This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
that he had | 164 |
one of the | 142 |
said lord henry | 125 |
it was a | 103 |
there was a | 92 |
for a moment | 87 |
he had been | 82 |
that he was | 82 |
it is not | 79 |
seemed to him | 74 |
in front of | 68 |
there is no | 67 |
chief of the | 67 |
of his own | 67 |
it was not | 65 |
i am not | 65 |
it is a | 62 |
out of the | 62 |
there was no | 61 |
i am afraid | 61 |
there was something | 60 |
it seemed to | 59 |
it is the | 58 |
as soon as | 57 |
to do with | 56 |
it was the | 56 |
it would be | 51 |
it had been | 51 |
at any rate | 49 |
he would be | 48 |
in the world | 48 |
that it was | 48 |
i want to | 48 |
some of the | 47 |
you must not | 47 |
is one of | 46 |
the end of | 45 |
i am going | 45 |
as well as | 45 |
of the great | 44 |
that is all | 44 |
i have not | 44 |
a few moments | 43 |
that it is | 43 |
and began to | 43 |
if he had | 43 |
now and then | 43 |
list of illustrations | 43 |
of the world | 43 |
lord henry had | 41 |
it is only | 41 |
a sort of | 41 |
looked at him | 41 |
that i was | 40 |
shook his head | 40 |
my dear fellow | 40 |
that i have | 40 |
at the time | 40 |
he could not | 40 |
and it is | 39 |
over to the | 39 |
would have been | 39 |
i could not | 39 |
but i am | 38 |
he felt that | 38 |
of his life | 38 |
on the table | 37 |
the name of | 37 |
the whole thing | 37 |
in love with | 37 |
i am so | 37 |
that i am | 37 |
he was a | 37 |
to look at | 36 |
of the room | 36 |
of the tribe | 36 |
the young man | 36 |
what do you | 36 |
a look of | 36 |
to him to | 35 |
to the door | 35 |
that is the | 35 |
seemed to be | 35 |
was to be | 35 |
circumference of head | 35 |
that you have | 34 |
be able to | 34 |
of course i | 34 |
to be a | 34 |
one of them | 34 |
am going to | 34 |
that i had | 34 |
to him that | 34 |
the united states | 33 |
the face of | 33 |
he had not | 33 |
as he was | 33 |
i tell you | 33 |
but it is | 33 |
and in the | 33 |
let us go | 33 |
i want you | 33 |
the indian territory | 32 |
that you were | 32 |
was going to | 32 |
when he was | 32 |
on the canvas | 32 |
i should have | 32 |
as if he | 32 |
there is a | 32 |
there was nothing | 31 |
my dear boy | 31 |
seems to me | 31 |
he is a | 31 |
i did not | 31 |
i am sorry | 31 |
nothing to do | 31 |
to say that | 31 |
from painting by | 31 |
want you to | 30 |
to go to | 30 |
to be the | 30 |
it was to | 30 |
go to the | 30 |
it is quite | 30 |
front of the | 30 |
going to be | 30 |
as it was | 30 |
as it were | 30 |
i have a | 30 |
me to be | 29 |
look at the | 29 |
dorian gray was | 29 |
but it was | 29 |
the man who | 29 |
down on the | 29 |
the memory of | 29 |
to see the | 29 |
in store for | 29 |
i wish i | 28 |
for the first | 28 |
as if it | 28 |
on the floor | 28 |
down to the | 28 |
must have been | 28 |
look at it | 28 |
was something in | 28 |
and that the | 28 |
of dorian gray | 28 |
i should like | 28 |
part of the | 28 |
he thought of | 28 |
who had been | 28 |
the secret of | 27 |
is the only | 27 |
and it was | 27 |
came over him | 27 |
he was not | 27 |
what it was | 27 |
that was all | 27 |
answered lord henry | 27 |
at the present | 27 |
he would not | 27 |
there is nothing | 27 |
my dear basil | 27 |
and looked at | 27 |
i have been | 27 |
after a few | 27 |
i do not | 27 |
cried lord henry | 26 |
he would have | 26 |
the top of | 26 |
what is it | 26 |
left the room | 26 |
had made him | 26 |
he did not | 26 |
but there was | 26 |
as it is | 26 |
the first time | 26 |
in my life | 26 |
would be a | 26 |
what you have | 26 |
i have ever | 26 |
for a few | 26 |
had not been | 26 |
sac and fox | 25 |
as he had | 25 |
in the house | 25 |
it to you | 25 |
that had been | 25 |
of my life | 25 |
it may be | 25 |
that seemed to | 25 |
the sound of | 25 |
the picture was | 25 |
of those who | 25 |
he seemed to | 25 |
to have a | 25 |
that he would | 25 |
a good deal | 25 |
seemed to me | 25 |
of the house | 25 |
to me that | 25 |
out of his | 25 |
at the opera | 25 |
point of view | 25 |
that she was | 25 |
had to be | 25 |
of the senses | 25 |
to do so | 25 |
the life of | 24 |
cried dorian gray | 24 |
not going to | 24 |
the present time | 24 |
that you are | 24 |
i am quite | 24 |
at the end | 24 |
i think i | 24 |
of all the | 24 |
he got up | 24 |
in spite of | 24 |
you are not | 24 |
to me to | 24 |
what i have | 24 |
to each other | 24 |
he is not | 24 |
in the room | 24 |
you had better | 24 |
there had been | 23 |
shrugged his shoulders | 23 |
what it is | 23 |
one of his | 23 |
the death of | 23 |
my dear dorian | 23 |
circumference of chest | 23 |
not at all | 23 |
time to time | 23 |
to his feet | 23 |
to think of | 23 |
i shall be | 23 |
at the door | 23 |
do you know | 23 |
felt as if | 23 |
to have been | 23 |
him to be | 23 |
i have done | 23 |
up and down | 23 |
i assure you | 23 |
from time to | 23 |
it must be | 23 |
most of the | 23 |
he began to | 22 |
in his hands | 22 |
of the picture | 22 |
did not know | 22 |
it has been | 22 |
you want to | 22 |
he used to | 22 |
he had never | 22 |
will tell you | 22 |
should like to | 22 |
but you must | 22 |
came back to | 22 |
do you think | 22 |
of that kind | 22 |
his hand upon | 22 |
said the painter | 22 |
to the club | 22 |
you are going | 22 |
murmured lord henry | 22 |
one of those | 22 |
you are quite | 22 |
if it had | 22 |
years of age | 22 |
which he had | 22 |
of the portrait | 22 |
that there was | 22 |
and i am | 22 |
the lad was | 22 |
he was going | 21 |
that was to | 21 |
you should have | 21 |
it will be | 21 |
want to know | 21 |
i must go | 21 |
want to be | 21 |
in the indian | 21 |
went to the | 21 |
made no answer | 21 |
am so sorry | 21 |
i wish you | 21 |
it is an | 21 |
to be in | 21 |
do you mean | 21 |
i should fancy | 21 |
his face in | 21 |
in order to | 21 |
that was the | 21 |
said to him | 21 |
do with it | 21 |
you have never | 21 |
at him with | 21 |
that she had | 21 |
hand upon his | 21 |
in a few | 21 |
me that i | 21 |
he was to | 21 |
himself down on | 21 |
what i am | 21 |
end of the | 21 |
i thought you | 21 |
and down the | 21 |
in the same | 21 |
he had a | 21 |
you will be | 21 |
in the air | 21 |
it is rather | 21 |
up from the | 21 |
a great deal | 21 |
in his voice | 21 |
his own soul | 21 |
it was that | 21 |
the eyes of | 20 |
if you want | 20 |
had been a | 20 |
than i am | 20 |
the room and | 20 |
he felt as | 20 |
i have never | 20 |
at the top | 20 |
and i will | 20 |
me that you | 20 |
when he had | 20 |
said dorian gray | 20 |
as long as | 20 |
you told me | 20 |
of the same | 20 |
what he had | 20 |
she was a | 20 |
to the window | 20 |
the only thing | 20 |
i think it | 20 |
of the kind | 20 |
the young lady | 20 |
a kind of | 20 |
and that he | 20 |
sure to be | 20 |
he told me | 20 |
into the room | 20 |
is sure to | 20 |
of the little | 20 |
the story of | 20 |
lord henry wotton | 20 |
him that he | 20 |
of an hour | 19 |
of the most | 19 |
you must have | 19 |
could not help | 19 |
a long time | 19 |
at dorian gray | 19 |
the work of | 19 |
more than one | 19 |
i dare say | 19 |
it was only | 19 |
have not been | 19 |
his eye fell | 19 |
corner of the | 19 |
on the ground | 19 |
in his own | 19 |
you must come | 19 |
very fond of | 19 |
was one of | 19 |
out into the | 19 |
as he did | 19 |
the rest of | 19 |
in his eyes | 19 |
he felt a | 19 |
i should not | 19 |
i have no | 19 |
all about it | 19 |
a piece of | 19 |
that is what | 19 |
the corner of | 19 |
but he was | 19 |
you would have | 19 |
to the theatre | 19 |
in which he | 19 |
in one of | 19 |
i am glad | 19 |
i will tell | 19 |
he had done | 19 |
it seems to | 19 |
what did it | 19 |
the old gentleman | 19 |
work of art | 19 |
in the garden | 19 |
is a very | 19 |
i know you | 19 |
head chief of | 19 |
soon as he | 19 |
looking at the | 18 |
that they are | 18 |
not to be | 18 |
on the other | 18 |
the fact that | 18 |
i suppose you | 18 |
had never seen | 18 |
up to the | 18 |
used to be | 18 |
that the man | 18 |
but there is | 18 |
the thing was | 18 |
lit a cigarette | 18 |
she did not | 18 |
a man of | 18 |
from the table | 18 |
came to the | 18 |
to see her | 18 |
and all that | 18 |
on to the | 18 |
the table and | 18 |
portion of the | 18 |
seemed to have | 18 |
they had been | 18 |
after some time | 18 |
he did so | 18 |
it would have | 18 |
am afraid i | 18 |
that they were | 18 |
felt that the | 18 |
the use of | 18 |
there was the | 18 |
i told you | 18 |
is to be | 18 |
more than a | 18 |
at the picture | 18 |
sit in the | 18 |
i know that | 18 |
the whole world | 18 |
a right to | 18 |
for all that | 18 |
if it was | 18 |
two or three | 18 |
and lord henry | 17 |
if it were | 17 |
they have been | 17 |
of the whole | 17 |
hesitated for a | 17 |
i should think | 17 |
to be good | 17 |
that is not | 17 |
the nineteenth century | 17 |
the world would | 17 |
basil hallward had | 17 |
of the old | 17 |
at the club | 17 |
of his tribe | 17 |
as i have | 17 |
when i was | 17 |
one of her | 17 |
the presence of | 17 |
no doubt that | 17 |
is that it | 17 |
in the direction | 17 |
back to his | 17 |
felt that he | 17 |
it was his | 17 |
know what you | 17 |
to me now | 17 |
in the face | 17 |
in which the | 17 |
bit his lip | 17 |
come to the | 17 |
that we had | 17 |
in the picture | 17 |
that would be | 17 |
too much of | 17 |
down the room | 17 |
the appearance of | 17 |
on the stage | 17 |
had said to | 17 |
of a new | 17 |
went over to | 17 |
it is so | 17 |
sense of the | 17 |
quarter of an | 17 |
that of the | 17 |
him as he | 16 |
that we are | 16 |
a few years | 16 |
there are only | 16 |
what on earth | 16 |
the house of | 16 |
what is the | 16 |
eye fell on | 16 |
what you are | 16 |
and then i | 16 |
and had a | 16 |
may have been | 16 |
told him that | 16 |
the idea of | 16 |
to the picture | 16 |
i am tired | 16 |
is not a | 16 |
there would be | 16 |
and there was | 16 |
tell me that | 16 |
of their own | 16 |
if he was | 16 |
said the lad | 16 |
yet it was | 16 |
into the library | 16 |
on the sofa | 16 |
say that he | 16 |
is quite true | 16 |
dorian gray is | 16 |
be to him | 16 |
know what to | 16 |
face in his | 16 |
was in the | 16 |
you are a | 16 |
into his eyes | 16 |
across the room | 16 |
the direction of | 16 |
there is something | 16 |
to think that | 16 |
the old lady | 16 |
as it had | 16 |
was not a | 16 |
something in the | 16 |
not know what | 16 |
the time of | 16 |
i should be | 16 |
you are the | 16 |
you have not | 16 |
what was it | 16 |
for you to | 16 |
the portrait that | 16 |
was like a | 16 |
he knew that | 16 |
at him in | 16 |
as he thought | 16 |
at the theatre | 15 |
life of the | 15 |
what is that | 15 |
i wanted to | 15 |
at lord henry | 15 |
you would not | 15 |
the charm of | 15 |
you will always | 15 |
have nothing to | 15 |
at his own | 15 |
is the reason | 15 |
of course you | 15 |
you know you | 15 |
are going to | 15 |
as he spoke | 15 |
i was a | 15 |
his own beauty | 15 |
when i am | 15 |
the burden of | 15 |
you have a | 15 |
looking at him | 15 |
it was all | 15 |
i determined to | 15 |
and i can | 15 |
the beginning of | 15 |
cried the lad | 15 |
that he might | 15 |
thought it was | 15 |
which is the | 15 |
to be able | 15 |
do with the | 15 |
i met you | 15 |
was thinking of | 15 |
my dear harry | 15 |
i would have | 15 |
in the studio | 15 |
her in the | 15 |
after a time | 15 |
face to face | 15 |
in the end | 15 |
you ask me | 15 |
him to have | 15 |
for me to | 15 |
name of the | 15 |
would not have | 15 |
was on the | 15 |
which he was | 15 |
here is the | 15 |
a quarter of | 15 |
what sort of | 15 |
something of the | 15 |
flung himself down | 15 |
all the same | 15 |
the door behind | 15 |
by means of | 15 |
on the subject | 15 |
it is one | 15 |
asked lord henry | 15 |
sort of thing | 15 |
it is all | 15 |
it is too | 15 |
if you had | 15 |
over and over | 15 |
will always be | 15 |
she had been | 15 |
and for a | 15 |
i am sure | 15 |
you were a | 15 |
you have made | 15 |
she would have | 15 |
get rid of | 15 |
would be to | 15 |
and by the | 15 |
opened the door | 15 |
of the art | 15 |
after a pause | 15 |
back to him | 15 |
for the moment | 15 |
as lord henry | 15 |
many of them | 15 |
tell you what | 15 |
he has been | 15 |
the sense of | 15 |
you are mad | 15 |
up at the | 15 |
if i had | 14 |
what did you | 14 |
of the french | 14 |
and there is | 14 |
lord henry looked | 14 |
and i have | 14 |
he had no | 14 |
i am in | 14 |
dine with me | 14 |
as though he | 14 |
has been a | 14 |
means of the | 14 |
but you are | 14 |
i know what | 14 |
i shall go | 14 |
have the most | 14 |
got up from | 14 |
must not be | 14 |
and you will | 14 |
bear the burden | 14 |
i would not | 14 |
of the man | 14 |
i shall have | 14 |
as though it | 14 |
in his hand | 14 |
i will never | 14 |
i believe that | 14 |
as for the | 14 |
front of it | 14 |
he opened the | 14 |
that lord henry | 14 |
to tell me | 14 |
that is to | 14 |
i am to | 14 |
to be married | 14 |
i had never | 14 |
if it is | 14 |
that is one | 14 |
i see you | 14 |
i used to | 14 |
had such a | 14 |
and if you | 14 |
i will have | 14 |
the beauty of | 14 |
i think you | 14 |
at the same | 14 |
as he passed | 14 |
and went out | 14 |
one who had | 14 |
the door of | 14 |
of the past | 14 |
face on the | 14 |
the door opened | 14 |
have ever done | 14 |
him with a | 14 |
and look at | 14 |
that had made | 14 |
must come and | 14 |
think of the | 14 |
him for a | 14 |
to him the | 14 |
it is said | 14 |
and in a | 14 |
i shall never | 14 |
had been the | 14 |
as a rule | 14 |
it might be | 14 |
all the more | 14 |
it in the | 14 |
why do you | 14 |
i was afraid | 14 |
and seemed to | 13 |
more than once | 13 |
think it was | 13 |
of his friends | 13 |
way to the | 13 |
to see him | 13 |
is going to | 13 |
she will be | 13 |
no such thing | 13 |
for a long | 13 |
of one who | 13 |
a feeling of | 13 |
what did she | 13 |
know everything about | 13 |
could not be | 13 |
i will not | 13 |
which he could | 13 |
place in the | 13 |
you are really | 13 |
in his chair | 13 |
is that of | 13 |
fell on the | 13 |
i can see | 13 |
a sense of | 13 |
you have been | 13 |
he had passed | 13 |
the other hand | 13 |
in the middle | 13 |
wish i could | 13 |
looked at dorian | 13 |
i must see | 13 |
and looked round | 13 |
it was an | 13 |
i have known | 13 |
that you will | 13 |
was nothing to | 13 |
i have seen | 13 |
why have you | 13 |
and yet i | 13 |
of course she | 13 |
is the one | 13 |
it was merely | 13 |
said to me | 13 |
memory of the | 13 |
after he had | 13 |
think i have | 13 |
going to do | 13 |
engaged to be | 13 |
when you are | 13 |
known as the | 13 |
a form of | 13 |
and she had | 13 |
the same as | 13 |
into the house | 13 |
the duke of | 13 |
if you wish | 13 |
he looked at | 13 |
before he had | 13 |
the art of | 13 |
i had been | 13 |
was waiting for | 13 |
across the table | 13 |
a few days | 13 |
face of the | 13 |
his hat and | 13 |
know what it | 13 |
that it had | 13 |
the head of | 13 |
the lines of | 13 |
to listen to | 13 |
do you want | 13 |
him in the | 13 |
of your life | 13 |
i was not | 13 |
in the country | 13 |
he made no | 13 |
tell you that | 13 |
is it that | 13 |
in a low | 13 |
know anything about | 13 |
of the day | 13 |
that the whole | 13 |
to the other | 13 |
and he felt | 13 |
the wonder of | 13 |
man who had | 13 |
why is it | 13 |
the man was | 13 |
think i am | 12 |
where he had | 12 |
i have promised | 12 |
and the other | 12 |
the back of | 12 |
be hidden away | 12 |
wish i had | 12 |
you and i | 12 |
you know what | 12 |
passed his hand | 12 |
i found myself | 12 |
no idea what | 12 |
dorian shook his | 12 |
it to the | 12 |
had been in | 12 |
all that you | 12 |
to which he | 12 |
at selby royal | 12 |
to tell you | 12 |
as the door | 12 |
know who he | 12 |
you have come | 12 |
how can you | 12 |
of the english | 12 |
it was simply | 12 |
that one is | 12 |
there are no | 12 |
is no such | 12 |
a young man | 12 |
and one of | 12 |
of his band | 12 |
is to say | 12 |
had not yet | 12 |
come into the | 12 |
when he saw | 12 |
to the opera | 12 |
once or twice | 12 |
he had lived | 12 |
a friend of | 12 |
in the brain | 12 |
side of the | 12 |
about sibyl vane | 12 |
should have been | 12 |
him that it | 12 |
with a sigh | 12 |
his own life | 12 |
nothing to me | 12 |
the house was | 12 |
of you to | 12 |
he could hear | 12 |
that had so | 12 |
the one thing | 12 |
a copy of | 12 |
life that is | 12 |
for him to | 12 |
in the morning | 12 |
he hesitated for | 12 |
is in the | 12 |
would be the | 12 |
them on the | 12 |
of sibyl vane | 12 |
i must be | 12 |
go down to | 12 |
is a great | 12 |
in the dim | 12 |
shall have to | 12 |
a few minutes | 12 |
and examined it | 12 |
man who was | 12 |
it had all | 12 |
to me the | 12 |
i am awfully | 12 |
i knew that | 12 |
that you had | 12 |
not the slightest | 12 |
and the two | 12 |
top of the | 12 |
have told you | 12 |
out on the | 12 |
an expression of | 12 |
that you would | 12 |
the things that | 12 |
am so glad | 12 |
looked as if | 12 |
great deal of | 12 |
was his own | 12 |
i have told | 12 |
i will try | 12 |
did you say | 12 |
the dead man | 12 |
came into his | 12 |
the mouth of | 12 |
began to wonder | 12 |
a mode of | 12 |
might have been | 12 |
as if in | 12 |
the sort of | 12 |
and for the | 12 |
of the young | 12 |
to you again | 12 |
out in the | 12 |
he could see | 12 |
of the mississippi | 12 |
in the sunlight | 12 |
and did not | 12 |
on the wall | 12 |
i have just | 12 |
the pueblo of | 12 |
did it matter | 12 |
got up and | 12 |
to bear the | 12 |
to do anything | 12 |
the way of | 12 |
but i can | 12 |
are only two | 12 |
more and more | 12 |
to dorian gray | 12 |
what to say | 12 |
was it to | 12 |
buried his face | 12 |
will have to | 12 |
that sort of | 12 |
rang the bell | 12 |
four hundred years | 12 |
and to have | 12 |
to have the | 12 |
for a season | 12 |
to be done | 12 |
no one would | 12 |
of the nation | 12 |
the meaning of | 12 |
was at the | 12 |
anything in the | 12 |
of the united | 12 |
you will see | 12 |
go to bed | 12 |
began to think | 12 |
in the most | 12 |
as much as | 12 |
i have to | 12 |
was it all | 11 |
of the artist | 11 |
and that i | 11 |
though he had | 11 |
lord henry laughed | 11 |
thought you would | 11 |
they reached the | 11 |
so far as | 11 |
where he was | 11 |
the value of | 11 |
on the missouri | 11 |
come with me | 11 |
the thing is | 11 |
the curves of | 11 |
and yet it | 11 |
want to have | 11 |
so as to | 11 |
to any one | 11 |
come down to | 11 |
to make the | 11 |
i shall see | 11 |
no less than | 11 |
would have done | 11 |
you might have | 11 |
that the world | 11 |
of its own | 11 |
was born in | 11 |
he had to | 11 |
everything that he | 11 |
to do it | 11 |
in an age | 11 |
to see that | 11 |
waiting for you | 11 |
but he is | 11 |
in connection with | 11 |
close to the | 11 |
west of the | 11 |
a knock came | 11 |
what are you | 11 |
good enough for | 11 |
was it really | 11 |
about the room | 11 |
much of myself | 11 |
out to the | 11 |
why had he | 11 |
going over to | 11 |
against the wall | 11 |
a portrait of | 11 |
the subject of | 11 |
know what i | 11 |
you need not | 11 |
is on the | 11 |
those who are | 11 |
i asked you | 11 |
it as a | 11 |
was a very | 11 |
there was in | 11 |
it is impossible | 11 |
that i could | 11 |
and saw the | 11 |
gazing at the | 11 |
when she was | 11 |
few moments he | 11 |
at this point | 11 |
back of the | 11 |
in the eyes | 11 |
when he looked | 11 |
said of him | 11 |
he turned round | 11 |
the age of | 11 |
stood on the | 11 |
to you to | 11 |
to whom i | 11 |
there came a | 11 |
of the women | 11 |
of the story | 11 |
the picture of | 11 |
i am a | 11 |
that he has | 11 |
those who had | 11 |
whatever it was | 11 |
what he was | 11 |
read of the | 11 |
is said to | 11 |
with all the | 11 |
the whole of | 11 |
did she say | 11 |
to get rid | 11 |
that in the | 11 |
be sorry to | 11 |
will not be | 11 |
i think that | 11 |
she was not | 11 |
one had to | 11 |
seems to have | 11 |
it was certainly | 11 |
of her own | 11 |
the most important | 11 |
and at the | 11 |
dorian looked at | 11 |
by the way | 11 |
said to have | 11 |
it does not | 11 |
the best of | 11 |
and when he | 11 |
sacs and foxes | 11 |
is nothing to | 11 |
of my own | 11 |
the shadow of | 11 |
to have it | 11 |
it was too | 11 |
he reached the | 11 |
it was in | 11 |
am tired of | 11 |
us sit down | 11 |
that there is | 11 |
at the table | 11 |
and you must | 11 |
of a man | 11 |
a cry of | 11 |
said that the | 11 |
passed into the | 11 |
at this time | 11 |
on the first | 11 |
live in an | 11 |
that one can | 11 |
and looking at | 11 |
to take the | 11 |
was a horrible | 11 |
she had to | 11 |
it is my | 11 |
whom he had | 11 |
i knew you | 11 |
would have made | 11 |
the same time | 11 |
must not think | 11 |
said at last | 11 |
to the studio | 11 |
he went to | 11 |
was not the | 11 |
and then the | 11 |
not one of | 11 |
was destined to | 11 |
was covered with | 11 |
would not be | 11 |
in the early | 11 |
i had ever | 11 |
am sorry i | 11 |
to some of | 11 |
of the things | 11 |
have never been | 11 |
the th of | 11 |
the son of | 11 |
would have to | 11 |
tell me about | 11 |
must not say | 11 |
the possession of | 11 |
a matter of | 11 |
when they reached | 11 |
the sky was | 11 |
is the best | 11 |
was not to | 11 |
entered the room | 11 |
that he could | 11 |
to be of | 11 |
and you know | 11 |
i was going | 11 |
account of the | 11 |
to the end | 11 |
am not going | 11 |
him from the | 11 |
knock came to | 11 |
put his hand | 11 |
let us sit | 11 |
you will have | 10 |
and then a | 10 |
has nothing to | 10 |
in the chair | 10 |
the arms of | 10 |
a man to | 10 |
is simply a | 10 |
son of the | 10 |
what was that | 10 |
and to the | 10 |
henry shrugged his | 10 |
how it was | 10 |
any of the | 10 |
a low voice | 10 |
sigh of relief | 10 |
something of a | 10 |
i thought i | 10 |
well as to | 10 |
the day before | 10 |
he said to | 10 |
of one of | 10 |
the effect of | 10 |
in the theatre | 10 |
and so on | 10 |
to tell him | 10 |
of the two | 10 |
had all the | 10 |
and now and | 10 |
to be there | 10 |
little more than | 10 |
in the great | 10 |
the picture had | 10 |
the mask of | 10 |
a portion of | 10 |
be sure to | 10 |
should have thought | 10 |
the voice of | 10 |
have been the | 10 |
in his pocket | 10 |
tell you all | 10 |
a man who | 10 |
there will be | 10 |
it all the | 10 |
as it seemed | 10 |
had sought to | 10 |
in lord henry | 10 |
into the air | 10 |
and i could | 10 |
to go on | 10 |
the thought that | 10 |
shook her head | 10 |
and when i | 10 |
i was to | 10 |
mouth of the | 10 |
i thought of | 10 |
mixed up in | 10 |
that a man | 10 |
cure the soul | 10 |
sure of that | 10 |
if he is | 10 |
come and dine | 10 |
that they had | 10 |
a note of | 10 |
all that he | 10 |
a sigh of | 10 |
i must say | 10 |
everything that is | 10 |
i have always | 10 |
to look after | 10 |
of the church | 10 |
of the table | 10 |
we are not | 10 |
nothing of the | 10 |
was to have | 10 |
at one time | 10 |
of all that | 10 |
back to the | 10 |
only the other | 10 |
to come to | 10 |
by the hand | 10 |
wondered if he | 10 |
him to send | 10 |
upon his shoulder | 10 |
i am told | 10 |
of the time | 10 |
the headwaters of | 10 |
been able to | 10 |
i suppose she | 10 |
the world is | 10 |
to the table | 10 |
that is a | 10 |
she looked at | 10 |
had never been | 10 |
want to see | 10 |
a bit of | 10 |
from his chair | 10 |
and put on | 10 |
this was the | 10 |
talk to me | 10 |
of which they | 10 |
he went away | 10 |
use of the | 10 |
i feel that | 10 |
he took up | 10 |
he had thought | 10 |
he had made | 10 |
found in the | 10 |
henry had said | 10 |
as he sat | 10 |
to the indian | 10 |
one should never | 10 |
secret of his | 10 |
to be said | 10 |
it had not | 10 |
person in the | 10 |
they are so | 10 |
broke in lord | 10 |
and dine with | 10 |
what i mean | 10 |
to do is | 10 |
headwaters of the | 10 |
tell him that | 10 |
i had to | 10 |
it to be | 10 |
and then to | 10 |
did you go | 10 |
leaving the room | 10 |
and i shall | 10 |
sat down to | 10 |
he was determined | 10 |
life has been | 10 |
then he turned | 10 |
the point of | 10 |
i said to | 10 |
as to the | 10 |
i know i | 10 |
to him at | 10 |
room of the | 10 |
to do that | 10 |
had ever seen | 10 |
you have the | 10 |
at the age | 10 |
for it was | 10 |
in the church | 10 |
ask him to | 10 |
it was with | 10 |
he sat down | 10 |
sense of beauty | 10 |
for what i | 10 |
secrets of life | 10 |
of the missouri | 10 |
had come to | 10 |
for some time | 10 |
up from his | 10 |
over the pages | 10 |
and he was | 10 |
have made me | 10 |
then you will | 10 |
looked at the | 10 |
away from me | 10 |
lord henry shrugged | 10 |
you have to | 10 |
author of the | 10 |
took up the | 10 |
to an end | 10 |
those who have | 10 |
has not been | 10 |
the number of | 10 |
at the corner | 10 |
it on the | 10 |
to ask you | 10 |
the door and | 10 |
would be sure | 10 |
the world to | 10 |
i thought it | 10 |
talk like that | 10 |
you will never | 10 |
leaped to his | 10 |
who was the | 10 |
about ten minutes | 10 |
i want the | 10 |
to look for | 10 |
less than a | 10 |
a very bad | 10 |
remind me of | 10 |
a part of | 10 |
it was like | 10 |
in the mouth | 10 |
to speak to | 10 |
i have said | 10 |
in consequence of | 10 |
as you have | 9 |
the hand of | 9 |
as i was | 9 |
to one of | 9 |
of life and | 9 |
he passed out | 9 |
the brink of | 9 |
first time in | 9 |
of some one | 9 |
laugh at me | 9 |
he had gone | 9 |
broke from the | 9 |
but he has | 9 |
was a look | 9 |
living on the | 9 |
to me than | 9 |
well as the | 9 |
you are much | 9 |
had found in | 9 |
one of its | 9 |
over the picture | 9 |
a little time | 9 |
him by the | 9 |
she said she | 9 |
the midnight train | 9 |
touch of cruelty | 9 |
a reputation for | 9 |
it is because | 9 |
such thing as | 9 |
the same thing | 9 |
had it been | 9 |
i said it | 9 |
in the darkness | 9 |
the blood of | 9 |
in the mind | 9 |
it was true | 9 |
he said at | 9 |
the present moment | 9 |
who he was | 9 |
on the brink | 9 |
in a room | 9 |
out of a | 9 |
you have said | 9 |
perhaps you will | 9 |
speak to him | 9 |
to become a | 9 |
they now number | 9 |
in a sort | 9 |
been his own | 9 |
he was very | 9 |
spite of the | 9 |
was afraid of | 9 |
the man bowed | 9 |
be out of | 9 |
i had not | 9 |
that you should | 9 |
through which he | 9 |
it is no | 9 |
i to do | 9 |
painted of him | 9 |
soon as the | 9 |
why should he | 9 |
you have had | 9 |
to give him | 9 |
rouget de lisle | 9 |
the most wonderful | 9 |
be afraid of | 9 |
out of town | 9 |
it is in | 9 |
is that the | 9 |
thought of her | 9 |
of the platte | 9 |
at the clock | 9 |
dorian gray had | 9 |
had all been | 9 |
purity of his | 9 |
to exhibit it | 9 |
of a great | 9 |
door behind him | 9 |
was quite right | 9 |
was under the | 9 |
he knew what | 9 |
in the centre | 9 |
on the divan | 9 |
he kept his | 9 |
how do you | 9 |
upon my word | 9 |
and as for | 9 |
the madness of | 9 |
a member of | 9 |
do anything in | 9 |
there have been | 9 |
south of the | 9 |
and walked over | 9 |
am sorry you | 9 |
but here is | 9 |
flung himself into | 9 |
that was impossible | 9 |
was all the | 9 |
to be better | 9 |
the reputation of | 9 |
you have no | 9 |
he would go | 9 |
you would never | 9 |
will some day | 9 |
he stood there | 9 |
was no doubt | 9 |
to sibyl vane | 9 |
something in his | 9 |
and now you | 9 |
is no use | 9 |
was to the | 9 |
out the key | 9 |
of the ruin | 9 |
the signs of | 9 |
was to come | 9 |
of the spirit | 9 |
at least he | 9 |
in the way | 9 |
of an artist | 9 |
you used to | 9 |
have a new | 9 |
to go away | 9 |
you all the | 9 |
the mind of | 9 |
the centre of | 9 |
you will feel | 9 |
in which i | 9 |
have a right | 9 |
out of england | 9 |
would never again | 9 |
had painted of | 9 |
hallward had painted | 9 |
because they are | 9 |
the passion of | 9 |
the only way | 9 |
at each other | 9 |
he had known | 9 |
i felt that | 9 |
have come to | 9 |
and that they | 9 |
the terror of | 9 |
be in love | 9 |
that he is | 9 |
there were moments | 9 |
was nothing else | 9 |
at last he | 9 |
the east end | 9 |
a strange sense | 9 |
in at the | 9 |
with a strange | 9 |
strange sense of | 9 |
of the garden | 9 |
the man with | 9 |
i loved her | 9 |
what i want | 9 |
send it anywhere | 9 |
to his wife | 9 |
and of the | 9 |
walked over to | 9 |
if you will | 9 |
direction of the | 9 |
work i have | 9 |
to him like | 9 |
he had seen | 9 |
to see if | 9 |
and opened it | 9 |
was merely the | 9 |
to the whites | 9 |
of a young | 9 |
more than the | 9 |
did it mean | 9 |
member of the | 9 |
and see her | 9 |
could not bear | 9 |
have made you | 9 |
reached the top | 9 |
that the picture | 9 |
said the young | 9 |
have seen her | 9 |
a great difference | 9 |
to her aunt | 9 |
face that he | 9 |
he had brought | 9 |
and you are | 9 |
to the government | 9 |
rose from the | 9 |
i think of | 9 |
from the world | 9 |
he was quite | 9 |
the painted image | 9 |
is not my | 9 |
be a great | 9 |
in those days | 9 |
right to know | 9 |
you mean by | 9 |
at least i | 9 |
was of no | 9 |
said the man | 9 |
things like that | 9 |
you know i | 9 |
a great artist | 9 |
at the piano | 9 |
exactly the same | 9 |
in the whole | 9 |
of the head | 9 |
in at once | 9 |
had been brought | 9 |
the thing that | 9 |
seated at the | 9 |
speak to you | 9 |
for the rest | 9 |
stirred within him | 9 |
even if he | 9 |
his mode of | 9 |
it was my | 9 |
and with a | 9 |
told me once | 9 |
have promised to | 9 |
him to go | 9 |
at his feet | 9 |
i must have | 9 |
the office of | 9 |
drew the screen | 9 |
the dignity of | 9 |
ticking of the | 9 |
go in for | 9 |
of his coat | 9 |
you have done | 9 |
he had left | 9 |
you to be | 9 |
a gleam of | 9 |
do i know | 9 |
he was looking | 9 |
at last the | 9 |
an air of | 9 |
i must admit | 9 |
taught me to | 9 |
of the houses | 9 |
it is that | 9 |
he has a | 9 |
back into the | 9 |
he had ever | 9 |
come with you | 9 |
when we are | 9 |
his wife and | 9 |
he glanced at | 9 |
had painted the | 9 |
him at times | 9 |
but i really | 9 |
putting his hand | 9 |
some of them | 9 |
of your own | 9 |
him at the | 9 |
you forget that | 9 |
so much more | 9 |
in the nineteenth | 9 |
it is always | 9 |
have to say | 9 |
his own picture | 9 |
so that they | 9 |
two young men | 9 |
walking up and | 9 |
way through the | 9 |
tell me what | 9 |
was too late | 9 |
told me that | 9 |
the people who | 9 |
but i had | 9 |
suppose you will | 9 |
to help you | 9 |
go back to | 9 |
had stirred him | 9 |
the prayer of | 9 |
that sibyl vane | 9 |
taking up the | 9 |
afraid i must | 9 |
to be hidden | 9 |
waiting for him | 9 |
his valet had | 9 |
nothing in the | 9 |
more to me | 9 |
and the picture | 9 |
a good boy | 9 |
things of that | 9 |
of the dead | 9 |
by the midnight | 9 |
the next room | 9 |
store for me | 9 |
story of the | 9 |
most of his | 9 |
you did not | 9 |
into the garden | 9 |
of the manuscript | 9 |
have said that | 9 |
a cup of | 9 |
listening to the | 9 |
his servant entered | 9 |
young man who | 9 |
he would never | 9 |
that was in | 9 |
lord henry smiled | 9 |
and i really | 9 |
the top landing | 9 |
men and women | 9 |
you tell me | 9 |
the world had | 9 |
of the play | 9 |
when one has | 9 |
the real dorian | 9 |
he was so | 9 |
the door was | 9 |
in which to | 9 |
in his face | 9 |
himself on the | 9 |
to know anything | 9 |
was in store | 9 |
in the lock | 9 |
she was always | 9 |
for it all | 9 |
in the park | 9 |
she told me | 9 |
the reflection of | 9 |
of any importance | 9 |
all that it | 9 |
we live in | 9 |
i congratulate you | 9 |
she is beautiful | 9 |
going to the | 9 |
the position of | 9 |
what you want | 9 |
than you do | 9 |
there is really | 9 |
to him as | 9 |
on which he | 9 |
gain a reputation | 9 |
to call me | 9 |
this was not | 9 |
have something to | 9 |
dorian gray will | 9 |
with one of | 9 |
he was thinking | 9 |
he sought to | 9 |
he is the | 9 |
all the time | 9 |
many of the | 9 |
you have often | 9 |
you shall see | 9 |
i am too | 9 |
to be my | 9 |
of the preceding | 9 |
had he been | 9 |
am quite sure | 9 |
dorian with a | 9 |
when he is | 9 |
let me see | 9 |
in search of | 9 |
all my life | 9 |
but i was | 9 |
and then he | 9 |
it may have | 9 |
much to be | 9 |
is no doubt | 9 |
in him that | 9 |
each of us | 9 |
had been laid | 9 |
with his own | 9 |
with lord henry | 9 |
was looking at | 9 |
with illustrations by | 8 |
one would have | 8 |
i am very | 8 |
talk about it | 8 |
in the gallery | 8 |
now and again | 8 |
she is a | 8 |
house of commons | 8 |
days of the | 8 |
what you mean | 8 |
to give it | 8 |
in any case | 8 |
i hate the | 8 |
to be something | 8 |
look of pain | 8 |
in its way | 8 |
shall see you | 8 |
unlocked the door | 8 |
afraid it is | 8 |
that was what | 8 |
if she had | 8 |
large number of | 8 |
one could not | 8 |
that had not | 8 |
something seemed to | 8 |
it would kill | 8 |
for which he | 8 |
had once been | 8 |
it is most | 8 |
i see that | 8 |
am afraid it | 8 |
image on the | 8 |
the door with | 8 |
of them was | 8 |
them by the | 8 |
be allowed to | 8 |
of the book | 8 |
to go out | 8 |
with the exception | 8 |
he is quite | 8 |
order to try | 8 |
you are talking | 8 |
the joy of | 8 |
to ask for | 8 |
what had happened | 8 |
to make his | 8 |
when you have | 8 |
if i was | 8 |
in the tribe | 8 |
and left them | 8 |
to me in | 8 |
to his valet | 8 |
at that time | 8 |
and put his | 8 |
when they were | 8 |
it was here | 8 |
have not got | 8 |
quite unconscious of | 8 |
but they are | 8 |
only by the | 8 |
glanced at the | 8 |
and i know | 8 |
as good as | 8 |
down and see | 8 |
and i must | 8 |
as he entered | 8 |
you would be | 8 |
close to him | 8 |
from the point | 8 |
in a moment | 8 |
what they call | 8 |
a couple of | 8 |
lying on the | 8 |
it was at | 8 |
and a shudder | 8 |
would be able | 8 |
and the most | 8 |
more to do | 8 |
seemed not to | 8 |
his eyes were | 8 |
all their lands | 8 |
you will tell | 8 |
care of the | 8 |
the seven deadly | 8 |
and a wonderful | 8 |
be said for | 8 |
at the little | 8 |
i trust you | 8 |
things that are | 8 |
not in the | 8 |
front of him | 8 |
he shrugged his | 8 |
has all the | 8 |
about years of | 8 |
conscious that the | 8 |
he felt afraid | 8 |
night at the | 8 |
to find out | 8 |
at him from | 8 |
of the last | 8 |
have gone to | 8 |
back in his | 8 |
you are more | 8 |
was cold and | 8 |
do you ask | 8 |
i can tell | 8 |
what they had | 8 |
pueblo of taos | 8 |
because of the | 8 |
wonder at the | 8 |
of the white | 8 |
is merely a | 8 |
a little more | 8 |
it would not | 8 |
his father was | 8 |
the gleam of | 8 |
i forget what | 8 |
to make it | 8 |
only thing worth | 8 |
i go to | 8 |
in the little | 8 |
of the soul | 8 |
as if his | 8 |
had seen the | 8 |
thought that he | 8 |
he found himself | 8 |
think of them | 8 |
must be a | 8 |
the door closed | 8 |
locked the door | 8 |
to him now | 8 |
let me look | 8 |
dorian gray to | 8 |
you must tell | 8 |
to wonder if | 8 |
as bad as | 8 |
gone out of | 8 |
could not do | 8 |
she would be | 8 |
friend of the | 8 |
but i know | 8 |
had been his | 8 |
he does not | 8 |
this was a | 8 |
the theatre to | 8 |
of the whites | 8 |
in some of | 8 |
i suppose he | 8 |
for a little | 8 |
the world in | 8 |
and had been | 8 |
these are the | 8 |
of the next | 8 |
she flung herself | 8 |
sort of life | 8 |
some one else | 8 |
on a reservation | 8 |
i was at | 8 |
i am telling | 8 |
young men in | 8 |
he left the | 8 |
very little to | 8 |
to have gone | 8 |
you were to | 8 |
him in his | 8 |
had seemed to | 8 |
given to him | 8 |
broke from her | 8 |
thing worth having | 8 |
in which it | 8 |
the one that | 8 |
to the present | 8 |
am afraid that | 8 |
i believe he | 8 |
i beg your | 8 |
into a chair | 8 |
down on a | 8 |
is far too | 8 |
the two young | 8 |
my dear euphemia | 8 |
so much as | 8 |
he had sat | 8 |
think it is | 8 |
of the greatest | 8 |
as one who | 8 |
there was an | 8 |
it was as | 8 |
what has happened | 8 |
you that i | 8 |
he saw the | 8 |
and consequently they | 8 |
he read of | 8 |
that kind of | 8 |
in all the | 8 |
to and fro | 8 |
they would be | 8 |
and i are | 8 |
evening she is | 8 |
with a little | 8 |
me look at | 8 |
i have made | 8 |
in that way | 8 |
north american indians | 8 |
at this moment | 8 |
they seemed to | 8 |
him like a | 8 |
merely visible presence | 8 |
wish you had | 8 |
a touch of | 8 |
had an extraordinary | 8 |
of pain in | 8 |
that he knew | 8 |
it is simply | 8 |
i shall tell | 8 |
he lit a | 8 |
a thing that | 8 |
of the word | 8 |
of the intellect | 8 |
the middle ages | 8 |
of the best | 8 |
the type of | 8 |
you said to | 8 |
with a look | 8 |
it was no | 8 |
and told him | 8 |
village of the | 8 |
that will be | 8 |
who he is | 8 |
an entirely new | 8 |
beg your pardon | 8 |
the basis of | 8 |
at the beginning | 8 |
the standard of | 8 |
upon his arm | 8 |
that i should | 8 |
must admit that | 8 |
turned and looked | 8 |
she had made | 8 |
the choice of | 8 |
the better for | 8 |
her aunt priscilla | 8 |
of the north | 8 |
for there is | 8 |
whole thing was | 8 |
said to be | 8 |
and passed into | 8 |
was not going | 8 |
caught sight of | 8 |
and then you | 8 |
in the east | 8 |
supposed to be | 8 |
in his heart | 8 |
he drew the | 8 |
he wanted to | 8 |
to the great | 8 |
with her husband | 8 |
see if he | 8 |
again to the | 8 |
which it was | 8 |
and when the | 8 |
burden of his | 8 |
mind of the | 8 |
and that you | 8 |
appeared to be | 8 |
on his heel | 8 |
was it not | 8 |
looking up at | 8 |
hundred years ago | 8 |
it is of | 8 |
the other way | 8 |
the care of | 8 |
who was a | 8 |
as far as | 8 |
to go back | 8 |
to the world | 8 |
to lord henry | 8 |
in the kitchen | 8 |
it must have | 8 |
think of that | 8 |
walked up and | 8 |
who seemed to | 8 |
the touch of | 8 |
was not so | 8 |
a man can | 8 |
to his eyes | 8 |
to come in | 8 |
looks as if | 8 |
us go to | 8 |
much better than | 8 |
was the first | 8 |
had seen him | 8 |
face in the | 8 |
and his wife | 8 |
and dorian gray | 8 |
the hand that | 8 |
i entreat you | 8 |
she might have | 8 |
me that the | 8 |
the exception of | 8 |
according to the | 8 |
as you are | 8 |
if you were | 8 |
no one else | 8 |
will be a | 8 |
of him to | 8 |
was such a | 8 |
was engaged to | 8 |
friendly to the | 8 |
you know her | 8 |
lewis and clarke | 8 |
from his hand | 8 |
it to him | 8 |
would be at | 8 |
stood in the | 8 |
in their own | 8 |
the old man | 8 |
and over again | 8 |
hundred and twenty | 8 |
on his way | 8 |
too late to | 8 |
of basil hallward | 8 |
be a delightful | 8 |
and engraved by | 8 |
you know it | 8 |
answered the lad | 8 |
he had found | 8 |
i will show | 8 |
to see your | 8 |
miss priscilla bax | 8 |
where shall we | 8 |
the painter who | 8 |
standing at the | 8 |
a son of | 8 |
room at the | 8 |
you say it | 8 |
it is your | 8 |
early in the | 8 |
he had met | 8 |
i came in | 8 |
admit that i | 8 |
had better go | 8 |
unconscious of the | 8 |
went out into | 8 |
he came back | 8 |
in the library | 8 |
and went to | 8 |
in the soul | 8 |
i would sooner | 8 |
the close of | 8 |
i shall not | 8 |
of the sort | 8 |
sibyl vane was | 8 |
the shape of | 8 |
to know everything | 8 |
i love him | 8 |
you not to | 8 |
was very fond | 8 |
that no one | 8 |
are quite right | 8 |
sound of the | 8 |
it is true | 8 |
in the presence | 8 |
biting his lip | 8 |
the history of | 8 |
it was such | 8 |
the table with | 8 |
i had a | 8 |
he had said | 8 |
come and see | 8 |
she had not | 8 |
to take a | 8 |
in answer to | 8 |
that the true | 8 |
himself to the | 8 |
he remembered that | 8 |
so much in | 8 |
i was thinking | 8 |
the second act | 8 |
the courage to | 8 |
they were not | 8 |
what have i | 8 |
he saw it | 8 |
in contact with | 8 |
me with a | 8 |
up on the | 8 |
of the studio | 8 |
say that i | 8 |
in the present | 8 |
to me again | 8 |
are talking about | 8 |
in his life | 8 |
kind of thing | 8 |
he had the | 8 |
came close to | 8 |
a thing to | 8 |
dorian gray that | 8 |
with a wild | 8 |
i suppose it | 7 |
to join the | 7 |
who was standing | 7 |
he wrote his | 7 |
how i have | 7 |
have all the | 7 |
of his soul | 7 |
the costume of | 7 |
ask me to | 7 |
to be borne | 7 |
day you will | 7 |
and the face | 7 |
what lord henry | 7 |
was good enough | 7 |
up in it | 7 |
need not have | 7 |
just as you | 7 |
you go to | 7 |
the music of | 7 |
here and there | 7 |
is that they | 7 |
was in his | 7 |
the artist is | 7 |
and the voice | 7 |
can tell you | 7 |
squaw of lone | 7 |
it was so | 7 |
a treaty was | 7 |
one who is | 7 |
when they met | 7 |
the lover of | 7 |
to say anything | 7 |
she will never | 7 |
born on the | 7 |
it some day | 7 |
if he did | 7 |
it is better | 7 |
has been said | 7 |
it was really | 7 |
said in a | 7 |
you to do | 7 |
of pain and | 7 |
and he walked | 7 |
to write a | 7 |
castello in the | 7 |
she has not | 7 |
gave it to | 7 |
to the earth | 7 |
longing for the | 7 |
about in the | 7 |
and as he | 7 |
the service of | 7 |
of pain came | 7 |
such a little | 7 |
of course it | 7 |
chiefs of the | 7 |
the best work | 7 |
that if he | 7 |
her mother said | 7 |
without a heart | 7 |
but i will | 7 |
and the man | 7 |
went out to | 7 |
it if you | 7 |
dorian gray shook | 7 |
is the matter | 7 |
she went on | 7 |
when she is | 7 |
the study of | 7 |
look in his | 7 |
trying to get | 7 |
his mother was | 7 |
see you again | 7 |
must tell me | 7 |
the heart of | 7 |
no trace of | 7 |
have been made | 7 |
the passion for | 7 |
with an air | 7 |
some day you | 7 |
began to sing | 7 |
to the room | 7 |
him to the | 7 |
some one who | 7 |
come to my | 7 |
between the two | 7 |
and he had | 7 |
beauty that had | 7 |
as if i | 7 |
at a distance | 7 |
you will come | 7 |
peace with the | 7 |
good deal of | 7 |
he was conscious | 7 |
such as it | 7 |
it to me | 7 |
glanced at him | 7 |
the king of | 7 |
shown in the | 7 |
to him in | 7 |
bear the idea | 7 |
was only a | 7 |
was the one | 7 |
the middle of | 7 |
to be afraid | 7 |
he was engaged | 7 |
friend of yours | 7 |
is the key | 7 |
in it of | 7 |
the village of | 7 |
tell you how | 7 |
the room looked | 7 |
went back to | 7 |
you are too | 7 |
on the pavement | 7 |
of view of | 7 |
him so much | 7 |
delle quattro corone | 7 |
of the door | 7 |
as i had | 7 |
the real reason | 7 |
at the window | 7 |
the aid of | 7 |
upon him as | 7 |
they are all | 7 |
that i would | 7 |
appearance of a | 7 |
of the eagle | 7 |
when it had | 7 |
the best thing | 7 |
because i have | 7 |
placed on the | 7 |
up in a | 7 |
to the poor | 7 |
what have you | 7 |
during the last | 7 |
will never come | 7 |
from his own | 7 |
going to say | 7 |
it appeared to | 7 |
is what you | 7 |
could not have | 7 |
of the age | 7 |
leader of the | 7 |
not have been | 7 |
he remembered it | 7 |
them in the | 7 |
to make a | 7 |
if they had | 7 |
could see the | 7 |
the world as | 7 |
the passions of | 7 |
to explain to | 7 |
more interested in | 7 |
in such a | 7 |
a man is | 7 |
dorian gray with | 7 |
he took the | 7 |
seemed to think | 7 |
was not till | 7 |
of a country | 7 |
with the english | 7 |
think i shall | 7 |
him of the | 7 |
much of his | 7 |
and made a | 7 |
i have given | 7 |
that his wife | 7 |
she is more | 7 |
but now and | 7 |
gap in the | 7 |
the place of | 7 |
of the following | 7 |
ran through him | 7 |
he had always | 7 |
but he had | 7 |
seem to have | 7 |
the performance was | 7 |
night she is | 7 |
the old devil | 7 |
rid of the | 7 |
the object of | 7 |
it is entirely | 7 |
it were a | 7 |
shaking her head | 7 |
was the man | 7 |
a deep breath | 7 |
he was on | 7 |
for an answer | 7 |
a few months | 7 |
you what it | 7 |
you know nothing | 7 |
was a rather | 7 |
want it to | 7 |
must see it | 7 |
pay any attention | 7 |
behind the scenes | 7 |
and you never | 7 |
the room in | 7 |
service of the | 7 |
to cure the | 7 |
is not the | 7 |
to talk of | 7 |
on a small | 7 |
but to the | 7 |
some of your | 7 |
my own work | 7 |
to turn over | 7 |
he must be | 7 |
when he entered | 7 |
in the corner | 7 |
senses by means | 7 |
must have something | 7 |
his own name | 7 |
absolutely nothing to | 7 |
make your peace | 7 |
of course he | 7 |
then in the | 7 |
a word of | 7 |
on the day | 7 |
for their good | 7 |
the idea was | 7 |
to say to | 7 |
the impression that | 7 |
in this case | 7 |
in your own | 7 |
you know the | 7 |
he must have | 7 |
you see that | 7 |
are said to | 7 |
what was he | 7 |
of the poor | 7 |
though it were | 7 |
on account of | 7 |
i knew nothing | 7 |
can be no | 7 |
he passed his | 7 |
with a sad | 7 |
of the pueblo | 7 |
doubt that the | 7 |
came to his | 7 |
me to do | 7 |
assure you that | 7 |
made for the | 7 |
the mention of | 7 |
of the second | 7 |
thing i have | 7 |
broke from his | 7 |
after i had | 7 |
of lone wolf | 7 |
in the passage | 7 |
back to her | 7 |
of their lands | 7 |
all art is | 7 |
he seems to | 7 |
be at the | 7 |
in your life | 7 |
was a boy | 7 |
the first night | 7 |
have no idea | 7 |
sit down and | 7 |
taken from the | 7 |
the worst of | 7 |
stanza delle quattro | 7 |
he was safe | 7 |
and yet the | 7 |
he flung himself | 7 |
round his throat | 7 |
he himself would | 7 |
with which he | 7 |
to him by | 7 |
when it is | 7 |
that dorian gray | 7 |
he waited for | 7 |
on the contrary | 7 |
had ceased to | 7 |
to the ground | 7 |
should be sorry | 7 |
as he looked | 7 |
to sleep in | 7 |
i must tell | 7 |
it that i | 7 |
had left the | 7 |
sat in the | 7 |
of the windows | 7 |
knew that the | 7 |
that the only | 7 |
have to go | 7 |
reputation of being | 7 |
is in love | 7 |
from his lips | 7 |
soul by means | 7 |
and i hear | 7 |
into the great | 7 |
but i cannot | 7 |
in favor of | 7 |
told me so | 7 |
this young lady | 7 |
where they were | 7 |
to be at | 7 |
life and death | 7 |
in with a | 7 |
had been to | 7 |
but you understand | 7 |
as he could | 7 |
had the courage | 7 |
been in the | 7 |
not to have | 7 |
that i loved | 7 |
a fine horse | 7 |
he had come | 7 |
flesh and blood | 7 |
the upper missouri | 7 |
to face with | 7 |
which she had | 7 |
his own design | 7 |
answer to a | 7 |
i beg you | 7 |
you have got | 7 |
i could see | 7 |
said something to | 7 |
wonder if he | 7 |
by the sioux | 7 |
he was an | 7 |
of his boyhood | 7 |
as if she | 7 |
it was of | 7 |
be a little | 7 |
of cruelty in | 7 |
for that reason | 7 |
will have nothing | 7 |
door closed behind | 7 |
enough for us | 7 |
and watched the | 7 |
gray shook his | 7 |
of the three | 7 |
say to me | 7 |
there is only | 7 |
i remember it | 7 |
the room to | 7 |
to force the | 7 |
me if i | 7 |
the reason why | 7 |
they are the | 7 |
anything of the | 7 |
things that one | 7 |
he remembered the | 7 |
of the red | 7 |
afraid of the | 7 |
and the senses | 7 |
put on his | 7 |
in her face | 7 |
down from the | 7 |
he drew back | 7 |
of the latter | 7 |
band of the | 7 |
be in the | 7 |
to admit that | 7 |
if you are | 7 |
himself into a | 7 |
real to him | 7 |
the moment i | 7 |
part in the | 7 |
five hundred and | 7 |
you were right | 7 |
ask of you | 7 |
door of the | 7 |
i hear a | 7 |
i will go | 7 |
with whom they | 7 |
free himself from | 7 |
there can be | 7 |
had to go | 7 |
you think that | 7 |
turned over the | 7 |
said the old | 7 |
painting by e | 7 |
laughed at him | 7 |
then it was | 7 |
it is nothing | 7 |
you went to | 7 |
i can go | 7 |
cut head dakota | 7 |
that of a | 7 |
character of the | 7 |
as if the | 7 |
have done that | 7 |
after a little | 7 |
presence of a | 7 |
that he may | 7 |
to do this | 7 |
the portrait of | 7 |
with an amused | 7 |
as if they | 7 |
of the mind | 7 |
for that matter | 7 |
and on the | 7 |
at a time | 7 |
the price of | 7 |
attention to the | 7 |
i told her | 7 |
it did not | 7 |
you could not | 7 |
to you that | 7 |
the soul by | 7 |
turn over the | 7 |
been given to | 7 |
we had been | 7 |
look at my | 7 |
the world calls | 7 |
his hand on | 7 |
go out and | 7 |
of our age | 7 |
and so he | 7 |
would not see | 7 |
of the other | 7 |
i cannot tell | 7 |
is there a | 7 |
want me to | 7 |
he held the | 7 |
began to turn | 7 |
in less than | 7 |
teacher of the | 7 |
more fortunate than | 7 |
what i said | 7 |
that was at | 7 |
was what he | 7 |
a moment in | 7 |
and not a | 7 |
the next morning | 7 |
the first act | 7 |
who used to | 7 |
form and colour | 7 |
the stanza delle | 7 |
as i am | 7 |
who had a | 7 |
cruelty in the | 7 |
to him for | 7 |
in the next | 7 |
you know how | 7 |
man in the | 7 |
a number of | 7 |
asked me to | 7 |