trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
as well as	245
according to the	187
of the church	146
in the church	135
of the spirit	133
the praises of	131
early english books	123
the new testament	123
of the gospel	114
praises of god	109
out of the	108
the church of	99
which is the	98
english books online	98
part of the	97
singing of psalms	94
is to be	93
there is no	93
and spiritual songs	88
in the new	88
the nature of	82
the use of	82
the holy ghost	81
it is not	79
in the same	78
of the lord	76
fa sol la	76
of the word	75
the word of	74
it is the	74
the worship of	73
the practice of	73
to be sung	73
text creation partnership	71
the old testament	69
based on the	69
nature of the	68
worship of god	68
if it be	68
the spirit of	65
the end of	63
it is a	63
that which is	62
of the new	60
to be the	59
of the same	58
of the holy	58
to the lord	57
as it is	56
unto the lord	56
in the old	56
it may be	56
in the first	56
of the world	55
of god in	54
psalmes of david	53
of instrumental musick	53
the singing of	53
that it is	53
one of the	52
as in the	52
and in the	51
are to be	50
to be a	50
in respect of	49
this is the	49
the words of	49
keying and markup	48
of the temple	48
come let us	48
the art of	47
of the string	47
to sing the	47
not to be	46
of the first	46
represented either as	46
praising of god	46
either as utf	46
characters represented either	46
marked as illegible	46
of the law	45
there is a	45
is in the	45
gifts of the	45
la la la	44
in the heart	43
the number of	43
mi fa sol	43
the psalmes of	43
part of a	43
or it is	42
of a song	42
sing the praises	42
which is a	42
word of god	42
let us sing	41
the essence of	41
in the world	41
word of christ	41
of the notes	41
the scale of	41
under the gospel	41
singing of psalmes	40
o come let	40
it is to	40
because it is	40
and it is	39
of a time	39
and the like	38
of all the	38
of the old	38
as it were	38
in the strength	38
heartily rejoyce in	37
as to the	37
la mi fa	37
rejoyce in the	37
christ and his	37
to do so	37
of his own	37
us heartily rejoyce	37
singing the praises	36
the light of	36
sol la mi	36
with the spirit	36
let us heartily	36
la fa sol	36
that can be	35
ought to be	35
the manner of	35
for it is	35
in the worship	35
is the same	35
the beginning of	35
scale of musick	35
the terms of	34
the glory of	34
because they are	34
sense of the	34
what i have	34
and this is	34
of the whole	34
psalms and hymns	34
is that which	34
and the same	34
a part of	34
sol la fa	33
of the jews	33
th part of	33
a moral duty	32
the song of	32
by reason of	32
worship of the	32
the christian church	32
of musick in	31
with grace in	31
end of the	31
to make a	31
and the other	31
the praise of	31
not in the	31
the matter of	31
in the second	31
under the law	31
in the third	30
the th part	30
the first note	30
david and asaph	30
be able to	30
true nature of	30
of the voice	30
the true nature	30
to praise god	30
the new peculium	30
instruments of musick	29
as they are	29
g sol re	29
the power of	29
that of the	29
the duty of	29
and his disciples	29
and of the	29
church of england	29
three in one	29
you may see	29
could not be	29
the sense of	28
the children of	28
be said to	28
which it is	28
as i have	28
and spirituall songs	28
of the scale	28
in the temple	28
the proportion of	28
note of the	28
of the psalmes	28
so much as	28
to the end	28
of david and	28
manner of singing	28
of the apostles	28
the case of	27
by the spirit	27
there was a	27
it was not	27
by the holy	27
the compass of	27
can be made	27
the time of	27
use of the	27
the book of	27
musick in the	27
in order to	27
that it was	27
a word of	27
may be said	26
owned by the	26
but if the	26
the place of	26
reason to do	26
the whole church	26
by the same	26
is given to	26
glory of god	26
to the terms	26
to have been	26
it to be	26
and all the	26
in the gospel	26
sampled and proofread	26
the gift of	26
a number of	26
measure of the	26
the name of	26
in all likelihood	26
per arsin thesin	26
edition of the	26
the key note	25
online text creation	25
text and markup	25
for keying and	25
the rest of	25
the work described	25
there are a	25
in the christian	25
i text is	25
distributed and performed	25
support to the	25
this phase i	25
text transcribed from	25
for commercial purposes	25
available for reuse	25
the first is	25
by the institutions	25
the law of	25
even for commercial	25
the voice of	25
scanned from microfilm	25
and xml conversion	25
that there is	25
institutions providing financial	25
so that the	25
work described above	25
markup reviewed and	25
and those which	25
for their own	25
tcp assigned for	25
in the end	25
people of god	25
terms of creative	25
text is available	25
and encoded edition	25
the service of	25
providing financial support	25
this keyboarded and	25
in opposition to	25
encoded text transcribed	25
from proquest page	25
above is co	25
reviewed and edited	25
keyboarded and encoded	25
can be copied	25
encoded edition of	25
and markup reviewed	25
pfs batch review	25
without asking permission	25
on the new	25
kb of xml	25
all without asking	25
were to be	25
keyed and coded	25
the institutions providing	25
financial support to	25
iv tiff page	25
phase i text	25
of the work	25
to the early	25
no more than	25
if it were	25
this way of	25
coded from proquest	25
proquest page images	25
assigned for keying	25
books online text	25
the early english	25
of creative commons	25
god in the	25
images scanned from	25
the text can	25
text can be	25
described above is	25
and coded from	25
printed in quarto	25
is available for	25
well as the	24
it is in	24
the house of	24
singing in the	24
up to a	24
of the greater	24
of jesus christ	24
the design of	24
paul and silas	24
in all the	24
in the primitive	24
if there was	24
an extraordinary gift	24
divided into two	24
the knowledge of	24
is very good	24
e la mi	24
is the greater	24
made use of	24
one to another	24
i must confess	24
that in all	24
that all the	24
a lesser third	24
ordinance of singing	24
of time and	24
which did not	24
a second or	24
been transformed into	24
one another in	24
tcp files to	23
create diplomatic transcriptions	23
anyone can now	23
in accordance with	23
limit of instances	23
tcp is to	23
tcp data is	23
the overall quality	23
transcription and basic	23
variety of subject	23
teaching and admonishing	23
in english were	23
quantities of textual	23
sdata character entities	23
extent have been	23
produce large quantities	23
proofread for accuracy	23
the general aim	23
encoding was enhanced	23
or later edition	23
characters or elements	23
enhanced and or	23
their early english	23
when it is	23
a wide variety	23
and encoded texts	23
time and funding	23
texts based on	23
not meet qa	23
reflect the true	23
and or corrected	23
restraints of time	23
of instances per	23
all likelihood such	23
will be marked	23
aim of eebo	23
converting tcp files	23
transcribed and encoded	23
assurance was then	23
in other languages	23
be aware of	23
quality of tcp	23
sometimes a second	23
were corrected where	23
the texts have	23
been issued variously	23
project have been	23
as opposed to	23
or text strings	23
of every monographic	23
to external keying	23
out by editorial	23
available at the	23
remaining illegibles were	23
these texts for	23
included and sometimes	23
are eligible for	23
accordance with level	23
within the usual	23
every monographic english	23
an anonymous work	23
using tcp tei	23
selection was intended	23
those which did	23
second or later	23
simplify the filling	23
into placeholder characters	23
at the text	23
never have been	23
attribution is given	23
a limit of	23
errors will remain	23
have been released	23
process of creating	23
phase of the	23
page images in	23
readable characters will	23
later edition of	23
understanding these processes	23
gaps by user	23
available in eebo	23
we respectfully request	23
make clear that	23
by proquest via	23
but we respectfully	23
keyers to be	23
were encoded as	23
made about the	23
whichever is the	23
processed by university	23
text strings within	23
public domain as	23
now take and	23
as gap s	23
the publisher proquest	23
if an author	23
quality assurance was	23
to be redone	23
works in english	23
opposed to critical	23
request that due	23
therefore chose to	23
some readable characters	23
the new cambridge	23
the text creation	23
where possible up	23
as illegible were	23
text with mnemonic	23
the texts were	23
was proofread for	23
likelihood such instances	23
any remaining illegibles	23
and characters marked	23
title published between	23
was intended to	23
for transcription and	23
a tcp editor	23
latin and welsh	23
encoding based on	23
of the people	23
respectfully request that	23
processes should make	23
are available at	23
was chosen if	23
usually the first	23
while the overall	23
in of gaps	23
between the universities	23
in oxford and	23
in the middle	23
on the image	23
general aim of	23
a compelling reason	23
to create diplomatic	23
ascii text with	23
with mnemonic sdata	23
texts for their	23
did not meet	23
be made about	23
due credit and	23
language title published	23
work was chosen	23
chosen if there	23
or corrected and	23
meet qa standards	23
instances per text	23
to tei p	23
and the publisher	23
university of nebraska	23
some errors will	23
by editorial teams	23
a joyful noise	23
of the project	23
a work was	23
the form of	23
and available in	23
first editions of	23
sets were sent	23
linked to page	23
way of reasoning	23
created by converting	23
notably latin and	23
of each text	23
carried out by	23
the length of	23
accuracy and those	23
characters marked as	23
of known extent	23
p using tcp	23
characters will be	23
mind that in	23
unicode or tei	23
proquest via their	23
text encoding initiative	23
into two phases	23
of the tei	23
create accurately transcribed	23
to create accurately	23
a partnership between	23
into the public	23
looked at by	23
michigan and oxford	23
of the texts	23
structural encoding based	23
was then carried	23
texts have been	23
credit and attribution	23
encoded texts based	23
filling in of	23
overall quality of	23
text was proofread	23
level of the	23
have been looked	23
will never have	23
files to tei	23
returned to the	23
standards were returned	23
them in the	23
the encoding was	23
these processes should	23
were returned to	23
or elements to	23
qa standards were	23
keying companies for	23
appears in ncbel	23
unicode or text	23
tcp project was	23
text selection was	23
partnership web site	23
selection was based	23
then carried out	23
tei p using	23
been looked at	23
the print record	23
of works in	23
in libraries guidelines	23
lincoln and northwestern	23
as it was	23
or for an	23
the keyers to	23
users should be	23
the image sets	23
should be aware	23
issued variously as	23
oxford and michigan	23
the usual project	23
or lossless xml	23
their works are	23
the public domain	23
chose to create	23
of tcp data	23
companies for transcription	23
were encoded and	23
tcp is a	23
encoded as gap	23
variously as sgml	23
was divided into	23
then their works	23
any assumptions that	23
illegible were corrected	23
but in the	23
was enhanced and	23
at by a	23
published between and	23
tei g elements	23
are a number	23
bibliography of english	23
of a works	23
as of january	23
therefore of any	23
of a work	23
and therefore chose	23
praise of god	23
is to encode	23
if there be	23
in mind that	23
record of the	23
assumptions that can	23
to a limit	23
was based on	23
teams in oxford	23
between and available	23
tcp aimed to	23
the filling in	23
encoded and linked	23
spirit of god	23
editorial teams in	23
to facilitate morpho	23
and oxford and	23
have been transformed	23
the first edition	23
usual project restraints	23
textual data within	23
works in other	23
sets published by	23
image sets were	23
the text encoding	23
to range over	23
released into the	23
and basic encoding	23
it will be	23
and some readable	23
english were prioritized	23
large quantities of	23
with changes to	23
to reflect the	23
to page images	23
domain as of	23
strings within braces	23
of the period	23
and linked to	23
print record of	23
texts were encoded	23
of english literature	23
a works in	23
external keying companies	23
the process of	23
during phase of	23
of the saints	23
creation partnership web	23
the project have	23
to their original	23
and attribution is	23
were sent to	23
partnership between the	23
for an anonymous	23
of the print	23
with level of	23
of textual data	23
published by proquest	23
for accuracy and	23
given to their	23
their original source	23
copies of the	23
via their early	23
mnemonic sdata character	23
over a wide	23
to produce large	23
such instances will	23
encode one copy	23
and therefore of	23
although there are	23
compelling reason to	23
bear in mind	23
by converting tcp	23
works are eligible	23
created during phase	23
known extent have	23
aimed to produce	23
should bear in	23
aware of the	23
possible up to	23
is said to	23
markup guidelines are	23
by user contributors	23
users should bear	23
illegibles were encoded	23
oxford and the	23
the tcp texts	23
the universities of	23
or tei g	23
by university of	23
accurately transcribed and	23
take and use	23
to sing psalms	23
and sometimes a	23
should make clear	23
cambridge bibliography of	23
of the lesser	23
of subject areas	23
of any assumptions	23
the names of	23
elements to simplify	23
to simplify the	23
about the data	23
corrected and characters	23
images in accordance	23
creating the tcp	23
tei in libraries	23
project was divided	23
the tei in	23
can now take	23
gap elements of	23
sent to external	23
universities of michigan	23
is a partnership	23
have been issued	23
corrected where possible	23
image sets published	23
project restraints of	23
that due credit	23
edition of a	23
data within the	23
their own purposes	23
data is very	23
mainly structural encoding	23
changes to facilitate	23
use these texts	23
new cambridge bibliography	23
remain and some	23
instances will never	23
and markup guidelines	23
wide variety of	23
be marked as	23
been released into	23
of creating the	23
was a compelling	23
to critical editions	23
editions of a	23
texts created during	23
by a tcp	23
of michigan and	23
transformed into placeholder	23
guidelines are available	23
of gaps by	23
eligible for inclusion	23
to encode one	23
proquest to create	23
and use these	23
intended to range	23
elements of known	23
will remain and	23
to the keyers	23
of the process	23
range over a	23
of the most	23
publisher proquest to	23
each text was	23
on the text	23
placeholder characters or	23
number of works	23
la mi re	22
book of psalms	22
another in psalms	22
we must not	22
an harmonical song	22
tiff page images	22
will not be	22
as far as	22
in our hearts	22
sing unto the	22
the principles of	22
a greater tone	22
as much as	22
lovers of musick	22
essence of singing	22
by which the	22
but it is	22
of the second	22
practice of the	22
in the case	22
of an octave	22
of the body	22
i do not	22
which i have	22
signification of the	22
the middle of	21
the church in	21
the edification of	21
the day of	21
sol re ut	21
a la mi	21
of the words	21
one of them	21
the lesser third	21
sing in the	21
signs of the	21
in the beginning	21
the close of	21
it must be	21
of god is	21
said to be	21
the lord with	21
of it in	21
of the thing	21
and by the	21
of their own	21
of it is	20
to be in	20
must not sing	20
is not a	20
the same with	20
that we may	20
it is called	20
the tuning of	20
it in the	20
according to their	20
in their hearts	20
in the next	20
canon three in	20
of the christian	20
a kind of	20
also in the	20
it to the	20
there is the	20
by way of	20
they may be	20
hymns and spiritual	20
the sound of	20
in the spirit	20
by a greater	20
in a flat	20
or any other	20
the same reason	20
of this art	20
the old scale	20
of the fourth	20
c sol fa	20
taken from the	20
is called a	20
we do not	20
reason of the	20
church of rome	20
edification of the	20
to sing in	20
the order of	20
to the church	20
of singing of	20
instrumental musick in	20
of the parts	20
to sing with	20
of the jewish	20
i have said	20
parts of a	20
what it is	20
of the apostolical	20
used in the	20
gift of the	20
might have been	19
with united voices	19
praises of the	19
the acuter term	19
the same time	19
the people of	19
on the churches	19
filled with the	19
all sorts of	19
to the purpose	19
you will find	19
psalmes and hymnes	19
make use of	19
may as well	19
be sung in	19
the author of	19
we have the	19
set by mr	19
it would be	19
by an extraordinary	19
the same manner	19
words of the	19
to the same	19
though it be	19
the holy spirit	19
of the pipe	19
of the mind	19
is called the	19
to all the	19
i know not	19
vocal and instrumental	19
two or three	19
the reasonings of	19
to be made	19
would not have	19
the whole string	19
acuter term of	19
there will be	19
which is in	19
those things which	19
of the song	19
psalms of david	19
at the same	18
in the least	18
we are not	18
any of the	18
it is an	18
sung in the	18
early works to	18
service of god	18
that singing of	18
is the most	18
that it may	18
of the hand	18
well as in	18
the common time	18
forth the praises	18
rest of the	18
well as to	18
one and the	18
and to be	18
sing with the	18
an account of	18
the advancement of	18
ought not to	18
of the prophets	18
as if the	18
advancement of musick	18
the way of	18
agreeable to the	18
to the nature	18
it is no	18
reproduction of original	18
relation to the	18
the measure of	18
the grace of	18
was to be	18
the state of	18
in the service	18
d la sol	18
to the praise	18
of original in	18
contained in the	18
sing to the	18
the rule of	18
so far from	18
we read of	18
the greek word	18
are said to	18
in their own	18
an ordinance of	18
use of it	18
to the key	18
the church to	18
and his apostles	18
the variety of	17
and to the	17
of the bass	17
of the text	17
they did not	17
is no more	17
the psalms of	17
all the rest	17
there may be	17
i will sing	17
the first chapter	17
the times of	17
estc r ocm	17
the greater tone	17
and hymnes and	17
to be sold	17
is it not	17
and may be	17
of the verses	17
r ocm this	17
with the voice	17
in the whole	17
sung an hymn	17
to be used	17
lessons for the	17
i have not	17
in the last	17
out of a	17
an answer to	17
which is called	17
children of israel	17
admonishing one another	17
ocm this keyboarded	17
on the contrary	17
hymnes and spirituall	17
a flat song	17
it should be	17
make a joyful	17
use of instrumental	17
f fa ut	17
a greater semitone	17
of that age	17
singing of the	17
the church and	17
the christian religion	17
they are to	17
in like manner	16
the ordinary gifts	16
any thing in	16
yet it is	16
that is to	16
to be so	16
as you may	16
before the lord	16
is not the	16
under the old	16
it was a	16
example of the	16
i shall not	16
with his disciples	16
la sol re	16
sol fa ut	16
distant from the	16
was in the	16
light of christ	16
the lord is	16
to do it	16
used by the	16
to be performed	16
the lord in	16
that which was	16
such as are	16
that in the	16
are not to	16
which may be	16
song in the	16
the doctrine of	16
that you may	16
as i said	16
in the scripture	16
of christ in	16
to make it	16
design of the	16
admonish one another	16
of god to	16
time of the	16
with the same	16
the saints and	16
in a third	16
come to the	16
of the treble	16
be in a	16
that by the	16
be found in	16
in such a	16
to the bass	16
but such as	16
is a rule	16
sing his praises	16
they are not	16
and admonishing one	16
but this is	16
i doubt not	16
the division of	16
it be not	16
at the beginning	16
the ordinance of	16
contrary to the	16
of davids psalmes	16
the same thing	16
to make the	16
because of the	16
in the following	16
close of the	15
rules for the	15
and for the	15
notes of the	15
duty of the	15
into the church	15
nothing to the	15
a song of	15
seems to be	15
which is of	15
it had been	15
opposition to the	15
art of descant	15
to be of	15
the honour of	15
from the key	15
in the conscience	15
with the church	15
times of the	15
and that is	15
if the base	15
i have shewed	15
to be taken	15
state of the	15
part of musick	15
a joyfull noyse	15
in b fa	15
together with the	15
light of nature	15
sing to my	15
is the first	15
are in the	15
so long as	15
and that the	15
if they had	15
acceptable to god	15
to the contrary	15
to my pipe	15
to the first	15
the songs of	15
ascending and descending	15
words of christ	15
said to sing	15
those which are	15
to that which	15
and from the	15
to which is	15
for the same	15
the second is	15
some of them	15
may not be	15
to sing to	15
the help of	15
with one accord	15
in the practice	15
of our church	15
and ought to	15
him in the	15
of the divine	14
of the principall	14
to be done	14
given to the	14
if he had	14
when they are	14
the custome of	14
it is very	14
under the new	14
is a moral	14
extraordinary gift of	14
flats and sharps	14
of musick is	14
before the law	14
all that is	14
use of organs	14
the performance of	14
hearts to the	14
in the time	14
of the learned	14
is of a	14
middle of the	14
this is a	14
the mouth of	14
is divided in	14
end of a	14
of the monochord	14
from the other	14
he would have	14
the spirit in	14
grace in the	14
ordinance of god	14
as they were	14
to the other	14
let it be	14
so as to	14
sing with him	14
that is the	14
of singing in	14
of the former	14
which they are	14
so great a	14
what you say	14
the subject of	14
as the apostle	14
not at all	14
the greater third	14
must needs be	14
song of moses	14
of them that	14
foure in two	14
of such a	14
in your hearts	14
constitution of the	14
in the apostles	14
performed by the	14
tuning of the	14
the second note	14
of the other	14
every one of	14
be in the	14
above the key	14
the distance of	14
fourth part of	14
we should sing	14
church of god	14
greater and lesser	14
an act of	14
by the help	14
of the churches	14
it might be	14
they were not	14
song of the	14
and when they	14
on account of	14
inconsistent with the	14
of singing is	14
must not be	14
for all the	14
the god of	14
it was the	13
house of god	13
to be found	13
the reason of	13
so that it	13
the extraordinary gifts	13
the jewish nation	13
his presence with	13
and so to	13
is a perfect	13
respect of the	13
motion of the	13
to be understood	13
the signe of	13
of the length	13
not to the	13
the dayes of	13
the same place	13
is not so	13
to sing them	13
third to the	13
c d e	13
by the apostle	13
the temple worship	13
these are the	13
and so of	13
and therefore the	13
and not to	13
of the third	13
parts of the	13
more to be	13
by the way	13
whether it be	13
in the power	13
many of the	13
of the true	13
the lovers of	13
the foundation of	13
the consideration of	13
and endeth in	13
of those who	13
it was in	13
and is divided	13
of the psalms	13
church of corinth	13
of the base	13
to the world	13
of the heart	13
in the dayes	13
fit to be	13
i have already	13
extraordinary gifts of	13
a shadow of	13
the apostolical age	13
and they are	13
is not to	13
the exercise of	13
all of them	13
as they did	13
placed in the	13
by the apostles	13
a new song	13
of the tenor	13
beginning of the	13
not so much	13
that they might	13
both vocal and	13
to the advancement	13
first note of	13
and use of	13
to the whole	13
we are to	13
of the rest	13
the primitive christians	13
account of the	13
of divine worship	13
influences of the	13
a type of	13
praise the lord	13
matter of the	13
in the publick	13
the presence of	13
our lord jesus	13
place of the	13
of the musick	13
musick of the	12
the half note	12
the greater and	12
we have no	12
is distant from	12
in this matter	12
all the world	12
as hath been	12
of the nature	12
the writings of	12
to which the	12
the constitution of	12
names of the	12
teach and admonish	12
that we have	12
i have shewn	12
at this time	12
before his presence	12
a gift of	12
have not the	12
a song in	12
his epistle to	12
all the saints	12
they sung an	12
might as well	12
rising or falling	12
is not in	12
that instrumental musick	12
which are not	12
is of the	12
set formes of	12
in the former	12
and not the	12
to be an	12
the same nature	12
which was the	12
the first and	12
to the honour	12
the same in	12
to the common	12
d sol re	12
be filled with	12
them to be	12
joyful noise unto	12
in this case	12
there was no	12
any of them	12
of the air	12
and if it	12
must be a	12
from the first	12
holy ordinance of	12
them to the	12
in a sharp	12
regard to the	12
which are the	12
reading of the	12
the melody of	12
in this place	12
covantage keyed and	12
the included air	12
as for the	12
and the rest	12
i will give	12
the practise of	12
none of them	12
he doth not	12
taken out of	12
that i know	12
to shew that	12
that he may	12
they do not	12
with a fa	12
there is in	12
take notice of	12
of the instrument	12
of them in	12
to the matter	12
all the earth	12
out of their	12
apex covantage keyed	12
of the two	12
duty of singing	12
fa la la	12
the third is	12
of praising of	12
doth consist of	12
as if they	12
of this nature	12
by how much	12
the harmony of	12
of the common	12
us to sing	12
that they are	12
which is not	12
is to sing	12
so much the	12
those who are	12
and so the	12
author of the	12
a greater third	12
the sonnes of	12
and what is	12
in the scale	12
as there is	12
the administration of	12
from another by	12
law of moses	12
would have been	12
in all ages	12
for want of	12
there can be	12
the upper part	12
essay to the	12
power of the	12
aboue the tenor	12
the first of	12
lines and spaces	12
to the fifth	12
can be no	12
as if he	12
and in a	12
of god with	12
and instrumental musick	12
praise to god	12
knowledge of the	12
of the worship	12
the hearts of	12
a naturall light	12
as that which	12
the word is	12
if the bass	12
of the number	12
in the latter	12
reasonings of the	12
of the things	12
proportion of a	12
in a song	12
which is to	12
the skill of	12
the primitive church	11
i must tell	11
grace in our	11
of organs in	11
the last saue	11
if they were	11
dayes of the	11
that the first	11
which we have	11
the cause of	11
that this is	11
xml conversion a	11
i know of	11
make a joyfull	11
law of god	11
song of praise	11
the apostles times	11
of the gam	11
order of the	11
degrees of the	11
in the place	11
were wont to	11
you would have	11
church of christ	11
it runneth between	11
melody to the	11
of those times	11
of the lambe	11
i have been	11
when they were	11
name of the	11
in the churches	11
of the lovers	11
and is the	11
for the future	11
both of the	11
foundation of the	11
and therefore it	11
if we should	11
of praising god	11
the string open	11
from the church	11
in the upper	11
rule of the	11
to one another	11
flat or sharp	11
in the greek	11
breaking of bread	11
in the midst	11
a song is	11
the degrees of	11
the first fret	11
places of the	11
mentioned in the	11
is divided into	11
a rule for	11
proportion of the	11
to such a	11
come before his	11
that is a	11
the pricke of	11
part of his	11
church in the	11
is taken from	11
to the second	11
in this treatise	11
to be observed	11
i am sure	11
of the division	11
so to do	11
in these days	11
is no other	11
on the other	11
after the same	11
the reading of	11
that is in	11
notes in the	11
from the nut	11
writings of the	11
all the notes	11
the midst of	11
assistance of the	11
in his own	11
ought to sing	11
in his time	11
and the lesser	11
the nature and	11
the assistance of	11
to which it	11
in the art	11
and he that	11
of an eighth	11
that they may	11
formes of psalmes	11
gift of tongues	11
will of god	11
the hand of	11
to joyn in	11
and that which	11
prayer and singing	11
at that time	11
they would not	11
in singing of	11
in these words	11
in singing the	11
i am not	11
sold by john	11
as that of	11
of the scriptures	11
but i am	11
the days of	11
the custom of	11
to a fift	11
the other by	11
they praised god	11
the things of	11
honour of god	11
brought into the	11
tone of the	11
will be a	11
that it might	11
have the same	11
i said before	11
which they were	11
the memory of	11
when they had	11
they were to	11
nature of musick	11
praises to god	11
but of the	11
the tone of	11
the benefit of	11
but by the	11
for in the	11
of a fifth	11
the influences of	11
part of it	11
in the example	11
to praise the	11
of his musicke	11
in answer to	11
noise unto the	11
so is the	11
of them to	11
thought good to	11
of the n	11
may be sung	11
and there is	11
now in the	11
praise him in	11
the apostles themselves	11
of god and	11
the rudiments of	11
it seems to	11
only in the	11
is to say	11
found in the	11
essence of it	11
now it is	11
that part of	11
in like sort	11
members of the	11
the signs of	11
parts in one	11
the pauses of	11
to have a	11
is the principal	11
the diuision of	11
the literal sense	11
a sharp song	11
if we consider	11
chapter of his	11
the first place	11
spirit of the	11
as well be	10
revelations of the	10
to the edification	10
practised in the	10
some reflections on	10
with the other	10
and make it	10
with joy and	10
all the other	10
as the other	10
of the key	10
with the first	10
the devotion of	10
and so is	10
introduction to the	10
it is so	10
endureth for ever	10
practice of it	10
the works of	10
lord have mercy	10
if we must	10
would be a	10
was given forth	10
is but a	10
is a duty	10
it will not	10
they could not	10
of the cliffs	10
and people of	10
instrumental musick was	10
that had a	10
to their own	10
as if it	10
by the ordinary	10
hence it is	10
are not in	10
more or less	10
an extraordinary spirit	10
it cannot be	10
of the diuision	10
by thomas salmon	10
rule for us	10
which was to	10
as well say	10
and as it	10
should not have	10
speaking to your	10
there is nothing	10
answer to the	10
things which are	10
that i have	10
musick in parts	10
because there is	10
the observation of	10
i shall now	10
word of one	10
of our lord	10
wont to be	10
singing of davids	10
set down in	10
of that which	10
to the string	10
music in churches	10
not only to	10
to sing his	10
to the organ	10
at the end	10
he might have	10
and also the	10
are either of	10
of our saviour	10
new revelations of	10
which are to	10
but to the	10
the most eminent	10
divided into a	10
for the first	10
original in the	10
the churches of	10
i would not	10
she must not	10
the special gift	10
term of the	10
he did not	10
have mercy upon	10
to your selves	10
notes for div	10
sixth and seventh	10
act of the	10
mercy endureth for	10
god is a	10
and glory of	10
the fourth and	10
or at least	10
of a sound	10
not only in	10
proved to be	10
had not the	10
are they that	10
i know no	10
doubt not but	10
i thought good	10
which were to	10
use in the	10
it be the	10
fa b mi	10
or in a	10
in this manner	10
it be a	10
to the right	10
to the glory	10
and the church	10
had been a	10
it is true	10
all that are	10
art of singing	10
number of three	10
know not what	10
far as the	10
ways of praising	10
the evil spirit	10
and so in	10
help of the	10
of the truth	10
compass of the	10
but what is	10
an eight below	10
melody of the	10
it is placed	10
such a gift	10
singing of them	10
a and c	10
i need not	10
the lawfulness and	10
to set forth	10
into a greater	10
to the word	10
other ways of	10
and are either	10
for the most	10
as we have	10
and such as	10
for div a	10
to be expected	10
into the new	10
side of the	10
us to the	10
another by a	10
in spirit and	10
for there is	10
your hearts to	10
half a note	10
seems to have	10
use of them	10
in the day	10
by our adversaries	10
the fourth part	10
it is necessary	10
a lesser tone	10
the generality of	10
at the close	10
let us agree	10
out of his	10
the judgment of	10
which they had	10
fa ut cliff	10
i will not	10
in the scriptures	10
to sing together	10
are not so	10
the gifts of	10
who had not	10
the third part	10
sound of the	10
which it was	10
we have not	10
the authority of	10
a woman to	10
there must be	10
to that of	10
the melodie of	10
the lower part	10
to prove that	10
that which the	10
none were more	10
presence with singing	10
of the mosaick	10
of the art	10
rising and falling	10
for the more	10
at other times	10
the musick of	10
upon this account	10
churches in the	10
to the rule	10
the beginnings of	10
of the alphabet	10
or of the	10
more than a	10
should not be	10
letters of the	10
of psalms and	10
the proportions of	10
sol re vt	10
and is called	10
when in the	10
of the earth	10
when he was	10
christ in the	10
of the mosaical	9
and as the	9
as we do	9
a company of	9
of praise to	9
is by the	9
they are all	9
the reason why	9
of the time	9
unto him with	9
which is so	9
make such a	9
to another in	9
be sold by	9
term of that	9
table of the	9
in the key	9
age of the	9
there are two	9
and admonish one	9
singing davids psalmes	9
from a to	9
the faith of	9
see in the	9
this kind of	9
in the greater	9
church of jerusalem	9
and all other	9
is for the	9
of the included	9
sing psalms and	9
manner of the	9
and that by	9
to make them	9
the most part	9
those of the	9
over the man	9
mercy upon us	9
musick in general	9
at the mouth	9
of god by	9
to which i	9
he that had	9
of any other	9
and if we	9
let him sing	9
by an imperfect	9
ought to have	9
in it self	9
the language of	9
proper signification of	9
which by the	9
the affections of	9
for that is	9
he will not	9
at this day	9
mood runneth between	9
to this objection	9
in three parts	9
which was a	9
two or more	9
is necessary to	9
a th part	9
is a figure	9
use of musick	9
the sake of	9
to be more	9
be sung by	9
in a fift	9
the last place	9
songs of the	9
melodie of the	9
there are some	9
they have been	9
where it is	9
no more then	9
this was the	9
it is of	9
by a special	9
as in prayer	9
of the apostle	9
the lesser sixth	9
b fa b	9
the necessity of	9
of the psalm	9
we ought to	9
the extraordinary gift	9
and instruments of	9
the request of	9
from the practice	9
as long as	9
singing is a	9
of two or	9
for the sake	9
in a word	9
they would have	9
let me tell	9
set eight notes	9
to be heard	9
holy men of	9
grace in your	9
of all that	9
see cause to	9
for them that	9
the lowest note	9
of the primitive	9
blessed are they	9
is one thing	9
together in the	9
if you please	9
greater or lesser	9
said to have	9
is a third	9
that will not	9
the whole congregation	9
the body of	9
usurp authority over	9
of the matter	9
so far as	9
me tell you	9
are commanded to	9
if they be	9
mouth of the	9
of this ordinance	9
is one of	9
the mystical sense	9
the whole world	9
the lords supper	9
into the jewish	9
with them in	9
of the subject	9
member of the	9
a form of	9
into a lesser	9
the things themselves	9
there be a	9
we may not	9
he is to	9
must be the	9
so in the	9
holy ghost in	9
that the church	9
in the days	9
and under the	9
to know what	9
i have heard	9
with the bass	9
proper to the	9
on the first	9
must take the	9
first of all	9
but also in	9
is nothing else	9
and so it	9
my self to	9
with all the	9
of musick by	9
may be called	9
so that if	9
teach one another	9
but i hope	9
after the manner	9
made by the	9
god by singing	9
such is the	9
the apostles days	9
shall they sing	9
every one that	9
for the worship	9
is divided and	9
the rules of	9
one from the	9
was not to	9
to the true	9
from the second	9
of christ and	9
things that are	9
is the duty	9
in imitation of	9
the example following	9
of prayer and	9
there is one	9
f g a	9
the bass and	9
half a time	9
to shew how	9
up their voice	9
and that they	9
joyn in harmony	9
both in the	9
to sing forth	9
of the original	9
of singing psalmes	9
of the sound	9
and out of	9
to sing psalmes	9
had not been	9
will sing with	9
that they would	9
in his epistle	9
but they are	9
in the name	9
it was to	9
the upper note	9
to teach and	9
after this manner	9
that is called	9
to have the	9
but that which	9
then in the	9
and with the	9
the blessing of	9
with the third	9
and manner of	9
or the like	9
admitted into the	9
of one voyce	9
if a word	9
and proper signification	9
sung by the	9
acts of the	9
to the former	9
for the bass	9
either in the	9
in b flat	9
and as for	9
or in the	9
the key a	9
then the first	9
of all other	9
way of worship	9
the lord jesus	9
there should be	9
the word hymnos	9
to praise him	9
of the lamb	9
to those who	9
of which i	9
division of the	9
in the highest	9
as the spirit	9
not capable of	9
for the treble	9
in that place	9
as not to	9
the greater prolation	9
words of david	9
in the law	9
agree with the	9
if they did	9
that we should	9
progression of the	9
way of arguing	9
as he says	9
his mercy endureth	9
in holy offices	9
as will appear	9
in this point	9
written in the	9
for my part	9
higher or lower	9
to god in	9
the whole body	9
with the voyce	9
the notes in	9
so it is	9
it is evident	9
have met with	9
well as they	9
be a great	9
of the royal	9
he would not	9
such as is	9
doctrine of the	9
not by the	9
ordinance of christ	9
with such a	9
performed in the	9
and therefore i	9
glory of the	9
of a greater	9
the excellency of	9
on the bass	9
those extraordinary gifts	9
the red sea	9
god in prayer	9
the lord was	9
they should be	9
and sing our	9
understood by the	8
been pleased to	8
there is an	8
without the tongue	8
no more to	8
bring forth a	8
i would have	8
latter end of	8
in stead of	8
according to guido	8
length of the	8
it is one	8
with singing of	8
the apostle saith	8
unless it be	8
and these are	8
by our adversary	8
is it to	8
the lawfulness of	8
them that believe	8
are contained in	8
the mystical benefits	8
and at the	8
hymns and anthems	8
to worship god	8
that may be	8
celebrate the praises	8
i have met	8
in the mount	8
their proper places	8
an unknown tongue	8
ordinary gifts of	8
either of them	8
of the several	8
in a mixt	8
ordinance of the	8
sing with us	8
that the apostles	8
is all one	8
another in psalmes	8
upper note of	8
the third or	8
answer to mr	8
i am perswaded	8
order to the	8
epistle to the	8
was pleased to	8
the vibrations of	8
psalm of david	8
without the spirit	8
of parts of	8
it is more	8
the holy bible	8
chapter of the	8
the holy scripture	8
he was a	8
shew that the	8
to the highest	8
some of the	8
much more to	8
but for the	8
made in the	8
he is good	8
are in this	8
let him pray	8
the obligation of	8
in use in	8
they must be	8
of the definition	8
in any other	8
forms of prayer	8
which is made	8
who do not	8
is made in	8
that singing is	8
singing with grace	8
is to praise	8
you seem to	8
form of preaching	8
endited by the	8
before or after	8
the holiness of	8
as i am	8
is contained in	8
is the very	8
but if it	8
hymns and songs	8
set forth the	8
a third aboue	8
unto god in	8
you shall find	8
forth in the	8
an holy ordinance	8
the greater semitone	8
of singing davids	8
they had not	8
it would have	8
and on the	8
then it is	8
it be long	8
a collection of	8
of natural religion	8
of the times	8
which we are	8
well as it	8
that have been	8
is a certaine	8
the experience of	8
be performed by	8
grace of god	8
the holy supper	8
as appeareth in	8
the work of	8
could be no	8
song or lesson	8
in the singing	8
as in a	8
to sing and	8
in the revelations	8
there are other	8
and that in	8
in way of	8
the perfection of	8
may be used	8
price bound s	8
the ends of	8
that because the	8
the latter end	8
special gift of	8
the last note	8
abrogated by the	8
singing of his	8
is as to	8
in the foregoing	8
the members of	8
from the law	8
on the treble	8
any of his	8
it is that	8
you need not	8
why should we	8
the bishop of	8
to them that	8
go about to	8
which is all	8
the law was	8
concerning the lawfulness	8
authority of the	8
may see in	8
and in all	8
of christ dwell	8
the saints in	8
tend to the	8
practised by the	8
three hundred yeares	8
of it are	8
in the flesh	8
the one from	8
but that it	8
over the beast	8
first booke of	8
he may be	8
those who were	8
from the light	8
the fifth and	8
be pleased to	8
and such like	8
like to the	8
imperfect of the	8
and the reason	8
with all our	8
sing forth the	8
marked with the	8
which are in	8
in the mean	8
to receive the	8
if it had	8
be done without	8
by christ and	8
that i am	8
so to be	8
sonnes of men	8
from such a	8
in this art	8
as the jews	8
the same spirit	8
the same order	8
in the compass	8
which is most	8
in our spirits	8
the apostle james	8
no such thing	8
were in the	8
the second booke	8
there were no	8
silence in the	8
at the request	8
to the ear	8
is nothing to	8
according to that	8
but that the	8
the verses of	8
we must be	8
well as other	8
that i shall	8
a vindication of	8
with heart and	8
victory over the	8
which is by	8
was at first	8
hence is it	8
hand of the	8
and the children	8
many of them	8
the spirit and	8
in the very	8
spirit of christ	8
churches to sing	8
of teaching and	8
is there any	8
into the world	8
practice of all	8
it from the	8
c fa ut	8
in the answeres	8
exhorted to sing	8
the whole of	8
with a little	8
to the people	8
by the gospel	8
they are in	8
much to the	8
things to come	8
he seems to	8
the second chapter	8
of the congregation	8
to this purpose	8
in the congregation	8
is much more	8
the opinion of	8
in an unknown	8
for this is	8
to be filled	8
as to their	8
answeres of the	8
and the first	8
and to make	8
as for example	8
of your book	8
you tell us	8
the matter to	8
of an harmonical	8
to take notice	8
a b c	8
the will of	8
i see no	8
upon the organs	8
in the fourth	8
it is certain	8
by the law	8
to the jews	8
the value of	8
an essay to	8
for the better	8
a man of	8
of all gospel	8
four notes lower	8
of whole times	8
matter to be	8
the one is	8
a spirituall song	8
heaven and earth	8
it were a	8
by the ancients	8
to the measure	8
which there is	8
to the temple	8
in relation to	8
not of the	8
church to the	8
and are to	8
is a very	8
the other notes	8
that they should	8
and i will	8
rules of the	8
notes and half	8
to the observation	8
it hath been	8
verses of the	8
it is either	8
which i shall	8
up and down	8
is more than	8
in this following	8
both of them	8
by the author	8
of this science	8
instruments of the	8
stand in the	8
thousand years reign	8
you speak of	8
the answeres of	8
in the most	8
you come to	8
at the red	8
placed above the	8
one part of	8
of which the	8
that which you	8
spirit of prophecy	8
which is added	8
is a breefe	8
part of natural	8
to see how	8
spirit and truth	8
of half a	8
to the new	8
let us make	8
that are in	8
the other in	8
and so much	8
of a man	8
neither of them	8
speak in the	8
order to singing	8
the treble is	8
the mother of	8
a way of	8
me in the	8
to use the	8
is the proportion	8
if this be	8
into a fift	8
benefits of the	8
acceptably to god	8
are the same	8
the spirit to	8
he speaks of	8
the third chapter	8
but there is	8
from the word	7
among the jews	7
and i have	7
is so great	7
as he is	7
been in the	7
had it been	7
authority over the	7
to the most	7
hath been shewed	7
first chapter of	7
after the apostles	7
can be given	7
to the jewish	7
psalmes to be	7
in our churches	7
and thy generation	7
of god may	7
and also because	7
there are three	7
give me leave	7
which they have	7
the other is	7
and as many	7
but for a	7
i will pray	7
in the presence	7
comply with the	7
cause to praise	7
give an account	7
had the gift	7
singing forth the	7
for singing of	7
by this means	7
the tables of	7
way of singing	7
as well in	7
the help and	7
far from being	7
a multitude of	7
for as the	7
of the figures	7
the noise of	7
of his majesties	7
the difference between	7
the transposition of	7
the life of	7
third part of	7
of the more	7
and therefore also	7
to stir up	7
but to proceed	7
the man is	7
well be said	7
not able to	7
them under the	7
must tell you	7
as they call	7
of our churches	7
to be very	7
either of the	7
we ought not	7
the truth of	7