trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
the church of	219
the hand of	186
by the hand	174
church of s	146
the work of	129
according to the	121
there is a	111
the art of	106
one of the	102
part of the	96
of the most	89
the great altar	87
in the same	83
the picture of	82
as it were	75
art of painting	71
a piece of	68
church of the	68
and in the	67
of the great	64
of the art	62
of the body	61
the city of	60
the manner of	60
picture of the	59
side of the	59
the works of	59
the right hand	58
of all the	58
of the same	58
is to be	57
out of the	57
on the right	56
you see a	53
the great door	53
an ounce of	53
when you have	53
with a little	52
when it is	52
as well as	52
are to be	51
of the best	51
lights and shadows	51
not to be	51
early english books	51
to make a	51
at the great	50
to make the	49
in the middle	47
a picture of	47
in the first	46
it will be	46
ought to be	46
of the picture	46
it may be	46
and a little	45
on the left	45
of the face	45
it must be	44
the rest of	44
hand of the	43
as you enter	42
you are to	42
a disciple of	42
english books online	41
to make it	41
the beauty of	41
after the life	41
if it be	40
the same time	40
of the church	40
and in a	40
the middle of	39
to be seen	39
of the b	39
leonardo da vinci	38
which is the	38
the left hand	38
and the other	38
of his own	37
of the head	37
on the contrary	37
with so much	37
a pound of	37
at the first	36
the aqua fortis	36
a quarter of	36
which he had	36
the lights and	36
that it may	36
of paulo veronese	36
in the art	35
on the other	35
at the same	35
a kind of	35
that he was	35
the rules of	34
and when you	34
you will find	34
the most excellent	34
in a word	34
to make them	34
which i have	34
the time of	34
in the church	34
two or three	34
your left hand	33
on your left	32
the top of	32
by the same	32
by paulo veronese	32
that it was	32
to draw the	32
of our saviour	31
is the work	31
of the said	31
the life of	31
was a disciple	31
as for the	31
and let it	31
and it will	30
the same manner	30
most of the	30
of the figures	30
the parts of	30
and if you	30
so great a	30
he died anno	30
the other side	30
to be the	30
so much as	30
the use of	29
as you can	29
in the world	29
you intend to	29
and on the	29
right hand of	29
of our lord	29
in all the	29
he was a	29
the story of	29
some of the	28
to the eye	28
of the first	28
and all the	28
that it is	28
it is not	28
in chiaro scuro	27
the end of	27
it in a	27
how to make	27
it in the	27
all the other	27
till it be	27
parts of the	27
one of his	27
text creation partnership	27
which we have	27
all sorts of	27
in all his	27
by the life	27
that he had	26
the point of	26
in the year	26
top of the	26
is a most	26
all the parts	26
works of the	26
make use of	26
where he was	26
and for the	25
the name of	25
middle of the	25
it to the	25
is a picture	25
piece of the	25
the most eminent	25
of the work	25
of the mind	25
you must be	25
the history of	25
part of painting	25
to have been	24
as much as	24
the palace of	24
that they may	24
of the lights	24
the knowledge of	24
in a picture	24
the figure of	24
you will admire	24
not so much	24
and when it	24
you must have	24
the school of	24
the order of	24
that which is	24
at a distance	24
that is to	24
the excellency of	24
based on the	24
then take a	24
there is also	23
it is a	23
in a little	23
it is the	23
part of his	23
that of the	23
rest of the	23
and that the	23
with all the	23
as in the	23
in his time	23
to the life	23
as they are	23
is in the	23
amongst the rest	23
which he has	23
of the fathers	23
use of the	23
the sides of	23
you see the	22
in this church	22
and to make	22
one of them	22
the perfection of	22
it with a	22
you may make	22
about this time	22
things which are	22
and by the	22
the house of	22
of a picture	22
you may see	22
the hands of	22
of guido reno	21
in which he	21
by reason of	21
it to be	21
in the midst	21
of the antients	21
three or four	21
there is nothing	21
to this day	21
that they are	21
in the other	21
he had a	21
as it is	21
of the eye	21
of a painter	21
that you may	21
to the sight	21
and of the	20
that in the	20
figure of the	20
parts of painting	20
in the sky	20
andrea del sarto	20
and it is	20
of it self	20
when he was	20
the study of	20
must be made	20
end of the	20
seems to be	20
of his figures	20
is to say	20
for want of	20
picture of s	20
both of them	20
your right hand	20
let it dry	20
those things which	20
it into a	20
a pint of	20
when they are	20
for the most	20
you would have	20
of his life	20
to be made	20
the most part	20
in the air	20
if he had	20
history of the	20
those which are	19
of the piece	19
of the greatest	19
keying and markup	19
quarter of a	19
of a man	19
which is in	19
the midst of	19
those who are	19
half an ounce	19
of this art	19
the blessed virgin	19
which is a	19
he was very	19
this is the	19
he had not	19
let it stand	19
one and the	19
and with a	19
then let it	19
there is another	19
of the subject	19
all manner of	19
be sure to	19
all painted by	19
which he made	19
singular work of	19
the best of	19
to be a	19
which you must	19
is one of	19
to be found	19
on your right	19
on each side	19
the first who	18
of his works	18
lay it on	18
put it into	18
enter at the	18
in his own	18
a square with	18
to the end	18
the nuns church	18
of his time	18
of his art	18
some of his	18
the figures of	18
who was then	18
which he was	18
the duke of	18
the other is	18
the strength of	18
you may observe	18
which are the	18
in the second	18
as may be	18
any of the	18
of michael angelo	18
as long as	18
of the colour	18
painted by the	18
all the rest	18
there are also	18
the head of	18
the chappel of	18
him in the	18
such as are	18
nuns church of	17
it will not	17
is seen a	17
is a square	17
sides of the	17
the reason of	17
to express the	17
there was a	17
which you may	17
but in the	17
upon the plate	17
this is a	17
be seen in	17
quarter of an	17
he would have	17
of his pieces	17
black and white	17
with the apostles	17
early works to	17
and the like	17
made use of	17
the assumption of	17
here you will	17
so much the	17
with her son	17
all of them	17
we are to	17
of such a	17
see a picture	17
some of them	17
there is no	17
guercin da cento	17
the same colour	17
is also a	17
the length of	17
of the whole	17
the place of	17
hand of tintoret	17
other parts of	17
a singular work	16
if you would	16
a gentle fire	16
a square of	16
point of sight	16
of leonardo da	16
to have a	16
of the old	16
represented either as	16
in such a	16
and amongst the	16
you enter at	16
marked as illegible	16
and michael angelo	16
of the other	16
be of a	16
assumption of the	16
of the colours	16
the best and	16
come to the	16
ought to have	16
the whole work	16
a little of	16
either as utf	16
as i have	16
stories of the	16
let it be	16
of the nose	16
the sight of	16
of the hand	16
after he had	16
off from the	16
they may be	16
twenty four hours	16
upon the ground	16
that all the	16
as if they	16
characters represented either	16
by the most	16
leo the tenth	16
in this piece	15
this church you	15
and lay it	15
here is a	15
for which reason	15
is the best	15
to the other	15
the king of	15
two ounces of	15
a most beautiful	15
in this art	15
the design of	15
it would be	15
those of the	15
he could not	15
was born in	15
of the blessed	15
which they have	15
his own country	15
was the first	15
way of painting	15
hand as you	15
seem to be	15
the practice of	15
in his hand	15
then the other	15
with the same	15
but if you	15
then follows the	15
of the persons	15
in the time	15
piece of his	15
is all painted	15
that part of	15
to do this	15
to be done	15
the idea of	15
and the same	15
four or five	15
of the life	15
the heads of	15
lake and white	15
that he would	15
together with the	15
picture of a	15
it with your	15
to be of	15
is that of	15
in the most	15
the greatest part	15
must be done	15
there is the	15
to paint the	15
see a square	15
if it were	15
is not to	15
are in the	14
be in the	14
upon the roof	14
with your finger	14
the nature of	14
palace of the	14
at that time	14
by this means	14
you may use	14
of their own	14
in the mean	14
of the organ	14
all his works	14
seen a picture	14
over a gentle	14
same manner as	14
of one of	14
the nativity of	14
they are the	14
or any other	14
as he was	14
of fair water	14
as you see	14
the help of	14
being able to	14
the most considerable	14
and at last	14
the high altar	14
and as it	14
manner of painting	14
if you will	14
of the two	14
any of his	14
and make it	14
of the painter	14
the quantity of	14
the honour of	14
of a face	14
be able to	14
if they were	14
was a great	14
or the like	14
there are some	14
because it is	14
in the face	14
those who have	14
in the life	14
in the sun	14
and according to	14
is a very	14
that can be	14
more of the	14
there are two	14
chapell on the	14
the child jesus	14
is very good	13
the place where	13
the four evangelists	13
at the end	13
the terms of	13
you shall see	13
motions of the	13
is impossible to	13
altar on the	13
to all the	13
from the eye	13
a number of	13
of this saint	13
you have done	13
pietro da cortona	13
the third is	13
then with a	13
it is to	13
on one side	13
the mean time	13
from each other	13
of which is	13
and those which	13
a great deal	13
a little time	13
the figures are	13
greatest part of	13
it with the	13
in his life	13
with the other	13
i have seen	13
one side of	13
born in the	13
and in this	13
the proportion of	13
the number of	13
the painting of	13
of a pound	13
or in the	13
of the parts	13
from the cross	13
picture with the	13
the way of	13
in his works	13
as for example	13
to be observed	13
they must be	13
the beginning of	13
then you must	13
other side of	13
you come to	13
he was so	13
of his pencil	13
is the picture	13
must not be	13
anno ante chr	13
the first altar	13
in my opinion	13
each of them	13
they are not	13
be done with	13
and as much	13
down to the	13
it is in	13
to place the	13
a picture with	13
his own hand	13
which are in	13
in one of	13
and therefore i	13
to imitate the	13
well as the	13
and so much	13
beauty of the	13
the family of	13
it from the	13
which he did	13
and let them	13
as if it	13
the lower part	12
then put in	12
the pallace of	12
is a little	12
of our lady	12
there are many	12
hand of paulo	12
was born at	12
of which are	12
the death of	12
and put it	12
returned to florence	12
the truth of	12
of a work	12
near to the	12
are not to	12
aqua fortis from	12
of the print	12
will be a	12
the best part	12
figures of the	12
done by the	12
with the child	12
of all those	12
and such like	12
the bottom of	12
painting of the	12
of all his	12
to take the	12
half a pound	12
a native of	12
the chapell of	12
was at first	12
the most difficult	12
in the third	12
the colour of	12
to the art	12
a little white	12
story of the	12
this colour is	12
so that it	12
by guido reno	12
work of paulo	12
so as to	12
the eyes of	12
perino del vaga	12
and that of	12
it be a	12
a madonna with	12
lower part of	12
here you see	12
best part of	12
work of the	12
it seems to	12
or at least	12
must have a	12
design and colouring	12
chappel of the	12
to each other	12
of the world	12
the most famous	12
as not to	12
from the top	12
of painting and	12
art of drawing	12
take notice of	12
after it is	12
the most celebrated	12
have been the	12
in which the	12
which is not	12
while he was	12
of his hand	12
the sacrifice of	12
much the more	12
of his doing	12
and such as	12
is not so	12
in fair water	12
conformable to the	12
manner of working	12
it was the	12
and if it	12
the means of	12
use of this	12
the most noble	12
men and women	12
to find out	12
another picture of	12
see in the	12
of the ancients	12
the center of	12
is a great	12
which must be	11
square of the	11
described above is	11
with a small	11
tiff page images	11
in the chapell	11
reviewed and edited	11
he was not	11
the age of	11
out of his	11
i text is	11
proquest page images	11
not being able	11
of the author	11
will make it	11
assigned for keying	11
of a woman	11
to see the	11
and encoded edition	11
to return to	11
to the bottom	11
the first place	11
all its parts	11
he did not	11
by his own	11
institutions providing financial	11
the text can	11
to the early	11
it over with	11
the early english	11
of the muscles	11
the names of	11
gold or silver	11
the quality of	11
he had been	11
time of the	11
edition of the	11
which was the	11
when you would	11
arts and sciences	11
distributed and performed	11
that we may	11
the same hand	11
up to a	11
sampled and proofread	11
images scanned from	11
phase i text	11
all without asking	11
are of the	11
the lives of	11
you must make	11
and the work	11
kb of xml	11
and markup reviewed	11
is a madonna	11
in the shell	11
proper to the	11
from the plate	11
the work described	11
of the aforesaid	11
that he might	11
a long time	11
of them in	11
pieces of the	11
may observe a	11
which represents the	11
work described above	11
saint john baptist	11
a mind to	11
of the eyes	11
notes for div	11
then take the	11
he went to	11
in like manner	11
had not been	11
encoded edition of	11
in the chappel	11
text is available	11
at last to	11
and coded from	11
text transcribed from	11
nearer to the	11
and many other	11
is available for	11
for keying and	11
for div a	11
financial support to	11
from proquest page	11
for some time	11
master of the	11
other is the	11
keyed and coded	11
him to his	11
for the first	11
and a half	11
coded from proquest	11
which are not	11
of the house	11
the whole art	11
to the terms	11
alexander the great	11
tcp assigned for	11
nature of the	11
as the most	11
can be copied	11
the chamber of	11
all over with	11
histories of the	11
but be sure	11
as you shall	11
of an ounce	11
which you will	11
reason of the	11
little and little	11
providing financial support	11
and so to	11
without asking permission	11
every one of	11
of creative commons	11
in this kind	11
this being done	11
you must take	11
for commercial purposes	11
must be very	11
them in the	11
pfs batch review	11
of his age	11
and out of	11
the front of	11
iv tiff page	11
text can be	11
the compass of	11
even for commercial	11
may not be	11
encoded text transcribed	11
about the year	11
till you have	11
of your dial	11
by the institutions	11
the service of	11
support to the	11
this keyboarded and	11
text and markup	11
and in it	11
terms of creative	11
as to be	11
the author of	11
and by this	11
on the outside	11
the institutions providing	11
to him in	11
is the most	11
for it is	11
and xml conversion	11
that in all	11
by little and	11
keyboarded and encoded	11
online text creation	11
to his own	11
the light of	11
available for reuse	11
enter into the	11
in the city	11
books online text	11
of which he	11
scanned from microfilm	11
the greatness of	11
a sheet of	11
more or less	11
is a s	11
of saint john	11
over the door	11
as to the	11
this phase i	11
upon the wall	11
ought not to	11
all those who	11
there are a	11
owned by the	11
the opinion of	11
above is co	11
markup reviewed and	11
in a piece	11
with a pen	11
most of his	10
at the second	10
there is not	10
with his own	10
the painters of	10
of all kinds	10
in so much	10
of a good	10
them to the	10
was in the	10
but it is	10
account of the	10
art of poetry	10
as well in	10
you must observe	10
up in the	10
pour the aqua	10
on the same	10
to the place	10
it had been	10
which they are	10
a little square	10
place of the	10
may be seen	10
to give a	10
but if it	10
of hannibal carache	10
in some places	10
go over the	10
as he had	10
of some of	10
let them be	10
likewise in the	10
on the sides	10
on the top	10
of his colours	10
white and black	10
in all its	10
as you have	10
to those of	10
nativity of our	10
for their own	10
beauty of his	10
the chapell on	10
and put in	10
hand of guido	10
though they are	10
of the abovesaid	10
to be in	10
our modern painters	10
the principles of	10
what he did	10
of guercin da	10
of one colour	10
with fair water	10
hand of titian	10
take a piece	10
several of his	10
their works are	10
so that the	10
in this manner	10
many of them	10
in those days	10
of the city	10
of the chin	10
most eminent painters	10
the emperour charles	10
of it is	10
manner of his	10
in the whole	10
he had made	10
as if the	10
he used to	10
as much of	10
the other colours	10
a very good	10
as to make	10
which made him	10
of that kind	10
a quantity of	10
a great many	10
chapell on your	10
door of the	10
who was a	10
it as you	10
picture of our	10
king of france	10
so much of	10
and when they	10
them in their	10
as i may	10
will not be	10
a painter to	10
painted in the	10
of the madonna	10
to the rules	10
the side of	10
it all over	10
and at the	10
chamber of the	10
in the pallace	10
a pair of	10
would be a	10
a part of	10
to the last	10
a man of	10
that there is	10
as soon as	10
you must draw	10
set off best	10
is an admirable	10
not to make	10
as we may	10
of this piece	10
a most fair	10
of white and	10
and that he	10
the son of	10
of the passions	10
the principal figure	10
work of tintoret	10
the motions of	10
strength of the	10
to be used	10
of our modern	10
the first is	10
entring this church	10
of time and	10
in his art	10
a young man	10
could not be	10
them to be	10
the state of	10
to make all	10
and then you	10
about the same	10
some part of	10
it were a	10
you will see	10
the bodies of	10
manner of the	10
he might have	10
him in his	10
the temple of	10
whether it be	10
he was in	10
and to be	10
of sancta maria	10
of his genius	10
to avoid the	10
to make him	10
with the history	10
the martyrdom of	10
you ought to	10
of great titian	10
he was the	10
by all the	10
whole art of	10
many of his	10
for your use	10
it was not	9
to that of	9
how to draw	9
which we may	9
of it in	9
the outside of	9
and let the	9
order of the	9
and that in	9
and the rest	9
according as the	9
you also see	9
not able to	9
of the room	9
but at last	9
for the face	9
one of which	9
the life and	9
it by the	9
in her arms	9
over the fire	9
square with the	9
it is dry	9
put a little	9
to be ground	9
quality of the	9
it self is	9
to judge of	9
altar there is	9
the water be	9
and rub it	9
and the most	9
divided into two	9
of painting in	9
of your playn	9
there is an	9
the air of	9
can never be	9
of pietro da	9
to his figures	9
the ground of	9
piece of painting	9
a way to	9
a few drops	9
was sent for	9
and other things	9
of his friends	9
where there is	9
desired him to	9
left hand as	9
left hand is	9
head to the	9
measures of the	9
one part of	9
out of a	9
for his works	9
is nothing but	9
of a piece	9
the most beautifull	9
it upon the	9
but if your	9
place where he	9
if you please	9
to give him	9
in their proper	9
with your pen	9
our selves to	9
first altar on	9
in the school	9
and make them	9
i have made	9
is the greater	9
the people of	9
to be admired	9
i have already	9
seems to have	9
up in a	9
and you shall	9
all which he	9
was divided into	9
put to it	9
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work of a	7
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estc r ocm	7
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of a more	7
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for if you	7
of men and	7
the prints of	7
michael angelo to	7
them in a	7
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of the famous	7
him for his	7
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your work with	7
use of them	7
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that which we	7
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to the light	6
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it to a	6
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pieces which he	6
in this time	6
great and noble	6
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martyrdom of s	6
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the principal figures	6
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most excellent art	6
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in a mortar	6
sweetness of his	6
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a good picture	6
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that of a	6
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christ in the	6
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upon a wall	6