |
at the bottom of | 2 |
an eye on you | 2 |
and dropped it on | 2 |
a lot of time | 2 |
into the center of | 2 |
model c banquet synthesizer | 2 |
he said to retief | 2 |
as soon as you | 2 |
like to see him | 2 |
the entry to the | 2 |
you expect me to | 2 |
opened a drawer and | 2 |
i told you they | 2 |
we understand each other | 2 |
the cop in the | 2 |
watched as the chef | 2 |
center of the room | 2 |
you have a proposal | 2 |
the captain looked at | 2 |
tell you the truth | 2 |
a good idea to | 2 |
a lot of attention | 2 |
to think of it | 2 |
the same way you | 2 |
side of the car | 2 |
at a sound behind | 2 |
looked up from his | 2 |
and put it on | 2 |
i have an idea | 2 |
as the first of | 2 |
a member of the | 2 |
to one of the | 2 |
at the center of | 2 |
we plan to use | 2 |
in view of the | 2 |
to get space on | 2 |
a fat man in | 2 |
he reached for the | 2 |
with a number of | 2 |
what i can do | 2 |
get a little more | 2 |
be here in a | 2 |
behind the sentry box | 2 |
a hand toward the | 2 |
the far end of | 2 |
when the light goes | 2 |
looked at the man | 2 |
at the end of | 2 |
have a plan of | 2 |
going to make a | 2 |
a broad wink at | 2 |
tell you what i | 2 |
corner of the room | 2 |
the mail must go | 2 |
closed his mouth and | 2 |
to the police chief | 2 |
would you say to | 2 |
crossed to the desk | 2 |
spend all their time | 2 |
not much of a | 2 |
an excellent opportunity for | 2 |
the man on the | 2 |
the weight of his | 2 |
return to the city | 2 |
last chance number nine | 2 |
are you getting at | 2 |
if you have a | 2 |
far side of the | 2 |
to get a little | 2 |
magnan looked at the | 2 |
and cleared his throat | 2 |
the hands of the | 2 |
meeting in the morning | 2 |
the chief of state | 2 |
the length of the | 2 |
surface of the tiny | 2 |
he glanced at the | 2 |
the word of a | 2 |
said in a strained | 2 |
come to think of | 2 |
for a city man | 2 |
of the fourth cycle | 2 |
without so much as | 2 |
he crossed to the | 2 |
in the shadow of | 2 |
looked around at the | 2 |
one of the two | 2 |
you want to get | 2 |
what are you doing | 2 |
the name of the | 2 |
i said i was | 2 |
the chief of the | 2 |
need i remind you | 2 |
the answer is no | 2 |
groacian blowing a nose | 2 |
out of your mind | 2 |
the aga kagans have | 2 |
arced up from the | 2 |
first secretary and consul | 2 |
are born after a | 2 |
sponsorship of youth groups | 2 |
retief strolled over to | 2 |
and turned to the | 2 |
this is not a | 2 |
the aga kagan government | 2 |
have i got to | 2 |
i thought they were | 2 |
in a matter of | 2 |
retief of the red | 2 |
can keep an eye | 2 |
in less than an | 2 |
door into a vast | 2 |
a most generous offer | 2 |
had a brisk time | 2 |
retief took the papers | 2 |
man on the floor | 2 |
out of the way | 2 |
as he came up | 2 |
and in the same | 2 |
of the groacian autonomy | 2 |
a matter for the | 2 |
what he has in | 2 |
this side of a | 2 |
she turned to the | 2 |
threw his weight against | 2 |
opportunity for you to | 2 |
or one of the | 2 |
hands on his helmet | 2 |
of a terrestrial cruiser | 2 |
i had a feeling | 2 |
on the side of | 2 |
and stepped into the | 2 |
i can keep an | 2 |
eye in a broad | 2 |
shall look forward to | 2 |
it will be a | 2 |
to the edge of | 2 |
too many of them | 2 |
at his lower lip | 2 |
the ministry of culture | 2 |
as he closed the | 2 |
brisk time of it | 2 |
did you get it | 2 |
be in a position | 2 |
wiped his nose on | 2 |
and moved off along | 2 |
by the aga kagan | 2 |
a mortgage on the | 2 |
in groups of three | 2 |
spradley looked up at | 2 |
magnan looked at him | 2 |
how do you know | 2 |
i gotta go now | 2 |
put his hands up | 2 |
the part of the | 2 |
embroil the planet in | 2 |
and with reference to | 2 |
same way you came | 2 |
in a couple of | 2 |
went up from the | 2 |
retief raised his eyebrows | 2 |
the madman from earth | 2 |
take the rest of | 2 |
retief made his way | 2 |
mail must go through | 2 |
retief got to his | 2 |
the yill at the | 2 |
no time to waste | 2 |
there was a momentary | 2 |
the center of a | 2 |
on the way out | 2 |
tove and bo bergman | 2 |
top of his head | 2 |
i think i should | 2 |
and picked up the | 2 |
a sound behind him | 2 |
to arrange for a | 2 |
at the foreign office | 2 |
car to a halt | 2 |
as a continental siege | 2 |
at the foot of | 2 |
back in his chair | 2 |
you and i are | 2 |
the edge of a | 2 |
holed up in the | 2 |
moved off along the | 2 |
hold your course for | 2 |
a small man with | 2 |
that kind of thing | 2 |
he lowered himself to | 2 |
a position behind the | 2 |
want to get to | 2 |
we like to farm | 2 |
if you can get | 2 |
who could appreciate your | 2 |
i sincerely hope not | 2 |
how can we be | 2 |
got the right idea | 2 |
i thought you were | 2 |
what is it you | 2 |
pushed through the crowd | 2 |
i advise you to | 2 |
a continental siege unit | 2 |
vehicle was drawn up | 2 |
the military attache said | 2 |
i want to know | 2 |
where i can keep | 2 |
before they get around | 2 |
the fishing is good | 2 |
find it convenient to | 2 |
at the blood on | 2 |
retief glanced over the | 2 |
snapped him onto his | 2 |
chief of state and | 2 |
are in the hands | 2 |
internal affairs of a | 2 |
fist down on the | 2 |
one hundred thousand credits | 2 |
put his elbow on | 2 |
the groaci would be | 2 |
want a word with | 2 |
to break down the | 2 |
i wonder what he | 2 |
tove shook his head | 2 |
as soon as we | 2 |
mosaic of the two | 2 |
you want to see | 2 |
one eye in a | 2 |
look at that baggage | 2 |
retief turned at the | 2 |
was a momentary silence | 2 |
talked to the tower | 2 |
as retief came up | 2 |
the elevator to the | 2 |
we have plenty of | 2 |
went to the door | 2 |
the men at the | 2 |
you were going to | 2 |
and threw his weight | 2 |
the best i can | 2 |
i was thinking of | 2 |
as the aga kaga | 2 |
the first of the | 2 |
a hand at the | 2 |
the stern of the | 2 |
have to rely on | 2 |
clear of the floor | 2 |
want to know where | 2 |
can we be sure | 2 |
in the same instant | 2 |
a look at the | 2 |
and lit a cigar | 2 |
i may lose my | 2 |
out a cloud of | 2 |
leaned close to the | 2 |
the mosaic of the | 2 |
to look at retief | 2 |
born after a vintage | 2 |
terms of the agreement | 2 |
turned at a sound | 2 |
of a first secretary | 2 |
chance number nine mining | 2 |
he has in mind | 2 |
retief stepped out of | 2 |
picked up the needler | 2 |
the shelter of the | 2 |
and a lot of | 2 |
would be a pity | 2 |
excellent opportunity for you | 2 |
he glanced at retief | 2 |
in the public interest | 2 |
the two big men | 2 |
a grape into his | 2 |
what about my baggage | 2 |
his weight against the | 2 |
moved along to the | 2 |
to the shelter of | 2 |
at the door of | 2 |
got to get down | 2 |
a bit of sport | 2 |
got to do is | 2 |
instructions to the letter | 2 |
has a habit of | 2 |
you want to go | 2 |
retief picked up the | 2 |
full power to the | 2 |
from earth by keith | 2 |
bo bergman and tove | 2 |
two on the other | 2 |
i confess at first | 2 |
talked in low voices | 2 |
in a strained voice | 2 |
where have you been | 2 |
it was a long | 2 |
in the padded seat | 2 |
front of the house | 2 |
i wonder if you | 2 |
at one of the | 2 |
as soon as i | 2 |
over the edge of | 2 |
half an hour later | 2 |
said the old fustian | 2 |
white light flooded the | 2 |
i get my hands | 2 |
told you they were | 2 |
the aga kaga held | 2 |
fingers on the desk | 2 |
he came up to | 2 |
prepared to be generous | 2 |
skis over their shoulders | 2 |
the son of a | 2 |
got to get back | 2 |
the presence of the | 2 |
known as a continental | 2 |
turned to look at | 2 |
pleasure to deal with | 2 |
looked at retief and | 2 |
to get to the | 2 |
magnan looked at retief | 2 |
what would you say | 2 |
i see your point | 2 |
the blue and flame | 2 |
to be in a | 2 |
caught a glimpse of | 2 |