This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
one of the | 337 |
out of the | 204 |
penny and louise | 194 |
a few minutes | 145 |
the old man | 136 |
be able to | 128 |
there was no | 112 |
i want to | 107 |
what do you | 107 |
she could not | 105 |
for a moment | 101 |
i have a | 99 |
away from the | 95 |
it would be | 93 |
that she had | 91 |
back to the | 89 |
as soon as | 85 |
the old lady | 83 |
out of here | 83 |
over to the | 81 |
must have been | 81 |
side of the | 80 |
the two men | 79 |
end of the | 78 |
it was a | 78 |
door of the | 77 |
close to the | 76 |
to the police | 73 |
penny did not | 71 |
the star office | 71 |
it will be | 70 |
the riverview star | 69 |
she did not | 69 |
a moment later | 68 |
in front of | 68 |
and her father | 67 |
get out of | 67 |
that she was | 66 |
to do with | 66 |
the door of | 66 |
the young man | 65 |
penny and her | 64 |
which had been | 63 |
shook her head | 63 |
that it was | 63 |
only a few | 61 |
went to the | 61 |
do you think | 61 |
not far from | 60 |
by the time | 60 |
there was a | 60 |
the two girls | 60 |
up at the | 59 |
into the house | 58 |
the front door | 58 |
the man who | 56 |
to the door | 55 |
to see the | 55 |
by the way | 55 |
louise and i | 55 |
of the house | 55 |
that he was | 54 |
to be a | 54 |
for a few | 54 |
how do you | 53 |
may as well | 53 |
seems to be | 53 |
to do it | 53 |
the end of | 52 |
to the window | 52 |
by this time | 52 |
may have been | 51 |
do you suppose | 50 |
the one who | 50 |
the wishing well | 50 |
a chance to | 50 |
on the river | 50 |
returned to the | 50 |
front of the | 50 |
the edge of | 50 |
edge of the | 49 |
part of the | 49 |
that he had | 49 |
before she could | 48 |
to make a | 48 |
members of the | 48 |
on the floor | 48 |
you want to | 48 |
it to the | 47 |
as the girls | 47 |
a lot of | 46 |
down to the | 46 |
how did you | 46 |
this is a | 46 |
i wish i | 45 |
to talk to | 45 |
way to the | 45 |
he did not | 45 |
this is the | 45 |
the girls were | 44 |
the green parrot | 44 |
to the star | 44 |
out on the | 44 |
her father had | 44 |
she saw that | 44 |
some of the | 44 |
shook his head | 43 |
down the street | 43 |
what are you | 43 |
what became of | 43 |
after a moment | 42 |
of the men | 42 |
all the same | 42 |
penny could not | 42 |
it must be | 42 |
the fergus hotel | 42 |
of the star | 42 |
the sound of | 41 |
the headless horseman | 41 |
in a moment | 41 |
she and louise | 41 |
of the building | 41 |
to get out | 41 |
had not been | 41 |
the living room | 40 |
why do you | 40 |
down the road | 40 |
that her father | 40 |
for an instant | 39 |
of the car | 39 |
did you get | 39 |
into the water | 39 |
he had been | 39 |
to her father | 39 |
to see that | 39 |
she had been | 39 |
in the dark | 39 |
a few days | 38 |
it in the | 38 |
she could see | 38 |
on the door | 38 |
in the swamp | 38 |
to tell you | 38 |
do you mean | 38 |
view of the | 38 |
far from the | 37 |
on down the | 37 |
i thought i | 37 |
louise and penny | 37 |
to try to | 37 |
do you know | 37 |
to get a | 37 |
opened the door | 37 |
the river queen | 37 |
the door and | 37 |
to leave the | 36 |
he must have | 36 |
the newspaper office | 36 |
to her feet | 36 |
i am sure | 36 |
trying to get | 36 |
her father and | 36 |
across the room | 36 |
out into the | 36 |
of the river | 35 |
through the window | 35 |
the name of | 35 |
to the house | 35 |
the silken ladder | 35 |
whether or not | 35 |
the bottom of | 35 |
up to the | 35 |
penny and salt | 35 |
a long while | 35 |
a short distance | 35 |
penny went on | 35 |
in the car | 34 |
the police station | 34 |
it was the | 34 |
came to the | 34 |
to be seen | 34 |
at the time | 33 |
no one was | 33 |
the young woman | 33 |
the rear of | 33 |
you have a | 33 |
penny and jerry | 33 |
who had been | 33 |
a big story | 33 |
down into the | 33 |
you must have | 33 |
was able to | 33 |
i have no | 33 |
out of this | 32 |
bottom of the | 32 |
to find out | 32 |
it had been | 32 |
in the room | 32 |
may be able | 32 |
the green door | 32 |
of the road | 32 |
to the river | 32 |
at the end | 32 |
she tried to | 32 |
that the man | 32 |
to the hotel | 32 |
rear of the | 32 |
he was a | 32 |
of the room | 31 |
all of the | 31 |
be glad to | 31 |
i tell you | 31 |
the door was | 31 |
she reached the | 31 |
the first time | 31 |
take care of | 31 |
down the hall | 31 |
in that case | 31 |
the direction of | 31 |
now and then | 31 |
to get the | 31 |
i wish you | 31 |
in a few | 31 |
me out of | 31 |
to pine top | 31 |
could be seen | 31 |
at the star | 31 |
it might be | 31 |
could not be | 30 |
on to the | 30 |
a great deal | 30 |
of the hotel | 30 |
to the office | 30 |
it must have | 30 |
as fast as | 30 |
a number of | 30 |
were able to | 30 |
cry at midnight | 30 |
the cry at | 30 |
so far as | 30 |
of the riverview | 30 |
cupples and leon | 30 |
if i were | 30 |
came from the | 30 |
a man who | 30 |
what to do | 29 |
we have a | 29 |
that they were | 29 |
i thought you | 29 |
she knew that | 29 |
was in the | 29 |
in time to | 29 |
the next morning | 29 |
go to the | 29 |
corner of the | 29 |
the front page | 29 |
to her that | 29 |
may not be | 29 |
a picture of | 29 |
a pair of | 28 |
for the star | 28 |
could see the | 28 |
from the cave | 28 |
on the other | 28 |
the celestial temple | 28 |
and began to | 28 |
want you to | 28 |
she told herself | 28 |
into the swamp | 28 |
any of the | 28 |
what had happened | 28 |
down on the | 28 |
it may be | 28 |
do with it | 28 |
you tell me | 28 |
up from the | 28 |
the car door | 28 |
no sign of | 28 |
in the morning | 28 |
the kippenberg estate | 28 |
before penny could | 28 |
she had seen | 28 |
the same as | 28 |
the room was | 28 |
and louise had | 28 |
the green room | 28 |
said in a | 28 |
of the girls | 28 |
if you can | 28 |
voice from the | 27 |
the man was | 27 |
a group of | 27 |
open the door | 27 |
to the car | 27 |
of the boat | 27 |
i think i | 27 |
i am afraid | 27 |
in the woods | 27 |
he may have | 27 |
the girls could | 27 |
wish you would | 27 |
no time to | 27 |
might have been | 27 |
not to be | 27 |
get rid of | 27 |
to take the | 27 |
she had not | 27 |
to the kitchen | 27 |
said with a | 27 |
in the house | 27 |
appeared to be | 27 |
we ought to | 27 |
if you want | 26 |
the girls had | 26 |
to have a | 26 |
what is it | 26 |
direction of the | 26 |
want to see | 26 |
across the river | 26 |
there were no | 26 |
at the curb | 26 |
on the beach | 26 |
for her to | 26 |
could not see | 26 |
she heard the | 26 |
in the paper | 26 |
want me to | 26 |
i hope you | 26 |
to go to | 26 |
a young man | 26 |
into the room | 26 |
return to the | 26 |
are you sure | 26 |
to learn the | 26 |
thing to do | 26 |
to find the | 26 |
you and your | 26 |
tell me what | 26 |
floor of the | 26 |
would not be | 26 |
a couple of | 26 |
a clump of | 25 |
but as she | 25 |
i can get | 25 |
penny tried to | 25 |
her that the | 25 |
she saw a | 25 |
a friend of | 25 |
if she were | 25 |
away from here | 25 |
owner of the | 25 |
he and penny | 25 |
in the kitchen | 25 |
few minutes ago | 25 |
more than a | 25 |
at the rear | 25 |
be all right | 25 |
connection with the | 25 |
few minutes later | 25 |
i doubt it | 25 |
ran to the | 25 |
against the wall | 25 |
come to the | 25 |
would be a | 25 |
was to be | 25 |
with a shrug | 25 |
no intention of | 25 |
in a low | 24 |
the dining room | 24 |
on the ground | 24 |
had reached the | 24 |
i was afraid | 24 |
toward the river | 24 |
started for the | 24 |
could hear the | 24 |
want to know | 24 |
at pine top | 24 |
penny shook her | 24 |
within a few | 24 |
might be able | 24 |
to pick up | 24 |
that she could | 24 |
in the doorway | 24 |
of course not | 24 |
where did you | 24 |
do you have | 24 |
i wonder if | 24 |
closer to the | 24 |
give me a | 24 |
and i have | 24 |
she saw the | 24 |
if only i | 24 |
at the drawbridge | 24 |
of the city | 24 |
she realized that | 24 |
we may as | 24 |
was only a | 24 |
at his watch | 24 |
looks as if | 24 |
nothing to do | 24 |
was at the | 24 |
to make the | 24 |
most of the | 24 |
to reach the | 24 |
to his feet | 24 |
to the ground | 23 |
directly to the | 23 |
to one of | 23 |
he may be | 23 |
saw that the | 23 |
into a chair | 23 |
of the old | 23 |
to take a | 23 |
a half hour | 23 |
had gone to | 23 |
the vanishing houseboat | 23 |
she heard a | 23 |
on the table | 23 |
she had no | 23 |
it into the | 23 |
to talk with | 23 |
what was that | 23 |
would like to | 23 |
for a long | 23 |
why did you | 23 |
started toward the | 23 |
by means of | 23 |
through the trees | 23 |
to the floor | 23 |
salt and penny | 23 |
seemed to be | 23 |
to have the | 23 |
that he would | 23 |
to see a | 23 |
i can do | 23 |
for the first | 23 |
one of those | 23 |
from the direction | 23 |
must be a | 23 |
her to the | 23 |
it was too | 23 |
penny said with | 23 |
jerry and penny | 23 |
it was not | 23 |
and the girls | 23 |
we can get | 23 |
to the front | 23 |
the truth is | 23 |
and with a | 23 |
she began to | 23 |
she would have | 23 |
it to me | 23 |
was not to | 23 |
drew a deep | 22 |
to the main | 22 |
to sunset beach | 22 |
just a minute | 22 |
at any rate | 22 |
you seem to | 22 |
man who had | 22 |
going to be | 22 |
of the two | 22 |
may i ask | 22 |
a piece of | 22 |
out of it | 22 |
is a very | 22 |
was on the | 22 |
down the stairway | 22 |
if i can | 22 |
but it was | 22 |
for a time | 22 |
never would have | 22 |
to keep the | 22 |
the zudi drum | 22 |
if i had | 22 |
what she had | 22 |
in the snow | 22 |
picked up a | 22 |
the car and | 22 |
him to the | 22 |
distance from the | 22 |
wish i could | 22 |
as far as | 22 |
when i was | 22 |
as she had | 22 |
the widow jones | 22 |
not wishing to | 22 |
i hate to | 21 |
going to the | 21 |
give you a | 21 |
i told you | 21 |
the old fellow | 21 |
lying on the | 21 |
at this time | 21 |
closed the door | 21 |
they could not | 21 |
and it was | 21 |
for a minute | 21 |
a few questions | 21 |
we can do | 21 |
have been a | 21 |
many of the | 21 |
must be the | 21 |
at the hotel | 21 |
look at the | 21 |
at the far | 21 |
a moment she | 21 |
the weekly times | 21 |
you have no | 21 |
you may be | 21 |
do you want | 21 |
the clock strikes | 21 |
i doubt if | 21 |
the house and | 21 |
in the darkness | 21 |
as if she | 21 |
maybe we can | 21 |
that she would | 21 |
in the sand | 21 |
tale of the | 21 |
i am not | 21 |
to learn what | 21 |
at the door | 21 |
in a whisper | 21 |
if we can | 21 |
of the witch | 21 |
the side of | 21 |
that the old | 21 |
at a time | 21 |
to the dock | 21 |
up in the | 21 |
the star building | 21 |
i should think | 21 |
want to go | 21 |
up the receiver | 21 |
back and forth | 21 |
they reached the | 21 |
did not see | 21 |
in the building | 21 |
how about the | 21 |
came to a | 21 |
and his wife | 21 |
i wish we | 21 |
into the woods | 20 |
as she and | 20 |
to tell him | 20 |
with the police | 20 |
the license number | 20 |
a few feet | 20 |
i suppose you | 20 |
into the yard | 20 |
of the man | 20 |
of the cabin | 20 |
the man had | 20 |
you ask me | 20 |
at the front | 20 |
in the world | 20 |
of the silken | 20 |
the real estate | 20 |
along the river | 20 |
will have to | 20 |
and louise were | 20 |
thatched roof cottage | 20 |
the witch doll | 20 |
gave her a | 20 |
glimpse of the | 20 |
stared at the | 20 |
the parker home | 20 |
old wishing well | 20 |
were in the | 20 |
behind the green | 20 |
penny asked in | 20 |
what are we | 20 |
down in the | 20 |
had left the | 20 |
one by one | 20 |
i saw a | 20 |
did you ever | 20 |
but there was | 20 |
i had a | 20 |
entrance to the | 20 |
as the car | 20 |
picked up the | 20 |
in any case | 20 |
you like to | 20 |
such a thing | 20 |
the owner of | 20 |
beyond the gate | 20 |
for some reason | 20 |
out of my | 20 |
the center of | 20 |
to help you | 20 |
have a chance | 20 |
the far end | 20 |
over his shoulder | 20 |
the old wishing | 20 |
down from the | 20 |
a deep sigh | 20 |
from the river | 20 |
on the front | 20 |
if only we | 20 |
clock strikes thirteen | 20 |
did you see | 20 |
in the star | 20 |
gave it to | 20 |
would you like | 19 |
for the police | 19 |
danger at the | 19 |
sat down on | 19 |
talk to him | 19 |
where she had | 19 |
i have to | 19 |
i saw you | 19 |
his face was | 19 |
the way to | 19 |
he tried to | 19 |
the city editor | 19 |
she was certain | 19 |
as you can | 19 |
the steering wheel | 19 |
real estate man | 19 |
the bell tower | 19 |
and then the | 19 |
if i could | 19 |
who are you | 19 |
out to the | 19 |
if he had | 19 |
as if to | 19 |
them to the | 19 |
that would be | 19 |
will be a | 19 |
for that matter | 19 |
he has a | 19 |
of the big | 19 |
seem to be | 19 |
penny knew that | 19 |
as she saw | 19 |
to tell me | 19 |
to her chum | 19 |
sure of it | 19 |
it may have | 19 |
she was a | 19 |
on toward the | 19 |
walked to the | 19 |
as she could | 19 |
window of the | 19 |
did you learn | 19 |
if you ask | 19 |
which she had | 19 |
that they had | 19 |
an opportunity to | 19 |
over her shoulder | 19 |
by the arm | 19 |
may be a | 19 |
are you going | 19 |
not the slightest | 19 |
of the estate | 19 |
at that moment | 19 |
it should be | 19 |
able to see | 19 |
out of bed | 19 |
soon as i | 19 |
as i can | 19 |
not in the | 19 |
on the turnpike | 19 |
i wanted to | 19 |
go back to | 19 |
she stared at | 19 |
she could hear | 19 |
as if it | 19 |
for the night | 19 |
down at the | 19 |
and see what | 19 |
came out of | 19 |
out of sight | 19 |
with her father | 19 |
where is the | 19 |
and i will | 18 |
is in the | 18 |
i want you | 18 |
the door behind | 18 |
the composing room | 18 |
clue of the | 18 |
on the street | 18 |
i have an | 18 |
guilt of the | 18 |
we want to | 18 |
they could hear | 18 |
at least a | 18 |
member of the | 18 |
and did not | 18 |
it looks like | 18 |
penny had no | 18 |
in a minute | 18 |
on either side | 18 |
been trying to | 18 |
no opportunity to | 18 |
was one of | 18 |
the identity of | 18 |
to the museum | 18 |
the window and | 18 |
the press car | 18 |
the brass thieves | 18 |
that the girls | 18 |
she was not | 18 |
mixed up in | 18 |
to a standstill | 18 |
that it would | 18 |
about the room | 18 |
left the office | 18 |
in the bushes | 18 |
penny saw that | 18 |
was no sign | 18 |
it over to | 18 |
she returned to | 18 |
the rest of | 18 |
have to be | 18 |
i intend to | 18 |
with a quick | 18 |
to the newspaper | 18 |
ought to be | 18 |
of the brass | 18 |
into the river | 18 |
had nothing to | 18 |
from the window | 18 |
i should like | 18 |
you know what | 18 |
they could see | 18 |
for an hour | 18 |
up and down | 18 |
in one of | 18 |
it in a | 18 |
could be heard | 18 |
here in the | 18 |
did not answer | 18 |
the secret pact | 18 |
far end of | 18 |
lay on the | 18 |
it from the | 18 |
at the edge | 18 |
i may have | 18 |
the other side | 18 |
it was only | 18 |
as long as | 18 |
call the police | 18 |
signal in the | 17 |
stepped from the | 17 |
penny went to | 17 |
in her mind | 17 |
penny and mrs | 17 |
parker and penny | 17 |
to make certain | 17 |
of the paper | 17 |
a series of | 17 |
how would you | 17 |
a man of | 17 |
it seems to | 17 |
maybe i can | 17 |
top of the | 17 |
the room to | 17 |
a quick glance | 17 |
i might be | 17 |
where are you | 17 |
see that the | 17 |
with a jerk | 17 |
there is a | 17 |
like to have | 17 |
could have been | 17 |
he went to | 17 |
to the right | 17 |
more about the | 17 |
nearly all of | 17 |
in the valley | 17 |
to believe that | 17 |
their way to | 17 |
penny started to | 17 |
find out what | 17 |
was too late | 17 |
the previous night | 17 |
ghost beyond the | 17 |
in the boat | 17 |
from his pocket | 17 |
the old watchman | 17 |
up in a | 17 |
have an idea | 17 |
down the river | 17 |
it would not | 17 |
the lily pool | 17 |
the top of | 17 |
the person who | 17 |
of the ark | 17 |
to do is | 17 |
he had a | 17 |
connected with the | 17 |
he would be | 17 |
before they could | 17 |
what did you | 17 |
to see you | 17 |
hoofbeats on the | 17 |
of such a | 17 |
out in the | 17 |
of her own | 17 |
to the monastery | 17 |
never heard of | 17 |
down the beach | 17 |
he had not | 17 |
it seemed to | 17 |
i tried to | 17 |
at the office | 17 |
asked in a | 17 |
the head waiter | 17 |
to be the | 17 |
of the swamp | 17 |
would have been | 17 |
disappeared into the | 17 |
might be a | 17 |
i might have | 17 |
know what to | 17 |
before he could | 17 |
hiding in the | 17 |
do with the | 17 |
they had been | 17 |
saboteurs on the | 17 |
he was the | 17 |
you to the | 17 |
to be sure | 17 |
to do so | 17 |
not see the | 17 |
a long time | 17 |
gazed at the | 17 |
across the street | 17 |
i was a | 17 |
at the other | 17 |
within view of | 17 |
story for the | 17 |
half an hour | 17 |
and try to | 17 |
able to get | 17 |
man who was | 17 |
if she had | 16 |
the next instant | 16 |
try to get | 16 |
from the first | 16 |
to stay here | 16 |
in the water | 16 |
not going to | 16 |
stepped into the | 16 |
came here to | 16 |
to the riverview | 16 |
back into the | 16 |
i guess i | 16 |
a sheet of | 16 |
center of the | 16 |
what had occurred | 16 |
all about it | 16 |
penny said thoughtfully | 16 |
was nowhere to | 16 |
the men who | 16 |
stood in the | 16 |
closing the door | 16 |
but she could | 16 |
she turned to | 16 |
among the trees | 16 |
on the island | 16 |
at the wheel | 16 |
over the water | 16 |
up in front | 16 |
get back to | 16 |
on my way | 16 |
toward the house | 16 |
at the girls | 16 |
a man in | 16 |
to get rid | 16 |
to get it | 16 |
supposed to be | 16 |
had been left | 16 |
gazed at her | 16 |
have been the | 16 |
not a chance | 16 |
tied up at | 16 |
be on the | 16 |
sheet of paper | 16 |
want to talk | 16 |
him in the | 16 |
a quarter of | 16 |
as the boat | 16 |
what will you | 16 |
a handful of | 16 |
tell me about | 16 |
thought i heard | 16 |
i may be | 16 |
to get in | 16 |
returning to the | 16 |
deeper into the | 16 |
the car to | 16 |
we have no | 16 |
interested in the | 16 |
hidden in the | 16 |
stairs to the | 16 |
where do you | 16 |
for the next | 16 |
an hour ago | 16 |
he would have | 16 |
not a word | 16 |
you think he | 16 |
on the night | 16 |
anything to do | 16 |
too late to | 16 |
into the car | 16 |
from the water | 16 |
in search of | 16 |
and there was | 16 |
what we can | 16 |
the entrance to | 16 |
i think he | 16 |
it into a | 16 |
in such a | 16 |
for the riverview | 16 |
curious to learn | 16 |
in the lobby | 16 |
we may be | 16 |
to give up | 16 |
so that the | 16 |
of the green | 16 |
hung up the | 16 |
as she reached | 16 |
in the yard | 16 |
a bit of | 16 |
you may have | 16 |
from the car | 16 |
a minute or | 16 |
a cup of | 16 |
i should have | 16 |
into the dark | 16 |
is trying to | 16 |
glanced at her | 16 |
penny and mr | 16 |
man in a | 16 |
with a grin | 16 |
nowhere to be | 16 |
the main road | 16 |
name of the | 16 |
i can see | 16 |
talk to the | 16 |
interest in the | 16 |
have a hunch | 16 |
penny ran to | 15 |
penny opened the | 15 |
penny reminded him | 15 |
of a mile | 15 |
there came a | 15 |
tell you what | 15 |
from beneath the | 15 |
will you do | 15 |
to the telephone | 15 |
you think of | 15 |
of all the | 15 |
i could get | 15 |
it looks as | 15 |
printed in u | 15 |
the turnpike voice | 15 |
author of mildred | 15 |
i had to | 15 |
in the garden | 15 |
wish we could | 15 |
stories trailer stories | 15 |
you may as | 15 |
just as soon | 15 |
well saboteurs on | 15 |
one of her | 15 |
the night of | 15 |
vanishing houseboat danger | 15 |
she was afraid | 15 |
she said in | 15 |
by that time | 15 |
to come here | 15 |
strikes thirteen the | 15 |
penny decided to | 15 |
of the water | 15 |
penny had not | 15 |
illustrated tale of | 15 |
the river ghost | 15 |
dark whispering walls | 15 |
contents chapter page | 15 |
are you doing | 15 |
swamp island the | 15 |
that she might | 15 |
by mildred a | 15 |
far down the | 15 |
walls swamp island | 15 |
to think of | 15 |
doll the vanishing | 15 |
and leon co | 15 |
york penny parker | 15 |
leon company publishers | 15 |
parker mystery stories | 15 |
a deep breath | 15 |
to her own | 15 |
secret pact the | 15 |
by cupples and | 15 |
stories large mo | 15 |
to the rear | 15 |
to see what | 15 |
coming down the | 15 |
that the girl | 15 |
watch of the | 15 |
the dark whispering | 15 |
wirt author of | 15 |
of the night | 15 |
the young people | 15 |
the brass lantern | 15 |
to the street | 15 |
for us to | 15 |
of the monastery | 15 |
trailer stories for | 15 |
want to get | 15 |
for girls illustrated | 15 |
ladder the secret | 15 |
the gate hoofbeats | 15 |
to help her | 15 |
the sidell home | 15 |
houseboat danger at | 15 |
company publishers new | 15 |
cave guilt of | 15 |
the drawbridge behind | 15 |
door clue of | 15 |
we can find | 15 |
louise asked in | 15 |
i saw the | 15 |
this is my | 15 |
at the dock | 15 |
the girl was | 15 |
picked it up | 15 |
turnpike voice from | 15 |
on one of | 15 |
penny began to | 15 |
night of the | 15 |
they came to | 15 |
i came here | 15 |
you know the | 15 |
thieves signal in | 15 |
and leon company | 15 |
only i could | 15 |
the front porch | 15 |
in the past | 15 |
if he were | 15 |
down the corridor | 15 |
a low tone | 15 |
the photography room | 15 |
of the pool | 15 |
i never was | 15 |
somewhere in the | 15 |
a moment the | 15 |
up on the | 15 |
i saw it | 15 |
silken ladder the | 15 |
she knew the | 15 |
you are a | 15 |
she started to | 15 |
should like to | 15 |
wishing well saboteurs | 15 |
on the porch | 15 |
a moment ago | 15 |
what happened to | 15 |
an end to | 15 |
pact the clock | 15 |
while i was | 15 |
to see me | 15 |
brass thieves signal | 15 |
it occurred to | 15 |
of mildred a | 15 |
the morning press | 15 |
the old trapper | 15 |
penny was not | 15 |
wirt mystery stories | 15 |
witch doll the | 15 |
and down the | 15 |
some distance away | 15 |
this time of | 15 |
i assure you | 15 |
island the cry | 15 |
new york penny | 15 |
he must be | 15 |
green door clue | 15 |
the downey lodge | 15 |
glanced at the | 15 |
her father would | 15 |
at midnight copyright | 15 |
that must be | 15 |
to pay for | 15 |
girls illustrated cupples | 15 |
a glimpse of | 15 |
drawbridge behind the | 15 |
only a moment | 15 |
they would be | 15 |
at one of | 15 |
river ghost beyond | 15 |
publishers new york | 15 |
mystery stories large | 15 |
attention to the | 15 |
from the star | 15 |
cloth illustrated tale | 15 |
have to get | 15 |
stories for girls | 15 |
two men were | 15 |
how about a | 15 |
in a way | 15 |
had been cut | 15 |
to say that | 15 |
to go on | 15 |
whispering walls swamp | 15 |
had no intention | 15 |
penny parker mystery | 15 |
mystery stories trailer | 15 |
no one will | 15 |
some distance from | 15 |
certain that the | 15 |
i aim to | 15 |
you expect to | 15 |
illustrated cupples and | 15 |
the cave guilt | 15 |
gate hoofbeats on | 15 |
thirteen the wishing | 15 |
minute or two | 15 |
to hear the | 14 |
want to be | 14 |
as if the | 14 |
which led to | 14 |
to the girls | 14 |
be at the | 14 |
the thatched roof | 14 |
i think you | 14 |
a member of | 14 |
penny drew a | 14 |
i had no | 14 |
did you notice | 14 |
the following day | 14 |
the meaning of | 14 |
let me go | 14 |
could think of | 14 |
she decided to | 14 |
the only one | 14 |
with a sigh | 14 |
but no one | 14 |
back from the | 14 |
penny asked eagerly | 14 |
put an end | 14 |
reached for the | 14 |
to see it | 14 |
to open the | 14 |
made a mistake | 14 |
two men who | 14 |
through the opening | 14 |
a few yards | 14 |
in the river | 14 |
in the old | 14 |
to me that | 14 |
the man in | 14 |
you can do | 14 |
joe the sweeper | 14 |
to the bank | 14 |
from one of | 14 |
her head and | 14 |
the old woman | 14 |
the kitchen door | 14 |
she went to | 14 |
clump of bushes | 14 |
i have the | 14 |
as in the | 14 |
earlier in the | 14 |
the kitchen table | 14 |
a few hours | 14 |
go with you | 14 |
into the boat | 14 |
take a look | 14 |
in an undertone | 14 |
as well as | 14 |
to sell the | 14 |
talk with you | 14 |
of the best | 14 |
gave him a | 14 |
quarter of a | 14 |
i know you | 14 |
was in a | 14 |
penny turned to | 14 |
and his companion | 14 |
it to be | 14 |
fergus and maxwell | 14 |
did not reply | 14 |
doorway of the | 14 |
do you see | 14 |
and for a | 14 |
of the bridge | 14 |
they left the | 14 |
to the estate | 14 |
of the way | 14 |
looking for a | 14 |
the second floor | 14 |
was no answer | 14 |
edition of the | 14 |
knew that the | 14 |
what i can | 14 |
to find him | 14 |
at the desk | 14 |
less than a | 14 |
to enter the | 14 |
climbed into the | 14 |
back toward the | 14 |
do is to | 14 |
to come to | 14 |
me in the | 14 |
wish i knew | 14 |
car had been | 14 |
toward the door | 14 |
work to do | 14 |
down on a | 14 |
i take it | 14 |
and then she | 14 |
in his hand | 14 |
i was only | 14 |
must have a | 14 |
open the car | 14 |
is that you | 14 |
room of the | 14 |
in the basement | 14 |
penny had been | 14 |
was sent to | 14 |
father and jerry | 14 |
to look at | 14 |
in the final | 14 |
the outside door | 14 |
for the past | 14 |
and penny were | 14 |
to the bridge | 14 |
as if he | 14 |
told her that | 14 |
the girls did | 14 |
from inside the | 14 |
to join the | 14 |
arrived at the | 14 |
the base of | 14 |
her way to | 14 |
i never did | 14 |
the police car | 14 |
she had made | 14 |
i suppose so | 14 |
to the desk | 14 |
have to take | 14 |
came into the | 14 |
the girl had | 14 |
with a laugh | 14 |
led to the | 14 |
startled to hear | 14 |
of the story | 14 |
have a little | 14 |
should have been | 14 |
by the name | 14 |
had been made | 14 |
to the waiting | 14 |
and a half | 14 |
farther down the | 14 |
with her chum | 14 |
to the old | 14 |
i were you | 14 |
it was evident | 14 |
in through the | 14 |
as the girl | 14 |
up with the | 14 |
paid no heed | 14 |
i have it | 14 |
i know how | 14 |
wait until i | 14 |
then why not | 14 |
she sat down | 14 |
i never heard | 14 |
been able to | 14 |
were startled to | 14 |
he said in | 14 |
which could be | 14 |
the woman said | 14 |
the arrival of | 14 |
the boat and | 14 |
you have the | 14 |
the list of | 14 |
and went to | 14 |
the way you | 14 |
notify the police | 14 |
this time the | 14 |
she and her | 14 |
when i saw | 14 |
and let me | 14 |
why should i | 14 |
to watch the | 14 |
and the two | 14 |
able to learn | 14 |
not at all | 13 |
at the entrance | 13 |
looks like a | 13 |
penny told him | 13 |
have to go | 13 |
but i am | 13 |
occurred to me | 13 |
a look at | 13 |
for it was | 13 |
in the series | 13 |
a moment and | 13 |
from the cabin | 13 |
unlocked the door | 13 |
soon as the | 13 |
found in the | 13 |
the time of | 13 |
that i am | 13 |
she made a | 13 |
give us a | 13 |
identity of the | 13 |
was filled with | 13 |
we have to | 13 |
who is he | 13 |
no way to | 13 |
the series by | 13 |
but i think | 13 |
went back to | 13 |
if they were | 13 |
it on the | 13 |
as if you | 13 |
almost at once | 13 |
he came to | 13 |
know anything about | 13 |
books in the | 13 |
for him to | 13 |
to get back | 13 |
occurred to her | 13 |
in the afternoon | 13 |
off at the | 13 |
from the police | 13 |
not wish to | 13 |
base of the | 13 |
up the mountain | 13 |
and his daughter | 13 |
only then did | 13 |
switched off the | 13 |
the girls saw | 13 |
i thought it | 13 |
in at the | 13 |
penny and the | 13 |
the complete list | 13 |
the other hand | 13 |
as she turned | 13 |
rid of the | 13 |
had been in | 13 |
and this time | 13 |
what sort of | 13 |
the car had | 13 |
are we to | 13 |
to give you | 13 |
was trying to | 13 |
again at the | 13 |
i must have | 13 |
there is no | 13 |
could not understand | 13 |
to meet the | 13 |
out the window | 13 |
staring at the | 13 |
the group of | 13 |
had enough of | 13 |
going to do | 13 |
and she was | 13 |
for you to | 13 |
time of night | 13 |
as quickly as | 13 |
in no mood | 13 |
to make it | 13 |
stood at the | 13 |
if you like | 13 |
on the sand | 13 |
to go with | 13 |
to the hospital | 13 |
in the first | 13 |
as she went | 13 |
of the wind | 13 |
list of books | 13 |
was the same | 13 |
but she was | 13 |
down the path | 13 |
to help me | 13 |
remained in the | 13 |
i think the | 13 |
take a chance | 13 |
may have a | 13 |
as it is | 13 |
charge of the | 13 |
at the top | 13 |
the front of | 13 |
i suppose i | 13 |
those two men | 13 |
try to find | 13 |
darted to the | 13 |
on the desk | 13 |
at least i | 13 |
is supposed to | 13 |
a very good | 13 |
drew up in | 13 |
it into her | 13 |
to inspect the | 13 |
take it easy | 13 |
to the cabin | 13 |
series by the | 13 |
section of the | 13 |
penny stared at | 13 |
replaced the list | 13 |
and if you | 13 |
what have you | 13 |
you do it | 13 |
i was just | 13 |
in need of | 13 |
the opposite direction | 13 |
a corner of | 13 |
get into the | 13 |
to the two | 13 |
would be to | 13 |
as she started | 13 |
he could not | 13 |
here on the | 13 |
the woman had | 13 |
he might have | 13 |
that the men | 13 |
of the tower | 13 |
in the least | 13 |
the time penny | 13 |
of books in | 13 |
along the shore | 13 |
you ought to | 13 |
girls did not | 13 |
became of the | 13 |
at each other | 13 |
the cab driver | 13 |
see his face | 13 |
the back of | 13 |
where you are | 13 |
be a good | 13 |
penny nodded and | 13 |
what is this | 13 |
and i were | 13 |
go to bed | 13 |
he intended to | 13 |
came to her | 13 |
by the complete | 13 |
in the city | 13 |
out onto the | 13 |
on their way | 13 |
but i was | 13 |
see what i | 13 |
see what we | 13 |
the doorway of | 13 |
did not speak | 13 |
on our way | 13 |
had been found | 13 |
i may as | 13 |
or not to | 13 |
the final book | 13 |
that there was | 13 |
i should say | 13 |
the man is | 13 |
at the riverview | 13 |
i saw him | 13 |
is going to | 13 |
up the stairs | 13 |
to her room | 13 |
he was in | 13 |
what makes you | 13 |
and the other | 13 |
come with me | 13 |
about for a | 13 |
penny inquired curiously | 13 |
the hubell tower | 13 |
it was my | 13 |
me to the | 13 |
penny glanced at | 13 |
that you are | 13 |
at sunset beach | 13 |
at the factory | 13 |
on the road | 13 |
you must be | 13 |
be willing to | 13 |
i do not | 12 |
give up the | 12 |
penny made a | 12 |
ready for the | 12 |
penny left the | 12 |
the crystal ball | 12 |
from the rear | 12 |
at rose acres | 12 |
look at this | 12 |
the other end | 12 |
i do hope | 12 |
here at the | 12 |
but did not | 12 |
from now on | 12 |
come from the | 12 |
to keep her | 12 |
the picture of | 12 |
not hope to | 12 |
penny asked quickly | 12 |
there will be | 12 |
from the kitchen | 12 |
here to get | 12 |
talk with him | 12 |
give it to | 12 |
one was in | 12 |
to her surprise | 12 |
to return to | 12 |
corrected a handful | 12 |
far as i | 12 |
you do with | 12 |
here it is | 12 |
to my knowledge | 12 |
she noticed a | 12 |
have to do | 12 |
is one of | 12 |
all i can | 12 |
number of the | 12 |
to hear a | 12 |
her on the | 12 |
visit to the | 12 |
gazing at the | 12 |
as penny and | 12 |
look as if | 12 |
did not appear | 12 |
as he spoke | 12 |
to the lighthouse | 12 |
they saw the | 12 |
me at the | 12 |
she had learned | 12 |
the verge of | 12 |
why not go | 12 |
what he had | 12 |
but i know | 12 |
had seen the | 12 |
i expect to | 12 |
turned toward the | 12 |
her from the | 12 |
the girls went | 12 |
it is a | 12 |
on the verge | 12 |
one of them | 12 |
to the beach | 12 |
want to do | 12 |
you want me | 12 |
at the newspaper | 12 |
it was locked | 12 |
far away to | 12 |
but as they | 12 |
to penny that | 12 |
is the one | 12 |
she and penny | 12 |
get to the | 12 |
could not hope | 12 |
that was a | 12 |
tell you about | 12 |
she crossed the | 12 |
to take it | 12 |
it may not | 12 |
her into the | 12 |
away from her | 12 |
the use of | 12 |
in the cabin | 12 |
and as she | 12 |
get away from | 12 |
she and jerry | 12 |
once more to | 12 |
in the bottom | 12 |
her toward the | 12 |
you trying to | 12 |
you on the | 12 |
she said quietly | 12 |
able to help | 12 |
as she entered | 12 |
silently corrected a | 12 |
the door swung | 12 |
it does seem | 12 |
and tried to | 12 |
did not wish | 12 |
take you to | 12 |
the last i | 12 |
as she spoke | 12 |
in the country | 12 |
was convinced that | 12 |
for several minutes | 12 |
seems to have | 12 |
that they could | 12 |
only a short | 12 |
saw that her | 12 |
a few of | 12 |
the night was | 12 |
show you the | 12 |
how about it | 12 |
but i have | 12 |
report to the | 12 |
had been removed | 12 |
to get me | 12 |
the professor and | 12 |
handful of palpable | 12 |
as to the | 12 |
were at the | 12 |
it was just | 12 |
of palpable typos | 12 |
did not know | 12 |
too far away | 12 |
the hubell clock | 12 |
into the well | 12 |
have done it | 12 |
to take you | 12 |
be one of | 12 |
much of a | 12 |
little to say | 12 |
far up the | 12 |
to get into | 12 |
penny asked anxiously | 12 |
do you mind | 12 |
in the lock | 12 |
she felt that | 12 |
at the moment | 12 |
did not seem | 12 |
but if we | 12 |
what is the | 12 |
stay here and | 12 |
did you know | 12 |
the roar of | 12 |
the railroad station | 12 |
was the one | 12 |
on the back | 12 |
the way i | 12 |
what you can | 12 |
the parking lot | 12 |
started down the | 12 |
one of our | 12 |
she must have | 12 |
allow you to | 12 |
know nothing about | 12 |
to work on | 12 |
was unable to | 12 |
the third floor | 12 |
over and over | 12 |
in the direction | 12 |
i have been | 12 |
stood for a | 12 |
what you mean | 12 |
to have been | 12 |
the girls walked | 12 |
just as the | 12 |
at the side | 12 |
an old man | 12 |
like to know | 12 |
was startled to | 12 |
let me out | 12 |
the door open | 12 |
use of the | 12 |
i can tell | 12 |
glance at the | 12 |
a day or | 12 |
it will take | 12 |
as they were | 12 |
sound of the | 12 |
of the other | 12 |
to examine the | 12 |
makes you think | 12 |
the huntley dam | 12 |
at the same | 12 |
sorry to have | 12 |
as if they | 12 |
the time she | 12 |
came down the | 12 |
to the boat | 12 |
of sleepy hollow | 12 |
her father to | 12 |
back of the | 12 |
the door to | 12 |
working on the | 12 |
man on the | 12 |
that was why | 12 |
from the dock | 12 |
one of my | 12 |
suppose you tell | 12 |
crossed the room | 12 |
he said to | 12 |
in a loud | 12 |
she might be | 12 |
it to her | 12 |
to use the | 11 |
an instant she | 11 |
as she heard | 11 |
the boat was | 11 |
both penny and | 11 |
her face was | 11 |
better than to | 11 |
i know nothing | 11 |
think of it | 11 |
been in the | 11 |
i was thinking | 11 |
of the parker | 11 |
one who had | 11 |
made no reply | 11 |
had entered the | 11 |
down the aisle | 11 |
of this place | 11 |
to be certain | 11 |
you can get | 11 |
a police car | 11 |
i am very | 11 |
the river bank | 11 |
she would be | 11 |
the girl who | 11 |
to be found | 11 |
went to bed | 11 |
and left the | 11 |
all the time | 11 |
there it is | 11 |
penny saw a | 11 |
he never would | 11 |
she could find | 11 |
to do a | 11 |
of the place | 11 |
the deed to | 11 |
appeared on the | 11 |
a section of | 11 |
in the center | 11 |
her in a | 11 |
the desk and | 11 |
penny and i | 11 |
to penny and | 11 |
you would be | 11 |
and out of | 11 |
not seem to | 11 |
the canopied bed | 11 |
the men were | 11 |
the girls to | 11 |
the capture of | 11 |
who you are | 11 |
but i can | 11 |
thought it was | 11 |
care of the | 11 |
he left the | 11 |
is going on | 11 |
a hundred dollars | 11 |
let me have | 11 |
no longer could | 11 |
to show up | 11 |
to see him | 11 |
all the way | 11 |
to the gate | 11 |
waited for the | 11 |
learn the identity | 11 |
to the edge | 11 |
can you get | 11 |
why are you | 11 |
out the door | 11 |
the estate owner | 11 |
no one here | 11 |
mixed up with | 11 |
for at least | 11 |
a long distance | 11 |
her father was | 11 |
even if he | 11 |
lost to view | 11 |
he could have | 11 |
you try to | 11 |
to a sitting | 11 |
but as the | 11 |
keep watch of | 11 |
leading to the | 11 |
it for a | 11 |
out of her | 11 |
read the message | 11 |
the stairway to | 11 |
started up the | 11 |
seems to me | 11 |
gazed toward the | 11 |
the wall of | 11 |
as the two | 11 |
she entered the | 11 |
at the monastery | 11 |
to sleepy hollow | 11 |
i think we | 11 |
the shelter of | 11 |
you have to | 11 |
a year ago | 11 |
did not have | 11 |
know why i | 11 |
at the window | 11 |
to see mrs | 11 |
have you been | 11 |
i was in | 11 |
was talking to | 11 |
are we going | 11 |
of the fire | 11 |
curious to see | 11 |
across the yard | 11 |
either side of | 11 |
the window of | 11 |
just in time | 11 |
the crystal inn | 11 |
as they approached | 11 |
if it were | 11 |
the shadow of | 11 |
barbed wire fence | 11 |
to the swamp | 11 |
of the valley | 11 |
account of the | 11 |
nothing about the | 11 |
to look after | 11 |
as if in | 11 |
and i want | 11 |
told you about | 11 |
drew up at | 11 |
to read the | 11 |
not that i | 11 |
in a hurry | 11 |
no one ever | 11 |
and a moment | 11 |
was about to | 11 |
from behind the | 11 |
appeared in the | 11 |
to the cottage | 11 |
picking up the | 11 |
about an hour | 11 |
of the line | 11 |
until they were | 11 |
slowly toward the | 11 |
we may have | 11 |
was a large | 11 |
the telephone company | 11 |
talk to you | 11 |
it was an | 11 |
young man who | 11 |
have to work | 11 |
find out about | 11 |
one of your | 11 |
the last time | 11 |
sprang to her | 11 |
stared at her | 11 |
penny gazed at | 11 |
a man named | 11 |
to cross the | 11 |
she left the | 11 |
the stairs to | 11 |
did not hear | 11 |
and there were | 11 |
seemed to have | 11 |
sent to the | 11 |
the members of | 11 |
as well go | 11 |
to think that | 11 |
ralph fergus and | 11 |
was surprised to | 11 |
the other man | 11 |
i wonder why | 11 |
as good as | 11 |
i never would | 11 |
it to you | 11 |
that was the | 11 |
alone in the | 11 |
on the dock | 11 |
in the vicinity | 11 |
seventh street bridge | 11 |
the girl with | 11 |
had picked up | 11 |
in the meantime | 11 |
you know who | 11 |
but why should | 11 |
in the evening | 11 |
one of these | 11 |
the hour of | 11 |
her at the | 11 |
it with a | 11 |
was out of | 11 |
from the bridge | 11 |
and i are | 11 |
have no proof | 11 |
to get away | 11 |
the bearded stranger | 11 |
a loud voice | 11 |
she turned and | 11 |
came from a | 11 |
to tell the | 11 |
at the estate | 11 |
the motor boat | 11 |
into the building | 11 |
swung open the | 11 |
surprised to see | 11 |
in the opposite | 11 |
how are you | 11 |
do you say | 11 |
hastened to the | 11 |
she had heard | 11 |
her by the | 11 |
out through the | 11 |
a pile of | 11 |
at the green | 11 |
do no good | 11 |
there must be | 11 |
to be in | 11 |
penny and sally | 11 |
she had finished | 11 |
just as i | 11 |
the only person | 11 |
when she returned | 11 |
came within view | 11 |
might not be | 11 |
up the stairway | 11 |
he came here | 11 |
must have heard | 11 |
inside the house | 11 |
the matter with | 11 |
jerry and the | 11 |
was not in | 11 |
can you tell | 11 |
as they walked | 11 |
went directly to | 11 |
i never saw | 11 |
to the shack | 11 |
she may have | 11 |
through the woods | 11 |
have plenty of | 11 |
after she had | 11 |
vanished into the | 11 |
any number of | 11 |
had no opportunity | 11 |
may be the | 11 |
i think it | 11 |
the man said | 11 |
the rubber boat | 11 |
penny as she | 11 |
stop at the | 11 |
to see his | 11 |
he had gone | 11 |
ahead of the | 11 |
be sure to | 11 |
peering into the | 11 |
a matter of | 11 |
front of her | 11 |
no longer was | 11 |
sent here to | 11 |
i think she | 11 |
was afraid to | 11 |
license number of | 11 |
a good idea | 11 |
a little girl | 11 |
he told her | 11 |
be rid of | 11 |
but i doubt | 11 |
from the building | 11 |
had been taken | 11 |
went to a | 11 |
at the gate | 11 |
had anything to | 10 |
been unable to | 10 |
as much as | 10 |
what were you | 10 |
this must be | 10 |
i doubt that | 10 |
and returned to | 10 |
led the way | 10 |
jerry and mr | 10 |
the lower floor | 10 |
up the beach | 10 |
herself from the | 10 |
to gaze at | 10 |
had not yet | 10 |
conway steel plant | 10 |
be easy to | 10 |
was tempted to | 10 |
murmur of voices | 10 |
she could think | 10 |
knew that she | 10 |
you wish to | 10 |
as the man | 10 |
the other day | 10 |
proved to be | 10 |
place for a | 10 |
they heard a | 10 |
said penny in | 10 |
parked the car | 10 |
to be taken | 10 |
her wrist watch | 10 |
getting up from | 10 |
give it up | 10 |
at the sidell | 10 |
come back here | 10 |
you get in | 10 |
asked in surprise | 10 |
to stare at | 10 |
her father were | 10 |
chance to get | 10 |
no good to | 10 |
similar to the | 10 |
of the shack | 10 |
there was nothing | 10 |
you going to | 10 |
i am a | 10 |
switched on the | 10 |
entered the house | 10 |
girls could not | 10 |
without waiting for | 10 |
a moment to | 10 |
then with a | 10 |
professor and his | 10 |
saw that it | 10 |
we could get | 10 |
the car went | 10 |
to meet him | 10 |
they did not | 10 |
was in sight | 10 |
the same man | 10 |
she came to | 10 |
she said with | 10 |
up with a | 10 |
now that the | 10 |
to come from | 10 |
as she watched | 10 |
the octopus tattoo | 10 |
of the kitchen | 10 |
key in the | 10 |
do a little | 10 |
it could be | 10 |
of the marborough | 10 |
in her breath | 10 |
to see her | 10 |
woman in a | 10 |
if you are | 10 |
going to get | 10 |
penny returned to | 10 |
the storm cave | 10 |
to take him | 10 |
pay for it | 10 |
walked over to | 10 |
tell me the | 10 |
the three girls | 10 |
down the mountain | 10 |
penny paused to | 10 |
the gandiss factory | 10 |
was ready to | 10 |
mind if i | 10 |
she closed the | 10 |
they must be | 10 |
in the moonlight | 10 |
of the most | 10 |
the hiding place | 10 |
herself to a | 10 |
publisher of the | 10 |
to the story | 10 |
that he could | 10 |
in the closet | 10 |
and a few | 10 |
the way he | 10 |
at the bottom | 10 |
going on here | 10 |
the bridge dynamiting | 10 |
when they were | 10 |
if only she | 10 |
do for you | 10 |
from among the | 10 |
she exclaimed in | 10 |
to go back | 10 |
to me as | 10 |
if i have | 10 |
while we were | 10 |
of the sort | 10 |
me about the | 10 |
had little to | 10 |
gap in the | 10 |
penny heard the | 10 |
much of the | 10 |
you think i | 10 |
may not have | 10 |
caught a glimpse | 10 |
do you do | 10 |
the window ledge | 10 |
out of town | 10 |
path to the | 10 |
man in gray | 10 |
me as if | 10 |
some sort of | 10 |
the key to | 10 |
the hotel man | 10 |
at the two | 10 |
not try to | 10 |
to keep it | 10 |
take time to | 10 |
startled to see | 10 |
saw a man | 10 |
what has happened | 10 |
we had a | 10 |
had no idea | 10 |
ahead of her | 10 |
wait and see | 10 |
at the first | 10 |
this is no | 10 |
the coast guard | 10 |
of the question | 10 |
fast as you | 10 |
and i think | 10 |
but this is | 10 |
in charge of | 10 |
sat down at | 10 |
he is a | 10 |
i think so | 10 |
penny assured him | 10 |
sign of the | 10 |
i have my | 10 |
has to be | 10 |
had made no | 10 |
want to help | 10 |
to be here | 10 |
to make sure | 10 |
will be the | 10 |
everyone in the | 10 |
to realize that | 10 |
you sure you | 10 |
you can find | 10 |
help me get | 10 |
this part of | 10 |
at the well | 10 |
at first glance | 10 |
out of a | 10 |
and he was | 10 |
had come to | 10 |
the floor and | 10 |
door behind him | 10 |
story of the | 10 |
the finish line | 10 |
editor of the | 10 |
remainder of the | 10 |
was lost to | 10 |
shall we go | 10 |
picture of a | 10 |
the far side | 10 |
the idea of | 10 |
was not a | 10 |
to be done | 10 |
he wore a | 10 |
off the bridge | 10 |
went down the | 10 |
at the tower | 10 |
you out of | 10 |
toward the road | 10 |
up the river | 10 |
must have had | 10 |
we have the | 10 |
i wonder what | 10 |
on the job | 10 |
way through the | 10 |
she heard her | 10 |
head and shoulders | 10 |
that the woman | 10 |
aboard the snark | 10 |
even if i | 10 |
drive to the | 10 |
first national bank | 10 |
in the living | 10 |
but in the | 10 |
the remainder of | 10 |
to the doorway | 10 |
which way did | 10 |
swinging open the | 10 |
down the trail | 10 |
startled by the | 10 |
to learn more | 10 |
you think that | 10 |
i am sorry | 10 |
she studied the | 10 |
him at the | 10 |
up her mind | 10 |
from the house | 10 |
ready to leave | 10 |
left the building | 10 |
called to her | 10 |
know what i | 10 |
was forced to | 10 |
she intended to | 10 |
on the stairway | 10 |
that her chum | 10 |
to ask you | 10 |
turned to leave | 10 |
it will do | 10 |
windows of the | 10 |
arose from the | 10 |
there was only | 10 |
to the curb | 10 |
the first place | 10 |
a second time | 10 |
about the green | 10 |
had told her | 10 |
was afraid of | 10 |
sweeper joe and | 10 |
inside the building | 10 |
the opposite side | 10 |
other end of | 10 |
as they came | 10 |
they approached the | 10 |
saying goodbye to | 10 |
drove to the | 10 |
man with a | 10 |
penny to the | 10 |
to be an | 10 |
the front seat | 10 |
asked after a | 10 |
could not have | 10 |
the same fellow | 10 |
we can learn | 10 |
front door of | 10 |
you stay here | 10 |
that the young | 10 |
have a look | 10 |
i see you | 10 |
by the window | 10 |
look at it | 10 |
no one answered | 10 |
of cousin david | 10 |
that i have | 10 |
the preston barn | 10 |
that he did | 10 |
it would do | 10 |
the opposite shore | 10 |
in response to | 10 |
the interior of | 10 |
never should have | 10 |
know how to | 10 |
the place where | 10 |
that she must | 10 |
at her father | 10 |
gaze fastened upon | 10 |
more than ever | 10 |
the outskirts of | 10 |
a good story | 10 |
to face the | 10 |
you know i | 10 |
she stopped short | 10 |
the house was | 10 |
stood on the | 10 |
to the barn | 10 |
girls could hear | 10 |
up in bed | 10 |
the conway steel | 10 |
from the bed | 10 |
penny that the | 10 |
to have you | 10 |
penny noticed that | 10 |
solve the mystery | 10 |
they were able | 10 |
slipped into the | 10 |
is that the | 10 |
locked in the | 10 |
all the evidence | 10 |
it came from | 10 |
know that the | 10 |
of the street | 10 |
ask him to | 10 |
worry about that | 10 |
for many years | 10 |
the seventh street | 10 |
the river and | 10 |
what about the | 10 |
the little girl | 10 |
you should have | 10 |
to the one | 10 |
that it had | 10 |
that he might | 10 |
faster and faster | 10 |
had been sent | 10 |
could find no | 10 |
talk to her | 9 |
moment later the | 9 |
thought you were | 9 |
can help you | 9 |
will you be | 9 |
the way she | 9 |
the cabin door | 9 |
of those men | 9 |
had failed to | 9 |
do such a | 9 |
to search for | 9 |
i was so | 9 |
was the first | 9 |
do any good | 9 |
in my mind | 9 |
to have me | 9 |
pounded on the | 9 |
by way of | 9 |
it have been | 9 |
up the steps | 9 |
the first to | 9 |
penny reached the | 9 |
drew in her | 9 |
according to the | 9 |
him on the | 9 |
climbed the stairs | 9 |
in the barn | 9 |
to see mr | 9 |
she had found | 9 |
tried to get | 9 |
then returned to | 9 |
in a friendly | 9 |
great deal of | 9 |
with the current | 9 |
what goes on | 9 |
to have it | 9 |
for the door | 9 |
the pilot house | 9 |
went on down | 9 |
penny found herself | 9 |
he had no | 9 |
and went on | 9 |
that al gepper | 9 |
penny would have | 9 |
secret ray machine | 9 |
would not have | 9 |
have had a | 9 |
leaped from the | 9 |
lost in the | 9 |
him over to | 9 |
i warn you | 9 |
is to be | 9 |
as they watched | 9 |
into the night | 9 |
of the cave | 9 |
we got to | 9 |
try to learn | 9 |
it was her | 9 |
sleepy hollow estate | 9 |
get in there | 9 |
admitted with a | 9 |
a way to | 9 |
see what you | 9 |
her with a | 9 |
the loading dock | 9 |
in and out | 9 |
on the stone | 9 |
turn it over | 9 |
waited until the | 9 |
the man retorted | 9 |
now get out | 9 |
the man to | 9 |
started to leave | 9 |
that penny could | 9 |
a moving light | 9 |
but he did | 9 |
the toe of | 9 |
leave the house | 9 |
trying to make | 9 |
penny was surprised | 9 |
she knew she | 9 |
realized that she | 9 |
over in the | 9 |
could not find | 9 |
i never could | 9 |
the paper and | 9 |
the palette club | 9 |
a half dozen | 9 |
for penny to | 9 |
this place is | 9 |
the waiting room | 9 |
to be one | 9 |
pretended not to | 9 |
of the bushes | 9 |
bring the police | 9 |
think we should | 9 |
call for help | 9 |
glanced quickly at | 9 |
then you think | 9 |
do you like | 9 |
certain of it | 9 |
is the place | 9 |
to the village | 9 |
to know what | 9 |
light of the | 9 |
if you do | 9 |
not appear to | 9 |
on the opposite | 9 |
i hope so | 9 |
to be caught | 9 |
he intends to | 9 |
figure it out | 9 |
of the woods | 9 |
on the estate | 9 |
so that she | 9 |
peered down into | 9 |
the girls heard | 9 |
be with you | 9 |
the telephone rang | 9 |
can find it | 9 |
i can find | 9 |
a moment before | 9 |
can do for | 9 |
the important thing | 9 |
her in the | 9 |
i could do | 9 |
to investigate the | 9 |
herself on the | 9 |
into the kitchen | 9 |
had decided to | 9 |
into the living | 9 |
the car at | 9 |
and i saw | 9 |
anything i can | 9 |
jerked open the | 9 |
of the first | 9 |
the three men | 9 |
and keep watch | 9 |
the contents of | 9 |
her chum had | 9 |
in the window | 9 |
of the light | 9 |
no one in | 9 |
it was impossible | 9 |
the door closed | 9 |
the girls came | 9 |
if you have | 9 |
one thing i | 9 |
is all right | 9 |
allow me to | 9 |
on the head | 9 |
but you know | 9 |
penny remarked as | 9 |
to the very | 9 |
know about that | 9 |
the first national | 9 |
how can i | 9 |
as they started | 9 |
but i saw | 9 |
about the matter | 9 |
to save the | 9 |
it at the | 9 |
the time they | 9 |
the assistant editor | 9 |
as she was | 9 |
have a few | 9 |
location of the | 9 |
ran down the | 9 |
and clark clayton | 9 |
with a key | 9 |
long as i | 9 |
far side of | 9 |
not even a | 9 |
you know about | 9 |
the key in | 9 |
she watched the | 9 |
picture of the | 9 |
and no one | 9 |
on up the | 9 |
in her ear | 9 |
perhaps you can | 9 |
an elderly man | 9 |
ran toward the | 9 |
pine top for | 9 |
you mean the | 9 |
of the motor | 9 |
to visit the | 9 |
the street and | 9 |
and then went | 9 |
who is it | 9 |
few of the | 9 |
something to do | 9 |
we came here | 9 |
pick up the | 9 |
to the basement | 9 |
a low voice | 9 |
then she saw | 9 |
to the conversation | 9 |
walked toward the | 9 |
there may be | 9 |
i must be | 9 |
by her father | 9 |
visible in the | 9 |
but you must | 9 |
the town of | 9 |
not so sure | 9 |
the paper in | 9 |
a message for | 9 |
at one time | 9 |
at the dark | 9 |
only to have | 9 |
because he had | 9 |
the significance of | 9 |
to worry about | 9 |
pushed open the | 9 |
have no intention | 9 |
but i never | 9 |
only we could | 9 |
as they could | 9 |
i hope we | 9 |
a gap in | 9 |
how did it | 9 |
to go along | 9 |
she and mrs | 9 |
tapped lightly on | 9 |
we going to | 9 |
if we have | 9 |
a trail of | 9 |
think i can | 9 |
the marborough place | 9 |