quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
one of the most	120
the second act opens	103
at the same time	101
in the midst of	98
in the first act	94
in the second act	93
the metropolitan opera house	92
is one of the	90
for the first time	84
at the metropolitan opera	83
the scene is laid	81
the end of the	77
the story of the	76
first produced at the	75
opera in three acts	71
act opens with a	70
scene is laid in	69
the motive of the	69
is in love with	68
at the end of	68
the first act opens	63
the scene of the	62
the father of the	61
the daughter of the	59
in the next scene	58
of the first act	57
act opens in the	57
of the holy grail	56
in the last act	56
the act closes with	55
father of the gods	55
the music of the	53
in the third act	52
of the opera is	51
second act opens with	50
la la la la	48
is followed by a	46
he is about to	46
second act opens in	44
the song of the	44
the middle of the	42
was first produced at	42
the opening of the	41
the rest of the	41
of the second act	40
i do not know	39
for the sake of	39
under the direction of	38
the midst of the	38
a musical score excerpt	36
copyright photo by dupont	36
the form of a	36
the finale of the	36
the third act opens	35
opera in four acts	35
is followed by the	35
the ring of the	35
in the course of	34
the first act of	34
in front of the	34
the beginning of the	33
in love with her	33
in the form of	33
in spite of the	32
with the following cast	32
the scene changes to	31
is interrupted by the	31
the name of the	31
and the act closes	31
the knights of the	30
in the middle of	30
daughter of the god	30
of the flying dutchman	30
scene of the opera	30
ring of the nibelung	30
le nozze di figaro	29
the presence of the	29
the light of the	29
first act opens with	28
the sound of the	28
the hall of the	28
the academy of music	28
knights of the grail	28
the door of the	28
act opens with the	27
the first performance of	27
story of the opera	27
the hands of the	27
in the house of	27
the castle of the	26
at the sight of	26
on the banks of	26
the back of the	26
dusk of the gods	26
his love for her	26
at the academy of	26
on the other hand	26
on their way to	25
act closes with a	25
that he has been	25
the edge of the	25
the barber of seville	25
it is followed by	25
the legend of the	25
in the presence of	25
queen of the night	24
was produced at the	24
the first time in	24
heard in the distance	24
the banks of the	24
as a matter of	23
to the accompaniment of	23
the last act opens	23
and at the same	23
the curtain rises upon	23
the power of the	23
in the hands of	23
on the part of	23
at the head of	23
the knight of the	23
at the foot of	23
the first act are	22
as well as the	22
which is one of	22
the queen of the	22
opera in five acts	22
in the mean time	22
under the title of	22
at the sound of	22
to be married to	22
the spirit of the	22
tells the story of	22
the opera is laid	22
and is about to	22
by the entrance of	22
in the case of	22
for the last time	22
of the third act	21
the voice of the	21
the king and his	21
the part of the	21
a good deal of	21
her in his arms	21
in love with the	21
first act opens in	21
of the queen of	21
falls in love with	21
at the same moment	21
at the opening of	20
at the feet of	20
is about to be	20
scene changes to the	20
the sight of the	20
is heard in the	20
the author of the	20
the king of the	20
as soon as the	20
the love of a	20
characters of the opera	20
of the motive of	19
the house of the	19
the entrance of the	19
opera in two acts	19
under the name of	19
at the back of	19
the second act is	19
the action of the	19
it was he who	19
in one of the	19
out of the house	19
a knight of the	19
il barbiere di siviglia	19
comes upon the scene	19
for the love of	19
of one of the	19
act i act ii	19
to be contented with	18
what do you mean	18
have to be contented	18
in the disguise of	18
with the exception of	18
the depths of the	18
at the close of	18
on the point of	18
motive of siegfried the	18
of the most beautiful	18
what is the matter	18
the third act is	18
the temple of the	18
who is in love	18
the manhattan opera house	18
for a long time	18
had its first performance	18
the face of the	18
is said to have	18
the sound of a	18
the return of the	18
the motive of siegfried	17
the story of his	17
at the time of	17
the approach of the	17
of the king of	17
opera is laid in	17
that he is the	17
the queen of night	17
hall of the gibichungs	17
in point of fact	17
as if it were	17
in spite of all	17
the close of the	17
at the thought of	17
and in the midst	17
was first produced in	17
has fallen in love	17
who knows no fear	17
the music of this	17
was one of the	17
the head of the	17
the entrance to the	16
knight of the swan	16
in the united states	16
in the same year	16
at the manhattan opera	16
the dusk of the	16
the goddess of love	16
scene of the first	16
the scene in which	16
in the way of	16
the direction of the	16
at the first performance	16
by the appearance of	16
leads up to the	16
shall have to be	16
in search of the	16
out of the window	16
it is to be	16
is laid in the	16
fallen in love with	16
in the direction of	16
it is said that	16
at the beginning of	16
as the curtain falls	16
i have come to	16
but it is not	16
the truth is found	16
in three acts by	16
which is followed by	16
in the service of	15
third act opens in	15
the side of the	15
it is one of	15
the duke of plaza	15
in the second scene	15
the first performance in	15
leading up to a	15
in the finale of	15
yeomen of the guard	15
when the opera was	15
the heart of the	15
at the opera comique	15
daughter of the regiment	15
to the point of	15
what it is to	15
in the name of	15
last rose of summer	15
the death of the	15
in the heart of	15
in love with him	15
he does not know	15
the interior of the	15
they are about to	15
the last act is	15
if i am to	15
numbers in the opera	15
i should like to	15
that he is in	15
act closes with the	15
to make sure of	15
in the habit of	15
the time of the	14
tells him that he	14
when the curtain rises	14
cast was as follows	14
king of the grail	14
first act of the	14
into the hands of	14
in the light of	14
third act opens with	14
in the spring of	14
curtain rises upon a	14
at the top of	14
and the motive of	14
of the eighteenth century	14
the top of the	14
knight of the grail	14
also in love with	14
an opera in three	14
the story of her	14
let me tell you	14
on the way to	14
at the age of	14
in spite of her	14
it was brought out	14
seems to have been	14
back of the stage	14
the first act is	14
the title of the	14
is interrupted by a	14
the service of the	14
the voices of the	14
the queen of sheba	14
it was produced in	14
its first performance in	14
to get rid of	14
in honor of the	14
from time to time	14
the first scene of	14
in the first scene	14
what shall i do	14
love of a ladye	14
the character of the	14
is the motive of	14
the coming of the	14
the hand of the	13
the curse of the	13
leading up to the	13
the last rose of	13
the words of the	13
may be said to	13
words and music by	13
as he sighed for	13
he i will shall	13
it is in the	13
it is too late	13
at that moment the	13
which is full of	13
he sighed for the	13
the success of the	13
it seems to me	13
with a cry of	13
first act are the	13
she tells him that	13
that it is the	13
the count di luna	13
of the gods and	13
by the fact that	13
with the motive of	13
and one of the	13
it is true that	13
of the last act	13
of the act is	13
the subject of the	13
the gates of the	13
leads up to a	13
appears upon the scene	13
end of act i	13
is also in love	13
the chicago opera company	13
of the lyric stage	13
in the history of	13
in the arms of	13
at the bottom of	13
sighed for the love	13
the last act of	13
at sight of the	13
the glory of the	13
the contents of the	13
what shall we do	13
on his way to	12
our their heartfelt sympathy	12
that she is the	12
possession of the ring	12
the man she loves	12
the introduction to the	12
explain it if you	12
in the depths of	12
out of the way	12
on the ground that	12
the second act are	12
with our their heartfelt	12
numbers in the first	12
performance of the opera	12
the bank of the	12
said i to myself	12
into the arms of	12
that he will be	12
the foot of the	12
and is not this	12
the bottom of the	12
is not this ridiculous	12
which leads up to	12
you may be sure	12
performance in new york	12
of siegfried the fearless	12
the manner in which	12
on the wings of	12
a member of the	12
is not this preposterous	12
know what it is	12
the world of men	12
opening of the opera	12
the first act the	12
the daughter of a	12
for the purpose of	12
to do with the	12
in the season of	12
ring from his finger	12
in the third scene	12
contented with our their	12
the opera was produced	12
copyright photo by mishkin	12
for the lyric stage	12
her love for him	12
with the help of	12
that he is a	12
in four acts by	12
the opera opens with	12
of the opera in	12
the son of the	12
the theme of the	12
the appearance of the	12
it if you can	12
what do you think	12
the cause of the	12
the ring on his	12
now is not this	12
there is nothing to	12
as if they were	12
by this time the	12
in the guise of	12
i beg your pardon	12
twilight of the gods	12
out of the room	12
as well as in	12
him out of the	12
of the first performance	12
be contented with our	12
the course of the	12
which he has been	12
in the last scene	12
first performance in new	12
it was produced at	12
the shadow of the	12
the second act the	12
temple of the grail	11
to the door of	11
to carry out his	11
the second part of	11
one of the best	11
of the most popular	11
much obliged to you	11
ecco ridente in cielo	11
is the daughter of	11
the hand of his	11
that he had been	11
the palace of the	11
their way to the	11
does not seem to	11
finale of the act	11
was to have been	11
the subject taken from	11
it must have been	11
scene of the second	11
to return to the	11
the twilight of the	11
principal numbers in the	11
i shall have to	11
to the edge of	11
nothing to do with	11
opera in one act	11
what you should say	11
in the hall of	11
the midst of which	11
she is about to	11
the day of the	11
in the mean while	11
the history of the	11
the fall of the	11
act opens in a	11
that he could not	11
it opens with a	11
the sign of the	11
i think it is	11
appears in the rheingold	11
what i shall say	11
by the power of	11
the ring and the	11
act of the opera	11
words by the composer	11
in spite of his	11
that there is no	11
the first and second	11
if he wants to	11
the thought of the	11
but he did not	11
by the motive of	11
to tell the truth	11
the disguise of a	11
is not to be	11
were i thy bride	11
to the care of	11
as the curtain rises	11
one to the other	11
the leader of the	11
it would be a	11
he had come to	11
the meaning of the	11
over and over again	11
un ballo in maschera	11
ladies of the court	11
come out of the	11
and there is a	11
to the fact that	11
the church of st	11
the house of hunding	11
action of the opera	11
of the story of	11
as one of the	11
at the court of	11
the shape of a	11
comes out of the	11
the walls of the	11
produced at the opera	11
the principal numbers in	11
that it is a	11
once upon a time	10
the scene in the	10
the vision of the	10
of his love for	10
first produced in vienna	10
of the most effective	10
of act i act	10
the second scene of	10
it is only when	10
at the hands of	10
one of the greatest	10
a matter of fact	10
the yeomen of the	10
there is only one	10
curse of the ring	10
so that he may	10
at the door of	10
music of the opera	10
the last of the	10
the fourth act is	10
in connection with the	10
shall live and die	10
to his lips and	10
the fact that the	10
of the gods is	10
opera opens with a	10
this is followed by	10
at the house of	10
from one of the	10
tells her that he	10
said to have been	10
lady harriet and nancy	10
what have you done	10
under the influence of	10
the eyes of the	10
the sons of men	10
la femme de tabarin	10
of tristan and isolde	10
of the knights of	10
the mouth of the	10
the cast was as	10
was brought out in	10
by the arrival of	10
in a low voice	10
be said to have	10
in the castle of	10
the language of the	10
is to be the	10
at such a time	10
to be in the	10
with all my heart	10
of which he is	10
in the background is	10
will shall have to	10
in love with a	10
first time in america	10
that he does not	10
but at the same	10
the climax of the	10
it to his lips	10
in place of the	10
he was about to	10
at the savoy theatre	10
i will shall have	10
but it was not	10
to the top of	10
with an air of	10
the ruler of the	10
it was first produced	10
from beginning to end	10
the production of the	10
when i was a	10
merry wives of windsor	10
of the ring and	10
was produced in paris	10
the plot of the	10
a song to sing	10
that he would be	10
if it were not	10
at this moment the	10
there can be no	10
in accordance with the	10
produced at the savoy	10
the greater part of	10
the foot of a	10
motive of the love	10
the passage of the	10
at that very moment	10
last act opens with	10
the woman he loves	10
if he does not	10
last act opens in	10
to the music of	10
for a little while	10
in the barber of	10
in order to make	10
in the fourth act	10
that he did not	9
on account of the	9
daughter of the queen	9
it was not until	9
the rules of the	9
of the temple of	9
there is a duet	9
it is difficult to	9
if i were to	9
to listen to the	9
in the manner of	9
the leading numbers of	9
he seems to have	9
the head of his	9
merry maiden and the	9
he tells her that	9
under the spell of	9
jewels of the madonna	9
broken in upon by	9
the first part of	9
to come to the	9
is accompanied by a	9
jean de reszke as	9
the chorus of the	9
the opera was given	9
sisters and his cousins	9
hey willow waly o	9
one of the finest	9
in america at the	9
are heard in the	9
he is in love	9
the heart of a	9
the merry maiden and	9
a great deal of	9
of siegmund and sieglinde	9
between the two men	9
and there is no	9
a flash of lightning	9
he will have to	9
in its original form	9
the summit of the	9
but he does not	9
one after the other	9
and at that moment	9
the beauty of the	9
a part of the	9
the midst of his	9
prince of monte carlo	9
it is time for	9
leading numbers of the	9
her to fly with	9
scene changes to a	9
that she does not	9
in the land of	9
in order that he	9
it is as if	9
but before he can	9
the secret of the	9
a matter of course	9
ring on his finger	9
of the world and	9
in the character of	9
in the garden of	9
to fly with him	9
from one to the	9
i will tell thee	9
is the son of	9
the principal numbers are	9
and the curtain falls	9
the great hall of	9
in the opening scene	9
the wings of the	9
away in the distance	9
a grand opera in	9
the help of the	9
maiden and the tar	9
as well as a	9
castle of the grail	9
in the motive of	9
of the fact that	9
number in the opera	9
of all the world	9
his sisters and his	9
the motive of compact	9
of the grail and	9
is to be married	9
with the aid of	9
the opera was first	9
who had come to	9
interrupted by the entrance	9
in the shape of	9
and tells him that	9
as he is about	9
the effect of the	9
make sure of his	9
sign of the cross	9
the shouts of the	9
first scene of the	9
of the red sea	9
him the story of	9
as if he had	9
of the gods has	9
some of the most	9
to save his life	9
end of the gods	9
horn to his lips	9
the case of the	9
first performance in america	9
all parts of the	9
the influence of the	9
which he is to	9
scene is laid at	9
for the most part	9
have a song to	9
to the end of	9
to go to the	9
as soon as he	9
the ring from his	9
una voce poco fa	9
the scene is a	9
he says that he	9
the whole of the	9
she is in love	9
taming of the shrew	9
the hero of the	9
the use of the	9
the orchestra like a	9
at the park theatre	9
what he has done	9
this sort of thing	9
the period of the	9
what are you doing	9
a song of love	9
the development of the	9
numbers of the first	9
of the music of	9
what in the world	9
does not know that	9
the camp of the	9
what have i done	9
the arm of the	8
he wants to make	8
the wife of a	8
the duke of mantua	8
down to the shore	8
madame de la tour	8
i have told you	8
i act ii scene	8
cousins and his aunts	8
there is no need	8
is the story of	8
the feet of the	8
at that moment a	8
the care of the	8
one of the few	8
i am going to	8
about to enter the	8
to the second act	8
the god of war	8
in keeping with the	8
in this country in	8
the mind of the	8
he does not close	8
was heard in the	8
is at its height	8
the place of the	8
the second act of	8
it seemed to her	8
the principal numbers of	8
scene in which the	8
into the presence of	8
from the direction of	8
come upon the scene	8
music by richard wagner	8
it would have been	8
the strains of the	8
scene of this act	8
now i am the	8
on the th of	8
sure of his jill	8
at the prospect of	8
and the first act	8
three little maids from	8
in which she tells	8
i have never seen	8
the way to the	8
the queen and her	8
the secret of his	8
a doctor of divinity	8
much of the music	8
nibbling at my housekin	8
and it was not	8
first lord of the	8
the king and the	8
with the result that	8
of the thirteenth century	8
what a tale of	8
rising of the curtain	8
out into the street	8
little maids from school	8
is the only one	8
that it is not	8
in contemplation of the	8
the dance of the	8
with a libretto by	8
do you mean by	8
curtain rises upon the	8
passage of the red	8
do you know what	8
up to the finale	8
a description of the	8
of the man who	8
in three acts and	8
i will tell you	8
and is followed by	8
the monastery of st	8
i giojelli della madonna	8
wants to make sure	8
knight of the holy	8
there is a brief	8
and his cousins and	8
a few moments later	8
the progress of the	8
in a state of	8
the sight of her	8
the arrival of the	8
the captain of the	8
the midst of a	8
that he is not	8
in the matter of	8
is heard from the	8
it is full of	8
is the matter with	8
the little girl asked	8
can it be that	8
in the camp of	8
of a modern major	8
the marriage of figaro	8
and music by richard	8
conceived the idea of	8
that is the love	8
is in three acts	8
of the magic flute	8
of the same year	8
interrupted by the appearance	8
the opening scene of	8
of the metropolitan opera	8
that is to be	8
on the eve of	8
to the sound of	8
and that he is	8
of the same name	8
of the marriage of	8
is about to go	8
for the coming of	8
announces the approach of	8
the manner of the	8
on one of the	8
the motive of fate	8
on the other side	8
is none other than	8
the ride of the	8
the jewels of the	8
great hall of the	8
the surface of the	8
i have a song	8
you are going to	8
to make love to	8
in all the world	8
the ring from her	8
for a moment in	8
it is not a	8
the way of the	8
the melody of the	8
the scene is the	8
another part of the	8
a grandee of spain	8
there is a scene	8
the young man is	8
the fragments of the	8
the body of the	8
theme of the opera	8
the hill of venus	8
on the day of	8
the top of a	8
to throw herself into	8
that she loves him	8
the details of the	8
is supposed to be	8
it may be said	8
of the death of	8
in that case unprecedented	8
he would like to	8
the singing of the	8
on the stage in	8
of the work in	8
love at first sight	8
on any stage at	8
gives vent to his	8
the sake of the	8
that he will not	8
in order to save	8
to the castle of	8
merrily ring the luncheon	8
of some of the	8
the very midst of	8
than love a heartless	8
falls on her knees	8
which is in the	8
it is the most	8
his cousins and his	8
vision of the grail	8
all shall equal be	8
the noise of the	8
is about to marry	8
of the approach of	8
of the opera at	8
he did not know	8
and this in turn	8
of the castle and	8
sing booh to you	8
la damnation de faust	8
of le nozze di	8
in the world to	8
so that she may	8
the curtain falls upon	8
heard again in the	8
principal numbers of the	8
make the most of	8
and out of the	8
him that she is	8
the race of the	8
that it was he	8
the daughters of the	8
it is easy to	8
love a heartless jade	8
in the next act	8
a tale of cock	8
what have you to	8
is supposed to have	7
the pieces of the	7
a pair of shoes	7
of the grail are	7
come to life again	7
the finale begins with	7
the god of fire	7
when i first put	7
coming out of the	7
i can see the	7
not in the least	7
and he craved no	7
new york and london	7
the king of thule	7
the memory of the	7
the book of the	7
he had not been	7
tells him that she	7
he is an englishman	7
the fate of the	7
the possession of the	7
at the thought that	7
make use of the	7
the motif of the	7
that he is her	7
the town clerk is	7
the departure of the	7
him that he has	7
the fact that it	7
whom do ye ward	7
the kind of maid	7
in the face of	7
when he comes to	7
was none other than	7
upon the ground and	7
is the first to	7
it was she who	7
and that he has	7
was first heard in	7
he tells them that	7
in the fact that	7
to do with it	7
the fact that he	7
in the very midst	7
drawn by a swan	7
in a fit of	7
star of the north	7
the death of her	7
the cause of her	7
of the highest order	7
but all in vain	7
to him in the	7
goddess of love and	7
on the opposite side	7
i feel as if	7
the ring to the	7
when it came to	7
said the little girl	7
there is not a	7
the rising of the	7
take the place of	7
it may be that	7
that he loves her	7
principal numbers are the	7
to become a master	7
that she is his	7
he would have been	7
the front of the	7
is filled with a	7
the motive of sympathy	7
of the work is	7
do you not know	7
of a rocky mountain	7
is a sort of	7
the feast of the	7
very model of a	7
of the middle ages	7
the king of barataria	7
act is laid in	7
falls in a swoon	7
the top of his	7
in the first place	7
the first of these	7
to come to her	7
it is here that	7
to make use of	7
looked at each other	7
out of which the	7
for elsa of brabant	7
of the sixteenth century	7
in league with the	7
is to be done	7
the home of the	7
to be found in	7
was so great that	7
of the most famous	7
in the fourth scene	7
for the hand of	7
the opera was brought	7
of the isolde motive	7
in the valley of	7
is to be given	7
in the public square	7
in the nature of	7
an account of his	7
when the curtain fell	7
in the story of	7
takes place in the	7
is the name of	7
the curtain rises on	7
knock at the door	7
that it is his	7
at sight of him	7
the window of the	7
seen in the distance	7
so far as to	7
after the first performance	7
but a short time	7
is at an end	7
the people in the	7
for the rest of	7
die for love of	7
they have come to	7
in the ring of	7
as in the play	7
draws his sword and	7
he is going to	7
to the temple of	7
and at the last	7
the overture to the	7
that it was not	7
from all parts of	7
the american opera company	7
has always been a	7
to add to the	7
the close of his	7
from the depths of	7
what is all this	7
at the request of	7
a boat drawn by	7
by the sound of	7
mountararat and lord tolloller	7
the statue of the	7
and there was a	7
the altar of the	7
do you think of	7
ring the luncheon bell	7
but at the last	7
they all shall equal	7
the shadow of a	7
and day by day	7
what do you want	7
the wall of the	7
a performance of the	7
is laid in spain	7
the rose of castile	7
the arms of the	7
of her love for	7
any stage at the	7
of the story is	7
first performance of the	7
tells him that the	7
the head of a	7
to take the place	7
in a spirit of	7
it is my duty	7
knight of her dream	7
words by barbier and	7
that she will not	7
in the lesson scene	7
the man who has	7
the remainder of the	7
boat drawn by a	7
one of the great	7
in honour of the	7
he craved no crumb	7
the very model of	7
the wife of bath	7
the second act discloses	7
the god of day	7
the significance of the	7
is seized with a	7
to the story of	7
the other side of	7
the time has come	7
that he was a	7
with the rest of	7
so long as the	7
i wish i had	7
the scene closes with	7
and yet it is	7
captain of the guard	7
in the art of	7
model of a modern	7
herself into the sea	7
what may be called	7
performance on any stage	7
production of the work	7
the song is not	7
in the palace of	7
to be ashamed of	7
will be able to	7
that she could not	7
the effects of the	7
in search of a	7
the form of the	7
like ears he does	7
the temple of vulcan	7
what do you say	7
the threshold of the	7
the destruction of the	7
and a good judge	7
ears he does not	7
the cry of the	7
so do his sisters	7
manner in which the	7
the flowers of progress	7
numbers of the second	7
the style of the	7
the most popular of	7
that it would be	7
he had no sooner	7
lord and lady allcash	7
the house of hate	7
am the ruler of	7
it is like a	7
the course of this	7
he has never seen	7
the third act of	7
with a sense of	7
fragments of the sword	7
the sudden appearance of	7
scene opens with a	7
is that of the	7
as well as of	7
he sipped no sup	7
in the minds of	7
the effect of a	7
of the opera as	7
in new york and	7
legend of the flying	7
in the summer of	7
the pirates of penzance	7
to think of the	7
in the mind of	7
as long as he	7
what does this mean	7
reaches its climax in	7
is seen in the	7
a bit of the	7
the garden of the	7
is not at all	7
with a gesture of	7
at the entrance to	7
the flying dutchman and	7
the following cast of	7
in front of it	7
in the development of	7
just in time to	7
all the world is	7
nothing of the kind	7
first performance on any	7
the guise of a	7
he begs her to	7
of the house of	7
ha ha ha ha	7
the sleep of death	7
in the shadow of	7
that now i am	7
and hands it to	7
it is the motive	7
which is interrupted by	7
with him to the	7
i am the very	7
with the return of	7
in half an hour	7
parts of the world	7
full of life and	7
at the point of	7
i am the ruler	7
the god of love	7
in the eyes of	7
tra la la la	7
all the rest of	7
the holy grail and	7
the man to whom	7
a glass of wine	7
the man who had	7
he has fallen in	6
like that of the	6
it may not be	6
at the herald square	6
the leaves so green	6
there is no time	6
of the scene is	6
as a reward for	6
romantic opera in three	6
a glorious thing to	6
in a boat drawn	6
the figure of the	6
her hand in marriage	6
opera in new york	6
i am to be	6
the aid of the	6
clasps her in his	6
in the modern repertory	6
on the stage of	6
the love of the	6
it would not be	6
of the golden west	6
on the outskirts of	6
on the threshold of	6
the herald square theatre	6
in new york was	6
he turns to the	6
is all very well	6
pains alone are true	6
and the music is	6
in the power of	6
heard in new york	6
it is a fact	6
it seems as if	6
time in america at	6
this way and that	6
in order that she	6
turns out to be	6
middle of the stage	6
from the fact that	6
to be able to	6
and that she will	6
and who craved no	6
stars of the opera	6
to say to me	6
but at the end	6
the valley of the	6
as if in a	6
at the mouth of	6
the opera as a	6
words by scribe and	6
the arrival of a	6
by the might of	6
as well as he	6
about and back again	6
by the name of	6
when past bearing is	6
a touch of the	6
he has come to	6
when i tell you	6
from dim twilight to	6
produced at the grand	6
by one of the	6
the taming of the	6
the custom of the	6
urges her to fly	6
not close now is	6
at this point the	6
to be his wife	6
the powers of evil	6
cutter and the broom	6
and he does not	6
the sort of thing	6
in the hope of	6
followed by a second	6
the accompaniment of a	6
in answer to the	6
echo forth the joyous	6
came to an end	6
of the high priest	6
of the same title	6
nothing whatever to grumble	6
of the king and	6
his way to the	6
are set to a	6
and at last the	6
it does not seem	6
the imagination of the	6
of the opera was	6
i never thought of	6
to death in the	6
and urges him to	6
of the love duet	6
the abode of the	6
but it is too	6
in new york in	6
to go with him	6
count de campo mayor	6
the stage of the	6
heard the sound of	6
is a masterpiece of	6
an opera buffa in	6
numbers of the opera	6
and you are right	6
the night of the	6
the court of the	6
past bearing is our	6
is the same as	6
the prince of monte	6
this is too much	6
he was in a	6
possess himself of the	6
the purpose of the	6
it is not so	6
finale of the first	6
meadow on the banks	6
captain of the pinafore	6
at once to the	6
the hands of a	6
and the king and	6
the sight of his	6
with her own hand	6
would be willing to	6
of the nineteenth century	6
in marriage to the	6
no sooner gone than	6
of the military drum	6
on the operatic stage	6
the chief of the	6
the vassals and women	6
he is the only	6
libretto by william s	6
and tell him to	6
grand duke of pfennig	6
when it was produced	6
a devil of a	6
the end of a	6
of cock and bull	6
girl of the golden	6
no possible doubt whatever	6
hurrah for the pirate	6
make the best of	6
must go to the	6
been heard in the	6
which is the very	6
who craved no crumb	6
such a thing as	6
is to be a	6
the ring from him	6
is about to enter	6
to listen to his	6
put this uniform on	6
of all that is	6
hall of the palace	6
is a good deal	6
the accompaniment of the	6
the life of the	6
the opera closes with	6
which leads to the	6
music of the first	6
in the garb of	6
and in the next	6
to possess himself of	6
faint heart never won	6
to win the prize	6
by the sight of	6
plot of the opera	6
duke of pfennig halbpfennig	6
of the opera and	6
is heard on the	6
the loss of the	6
of the court of	6
how he came to	6
he is thinking of	6
to the king and	6
that he has a	6
who sipped no sup	6
is in league with	6
in his power to	6
as he thinks of	6
to take part in	6
le mariage de figaro	6
introduction to the third	6
other side of the	6
the interior of a	6
it is well to	6
was a little boy	6
a vision of the	6
the repertory of the	6
and tells him to	6
first put this uniform	6
a romantic opera in	6
mouth of the cave	6
in answer to his	6
the convent of st	6
the name of her	6
tale of cock and	6
was brought out at	6
not only in the	6
is about to take	6
far away from the	6
shall be able to	6
became more and more	6
that he shall not	6
out of her mind	6
as if he were	6
finale of the second	6
the midst of it	6
the gods and the	6
depths of the earth	6
his back to the	6
from rock to rock	6
the shrine of the	6
as i have said	6
there is but one	6
to give up his	6
becomes aware of the	6
in the autumn of	6
the modern opera house	6
the incidents of the	6
the strength of the	6
la forza del destino	6
up to the hilt	6
heard in the overture	6
if you love me	6
is based upon the	6
title of the opera	6
through the fire and	6
was at its height	6
of which he was	6
to the door and	6
to write an opera	6
in a duet of	6
was first performed at	6
the fact that she	6
in which she is	6
the same time to	6
end of the second	6
is not so much	6
give me your hand	6
i was a lad	6
one of his eyes	6
the background is the	6
early in the morning	6
where shall i find	6
the repertoire of the	6
announces that he is	6
the merry wives of	6
what can i do	6
first performance at the	6
the death of his	6
the power of love	6
which she is to	6
on the summit of	6
and tell me if	6
is laid in a	6
she does not know	6
for the benefit of	6
his face in his	6
never thought of that	6
forth the joyous sound	6
at the last supper	6
that it may be	6
in the beginning of	6
the motive of ecstasy	6
the ballad of the	6
is occupied with the	6
songs from the operas	6
the last scene of	6
the next scene is	6
the end of it	6
it was not the	6
it is not for	6
the composition of the	6
in a higher key	6
its pains alone are	6
to the third act	6
whatever to grumble at	6
with whom she has	6
her that he will	6
in new york at	6
when it was first	6
the sound of his	6
first act opens at	6
that she is in	6
in order to be	6
castle of the gods	6
bearing is our grief	6
they call me mimi	6
what am i to	6
the first two acts	6
new york at the	6
obtain possession of the	6
in which he has	6
the scene on the	6
on the one hand	6
opening of the first	6
who knew no fear	6
for the return of	6
is the scene of	6
never won fair lady	6
and it may be	6
a voice from the	6
it would not do	6
to the shrine of	6
declares his love for	6
the lord of the	6
for the pirate king	6
who is betrothed to	6
fighting is our trade	6
whose glance was glum	6
he is the son	6
had no sooner gone	6
a scene in the	6
was the first to	6
in love with each	6
end of the first	6
at the moment of	6
must study the knack	6
come and have a	6
and declares that he	6
i shall live and	6
order that he may	6
the light of day	6
the centre of the	6
there is no doubt	6
in spite of their	6
out of the woods	6
i do not think	6
i know not why	6
she is blithe and	6
desperately in love with	6
a many years ago	6
under sentence of death	6
is found in the	6
for a short time	6
close now is not	6
at the conclusion of	6
carl maria von weber	6
of the power of	6
for love of thee	6
appears at the door	6
the ring from the	6
do you know who	6
are interrupted by the	6
not seem to have	6
round about and back	6
act to a close	6
motive of the mastersingers	6
the end of which	6
may be said that	6
what is to be	6
to give it up	6
the wife of the	6
who is also in	6
i will give thee	6
i am inclined to	6
it is not the	6
with one of the	6
sing bah to you	6
in the act of	6
on the lyric stage	6
beside himself with joy	6
rosina in the barber	6
the first time on	6
the wrath of wotan	6
the king of ethiopia	6
into the midst of	6
the idea of writing	6
of the woman he	6
that she is a	6
and the sound of	6
between him and the	6
that he had no	6
which has already been	6
in the repertoire of	6
der ring des nibelungen	6
from morn to afternoon	6
just as well as	6
in the temple of	6
demeure chaste et pure	6
know that he is	6
to some of the	6
and whose glance was	6
in the absence of	6
it would be impossible	6
for all the world	6
the waters of the	6
heart never won fair	6
way out of the	6
which leads to a	6
to the hall of	6
motive and the motive	6
away we go to	6
to tell him that	6
to save her from	6
my word for it	6
interrupted by the arrival	6
pilgrims on their way	6
are supposed to have	6
and was about to	6
the scene at the	6
put an end to	6
word of them is	6
the very ecstasy of	6
the music of his	6
by the american opera	6
the gardens of the	6
the song of a	6
and so do his	6
the history of opera	6
i know not what	6
in this act the	6
to say that the	6
lord mountararat and lord	6
the last act the	6
his foot on the	6
throw herself into the	6
spear in his hand	6
the act to a	6
he is to be	6
to one of the	6
money on the table	6
that it is in	6
this is the first	6
that he is about	6
then give three cheers	6
he was a little	6
the founder of the	6
falls to the ground	6
seemed to her that	6
to find out what	6
falls on his knees	6
do you not see	6
about to throw herself	6
it has been said	6
his consent to the	6
the music of which	6
the heroine of the	6
will have to be	6
whose soul was sad	6
is the object of	6
in which there is	6
bank of the rhine	6
the last of his	6
can you not see	6
at the last the	6
is said to be	6
what does it matter	6
days of long ago	6
love with each other	6
if he did not	6
i first put this	6
by the chicago opera	6
one of his own	6
in his arms and	6
in which he had	6
a knock at the	6
the opera had its	6
by sir arthur sullivan	6
not one of them	6
figaro and the count	6
the elixir of love	6
second act is the	6
as well as its	6
is not in the	6
the joy of the	6
the most beautiful of	6
in quest of the	6
the hall of justice	6
it is interesting to	6
for the union of	6
the ladies of the	6
in he brought out	6
her that he has	6
entrance to the cave	6
she tells the story	6
is known as the	6
as rosina in the	6
sing hey to you	6
she tells him of	6
allows himself to be	6
in the side of	6
that he has gone	6
it would be difficult	6
and echo forth the	6
the meaning of this	6
just the sort of	6
of them is true	6
and at the end	6
first and second acts	6
in the church of	6
the image of the	6
he might as well	6
the arms of her	6
of the love glance	6
stage at the metropolitan	6
the star of the	6
in the hour of	6
that he is an	6
in upon by the	6
the best of the	6
in the world of	6
makes good his escape	6
up and down the	6
him in her arms	6
if i could but	6
dost thou not know	6
and it is only	6
the midst of their	6
may be called the	6
lord of the world	6
grand opera in five	6
is one of those	6
about the same time	6
out upon the balcony	6
the management of the	6
that there is a	6
the blood of the	6
which are heard the	5
first act of this	5
as in days of	5
in the dusk of	5
the failure of the	5
between faust and marguerite	5
in a burst of	5
the door behind him	5
hall of the gibichungen	5
upon him with a	5
of a bit of	5
that she has been	5
the knight and his	5
from his place of	5
a short time before	5
what can you do	5
fell upon her knees	5
is full of life	5
that they are not	5
in the use of	5
more and more brightly	5
you know what it	5
daughters of the god	5
twenty years hence we	5
in which it was	5
sign the marriage contract	5
is transformed into a	5
the four points of	5
the mistress of the	5
of a band of	5
don giovanni and leporello	5
for her in the	5
study the knack if	5
is about to throw	5
but i do not	5
the ends of the	5
the songs of the	5
photo by mishkin mary	5
it is a beautiful	5
i have loved you	5
in a letter to	5
but there is a	5
had been made to	5
that he would not	5
the door of her	5
will be true to	5
try for the prize	5
that he is to	5
town and all its	5
on the bank of	5
to the blandishments of	5
direction of hans von	5
sick all against our	5
his place of concealment	5
he sings of the	5
the first american performance	5
here in the fire	5
as ransom for freia	5
of the opera which	5
is laid on the	5
with nothing whatever to	5
the nature of a	5
on the field of	5
that is the way	5
well as in the	5
he had seen the	5
the tower of babel	5
who has never learned	5
the nature of the	5
the order of the	5
quest of the holy	5
light of the moon	5
with the announcement that	5
one side of the	5
in some of the	5
lady harriet and lionel	5
understand the language of	5
the office of the	5
the opera is a	5
in a few minutes	5
he has returned to	5
ring from her finger	5
of the love of	5
vows vengeance upon the	5
the back of stage	5
once more in the	5
can be said to	5
the doors of the	5
down from the dome	5
heard the voice of	5
up out of the	5
he is a knight	5
quarter of a century	5
of the lyric drama	5
himself into a dragon	5
be made a master	5
takes the place of	5
the voice of love	5
her hand to the	5
fight for elsa of	5
the signing of the	5
years hence we shall	5
to go to bed	5
into the street and	5
for the opening of	5
the music covers pages	5
of the monastery of	5
knocking at the door	5
if it were a	5
shall be twenty love	5
the course of which	5
a picture of the	5
it seems to have	5
goes into the house	5
rise to the surface	5
from the house of	5
says the father of	5
at each other in	5
do not hurt us	5
and it is not	5
in spite of its	5
in the magic flute	5
be of good cheer	5
unreal its loveliest hue	5
gilbert music by arthur	5
that is one of	5
in the style of	5
the story of a	5
her by the hand	5
i served a term	5
followed by a charming	5
by the voice of	5
to persuade her that	5
don giovanni in the	5
as if she had	5
in the gardens of	5
at a sign from	5
character of the music	5
in his effort to	5
who had been watching	5
scene in the second	5
scene is the same	5
up in the air	5
and offers it to	5
when i think of	5
where can it be	5
the signal for the	5
the old man is	5
silence is broken by	5
siegfried has slain the	5
four points of the	5
opera had its first	5
over hill and dale	5
motive of the curse	5
the prince of pilsen	5
take my word for	5
he has lost his	5
she was about to	5
the prelude to the	5
the countess and susanna	5
with water from the	5
makes a sign to	5
by mishkin mary garden	5
of the palace of	5
is reported to have	5
with a view to	5
him the secret of	5
and the music of	5
by means of the	5
the curse of alberich	5
to be done with	5
act is occupied with	5
he asks her to	5
out of my sight	5
with a great effort	5
the price of his	5
one of the principal	5
princess of monte carlo	5
pleads with him to	5
violetta in la traviata	5
in the distance the	5
the story of lohengrin	5
the third act the	5
the garb of a	5
the midst of her	5
after the manner of	5
on the stage and	5
in a loud voice	5
reminds him of his	5
was on the point	5
of the love which	5
to join in the	5
after the production of	5
one of the men	5
she begs him to	5
her to be a	5
him to go to	5
scene is interrupted by	5
tells her of his	5
the voice of a	5
the ruins of the	5
history of the opera	5
about to be executed	5
first part of the	5
top of his voice	5
it had not been	5
so as to make	5
scene opens in the	5
is the music of	5
a hall in the	5
and invites him to	5
to be at the	5
by some of the	5
the happiness of the	5
but by that time	5
tum of the military	5
of the truth of	5
of the legion of	5
second act of the	5
extremely flat with nothing	5
than that of the	5
the scene opens with	5
as presented at the	5
on the edge of	5
at the back is	5
out of the repertoire	5
to whom he has	5
numbers in the second	5
be found in the	5
he does not see	5
with a basket of	5
tell me what you	5
there is a beautiful	5
of maid sets my	5
metropolitan opera house in	5
of the white lady	5
is the one who	5
of which he had	5
in the great hall	5
to be buried alive	5
as that of the	5
act closes with an	5
only for a moment	5
of the guileless fool	5
the prize on the	5
it is then that	5
in his own shape	5
of no use to	5
the spear of wotan	5
into the service of	5
their way to rome	5
is based on the	5
opera as a whole	5
to sing for the	5
it was not heard	5
musical point of view	5
her that he is	5
first time on any	5
what would you with	5
love they openly confess	5
to a sitting posture	5
he is accompanied by	5
and that he will	5
rules of the mastersingers	5
so that she is	5
one of his most	5
rise of the curtain	5
well as that of	5
condemned to death for	5
from top to bottom	5
as well as that	5
in the spirit of	5
but it is the	5
that he will never	5
he goes to the	5
that he has no	5
but it does not	5
he turned to the	5
in the rheingold and	5
the mysteries of isis	5
foot of a rocky	5
his way through the	5
was given for the	5
in spite of this	5
when asked if she	5
it was to be	5
springs to his feet	5
hilt of the sword	5
an impassioned love duet	5
that if he will	5
but it is a	5
all amongst the leaves	5
the origin of the	5
to be rid of	5
of the most dramatic	5
to that of the	5
on the island of	5
of the evil one	5
the music is in	5
the one who is	5
have come to the	5
thing in the world	5
the strains of a	5
of frederick of telramund	5
one of the loveliest	5
the will of the	5
between siegmund and sieglinde	5
to return to her	5
drama in three acts	5
the upper half of	5
herself into his arms	5
the celebration of the	5
it is all so	5
have come out of	5
i have seen the	5
in the city of	5
i am about to	5
she is the very	5
and that it is	5
the quest of the	5
the libretto is based	5
the next scene the	5
as in the first	5
thing to be a	5
to become his wife	5
it is the last	5
and the death of	5
music by sir arthur	5
in at the window	5
the complete opera book	5
the first time at	5
the thought of his	5
have gone too far	5
a hymn to the	5
it is the first	5
the people of the	5
would be difficult to	5
and goes off with	5
but it is of	5
the request of the	5
the holy grail is	5
the paris grand opera	5
there is a flash	5
who is about to	5
come down to the	5
of modern italian opera	5
the castle and the	5
the knack if he	5
the hero who knew	5
i can bake and	5
of his other operas	5
heard at the door	5
of which you should	5
is to be found	5
kind of maid sets	5
consent to the union	5
the accompaniment of his	5
water from the spring	5
i know that i	5
is introduced with a	5
the time in which	5
that i may not	5
the hand of amneris	5
the people who had	5
opera is full of	5
of the fourteenth century	5
one of them has	5
to persuade him to	5
opera was produced at	5
wishes he was dead	5
and all ends happily	5
under the management of	5
says that he will	5
as it should be	5
what does it mean	5
to see that the	5
that he should have	5
under the head of	5
no sooner has he	5
performed for the first	5
first produced in paris	5
draws the ring from	5
as well as his	5
shall be as you	5
the next scene occurs	5
for a moment to	5
cleft in the rock	5
all in his power	5
he has not yet	5
the ride to hell	5
forth in quest of	5
it is a glorious	5
but at this moment	5
it is at this	5
first produced at vienna	5
at the time the	5
of one of his	5
the minds of the	5
flowers that bloom in	5
made a deep impression	5
no sooner had he	5
that it seems to	5
of tristan und isolde	5
to a close with	5
that he has had	5
becomes more and more	5
in the distance with	5
it was in this	5
and announces that he	5
in the opera are	5
the director of the	5
name of the sword	5
ends of the earth	5
a cry of joy	5
a band of gypsies	5
his father was a	5
those who have not	5
to carry off the	5
the motive of flight	5
in her arms and	5
if they do not	5
the only question is	5
in praise of the	5
as well as i	5
sinks to the ground	5
with whom he has	5
taken up by the	5
can you tell me	5
every one of them	5
the night in the	5
dost thou not hear	5
there was to be	5
it used to be	5
with a repetition of	5
as it was before	5
in search of him	5
upon condition that he	5
the same time a	5
to the house of	5
the new york public	5
do all in his	5
portraits are given of	5
the air like a	5
the branches of the	5
that bloom in the	5
the opera is full	5
mishkin mary garden as	5
by the hand and	5
to her in the	5
a tour de force	5
comes to a close	5
what is wrong with	5
there is a long	5
metropolitan opera house on	5
down to the waist	5
opening of the third	5
he has been sent	5
out into the forest	5
and in spite of	5
as if she were	5
tell you a secret	5
production of the opera	5
where he has been	5
which closes the opera	5
she goes to the	5
the steps of the	5
first produced in london	5
face of the earth	5
in the world is	5
it is the same	5
the sword which he	5
to him the secret	5
at the entrance of	5
at this moment a	5
the next number is	5
with the original cast	5
of the quest of	5
helmet and the ring	5
the beginning of a	5
for the marriage of	5
the prefatory matter pages	5
to the effect that	5
to do is to	5
chief of the gods	5
as in a dream	5
the time for the	5
hall in the palace	5
she has come to	5
all that he had	5
we are introduced to	5
the efforts of the	5
the rise of the	5
given for the first	5
and told him that	5
i am a pirate	5
would be impossible to	5
the fourth act opens	5
last of the tribunes	5
of what he has	5
america at the metropolitan	5
in an agony of	5
he had lost his	5
ride of the valkyrs	5
declares her love for	5
and all the rest	5
be true to him	5
it begins with a	5
the result of the	5
flat with nothing whatever	5
the guardian of the	5
the owner of the	5
is characterized by a	5
that words imperfectly express	5
the creation of the	5
the motive of renunciation	5
of the rhinegold and	5
presence of the king	5
lord of the treasury	5
the good fortune to	5
prize on the morrow	5
buries his face in	5
queen of the wood	5
to the strains of	5
know not what you	5
so far as the	5
fall on their knees	5
be put to death	5
the rest of us	5
operas in the modern	5
to be a great	5
arms of her lover	5
that he may be	5
an opera in four	5
es ist nicht schwer	5
son of the king	5
is the work of	5
power of the ring	5
not only by the	5
as long as they	5
in a frenzy of	5
you may as well	5
the next scene opens	5
our hearts will range	5
the first of the	5
is on the point	5
scarce a word of	5
the composer of the	5
character of the opera	5
is the man who	5
none other than the	5
following cast of the	5
sets my heart aflame	5
we die for love	5
then away we go	5
to marry the girl	5
to account for the	5
by his love for	5
set forth in the	5
not being able to	5
the king of spain	5
performance of the work	5
you not see it	5
by means of a	5
it is clear that	5
the prophecy of the	5
who has never known	5
with the story of	5
the mainspring of the	5
the third and last	5
but at that moment	5
is no time to	5
as in act i	5
that he has not	5
in a doleful train	5
do not know you	5
the crew of the	5
is heard again in	5
in course of time	5
by dupont farrar as	5
brought out in paris	5
it back to the	5
a word with you	5
was first performed in	5
the contemplation of the	5
yet it is a	5
is out of her	5
overture to the opera	5
of the end of	5
had been able to	5
the tarnhelm on his	5
to get away from	5
i will be your	5
and that it was	5
hero who knows no	5
lord who rules the	5
the decision of the	5
so much that he	5
very much obliged to	5
of the count di	5
into the house and	5
from the operas contains	5
the favour of the	5
as soon as they	5
the temple of isis	5
she is to be	5
the best of it	5
why did the gods	5
in the person of	5
love of three kings	5
as far as the	5
it in his hand	5
the finale to the	5
on the deck of	5
the occasion of the	5
on the back of	5
of the goddess of	5
whom he has been	5
and the lovers are	5
i thank you for	5
by telling him that	5
hence we shall be	5
it is his own	5
she is a woman	5
end of the opera	5
was not to be	5
is led away to	5
upon the scene and	5
one who has never	5
of the minister of	5
face to face with	5
a victim to the	5
at sight of her	5
in days of long	5
are about to be	5
the treasure of the	5
in order to gain	5
is the curse of	5
to which i have	5
the arrangement of the	5
to the rules of	5
him so much that	5
of the ride of	5
of those who have	5
the servants of the	5
he thinks of the	5
devil of a quarrel	5
pleads with her to	5
time on any stage	5
the noble lord who	5
a repetition of the	5
he went to the	5
that he might not	5
glorious thing to be	5
sings the song of	5
comes to an end	5
to the back of	5
breaks out in a	5
the chapel of the	5
knack if he wants	5
the theft of the	5
hero who knew no	5
end of the third	5
with the powers of	5
feast of the assumption	5
the eye of the	5
the ringing of bells	5
to me to be	5
the first time the	5
turned out to be	5
evening of our day	5
of the efforts of	5
the attention of the	5
maid sets my heart	5
he draws his sword	5
the landgrave and his	5
the hilt of the	5
is not easy to	5
she had never seen	5
seemed to come from	5
of the ring of	5
if you do not	5
in search of her	5
the beginning of his	5
of the sacred spear	5
motive of eternal youth	5
the sound of her	5
to be given in	5
musical score excerpt the	5
on to the stage	5
it is of no	5
there is a dramatic	5
whom he has never	5
to the man who	5
produced at drury lane	5
the day of her	5
opens with a chorus	5
in a moment of	5
and in a moment	5
and the opera was	5
life in the forest	5
when it comes to	5
that he has seen	5
in the fall of	5
by victor georg galli	5
to attract his attention	5
of which he has	5
in lucia di lammermoor	5
the only thing that	5
from the effects of	5
for a brief moment	5
it is not easy	5
i shall never be	5
a quarter of a	5
have nothing to do	5
act opens upon a	5
of the house and	5
the life of a	5
the evening of our	5
life extremely flat with	5
of youth and beauty	5
in the opera of	5
versions of the legend	5
the second act contains	5
gaze at each other	5
was to be a	5
frightened half to death	5
race of the gods	5
that one of the	5
he rushes into the	5
knight of the rose	5
all against our will	5
in one act by	5