This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
the church of st | 87 |
the end of the | 44 |
the rest of the | 44 |
one of the most | 42 |
the whole of the | 41 |
of the church of | 40 |
the middle of the | 39 |
the time of the | 36 |
at the end of | 36 |
at the same time | 35 |
the walls of the | 32 |
in the church of | 30 |
is one of the | 30 |
of the fifteenth century | 28 |
of william the conqueror | 28 |
the history of the | 28 |
the remains of the | 28 |
of the sixteenth century | 27 |
the foot of the | 27 |
the name of the | 27 |
in the middle of | 27 |
this part of the | 26 |
as well as the | 26 |
at the foot of | 25 |
the beginning of the | 25 |
in this part of | 25 |
of one of the | 25 |
in the course of | 24 |
in the midst of | 24 |
the edge of the | 23 |
the banks of the | 23 |
of the middle ages | 22 |
church of notre dame | 21 |
the top of the | 21 |
of some of the | 20 |
of the eleventh century | 20 |
on the opposite side | 20 |
the abbey of st | 20 |
in front of the | 20 |
at the present time | 19 |
a part of the | 19 |
in the time of | 19 |
was one of the | 19 |
of the abbey of | 19 |
to be found in | 19 |
the greater part of | 19 |
to be seen in | 19 |
the side of the | 19 |
the interior of the | 19 |
by the name of | 19 |
de la haute normandie | 18 |
in one of the | 18 |
the church of notre | 18 |
with the exception of | 18 |
for the purpose of | 18 |
the west front of | 17 |
during the reign of | 17 |
opposite side of the | 17 |
of the fourteenth century | 17 |
of pont du sable | 17 |
a portion of the | 17 |
in spite of the | 17 |
of mont st michel | 17 |
the opposite side of | 17 |
on the south side | 16 |
the mouth of the | 16 |
the destruction of the | 16 |
the archbishop of rouen | 16 |
known by the name | 16 |
said to have been | 16 |
the conquest of england | 16 |
in the fifteenth century | 15 |
part of the country | 15 |
the style of the | 15 |
the essence of selfishness | 15 |
the part of the | 15 |
appears to have been | 15 |
is said to have | 15 |
the exterior of the | 15 |
of the thirteenth century | 15 |
still to be seen | 14 |
on the part of | 14 |
the king of france | 14 |
the centre of the | 14 |
the church of the | 14 |
the pays de caux | 14 |
the windows of the | 14 |
on the north side | 13 |
the capital of the | 13 |
the date of the | 13 |
on either side of | 13 |
banks of the seine | 13 |
the valley of the | 13 |
part of the town | 13 |
as far as the | 13 |
at the time of | 13 |
at pont du sable | 13 |
the capitals of the | 13 |
to the crown of | 13 |
in the rue st | 12 |
at the head of | 12 |
the upper part of | 12 |
on the road to | 12 |
the other side of | 12 |
in the seventeenth century | 12 |
in the direction of | 12 |
it must have been | 12 |
in the act of | 12 |
the life of the | 12 |
the midst of the | 12 |
in the days of | 12 |
it is possible to | 12 |
by the side of | 12 |
in the form of | 12 |
the north side of | 12 |
be seen in the | 12 |
part of the church | 12 |
to the present day | 12 |
richard coeur de lion | 12 |
the door of the | 12 |
by one of the | 12 |
on each side of | 12 |
in the history of | 12 |
in the centre of | 12 |
the forest and vale | 12 |
of the seventeenth century | 12 |
this portion of the | 12 |
side of the town | 12 |
you may see the | 12 |
a short distance from | 12 |
the end of a | 12 |
the exception of the | 12 |
the inhabitants of the | 11 |
out of the town | 11 |
the arrival of the | 11 |
to be able to | 11 |
appear to have been | 11 |
in pont du sable | 11 |
the little town of | 11 |
in the vicinity of | 11 |
the beauty of the | 11 |
in the reign of | 11 |
the ruins of the | 11 |
now used as a | 11 |
the site of the | 11 |
interior of the church | 11 |
as if it had | 11 |
each side of the | 11 |
de la grosse horloge | 11 |
it is necessary to | 11 |
the founder of the | 11 |
levelled with the ground | 11 |
at the top of | 11 |
the palais de justice | 11 |
are to be seen | 11 |
at the time when | 11 |
on the other side | 11 |
and it is not | 11 |
in the name of | 11 |
of the same name | 11 |
in the presence of | 11 |
to have been the | 11 |
abandoned by the marsh | 10 |
is to be found | 10 |
joan of arc was | 10 |
the fact that the | 10 |
of this part of | 10 |
in the eleventh century | 10 |
the same time that | 10 |
upper part of the | 10 |
the salle des chevaliers | 10 |
of the name of | 10 |
histoire de la haute | 10 |
west front of the | 10 |
to mont st michel | 10 |
madame de la fayette | 10 |
the crown of france | 10 |
spire of the church | 10 |
the work of the | 10 |
of the west front | 10 |
on account of its | 10 |
in the thirteenth century | 10 |
the west end of | 10 |
in the sixteenth century | 10 |
the position of the | 10 |
his account of the | 10 |
the cathedral at rouen | 10 |
of the pays de | 10 |
of the norman dukes | 10 |
the chapel of st | 10 |
in our own country | 10 |
by the banks of | 10 |
the names of the | 10 |
with a view to | 10 |
the hotel de ville | 10 |
the hands of the | 10 |
the same time as | 10 |
to one of the | 10 |
of the twelfth century | 10 |
house abandoned by the | 10 |
after the battle of | 10 |
of the building is | 10 |
at the edge of | 10 |
one side of the | 10 |
the summit of the | 10 |
the commencement of the | 10 |
north side of the | 10 |
architectural antiquities of normandy | 10 |
nothing more than a | 10 |
must have been a | 10 |
the death of the | 10 |
there is nothing to | 9 |
the remains of a | 9 |
and there is a | 9 |
in a state of | 9 |
in the open air | 9 |
with the rest of | 9 |
to pont du sable | 9 |
on the northern side | 9 |
at the beginning of | 9 |
at a short distance | 9 |
the height of the | 9 |
of the history of | 9 |
it is said that | 9 |
the character of the | 9 |
are to be found | 9 |
the top of a | 9 |
a glimpse of the | 9 |
one hundred and fifty | 9 |
the duchy of normandy | 9 |
front of the cathedral | 9 |
this part of france | 9 |
my house abandoned by | 9 |
of the interior of | 9 |
the rue aux fevres | 9 |
the feet of the | 9 |
at mont st michel | 9 |
from the walls of | 9 |
is to be seen | 9 |
the jardin des plantes | 9 |
in the beginning of | 9 |
the days of the | 9 |
church of st pierre | 9 |
the use of the | 9 |
supposed to have been | 9 |
the one with the | 9 |
in the cathedral at | 9 |
west end of the | 9 |
the head of the | 8 |
time of the revolution | 8 |
what will you have | 8 |
this part of normandy | 8 |
one of the finest | 8 |
the abbey of bec | 8 |
the close of the | 8 |
it would have been | 8 |
of the nave is | 8 |
in consequence of the | 8 |
tour de la grosse | 8 |
the chapel of the | 8 |
is still to be | 8 |
it is to be | 8 |
the early part of | 8 |
ruins of the abbey | 8 |
the great church of | 8 |
exterior of the church | 8 |
of the abbaye aux | 8 |
church of st ouen | 8 |
other side of the | 8 |
the first of these | 8 |
side of the road | 8 |
one of the towers | 8 |
on account of the | 8 |
highest part of the | 8 |
to that of the | 8 |
in some of the | 8 |
the author of the | 8 |
be found in the | 8 |
to the church of | 8 |
in the rue de | 8 |
is one of those | 8 |
at the present day | 8 |
that are to be | 8 |
greater part of the | 8 |
the whole of this | 8 |
the immediate vicinity of | 8 |
the highest part of | 8 |
description de la haute | 8 |
of the church at | 8 |
if it had been | 8 |
that it is a | 8 |
the spandrils of the | 8 |
i have already mentioned | 8 |
little more than a | 8 |
are still to be | 8 |
the heart of the | 8 |
in the way of | 8 |
founder of the abbey | 8 |
it is in the | 8 |
the roof of the | 8 |
the spire of the | 8 |
in the fourteenth century | 8 |
seems to have been | 8 |
in possession of the | 8 |
the lower part of | 8 |
you may see a | 8 |
the latter part of | 8 |
the reign of henry | 8 |
as well as in | 8 |
during the eleventh century | 8 |
to the town of | 8 |
early part of the | 8 |
in the case of | 8 |
is it not so | 8 |
house in the rue | 8 |
the nave of the | 8 |
as if it were | 8 |
mont st michel was | 8 |
the form of a | 8 |
spandrils of the arches | 8 |
in the style of | 8 |
front of the church | 8 |
at the extremity of | 8 |
the abbey of jumieges | 8 |
the place de la | 7 |
in a few minutes | 7 |
capitals of the pillars | 7 |
the time of louis | 7 |
western towers of the | 7 |
figure of the virgin | 7 |
of my house abandoned | 7 |
it was here that | 7 |
to the fifteenth century | 7 |
in the early part | 7 |
of the interior is | 7 |
the architecture of the | 7 |
of the monastic buildings | 7 |
the western end of | 7 |
the opening of the | 7 |
to the holy land | 7 |
in and out of | 7 |
there was a great | 7 |
it is easy to | 7 |
the fate of the | 7 |
of the nave are | 7 |
as well as a | 7 |
the bishop of bayeux | 7 |
the arches of the | 7 |
in the middle ages | 7 |
it was in the | 7 |
is said to be | 7 |
in the face of | 7 |
mouth of the seine | 7 |
but i do not | 7 |
monumens de la monarchie | 7 |
which is said to | 7 |
rest of the building | 7 |
either side of the | 7 |
the very edge of | 7 |
distant view of the | 7 |
st lo and bayeux | 7 |
in the immediate vicinity | 7 |
the building of the | 7 |
as if they were | 7 |
of the nineteenth century | 7 |
it is known that | 7 |
side of the church | 7 |
of nearly the same | 7 |
short distance from the | 7 |
roof of the choir | 7 |
tower and spire of | 7 |
of our own country | 7 |
look down upon the | 7 |
the origin of the | 7 |
towards the end of | 7 |
in connection with the | 7 |
and one of the | 7 |
we are told that | 7 |
of the church is | 7 |
walls of the town | 7 |
the village of le | 7 |
if we are to | 7 |
the owner of the | 7 |
of joan of arc | 7 |
the last of the | 7 |
some of the most | 7 |
all that is left | 7 |
the way to the | 7 |
the sound of the | 7 |
the gateway of the | 7 |
is typical of the | 7 |
is now used as | 7 |
lead up to the | 7 |
the rue de la | 7 |
in the same manner | 7 |
latter part of the | 7 |
the sides of the | 7 |
village of le petit | 7 |
here and there a | 7 |
the fact that it | 7 |
very edge of the | 7 |
in the shape of | 7 |
the extremity of the | 7 |
of the walls and | 7 |
the body of the | 7 |
in most of the | 7 |
the remainder of the | 7 |
are still in the | 7 |
a friend of mine | 7 |
with those of the | 7 |
of the abbey church | 7 |
the road by the | 7 |
towards the close of | 7 |
the choir of the | 7 |
with an air of | 7 |
it is difficult to | 7 |
place de la pucelle | 7 |
of the nave and | 7 |
the right bank of | 7 |
on the walls of | 7 |
mont st michel the | 7 |
of the south transept | 7 |
right bank of the | 7 |
the south side of | 7 |
choir of the church | 7 |
south side of the | 7 |
i said to myself | 7 |
it is not easy | 7 |
the roofs of the | 7 |
of the castle of | 7 |
is not to be | 7 |
up to the mont | 7 |
the road to bernay | 7 |
to be of the | 7 |
to those who are | 7 |
of the duchy of | 7 |
under the auspices of | 7 |
of the central tower | 7 |
the antiquity of the | 7 |
it is one of | 7 |
and most of the | 7 |
the abbaye aux hommes | 7 |
part of the building | 7 |
now serves as a | 7 |
lower part of the | 7 |
the long main street | 7 |
by a row of | 7 |
as early as the | 7 |
at the three wolves | 7 |
the face of the | 7 |
one hundred and thirty | 7 |
in the neustria pia | 7 |
western end of the | 7 |
on our way to | 7 |
the long line of | 7 |
for the use of | 6 |
i do not know | 6 |
to the time of | 6 |
great sweep of the | 6 |
the tops of the | 6 |
therefore it was that | 6 |
in the nave of | 6 |
of the church was | 6 |
as you go towards | 6 |
the porte du roi | 6 |
the level of the | 6 |
in the foreground is | 6 |
the waters of the | 6 |
the incursions of the | 6 |
of the pointed style | 6 |
the sound of a | 6 |
as well as to | 6 |
was not to be | 6 |
man of the world | 6 |
it is a fine | 6 |
in the lost village | 6 |
the archives of the | 6 |
was the seat of | 6 |
are said to have | 6 |
this is not the | 6 |
of the houses of | 6 |
the bay of cancale | 6 |
and there is no | 6 |
early years of the | 6 |
to the top of | 6 |
a fine specimen of | 6 |
one may see a | 6 |
in the rue des | 6 |
the direction of the | 6 |
on the coast of | 6 |
portail de la calende | 6 |
on a level with | 6 |
it is certain that | 6 |
it was built by | 6 |
the early years of | 6 |
can be seen the | 6 |
church of the abbey | 6 |
it appears to have | 6 |
on the banks of | 6 |
most of the houses | 6 |
house by the marsh | 6 |
by a blaze of | 6 |
some of the windows | 6 |
we can see the | 6 |
is a road that | 6 |
and the remains of | 6 |
view of the town | 6 |
a few years ago | 6 |
the character of a | 6 |
by means of a | 6 |
of most of the | 6 |
the news of the | 6 |
of the abbey buildings | 6 |
behind the high altar | 6 |
as a matter of | 6 |
the pillars of the | 6 |
gateway of the chateau | 6 |
of the cathedral that | 6 |
the history of normandy | 6 |
of the old castle | 6 |
has given rise to | 6 |
in the matter of | 6 |
end of the church | 6 |
in honor of the | 6 |
built in the thirteenth | 6 |
the seat of the | 6 |
there is a great | 6 |
it may be that | 6 |
beginning of the sixteenth | 6 |
the construction of the | 6 |
the daughter of the | 6 |
from the twelfth century | 6 |
forest and vale in | 6 |
list of line illustrations | 6 |
till the time of | 6 |
as well as of | 6 |
side of the nave | 6 |
the spirit of the | 6 |
on the bayeux tapestry | 6 |
with a kind of | 6 |
destroyed at the revolution | 6 |
the long lines of | 6 |
in this way the | 6 |
the left is the | 6 |
of the old houses | 6 |
every reason to believe | 6 |
was taken by the | 6 |
the northern side of | 6 |
into the hands of | 6 |
after a lapse of | 6 |
at the west end | 6 |
of one hundred and | 6 |
list of coloured illustrations | 6 |
is believed to have | 6 |
other parts of the | 6 |
by whom it was | 6 |
at the east end | 6 |
that the whole of | 6 |
under the reign of | 6 |
rest of the world | 6 |
northern side of the | 6 |
great church of st | 6 |
the rue st malo | 6 |
as we have seen | 6 |
as a place of | 6 |
what do you think | 6 |
of the little town | 6 |
church of the abbaye | 6 |
in the chapel of | 6 |
the gates of the | 6 |
with the history of | 6 |
on the edge of | 6 |
from the fifteenth century | 6 |
the side of a | 6 |
in a pair of | 6 |
to the king of | 6 |
the foreground is the | 6 |
on his way to | 6 |
for a long time | 6 |
in point of fact | 6 |
in the hands of | 6 |
some of the other | 6 |
is known to have | 6 |
the church of la | 6 |
on one side of | 6 |
you go towards the | 6 |
the entrance of the | 6 |
of the most ancient | 6 |
to the abbey of | 6 |
nave of the church | 6 |
the eastern side of | 6 |
one of the windows | 6 |
etymology of the name | 6 |
the first of the | 6 |
of this portion of | 6 |
and it has been | 6 |
the ancient capital of | 6 |
porch of the church | 6 |
to have been erected | 6 |
of the norman kings | 6 |
banks of the river | 6 |
to the open sea | 6 |
some parts of the | 6 |
church of la trinite | 6 |
quite close to the | 6 |
the walls and towers | 6 |
on the left is | 6 |
if one were to | 6 |
of notre dame at | 6 |
there is a road | 6 |
was built in the | 6 |
i send you a | 6 |
the view of the | 6 |
which bears the date | 6 |
to the castle is | 6 |
of notre dame de | 6 |
all the way to | 6 |
the portail de la | 6 |
of the forest of | 6 |
the summit of a | 6 |
the aisles of the | 6 |
during the reigns of | 6 |
now and then he | 6 |
remains of the castle | 6 |
it was one of | 6 |
with a degree of | 6 |
the charm of the | 6 |
on top of the | 6 |
the appearance of the | 6 |
a representation of the | 6 |
the hand of the | 6 |
norman church of st | 6 |
in a few hours | 6 |
it is only in | 5 |
of the last century | 5 |
about the time of | 5 |
any part of the | 5 |
that it is not | 5 |
and we are told | 5 |
up and down the | 5 |
the existence of the | 5 |
to have seen the | 5 |
at the feet of | 5 |
seem to have been | 5 |
of the empress maud | 5 |
the leader of the | 5 |
some idea of the | 5 |
chapter ii by the | 5 |
end of the fifteenth | 5 |
we have seen in | 5 |
the front of the | 5 |
ancient capital of normandy | 5 |
the shade of the | 5 |
of the holy trinity | 5 |
was buried in the | 5 |
it was impossible to | 5 |
it has been supposed | 5 |
from the central tower | 5 |
from argentan to avranches | 5 |
a bend in the | 5 |
as high as the | 5 |
their way to the | 5 |
of the town and | 5 |
of the castle was | 5 |
of the bayeux tapestry | 5 |
concerning the cathedral city | 5 |
on the history of | 5 |
in many of the | 5 |
in sight of the | 5 |
first half of the | 5 |
is still in existence | 5 |
ruins of the castle | 5 |
to be seen on | 5 |
of the founder of | 5 |
the entrance to the | 5 |
like the rest of | 5 |
a double row of | 5 |
of which he was | 5 |
west corner of the | 5 |
coutances and some parts | 5 |
a few minutes the | 5 |
long main street of | 5 |
the inhabitants of rouen | 5 |
the road leading to | 5 |
and the road to | 5 |
and some parts of | 5 |
with one of the | 5 |
and the west front | 5 |
to the english crown | 5 |
in the sixth century | 5 |
from which we have | 5 |
xi some notes on | 5 |
the first half of | 5 |
of the same kind | 5 |
in the twelfth century | 5 |
from the life of | 5 |
vii concerning mont st | 5 |
the windings of the | 5 |
in the upper part | 5 |
but it is scarcely | 5 |
the details of the | 5 |
of the houses in | 5 |
some of which are | 5 |
the following are the | 5 |
the dedication of the | 5 |
is a building of | 5 |
was nothing more than | 5 |
date of the building | 5 |
history of the duchy | 5 |
to some of the | 5 |
great western towers of | 5 |
the gloom of the | 5 |
those who are not | 5 |
the lines of the | 5 |
and the romantic town | 5 |
is the work of | 5 |
is of the same | 5 |
as one of the | 5 |
william the conqueror was | 5 |
concerning st lo and | 5 |
but this is not | 5 |
end to the other | 5 |
church of st nicholas | 5 |
seems to be in | 5 |
bank of the seine | 5 |
windows of the choir | 5 |
is not easy to | 5 |
caen and the coast | 5 |
to the edge of | 5 |
valley of the seine | 5 |
chapter viii concerning coutances | 5 |
you can see the | 5 |
there is a good | 5 |
of evreux and the | 5 |
of notre dame des | 5 |
the course of the | 5 |
the appearance of a | 5 |
from one end to | 5 |
of the inhabitants of | 5 |
the people of the | 5 |
the head of a | 5 |
was one of those | 5 |
of little more than | 5 |
the chapter of the | 5 |
on the summit of | 5 |
notes on the history | 5 |
the sea and the | 5 |
to the castle of | 5 |
vi from argentan to | 5 |
the castle of arques | 5 |
the castle at caen | 5 |
the shrine of st | 5 |
iv concerning the cathedral | 5 |
it was taken by | 5 |
concerning lisieux and the | 5 |
it seems that the | 5 |
with which it is | 5 |
of the north transept | 5 |
as far as one | 5 |
v concerning lisieux and | 5 |
reason to believe that | 5 |
known to have been | 5 |
could not fail to | 5 |
in the castle at | 5 |
a large number of | 5 |
of the archbishop of | 5 |
of the present day | 5 |
to which they are | 5 |
the feast of st | 5 |
wide flight of steps | 5 |
it is impossible to | 5 |
i some features of | 5 |
chapter iv concerning the | 5 |
that there is not | 5 |
under the spell of | 5 |
of the castle is | 5 |
chapter i some features | 5 |
of the english king | 5 |
the battle of hastings | 5 |
of very great antiquity | 5 |
the blue of the | 5 |
is supposed to have | 5 |
of the duc de | 5 |
evreux and the road | 5 |
the cathedral at evreux | 5 |
the cathedral city of | 5 |
notre dame de la | 5 |
which we have been | 5 |
of the fact that | 5 |
pont du sable was | 5 |
half an hour later | 5 |
the ruins of a | 5 |
the surface of the | 5 |
about the middle of | 5 |
concerning mont st michel | 5 |
do not seem to | 5 |
of one of those | 5 |
came up to the | 5 |
at the hands of | 5 |
side of the cathedral | 5 |
the coast towards trouville | 5 |
in a sort of | 5 |
great view over the | 5 |
one of them is | 5 |
not much larger than | 5 |
of the french school | 5 |
the costume of the | 5 |
the right of the | 5 |
nearly the whole of | 5 |
chapter v concerning lisieux | 5 |
of the town are | 5 |
i should like to | 5 |
the width of the | 5 |
the effect of the | 5 |
cathedral city of evreux | 5 |
bank of the river | 5 |
and some of the | 5 |
the light of a | 5 |
chapter vii concerning mont | 5 |
the smell of the | 5 |
the romantic town of | 5 |
far as the eye | 5 |
of the size of | 5 |
one of the many | 5 |
the outside of the | 5 |
in the rue aux | 5 |
and it was here | 5 |
is all that remains | 5 |
chapter iii concerning rouen | 5 |
the conclusion of the | 5 |
of the character of | 5 |
one with the blue | 5 |
a row of small | 5 |
x concerning caen and | 5 |
the light of the | 5 |
a capital in the | 5 |
one of the first | 5 |
and there is also | 5 |
is left of the | 5 |
of a series of | 5 |
themselves masters of the | 5 |
the period of the | 5 |
the curve of the | 5 |
in the north of | 5 |
chapter ix concerning st | 5 |
along the edge of | 5 |
by the order of | 5 |
side of the river | 5 |
the old town of | 5 |
chapter x concerning caen | 5 |
other parts of france | 5 |
entrance to the abbey | 5 |
view of mont st | 5 |
main street of coutances | 5 |
of the kings of | 5 |
that one of the | 5 |
in contrast to the | 5 |
some of the old | 5 |
at bar la rose | 5 |
tracery of the windows | 5 |
chapter vi from argentan | 5 |
concerning coutances and some | 5 |
there was not a | 5 |
the great sweep of | 5 |
is at this time | 5 |
a large proportion of | 5 |
manoir de francois i | 5 |
the east end of | 5 |
and the coast towards | 5 |
the whole of normandy | 5 |
for the first time | 5 |
the extent of the | 5 |
all that remains of | 5 |
the most ancient in | 5 |
and a portion of | 5 |
in the public library | 5 |
on the side of | 5 |
it was then that | 5 |
the mouths of the | 5 |
immediate vicinity of the | 5 |
the abbey of the | 5 |
the first of them | 5 |
almost the same time | 5 |
main entrance to the | 5 |
have been able to | 5 |
the main entrance to | 5 |
side of the channel | 5 |
that it was built | 5 |
roofs of the houses | 5 |
statue of the virgin | 5 |
much in the way | 5 |
of the narrow street | 5 |
a long line of | 5 |
about the same time | 5 |
close to the castle | 5 |
is the church of | 5 |
on the threshold of | 5 |
and the rest of | 5 |
street of the town | 5 |
the great western towers | 5 |
same time as the | 5 |
you should have seen | 5 |
for the honor of | 5 |
on a capital in | 5 |
on the eastern side | 5 |
well as to the | 5 |
under the walls of | 5 |
is surmounted by a | 5 |
for the sake of | 5 |
in the churches of | 5 |
parts of the cotentin | 5 |
as if they had | 5 |
to the left of | 5 |
the reigns of the | 5 |
years before the conquest | 5 |
not appear to have | 5 |
that leads to the | 5 |
back in his chair | 5 |
lisieux and the romantic | 5 |
concerning caen and the | 5 |
the vaulting of the | 5 |
made their appearance in | 5 |
some notes on the | 5 |
the shadow of the | 5 |
city of evreux and | 5 |
the time when the | 5 |
as if he had | 5 |
in the following century | 5 |
there is still a | 5 |
it is of the | 5 |
from town to town | 5 |
chapter xi some notes | 5 |
in spite of its | 5 |
came the sound of | 5 |
the subject of the | 5 |
more than fifty years | 5 |
of the windows is | 5 |
portion of the building | 5 |
of the little river | 5 |
upon the walls of | 5 |
with the air of | 5 |
ii by the banks | 5 |
it was to find | 5 |
of which we have | 5 |
the rue de bayeux | 5 |
was obliged to surrender | 5 |
on the front seat | 5 |
the precincts of the | 5 |
the erection of the | 5 |
the left of the | 5 |
that it was at | 5 |
the earliest part of | 5 |
the interest of the | 5 |
romantic town of falaise | 5 |
ix concerning st lo | 5 |
at the expence of | 5 |
with a touch of | 5 |
middle of the day | 5 |
that led to the | 5 |
of this church is | 5 |
that is left of | 5 |
some features of normandy | 5 |
to the fourteenth century | 5 |
for the most part | 5 |
one end to the | 5 |
of the maid of | 5 |
the town of caen | 5 |
the approach to the | 5 |
was also to be | 5 |
viii concerning coutances and | 5 |
a near resemblance to | 5 |
the unfortunate joan of | 4 |
the baron santos da | 4 |
grave distraction among the | 4 |
for the fact that | 4 |
that it appears to | 4 |
the wall of the | 4 |
under the shadow of | 4 |
my good friend the | 4 |
in the long grass | 4 |
to the twelfth century | 4 |
for with the exception | 4 |
the illustration given here | 4 |
this side of the | 4 |
the world that came | 4 |
the two western towers | 4 |
in other parts of | 4 |
is a medley of | 4 |
only dates from the | 4 |
the account of the | 4 |
to william the norman | 4 |
it had been a | 4 |
the residence of the | 4 |
the time of henry | 4 |
to a dead stop | 4 |
the next instant i | 4 |
the parish church of | 4 |
for the rest of | 4 |
the impression that the | 4 |
and there is some | 4 |
hand on my shoulder | 4 |
central tower which is | 4 |
allowed to go to | 4 |
the mont aux malades | 4 |
most in touch with | 4 |
hill on which the | 4 |
there is a small | 4 |
the hill above the | 4 |
are often covered with | 4 |
hundred and fifty years | 4 |
and the church is | 4 |
examination of a good | 4 |
i can imagine that | 4 |
from the hands of | 4 |
it is pleasant to | 4 |
known as the tour | 4 |
in the eyes of | 4 |
the abbot of that | 4 |
st ouen at rouen | 4 |
old market house at | 4 |
clear idea of the | 4 |
from the abbey of | 4 |
spoken of as the | 4 |
as one may see | 4 |
of the life of | 4 |
the tomb of the | 4 |
the situation of the | 4 |
the little village of | 4 |
seems to have worked | 4 |
a seventeenth century house | 4 |
at the commencement of | 4 |
it is full of | 4 |
there is something peculiarly | 4 |
just above the floor | 4 |
here and there with | 4 |
on the right bank | 4 |
of the department of | 4 |
his story of rouen | 4 |
to the memory of | 4 |
to be seen the | 4 |
crypt of les gros | 4 |
east end of the | 4 |
a few years before | 4 |
depicted by gordon home | 4 |
right up against the | 4 |
the dimensions of the | 4 |
of which there are | 4 |
and it is a | 4 |
surrounded by a wide | 4 |
and it is to | 4 |
during the whole of | 4 |
to the main entrance | 4 |
the founders of the | 4 |
from every part of | 4 |
the floor in the | 4 |
the process of restoration | 4 |
and in one of | 4 |
the master of the | 4 |
name of the tower | 4 |
of the same century | 4 |
its name from the | 4 |
the chancel of the | 4 |
in one of which | 4 |
from one of the | 4 |
been made of the | 4 |
the other parts of | 4 |
was a bit of | 4 |
there is not a | 4 |
on the still air | 4 |
the corner of the | 4 |
the towers in the | 4 |
the breast of his | 4 |
the care of the | 4 |
of the seine and | 4 |
from the fourteenth century | 4 |
the building and the | 4 |
place in front of | 4 |
the old market house | 4 |
that have taken place | 4 |
these are the only | 4 |
the next instant the | 4 |
under the care of | 4 |
of the tower that | 4 |
of french territory that | 4 |
is only in the | 4 |
with the accession of | 4 |
at the moment of | 4 |
dominated by the great | 4 |
cause to quarrel with | 4 |
the western side of | 4 |
of the king of | 4 |
the design of the | 4 |
one hundred and twenty | 4 |
one of the best | 4 |
it is not surprising | 4 |
aspect of a watering | 4 |
there is nothing in | 4 |
of st martin is | 4 |
was lost in the | 4 |
and out of the | 4 |
count of the bessin | 4 |
the touch of the | 4 |
is as old as | 4 |
there is a curious | 4 |
early a period as | 4 |
to listen to the | 4 |
a few of the | 4 |
in the spandrils of | 4 |
became the mother of | 4 |
in the north aisle | 4 |
you should see the | 4 |
mouth of the river | 4 |
hundred and thirty years | 4 |
the church is a | 4 |
in the habit of | 4 |
of the country and | 4 |
to have been at | 4 |
hotel de ville and | 4 |
the early inhabitants of | 4 |
the place du marche | 4 |
by whom he was | 4 |
of the high altar | 4 |
of frequent occurrence in | 4 |
sculpture upon a capital | 4 |
of the duchy to | 4 |
the western parts of | 4 |
every part of the | 4 |
in that of the | 4 |
of its ancient towns | 4 |
heights of mont st | 4 |
it appears to be | 4 |
in the place de | 4 |
we might almost say | 4 |
there is a wide | 4 |
of the windows there | 4 |
bay of mont st | 4 |
their appearance in the | 4 |
all the rest of | 4 |
of the date of | 4 |
it is scarcely necessary | 4 |
and it continued to | 4 |
an ornament to the | 4 |
is something peculiarly fascinating | 4 |
door at the end | 4 |
of a man who | 4 |
they appear to have | 4 |
and it is much | 4 |
there is a certain | 4 |
within a few yards | 4 |
splendid thirteenth century gateway | 4 |
in the walls of | 4 |
any one of the | 4 |
is all that is | 4 |
from head to foot | 4 |
in the older streets | 4 |
in a perfectly straight | 4 |
a portion of their | 4 |
was no longer the | 4 |
appearance of one of | 4 |
leads up to the | 4 |
at one of the | 4 |
of the following century | 4 |
in the windows of | 4 |
to the west of | 4 |
the privilege of being | 4 |
to be seen stretching | 4 |
to be seen at | 4 |
the windows there is | 4 |
to bid farewell to | 4 |
there is a double | 4 |
make the most of | 4 |
ships of the northmen | 4 |
and in this way | 4 |
it as his opinion | 4 |
western side of the | 4 |
very large number of | 4 |
more than a century | 4 |
has already been mentioned | 4 |
is the west front | 4 |
but there is something | 4 |
close to the seine | 4 |
we find that the | 4 |
to so many of | 4 |
of the country folk | 4 |
in each of the | 4 |
there is still to | 4 |
in the gallia christiana | 4 |
in his story of | 4 |
to the flamboyant period | 4 |
the reign of the | 4 |
the two great western | 4 |
and when you are | 4 |
blue of the sky | 4 |
after having seen the | 4 |
it is because of | 4 |
became king of france | 4 |
we are told by | 4 |
the one on the | 4 |
the town of bayeux | 4 |
a perfectly straight line | 4 |
there are plenty of | 4 |
which was built by | 4 |
in one of these | 4 |
taken place in the | 4 |
the back of his | 4 |
of the salle des | 4 |
as i have already | 4 |
by the chapter of | 4 |
goes out of the | 4 |
de ville and the | 4 |
same time that he | 4 |
summit of the rock | 4 |
prominent part in the | 4 |
is scarcely necessary to | 4 |
it is a wonderful | 4 |
doubt as to the | 4 |
of william and matilda | 4 |
to point out the | 4 |
to a variety of | 4 |
the stained glass in | 4 |
red roofs of the | 4 |
in the abbey church | 4 |
i can remember one | 4 |
might have been a | 4 |
the ancient houses in | 4 |
far out on the | 4 |
of the sham antique | 4 |
to do justice to | 4 |
the tour de la | 4 |
spring in the air | 4 |
times of the day | 4 |
destroyed by the huguenots | 4 |
in order to be | 4 |
of the hotel i | 4 |
a mass of rock | 4 |
it has been said | 4 |
the cathedral and the | 4 |
windows of the nave | 4 |
even at the present | 4 |
it was high time | 4 |
and it was from | 4 |
to the north that | 4 |
the fortified farm near | 4 |
of the tower and | 4 |
on the same side | 4 |
the cathedral of rouen | 4 |
and that it was | 4 |
so closely together that | 4 |
seventeenth century house at | 4 |
in the seventh century | 4 |
church of st gervais | 4 |
north of st lo | 4 |
the females of the | 4 |
he shrugged his shoulders | 4 |
red and white cattle | 4 |
passes right through the | 4 |
the line of the | 4 |
is the charm of | 4 |
the features of the | 4 |
which made their appearance | 4 |
right in the middle | 4 |
it must be added | 4 |
seat of an abbey | 4 |
and the number of | 4 |
there is a pretty | 4 |
of the cathedral of | 4 |
the wide flight of | 4 |
from the sixteenth century | 4 |
abbey of st ouen | 4 |
the man in gray | 4 |
is given in the | 4 |
forest and vale of | 4 |
end of the bay | 4 |
from this time to | 4 |
to see anything of | 4 |
of henry of navarre | 4 |
in the open street | 4 |
an ancient house in | 4 |
the flamboyant period and | 4 |
the excellence of the | 4 |
the building has been | 4 |
the mother of william | 4 |
of st germain that | 4 |
the central tower is | 4 |
pointed out as that | 4 |
the best in france | 4 |
out of the way | 4 |
one hundred feet high | 4 |
in the early years | 4 |
to raise a great | 4 |
ancient house in the | 4 |
led to the erection | 4 |
and was known as | 4 |
it is the only | 4 |
in which they were | 4 |
old church of notre | 4 |
one another for space | 4 |
same side of the | 4 |
son of the church | 4 |
he pointed to the | 4 |
leading up to the | 4 |
the towns of normandy | 4 |
with a look of | 4 |
the works of the | 4 |
was placed in a | 4 |
the crown of england | 4 |
if you come to | 4 |
belongs to the flamboyant | 4 |
of the remains of | 4 |
by william the conqueror | 4 |
and the church of | 4 |
by way of a | 4 |
the spot where the | 4 |
of the story of | 4 |
under the norman dukes | 4 |
over the delicately tinted | 4 |
from lisieux to caen | 4 |
the days when the | 4 |
of the counts of | 4 |
under the eaves and | 4 |
when it comes to | 4 |
does the smallest justice | 4 |
there is no town | 4 |
and customs of the | 4 |
as any of the | 4 |
may be seen to | 4 |
in the church at | 4 |
have taken place in | 4 |
it is quite possible | 4 |
bears a near resemblance | 4 |
house at argentan the | 4 |
of the mass of | 4 |
of the architecture of | 4 |
the central tower has | 4 |
mont st michel is | 4 |
the interior is of | 4 |
sailed ships of the | 4 |
the smallest justice to | 4 |
in the costume of | 4 |
which the town is | 4 |
it was only when | 4 |
de justice and the | 4 |
of the road to | 4 |
down below are the | 4 |
pont du sable has | 4 |
portion of the cathedral | 4 |
the windows in the | 4 |
is a most perfect | 4 |
and the abbey of | 4 |
fact that it is | 4 |
one hundred and sixty | 4 |
the next instant he | 4 |
part of the hill | 4 |
there is a view | 4 |
the view of caen | 4 |
to the see of | 4 |
as the priest passes | 4 |
there is plenty of | 4 |
it would be a | 4 |
of the hotel de | 4 |
the number of its | 4 |
by whom it is | 4 |
a proof of the | 4 |
the life of st | 4 |
is reported to have | 4 |
there is an old | 4 |
by the duc de | 4 |
view of the castle | 4 |
and on the other | 4 |
of the norman castle | 4 |
a few years later | 4 |
on their way to | 4 |
by the erection of | 4 |
towers in the walls | 4 |
took place in the | 4 |
in the early days | 4 |
the forest of scissey | 4 |
church of st jean | 4 |
is divided into compartments | 4 |
you climb up to | 4 |
nave of the cathedral | 4 |
seen in this part | 4 |
thrown up by a | 4 |
to be in the | 4 |
the rue st romain | 4 |
but it is better | 4 |
tower of the church | 4 |
the scite of the | 4 |
the decorations of the | 4 |
touch with the rouen | 4 |
to the erection of | 4 |
believed to have been | 4 |
romance of its ancient | 4 |
some of the pillars | 4 |
the very middle of | 4 |
baron santos da granja | 4 |
we have already had | 4 |
in the first half | 4 |
the public library at | 4 |
upon the site of | 4 |
the efforts of the | 4 |
in the very middle | 4 |
i do not think | 4 |
you go along the | 4 |
place du marche vieux | 4 |
stands out conspicuously on | 4 |
under the title of | 4 |
but there is nothing | 4 |
before the conquest of | 4 |
roofs of the lower | 4 |
for the reception of | 4 |
the marks of antiquity | 4 |
within the precincts of | 4 |
summit of a hill | 4 |
like those of the | 4 |
the bridge of boats | 4 |
the hill on which | 4 |
walls of domfront the | 4 |
the body of st | 4 |
but as you look | 4 |
chancel of the church | 4 |
the abbaye aux dames | 4 |
passed out into the | 4 |
the towers of the | 4 |
was known as the | 4 |
but we must not | 4 |
it is interesting to | 4 |
abbot of that time | 4 |
do justice to the | 4 |
end of the nave | 4 |
the maid of orleans | 4 |
the appearance of one | 4 |
built in the first | 4 |
of the suburb of | 4 |
reflected in the sea | 4 |
it was from here | 4 |
as that of the | 4 |
the faces of the | 4 |
the attention of the | 4 |
in which it is | 4 |
mentioned in another chapter | 4 |
in the diocese of | 4 |
the lower portion is | 4 |
the heights of mont | 4 |
the hotel du grand | 4 |
village of pont du | 4 |
roofs of the little | 4 |
was completed in the | 4 |
a few yards of | 4 |
but it is only | 4 |
on the southern side | 4 |
the treaty of louviers | 4 |
as white as the | 4 |
and it dates from | 4 |
the ramparts of the | 4 |
dates chiefly from the | 4 |
in the light of | 4 |
scenery romance of its | 4 |
up by a blaze | 4 |
was captured by the | 4 |
at the western end | 4 |
the same side of | 4 |
some of the finest | 4 |
there is one of | 4 |
one passes through the | 4 |
has on either side | 4 |
the last word of | 4 |
the back of the | 4 |
steps leads up to | 4 |
up against the north | 4 |
way back to the | 4 |
cook in his story | 4 |
as you go along | 4 |
columns of the nave | 4 |
up to the great | 4 |
of the charms of | 4 |
few miles out of | 4 |
costume of the females | 4 |
the churches of st | 4 |
as early a period | 4 |
and in front of | 4 |
built right over the | 4 |
of the reign of | 4 |
the reign of william | 4 |
are those of the | 4 |
a man of the | 4 |
was built by the | 4 |
all that remain of | 4 |
most of them are | 4 |
afterwards became the mother | 4 |
the norman church of | 4 |
is pointed out as | 4 |
in a few years | 4 |
that it would be | 4 |
not in the least | 4 |
a corner of the | 4 |
it was she who | 4 |
the forest of roumare | 4 |
do you think of | 4 |
become more and more | 4 |
of the sea and | 4 |
there was but one | 4 |
there is a fine | 4 |
are indebted for the | 4 |
and the forest of | 4 |
of the origin of | 4 |
the present time the | 4 |
is nothing more than | 4 |
slab of black marble | 4 |
the cage itself was | 4 |
the rue st pierre | 4 |
to the present hour | 4 |
notable feature of the | 4 |
and vale of pickering | 4 |
the earliest pointed style | 4 |
bend in the road | 4 |
and the death of | 4 |
brought his army across | 4 |
the simplicity of the | 4 |
have already had a | 4 |
books at moderate prices | 4 |
in two or three | 4 |
the actual spot where | 4 |
it is supposed that | 4 |
is one hundred and | 4 |
may be seen the | 4 |
commonly known by the | 4 |
the north transept is | 4 |
you come to the | 4 |
one of the rooms | 4 |
at the eastern side | 4 |
but although it is | 4 |
on the green bench | 4 |
eastern side of the | 4 |
with the most elaborate | 4 |
the suburb of pollet | 4 |
made its appearance at | 4 |
ancient houses in the | 4 |
the tour de beurre | 4 |
in the north transept | 4 |
are all that remain | 4 |
after his return from | 4 |
the bottom of the | 4 |
right up to the | 4 |
the estuary of the | 4 |
the oldest part of | 4 |
by the next morning | 4 |
the same kind of | 4 |
does not appear to | 4 |
palais de justice and | 4 |
to those who have | 4 |
is dedicated to the | 4 |
it seemed as though | 4 |
centuries that have passed | 4 |
when mont st michel | 4 |
near the mouth of | 4 |
the bay of mont | 4 |
of the town was | 4 |
to the right of | 4 |
found cause to quarrel | 4 |
of the most important | 4 |
middle of the fourteenth | 4 |
the murder of becket | 4 |
year of his age | 4 |
it is not so | 4 |
both sides of the | 4 |
towards the middle of | 4 |
it is the most | 4 |
has an air of | 4 |
the conqueror was lost | 4 |
the governor of the | 4 |
close to the sea | 4 |
the town in the | 4 |
of the windows of | 4 |
the building is of | 4 |
in the position of | 4 |
its appearance at the | 4 |
the high altar is | 4 |
from early norman times | 4 |
something peculiarly fascinating about | 4 |
through the little village | 4 |
of some of these | 4 |
days of the norman | 4 |
and surmounted by a | 4 |
of the walls of | 4 |
chapel behind the high | 4 |
see anything of the | 4 |
memory of the conqueror | 4 |
of the towers in | 4 |
that of notre dame | 4 |
of the great church | 4 |
of the day the | 4 |
the windows and the | 4 |
a considerable export trade | 4 |
a part of it | 4 |
the west front belongs | 4 |
from the western side | 4 |
some of the walls | 4 |
the monks of st | 4 |
the fury of the | 4 |
as well as by | 4 |
upon a capital in | 4 |
of a house that | 4 |
the scenery romance of | 4 |
out on the marsh | 4 |
first of the normans | 4 |
of the whole republic | 4 |
that we have seen | 4 |
it seems as if | 4 |
scenery as you go | 4 |
it was soon after | 4 |
closed the door behind | 4 |
copyright books at moderate | 4 |
reign of william the | 4 |
the power of the | 4 |
of the state of | 4 |
stands the ruined abbey | 4 |
it was captured by | 4 |
which there are several | 4 |
are found in the | 4 |
height of the tower | 4 |
two great western towers | 4 |
of the destruction of | 4 |
for a long while | 4 |
of the holy virgin | 4 |
one half of the | 4 |
old church of st | 4 |
from the time of | 4 |
to be the most | 4 |
by a few monks | 4 |
foot of the cliff | 4 |
of the normans to | 4 |
has been said that | 4 |
century house at argentan | 4 |
it was such a | 4 |
arches of the nave | 4 |
and the next instant | 4 |
the aspect of a | 4 |
of the noon sun | 4 |
time of the conquest | 4 |
one of the party | 4 |
was the first to | 4 |
in it that is | 4 |
years after his death | 4 |
the taste of the | 4 |
as well as at | 4 |
and there are many | 4 |
church of st taurin | 4 |
in the old days | 4 |
stand out against the | 4 |
the tower of st | 4 |
hotel du grand cerf | 4 |
to have been a | 4 |
the records of the | 4 |
a period as the | 4 |
from here that he | 4 |
reign of henry ist | 4 |
was from here that | 4 |
of one side of | 4 |
steps that lead up | 4 |
the scenery as you | 4 |
on its way to | 4 |
so many of these | 4 |
a portion of its | 4 |
has been supposed that | 4 |
a long perspective of | 4 |
of the arches in | 4 |
the abbey church of | 4 |
in the number of | 4 |
who does not know | 4 |
that lead up to | 4 |
a grave distraction among | 4 |
contrast to so many | 4 |
be one of the | 4 |
sprang to his feet | 4 |
in its present state | 4 |
those who have not | 4 |
on the capitals of | 4 |
the minds of all | 4 |
the sounds of the | 4 |
to the archbishop of | 4 |
arrival of the early | 4 |
was erected in the | 4 |
the walls of domfront | 4 |
a few miles out | 4 |
in place of the | 4 |
in the absence of | 4 |
the vicinity of the | 4 |
in the art of | 4 |
is divided into three | 4 |
who seems to have | 4 |
man with the gun | 4 |
of the rocky platform | 4 |
projects over the pavement | 4 |
unfortunate joan of arc | 4 |
entrance to the castle | 4 |
the most of the | 4 |
the residence of a | 4 |
have more than once | 4 |
be seen on the | 4 |
be left for another | 4 |
inhabitants of the suburb | 4 |
chapter of the cathedral | 4 |
in touch with the | 4 |
the virgin and child | 4 |
has much the same | 4 |
aisles of the nave | 4 |
popular copyright books at | 4 |
is a pretty view | 4 |
the house of the | 4 |
as if she had | 4 |
on the other hand | 4 |
are shown in the | 4 |
such an early date | 4 |
the glories of the | 4 |
the same time the | 4 |
it is to the | 4 |
it is typical of | 4 |
upon the subject of | 4 |
his army across the | 4 |
the man with the | 4 |
the great expanse of | 4 |
be the work of | 4 |
part of the great | 4 |
it is you who | 4 |
and there is nothing | 4 |
was turned into a | 4 |
the condition of the | 4 |
known as the hotel | 4 |
the long series of | 4 |
fortified farm near gisors | 4 |
have not been able | 4 |
of many of the | 4 |
west front of this | 4 |
mother of william the | 4 |
of the nave of | 4 |
the base of the | 4 |
chambre de la pucelle | 4 |
at the corner of | 4 |
of the merovingian kings | 4 |
the head of his | 4 |
dating from the fifteenth | 4 |
than any other in | 4 |
feast of the assumption | 4 |
the honor of his | 4 |
of the th century | 4 |
has in recent years | 4 |
market house at ecouche | 4 |
lower portion is of | 4 |
something of the interior | 4 |
a box of a | 4 |
to the very edge | 4 |
for in the seventeenth | 4 |
to be one of | 4 |
the nave and choir | 4 |
with the leathery hand | 4 |
the north of france | 4 |
st pierre and the | 4 |
in every part of | 4 |
was at one time | 4 |
on the western side | 4 |
perfect example of norman | 3 |
of falaise chapter vi | 3 |
following are the dimensions | 3 |
down by the river | 3 |
one over the other | 3 |
to be the work | 3 |
of the capital of | 3 |
landing on the coast | 3 |
to be earned fishing | 3 |
of the family of | 3 |
the coast of france | 3 |
ditto length of the | 3 |
than any of the | 3 |
smaller than the one | 3 |
with the name of | 3 |
to the ruins of | 3 |
andely on one side | 3 |
the selection of the | 3 |
below can be seen | 3 |
of the place and | 3 |
the second and third | 3 |
the horizontal lines of | 3 |
to him at the | 3 |
of the fourth century | 3 |
the fringe of the | 3 |
on the west front | 3 |
were by no means | 3 |
in process of time | 3 |
he was no longer | 3 |
latter half of the | 3 |
the marsh at pont | 3 |
the invasion of england | 3 |
illustrations chapter i some | 3 |
stained glass in the | 3 |
with the tragedy of | 3 |
side of the table | 3 |
tells us that the | 3 |
look like ruined walls | 3 |
wants and requirements of | 3 |
of the times of | 3 |
left often look like | 3 |
the wants and requirements | 3 |
by the seine the | 3 |
it is like a | 3 |
st michel chapter viii | 3 |
the eyes of the | 3 |
the houses in the | 3 |
is carried on in | 3 |
of the erection of | 3 |
seen from the walls | 3 |
as to form a | 3 |
beach beyond the dunes | 3 |
in all french towns | 3 |
of the cathedral are | 3 |
of the place by | 3 |
found in most of | 3 |
church as well as | 3 |
they would have been | 3 |
the chateau gaillard from | 3 |
a period when the | 3 |
ramparts of domfront castle | 3 |
specimen of pointed architecture | 3 |
of the portail de | 3 |
more than half the | 3 |
with a sense of | 3 |
to the village of | 3 |
the finest specimens of | 3 |
are the dimensions of | 3 |
right can be seen | 3 |
that there is a | 3 |
much interest in the | 3 |
the disused church of | 3 |
them out of the | 3 |
as the eye can | 3 |
have already mentioned to | 3 |
for it is the | 3 |
governor of the town | 3 |
is a fine specimen | 3 |
from some of the | 3 |
early in the eighteenth | 3 |
line of the old | 3 |
lies in a valley | 3 |
the keep of the | 3 |
which was built in | 3 |
they are of different | 3 |
already mentioned to you | 3 |
and richard coeur de | 3 |
and most of them | 3 |
as we are told | 3 |
came to a dead | 3 |
left of the railway | 3 |
who are not familiar | 3 |
of the transept is | 3 |
to one hundred and | 3 |
down below can be | 3 |
evreux seen from above | 3 |
george and the dragon | 3 |
the first part of | 3 |
history of the town | 3 |
beautiful banks of the | 3 |
of the church has | 3 |
of the pillars in | 3 |
as it is in | 3 |
the bodies of the | 3 |
caen a courtyard in | 3 |
other are broad flat | 3 |
to have been of | 3 |
the quaint umber fronted | 3 |
eastern end of the | 3 |
and one of them | 3 |
and with a wrenching | 3 |
the fathers of the | 3 |
the space between the | 3 |
as he left the | 3 |
some portions of the | 3 |
part of the castle | 3 |
with the blue eye | 3 |
so that the whole | 3 |
from the road by | 3 |
the inhabitants of dieppe | 3 |
that he does not | 3 |
others of earlier date | 3 |
parish church of st | 3 |
the tomb of rollo | 3 |
the distinction of being | 3 |
end of the thirteenth | 3 |
by william of jumieges | 3 |
middle of the town | 3 |
a thirteenth century gateway | 3 |
it is not the | 3 |
rouen and le petit | 3 |
seine the village of | 3 |
on the tops of | 3 |
of the churches in | 3 |
the course of these | 3 |
one with the leathery | 3 |
caused them to be | 3 |
from the rest of | 3 |
a position in the | 3 |
there is little to | 3 |
of the tower of | 3 |
of normandy chapter ii | 3 |
lo and bayeux chapter | 3 |
between conches and beaumont | 3 |
on the site of | 3 |
will serve as a | 3 |
by the forest of | 3 |
the strength of the | 3 |
quaint houses of the | 3 |
the corners of his | 3 |
was a man in | 3 |
between rouen and le | 3 |
of a grove of | 3 |
copy of the original | 3 |
from the hill of | 3 |
the interior of which | 3 |
to the hamlet of | 3 |
buildings belonging to the | 3 |
for the paris market | 3 |
and the bay of | 3 |
the reign of clothaire | 3 |
was the voice of | 3 |
to be a very | 3 |
is flanked by two | 3 |
on the back of | 3 |
the cathedral at lisieux | 3 |
vaulting of the nave | 3 |
would have been to | 3 |
as if i had | 3 |
of the windows and | 3 |
the trial of joan | 3 |
were it not for | 3 |
norman castle the tour | 3 |
by the conduct of | 3 |
has been made of | 3 |
to be allowed to | 3 |
over the forests to | 3 |
at just the right | 3 |
near the little town | 3 |
of the tenth century | 3 |
the activity of commerce | 3 |
instance of the kind | 3 |
through the forest of | 3 |
consist of little more | 3 |
of normandy list of | 3 |
of a nature to | 3 |
belfry of the city | 3 |
overlooks the steep valley | 3 |
well as by the | 3 |
the road between conches | 3 |
a courtyard in the | 3 |
to the convent of | 3 |
clustered columns of the | 3 |
a capital in st | 3 |
the cathedral of evreux | 3 |
the veneration of the | 3 |
opening through the archway | 3 |
scarcely more than half | 3 |
even a fragment of | 3 |
tiled gable from the | 3 |
equal to that of | 3 |
and there is the | 3 |
belongs to the fine | 3 |
sight of the sea | 3 |
of the width of | 3 |
of the most elegant | 3 |
of the dangers of | 3 |
house surrounded by a | 3 |
of line illustrations the | 3 |
the feast of fools | 3 |
be known as the | 3 |
does not seem to | 3 |
of being in a | 3 |
the shadows of the | 3 |
i am told that | 3 |
it is most probable | 3 |
situation and appearance of | 3 |
only a few years | 3 |
that the church was | 3 |
of robert the devil | 3 |
the world of fashion | 3 |
end of the building | 3 |
my good little maid | 3 |
for the moment the | 3 |
as is well known | 3 |
normandy chapter iv concerning | 3 |
was then that the | 3 |
his paper on the | 3 |
from the causeway on | 3 |
to the honor of | 3 |
so great was the | 3 |
in the eighteenth century | 3 |
two hundred and fifty | 3 |
front of the hotel | 3 |
of the first of | 3 |
the nave and transepts | 3 |
of cancale from the | 3 |
it is a building | 3 |
with the hues of | 3 |
we have more than | 3 |
opposite to one another | 3 |
argentan to avranches chapter | 3 |
is a marvel of | 3 |
fine old belfry can | 3 |
le petit andely appears | 3 |
but a few years | 3 |
and we may be | 3 |
it once more a | 3 |
farmyard scene in normandy | 3 |
the dark opening through | 3 |
the elevation of the | 3 |
to the west end | 3 |
it to be the | 3 |
to find that the | 3 |
of the church there | 3 |
the little church of | 3 |
not long allowed to | 3 |
it was only a | 3 |
the place is crowded | 3 |
one of the quaint | 3 |
inn on a rock | 3 |
people who come to | 3 |
of the story is | 3 |
building of the church | 3 |
probably one of the | 3 |
which i have already | 3 |
yet there is a | 3 |
the romans with their | 3 |
of the town with | 3 |
a branch of the | 3 |
gable from the left | 3 |
fact that it was | 3 |
ouistreham list of line | 3 |
the french king was | 3 |
with an accent of | 3 |
on the left often | 3 |
porte des cordeliers at | 3 |
is far from being | 3 |
of the king had | 3 |
william appears to have | 3 |
of the position of | 3 |
it is filled with | 3 |
as noisy as a | 3 |
in honour of the | 3 |
more than two hundred | 3 |
long lines of the | 3 |
the air of a | 3 |
that of the town | 3 |
in a corner of | 3 |
the family of the | 3 |
as far as rouen | 3 |
is known that the | 3 |
to use the words | 3 |
the chatelet and la | 3 |
road by the seine | 3 |
st michel the dark | 3 |
the throne of england | 3 |
to get rid of | 3 |
shrugged his shoulders helplessly | 3 |
to rouen by the | 3 |
a matter of course | 3 |
of the seine chapter | 3 |
attempt on the part | 3 |
the road to rouen | 3 |
and is partly hidden | 3 |
its way through the | 3 |
that there are some | 3 |
that took place in | 3 |
remains of the old | 3 |
old belfry can be | 3 |
well as of the | 3 |
in the palace at | 3 |
beyond the limits of | 3 |
the castle of falaise | 3 |
of the quaint umber | 3 |
a typical reach of | 3 |
no traces of the | 3 |
to the fine sixteenth | 3 |
stands the village of | 3 |
short cut across the | 3 |
the suburb of guibray | 3 |
of the old buildings | 3 |
as they watched the | 3 |
the doctrine of the | 3 |
as a part of | 3 |
jacques at lisieux one | 3 |
gives it as his | 3 |
la ville de rouen | 3 |
of the larger towns | 3 |
st michel from the | 3 |
the general appearance of | 3 |
had been waiting for | 3 |
seen from above on | 3 |
time of the norman | 3 |
either of the others | 3 |
you do not know | 3 |
an altogether different character | 3 |
a stiff glass of | 3 |
destroyed by the normans | 3 |
appears below the castle | 3 |
in pursuit of the | 3 |
of the cathedral is | 3 |
that the town has | 3 |
the arches in bayeux | 3 |
it is the belfry | 3 |
too close to the | 3 |
by the windings of | 3 |
the name of la | 3 |
the present building was | 3 |
the cotentin chapter ix | 3 |
the manoir de francois | 3 |
means of a canal | 3 |
sixty years after the | 3 |
only one of the | 3 |
the town of dieppe | 3 |
at avranches on the | 3 |
belonged to the original | 3 |
gaillard from the road | 3 |
the cart is to | 3 |
when it came to | 3 |
the church still remains | 3 |
spires and towers of | 3 |
of the abbey is | 3 |
may be that the | 3 |
had recourse to the | 3 |
and differ in the | 3 |
obedience to this command | 3 |
it was the seat | 3 |
belonging to the abbey | 3 |
the completion of the | 3 |
here and there we | 3 |
than in any other | 3 |
may be considered as | 3 |
feet long and feet | 3 |
to her feet and | 3 |
of the early norman | 3 |
style of the fifteenth | 3 |
architectural antiquities of the | 3 |
cathedral of evreux seen | 3 |
foreground is the church | 3 |
flight of stone steps | 3 |
under the appellation of | 3 |
had a glimpse of | 3 |
the slab of black | 3 |
opinions of the press | 3 |
as an exchange for | 3 |
in the village is | 3 |
of the right of | 3 |
felt that it would | 3 |
houses for which the | 3 |
in one of them | 3 |
still in good preservation | 3 |
a visit to the | 3 |
and on the right | 3 |
cathedral at rouen showing | 3 |
be referred to the | 3 |
was high time to | 3 |
the architectural antiquities of | 3 |
was not in the | 3 |
on the head of | 3 |
different style of architecture | 3 |
cancale from the jardin | 3 |
map of the country | 3 |
in one corner of | 3 |
the threshold of the | 3 |
the subjects of the | 3 |
by some of the | 3 |
an inn on a | 3 |
and to those who | 3 |
a noble specimen of | 3 |
is not the original | 3 |
view over the forests | 3 |
which we shall find | 3 |
the capitals to the | 3 |
round the whole building | 3 |
the head of an | 3 |
another part of the | 3 |
there had been a | 3 |
book might be written | 3 |
that it is possible | 3 |
use the words of | 3 |
of the sixth century | 3 |
the city from the | 3 |
striking contrast to the | 3 |
railway the little norman | 3 |
at certain times of | 3 |
was built by louis | 3 |
appears the islet of | 3 |
the other buildings were | 3 |
of the old streets | 3 |
the ground to the | 3 |
first part of the | 3 |
paper on the bayeux | 3 |
of the wooden houses | 3 |
in the latter part | 3 |
of the choir of | 3 |
within the limits of | 3 |
in the early morning | 3 |
andely appears below the | 3 |
the extensive forest of | 3 |
one of the great | 3 |
began to descend the | 3 |
the parliament of normandy | 3 |
in the south transept | 3 |
the one and the | 3 |
norman towers of bayeux | 3 |
quaint umber fronted houses | 3 |
banks of the rille | 3 |
called the manoir de | 3 |
of the norman duke | 3 |
to the point of | 3 |
light touches some of | 3 |
of my wild garden | 3 |
her clear blue eyes | 3 |
the nature of a | 3 |
forests to the south | 3 |
to believe that the | 3 |
eleven years after the | 3 |
in the nave and | 3 |
the left often look | 3 |
to have taken place | 3 |
chapel of the sepulchre | 3 |
the church in the | 3 |
a place in the | 3 |
was destroyed by fire | 3 |
to a state of | 3 |
church of the trinity | 3 |
the very height of | 3 |
which we have seen | 3 |
this is typical of | 3 |
to get out of | 3 |
it should be allowed | 3 |
by the church of | 3 |
the side chapels are | 3 |
of them is a | 3 |
some of the roofs | 3 |
the seine between rouen | 3 |
of the church which | 3 |
its way to the | 3 |
was not the first | 3 |
to break up the | 3 |
side of the water | 3 |
first duke of normandy | 3 |
in his history of | 3 |
tower of the castle | 3 |
the tall narrow windows | 3 |
on the road between | 3 |
the castle was that | 3 |
in the arcading and | 3 |
in a voice that | 3 |
the occupants of the | 3 |
fronted houses for which | 3 |
fine sixteenth century house | 3 |
the midst of a | 3 |
speaks of it as | 3 |
row of small arches | 3 |
that the building is | 3 |
of monsieur de savignac | 3 |
it was about this | 3 |
it the name of | 3 |
name of the village | 3 |
the number of the | 3 |
suffered to fall into | 3 |
recollect to have seen | 3 |
account of the destruction | 3 |
touches some of the | 3 |
of two of the | 3 |
the very last of | 3 |
at the abbey of | 3 |
the times of the | 3 |
of rouen in the | 3 |
the ears of the | 3 |
was given to the | 3 |
should be allowed to | 3 |
could see for ourselves | 3 |
painted figure of the | 3 |
the favourite stronghold of | 3 |
that remain of the | 3 |
to the original structure | 3 |
palace of the norman | 3 |
the habits of the | 3 |
to bernay chapter v | 3 |
as he went on | 3 |
mushroom above the cart | 3 |
for the purposes of | 3 |
and in the distance | 3 |
the thirteenth and fourteenth | 3 |
the forks of the | 3 |
the work of different | 3 |
in the crypt of | 3 |
character of one of | 3 |
we are in the | 3 |
other aspects of the | 3 |
it is quite impossible | 3 |
early the next morning | 3 |
the warmth of the | 3 |
of evreux seen from | 3 |
i have never known | 3 |
proved to be a | 3 |
of the nave has | 3 |
a village of vagabonds | 3 |
at st lo they | 3 |
castle down below can | 3 |
town of falaise chapter | 3 |
and it is thus | 3 |
generously made available by | 3 |
the foundations of houses | 3 |
as the capital of | 3 |
firing of a gun | 3 |
vaulted roof of the | 3 |
it was long after | 3 |
the salle des gardes | 3 |
domfront castle down below | 3 |
a year in the | 3 |
as well as for | 3 |
the fortress in the | 3 |
to the sounds of | 3 |
between england and france | 3 |
belfry can be seen | 3 |
any of the following | 3 |
not to be found | 3 |
in favor of the | 3 |
the forests to the | 3 |
of the chronicles of | 3 |
it can scarcely be | 3 |
the bridge at beaumont | 3 |
with the pride of | 3 |
of the legion of | 3 |
a level with their | 3 |
swallowed up in the | 3 |
norman church of notre | 3 |
cart is to be | 3 |
the causeway on the | 3 |
on the right of | 3 |
elevation of the west | 3 |
it must be admitted | 3 |
is a view over | 3 |
if i were a | 3 |
the voice of a | 3 |
the other end of | 3 |
is as much a | 3 |
tomb of the conqueror | 3 |
zealous for the honor | 3 |
as we all know | 3 |
he was to be | 3 |
st lo they are | 3 |
that the greater part | 3 |
walls of the church | 3 |
streets of the town | 3 |
in the present instance | 3 |
was about this time | 3 |
that the first church | 3 |
on the right hand | 3 |
seen the river varennes | 3 |
dame de la couture | 3 |
his description of a | 3 |
in the whole of | 3 |
capitals of the columns | 3 |
by the treaty of | 3 |
the archway on the | 3 |
for those who are | 3 |
on the right can | 3 |
to him in the | 3 |
in the town is | 3 |
on the shores of | 3 |
the houses of the | 3 |
dark opening through the | 3 |
the little boy was | 3 |
the lower end of | 3 |
similar to that of | 3 |
in the days when | 3 |
those who wish to | 3 |
petit andely on one | 3 |
which is to be | 3 |
in perpetuity to the | 3 |
had come to see | 3 |
it was at st | 3 |
we are indebted for | 3 |
in the south aisle | 3 |
at lisieux one of | 3 |
church of st jacques | 3 |
of the elder day | 3 |
avranches on the left | 3 |
of the following titles | 3 |
of the town of | 3 |
consisted of one hundred | 3 |
it was from a | 3 |
of the academy at | 3 |
a great expanse of | 3 |
the village of st | 3 |
we were on the | 3 |
of nearly the earliest | 3 |
the abbot of st | 3 |
it now serves as | 3 |
there was originally a | 3 |
three hundred years ago | 3 |
but a short distance | 3 |
the marquis and the | 3 |
reverted to the crown | 3 |
it was during the | 3 |
was built by william | 3 |
every nook and corner | 3 |
in the years and | 3 |
the town is famous | 3 |
and there is much | 3 |
towers of the cathedral | 3 |
of all that has | 3 |
they must have been | 3 |
on the exterior of | 3 |
the hill on the | 3 |
edge of the sea | 3 |
century gateway that overlooks | 3 |
archbishop of rouen in | 3 |
the old church of | 3 |
been built in the | 3 |
the noise of the | 3 |
annual income of the | 3 |
the ebb and flow | 3 |
of the grosse horloge | 3 |
is struck by the | 3 |
the examination of a | 3 |
in the language of | 3 |
was the beginning of | 3 |
ruins of a castle | 3 |
the moment of the | 3 |
of the chapel of | 3 |
curious little thatched mushroom | 3 |
is a row of | 3 |
they say it was | 3 |
the first chapter of | 3 |
founded the abbey of | 3 |
a dozen or more | 3 |
dignity of his office | 3 |
we shall see a | 3 |
the tombs of the | 3 |
so short a time | 3 |
was set in the | 3 |
the intersection of the | 3 |
the presence of the | 3 |
nothing to do with | 3 |
left belongs to the | 3 |
lost village by the | 3 |
many of the windows | 3 |
the figure of the | 3 |
filled with painted glass | 3 |
the buttresses of the | 3 |
one of which the | 3 |
the voice of the | 3 |
and now and then | 3 |
for the death of | 3 |
be seen the river | 3 |
to the level of | 3 |
it was erected in | 3 |
castle of robert the | 3 |
high in the air | 3 |
tell us that the | 3 |
little church of notre | 3 |
the vicinity of caen | 3 |
the church of guibray | 3 |
differ in the arcading | 3 |
was the kind of | 3 |
and to the left | 3 |
at falaise a thirteenth | 3 |
continued to be a | 3 |
the shrine of the | 3 |
the quaint houses of | 3 |
just where the light | 3 |
falaise chapter vi from | 3 |
the ends of the | 3 |
as a pretext for | 3 |
st jacques at lisieux | 3 |
the execution of the | 3 |
chatelet and la merveille | 3 |
little thatched mushroom above | 3 |
are built up against | 3 |
of the palais de | 3 |
by which the country | 3 |
specimen of norman architecture | 3 |
to the throne of | 3 |
one after the other | 3 |
pastures on either side | 3 |
so that it is | 3 |
but there is no | 3 |
des plantes at avranches | 3 |
next instant he had | 3 |
a peep of the | 3 |
and cheapness of living | 3 |
are some of the | 3 |
are not the only | 3 |
may be seen in | 3 |
the preservation of the | 3 |
following titles can be | 3 |
a view of mont | 3 |
the fine old belfry | 3 |
and drew out a | 3 |
church was destroyed by | 3 |
a thing of the | 3 |
from the jardin des | 3 |
as you look down | 3 |