This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
the door of the | 57 |
penny and her father | 54 |
the edge of the | 44 |
the end of the | 41 |
in front of the | 41 |
get out of here | 40 |
not far from the | 34 |
for a few minutes | 32 |
the rear of the | 32 |
may be able to | 32 |
the cry at midnight | 30 |
the bottom of the | 30 |
one of the men | 29 |
at the end of | 27 |
the direction of the | 26 |
to do with it | 26 |
a few minutes later | 25 |
a few minutes ago | 25 |
it must have been | 25 |
penny shook her head | 24 |
might be able to | 24 |
voice from the cave | 24 |
we may as well | 24 |
i wish you would | 23 |
of the riverview star | 23 |
to the star office | 23 |
from the direction of | 22 |
i wish i could | 21 |
for the first time | 21 |
to get out of | 21 |
over to the police | 20 |
of the silken ladder | 20 |
of the witch doll | 20 |
the clock strikes thirteen | 20 |
behind the green door | 20 |
what do you mean | 20 |
what do you think | 20 |
the old wishing well | 20 |
the side of the | 19 |
how did you get | 19 |
as soon as i | 19 |
to one of the | 19 |
in a few minutes | 19 |
tale of the witch | 19 |
was not to be | 18 |
at the rear of | 18 |
danger at the drawbridge | 18 |
there was no sign | 18 |
i want you to | 18 |
clue of the silken | 18 |
the far end of | 18 |
of the brass thieves | 18 |
at the edge of | 18 |
guilt of the brass | 18 |
saboteurs on the river | 17 |
hoofbeats on the turnpike | 17 |
if you ask me | 17 |
but there was no | 17 |
at the star office | 17 |
ghost beyond the gate | 17 |
in one of the | 17 |
signal in the dark | 17 |
if you want to | 17 |
was no sign of | 17 |
nothing to do with | 17 |
was nowhere to be | 16 |
penny and louise were | 16 |
up in front of | 16 |
to get rid of | 16 |
only a few minutes | 16 |
i have a hunch | 16 |
within view of the | 16 |
anything to do with | 16 |
the real estate man | 16 |
it may have been | 15 |
gate hoofbeats on the | 15 |
cloth illustrated tale of | 15 |
cave guilt of the | 15 |
thirteen the wishing well | 15 |
silken ladder the secret | 15 |
it looks as if | 15 |
leon company publishers new | 15 |
the wishing well saboteurs | 15 |
hung up the receiver | 15 |
the green door clue | 15 |
by cupples and leon | 15 |
had no intention of | 15 |
just as soon as | 15 |
if only i could | 15 |
company publishers new york | 15 |
doll the vanishing houseboat | 15 |
publishers new york penny | 15 |
illustrated tale of the | 15 |
illustrated cupples and leon | 15 |
a minute or two | 15 |
the gate hoofbeats on | 15 |
secret pact the clock | 15 |
dark whispering walls swamp | 15 |
the secret pact the | 15 |
brass thieves signal in | 15 |
drawbridge behind the green | 15 |
in a low tone | 15 |
out of the house | 15 |
author of mildred a | 15 |
turnpike voice from the | 15 |
stories for girls illustrated | 15 |
stories trailer stories for | 15 |
strikes thirteen the wishing | 15 |
the silken ladder the | 15 |
the brass thieves signal | 15 |
girls illustrated cupples and | 15 |
the vanishing houseboat danger | 15 |
it was too late | 15 |
the river ghost beyond | 15 |
houseboat danger at the | 15 |
door clue of the | 15 |
the cave guilt of | 15 |
the night of the | 15 |
vanishing houseboat danger at | 15 |
trailer stories for girls | 15 |
at the far end | 15 |
and leon company publishers | 15 |
mystery stories large mo | 15 |
on the river ghost | 15 |
thieves signal in the | 15 |
witch doll the vanishing | 15 |
the turnpike voice from | 15 |
penny parker mystery stories | 15 |
cupples and leon co | 15 |
the center of the | 15 |
green door clue of | 15 |
for girls illustrated cupples | 15 |
whispering walls swamp island | 15 |
york penny parker mystery | 15 |
ladder the secret pact | 15 |
wirt author of mildred | 15 |
walls swamp island the | 15 |
wishing well saboteurs on | 15 |
would you like to | 15 |
swamp island the cry | 15 |
pact the clock strikes | 15 |
island the cry at | 15 |
cry at midnight copyright | 15 |
wirt mystery stories trailer | 15 |
beyond the gate hoofbeats | 15 |
at this time of | 15 |
at the drawbridge behind | 15 |
the witch doll the | 15 |
from the cave guilt | 15 |
clock strikes thirteen the | 15 |
parker mystery stories large | 15 |
mystery stories trailer stories | 15 |
the name of the | 15 |
the dark whispering walls | 15 |
i should like to | 15 |
river ghost beyond the | 15 |
new york penny parker | 15 |
well saboteurs on the | 15 |
on the turnpike voice | 15 |
in the dark whispering | 15 |
cupples and leon company | 15 |
you may as well | 15 |
the drawbridge behind the | 15 |
far end of the | 15 |
a quarter of a | 14 |
for a few days | 14 |
their way to the | 14 |
if i were you | 14 |
as if she were | 14 |
she and louise had | 14 |
there was no answer | 14 |
tied up at the | 14 |
her father and jerry | 14 |
at one of the | 14 |
the thatched roof cottage | 14 |
some distance from the | 14 |
came out of the | 14 |
open the car door | 14 |
what do you want | 14 |
but she could not | 14 |
put an end to | 14 |
the girls did not | 13 |
i may as well | 13 |
what will you do | 13 |
the entrance to the | 13 |
we may be able | 13 |
penny and louise had | 13 |
in the final book | 13 |
books in the series | 13 |
by the complete list | 13 |
series by the complete | 13 |
i wish i knew | 13 |
side of the road | 13 |
in the series by | 13 |
the man who had | 13 |
as soon as the | 13 |
as in the final | 13 |
nowhere to be seen | 13 |
within a few minutes | 13 |
by the name of | 13 |
a corner of the | 13 |
on one of the | 13 |
the owner of the | 13 |
of books in the | 13 |
quarter of a mile | 13 |
nearly all of the | 13 |
to the front door | 13 |
it would be a | 13 |
she returned to the | 13 |
i thought i heard | 13 |
what are you doing | 13 |
i have an idea | 13 |
whether or not to | 13 |
the identity of the | 13 |
the series by the | 13 |
at the time of | 13 |
the list of books | 13 |
list of books in | 13 |
one of the best | 13 |
replaced the list of | 13 |
for a long while | 13 |
the base of the | 13 |
by the time penny | 13 |
on the other hand | 12 |
see what we can | 12 |
that her father would | 12 |
how would you like | 12 |
a clump of bushes | 12 |
this time of night | 12 |
penny drew a deep | 12 |
you want to know | 12 |
so far as i | 12 |
what makes you think | 12 |
up and down the | 12 |
suppose you tell me | 12 |
by the time she | 12 |
on the verge of | 12 |
corrected a handful of | 12 |
occurred to her that | 12 |
silently corrected a handful | 12 |
a handful of palpable | 12 |
could not hope to | 12 |
no one was in | 12 |
what became of the | 12 |
handful of palpable typos | 12 |
she could see the | 12 |
too far away to | 12 |
she saw that the | 11 |
may as well go | 11 |
came within view of | 11 |
she went to the | 11 |
at the side of | 11 |
learn the identity of | 11 |
the license number of | 11 |
drew up in front | 11 |
had no opportunity to | 11 |
on the other side | 11 |
were startled to hear | 11 |
for a moment she | 11 |
have a chance to | 11 |
go back to the | 11 |
the top of the | 11 |
that he had been | 11 |
want to talk to | 11 |
drew up at the | 11 |
in the opposite direction | 11 |
do you have a | 11 |
report to the police | 11 |
i wish we could | 11 |
from one of the | 11 |
that she had been | 11 |
to the newspaper office | 11 |
to the edge of | 11 |
in the center of | 11 |
drew a deep sigh | 11 |
you want me to | 11 |
to the door and | 11 |
that it would be | 11 |
in a moment the | 11 |
of the green parrot | 11 |
out of the river | 11 |
had nothing to do | 11 |
the doorway of the | 11 |
to do with the | 11 |
which led to the | 11 |
the way to the | 11 |
penny said with a | 11 |
her way to the | 11 |
at the green parrot | 11 |
stood for a moment | 10 |
fast as you can | 10 |
story for the star | 10 |
license number of the | 10 |
to find out what | 10 |
other end of the | 10 |
do you want to | 10 |
that he did not | 10 |
where did you get | 10 |
was lost to view | 10 |
she could think of | 10 |
to see that the | 10 |
either side of the | 10 |
it would not be | 10 |
could not see the | 10 |
the other end of | 10 |
she could not see | 10 |
the front door of | 10 |
the remainder of the | 10 |
getting up from the | 10 |
i may be able | 10 |
a member of the | 10 |
get out of this | 10 |
had little to say | 10 |
at the top of | 10 |
the conway steel plant | 10 |
i never heard of | 10 |
to talk to him | 10 |
in the first place | 10 |
be able to get | 10 |
caught a glimpse of | 10 |
front door of the | 10 |
be able to help | 10 |
did not wish to | 10 |
went directly to the | 10 |
and a moment later | 10 |
they were able to | 10 |
she said in a | 10 |
only a short distance | 10 |
on the night of | 10 |
are you sure you | 10 |
the two men were | 10 |
the seventh street bridge | 10 |
drew a deep breath | 10 |
end of the line | 10 |
that her father had | 10 |
sprang to her feet | 10 |
to do is to | 10 |
did not seem to | 10 |
not in the least | 10 |
a chance to get | 10 |
as fast as you | 10 |
sat down on the | 10 |
the girls could not | 10 |
in a loud voice | 10 |
the sound of the | 10 |
on either side of | 10 |
it seems to me | 10 |
at the front door | 10 |
of such a thing | 9 |
to go to the | 9 |
was one of the | 9 |
one was in sight | 9 |
the stairs to the | 9 |
i have no intention | 9 |
asked after a moment | 9 |
at the bottom of | 9 |
penny went to the | 9 |
the two men who | 9 |
it will be a | 9 |
but i have a | 9 |
must have been the | 9 |
be able to see | 9 |
going to be a | 9 |
i want to get | 9 |
to find out about | 9 |
out of the question | 9 |
up at the curb | 9 |
out of the car | 9 |
the floor of the | 9 |
see what you can | 9 |
how do you mean | 9 |
a gap in the | 9 |
should be able to | 9 |
as she reached the | 9 |
to the window and | 9 |
went on down the | 9 |
the far side of | 9 |
far as i know | 9 |
went to the door | 9 |
turn it over to | 9 |
peered down into the | 9 |
drew in her breath | 9 |
the door behind him | 9 |
to a sitting position | 9 |
what do you see | 9 |
opposite side of the | 9 |
it was only a | 9 |
why do you think | 9 |
i know nothing about | 9 |
i might be able | 9 |
get away from here | 9 |
i want to see | 9 |
i am afraid i | 9 |
at the other end | 9 |
as soon as he | 9 |
to be rid of | 9 |
the front of the | 9 |
the professor and his | 9 |
he said in a | 9 |
and i want to | 9 |
i want to talk | 9 |
know what to do | 9 |
if only we could | 9 |
parker and his daughter | 9 |
professor and his wife | 9 |
the one who had | 9 |
as they approached the | 9 |
have no intention of | 9 |
to the fergus hotel | 9 |
in the living room | 9 |
soon as i can | 9 |
a moment later the | 9 |
for an instant she | 9 |
a great deal of | 9 |
at the newspaper office | 9 |
get back to the | 9 |
be able to learn | 9 |
far side of the | 9 |
i think i can | 9 |
by this time the | 9 |
are we going to | 9 |
the stairway to the | 9 |
she could hear the | 9 |
are you going to | 9 |
to talk to you | 9 |
the opposite side of | 9 |
how do you like | 8 |
looks to me as | 8 |
out of the building | 8 |
to pine top for | 8 |
the other side of | 8 |
the man who was | 8 |
that the young man | 8 |
that the man had | 8 |
the vicinity of the | 8 |
one of the most | 8 |
on down the road | 8 |
saw that it was | 8 |
the time of the | 8 |
it over to the | 8 |
and there was a | 8 |
how did you learn | 8 |
turn him over to | 8 |
what you can do | 8 |
fergus and harvey maxwell | 8 |
the driver of the | 8 |
the deck of the | 8 |
in the bottom of | 8 |
the first national bank | 8 |
an end to the | 8 |
a few of the | 8 |
he must have been | 8 |
across the room to | 8 |
ask a few questions | 8 |
the back of the | 8 |
was too far away | 8 |
other side of the | 8 |
he came to the | 8 |
edition of the star | 8 |
and her father were | 8 |
to learn the identity | 8 |
no sign of the | 8 |
at the wishing well | 8 |
to me as if | 8 |
he never would have | 8 |
see what i can | 8 |
in the composing room | 8 |
was surprised to see | 8 |
the man in gray | 8 |
in the direction of | 8 |
at the same instant | 8 |
in and out of | 8 |
the girls could hear | 8 |
she stared at the | 8 |
you may be sure | 8 |
at the sidell home | 8 |
they could hear the | 8 |
as if they were | 8 |
of the man who | 8 |
sat down at the | 8 |
a short distance away | 8 |
the old lady was | 8 |
startled to hear a | 8 |
by the time they | 8 |
i have a feeling | 8 |
i want to go | 8 |
the interior of the | 8 |
have to work fast | 8 |
to the second floor | 8 |
behind the steering wheel | 8 |
why do you suppose | 8 |
in front of a | 8 |
what shall we do | 8 |
aboard the river queen | 8 |
could it have been | 8 |
seemed to come from | 8 |
that she could not | 8 |
i want to know | 8 |
be with you in | 8 |
could think of no | 8 |
jerry and the girls | 8 |
she was unable to | 8 |
out of the water | 8 |
anything i can do | 8 |
i thought it was | 8 |
closed the door behind | 8 |
ralph fergus and harvey | 8 |
i have a little | 8 |
will be all right | 8 |
back to the car | 8 |
did not appear to | 8 |
to talk with you | 8 |
two at a time | 8 |
in the shadow of | 8 |
that it was the | 8 |
in a low voice | 8 |
something of the sort | 8 |
in no mood to | 8 |
opened the door of | 8 |
for the riverview star | 8 |
he went to the | 8 |
front of the house | 8 |
pushed open the door | 8 |
into the living room | 8 |
what had become of | 8 |
it never occurred to | 8 |
it must be a | 8 |
she saw that it | 8 |
do you think he | 8 |
but he did not | 8 |
at the entrance to | 8 |
can you tell me | 8 |
at her wrist watch | 8 |
by means of a | 8 |
the location of the | 8 |
this part of the | 8 |
are you trying to | 8 |
other members of the | 8 |
at the fergus hotel | 8 |
out on the river | 8 |
it looks to me | 8 |
to her that the | 8 |
something to do with | 8 |
would be able to | 8 |
the man on the | 8 |
that she did not | 8 |
how should i know | 7 |
no sign of anyone | 7 |
a day or two | 7 |
and went to the | 7 |
are you doing here | 7 |
take a look at | 7 |
what do you suppose | 7 |
the front page of | 7 |
part of the estate | 7 |
made no move to | 7 |
do no good to | 7 |
in the press car | 7 |
to be on the | 7 |
appeared to be a | 7 |
on the front page | 7 |
to give you a | 7 |
i told you about | 7 |
end of the room | 7 |
keep watch of the | 7 |
penny was tempted to | 7 |
to pick up a | 7 |
to stare at the | 7 |
joe and clark clayton | 7 |
if i can get | 7 |
what she had seen | 7 |
in a friendly way | 7 |
i thought i saw | 7 |
penny could not see | 7 |
had no time to | 7 |
may have been a | 7 |
was out of the | 7 |
man in a gray | 7 |
as she entered the | 7 |
startled to see a | 7 |
to get a story | 7 |
a picture of a | 7 |
that the old lady | 7 |
do you suppose the | 7 |
no one was visible | 7 |
i thought i would | 7 |
her visit to the | 7 |
about the green room | 7 |
him over to the | 7 |
made up her mind | 7 |
on their way to | 7 |
but it will be | 7 |
only a few feet | 7 |
had gone to the | 7 |
the door was closed | 7 |
whether or not the | 7 |
to return to the | 7 |
he did not see | 7 |
are you all right | 7 |
a man in a | 7 |
down the hall to | 7 |
at the star plant | 7 |
is supposed to be | 7 |
on the front porch | 7 |
out of the way | 7 |
in charge of the | 7 |
looked at his watch | 7 |
let me out of | 7 |
curious to learn what | 7 |
the key to the | 7 |
her father and salt | 7 |
that it was a | 7 |
it occurred to her | 7 |
take care of it | 7 |
similar to the one | 7 |
to gaze at the | 7 |
this is the place | 7 |
i can tell you | 7 |
me out of here | 7 |
tell me what you | 7 |
on down the street | 7 |
meet me at the | 7 |
crossed the room to | 7 |
of the parker home | 7 |
where are you going | 7 |
i was afraid of | 7 |
would do no good | 7 |
as if it were | 7 |
that was why i | 7 |
swinging open the car | 7 |
lay on the floor | 7 |
but before she could | 7 |
have anything to do | 7 |
made up my mind | 7 |
do you suppose he | 7 |
of one of the | 7 |
on my way to | 7 |
what can i do | 7 |
in an agitated voice | 7 |
to the door of | 7 |
no one seems to | 7 |
what did you learn | 7 |
to break into the | 7 |
attention was drawn to | 7 |
it was impossible to | 7 |
to the house and | 7 |
did you ever hear | 7 |
what do you know | 7 |
was not in the | 7 |
to take a chance | 7 |
in the vicinity of | 7 |
sat down on a | 7 |
the capture of the | 7 |
went to the window | 7 |
for a fleeting instant | 7 |
to the living room | 7 |
a quick glance at | 7 |
is one of the | 7 |
be one of the | 7 |
take you to the | 7 |
back to the office | 7 |
since the death of | 7 |
not be able to | 7 |
was too late to | 7 |
do you think of | 7 |
the old man said | 7 |
lying on the ground | 7 |
just in time to | 7 |
i never would have | 7 |
if we can find | 7 |
was the one who | 7 |
about an hour ago | 7 |
how do you do | 7 |
my wife and i | 7 |
as long as i | 7 |
where are you taking | 7 |
it was my fault | 7 |
at the police station | 7 |
it was evident that | 7 |
do you expect to | 7 |
stopped with a jerk | 7 |
as soon as you | 7 |
at the crystal inn | 7 |
from among the trees | 7 |
through a gap in | 7 |
and i have a | 7 |
so far as she | 7 |
tell you about it | 7 |
have been the one | 7 |
door of the cabin | 7 |
in front of her | 7 |
a big story for | 6 |
he was tall and | 6 |
when she had finished | 6 |
penny did not answer | 6 |
far down the street | 6 |
the railing of the | 6 |
the roof of the | 6 |
know anything about it | 6 |
which had been left | 6 |
a few days ago | 6 |
the door was opened | 6 |
he shook his head | 6 |
one of the windows | 6 |
what do you say | 6 |
had no choice but | 6 |
stood in the shadow | 6 |
moved away from the | 6 |
to the end of | 6 |
to the star building | 6 |
her back to the | 6 |
when she returned to | 6 |
get me out of | 6 |
ran back to the | 6 |
that must be the | 6 |
to see his face | 6 |
what are we going | 6 |
be able to go | 6 |
the girl in the | 6 |
was not lost upon | 6 |
at the two girls | 6 |
only a moment before | 6 |
you have no idea | 6 |
must have been a | 6 |
at once to the | 6 |
to the kippenberg estate | 6 |
be able to tell | 6 |
the contents of the | 6 |
mixed up in the | 6 |
she saw that she | 6 |
sweeper joe and clark | 6 |
take a chance on | 6 |
i can do to | 6 |
glad to do it | 6 |
she waited until the | 6 |
to be one of | 6 |
have been trying to | 6 |
tried without success to | 6 |
gaze fastened upon the | 6 |
you ever hear of | 6 |
in the photography room | 6 |
they were startled to | 6 |
on the trail of | 6 |
she was able to | 6 |
at the downey lodge | 6 |
i was in the | 6 |
me to do it | 6 |
or something of the | 6 |
to do a little | 6 |
publisher of the riverview | 6 |
that the old man | 6 |
was hard pressed to | 6 |
not been able to | 6 |
one side of the | 6 |
know nothing about the | 6 |
i thought you were | 6 |
asked one of the | 6 |
give me a chance | 6 |
the rest of the | 6 |
get out of the | 6 |
the key in the | 6 |
maybe i can get | 6 |
may be too late | 6 |
the surface of the | 6 |
penny pursued the subject | 6 |
did you get it | 6 |
that she had not | 6 |
over to the desk | 6 |
as they left the | 6 |
she could not be | 6 |
the car had been | 6 |
to notify the police | 6 |
there it is again | 6 |
you know why i | 6 |
came from the direction | 6 |
as she and penny | 6 |
a few minutes earlier | 6 |
as she and louise | 6 |
gave it to me | 6 |
corner of the room | 6 |
to give up the | 6 |
was pushed off the | 6 |
see if you can | 6 |
to the bottom of | 6 |
i assure you i | 6 |
ralph fergus or harvey | 6 |
penny explained that she | 6 |
try as she would | 6 |
surface of the water | 6 |
what appeared to be | 6 |
he may have been | 6 |
to the downey lodge | 6 |
the outskirts of the | 6 |
the events of the | 6 |
down the license number | 6 |
key in the lock | 6 |
you know what i | 6 |
she had seen the | 6 |
the sound came from | 6 |
closing the door behind | 6 |
was far down the | 6 |
will you do with | 6 |
a certain amount of | 6 |
one of these days | 6 |
of the palette club | 6 |
i was at the | 6 |
her by the arm | 6 |
i do for you | 6 |
far from where the | 6 |
penny ran to the | 6 |
that she and louise | 6 |
a moment later she | 6 |
none of my affair | 6 |
went out into the | 6 |
you tell me what | 6 |
not to be found | 6 |
as fast as i | 6 |
to get back to | 6 |
into step with her | 6 |
only i could get | 6 |
on down the hall | 6 |
did not see the | 6 |
it looks like a | 6 |
in no condition to | 6 |
in the doorway of | 6 |
was startled to see | 6 |
pulled up at the | 6 |
do you know about | 6 |
could ask another question | 6 |
to the rear of | 6 |
it may not be | 6 |
made no attempt to | 6 |
edge of the swamp | 6 |
was drawn to a | 6 |
as soon as we | 6 |
by the time the | 6 |
door was opened by | 6 |
they could see the | 6 |
did not try to | 6 |
came back to the | 6 |
hard pressed to keep | 6 |
the star office to | 6 |
yet there was no | 6 |
said after a moment | 6 |
the roar of the | 6 |
the car to a | 6 |
penny picked up a | 6 |
in her breath sharply | 6 |
by way of the | 6 |
as if she had | 6 |
that she had made | 6 |
seems to be a | 6 |
the lid of the | 6 |
lear and the burmasters | 6 |
penny was able to | 6 |
tell me all about | 6 |
the young man was | 6 |
earlier in the evening | 6 |
the old man was | 6 |
tell me about the | 6 |
a glimpse of the | 6 |
of the morning press | 6 |
she could find no | 6 |
make a dash for | 6 |
by the wishing well | 6 |
penny opened the door | 6 |
the window of the | 6 |
the walls of the | 6 |
she had not been | 6 |
have a look at | 6 |
let me tell you | 6 |
you seem to know | 6 |
which could be seen | 6 |
as he and penny | 6 |
there was no time | 6 |
she had no intention | 6 |
who sat at the | 6 |
on the third floor | 6 |
what to do with | 6 |
you seem to be | 6 |
out of the swamp | 6 |
you stay here and | 6 |
she shook her head | 6 |
the fun of it | 6 |
the dorset tourist camp | 6 |
a cup of coffee | 6 |
in a clump of | 6 |
by means of the | 6 |
huddled against the wall | 6 |
end of the hall | 6 |
what is going on | 6 |
a quick change of | 6 |
was to be seen | 6 |
number of the car | 6 |
and the two girls | 6 |
she ran to the | 6 |
gap in the trees | 6 |
know what you mean | 6 |
the shadow of the | 6 |
with all her strength | 6 |
what time is it | 6 |
penny sat down on | 6 |
me out of the | 6 |
in connection with the | 6 |
at the base of | 6 |
the members of the | 6 |
i can help you | 6 |
with a deep sigh | 6 |
the main part of | 6 |
told her that the | 6 |
no one came to | 6 |
not far from here | 6 |
outskirts of the city | 6 |
very close to the | 6 |
for the fun of | 6 |
from far down the | 6 |
up at the dock | 6 |
fergus or harvey maxwell | 6 |
for the time being | 6 |
the door behind her | 6 |
a young man who | 6 |
the girls to the | 6 |
and see what happens | 6 |
just as i thought | 6 |
a piece of paper | 6 |
fell into step with | 6 |
she had made a | 6 |
you must have heard | 6 |
do you know what | 6 |
give it to me | 6 |
glancing at his watch | 6 |
this must be the | 6 |
not to my knowledge | 6 |
maybe we ought to | 6 |
out of here and | 6 |
want to see the | 6 |
he seems to be | 6 |
to the riverview star | 6 |
what are you going | 6 |
to take care of | 6 |
do you mean by | 6 |
he hung up the | 6 |
not far from where | 6 |
getting out of here | 6 |
occurred to me that | 6 |
girls were startled to | 6 |
appeared in the doorway | 6 |
louise and i saw | 6 |
with a quick change | 6 |
had anything to do | 6 |
a few minutes before | 6 |
seems to be the | 6 |
no choice but to | 6 |
tell me what happened | 6 |
the bow of the | 6 |
so that she could | 6 |
there will be no | 6 |
left the dining room | 6 |
but i doubt it | 6 |
keeper of the light | 6 |
it would do no | 6 |
if i had a | 6 |
in a day or | 6 |
what we can learn | 6 |
a sheet of paper | 6 |
a copy of the | 6 |
may not be so | 5 |
had something to do | 5 |
large sum of money | 5 |
thought better of it | 5 |
what are we to | 5 |
tossed it into the | 5 |
want you to do | 5 |
she and salt had | 5 |
only a minute or | 5 |
want to do it | 5 |
a bite to eat | 5 |
could see no one | 5 |
at the last minute | 5 |
to tell me what | 5 |
and out of the | 5 |
they came to a | 5 |
know what i think | 5 |
the day of the | 5 |
penny glanced at her | 5 |
wanted to talk to | 5 |
a few minutes longer | 5 |
in just a minute | 5 |
tapped lightly on the | 5 |
a bend of the | 5 |
deeper and deeper into | 5 |
on the floor of | 5 |
and the two men | 5 |
footprints in the snow | 5 |
the man at the | 5 |
if only she could | 5 |
is no place for | 5 |
bottom of the pool | 5 |
i am sure you | 5 |
it would be possible | 5 |
man at the wheel | 5 |
were you able to | 5 |
i thought i might | 5 |
he asked in a | 5 |
which lay on the | 5 |
to go for a | 5 |
on the door of | 5 |
to the sidell home | 5 |
we still have a | 5 |
it would only be | 5 |
the girls came to | 5 |
so close to the | 5 |
they came within view | 5 |
knowing what to do | 5 |
i would like to | 5 |
a glimpse of a | 5 |
it dawned upon her | 5 |
coaten and his friend | 5 |
the riverview yacht club | 5 |
an account of the | 5 |
the one person who | 5 |
he started for the | 5 |
her hand encountered a | 5 |
her eyes on the | 5 |
to stop at the | 5 |
and ask him to | 5 |
went back to the | 5 |
may be connected with | 5 |
there was no reply | 5 |
he had nothing to | 5 |
at the breakfast table | 5 |
not a chance to | 5 |
professor bettenridge and his | 5 |
to an abrupt end | 5 |
the riverview star and | 5 |
how did you know | 5 |
was no time to | 5 |
do you propose to | 5 |
it will have to | 5 |
money to pay for | 5 |
to learn more about | 5 |
in an excited voice | 5 |
heard the sound of | 5 |
did not see them | 5 |
car to a standstill | 5 |
i want to find | 5 |
as a matter of | 5 |
by the sound of | 5 |
you would like to | 5 |
after her father had | 5 |
the car came to | 5 |
up not far from | 5 |
everything that had occurred | 5 |
said with a shrug | 5 |
it came from the | 5 |
stay where you are | 5 |
penny glanced at the | 5 |
it was too dark | 5 |
she darted to the | 5 |
what had happened to | 5 |
out of this room | 5 |
car from the garage | 5 |
be connected with the | 5 |
this is the way | 5 |
did you hear what | 5 |
me all about it | 5 |
that it would not | 5 |
what can we do | 5 |
started on down the | 5 |
the mouth of bug | 5 |
had a feeling that | 5 |
a prisoner in the | 5 |
to the composing room | 5 |
and her father had | 5 |
must have imagined it | 5 |
a long while to | 5 |
in the midst of | 5 |
front page of the | 5 |
it might have been | 5 |
of the men who | 5 |
the house to the | 5 |
went back to her | 5 |
low over his eyes | 5 |
the significance of the | 5 |
straight from the shoulder | 5 |
on the back of | 5 |
jerked open the door | 5 |
do something about it | 5 |
got to his feet | 5 |
had no desire to | 5 |
to make use of | 5 |
if i could get | 5 |
the only thing to | 5 |
she was startled to | 5 |
find out about it | 5 |
is going to be | 5 |
when i was a | 5 |
the car at the | 5 |
steps two at a | 5 |
a reporter for the | 5 |
penny asked in surprise | 5 |
penny and louise waited | 5 |
door was flung open | 5 |
she was certain that | 5 |
as soon as it | 5 |
penny knew that she | 5 |
the barbed wire fence | 5 |
how about a nice | 5 |
where she had left | 5 |
it into her pocket | 5 |
slipped it into her | 5 |
you and your father | 5 |
carry out his threat | 5 |
on the opposite shore | 5 |
but i want to | 5 |
father benedict and winkey | 5 |
not much of anything | 5 |
do you make of | 5 |
man of early middle | 5 |
gaze roved to the | 5 |
spirit of cousin david | 5 |
do you like that | 5 |
not wishing to be | 5 |
penny had no time | 5 |
before he could speak | 5 |
at the yacht club | 5 |
from the rear of | 5 |
when he left here | 5 |
at a loss to | 5 |
get rid of the | 5 |
take it so hard | 5 |
on her way to | 5 |
to pace the floor | 5 |
no time to waste | 5 |
to the effect that | 5 |
as she turned away | 5 |
not talk about it | 5 |
to tell you the | 5 |
had been sent to | 5 |
did not bother to | 5 |
you going to do | 5 |
where do you suppose | 5 |
to penny that the | 5 |
to make certain that | 5 |
you never should have | 5 |
will be able to | 5 |
a view of the | 5 |
do you realize that | 5 |
she was convinced that | 5 |
the time she had | 5 |
end of the road | 5 |
the door swung open | 5 |
even as he spoke | 5 |
that her father was | 5 |
to a series of | 5 |
do you think the | 5 |
in time to see | 5 |
the shelter of the | 5 |
stepped out into the | 5 |
walked out of the | 5 |
pine top for the | 5 |
it might be a | 5 |
a light went on | 5 |
which way did the | 5 |
to her feet and | 5 |
of water from the | 5 |
it seemed to her | 5 |
turned over to the | 5 |
her way along the | 5 |
you do with the | 5 |
there was a loud | 5 |
the path toward the | 5 |
a day or so | 5 |
she could not make | 5 |
i want to do | 5 |
the last few days | 5 |
we can find it | 5 |
the hall to the | 5 |
but it must have | 5 |
penny and louise followed | 5 |
the same fellow who | 5 |
in out of the | 5 |
tell you the truth | 5 |
himself to a sitting | 5 |
the important thing is | 5 |
rear of the house | 5 |
a basket of food | 5 |
to be all right | 5 |
have to take a | 5 |
the man did not | 5 |
did you do it | 5 |
mistress of rose acres | 5 |
get into the house | 5 |
only a moment ago | 5 |
the waste paper basket | 5 |
one of the tables | 5 |
deeper into the swamp | 5 |
she started for the | 5 |
let me help you | 5 |
she did not see | 5 |
if only we can | 5 |
like this would happen | 5 |
i had no idea | 5 |
away from the dock | 5 |
all the way to | 5 |
what do you make | 5 |
to come from the | 5 |
main part of the | 5 |
to the green room | 5 |
she and her father | 5 |
to look at the | 5 |
the door was locked | 5 |
going to pine top | 5 |
and was lost to | 5 |
i prefer not to | 5 |
what is it you | 5 |
that penny could not | 5 |
what happened to the | 5 |
about the headless horseman | 5 |
for one of the | 5 |
and returned to the | 5 |
in this part of | 5 |
did not attempt to | 5 |
that he intended to | 5 |
she came to a | 5 |
her father had been | 5 |
want me to do | 5 |
in the hope of | 5 |
the mistress of rose | 5 |
the last time i | 5 |
louise and i were | 5 |
had no way of | 5 |
a half hour ago | 5 |
section of the city | 5 |
dangerously close to the | 5 |
daughter of anthony parker | 5 |
to leave the house | 5 |
this is a very | 5 |
the meaning of this | 5 |
had gone to bed | 5 |
made a quick trip | 5 |
i am sure he | 5 |
in a few days | 5 |
allowed herself to be | 5 |
has been trying to | 5 |
be able to trace | 5 |
her way through the | 5 |
out of the cabin | 5 |
and deeper into the | 5 |
are you willing to | 5 |
within a few hours | 5 |
an hour or so | 5 |
flattened herself against the | 5 |
far corner of the | 5 |
her face against the | 5 |
the old man replied | 5 |
any connection with the | 5 |
was on the verge | 5 |
seemed to her that | 5 |
you mean by that | 5 |
getting rid of the | 5 |
of the celestial temple | 5 |
as the two men | 5 |
i do hope you | 5 |
she could not hope | 5 |
just what do you | 5 |
to talk with him | 5 |
a drink of water | 5 |
penny admitted with a | 5 |
on the lower floor | 5 |
but she did not | 5 |
she realized that the | 5 |
that he was being | 5 |
only a few yards | 5 |
why did you do | 5 |
went out the door | 5 |
a large sum of | 5 |
have plenty of time | 5 |
wish we could have | 5 |
with the toe of | 5 |
there are so many | 5 |
had returned to the | 5 |
the glare of the | 5 |
i should think so | 5 |
a case for the | 5 |
on the kitchen table | 5 |
of early middle age | 5 |
she would be able | 5 |
to communicate with the | 5 |
out into the night | 5 |
she picked up the | 5 |
the one at the | 5 |
they returned to the | 5 |
able to help you | 5 |
down to sunset beach | 5 |
i am inclined to | 5 |
of the weekly times | 5 |
in an attempt to | 5 |
the basement of the | 5 |
a murmur of voices | 5 |
whether or not he | 5 |
to believe that the | 5 |
only thing to do | 5 |
all we can do | 5 |
far away to hear | 5 |
to say the least | 5 |
the death of mrs | 5 |
as if i were | 5 |
into one of the | 5 |
which penny could not | 5 |
louise shook her head | 5 |
on the deck of | 5 |
one of the boys | 5 |
at the hubell tower | 5 |
do you suppose mrs | 5 |
makes you think that | 5 |
you want to see | 5 |
owner of the riverview | 5 |
i beg your pardon | 5 |
you trying to do | 5 |
was in the room | 5 |
a short distance ahead | 5 |
came at last to | 5 |
one of the policemen | 5 |
penny knew that the | 5 |
it seems to be | 5 |
to open the door | 5 |
the car drew up | 5 |
down into the dark | 5 |
best bet is to | 5 |
the head of the | 5 |
a sheet of copy | 5 |
paying no heed to | 5 |
did you get in | 5 |
been very kind to | 5 |
that she was a | 5 |
he and penny were | 5 |
first thought was that | 5 |
what became of him | 5 |
never occurred to me | 5 |
been trying to get | 5 |
low murmur of voices | 5 |
with you in a | 5 |
a few yards away | 5 |
stay here and keep | 5 |
glanced at her wrist | 5 |
make sense to me | 5 |
for the purpose of | 5 |
the cocoanut shell lamp | 5 |
put in an appearance | 5 |
may as well give | 5 |
turned to face the | 5 |
as far as the | 5 |
what are you trying | 5 |
penny could not understand | 5 |
for a moment penny | 5 |
of the motor boat | 5 |
she closed the door | 5 |
you seem to have | 5 |
take care of that | 5 |
want to ask you | 5 |
she had never seen | 5 |
do you think i | 5 |
the curve of the | 5 |
for half an hour | 5 |
we going to do | 5 |
penny stared at the | 5 |
lost all interest in | 5 |
the staff of the | 5 |
for at that moment | 5 |
the girls entered the | 5 |
as if it had | 5 |
the secret ray machine | 5 |
and gave it to | 5 |
after a moment she | 5 |
farther down the road | 5 |
why are you so | 5 |
there was no sound | 5 |
how do you know | 5 |
bottom of the boat | 5 |
the path of the | 5 |
a friend of mine | 5 |
of the conway steel | 5 |
down the stairway to | 5 |
into the front seat | 5 |
only take a minute | 5 |
to catch her breath | 5 |
something like this would | 5 |
penny and louise wandered | 5 |
hiding in the woods | 5 |
here and keep watch | 5 |
she had picked up | 5 |
one of the other | 5 |
as she saw that | 5 |
one of the reporters | 5 |
for a moment to | 5 |
there was only one | 5 |
mixed up in some | 5 |
are we to do | 5 |
penny could ask another | 5 |
started back toward the | 5 |
i were you i | 5 |
mouth of bug run | 5 |
long as i have | 5 |
pushed off the bridge | 5 |
breakfast the next morning | 5 |
been sent to the | 5 |
in the dining room | 5 |
stepped out onto the | 5 |
and then returned to | 5 |
to her that her | 5 |
she jerked open the | 5 |
if you will excuse | 5 |
to keep watch of | 5 |
did not hear the | 5 |
as well go home | 5 |
a moment and then | 5 |
i can do for | 5 |
she saw a man | 5 |
be glad to do | 5 |
penny tugged at the | 5 |
you will excuse me | 5 |
pulling up at the | 5 |
prepared to leave the | 5 |
ran to the window | 5 |
been the one who | 5 |
case for the police | 5 |
the white gold ring | 5 |
to talk to her | 5 |
he started toward the | 5 |
you were trying to | 5 |
if it had been | 5 |
i want to learn | 5 |
with a show of | 5 |
if i were in | 5 |
they came to the | 5 |
back to the star | 5 |
like to have me | 5 |
penny saw that the | 5 |
the arrival of the | 5 |
to pick up the | 5 |
as she saw the | 5 |
her father had gone | 5 |
up at the side | 5 |
she was surprised to | 5 |
to do with that | 5 |
is it you want | 5 |
at the parker home | 5 |
went over to the | 5 |
a trail which led | 5 |
young man who had | 5 |
try to find out | 4 |
to the two girls | 4 |
dewitt as the name | 4 |
trying to get in | 4 |
because he had been | 4 |
about five minutes ago | 4 |
earlier in the day | 4 |
members of the palette | 4 |
how long have you | 4 |
into a clump of | 4 |
story for the riverview | 4 |
and see what we | 4 |
she reached for the | 4 |
conforming to later volumes | 4 |
think it would be | 4 |
to go to bed | 4 |
first glimpse of the | 4 |
to the third floor | 4 |
it was the only | 4 |
but i am afraid | 4 |
we can get out | 4 |
the way down the | 4 |
to learn what had | 4 |
there seems to be | 4 |
shall be the end | 4 |
she sat down on | 4 |
she stared at it | 4 |
drawn to a man | 4 |
a picture of him | 4 |
as she sat down | 4 |
the woman did not | 4 |
to the first floor | 4 |
said in a low | 4 |
salt shook his head | 4 |
penny hung up the | 4 |
did you get into | 4 |
was afraid of it | 4 |
near the kippenberg estate | 4 |
after a slight hesitation | 4 |
so that he could | 4 |
on a sheet of | 4 |
but i thought you | 4 |
acted as if she | 4 |
on hands and knees | 4 |
heard of the place | 4 |
penny went to her | 4 |
should like to see | 4 |
direction of the river | 4 |
buried in the sand | 4 |
on the window ledge | 4 |
down in the well | 4 |
have been in the | 4 |
no use trying to | 4 |
identity of the man | 4 |
you must have imagined | 4 |
did you learn the | 4 |
on the front door | 4 |
thing for us to | 4 |
opening the car door | 4 |
back from the beach | 4 |
the steps two at | 4 |
you out of the | 4 |
saw that she was | 4 |
into a chair beside | 4 |
that it was only | 4 |
that it came from | 4 |
sitting up in bed | 4 |
in all my life | 4 |
were able to get | 4 |
reaching for his hat | 4 |
i know how you | 4 |
in no mood for | 4 |
to solve the mystery | 4 |
thought i saw a | 4 |
find out what he | 4 |
know who you are | 4 |
until i get back | 4 |
see to it that | 4 |
you think we should | 4 |
forty days and forty | 4 |
it was apparent to | 4 |
wessler and his companion | 4 |
penny and louise said | 4 |
in through the window | 4 |
to make the trip | 4 |
this is a case | 4 |
do you know of | 4 |
have had something to | 4 |
i feel sorry for | 4 |
wait for the police | 4 |
the woman who had | 4 |
she stood in the | 4 |
just as we planned | 4 |
swung open the door | 4 |
the riverview star building | 4 |
found herself in a | 4 |
i think it was | 4 |
wish i could think | 4 |
ever hear of a | 4 |
what were you doing | 4 |
on top of the | 4 |
the sled to the | 4 |
excuse me for saying | 4 |
was taken to the | 4 |
ejected from the grounds | 4 |
seems to be wrong | 4 |
able to learn the | 4 |
will have to wait | 4 |
hurled it into the | 4 |
two men who were | 4 |
from somewhere in the | 4 |
penny went directly to | 4 |
they went to the | 4 |
at least we can | 4 |
he would like to | 4 |
now had reached the | 4 |
close to her father | 4 |
out of the door | 4 |
you think of the | 4 |
i might have known | 4 |
she was forced to | 4 |
center of the room | 4 |
know what became of | 4 |
the first time since | 4 |
she asked after a | 4 |
trying to sell the | 4 |
rear of the building | 4 |
as if someone were | 4 |
of the wishing well | 4 |
we were in the | 4 |
how long will it | 4 |
the door closed behind | 4 |
penny said after a | 4 |
message in the bottle | 4 |
was in no mood | 4 |
after a few minutes | 4 |
with a tired sigh | 4 |
her for the first | 4 |
the men would not | 4 |
out the front door | 4 |
she was determined to | 4 |
gazed at each other | 4 |
is almost certain to | 4 |
she picked it up | 4 |
of the lily pool | 4 |
gepper is a fraud | 4 |
corner of the building | 4 |
if you try to | 4 |
we were at the | 4 |
have made a mistake | 4 |
light went on in | 4 |
and shook his head | 4 |
did not deny the | 4 |
face to face with | 4 |
came to her that | 4 |
with a sinking heart | 4 |
a special reason for | 4 |
to learn that the | 4 |
a chair by the | 4 |
there was no other | 4 |
reward for his capture | 4 |
to call the police | 4 |
come along with me | 4 |
a truck load of | 4 |
in a tone which | 4 |
far as she could | 4 |
and that he was | 4 |
walked slowly toward the | 4 |
car had been parked | 4 |
penny darted to the | 4 |
minutes elapsed before the | 4 |
that he would be | 4 |
as penny and louise | 4 |
to ask a few | 4 |
go out to the | 4 |
penny huddled against the | 4 |
for the past two | 4 |
one of the women | 4 |
a perfect right to | 4 |
smiled in a superior | 4 |
what you have in | 4 |
the room was dark | 4 |
penny did not know | 4 |
a scoop for the | 4 |
deepest part of the | 4 |
the scene of the | 4 |
will you let me | 4 |
only for an instant | 4 |
the warmth of the | 4 |
out of here now | 4 |
she had found it | 4 |
went to her room | 4 |
not on your life | 4 |
penny had little to | 4 |
a man who was | 4 |
have a notion to | 4 |
whatsoever to do with | 4 |
edge of the pool | 4 |
the stillness of the | 4 |
one person to another | 4 |
there must be a | 4 |
been cut in the | 4 |
did you get that | 4 |
tapped on the door | 4 |
fire to the preston | 4 |
for all we know | 4 |
that the two men | 4 |
they were ready to | 4 |
have to do something | 4 |
gazing down into the | 4 |
on the second floor | 4 |
she saw that her | 4 |
the shack where the | 4 |
to her own room | 4 |
looks as if it | 4 |
burned in the living | 4 |
night of the blizzard | 4 |
and for a moment | 4 |
the same man who | 4 |
to penny and louise | 4 |
he came to riverview | 4 |
thought i heard someone | 4 |
blue eyes began to | 4 |
got to get out | 4 |
out of the valley | 4 |
and louise had followed | 4 |
only a few blocks | 4 |
story in the star | 4 |
in the private office | 4 |
brought into the house | 4 |
to the preston barn | 4 |
switched on a light | 4 |
not going to the | 4 |
figure emerged from the | 4 |
as fast as they | 4 |
the entrance of the | 4 |
directly in front of | 4 |
we can do it | 4 |
the knowledge that she | 4 |
parker many years before | 4 |
able to see his | 4 |
not knowing what to | 4 |
demanded in a whisper | 4 |
gave her a quick | 4 |
down to the village | 4 |
that so far as | 4 |
she sprang to her | 4 |
you were the one | 4 |
trouble with the police | 4 |
and opened the door | 4 |
be a good idea | 4 |
penny was convinced that | 4 |
more than anything else | 4 |
spend the night with | 4 |
to go along with | 4 |
before penny could ask | 4 |
no opportunity to reply | 4 |
see what was happening | 4 |
silhouetted in the moonlight | 4 |
out of here in | 4 |
i have a date | 4 |
then why not go | 4 |
the car license number | 4 |
expression of his face | 4 |
break into the house | 4 |
of the city editor | 4 |
a time like this | 4 |
penny had no opportunity | 4 |
no idea who the | 4 |
along the water front | 4 |
she turned to face | 4 |
at the gleason farm | 4 |
the girls had reached | 4 |
she and louise were | 4 |
met her at the | 4 |
would want me to | 4 |
climbed the stairs to | 4 |
i could think so | 4 |
one by one they | 4 |
and started for the | 4 |
al gepper is a | 4 |
the car into the | 4 |
to the main road | 4 |
relieved to see that | 4 |
a bend in the | 4 |
to know that the | 4 |
working on the case | 4 |
did you notice how | 4 |
out of bed and | 4 |
in the act of | 4 |
they must have been | 4 |
whispered to her chum | 4 |
the car to the | 4 |
on dewitt as the | 4 |
have sense enough to | 4 |
first act was to | 4 |
nothing whatsoever to do | 4 |
still have a chance | 4 |
night of the explosion | 4 |
for a couple of | 4 |
the car door and | 4 |
a few minutes the | 4 |
not to think about | 4 |
the middle of the | 4 |
full length on the | 4 |
are you talking about | 4 |
but penny did not | 4 |
louise and i never | 4 |
glad to have you | 4 |
what are we waiting | 4 |
why do you say | 4 |
they came at last | 4 |
penny made no reply | 4 |
had been unable to | 4 |
that they return to | 4 |
unlocked the door of | 4 |
was covered with a | 4 |
at penny and louise | 4 |
there would be no | 4 |
plainly visible in the | 4 |
sound of the engine | 4 |
darted across the room | 4 |
could do with a | 4 |
back and forth in | 4 |
do you suppose it | 4 |
may not be able | 4 |
bettenridge and his wife | 4 |
like nothing better than | 4 |
that the man was | 4 |
rounding a corner of | 4 |
come to think of | 4 |
now what do you | 4 |
us to sunset beach | 4 |
she walked to the | 4 |
that he was not | 4 |
a minute i thought | 4 |
get away with it | 4 |
can do to help | 4 |
carried it to the | 4 |
it was the same | 4 |
on the edge of | 4 |
be out of here | 4 |
she heard her name | 4 |
they walked toward the | 4 |
call it a day | 4 |
do such a thing | 4 |
the camp fund board | 4 |
and i mean to | 4 |
by the time mrs | 4 |
not the slightest heed | 4 |
been one of the | 4 |
but only for an | 4 |
late in the afternoon | 4 |
if it kills me | 4 |
she was certain she | 4 |
a large number of | 4 |
floor of the ark | 4 |
as he hung up | 4 |
solve the mystery of | 4 |
curious to see the | 4 |
it was up to | 4 |
yet she could not | 4 |
do you plan to | 4 |
a chair beside the | 4 |
able to trace the | 4 |
to keep it from | 4 |
to louise that they | 4 |
want to talk with | 4 |
she switched on the | 4 |
what seems to be | 4 |
the time they reached | 4 |
a bucket of water | 4 |
short distance from the | 4 |
a mile from the | 4 |
bottom of the river | 4 |
a dash for the | 4 |
of the green room | 4 |
the morning press building | 4 |
we have no proof | 4 |
once more to the | 4 |
more than a little | 4 |
but i saw it | 4 |
i should say not | 4 |
may i ask why | 4 |
the group of girls | 4 |
knew that she had | 4 |
she was afraid to | 4 |
neither of the girls | 4 |
with a supreme effort | 4 |
as if you had | 4 |
open the door of | 4 |
scarcely knew what to | 4 |
opened the door and | 4 |
and she could not | 4 |
the two men had | 4 |
motioned for her to | 4 |
one of the boxes | 4 |
her eyes from the | 4 |
had left the office | 4 |
what she had learned | 4 |
coming out of the | 4 |
everything will be all | 4 |
led the way down | 4 |
let him get away | 4 |
told him what had | 4 |
do you mind if | 4 |
to tell him of | 4 |
down the back stairs | 4 |
her father would not | 4 |
she opened her eyes | 4 |
what became of that | 4 |
penny returned to the | 4 |
to be at the | 4 |
penny returned to her | 4 |
there is no other | 4 |
for a friend of | 4 |
i could do with | 4 |
turned her attention to | 4 |
of the star building | 4 |
got work to do | 4 |
through the trees to | 4 |
turned it over to | 4 |
been taken from the | 4 |
a canadian prison camp | 4 |
there was a brief | 4 |
she slammed the door | 4 |
to the kitchen door | 4 |
penny thought that she | 4 |
she opened the door | 4 |
she realized that she | 4 |
fast as i can | 4 |
i never thought of | 4 |
in the presence of | 4 |
within a mile of | 4 |
louise asked in bewilderment | 4 |
gave it to the | 4 |
you make of it | 4 |
one of the saboteurs | 4 |
i think we can | 4 |
in need of a | 4 |
by a man named | 4 |
you like to have | 4 |
at the marborough place | 4 |
penny perched herself on | 4 |
penny did not reply | 4 |
might be a good | 4 |
must have had a | 4 |
to see that she | 4 |
wanted to see the | 4 |
her gaze on the | 4 |
about a year ago | 4 |
the bushes behind her | 4 |
the deepest part of | 4 |
the shadow of a | 4 |
we have plenty of | 4 |
may take a little | 4 |
shack where the mines | 4 |
can get out of | 4 |
i wanted to talk | 4 |
she heard a low | 4 |
edge of the woods | 4 |
a few days at | 4 |
what she had done | 4 |
swung open the car | 4 |
try to find him | 4 |
was the first to | 4 |
from the dining room | 4 |
only part of the | 4 |
rapped on the door | 4 |
there had been no | 4 |
an assignment for penny | 4 |
talk to you about | 4 |
high point of land | 4 |
i have a notion | 4 |
i have a sneaking | 4 |
and report to me | 4 |
how can you be | 4 |
the front of her | 4 |
there was a long | 4 |
days and forty nights | 4 |
the spirit of cousin | 4 |
a look at this | 4 |
it will be all | 4 |
that she was not | 4 |
parked not far from | 4 |
none of our affair | 4 |
in the room above | 4 |
and started toward the | 4 |
where did you find | 4 |
hand side of the | 4 |
had fallen from the | 4 |
were able to distinguish | 4 |
out of the woods | 4 |
admitted that she had | 4 |
soon as i get | 4 |
is the meaning of | 4 |
he ought to be | 4 |
he might be able | 4 |
in a moment she | 4 |
away from the door | 4 |
to have bothered you | 4 |
for us to do | 4 |
in search of her | 4 |
hanging up the receiver | 4 |
to go with it | 4 |
it has to be | 4 |
his head as he | 4 |
the voice from the | 4 |
may have been mistaken | 4 |
do you think we | 4 |
to the celestial temple | 4 |
were on their way | 4 |
i think someone is | 4 |
maybe we can get | 4 |
as she crossed the | 4 |
went to the telephone | 4 |
of the marborough house | 4 |
the foot of the | 4 |
fled from the cemetery | 4 |
reached the end of | 4 |
a friend of yours | 4 |
i expect to be | 4 |
her out of the | 4 |
penny caught a glimpse | 4 |
her father to the | 4 |
tapped lightly on it | 4 |
had never seen before | 4 |
a lot of questions | 4 |
returned to the car | 4 |
fast to the dock | 4 |
she gazed toward the | 4 |
page of the star | 4 |
he wanted to get | 4 |
i wish we knew | 4 |
and there was no | 4 |
he stood in the | 4 |
do a bit of | 4 |
like to help you | 4 |
the men did not | 4 |
a short distance from | 4 |
about the rhett case | 4 |
as the name of | 4 |
the door had closed | 4 |
i must have been | 4 |
know how to handle | 4 |
at the front of | 4 |
even as she spoke | 4 |
everything she knew about | 4 |
pounded on the door | 4 |
her attention to the | 4 |
there was no further | 4 |
the men from the | 4 |
only to stop short | 4 |
she crossed the room | 4 |
the editor of the | 4 |
see the interior of | 4 |
will be hard to | 4 |
will only take a | 4 |
have a good time | 4 |
in the chapel bedroom | 4 |
slipped away into the | 4 |
sorry to have bothered | 4 |
to think it over | 4 |
as if from a | 4 |
can do for you | 4 |
package in the sand | 4 |
i suppose you think | 4 |
and penny did not | 4 |
to the waiting taxi | 4 |
and louise had no | 4 |
of the two men | 4 |
stairway which led to | 4 |
could not forget the | 4 |
to think of it | 4 |
trying to get the | 4 |
in an injured tone | 4 |
the meaning of the | 4 |
to try to learn | 4 |
glanced at the clock | 4 |
in a gray suit | 4 |
which was not lost | 4 |
to the opposite side | 4 |
walked over to the | 4 |
to make trouble for | 4 |
did not believe that | 4 |
to the police station | 4 |
been taken into custody | 4 |
standardized on dewitt as | 4 |
as quickly as you | 4 |
his own free will | 4 |
know why i am | 4 |
quarters of an hour | 4 |
had picked up the | 4 |
for a minute i | 4 |
a voice from behind | 4 |
the keeper of the | 4 |
at last to the | 4 |
set fire to the | 4 |
fast as they could | 4 |
girls walked to the | 4 |
know who i am | 4 |
up the receiver and | 4 |
it gave her a | 4 |
down to the river | 4 |
top for the skiing | 4 |
they were forced to | 4 |
looks as if the | 4 |
for a short distance | 4 |
came the sound of | 4 |
had anything to eat | 4 |
turned toward the house | 4 |
i was afraid you | 4 |
that the widow was | 4 |
into the bottom of | 4 |
called in a loud | 4 |
had enough of this | 4 |
had vanished into the | 4 |
into the bell tower | 4 |
with the speed of | 4 |
for a long time | 4 |
we should have a | 4 |
she knew that the | 4 |
through the revolving doors | 4 |
here to get a | 4 |
you have in mind | 4 |
what do you expect | 4 |
get there in time | 4 |
she could not find | 4 |
had been cut in | 4 |
at the riverview star | 4 |
penny whispered to her | 4 |
the girls reached the | 4 |
near the lily pool | 4 |
not take time to | 4 |
not be such a | 4 |
to show it to | 4 |
penny and louise could | 4 |
be on our way | 4 |
and with a quick | 4 |
that al gepper was | 4 |
a waste of time | 4 |
to pay for it | 4 |
to go back there | 4 |
had become of the | 4 |
one came to admit | 4 |
only then did the | 4 |
penny said with conviction | 4 |
glanced at his watch | 4 |
that must have been | 4 |
i distinctly heard a | 4 |
what have you done | 4 |
did you ever see | 4 |
she could not guess | 4 |
up her mind that | 4 |
exchanged a quick glance | 4 |
when the time comes | 4 |
penny gazed at her | 4 |
close to the door | 4 |
was sent here to | 4 |
against a tree trunk | 4 |
through the plate glass | 4 |
edge of the dock | 4 |
was silent a moment | 4 |
by that time the | 4 |
not be so easy | 4 |
at the dorset tourist | 4 |
paid no attention to | 4 |
the corner of the | 4 |
out into the hall | 4 |
the only person who | 4 |
tell me more about | 4 |
low rumble of voices | 4 |
to gaze toward the | 4 |
the start of the | 4 |
and down the river | 4 |
i am very sorry | 4 |
a great deal to | 4 |
of the estate house | 4 |
anything we can do | 4 |
all members of the | 4 |
at the colonial hotel | 4 |
i was looking for | 4 |
had no connection with | 4 |
man of the hills | 4 |
as soon as she | 4 |
louise and penny were | 4 |
a few questions about | 4 |
to a faster pace | 4 |
this is no time | 4 |
the car reached the | 4 |
she would try to | 4 |
started to leave the | 4 |
i think we should | 4 |
from one person to | 4 |
the motor vehicle department | 4 |
the rest of us | 4 |
going to try to | 4 |
of the harper house | 4 |
is the one who | 4 |
but how did he | 4 |
you mind if i | 4 |
to the pilot house | 4 |
thing to do is | 4 |
earlier in the afternoon | 4 |
the american protective society | 4 |
no one seemed to | 4 |
with us to sunset | 4 |
in the car and | 4 |
they could not see | 4 |
a lot of evidence | 4 |
voice at the other | 4 |
how do you propose | 4 |
to get away from | 4 |
to learn the truth | 4 |
said in a more | 4 |
she would have no | 4 |
was able to see | 4 |
of the bell tower | 4 |
the rim of the | 4 |
what is the meaning | 4 |
for her to enter | 4 |
have a great deal | 4 |
and carried it to | 4 |
were trying to get | 4 |
inclined to agree with | 4 |
the time of his | 4 |
and then with a | 4 |
shook his head as | 4 |
from a canadian prison | 4 |
as he reached for | 4 |
i want to ask | 4 |
had disappeared into the | 4 |
name of the city | 4 |
was a slim one | 4 |
if only i can | 4 |
your father will be | 4 |
and was ready to | 4 |
our best bet is | 4 |
what is he doing | 4 |
to be gained by | 4 |
her to her feet | 4 |
glass of orange juice | 4 |
louise asked in surprise | 4 |
seized her by the | 4 |
how do you feel | 4 |
on the floor above | 4 |
she and jerry had | 4 |
a hole in the | 4 |
force of the wind | 4 |
found themselves in a | 4 |
the back stairs to | 4 |
she could not have | 4 |
i do not know | 4 |
is a case for | 4 |
the group of men | 4 |
she did not wish | 4 |
the matter of the | 4 |
a young man in | 4 |
in a superior way | 4 |
at the other side | 4 |
were the one who | 4 |
mixed up with the | 4 |
turned away from the | 4 |
were you saying about | 4 |
to the capture of | 4 |
what i can do | 4 |
of her visit to | 4 |
over the window ledge | 4 |
must have been made | 4 |
we got to make | 4 |
at the wheel of | 4 |
row upon row of | 4 |
have been one of | 4 |
trip to pine top | 4 |
of his own free | 4 |
a few things to | 4 |
that she would be | 4 |
here in the house | 4 |
if we can get | 4 |
still there was no | 4 |
began to pace the | 4 |
are mixed up in | 4 |
i am trying to | 4 |
i only wanted to | 4 |
take us long to | 4 |
penny saw that her | 4 |
until they came to | 4 |
she said with a | 4 |
he was in the | 4 |
penny asked after a | 4 |
like to know myself | 4 |
the wall of the | 4 |
out of your mind | 4 |
to see the interior | 4 |
had any connection with | 4 |
walked a short distance | 4 |
as the black hoods | 4 |
stopped short as she | 4 |
if we stay here | 4 |
ever get out of | 4 |
penny and her friends | 4 |
corner of the house | 4 |
the toe of her | 4 |
the toe of his | 4 |
from his pocket he | 4 |
have no idea who | 4 |
bring up the subject | 4 |
i would rather have | 4 |
that she had seen | 4 |
away into the darkness | 4 |
that they were being | 4 |
not a scrap of | 4 |
and her husband were | 4 |
time of the explosion | 4 |
the front door and | 4 |
vanished into the house | 4 |
get in touch with | 4 |
must have been in | 4 |
her head and shoulders | 4 |
there was no response | 4 |
what were you saying | 4 |
not wishing to attract | 4 |
the pocket of her | 4 |
hear the sound of | 4 |
that he was a | 4 |
door of the shack | 4 |
where it had been | 4 |
over in her mind | 4 |
had fled from the | 4 |
followed her to the | 4 |
find our way out | 4 |
the master of the | 4 |
act as if you | 4 |
hidden in the belfry | 4 |
penny was surprised to | 4 |
they were unable to | 4 |
it will only take | 4 |
the last i remember | 4 |
ran out of gas | 4 |
i must ask you | 4 |
had come to the | 4 |
over to the authorities | 4 |
gave her chum a | 4 |
at the celestial temple | 4 |
be able to find | 4 |
you are willing to | 4 |
the wheel of the | 4 |
man who had been | 4 |
the girls were startled | 4 |
the size of it | 4 |
all interest in the | 4 |
is as good as | 4 |
in the last few | 4 |
her gaze fell upon | 4 |
this is going to | 4 |
she were able to | 4 |
to take him to | 4 |
turned to stare at | 4 |
she did not have | 4 |
herself to a sitting | 4 |
we have a little | 4 |
how do you suppose | 4 |
know what to think | 4 |
her father and the | 4 |
a thatched roof cottage | 4 |
he closed the door | 4 |
did not wait to | 4 |
dawned upon her that | 4 |
a low rumble of | 4 |
old man of the | 4 |
after the door had | 4 |
as he saw her | 4 |
pulled out of the | 4 |
makes you think so | 4 |
and disappeared into the | 4 |
after a moment of | 4 |
as she stared at | 4 |
she intended to meet | 4 |
like a house afire | 4 |
she did not believe | 4 |
to be the trouble | 4 |
to her that she | 4 |
a fleeting glimpse of | 4 |
not a bad idea | 4 |
i see you have | 4 |
for a minute or | 4 |
she plunged into the | 4 |
closed for the winter | 4 |
i was afraid to | 4 |
big story for the | 4 |
the subject of the | 4 |
from his pocket and | 4 |
paid no heed to | 4 |
quickly as you can | 4 |
it would be more | 4 |
toward the parking lot | 4 |
sound came from the | 4 |
by the time we | 4 |
what he had done | 4 |
and a few minutes | 4 |
keeping her voice low | 4 |
may not have been | 4 |
have nothing to do | 4 |
she could see no | 4 |
she had decided to | 4 |
had been tied to | 4 |
the expression of his | 4 |
the car with a | 4 |
of the headless horseman | 4 |
penny stared at her | 4 |
quick glance at the | 4 |
the outlaw radio station | 4 |
debated whether or not | 4 |
before they could reach | 4 |
from the riverview star | 4 |
were out of the | 4 |
the old colored man | 4 |
one of the detectives | 4 |
want you to go | 4 |
a call for help | 4 |
at his usual post | 4 |
of all the nerve | 4 |
now get out of | 4 |
back stairs to the | 4 |
choice but to follow | 4 |
at least an hour | 4 |
when she reached the | 4 |
i think you are | 4 |
pine top for christmas | 4 |
the manner in which | 4 |
it will do no | 4 |
time there was no | 4 |
away from here before | 4 |
firmly by the arm | 4 |
knew that it was | 4 |
was why i was | 4 |
one of the officers | 4 |
strode across the room | 4 |
and closed the door | 4 |
read all about it | 4 |
what are you talking | 4 |
as if he were | 4 |
are we waiting for | 4 |
her attention focused upon | 4 |
at a time like | 4 |
no way of knowing | 4 |
i went to the | 4 |
her attention was drawn | 4 |
as soon as they | 3 |
to do a bit | 3 |
without waiting for the | 3 |
she tried to speak | 3 |
would return to the | 3 |
condition to be wandering | 3 |
for some reason she | 3 |
must ask you to | 3 |
get rid of them | 3 |
if i were a | 3 |
she is going to | 3 |
penny hesitated and then | 3 |
my dear young lady | 3 |
we ought to get | 3 |
not have long to | 3 |
barely above a whisper | 3 |
a glass of water | 3 |
where are we going | 3 |
you and your daughter | 3 |
it might be the | 3 |
struggled to free herself | 3 |
seem to be all | 3 |
is an enemy agent | 3 |
to put an end | 3 |
he returned to the | 3 |
to the davis farm | 3 |
but what can she | 3 |
from her hiding place | 3 |
want to know about | 3 |
folded sheet of paper | 3 |
try to get in | 3 |
thing i want to | 3 |
penny since the death | 3 |
to attract attention to | 3 |
al gepper and his | 3 |
at that moment a | 3 |
trying to get out | 3 |
fleeting glimpse of the | 3 |
she rolled over on | 3 |
for some reason you | 3 |
for being so late | 3 |
for the rest of | 3 |
when i came here | 3 |
end of the street | 3 |
the clatter of the | 3 |
get down out of | 3 |
a word of advice | 3 |
of anyone in the | 3 |
him out of the | 3 |
weems and her father | 3 |
penny gave her a | 3 |
she was not certain | 3 |
gazed at penny with | 3 |
ran to the kitchen | 3 |
and what do you | 3 |
from the police station | 3 |
to worry about the | 3 |
the green parrot is | 3 |
went out through the | 3 |
overheard in the gatehouse | 3 |
had made no progress | 3 |
not more than a | 3 |
must be one of | 3 |
were lucky to get | 3 |
to ask you a | 3 |
able to get out | 3 |
the girls were able | 3 |
railroad right of way | 3 |
is the same fellow | 3 |
the time penny had | 3 |
he has to say | 3 |
it in a minute | 3 |
she could reach it | 3 |
came to admit her | 3 |
stolen from the davis | 3 |
before penny and louise | 3 |
try to pick up | 3 |
in the darkness and | 3 |
the man may be | 3 |
and here i am | 3 |
i have plenty of | 3 |
his hands and feet | 3 |
to catch up with | 3 |
it will be hard | 3 |
of the lighthouse and | 3 |
right on the beach | 3 |
then she saw that | 3 |
sent here to get | 3 |
penny nodded as she | 3 |
put me out of | 3 |
the yard to the | 3 |
gave it to him | 3 |
wish you would tell | 3 |
want to see jerry | 3 |
neither here nor there | 3 |
most of the work | 3 |
the man is a | 3 |
and penny ran to | 3 |
had made the long | 3 |
would like to know | 3 |
as she scanned the | 3 |