This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
it seemed to him | 37 |
i am going to | 34 |
is one of the | 32 |
seemed to him to | 32 |
in front of the | 30 |
there was something in | 28 |
i want you to | 27 |
for the first time | 24 |
nothing to do with | 23 |
from time to time | 23 |
i should like to | 22 |
to him to be | 22 |
to do with it | 21 |
seemed to him that | 21 |
i am so sorry | 21 |
that he had been | 21 |
up and down the | 20 |
he felt as if | 20 |
as if he had | 19 |
in the indian territory | 19 |
the end of the | 19 |
as soon as he | 19 |
at the end of | 18 |
i am afraid i | 18 |
quarter of an hour | 17 |
to me to be | 17 |
as he did so | 17 |
and down the room | 17 |
hesitated for a moment | 17 |
that he had not | 17 |
at the top of | 17 |
his eye fell on | 16 |
is sure to be | 16 |
at the present time | 16 |
i will tell you | 16 |
head chief of the | 16 |
have nothing to do | 15 |
you are going to | 15 |
flung himself down on | 15 |
himself down on the | 15 |
the corner of the | 15 |
face in his hands | 15 |
it is one of | 15 |
to do with the | 15 |
his face in his | 15 |
that is the reason | 15 |
as he thought of | 15 |
in the direction of | 15 |
that is one of | 14 |
but there is no | 14 |
he felt that the | 14 |
to be able to | 14 |
a quarter of an | 14 |
for a few moments | 14 |
that lord henry had | 14 |
you must come and | 14 |
it is quite true | 14 |
face on the canvas | 14 |
in front of it | 14 |
he was going to | 14 |
by means of the | 14 |
is the only thing | 14 |
in a few moments | 14 |
it seems to me | 14 |
went over to the | 14 |
did not know what | 13 |
one of the most | 13 |
he felt that he | 13 |
engaged to be married | 13 |
had said to him | 13 |
was something in the | 13 |
his hand upon his | 13 |
as if it had | 13 |
but there was no | 13 |
for a long time | 13 |
i wish i could | 13 |
came back to him | 13 |
seems to me to | 13 |
that had made him | 12 |
you will always be | 12 |
after a few moments | 12 |
the name of the | 12 |
but you must not | 12 |
a great deal of | 12 |
the top of the | 12 |
i am so glad | 12 |
i wish i had | 12 |
is no such thing | 12 |
down on the sofa | 12 |
of the united states | 12 |
i have not been | 12 |
as lord henry had | 12 |
felt that he had | 12 |
in the house of | 12 |
there are only two | 12 |
there is no such | 12 |
buried his face in | 12 |
and looked at him | 12 |
dorian shook his head | 12 |
a knock came to | 11 |
what did it matter | 11 |
looked at him in | 11 |
when they reached the | 11 |
over to the window | 11 |
a few moments he | 11 |
the face of the | 11 |
knock came to the | 11 |
out of the room | 11 |
that is to say | 11 |
came to the door | 11 |
bear the burden of | 11 |
in one of the | 11 |
i am sorry i | 11 |
he had never seen | 11 |
i have told you | 11 |
i am not going | 11 |
let us sit down | 11 |
if you want to | 11 |
i shall have to | 11 |
looked at dorian gray | 11 |
the life of the | 11 |
too much of myself | 11 |
to say that he | 11 |
to get rid of | 11 |
what do you mean | 11 |
i am tired of | 11 |
him that he was | 11 |
was one of the | 11 |
i have ever done | 11 |
am not going to | 11 |
you must not think | 11 |
what did she say | 11 |
and one of the | 10 |
broke in lord henry | 10 |
henry shrugged his shoulders | 10 |
hand upon his shoulder | 10 |
leaped to his feet | 10 |
at the same time | 10 |
i should have thought | 10 |
a sigh of relief | 10 |
lord henry had said | 10 |
know what to say | 10 |
that he had passed | 10 |
one of the great | 10 |
eye fell on the | 10 |
lord henry shrugged his | 10 |
would be sure to | 10 |
across the room and | 10 |
at the age of | 10 |
the mouth of the | 10 |
seems to me that | 10 |
he hesitated for a | 10 |
and now and then | 10 |
he did not know | 10 |
to the indian territory | 10 |
go to the club | 10 |
the headwaters of the | 10 |
she looked at him | 10 |
on the other hand | 10 |
in a low voice | 10 |
it seemed to me | 10 |
and looked at dorian | 10 |
basil hallward had painted | 9 |
in the centre of | 9 |
they reached the top | 9 |
we live in an | 9 |
was something in his | 9 |
all that you have | 9 |
a strange sense of | 9 |
i want to know | 9 |
as he had left | 9 |
chief of the tribe | 9 |
i have promised to | 9 |
of his own life | 9 |
front of the portrait | 9 |
it may have been | 9 |
i am sorry you | 9 |
what do you want | 9 |
secret of his life | 9 |
as well as the | 9 |
i want to be | 9 |
hallward had painted of | 9 |
it has been a | 9 |
by the midnight train | 9 |
the back of the | 9 |
looked as if it | 9 |
at the time of | 9 |
was a look of | 9 |
i am quite sure | 9 |
walking up and down | 9 |
as it had been | 9 |
the direction of the | 9 |
at the present moment | 9 |
live in an age | 9 |
all that he had | 9 |
am afraid i must | 9 |
of his own soul | 9 |
he began to wonder | 9 |
do anything in the | 9 |
am going to be | 9 |
the door behind him | 9 |
had painted of him | 9 |
if it had been | 9 |
it is not my | 9 |
there was a look | 9 |
that you have said | 9 |
to bear the burden | 9 |
little more than a | 9 |
and began to think | 9 |
in the nineteenth century | 9 |
no such thing as | 9 |
in a sort of | 9 |
that the man who | 9 |
in spite of the | 9 |
anything in the world | 9 |
as soon as the | 9 |
walked over to the | 9 |
it was not a | 9 |
if he had been | 9 |
came into his eyes | 9 |
things of that kind | 9 |
there was nothing else | 9 |
have a right to | 9 |
him that it was | 9 |
has nothing to do | 9 |
the first time in | 9 |
the memory of the | 9 |
reached the top landing | 9 |
was in store for | 9 |
a right to know | 9 |
in store for me | 9 |
would be to him | 9 |
on the brink of | 9 |
went out into the | 8 |
it is the only | 8 |
in order to try | 8 |
over and over again | 8 |
and for a moment | 8 |
the man who had | 8 |
and dine with me | 8 |
went to the door | 8 |
i am afraid it | 8 |
that sort of thing | 8 |
put his hand upon | 8 |
in the presence of | 8 |
a look of pain | 8 |
the house of commons | 8 |
would be able to | 8 |
it was too late | 8 |
the burden of his | 8 |
let us go to | 8 |
henry had said to | 8 |
i beg your pardon | 8 |
there was a horrible | 8 |
am afraid it is | 8 |
to the end of | 8 |
not know what to | 8 |
in front of him | 8 |
turned and looked at | 8 |
i to do with | 8 |
i think it is | 8 |
seemed to me to | 8 |
with the exception of | 8 |
image on the canvas | 8 |
as if it were | 8 |
the only thing worth | 8 |
as the door closed | 8 |
got up from the | 8 |
he shrugged his shoulders | 8 |
it had all been | 8 |
was not going to | 8 |
he left the room | 8 |
there is no doubt | 8 |
there had been a | 8 |
me that you are | 8 |
felt as if his | 8 |
let me look at | 8 |
had seemed to him | 8 |
but it was not | 8 |
with a look of | 8 |
he said at last | 8 |
i thought you would | 8 |
i wish you had | 8 |
you must not say | 8 |
i must admit that | 8 |
but i am afraid | 8 |
the pueblo of taos | 8 |
was very fond of | 8 |
from the point of | 8 |
hand upon his arm | 8 |
us go to the | 8 |
i shall see you | 8 |
came back to his | 8 |
about years of age | 8 |
walked up and down | 8 |
front of the picture | 8 |
i am afraid that | 8 |
he could not help | 8 |
he made no answer | 8 |
he read of the | 8 |
the whole thing was | 8 |
back in his chair | 8 |
to know everything about | 8 |
to the theatre to | 8 |
top of the house | 8 |
you are quite right | 8 |
you have the most | 8 |
i think i have | 8 |
as if he was | 8 |
he lit a cigarette | 8 |
stood on the table | 8 |
that kind of thing | 8 |
i thought it was | 8 |
of his own beauty | 7 |
and there was a | 7 |
in answer to a | 7 |
one of the women | 7 |
the stanza delle quattro | 7 |
touch of cruelty in | 7 |
i think it was | 7 |
i am bound to | 7 |
you must tell me | 7 |
and the senses by | 7 |
over to the table | 7 |
that there was no | 7 |
the door of the | 7 |
him for a moment | 7 |
means of the soul | 7 |
going over to the | 7 |
the presence of a | 7 |
is going to be | 7 |
why do you ask | 7 |
the senses by means | 7 |
means of the senses | 7 |
it appeared to dorian | 7 |
and i am afraid | 7 |
there is a great | 7 |
the mind of the | 7 |
have no idea what | 7 |
pay any attention to | 7 |
at the corner of | 7 |
senses by means of | 7 |
which he had been | 7 |
he was engaged to | 7 |
i will have nothing | 7 |
i have a right | 7 |
stanza delle quattro corone | 7 |
tell you what it | 7 |
face to face with | 7 |
with an air of | 7 |
the sound of the | 7 |
say that he was | 7 |
i should be sorry | 7 |
there was no doubt | 7 |
where he had been | 7 |
of cruelty in the | 7 |
i had never seen | 7 |
what is the matter | 7 |
you went to the | 7 |
come and dine with | 7 |
the reputation of being | 7 |
to him to have | 7 |
of the things that | 7 |
what do you think | 7 |
that i have not | 7 |
of one who had | 7 |
of those who are | 7 |
the point of view | 7 |
soul by means of | 7 |
at the beginning of | 7 |
anything of the kind | 7 |
there can be no | 7 |
is the reason why | 7 |
of the pueblo of | 7 |
did she say about | 7 |
him by the hand | 7 |
to me that you | 7 |
to him that he | 7 |
point of view of | 7 |
on the first night | 7 |
in the way of | 7 |
the use of the | 7 |
no doubt that the | 7 |
must come and dine | 7 |
a good deal of | 7 |
it had not been | 7 |
it was not till | 7 |
as though it were | 7 |
he was thinking of | 7 |
than i am to | 7 |
should be sorry to | 7 |
he opened the door | 7 |
but now and then | 7 |
from painting by e | 7 |
to force the door | 7 |
the appearance of a | 7 |
there was nothing to | 7 |
four hundred years ago | 7 |
had to be done | 7 |
as it seemed to | 7 |
i wish you would | 7 |
more to do with | 7 |
some day you will | 7 |
for the rest of | 7 |
up from his chair | 7 |
and that he had | 7 |
to cure the soul | 7 |
he got up and | 7 |
gray shook his head | 7 |
he had been a | 7 |
look in his eyes | 7 |
you have made me | 7 |
cure the soul by | 7 |
the soul by means | 7 |
shaking him by the | 7 |
to go to bed | 7 |
dorian gray shook his | 7 |
squaw of lone wolf | 7 |
i can tell you | 7 |
want to preach to | 6 |
is no doubt that | 6 |
it was like a | 6 |
to be of any | 6 |
determined that he would | 6 |
it is a very | 6 |
pulled out his watch | 6 |
put the key in | 6 |
the eyes of a | 6 |
had more to do | 6 |
and began to turn | 6 |
as he often remembered | 6 |
i was thinking of | 6 |
on the part of | 6 |
things to him that | 6 |
soon as he was | 6 |
he thought of her | 6 |
too much of yourself | 6 |
the room that was | 6 |
there came a knock | 6 |
was all the more | 6 |
the secret of his | 6 |
was not one of | 6 |
five hundred and sixty | 6 |
seemed to be able | 6 |
to gain a reputation | 6 |
got up from his | 6 |
it was merely the | 6 |
think i am heartless | 6 |
quite right in what | 6 |
what does it matter | 6 |
that he had placed | 6 |
seemed never to leave | 6 |
that had stirred him | 6 |
he would destroy it | 6 |
his mode of life | 6 |
he seems to me | 6 |
looking him straight in | 6 |
there is always something | 6 |
and went to the | 6 |
is a man of | 6 |
i am not like | 6 |
he knew that the | 6 |
i was very fond | 6 |
to tell him that | 6 |
the door of his | 6 |
lord henry flung himself | 6 |
under the care of | 6 |
things that he had | 6 |
in the midst of | 6 |
is that it makes | 6 |
and walked over to | 6 |
horribly unjust of you | 6 |
to dorian gray that | 6 |
sins of the world | 6 |
that the dead man | 6 |
had painted the portrait | 6 |
he had gone through | 6 |
a treaty was made | 6 |
went to the opera | 6 |
at the mention of | 6 |
order to try and | 6 |
the rest of the | 6 |
never sit to you | 6 |
and now you have | 6 |
is the appearance of | 6 |
say things like that | 6 |
of yourself in it | 6 |
portrait that basil hallward | 6 |
all that kind of | 6 |
know who he was | 6 |
i am punished for | 6 |
who had painted the | 6 |
turn over the leaves | 6 |
about the headwaters of | 6 |
in an age when | 6 |
know who he is | 6 |
you said to me | 6 |
forgot all about it | 6 |
are only two kinds | 6 |
trying to force the | 6 |
was a thing to | 6 |
was at the opera | 6 |
was nothing else to | 6 |
they will hang me | 6 |
would never again tempt | 6 |
the key in his | 6 |
ticking of the clock | 6 |
is nothing to me | 6 |
i have to say | 6 |
i am much obliged | 6 |
was going to be | 6 |
thought it was my | 6 |
that makes men mad | 6 |
i go to see | 6 |
such as it was | 6 |
it is all right | 6 |
in a locked room | 6 |
it was his duty | 6 |
you have merely to | 6 |
a friend of yours | 6 |
he would not think | 6 |
to be out of | 6 |
back to his cheeks | 6 |
was his duty to | 6 |
you are talking about | 6 |
be out of england | 6 |
and sit in the | 6 |
at him from the | 6 |
walked across the room | 6 |
and it was a | 6 |
he had lived it | 6 |
you tell me that | 6 |
to look for you | 6 |
putting his hand on | 6 |
do you mean by | 6 |
know i am not | 6 |
friendly to the whites | 6 |
you remind me of | 6 |
that he had brought | 6 |
you really must not | 6 |
for what i have | 6 |
must not think i | 6 |
in the mind of | 6 |
go to the theatre | 6 |
he could hear the | 6 |
of the world take | 6 |
came to his eyes | 6 |
a piece of paper | 6 |
swept out of the | 6 |
in the shape of | 6 |
have often told me | 6 |
that i have made | 6 |
i have not the | 6 |
he often remembered afterwards | 6 |
no idea what i | 6 |
be able to expel | 6 |
have done too many | 6 |
a long time at | 6 |
about a quarter of | 6 |
after about a quarter | 6 |
i have seen her | 6 |
long as i live | 6 |
in the case of | 6 |
down to the piano | 6 |
was standing at the | 6 |
to see your soul | 6 |
once that he was | 6 |
of dorian gray will | 6 |
would go back to | 6 |
the forest of arden | 6 |
west of the mississippi | 6 |
in love with love | 6 |
and as soon as | 6 |
me that i had | 6 |
come and see me | 6 |
his hat and coat | 6 |
the portrait that basil | 6 |
into the next room | 6 |
to me that all | 6 |
and all that kind | 6 |
tears came to his | 6 |
who packs the eagle | 6 |
the dead man had | 6 |
with a cup of | 6 |
of pathos in his | 6 |
i should fancy that | 6 |
one of them was | 6 |
dyed hair and painted | 6 |
dorian is far too | 6 |
you should have seen | 6 |
i thought i would | 6 |
to meet a man | 6 |
one would have said | 6 |
after the performance was | 6 |
the work of some | 6 |
had never seen there | 6 |
you have no idea | 6 |
that it was the | 6 |
of those who have | 6 |
am awfully obliged to | 6 |
much of yourself in | 6 |
out to the garden | 6 |
to be remote from | 6 |
the table with bowed | 6 |
to him his own | 6 |
look of pain came | 6 |
as he left the | 6 |
he had left it | 6 |
have killed my love | 6 |
i found myself seated | 6 |
the prayer of your | 6 |
the scientific point of | 6 |
felt that i was | 6 |
had revealed to him | 6 |
with one of those | 6 |
turned it in the | 6 |
it has nothing to | 6 |
the work of art | 6 |
came in with a | 6 |
but it is not | 6 |
the heavy scent of | 6 |
to look at his | 6 |
of him to have | 6 |
know everything about me | 6 |
seemed to him at | 6 |
was nothing to him | 6 |
must be hidden away | 6 |
it would have been | 6 |
as long as i | 6 |
the death of basil | 6 |
he winced at the | 6 |
and you will see | 6 |
of the eighteenth century | 6 |
two or three minutes | 6 |
the top of his | 6 |
the greatest romance of | 6 |
you have told me | 6 |
hallward was shown into | 6 |
i am awfully obliged | 6 |
with a sort of | 6 |
that was what he | 6 |
and he began to | 6 |
lord henry had once | 6 |
gray entered the room | 6 |
to be a little | 6 |
only shallow people who | 6 |
perhaps you had better | 6 |
chief of his band | 6 |
and then you will | 6 |
not say things like | 6 |
that art cannot express | 6 |
of the man who | 6 |
is a great difference | 6 |
heavy scent of the | 6 |
fell from his hand | 6 |
i felt that i | 6 |
was engaged to be | 6 |
and the two young | 6 |
answer to a prayer | 6 |
it was true that | 6 |
have not the slightest | 6 |
the face on the | 6 |
and he walked across | 6 |
felt as if he | 6 |
was good enough for | 6 |
cruelty in the mouth | 6 |
you would understand me | 6 |
to me the wonder | 6 |
a very bad influence | 6 |
a long line of | 6 |
is that it is | 6 |
on the verge of | 6 |
he was looking at | 6 |
the reflection of the | 6 |
that he was on | 6 |
i am sure i | 6 |
to be afraid of | 6 |
but he is not | 6 |
be allowed to know | 6 |
on the th of | 6 |
what nonsense you talk | 6 |
been given to him | 6 |
to be my wife | 6 |
unspotted from the world | 6 |
you and i are | 6 |
nothing can cure the | 6 |
what he had done | 6 |
to be hidden away | 6 |
romance of your life | 6 |
for a man to | 6 |
burying his face in | 6 |
must not say things | 6 |
never seen there before | 6 |
she was always a | 6 |
looked to him like | 6 |
when he was a | 6 |
me the wonder of | 6 |
was no doubt that | 6 |
i am not laughing | 6 |
after about ten minutes | 6 |
appearance of a new | 6 |
so much in him | 6 |
lamp from the table | 6 |
are not allowed to | 6 |
him straight in the | 6 |
he had placed in | 6 |
he drew the screen | 6 |
will have nothing to | 6 |
i am not surprised | 6 |
we were to have | 6 |
to dress for dinner | 6 |
it would kill the | 6 |
turned over the pages | 6 |
of life and death | 6 |
people who know absolutely | 6 |
it is only shallow | 6 |
i met dorian gray | 6 |
out into the hall | 6 |
i shall tell you | 6 |
and flung himself down | 6 |
what i am going | 6 |
had never seen him | 6 |
in the whole world | 6 |
that you have never | 6 |
of the whole thing | 6 |
nothing else to see | 6 |
the passion of the | 6 |
sit to you again | 6 |
hair and painted faces | 6 |
i have never been | 6 |
in store for you | 6 |
it must have been | 6 |
and assured me that | 6 |
had a passion for | 6 |
matter was a mystery | 6 |
and that i am | 6 |
there was no answer | 6 |
for a moment in | 6 |
only the other way | 6 |
she shook her head | 6 |
is the face of | 6 |
how sad it is | 6 |
are the one man | 6 |
there would be a | 6 |
there was so much | 6 |
of north american indians | 6 |
modes of thought that | 6 |
you are the one | 6 |
too much to be | 6 |
never come to life | 6 |
romance of my life | 6 |
am bound to state | 6 |
he had taken the | 6 |
good enough for us | 6 |
looked at him with | 6 |
man who packs the | 6 |
wondered if he had | 6 |
as well as to | 6 |
the thing was still | 6 |
hand across his forehead | 6 |
a wonderful tragic figure | 6 |
his hand across his | 6 |
table with bowed head | 6 |
moment i met you | 6 |
men want to be | 6 |
and a look of | 6 |
what there was in | 6 |
nothing to me now | 6 |
under the impression that | 6 |
that it is the | 6 |
assured me that i | 6 |
what i have done | 6 |
my dear old basil | 6 |
from the scientific point | 6 |
like a good boy | 6 |
that i loved her | 6 |
go in for philanthropy | 6 |
began to turn over | 6 |
his face in the | 6 |
man at the orleans | 6 |
the world take place | 6 |
i know what you | 6 |
be to him the | 6 |
taught me to be | 6 |
bear the idea of | 6 |
when he saw me | 6 |
will never come to | 6 |
rose from the table | 6 |
there is something of | 6 |
bound to state that | 6 |
he would be able | 6 |
fell in love with | 6 |
death of basil hallward | 6 |
he could not bear | 6 |
you are not serious | 6 |
i am a little | 6 |
how it was that | 6 |
the pity of it | 6 |
is only shallow people | 6 |
as soon as you | 6 |
he seemed to think | 6 |
he was on the | 6 |
me to be simply | 6 |
speak to you again | 6 |
what is it to | 6 |
what is it that | 6 |
represent the triumph of | 6 |
cried the old lady | 6 |
and look at the | 6 |
work i have ever | 6 |
something in the purity | 6 |
seemed to me that | 6 |
you have come to | 6 |
here is the key | 6 |
much in him that | 6 |
was quite right in | 6 |
be mixed up in | 6 |
what did it mean | 6 |
you have killed my | 6 |
sitting at the table | 6 |
said the young man | 6 |
awfully obliged to you | 6 |
you had better go | 6 |
you introduced me to | 6 |
i was afraid of | 6 |
what have i to | 6 |
you will feel it | 6 |
have i to do | 6 |
that was in store | 6 |
their way through the | 6 |
to him that in | 6 |
anything else in the | 6 |
the one charm of | 6 |
to turn over the | 6 |
it in the lock | 6 |
will make the world | 6 |
you would have been | 6 |
the gleam of the | 6 |
was seated at the | 6 |
why is it that | 6 |
had been his own | 6 |
have to interest you | 6 |
of course you have | 6 |
that i was not | 6 |
waiting for you to | 6 |
with an amused smile | 6 |
i assure you that | 6 |
the ticking of the | 6 |
mixed up in it | 6 |
only two kinds of | 6 |
tell you that i | 6 |
go down to the | 6 |
i am jealous of | 6 |
the moment i met | 6 |
a large number of | 6 |
you must have some | 6 |
himself down on a | 6 |
go to see her | 6 |
over the pages of | 6 |
gain a reputation for | 6 |
began to wonder if | 6 |
dorian looked at him | 6 |
there is sure to | 6 |
took out the key | 6 |
in him that was | 6 |
a look of joy | 6 |
key in his pocket | 6 |
there was something about | 6 |
often told me that | 6 |
himself unspotted from the | 6 |
to be in the | 6 |
explain it to you | 6 |
in the thought that | 6 |
you have often told | 6 |
there is nothing that | 6 |
will have to interest | 6 |
him that he had | 6 |
that we had been | 6 |
to him at times | 6 |
going to be good | 6 |
pathos in his voice | 6 |
passed his hand across | 6 |
the idea was monstrous | 6 |
a life that is | 6 |
a matter of life | 6 |
that he would not | 6 |
i suppose she will | 6 |
for the use of | 6 |
to you all the | 6 |
had it not been | 6 |
to see if he | 6 |
the portrait that had | 6 |
you must not be | 6 |
has a right to | 6 |
the sacs and foxes | 6 |
he could see the | 6 |
i have ever known | 6 |
on a fine horse | 6 |
that he was looking | 6 |
he would never again | 6 |
in the history of | 6 |
is simply a pose | 6 |
concealed the secret of | 6 |
i must be going | 6 |
he is going to | 6 |
to state that she | 6 |
more to me than | 6 |
have a new ideal | 6 |
you would tell me | 6 |
that i was a | 6 |
and shook his head | 6 |
nothing in the world | 6 |
what i have to | 6 |
the one thing worth | 6 |
at what point they | 6 |
how can you say | 6 |
corner of the room | 6 |
would have said that | 6 |
she will never come | 6 |
had kept himself unspotted | 6 |
the author of the | 6 |
such a little time | 6 |
you said it was | 6 |
rang the bell for | 6 |
had been in the | 6 |
had the courage to | 6 |
kept himself unspotted from | 6 |
you will laugh at | 6 |
to him that it | 6 |
the thing is impossible | 6 |
the performance was over | 6 |
scientific point of view | 6 |
the centre of the | 6 |
and began the ascent | 6 |
if it had not | 6 |
the care of the | 6 |
that he had a | 6 |
the duke of berwick | 6 |
he would be good | 6 |
a world in which | 6 |
know what it is | 6 |
is a fatality about | 6 |
in the course of | 6 |
lord henry watched him | 6 |
me that i was | 6 |
is it to me | 6 |
i am glad you | 6 |
and you must not | 6 |
he turned over the | 6 |
i was at the | 6 |
absolutely nothing to do | 6 |
am much obliged for | 6 |
a member of the | 6 |
the two young men | 6 |
dorian gray that the | 6 |
matter of life and | 6 |
over at lord henry | 6 |
to preach to you | 6 |
want to know anything | 6 |
never to leave him | 6 |
a cry of pain | 6 |
will laugh at me | 6 |
a room to which | 6 |
it is only the | 6 |
i am awfully sorry | 6 |
dorian gray entered the | 6 |
afraid i must be | 6 |
ceded all their lands | 6 |
he passed his hand | 6 |
straight in the face | 6 |
know what to do | 6 |
marriage is that it | 6 |
there is a fatality | 6 |
me to be vain | 6 |
of terror came over | 6 |
the touch of cruelty | 6 |
what you have to | 6 |
painted the portrait that | 6 |
that basil hallward had | 6 |
him at the time | 6 |
quite sure of that | 5 |
the man who could | 5 |
i fancy that the | 5 |
something of that kind | 5 |
numbering at the present | 5 |
and left the room | 5 |
it is not a | 5 |
that you should have | 5 |
of the same name | 5 |
i am telling you | 5 |
it is too late | 5 |
is a mode of | 5 |
after a time the | 5 |
the choice of his | 5 |
he had found in | 5 |
it was certainly a | 5 |
wait for an answer | 5 |
he would be at | 5 |
it was the most | 5 |
i am afraid of | 5 |
things that one can | 5 |
and came close to | 5 |
but i know that | 5 |
you to tell me | 5 |
in love with him | 5 |
chief of the iowas | 5 |
no one would ever | 5 |
was standing on the | 5 |
had no idea what | 5 |
i suppose you have | 5 |
she told me she | 5 |
top of his voice | 5 |
great secrets of life | 5 |
for hundreds of years | 5 |
in store for him | 5 |
and made no answer | 5 |
put too much of | 5 |
as was his custom | 5 |
and put his hand | 5 |
the only thing he | 5 |
he had come to | 5 |
never heard of her | 5 |
for the sake of | 5 |
on his way to | 5 |
and taking up the | 5 |
not at all a | 5 |
to some of your | 5 |
everything that he had | 5 |
what you have told | 5 |
they took their seats | 5 |
what has become of | 5 |
to speak to him | 5 |
of love and death | 5 |
i am not at | 5 |
was on the brink | 5 |
and in a few | 5 |
which he could not | 5 |
of most of the | 5 |
do you ask me | 5 |
and he felt as | 5 |
in the face of | 5 |
the unstained purity of | 5 |
you would not have | 5 |
something that seemed to | 5 |
fear in his eyes | 5 |
looked at lord henry | 5 |
drew a long breath | 5 |
it was twenty minutes | 5 |
that i had been | 5 |
the charm of being | 5 |
out the key and | 5 |
his hand over his | 5 |
of pain in his | 5 |
but it is only | 5 |
me what it is | 5 |
it is rather heavy | 5 |
their lands to the | 5 |
that would be a | 5 |
the close of the | 5 |
the present time about | 5 |
sense of the beauty | 5 |
so much beneath him | 5 |
i was going to | 5 |
what point they were | 5 |
be here at eleven | 5 |
the shadow of a | 5 |
it as if it | 5 |
from beginning to end | 5 |
after a few minutes | 5 |
i have not got | 5 |
am so sorry for | 5 |
with an expression of | 5 |
be said for his | 5 |
time in my life | 5 |
told me it was | 5 |
he was determined to | 5 |
know anything about it | 5 |
in the spring of | 5 |
to go to the | 5 |
is quite devoted to | 5 |
such thing as a | 5 |
what the world calls | 5 |
paris by the midnight | 5 |
more than a lad | 5 |
a gleam of light | 5 |
a copy of the | 5 |
you go into it | 5 |
over some of the | 5 |
of what you really | 5 |
he could not account | 5 |
at an early day | 5 |
the village of the | 5 |
him to go to | 5 |
one has ceased to | 5 |
did not think so | 5 |
see if he was | 5 |
in which to live | 5 |
go to bed early | 5 |
it is no use | 5 |
must admit that i | 5 |
the mere wonder of | 5 |
new manner in art | 5 |
knew that i had | 5 |
come to the theatre | 5 |
you see what i | 5 |
the same flesh and | 5 |
change places with you | 5 |
from the fact that | 5 |
of course i am | 5 |
in the euston road | 5 |
good deal to be | 5 |
he walked up and | 5 |
thing in the world | 5 |
had written to him | 5 |
in the east end | 5 |
one of the best | 5 |
where we had left | 5 |
lit a cigarette and | 5 |
was the one reality | 5 |
lands to the government | 5 |
in the life of | 5 |
he felt a wild | 5 |
seemed to bring him | 5 |
talk as if you | 5 |
things in store for | 5 |
have you known her | 5 |
would not have understood | 5 |
gray is to me | 5 |
as if it was | 5 |
on the other side | 5 |
is a form of | 5 |
out of his coat | 5 |
not the slightest idea | 5 |
stepped up on the | 5 |
i am too much | 5 |
but i assure you | 5 |
was so much in | 5 |
i dare say it | 5 |
for that very reason | 5 |
me at nine to | 5 |
i owe to you | 5 |
i think i shall | 5 |
i shall be charmed | 5 |
old castello in the | 5 |
turning on his heel | 5 |
the great secrets of | 5 |
a few years he | 5 |
is said to be | 5 |
the church of st | 5 |
the door and went | 5 |
sure to be furious | 5 |
to know anything about | 5 |
i must see it | 5 |
and looked round the | 5 |
i do not know | 5 |
dorian gray drew a | 5 |
i could not help | 5 |
life as an artist | 5 |
to look at it | 5 |
he got up from | 5 |
but i was not | 5 |
the door closed behind | 5 |
for which he could | 5 |
am telling you the | 5 |
we have lost the | 5 |
it is a sad | 5 |
seemed to have a | 5 |
i must tell you | 5 |
what sort of life | 5 |
of cruelty round the | 5 |
and passed into the | 5 |
flesh and blood as | 5 |
that his wife had | 5 |
the merely visible presence | 5 |
the heads of the | 5 |
up from the sofa | 5 |
first time in my | 5 |
long have you known | 5 |
he caught sight of | 5 |
that he had to | 5 |
of the great secrets | 5 |
sinking into a chair | 5 |
hallward shook his head | 5 |
of myself into it | 5 |
gray drew a long | 5 |
not leave the house | 5 |
and consequently they all | 5 |
one of the footmen | 5 |
now that i was | 5 |
was to be the | 5 |
you come with me | 5 |
down and see the | 5 |
but you are quite | 5 |
how long have you | 5 |
i hope it is | 5 |
opened the door and | 5 |
he is a very | 5 |
lord henry looked across | 5 |
forgive us our sins | 5 |
what they call the | 5 |
you know what i | 5 |
picture of dorian gray | 5 |
it was in the | 5 |
you are certain to | 5 |
is the secret of | 5 |
the man did not | 5 |
murmured the young man | 5 |
that it is a | 5 |
us sit down and | 5 |
now and then a | 5 |
was born on the | 5 |
the picture of dorian | 5 |
life of the intellect | 5 |
telling you the truth | 5 |
he thought of his | 5 |
of the loveliest creatures | 5 |
the presence of the | 5 |
grew more and more | 5 |
paused for a moment | 5 |
his eyes as he | 5 |
my life as an | 5 |
what can i do | 5 |
tell me how to | 5 |
of the red lake | 5 |
he had met in | 5 |
his hand upon the | 5 |
think that it is | 5 |
with a touch of | 5 |
feel quite sure of | 5 |
when i see you | 5 |
you know quite well | 5 |
let us go and | 5 |
tell me that you | 5 |
he is sure to | 5 |
you look at it | 5 |
over and over to | 5 |
make your peace with | 5 |
looking up at him | 5 |
and bit his lip | 5 |
struck by the ree | 5 |
the door opened and | 5 |
to come to him | 5 |
up at him with | 5 |
the genius of the | 5 |
looks as if he | 5 |
the hand that was | 5 |
the whole thing is | 5 |
was under the impression | 5 |
a note to lord | 5 |
you were a little | 5 |
it is your own | 5 |
at all a bad | 5 |
in the stanza delle | 5 |
looked at each other | 5 |
you are going away | 5 |
he would be free | 5 |
man afraid of his | 5 |
no one would be | 5 |
and that you were | 5 |
the picture that was | 5 |
appeared to dorian gray | 5 |
it would be if | 5 |
what sort of lives | 5 |
can be no doubt | 5 |
go away from me | 5 |
he had passed his | 5 |
much of myself into | 5 |
in some of the | 5 |
and wondered if he | 5 |
what on earth could | 5 |
to wonder if he | 5 |
you were to me | 5 |
want you to tell | 5 |
and over to himself | 5 |
note to lord henry | 5 |
in spite of himself | 5 |
know what you are | 5 |
some of your friends | 5 |
at dorian gray with | 5 |
for a moment he | 5 |
in a hoarse voice | 5 |
it is because i | 5 |
that is the one | 5 |
him to become a | 5 |
to be said for | 5 |
wish you would tell | 5 |
that seemed to me | 5 |
the south side of | 5 |
out as if in | 5 |
what he had said | 5 |
deal to be said | 5 |
i hate the way | 5 |
two or three times | 5 |
i am sorry to | 5 |
in less than a | 5 |
of the art of | 5 |
tell me what it | 5 |
survey of the territories | 5 |
and a shudder ran | 5 |
be the one thing | 5 |
quite devoted to you | 5 |
dorian shrugged his shoulders | 5 |
up on the platform | 5 |
that stood on the | 5 |
he could find of | 5 |
one of the top | 5 |
stood gazing at the | 5 |
looked round the room | 5 |
castello in the hills | 5 |
no less than the | 5 |
shudder ran through him | 5 |
something seemed to tell | 5 |
one of the loveliest | 5 |
as if his heart | 5 |
dorian gray is to | 5 |
a wild desire to | 5 |
if you say it | 5 |
his handkerchief out of | 5 |
as long as he | 5 |
felt that he was | 5 |
any sum of money | 5 |
you and i will | 5 |
came close to him | 5 |
or something of that | 5 |
of the beauty of | 5 |
in the middle of | 5 |
i was going through | 5 |
yet it was not | 5 |
only thing worth having | 5 |
that it is quite | 5 |
sat opposite to him | 5 |
that i do not | 5 |
a shudder ran through | 5 |
was twenty minutes to | 5 |
and in front of | 5 |
to the united states | 5 |
be able to give | 5 |
i hope you will | 5 |
you will tell me | 5 |
if i told you | 5 |
book that he had | 5 |
are you going to | 5 |
a portion of the | 5 |
when i was a | 5 |
you are made to | 5 |
to be the one | 5 |
came out in the | 5 |
to her aunt priscilla | 5 |
that one is a | 5 |
and rang the bell | 5 |
looking at dorian gray | 5 |
he shook his head | 5 |
afraid of his horses | 5 |
i did not think | 5 |
the brink of a | 5 |
poisoned by a book | 5 |
not going to do | 5 |
it had been the | 5 |
are made to be | 5 |
the man bowed and | 5 |
i have something to | 5 |
merely visible presence of | 5 |
he had seen the | 5 |
same flesh and blood | 5 |
i am sick of | 5 |
in the choice of | 5 |
but i am sorry | 5 |
me to tell you | 5 |
a good deal to | 5 |
you talk as if | 5 |
that he had ever | 5 |
he would have been | 5 |
have told me is | 5 |
did not answer for | 5 |
but it is quite | 5 |
he paused for a | 5 |
you are tired of | 5 |
he bit his lip | 4 |
to think of them | 4 |
he has nothing left | 4 |
be given to you | 4 |
it comes from the | 4 |
so at their peril | 4 |
at the idea of | 4 |
thought it best to | 4 |
he had been to | 4 |
threw himself into a | 4 |
let me be happy | 4 |
for what he had | 4 |
the date of the | 4 |
think i shall send | 4 |
person in the house | 4 |
as he had done | 4 |
know the meaning of | 4 |
you know you have | 4 |
to take away with | 4 |
in the united states | 4 |
in the days of | 4 |
out of the door | 4 |
a young chief of | 4 |
have been about the | 4 |
of the french school | 4 |
it must be a | 4 |
had got from her | 4 |
lose all sense of | 4 |
has been wounded by | 4 |
the service of the | 4 |
that stood in the | 4 |
it is of the | 4 |
if she had seen | 4 |
and so he would | 4 |
not going to have | 4 |
that he was very | 4 |
man bowed and retired | 4 |
the late lady betty | 4 |
after a little while | 4 |
him to have become | 4 |
i am sorry if | 4 |
i used to be | 4 |
and for the first | 4 |
how late it was | 4 |
there was something terribly | 4 |
and looked round with | 4 |
the rage of caliban | 4 |
on the divan and | 4 |
is the name of | 4 |
is a bad omen | 4 |
in his chair as | 4 |
to have some one | 4 |
her head at him | 4 |
driven out of the | 4 |
i do for you | 4 |
lying on the floor | 4 |
said to have been | 4 |
they talked to each | 4 |
be in harmony with | 4 |
sad look in his | 4 |
said she was not | 4 |
on the score of | 4 |
it is better to | 4 |
never let you know | 4 |
but i am not | 4 |
came a knock to | 4 |
but they are not | 4 |
as a matter of | 4 |
removed to the indian | 4 |
i think i would | 4 |
and looked through it | 4 |
the direction of his | 4 |
was the use of | 4 |
ask him to come | 4 |
the world would know | 4 |
on a reservation of | 4 |
as he sat at | 4 |
face without a heart | 4 |
i think you are | 4 |
in a certain sense | 4 |
the grace of his | 4 |
our first knowledge of | 4 |
it was a small | 4 |
of his life in | 4 |
in beautiful things are | 4 |
is a portrait of | 4 |
to see him is | 4 |
must tell you something | 4 |
till he came to | 4 |
at the back of | 4 |
said the younger man | 4 |
though it were a | 4 |
stepped out on the | 4 |
is the one thing | 4 |
the only thing that | 4 |
an old woman like | 4 |
it is my masterpiece | 4 |
that i could not | 4 |
i wish it were | 4 |
her out of the | 4 |
nothing of the sort | 4 |
there is only one | 4 |
the old water colour | 4 |
in the heart of | 4 |
get in front of | 4 |
but i will try | 4 |
of his life and | 4 |
dorian heaved a sigh | 4 |
it all the other | 4 |
been wounded by it | 4 |
at the door of | 4 |
has been to me | 4 |
that i have given | 4 |
that you were a | 4 |
was what he was | 4 |
down on the floor | 4 |
the best work i | 4 |
have not yet told | 4 |
had ever seen in | 4 |
he was a boy | 4 |
able to see the | 4 |
of more importance than | 4 |
colour came back to | 4 |
where the picture was | 4 |
i know you will | 4 |
passed into the dining | 4 |
it would be absurd | 4 |
the greater portion of | 4 |
want it to be | 4 |
had come into the | 4 |
it can only be | 4 |
i wanted to talk | 4 |
it not been for | 4 |
a man of more | 4 |
will feel that the | 4 |
whole thing was a | 4 |
but i tell you | 4 |
and it may have | 4 |
you will excuse me | 4 |
to think that i | 4 |
can you say that | 4 |
sided with the english | 4 |
he would be sure | 4 |
then he turned back | 4 |
he had not known | 4 |
get her out of | 4 |
not equal to the | 4 |
he flung himself into | 4 |
have to go to | 4 |
i have always been | 4 |
it was to have | 4 |
that i have said | 4 |
it had been merely | 4 |
to be in love | 4 |
it is a bad | 4 |
and going over to | 4 |
a bit of a | 4 |
he was not a | 4 |
of the civil war | 4 |
in the world but | 4 |
soon as it was | 4 |
were only the other | 4 |
when i think of | 4 |
looked round with a | 4 |
of which one was | 4 |
and what do you | 4 |
know that you are | 4 |
broke from his lips | 4 |
i shall be sorry | 4 |
with the united states | 4 |
i will show you | 4 |
he looked at the | 4 |
going to have the | 4 |
he ceased to be | 4 |
you to look at | 4 |
because they have so | 4 |
is their distinguishing characteristic | 4 |
each other without any | 4 |
to the number of | 4 |
would fall in love | 4 |
in the hope that | 4 |
tell you all this | 4 |
but she did not | 4 |
it to the end | 4 |
to be married to | 4 |
was found in the | 4 |
and what did she | 4 |
in the summer of | 4 |
you will want your | 4 |
and do you know | 4 |
if they had been | 4 |
of some one else | 4 |
took the name of | 4 |
ugliness is one of | 4 |
as i have said | 4 |
was too late now | 4 |
the red river of | 4 |
hallward bit his lip | 4 |
hand laid on his | 4 |
i have known you | 4 |
he had not understood | 4 |
the painter who had | 4 |
of his own and | 4 |
at the price of | 4 |
knock to the door | 4 |
that i had seen | 4 |
was the imagination that | 4 |
his own face in | 4 |
i myself used to | 4 |
now and then to | 4 |
know what i mean | 4 |
me at the time | 4 |
commissioner of indian affairs | 4 |
more to be said | 4 |
from the table and | 4 |
from ear to ear | 4 |
that it is better | 4 |
you know it is | 4 |
touch of pathos in | 4 |
in a state of | 4 |
room at the top | 4 |
felt a hand laid | 4 |
any one you love | 4 |
seemed to me at | 4 |
a knock to the | 4 |
last he got up | 4 |
united states geological survey | 4 |
tell them that the | 4 |
look at the picture | 4 |
the walls of the | 4 |
the seven deadly virtues | 4 |
way of accounting for | 4 |
with his back to | 4 |
young man who was | 4 |
more interested in the | 4 |
of the seven deadly | 4 |
is better to be | 4 |
have had such a | 4 |
the costume of the | 4 |
he seemed to have | 4 |
delegation of his tribe | 4 |
there is no one | 4 |
had been poisoned by | 4 |
the ninth of november | 4 |
she flung herself at | 4 |
he would have to | 4 |
the fact that we | 4 |
in which it was | 4 |
gap in the salt | 4 |
how the picture was | 4 |
of some of the | 4 |
the true story of | 4 |
is the rage of | 4 |
suppose she will be | 4 |
was it all true | 4 |
on the back of | 4 |
transparent oxide of chromium | 4 |
to end his days | 4 |
to take me behind | 4 |
you will have a | 4 |
look upon him as | 4 |
been told to him | 4 |
not been tampered with | 4 |
as it is now | 4 |
had gone to bed | 4 |
and put on his | 4 |
was a friend of | 4 |
meanings in beautiful things | 4 |
it is only for | 4 |
how do you know | 4 |
to think that the | 4 |
in his own room | 4 |
there is nothing to | 4 |
the original of the | 4 |
think it was a | 4 |
in the eyes of | 4 |
red river of the | 4 |
a sort of sailor | 4 |
that he would be | 4 |
in front of them | 4 |
at the close of | 4 |
his fingers upon the | 4 |
that he had gone | 4 |
had an extraordinary faculty | 4 |
what more can you | 4 |
able to bear the | 4 |
seemed to dorian gray | 4 |
soon as he had | 4 |
there was a rather | 4 |
it were only the | 4 |
there is no good | 4 |
the wonder of his | 4 |
it was all true | 4 |
to look at your | 4 |
now and then the | 4 |
for all that you | 4 |
heard the name of | 4 |
he wondered if he | 4 |
i think i should | 4 |
who happened to be | 4 |
one has been wounded | 4 |
so far from being | 4 |
for a few seconds | 4 |
a method of procuring | 4 |
on the floor of | 4 |
at any rate in | 4 |
has been said of | 4 |
the painting of a | 4 |
seeing his own face | 4 |
that the whole of | 4 |
looking at him with | 4 |
you will see her | 4 |
it is in the | 4 |
it will be time | 4 |
but there was something | 4 |
and told him that | 4 |
shot in the thicket | 4 |
go to the park | 4 |
of course you must | 4 |
how do i know | 4 |
was made with them | 4 |
the son of the | 4 |
to whom he had | 4 |
it is said that | 4 |
that he was murdered | 4 |
fall in love with | 4 |
the nineteenth century dislike | 4 |
the beginning of the | 4 |
looked at his watch | 4 |
that she was not | 4 |
to be in harmony | 4 |
who looks as if | 4 |
hand on his shoulder | 4 |
i am so happy | 4 |
i think you might | 4 |
it is nothing to | 4 |
what could he do | 4 |
to say that i | 4 |
that i had never | 4 |
into which he had | 4 |
up the steps and | 4 |
dry be that tear | 4 |
he had got from | 4 |
the days of the | 4 |
years of his life | 4 |
but you understand what | 4 |
i did not know | 4 |
to you if you | 4 |
if it were only | 4 |
i thought you had | 4 |
come down to the | 4 |
friend of the white | 4 |
i have been to | 4 |
the day before yesterday | 4 |
i say nothing about | 4 |
not been for the | 4 |
on eighteen years since | 4 |
i can feel it | 4 |
he was about to | 4 |
the night comes back | 4 |
face of the portrait | 4 |
nineteenth century dislike of | 4 |
heaved a deep breath | 4 |
own face in a | 4 |
paris in the autumn | 4 |
seventeen years of age | 4 |
face in a glass | 4 |
there is no use | 4 |
to the window and | 4 |
but i am glad | 4 |
you know what the | 4 |
it was no use | 4 |
to the present day | 4 |
to the effect that | 4 |
to the table and | 4 |
to me at the | 4 |
bell for his servant | 4 |
will tell you what | 4 |
portrait of a young | 4 |
quickly in the direction | 4 |
war chief of the | 4 |
only just wiped gently | 4 |
cried herself to sleep | 4 |
will be time enough | 4 |
out of the house | 4 |
from his own design | 4 |
she is more than | 4 |
end of the garden | 4 |
when the door opened | 4 |
are of the same | 4 |
the portrait of his | 4 |
for the fact that | 4 |
i feel that i | 4 |
geological survey of the | 4 |
was sitting in the | 4 |
to have become suddenly | 4 |
it is the best | 4 |
time to time he | 4 |
the present moment he | 4 |
she said she was | 4 |
that you will be | 4 |
you led them there | 4 |
would have been about | 4 |
but this was not | 4 |
that is what i | 4 |
are to the artist | 4 |
it was only a | 4 |
he is one of | 4 |
is about years of | 4 |
the idea of my | 4 |
which must have been | 4 |
as he had lived | 4 |
i am inclined to | 4 |
show it to you | 4 |
that there is a | 4 |
nigh on eighteen years | 4 |
will have to be | 4 |
country about the headwaters | 4 |
if you wish to | 4 |
suddenly there came a | 4 |
what did you mean | 4 |
it for a moment | 4 |
i should not be | 4 |
of the palace of | 4 |
there is absolutely nothing | 4 |
front of the guns | 4 |
that there was a | 4 |
have not been able | 4 |
after a few days | 4 |
would have been an | 4 |
what i want to | 4 |
seated at the piano | 4 |
and a man of | 4 |
he stood there motionless | 4 |
to think of it | 4 |
to think of the | 4 |
say nothing about the | 4 |
from his chair and | 4 |
the head of the | 4 |
painting of a sorrow | 4 |
known to the french | 4 |
he is not a | 4 |
the banks of the | 4 |
a hand laid on | 4 |
i ought to go | 4 |
he felt a hand | 4 |
the first night i | 4 |
was waiting for him | 4 |
reservation in the indian | 4 |
of course it is | 4 |
what was he to | 4 |
young men of his | 4 |
old man who was | 4 |
it became necessary to | 4 |
you come across her | 4 |
knew that he had | 4 |
the cry of a | 4 |
could not choose but | 4 |
to his feet and | 4 |
said the old gentleman | 4 |
if he had thought | 4 |
the young man who | 4 |
to come to the | 4 |
in the garden of | 4 |
on the subject of | 4 |
the commissioner of indian | 4 |
when the picture was | 4 |
as much as i | 4 |
laughter on her lips | 4 |
as soon as possible | 4 |
tell him that he | 4 |
i am glad he | 4 |
in the opinion of | 4 |
am sorry if i | 4 |
of triumph in his | 4 |
that you will never | 4 |
there is not a | 4 |
as far as the | 4 |
but i can fancy | 4 |
house of the capitan | 4 |
the coronation of the | 4 |
he was not to | 4 |
as they sat together | 4 |
of the fifteenth century | 4 |
to wonder what on | 4 |
and i have caught | 4 |
was that no one | 4 |
you need not be | 4 |
as he unlocked the | 4 |
more than a boy | 4 |
on the ninth of | 4 |
he found himself at | 4 |
is said to have | 4 |
the thought that he | 4 |
had met at lady | 4 |
they are of the | 4 |
and i had to | 4 |
as he does not | 4 |
and stooping down he | 4 |
never so much as | 4 |
the doors of the | 4 |
you what it is | 4 |
as if in pain | 4 |
the heavy odour of | 4 |
the aid of his | 4 |
headwaters of the mississippi | 4 |
she swept out of | 4 |
would have liked to | 4 |
when one has been | 4 |
he heaved a deep | 4 |
to tell it to | 4 |
in contact with the | 4 |
care of the friends | 4 |
the colour came back | 4 |
so many years ago | 4 |
states geological survey of | 4 |
when you see sibyl | 4 |
long as he does | 4 |
on a little table | 4 |
as chief of the | 4 |
the exception of the | 4 |
you must give me | 4 |
as soon as it | 4 |
the voice of the | 4 |
and an expression of | 4 |
he would not have | 4 |
in a hesitating manner | 4 |
of one of the | 4 |
to do justice to | 4 |
ten minutes past two | 4 |
commissioners at fort laramie | 4 |
helping himself to some | 4 |
not been able to | 4 |
but he would not | 4 |
had told him that | 4 |
was to be a | 4 |
at last he got | 4 |
saw that there was | 4 |
the red lake band | 4 |
able to follow his | 4 |
nothing of the kind | 4 |
in the costume of | 4 |
the seven deadly sins | 4 |
in with a cup | 4 |
i should think it | 4 |
of the second act | 4 |
river of the north | 4 |
made to be worshipped | 4 |
with the aid of | 4 |
at breakfast next morning | 4 |
she seemed not to | 4 |
reputation of being a | 4 |
the indians of the | 4 |
the story of his | 4 |
more can you want | 4 |
the picture was to | 4 |
with a note of | 4 |
what i wanted to | 4 |
but the recollection of | 4 |
wish that i had | 4 |
have so much to | 4 |
as if they had | 4 |
and a gleam of | 4 |
a sad look in | 4 |
so well as to | 4 |
for as sure as | 4 |
be able to do | 4 |
year after year the | 4 |
any rate in his | 4 |
he unlocked the door | 4 |
and played both the | 4 |
was said to have | 4 |
there was nothing in | 4 |
i do not understand | 4 |
tell me something about | 4 |
one had to pay | 4 |
adolphus groob sat next | 4 |
there was no one | 4 |
him so completely that | 4 |
so completely that he | 4 |
and sat down to | 4 |
there was to be | 4 |
to the present time | 4 |
and took up the | 4 |
his way to the | 4 |
as soon as i | 4 |
what you are talking | 4 |
through the open door | 4 |
i said i would | 4 |
of the spirit that | 4 |
i want it to | 4 |
on the top of | 4 |
if it was not | 4 |
young chief of the | 4 |
talked to each other | 4 |
he placed the lamp | 4 |
the day before his | 4 |
do so at their | 4 |
but he did not | 4 |
meant to be a | 4 |
with a sad look | 4 |
had come between them | 4 |
his manner as he | 4 |
they grow older they | 4 |
all i want is | 4 |
more than he had | 4 |
that they were all | 4 |
are going to die | 4 |
that i was quite | 4 |
get rid of the | 4 |
she laughed at him | 4 |
that the world would | 4 |
of the day to | 4 |
can i do for | 4 |
as though he had | 4 |
not know who he | 4 |
as though they were | 4 |
the picture was in | 4 |
on the evening of | 4 |
on the south side | 4 |
in the possession of | 4 |
upon the summits of | 4 |
one of the seven | 4 |
more than a mere | 4 |
he rang the bell | 4 |
it would have made | 4 |
more than anything else | 4 |
you mean by good | 4 |
you were a man | 4 |
the foot of the | 4 |
wonder what on earth | 4 |
it was the imagination | 4 |
at the head of | 4 |
at him for a | 4 |
is not a gentleman | 4 |
even know his name | 4 |
been able to see | 4 |
is the work of | 4 |
to him as he | 4 |
a chief of the | 4 |
it was said that | 4 |
a delegation of his | 4 |
that you are extremely | 4 |
have the pleasure of | 4 |
after some time he | 4 |
a strange tenderness in | 3 |
know what my guardians | 3 |
coat of varnish before | 3 |
face at the window | 3 |
and she flung herself | 3 |
turquoise of the summer | 3 |
that can be said | 3 |
that i had spoiled | 3 |
smiling over some secret | 3 |
i fancied that she | 3 |
scent of the lilac | 3 |
then the fantastic shadows | 3 |
for basil hallward came | 3 |
keeping his eye on | 3 |
frame was his own | 3 |
trouble of coming round | 3 |
for me to dictate | 3 |
was covered with roses | 3 |
the first passionate love | 3 |
world his beautiful house | 3 |
you are up to | 3 |
assured me most solemnly | 3 |
ready to do anything | 3 |
their voices were horribly | 3 |
me for what i | 3 |
cloak and polished boar | 3 |
see the girl to | 3 |
let lord henry in | 3 |
his night had been | 3 |
one hears bad music | 3 |
you can bring your | 3 |
when campbell came back | 3 |
it was all going | 3 |
is an attempt to | 3 |
man who was standing | 3 |
said things to him | 3 |
the courage to send | 3 |
he declared he did | 3 |
scribbled a note to | 3 |
you are much better | 3 |
he sat down on | 3 |
entirely for your own | 3 |
the moral sense to | 3 |
for what its monstrous | 3 |
this was the effect | 3 |
portrait basil hallward had | 3 |
and to more than | 3 |
remember that landscape of | 3 |
she was certainly lovely | 3 |
to loathe his own | 3 |
that the young man | 3 |
interested in his good | 3 |
you knew more about | 3 |
are not in the | 3 |
twenty minutes to two | 3 |
sunlight showed him the | 3 |
of dark and fragrant | 3 |
one of his sulky | 3 |
from her little head | 3 |
virgin was figured in | 3 |
lingering over his name | 3 |
laughter had called after | 3 |
bowed in worship before | 3 |
he had sat before | 3 |
always what i am | 3 |
a long latticed room | 3 |
fact of having published | 3 |
a certain element of | 3 |
thing i have ever | 3 |
leaning back with half | 3 |
more terrible than that | 3 |
for the canons of | 3 |
world going to be | 3 |
miranda and had been | 3 |
been to you no | 3 |
and distinction and perfect | 3 |
have in your studio | 3 |
an ornament for a | 3 |
they have had my | 3 |
he knew to be | 3 |
basil hallward leaped to | 3 |
imagination that had made | 3 |
all that was in | 3 |
the arms of rosalind | 3 |
after the picture by | 3 |
what you have come | 3 |
and digging up the | 3 |
certain to be arrested | 3 |
what a capital sitter | 3 |
it is sure to | 3 |
but after a time | 3 |
servant made me quite | 3 |
would reveal to him | 3 |
had come lord henry | 3 |
can end a sorrow | 3 |
and consequently are perfectly | 3 |
we never get back | 3 |
when some thought that | 3 |
lose all my pleasure | 3 |
into its former place | 3 |
she either becomes dreadfully | 3 |
you are shallow and | 3 |
just answer me one | 3 |
there was infinite pity | 3 |
to him what holiness | 3 |
have been perfectly audible | 3 |
the darwinismus movement in | 3 |
so horrible as it | 3 |
people are afraid of | 3 |
most premature definition ever | 3 |
never mention your name | 3 |
where dinner had been | 3 |
impecuniosity of most of | 3 |
and looked again at | 3 |
note of singular sweetness | 3 |
each of them says | 3 |
taught to say in | 3 |
it that one was | 3 |
have promised to drive | 3 |
i know you and | 3 |
before he could come | 3 |
esprit used to go | 3 |
at the bell tavern | 3 |
the past could always | 3 |
you into the matter | 3 |
the orphreys were woven | 3 |
morning upon a world | 3 |
what passions had he | 3 |
had been the great | 3 |
except on the stage | 3 |
would tell them nothing | 3 |
and i must say | 3 |
rather horrid of me | 3 |
the portrait in the | 3 |
former place in front | 3 |
to tell me that | 3 |
would fleck and wreck | 3 |
it often happened that | 3 |
more full of joy | 3 |
quatorze clock annoyed him | 3 |
looking at the clock | 3 |
walking over to the | 3 |
be really alien to | 3 |
your studio one day | 3 |
throb in my veins | 3 |
had not told you | 3 |
character of the frame | 3 |
forced to reveal his | 3 |
it is the divinest | 3 |
the things it has | 3 |
been said of him | 3 |
a sort of brother | 3 |
me that all my | 3 |
is engaged to be | 3 |
the great sins of | 3 |
would throw open to | 3 |
make one believe in | 3 |
the highest of all | 3 |
had done a tithe | 3 |
know that perfectly well | 3 |
but suitable for the | 3 |
i ask of you | 3 |
i find that i | 3 |
of you to do | 3 |
though i have heard | 3 |
accurate to say that | 3 |
darwinismus movement in germany | 3 |
at any scientific analysis | 3 |
do it by going | 3 |
those curious unpictured sins | 3 |
world belongs to you | 3 |
exercised often without being | 3 |
chaste woman should sit | 3 |
reclining in a luxurious | 3 |
at his feet sobbing | 3 |
sing just as happily | 3 |
me on that wonderful | 3 |
she is bound to | 3 |
at the murdered man | 3 |
would have made you | 3 |
each wednesday evening while | 3 |
had warned him of | 3 |
leaned across and said | 3 |
holding it in his | 3 |
not even told her | 3 |
on the poem about | 3 |
a low den in | 3 |
be married some day | 3 |
only artists i have | 3 |
artistic point of view | 3 |
was probably merely a | 3 |
talk about it any | 3 |
i have ever written | 3 |
gain such a fresh | 3 |
be to him what | 3 |
that made me do | 3 |
such hideous things were | 3 |
he felt a curious | 3 |
their origin is pure | 3 |
into its secret places | 3 |
it to alter now | 3 |
exhibition in the rue | 3 |
was rather annoyed at | 3 |
form of obligation or | 3 |
or when we are | 3 |
light in one of | 3 |
these whispered scandals only | 3 |
vane are two things | 3 |
the death of chopin | 3 |
fire to sluggish ice | 3 |
could have escaped the | 3 |
found an exquisite pleasure | 3 |
to recite by some | 3 |
name and a fair | 3 |
curved wrinkle of the | 3 |
might not thought exercise | 3 |
there are no temptations | 3 |
her two or three | 3 |
of john the priest | 3 |
of an hour afterwards | 3 |
in which to practise | 3 |
and more like blood | 3 |
most unpoetical of all | 3 |
the world would simply | 3 |
see her two or | 3 |
corpse in a watery | 3 |
round a pale rose | 3 |
pass through them if | 3 |
cope of crimson silk | 3 |
the use of knowing | 3 |
is something to me | 3 |
stood facing the screen | 3 |
disclosed to them its | 3 |
shape in those days | 3 |
with diamonds and other | 3 |
and of elaborate paraphrases | 3 |
a certain charm for | 3 |
passions in him that | 3 |
is really not much | 3 |
that you were incapable | 3 |
thoughts that have filled | 3 |
at least always been | 3 |
with her little fingers | 3 |
have helped telling me | 3 |
at the picture once | 3 |
of boys carrying crates | 3 |
to have disclosed to | 3 |
portrait of their master | 3 |
passion for red blood | 3 |
to the mental strain | 3 |
i see you did | 3 |
it is such a | 3 |
when he was down | 3 |
waters of that silver | 3 |
suppose you will want | 3 |
beginning for a friendship | 3 |
so that not a | 3 |
the wonder of wonders | 3 |
and it seemed horrible | 3 |
those who conceive the | 3 |
minutes a knock came | 3 |
only piece of evidence | 3 |
i would do myself | 3 |
will get into the | 3 |
i am a man | 3 |
one that burns me | 3 |
fire to the curtains | 3 |
the world belongs to | 3 |
you worshipped yourself too | 3 |
own life into them | 3 |
youth were in him | 3 |
what is the number | 3 |
my hansom is outside | 3 |
to him at the | 3 |
i understand what you | 3 |
of him would be | 3 |
i was a boy | 3 |
always hated and desired | 3 |
leaning over his chair | 3 |
of pomegranates to a | 3 |
mysterious and prolonged absences | 3 |
to hide the picture | 3 |
balcony scene of the | 3 |
what you have got | 3 |
an omelette on the | 3 |
he rose from the | 3 |
dividing time into separate | 3 |
make the old men | 3 |
the intellect a quickened | 3 |
should think the novelty | 3 |
going forth to their | 3 |
she was curiously listless | 3 |
or look at him | 3 |
the letter that we | 3 |
back into its former | 3 |
way for a man | 3 |
wonder when i told | 3 |
in the penny newspapers | 3 |
the only difference between | 3 |
on the intricacies of | 3 |
suppose they called the | 3 |
have been good to | 3 |
sorrow in it nor | 3 |
at another time he | 3 |
love you better than | 3 |
is horribly dull standing | 3 |
of emeralds set in | 3 |
and plied the distaff | 3 |
the piano better than | 3 |
front of his picture | 3 |
who received leonora of | 3 |
consequence of a subsequent | 3 |
infused by a jewish | 3 |
viands that could be | 3 |
tell their sins to | 3 |
to wonder at the | 3 |
twice in some of | 3 |
should matter everything to | 3 |
i have not pleased | 3 |
out against us both | 3 |
and saw the knife | 3 |
dante describes as having | 3 |
slanting beams that streamed | 3 |
the top of this | 3 |
were at selby royal | 3 |
to ask for it | 3 |
i had always played | 3 |
is too much of | 3 |
certainly not been paying | 3 |
was an exquisite day | 3 |
two vibrating tongues of | 3 |
moments of a life | 3 |
stars and the moon | 3 |
she merely laughs at | 3 |
will hang me for | 3 |
show the men in | 3 |
and if you stay | 3 |
had gained entirely from | 3 |
and sick with that | 3 |
going into the next | 3 |
morals to see bad | 3 |
they neither bring ruin | 3 |
a laboratory of his | 3 |
taken off their coats | 3 |
lead such a life | 3 |
and now at the | 3 |
they seemed to him | 3 |
chair as if he | 3 |
be more accurate to | 3 |
a wonderful genius for | 3 |
one always begins by | 3 |
we cannot spare you | 3 |
will make them as | 3 |
rotting of a corpse | 3 |
find that i am | 3 |
she came out in | 3 |
mix myself up in | 3 |
had ever touched her | 3 |
so full as it | 3 |
taken the flower out | 3 |
have known me to | 3 |
and that i could | 3 |
that you would never | 3 |
delighting in the conception | 3 |
cardinal archbishop of florence | 3 |
there have been such | 3 |
the sacrifice she had | 3 |
was pretty of her | 3 |
the basis of morals | 3 |
prowling hansom gleamed at | 3 |
the thoughts and passions | 3 |
ever seen in my | 3 |
to rip up the | 3 |
opened wide in exquisite | 3 |
have done enough evil | 3 |
sways in the water | 3 |
two young men passed | 3 |
nearer to something dreadful | 3 |
the centre of a | 3 |
with the miniatures you | 3 |
one seemed to be | 3 |
to have died instantaneously | 3 |
and he will seem | 3 |
creature from a finer | 3 |
like great gilt flowers | 3 |
one can survive everything | 3 |
the worst of having | 3 |
he would laugh at | 3 |
which kept him not | 3 |
the long hands looked | 3 |
know what i am | 3 |
strange feeling that fate | 3 |
mixed up in your | 3 |
into his brown agate | 3 |
you make yourself ridiculous | 3 |
courage to send on | 3 |
had the portrait really | 3 |
to see the place | 3 |
had burned what had | 3 |
as we all know | 3 |
believe anything against you | 3 |
accompaniment of the words | 3 |
easily as he can | 3 |
then tore up with | 3 |
trimmed jerkin and jewelled | 3 |
admiration of beauty that | 3 |
and graceful as he | 3 |
what they call their | 3 |
for a stranger to | 3 |
him like a revelation | 3 |
to keep me straight | 3 |
had never seemed to | 3 |
we will look in | 3 |
but the world might | 3 |
shall we put it | 3 |
the canvas bear the | 3 |
by hand that morning | 3 |
that our eyelids might | 3 |
by the sacrifice she | 3 |
every age and in | 3 |
found myself seated in | 3 |
might be its visible | 3 |
the name of his | 3 |
of life as they | 3 |
suited to bear sorrow | 3 |
after the coffee had | 3 |
been to sibyl vane | 3 |
with your personality there | 3 |
appeared once or twice | 3 |
henry pulled out his | 3 |
present you are a | 3 |
years and eight months | 3 |
marred many moments of | 3 |
he collected together from | 3 |
of the scholar with | 3 |
propose to discuss politics | 3 |
go down to richmond | 3 |
red jagged tear in | 3 |
that were violet wells | 3 |
tell him to remain | 3 |
sigh of relief broke | 3 |
a young actress recently | 3 |
no man had ever | 3 |
year to have his | 3 |
reminded him of the | 3 |
hallward seemed very little | 3 |
he had greasy ringlets | 3 |
that the true nature | 3 |
if the load had | 3 |
a moment he regretted | 3 |
paint in order to | 3 |
the gold of your | 3 |
dorian with a look | 3 |
more than i can | 3 |
was a certain element | 3 |
could he do then | 3 |
which on either side | 3 |
waited some time for | 3 |
or was there some | 3 |
seemed to him for | 3 |
not going to run | 3 |
absurd to be frightened | 3 |
to throw it away | 3 |
and certainly dorian gray | 3 |
had stretched himself on | 3 |
suddenly discovering the good | 3 |
multiform creature that bore | 3 |
she is perfectly charming | 3 |
passed into the library | 3 |
us do things finer | 3 |
the most exquisite specimens | 3 |
and made each delicate | 3 |
a sorrow that i | 3 |
would it teach him | 3 |
you must follow us | 3 |
fell on the yellow | 3 |
sacrifice of any mode | 3 |
would whisper to each | 3 |