This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
early english books | 65 |
english books online | 52 |
based on the | 39 |
text creation partnership | 39 |
keying and markup | 26 |
marked as illegible | 26 |
characters represented either | 26 |
either as utf | 26 |
represented either as | 26 |
the tune of | 26 |
to the tune | 26 |
the art of | 18 |
art of love | 17 |
there are a | 15 |
that in all | 14 |
early works to | 14 |
observe my rules | 14 |
is given to | 14 |
available in eebo | 13 |
elements to simplify | 13 |
to be redone | 13 |
all without asking | 13 |
and or corrected | 13 |
that due credit | 13 |
for their own | 13 |
tcp files to | 13 |
tei in libraries | 13 |
ascii text with | 13 |
new cambridge bibliography | 13 |
sampled and proofread | 13 |
to reflect the | 13 |
request that due | 13 |
was chosen if | 13 |
tei g elements | 13 |
guidelines are available | 13 |
works in english | 13 |
been released into | 13 |
number of works | 13 |
text encoding initiative | 13 |
instances will never | 13 |
iv tiff page | 13 |
have been transformed | 13 |
out by editorial | 13 |
of all the | 13 |
within the usual | 13 |
were sent to | 13 |
corrected and characters | 13 |
range over a | 13 |
text transcribed from | 13 |
compelling reason to | 13 |
images scanned from | 13 |
available at the | 13 |
encoded texts based | 13 |
to external keying | 13 |
university of nebraska | 13 |
corrected where possible | 13 |
and the publisher | 13 |
will be marked | 13 |
have been issued | 13 |
bibliography of english | 13 |
can be copied | 13 |
be made about | 13 |
are available at | 13 |
selection was based | 13 |
chosen if there | 13 |
cambridge bibliography of | 13 |
in other languages | 13 |
is available for | 13 |
quality assurance was | 13 |
to the terms | 13 |
a work was | 13 |
meet qa standards | 13 |
tcp is a | 13 |
processed by university | 13 |
usually the first | 13 |
into placeholder characters | 13 |
with changes to | 13 |
each text was | 13 |
and encoded edition | 13 |
text selection was | 13 |
or tei g | 13 |
sdata character entities | 13 |
second or later | 13 |
can now take | 13 |
their early english | 13 |
for commercial purposes | 13 |
domain as of | 13 |
simplify the filling | 13 |
placeholder characters or | 13 |
are a number | 13 |
transcribed and encoded | 13 |
published between and | 13 |
some readable characters | 13 |
likelihood such instances | 13 |
a second or | 13 |
texts for their | 13 |
on the text | 13 |
be marked as | 13 |
is the greater | 13 |
of the project | 13 |
encoded edition of | 13 |
were corrected where | 13 |
the filling in | 13 |
of tcp data | 13 |
such instances will | 13 |
english were prioritized | 13 |
gap elements of | 13 |
is to encode | 13 |
assumptions that can | 13 |
on the new | 13 |
limit of instances | 13 |
later edition of | 13 |
of gaps by | 13 |
those which did | 13 |
encoded as gap | 13 |
create accurately transcribed | 13 |
during phase of | 13 |
textual data within | 13 |
of each text | 13 |
language title published | 13 |
with level of | 13 |
given to their | 13 |
is a partnership | 13 |
these processes should | 13 |
of every monographic | 13 |
tcp project was | 13 |
teams in oxford | 13 |
take and use | 13 |
of any assumptions | 13 |
edition of a | 13 |
text is available | 13 |
reflect the true | 13 |
processes should make | 13 |
the public domain | 13 |
texts were encoded | 13 |
or corrected and | 13 |
known extent have | 13 |
have been looked | 13 |
by the institutions | 13 |
of instances per | 13 |
described above is | 13 |
nature of the | 13 |
accurately transcribed and | 13 |
the first edition | 13 |
time and funding | 13 |
latin and welsh | 13 |
tcp data is | 13 |
works are eligible | 13 |
i text is | 13 |
of a work | 13 |
gaps by user | 13 |
owned by the | 13 |
level of the | 13 |
instances per text | 13 |
aim of eebo | 13 |
the texts have | 13 |
opposed to critical | 13 |
by converting tcp | 13 |
their own purposes | 13 |
for transcription and | 13 |
if an author | 13 |
a limit of | 13 |
work described above | 13 |
in accordance with | 13 |
released into the | 13 |
should make clear | 13 |
keyed and coded | 13 |
was divided into | 13 |
overall quality of | 13 |
an anonymous work | 13 |
strings within braces | 13 |
now take and | 13 |
therefore of any | 13 |
in libraries guidelines | 13 |
to range over | 13 |
standards were returned | 13 |
large quantities of | 13 |
the universities of | 13 |
a works in | 13 |
of known extent | 13 |
in english were | 13 |
returned to the | 13 |
users should be | 13 |
enhanced and or | 13 |
issued variously as | 13 |
to encode one | 13 |
phase of the | 13 |
as illegible were | 13 |
the tcp texts | 13 |
not meet qa | 13 |
assigned for keying | 13 |
title published between | 13 |
in mind that | 13 |
due credit and | 13 |
quantities of textual | 13 |
public domain as | 13 |
by university of | 13 |
tei p using | 13 |
encoded and linked | 13 |
creating the tcp | 13 |
of the period | 13 |
or later edition | 13 |
of creating the | 13 |
every monographic english | 13 |
and those which | 13 |
the tei in | 13 |
page images in | 13 |
credit and attribution | 13 |
bear in mind | 13 |
the texts were | 13 |
to their original | 13 |
markup reviewed and | 13 |
make clear that | 13 |
quality of tcp | 13 |
encoding was enhanced | 13 |
is very good | 13 |
above is co | 13 |
whichever is the | 13 |
and sometimes a | 13 |
their works are | 13 |
image sets published | 13 |
sets published by | 13 |
or elements to | 13 |
text with mnemonic | 13 |
of time and | 13 |
their original source | 13 |
even for commercial | 13 |
and encoded texts | 13 |
but we respectfully | 13 |
that can be | 13 |
of a works | 13 |
general aim of | 13 |
been looked at | 13 |
keyboarded and encoded | 13 |
users should bear | 13 |
the project have | 13 |
tcp is to | 13 |
illegible were corrected | 13 |
true nature of | 13 |
partnership between the | 13 |
never have been | 13 |
and markup reviewed | 13 |
as gap s | 13 |
proquest via their | 13 |
and available in | 13 |
was intended to | 13 |
unicode or tei | 13 |
text can be | 13 |
were encoded as | 13 |
will never have | 13 |
included and sometimes | 13 |
support to the | 13 |
been transformed into | 13 |
terms of creative | 13 |
anyone can now | 13 |
and basic encoding | 13 |
characters or elements | 13 |
of the texts | 13 |
of michigan and | 13 |
carried out by | 13 |
be aware of | 13 |
a partnership between | 13 |
scanned from microfilm | 13 |
appears in ncbel | 13 |
the publisher proquest | 13 |
characters will be | 13 |
encoded text transcribed | 13 |
a tcp editor | 13 |
filling in of | 13 |
converting tcp files | 13 |
editorial teams in | 13 |
into two phases | 13 |
are eligible for | 13 |
of the tei | 13 |
in oxford and | 13 |
and use these | 13 |
qa standards were | 13 |
and characters marked | 13 |
according to the | 13 |
if there was | 13 |
was proofread for | 13 |
the text creation | 13 |
keyers to be | 13 |
any remaining illegibles | 13 |
for keying and | 13 |
by proquest via | 13 |
a number of | 13 |
structural encoding based | 13 |
was a compelling | 13 |
did not meet | 13 |
of creative commons | 13 |
books online text | 13 |
financial support to | 13 |
wide variety of | 13 |
files to tei | 13 |
published by proquest | 13 |
process of creating | 13 |
up to a | 13 |
aware of the | 13 |
text was proofread | 13 |
edition of the | 13 |
remaining illegibles were | 13 |
images in accordance | 13 |
attribution is given | 13 |
intended to range | 13 |
mainly structural encoding | 13 |
michigan and oxford | 13 |
between and available | 13 |
keying companies for | 13 |
sometimes a second | 13 |
oxford and michigan | 13 |
proquest to create | 13 |
in of gaps | 13 |
to page images | 13 |
then their works | 13 |
for an anonymous | 13 |
this keyboarded and | 13 |
remain and some | 13 |
should be aware | 13 |
extent have been | 13 |
by a tcp | 13 |
work was chosen | 13 |
with mnemonic sdata | 13 |
on the image | 13 |
editions of a | 13 |
the true nature | 13 |
the overall quality | 13 |
at by a | 13 |
via their early | 13 |
or text strings | 13 |
to facilitate morpho | 13 |
the keyers to | 13 |
this phase i | 13 |
the general aim | 13 |
eligible for inclusion | 13 |
the usual project | 13 |
we respectfully request | 13 |
data is very | 13 |
to create diplomatic | 13 |
of works in | 13 |
chose to create | 13 |
accordance with level | 13 |
the image sets | 13 |
unicode or text | 13 |
produce large quantities | 13 |
the early english | 13 |
respectfully request that | 13 |
understanding these processes | 13 |
errors will remain | 13 |
texts created during | 13 |
publisher proquest to | 13 |
p using tcp | 13 |
then carried out | 13 |
mind that in | 13 |
coded from proquest | 13 |
notably latin and | 13 |
variously as sgml | 13 |
over a wide | 13 |
of textual data | 13 |
created by converting | 13 |
to critical editions | 13 |
been issued variously | 13 |
linked to page | 13 |
restraints of time | 13 |
tcp assigned for | 13 |
sets were sent | 13 |
proquest page images | 13 |
was enhanced and | 13 |
a compelling reason | 13 |
all likelihood such | 13 |
by editorial teams | 13 |
and linked to | 13 |
reason to do | 13 |
illegibles were encoded | 13 |
tcp aimed to | 13 |
the institutions providing | 13 |
and oxford and | 13 |
and attribution is | 13 |
encode one copy | 13 |
the new cambridge | 13 |
which did not | 13 |
therefore chose to | 13 |
a wide variety | 13 |
to the early | 13 |
to tei p | 13 |
pfs batch review | 13 |
have been released | 13 |
these texts for | 13 |
between the universities | 13 |
creation partnership web | 13 |
and markup guidelines | 13 |
and therefore chose | 13 |
there was a | 13 |
texts have been | 13 |
mnemonic sdata character | 13 |
transformed into placeholder | 13 |
created during phase | 13 |
text strings within | 13 |
from proquest page | 13 |
to the keyers | 13 |
sent to external | 13 |
text and markup | 13 |
the work described | 13 |
by user contributors | 13 |
encoding based on | 13 |
of the process | 13 |
to do so | 13 |
possible up to | 13 |
the process of | 13 |
texts based on | 13 |
into the public | 13 |
universities of michigan | 13 |
use these texts | 13 |
at the last | 13 |
distributed and performed | 13 |
project have been | 13 |
for accuracy and | 13 |
characters marked as | 13 |
markup guidelines are | 13 |
any assumptions that | 13 |
in all likelihood | 13 |
institutions providing financial | 13 |
without asking permission | 13 |
some errors will | 13 |
phase i text | 13 |
at the text | 13 |
print record of | 13 |
oxford and the | 13 |
usual project restraints | 13 |
to a limit | 13 |
can be made | 13 |
using tcp tei | 13 |
as of january | 13 |
assurance was then | 13 |
to simplify the | 13 |
the terms of | 13 |
readable characters will | 13 |
to produce large | 13 |
variety of subject | 13 |
and therefore of | 13 |
while the overall | 13 |
were returned to | 13 |
will remain and | 13 |
the encoding was | 13 |
to create accurately | 13 |
record of the | 13 |
although there are | 13 |
aimed to produce | 13 |
should bear in | 13 |
elements of known | 13 |
copies of the | 13 |
or for an | 13 |
was based on | 13 |
online text creation | 13 |
divided into two | 13 |
works in other | 13 |
was then carried | 13 |
and xml conversion | 13 |
lincoln and northwestern | 13 |
image sets were | 13 |
transcription and basic | 13 |
as opposed to | 13 |
providing financial support | 13 |
project restraints of | 13 |
selection was intended | 13 |
of subject areas | 13 |
external keying companies | 13 |
project was divided | 13 |
about the data | 13 |
partnership web site | 13 |
the print record | 13 |
companies for transcription | 13 |
reviewed and edited | 13 |
changes to facilitate | 13 |
and coded from | 13 |
available for reuse | 13 |
the text encoding | 13 |
looked at by | 13 |
made about the | 13 |
accuracy and those | 13 |
first editions of | 13 |
of the print | 13 |
the text can | 13 |
and some readable | 13 |
were encoded and | 13 |
of english literature | 13 |
where possible up | 13 |
create diplomatic transcriptions | 13 |
or lossless xml | 13 |
data within the | 13 |
kb of xml | 13 |
proofread for accuracy | 13 |
of the work | 13 |
in praise of | 12 |
and in the | 12 |
the duke of | 11 |
and to the | 11 |
all in vain | 11 |
all the world | 11 |
and with a | 10 |
ocm this keyboarded | 10 |
to take the | 10 |
and all the | 9 |
of original in | 9 |
reproduction of original | 9 |
on the ground | 9 |
eng love poetry | 8 |
the king did | 8 |
tiff page image | 8 |
in all the | 8 |
original in the | 8 |
as a dogge | 8 |
men and maids | 8 |
as well as | 8 |
i will not | 8 |
in spite of | 8 |
all you that | 8 |
love is a | 8 |
the god of | 8 |
if you please | 8 |
take the air | 8 |
a new poem | 8 |
spi global keyed | 7 |
day and night | 7 |
song in praise | 7 |
the glory of | 7 |
mourn no more | 7 |
as may be | 7 |
to my skill | 7 |
rose of england | 7 |
the queen of | 7 |
and with the | 7 |
my dearest love | 7 |
and with his | 7 |
global keyed and | 7 |
thou art as | 7 |
love in the | 7 |
i could not | 7 |
in such a | 7 |
queen of love | 7 |
why should i | 7 |
now is the | 7 |
yield at last | 7 |
and like a | 7 |
and by the | 7 |
so great a | 7 |
to see the | 7 |
the cause of | 7 |
you shall conquer | 7 |
god of love | 7 |
trust to my | 7 |
that i may | 7 |
the earl of | 6 |
of the west | 6 |
you conquer still | 6 |
to avoid all | 6 |
and you shall | 6 |
shall you conquer | 6 |
spite of precepts | 6 |
pleasant and delightful | 6 |
fancy in the | 6 |
but when he | 6 |
at their first | 6 |
of precepts past | 6 |
being persons of | 6 |
their first entrance | 6 |
betwixt two very | 6 |
walkt forth to | 6 |
amarillis told her | 6 |
then to avoid | 6 |
r ocm this | 6 |
first entrance into | 6 |
told her swain | 6 |
two very young | 6 |
but truly amorous | 6 |
persons of very | 6 |
and in a | 6 |
the power of | 6 |
and delightful courtship | 6 |
forth to take | 6 |
in the bud | 6 |
great god of | 6 |
hand in hand | 6 |
that i love | 6 |
i know not | 6 |
in midst of | 6 |
i do not | 6 |
i walkt forth | 6 |
of very eminent | 6 |
xml conversion the | 6 |
avoid all strife | 6 |
as i walkt | 6 |
duke of hereford | 6 |
in the blossome | 6 |
with such a | 6 |
estc r ocm | 6 |
one of the | 6 |
glory of the | 6 |
but when she | 6 |
lovers of the | 6 |
containing a pretty | 6 |
very eminent quality | 6 |
and in thy | 5 |
in my breast | 5 |
but when the | 5 |
my love and | 5 |
may be so | 5 |
let him go | 5 |
the elephant at | 5 |
to the last | 5 |
and in her | 5 |
fresh and fair | 5 |
thou canst not | 5 |
to each other | 5 |
that i am | 5 |
to whom the | 5 |
but if you | 5 |
know not what | 5 |
dub a dub | 5 |
of the day | 5 |
a true and | 5 |
to be a | 5 |
that i had | 5 |
mona logarbo text | 5 |
thee of thy | 5 |
and when he | 5 |
i mean to | 5 |
tiff page images | 5 |
in the said | 5 |
should not be | 5 |
and faithful to | 5 |
date of publication | 5 |
mona logarbo sampled | 5 |
elephant at charing | 5 |
to the king | 5 |
is the time | 5 |
logarbo sampled and | 5 |
that i have | 5 |
but now i | 5 |
the daughter of | 5 |
garland of good | 5 |
the garland of | 5 |
most of all | 5 |
but to return | 5 |
at the elephant | 5 |
student in the | 5 |
what makes the | 5 |
a gull is | 5 |
logarbo text and | 5 |
gull is he | 5 |
in loue with | 5 |
the more i | 5 |
and at the | 5 |
lancelot du lake | 5 |
the said art | 5 |
the death of | 5 |
i am the | 5 |
the love of | 5 |
all the rest | 5 |
out of the | 5 |
to find the | 5 |
love to me | 5 |
to yield at | 5 |
the king of | 5 |
and i will | 5 |
in your eyes | 5 |
the more he | 5 |
and if you | 5 |
i am not | 4 |
it to the | 4 |
by this my | 4 |
with most sorts | 4 |
tract supplement guide | 4 |
so shall you | 4 |
the man that | 4 |
as if she | 4 |
joyn with me | 4 |
for love of | 4 |
the power to | 4 |
no man but | 4 |
but when i | 4 |
all the night | 4 |
a place to | 4 |
of my life | 4 |
he who has | 4 |
printed for j | 4 |
i do love | 4 |
in the place | 4 |
interim tract supplement | 4 |
none but thee | 4 |
the flames of | 4 |
come joyn with | 4 |
thou art the | 4 |
that all the | 4 |
to be the | 4 |
sweet and pleasant | 4 |
by the hand | 4 |
let me not | 4 |
if thou be | 4 |
of all his | 4 |
each other prove | 4 |
and all his | 4 |
of love to | 4 |
of my death | 4 |
and in his | 4 |
written by t | 4 |
stand within this | 4 |
man but thee | 4 |
see how the | 4 |
faithful to each | 4 |
fled from thee | 4 |
but all in | 4 |
i will ever | 4 |
who would not | 4 |
he may be | 4 |
my heart away | 4 |
take by this | 4 |
there is no | 4 |
pain of death | 4 |
this my song | 4 |
you that stand | 4 |
with all the | 4 |
to the ground | 4 |
my heart to | 4 |
goes but to | 4 |
as much as | 4 |
my mind is | 4 |
the whole world | 4 |
to thee my | 4 |
to make me | 4 |
you will not | 4 |
the youth of | 4 |
as you pass | 4 |
tell her that | 4 |
thy love to | 4 |
for thee i | 4 |
printed for p | 4 |
most sorts of | 4 |
that will not | 4 |
like to the | 4 |
and will not | 4 |
then mourn no | 4 |
be not coy | 4 |
and when the | 4 |
the rose of | 4 |
sorts of plays | 4 |
duke of norfolk | 4 |
de arte amandi | 4 |
faith is fled | 4 |
in her face | 4 |
you that love | 4 |
in every place | 4 |
me all you | 4 |
in the night | 4 |
that stand within | 4 |
a song in | 4 |
to make the | 4 |
on pain of | 4 |
of the round | 4 |
gentlemen and ladies | 4 |
where gentlemen and | 4 |
at that time | 4 |
and ladies may | 4 |
is fled from | 4 |
is there any | 4 |
in the ocean | 4 |
and let the | 4 |
and to her | 4 |
the second part | 4 |
praise of the | 4 |
the youth shall | 4 |
to see her | 4 |
to conquer still | 4 |
with watry eyes | 4 |
when she please | 4 |
on the death | 4 |
both time and | 4 |
and as she | 4 |
with me all | 4 |
printed by t | 4 |
it is tobacco | 4 |
gods and men | 4 |
of your eye | 4 |
within this throng | 4 |
by the same | 4 |
and for the | 4 |
example take by | 4 |
both day and | 4 |
and when that | 4 |
what should i | 4 |
as you are | 4 |
when they were | 4 |
the round table | 4 |
the sons of | 4 |
thy selfe in | 4 |
thou hast no | 4 |
you have lost | 4 |
i have done | 4 |
of high degree | 4 |
he goes but | 4 |
both men and | 4 |
in love with | 4 |
and in my | 3 |
ouidius naso his | 3 |
some men do | 3 |
to your lordship | 3 |
i am a | 3 |
as in some | 3 |
that i could | 3 |
prince of england | 3 |
in this following | 3 |
if he would | 3 |
following new made | 3 |
hold thy peace | 3 |
do love no | 3 |
age and youth | 3 |
how great a | 3 |
love with a | 3 |
in the midst | 3 |
she her self | 3 |
no cause of | 3 |
by a student | 3 |
be perfect chaste | 3 |
with thee i | 3 |
in the british | 3 |
you are the | 3 |
to taste the | 3 |
though you embrace | 3 |
and from thy | 3 |
on the stage | 3 |
and with my | 3 |
of my grief | 3 |
how to make | 3 |
faithful lovers of | 3 |
remedie of love | 3 |
sing a song | 3 |
it is a | 3 |
of that which | 3 |
to a delightful | 3 |
your high disdain | 3 |
he seems to | 3 |
a merry song | 3 |
the way to | 3 |
he that dares | 3 |
night and day | 3 |
of his own | 3 |
paper of verses | 3 |
on a sudden | 3 |
to hear the | 3 |
many pleasant songs | 3 |
thou thus delay | 3 |
praise of betty | 3 |
pretty poems to | 3 |
but with a | 3 |
as if you | 3 |
of the original | 3 |
novels at s | 3 |
a gentleman of | 3 |
do not know | 3 |
to her own | 3 |
when he was | 3 |
of a king | 3 |
the amorous damsel | 3 |
the bodleian library | 3 |
and intituled to | 3 |
by thy meanes | 3 |
her to be | 3 |
damsel of bristol | 3 |
and pretty poems | 3 |
hearts in one | 3 |
thou wilt say | 3 |
on a time | 3 |
for he that | 3 |
divided into three | 3 |
i should not | 3 |
to meet her | 3 |
oft haue i | 3 |
and glory of | 3 |
of her eye | 3 |
by thine eyes | 3 |
have it out | 3 |
please your fancies | 3 |
the earth in | 3 |
had not yet | 3 |
a collection of | 3 |
to sing a | 3 |
yet seem to | 3 |
earl of essex | 3 |
let your eyes | 3 |
so long as | 3 |
let not me | 3 |
not able to | 3 |
whom he did | 3 |
by this means | 3 |
true and faithful | 3 |
for by the | 3 |
and now to | 3 |
so strange a | 3 |
let it be | 3 |
description of two | 3 |
thus shall you | 3 |
was the turtle | 3 |
i saw the | 3 |
begs you would | 3 |
cast my love | 3 |
in all his | 3 |
thee i did | 3 |
and make the | 3 |
my cruel fate | 3 |
i may say | 3 |
covantage keyed and | 3 |
i would not | 3 |
is he which | 3 |
you please to | 3 |
in love i | 3 |
and let thy | 3 |
the world shall | 3 |
not at all | 3 |
lover of your | 3 |
if that i | 3 |
to men and | 3 |
and may they | 3 |
by matthew coppinger | 3 |
my self i | 3 |
is a thing | 3 |
love and favour | 3 |
why dost thou | 3 |
are to be | 3 |
faithful hearts one | 3 |
as soone as | 3 |
merry song in | 3 |
of the world | 3 |
into the sea | 3 |
grant me love | 3 |
in every part | 3 |
and thou shalt | 3 |
my gracious lord | 3 |
to the same | 3 |
both to men | 3 |
so shalt thou | 3 |
a table to | 3 |
give to thee | 3 |
and with her | 3 |
and from the | 3 |
you know not | 3 |
and in this | 3 |
a student in | 3 |
wish i had | 3 |
names of all | 3 |
they were both | 3 |
and for my | 3 |
which like the | 3 |
you pass by | 3 |
whole work of | 3 |
reproduction of the | 3 |
i am sure | 3 |
will not be | 3 |
for some short | 3 |
but i am | 3 |
her to his | 3 |
tune of the | 3 |
but for a | 3 |
true and brief | 3 |
two faithful lovers | 3 |
with a table | 3 |
the charming sex | 3 |
do intend to | 3 |
if thou dost | 3 |
the world in | 3 |
was turned into | 3 |
him to a | 3 |
please to have | 3 |
that this book | 3 |
the pride of | 3 |
the charming maid | 3 |
and let me | 3 |
as he did | 3 |
the sonne of | 3 |
in two books | 3 |
of two resolved | 3 |
to win the | 3 |
may be won | 3 |
cloth of gold | 3 |
the third part | 3 |
to cure the | 3 |
to the youth | 3 |
whose excellent wits | 3 |
for to prevent | 3 |
it is but | 3 |
will ever be | 3 |
the british library | 3 |
but if thou | 3 |
for i could | 3 |
the names of | 3 |
dost thou thus | 3 |
by what meanes | 3 |
the honour of | 3 |
an elegie on | 3 |
a song of | 3 |
and all things | 3 |
the original in | 3 |
she was not | 3 |
maids i do | 3 |
as it were | 3 |
some short time | 3 |
for her sake | 3 |
and then he | 3 |
when i am | 3 |
o let him | 3 |
his hearts delight | 3 |
as soon as | 3 |
you have made | 3 |
unto the king | 3 |
epigrames by i | 3 |
he rides to | 3 |
this following new | 3 |
work of love | 3 |
at the first | 3 |
be spoken of | 3 |
and faithful hearts | 3 |
that you have | 3 |
and hopes of | 3 |
the time of | 3 |
in the woods | 3 |
let me be | 3 |
o let me | 3 |
he is a | 3 |
his love and | 3 |
if i should | 3 |
cause of this | 3 |
and are to | 3 |
and with sweet | 3 |
intend to sing | 3 |
to sundry new | 3 |
my selfe i | 3 |
the world may | 3 |
and that for | 3 |
songs and love | 3 |
thou shalt be | 3 |
at such a | 3 |
the two faithful | 3 |
amorous damsel of | 3 |
a young lady | 3 |
the maids answer | 3 |
but all their | 3 |
as i was | 3 |
the faith that | 3 |
to please thy | 3 |
had been my | 3 |
on the hard | 3 |
if she be | 3 |
whom i do | 3 |
but yet the | 3 |
to the world | 3 |
the lover of | 3 |
there any faith | 3 |
in his breast | 3 |
and shun the | 3 |
the wife of | 3 |
and made the | 3 |
naso his remedie | 3 |
place and date | 3 |
is the faith | 3 |
me of my | 3 |
love no man | 3 |
if you will | 3 |
her right hand | 3 |
love is better | 3 |
wit and sense | 3 |
gentleman of lincolns | 3 |
in her eyes | 3 |
and for their | 3 |
as i am | 3 |
by william blundun | 3 |
a single life | 3 |
but thee i | 3 |
is full of | 3 |
not in vain | 3 |
now hast thou | 3 |
i am no | 3 |
shun the snare | 3 |
and thus i | 3 |
by and by | 3 |
me so much | 3 |
you find her | 3 |
i had never | 3 |
violently in love | 3 |
a delightful new | 3 |
by virtue of | 3 |
and as a | 3 |
love it self | 3 |
ouidij nasonis amorum | 3 |
praise of a | 3 |
part of the | 3 |
this thou wilt | 3 |
why let him | 3 |
stains of infamy | 3 |
the powers above | 3 |
she shall be | 3 |
through the world | 3 |
out to take | 3 |
i will send | 3 |
apex covantage keyed | 3 |
i teach you | 3 |
at length he | 3 |
love and lady | 3 |
i did see | 3 |
my heart doth | 3 |
your fancies without | 3 |
and make me | 3 |
from stains of | 3 |
love and i | 3 |
of in this | 3 |
at all to | 3 |
you must not | 3 |
ore the park | 3 |
by william blunten | 3 |
that he had | 3 |
the doubting virgin | 3 |
to the field | 3 |
it cannot be | 3 |
the faithful lovers | 3 |
but such as | 3 |
let maids beware | 3 |
and on thy | 3 |
on a young | 3 |
euen as the | 3 |
to be found | 3 |
evening fresh and | 3 |
not chuse but | 3 |
how can you | 3 |
of the same | 3 |
king edward the | 3 |
what you said | 3 |
and unto him | 3 |
comes too late | 3 |
hearts one to | 3 |
rob thee of | 3 |
the force of | 3 |
the great gods | 3 |
when as king | 3 |
it likes me | 3 |
the second book | 3 |
of the doubting | 3 |
the queen with | 3 |
as if the | 3 |
i laid me | 3 |
strive for to | 3 |
loves fierce desire | 3 |
written both to | 3 |
youth of england | 3 |
brief description of | 3 |
i pray thee | 3 |
who being in | 3 |
two resolved lovers | 3 |
in the air | 3 |
upon my heart | 3 |
with a modest | 3 |
thou wilt not | 3 |
so to conquer | 3 |
pick novels at | 3 |
you are fair | 3 |
hopes of recovery | 3 |
at all times | 3 |
is all my | 3 |
containing many pleasant | 3 |
fancies without doubt | 3 |
which when the | 3 |
delightful new tune | 3 |
or if you | 3 |
and you must | 3 |
of the barbadoes | 3 |
she may be | 3 |
table to find | 3 |
his remedie of | 3 |
to thee i | 3 |
and to my | 3 |
heard thy name | 3 |
in the bodleian | 3 |
then shalt thou | 3 |
make an end | 3 |
that at the | 3 |
and brief description | 3 |
dost strive to | 3 |
heart to bleed | 3 |
and on my | 3 |
to have it | 3 |
those charming eyes | 3 |
with a gentleman | 3 |
that i might | 3 |
thus he did | 3 |
phoebus with his | 3 |
i do intend | 3 |
her self she | 3 |
it is my | 3 |
grant thy love | 3 |
the whole work | 3 |
and let some | 3 |
a people of | 3 |
and date of | 3 |
i know thy | 3 |
if thou wilt | 3 |
upon several subjects | 3 |
may pick novels | 3 |
of the ocean | 3 |
ladies may pick | 3 |
observe my precepts | 3 |
may be done | 3 |
age i do | 3 |
have i seen | 3 |
of my love | 3 |
shall heedfully be | 3 |
upon the ground | 3 |
sundry new notes | 3 |
who is violently | 3 |
translated and intituled | 3 |
for thee to | 3 |
true love is | 3 |
to be seen | 3 |
and with their | 3 |
all the songs | 3 |
new made paper | 3 |
aptara keyed and | 3 |
life doth last | 3 |
one to another | 3 |
into three parts | 3 |
spoken of in | 3 |
of the night | 3 |
subject to the | 3 |
of publication from | 3 |
poems to sundry | 3 |
heedfully be spoken | 3 |
more and more | 3 |
the name of | 3 |
that he would | 3 |
and for her | 3 |
is violently in | 3 |
from east to | 3 |
let not the | 3 |
to all the | 3 |
intituled to the | 3 |
made paper of | 3 |
fled is the | 3 |
men and ladies | 3 |
find the names | 3 |
in the same | 3 |
and maids i | 3 |
when he had | 3 |
heart in love | 2 |
grieve no more | 2 |
all you can | 2 |
according as she | 2 |
her to the | 2 |
him she will | 2 |
be not so | 2 |
and her i | 2 |
men and maidens | 2 |
may rob thee | 2 |
i take delight | 2 |
translations into english | 2 |
first your loue | 2 |
his power obey | 2 |
with her maids | 2 |
my foes do | 2 |
thou art faire | 2 |
what you have | 2 |
the fourth edition | 2 |
many a one | 2 |
i am dead | 2 |
riding on the | 2 |
put on all | 2 |
his heart was | 2 |
daughter of france | 2 |
what i know | 2 |
the city round | 2 |
when titan hasted | 2 |
to make my | 2 |
through the streete | 2 |
suit in vain | 2 |
it not a | 2 |
to the sea | 2 |
of bondage at | 2 |
quoth lancelot tho | 2 |
i came from | 2 |
be no whit | 2 |
before some famine | 2 |
now i am | 2 |
so in thy | 2 |
hand doth hold | 2 |
vntil the very | 2 |
to speak again | 2 |
the holy land | 2 |
songs written by | 2 |
think it not | 2 |
if that extortion | 2 |
her faithful friend | 2 |
at this season | 2 |
my mind to | 2 |
i wish thee | 2 |
to meete him | 2 |
with that fair | 2 |
didst thou know | 2 |
line from whence | 2 |
my rose in | 2 |
restore my wounded | 2 |
what i shall | 2 |
to the honourable | 2 |
to me what | 2 |
near the hospital | 2 |
fair countess of | 2 |
of a single | 2 |
know how great | 2 |
at the signe | 2 |
shall i bid | 2 |
thou be wise | 2 |
i have drank | 2 |
like an angel | 2 |
to the author | 2 |
sunne and moone | 2 |
here and there | 2 |
declared unto the | 2 |
all for love | 2 |
vain was their | 2 |
me of this | 2 |
men with their | 2 |
the course of | 2 |
to see some | 2 |
the ciprian boy | 2 |
in their sight | 2 |
whose victorious eyes | 2 |
at times they | 2 |
it was not | 2 |
who can resist | 2 |
for the author | 2 |
their sight another | 2 |
for thy sweet | 2 |
fear to be | 2 |
so oft to | 2 |
we need the | 2 |
grief that you | 2 |
cure the smart | 2 |
as life doth | 2 |
but grant thy | 2 |
amongst the poets | 2 |
the father of | 2 |
is not true | 2 |
guide ebb h | 2 |
your good advice | 2 |
this piece of | 2 |
should be so | 2 |
is a god | 2 |
before mine eyes | 2 |
there is an | 2 |
mild and meek | 2 |
the winning of | 2 |
the noble acts | 2 |
the maid shall | 2 |
love or else | 2 |
and how in | 2 |
am the happiest | 2 |
you should be | 2 |
which hath power | 2 |
not one bit | 2 |
midst of plenty | 2 |
the king and | 2 |
coming in their | 2 |
then to complain | 2 |
love i languish | 2 |
hail ancient brother | 2 |
by his gifts | 2 |
now i can | 2 |
sold by ioseph | 2 |
of the skie | 2 |
as one forlorn | 2 |
thy sweet sake | 2 |
doth rest great | 2 |
were to be | 2 |
as good as | 2 |
the fruit of | 2 |
those that rule | 2 |
i carefully did | 2 |
had not seen | 2 |
i study not | 2 |
that i study | 2 |
though it be | 2 |
shall ever be | 2 |
me but leave | 2 |
from your eyes | 2 |
to loves command | 2 |
people of asia | 2 |
uuhen as the | 2 |
and all their | 2 |
to me is | 2 |
song of queen | 2 |
were the lover | 2 |
sons of pompey | 2 |
or else this | 2 |
mingled with the | 2 |
rest you still | 2 |
supplement guide ebb | 2 |
all the wealth | 2 |
b interim tract | 2 |
hill tell thee | 2 |
ne plus ultra | 2 |
she fears you | 2 |
thy life and | 2 |
kill or cure | 2 |
elegies three bookes | 2 |
had been mine | 2 |
thy sweet face | 2 |
of tender age | 2 |
shalt thou go | 2 |
prattle down i | 2 |
as they are | 2 |
ought to be | 2 |
in hand away | 2 |
let her each | 2 |
for he has | 2 |
it were to | 2 |
she please for | 2 |
he gave her | 2 |
go tell my | 2 |
cause of sorrow | 2 |
to his bow | 2 |
at the time | 2 |
far worse than | 2 |
to please my | 2 |
give me the | 2 |
who in the | 2 |
my selfe will | 2 |
a sea of | 2 |
aithful lovers of | 2 |
day we dye | 2 |
doth me so | 2 |
i can love | 2 |
which with the | 2 |
let not thy | 2 |
the hand that | 2 |
in all things | 2 |
fruites of an | 2 |
thousand times doth | 2 |
me thy love | 2 |
prate he had | 2 |
the fall of | 2 |
you your self | 2 |
when thou didst | 2 |
and as thou | 2 |
curse on those | 2 |
is well known | 2 |
brooksby near the | 2 |
as man and | 2 |
are the lover | 2 |
not lye but | 2 |
fair of spruce | 2 |
and she will | 2 |
was his hearts | 2 |
my soft verse | 2 |
on which the | 2 |
healey sampled and | 2 |
me to see | 2 |
strange a distemper | 2 |
attributed to john | 2 |
while i marry | 2 |
to her hands | 2 |
ore which gold | 2 |
if thou do | 2 |
and mourn no | 2 |
if he were | 2 |
and amorous lovers | 2 |
her lovers eyes | 2 |
there stands the | 2 |
faith is a | 2 |
and faith is | 2 |
i stept and | 2 |
i had not | 2 |
which the youth | 2 |
not like to | 2 |
men receiue their | 2 |
coventry was made | 2 |
delight they saw | 2 |
i am he | 2 |
by this great | 2 |
you think him | 2 |
for we haue | 2 |
you shall the | 2 |
of love shall | 2 |
in the third | 2 |
i first beheld | 2 |
will not tell | 2 |
it for a | 2 |
like it well | 2 |
to show her | 2 |
that she may | 2 |
forewarned by thine | 2 |
lethe of late | 2 |
mean to take | 2 |
not to hear | 2 |
thy most killing | 2 |
the king he | 2 |
and the fair | 2 |
as she should | 2 |
what he will | 2 |
to king edward | 2 |
had been a | 2 |
this is no | 2 |
in the stream | 2 |
destroy my freedome | 2 |
in rich array | 2 |
portions be but | 2 |
of the nine | 2 |
s this keyboarded | 2 |
my life is | 2 |
first thy sweet | 2 |
if not by | 2 |
forbear to tread | 2 |
and ye celestial | 2 |
and lady mine | 2 |
i thus complain | 2 |
mighty roman state | 2 |
and doth the | 2 |
knights of the | 2 |
and married be | 2 |
to what i | 2 |
shall conquer still | 2 |
yield unto our | 2 |
tune of amarillis | 2 |
that scorns the | 2 |
to the bottom | 2 |
and make her | 2 |
if i thought | 2 |
them at distance | 2 |
by thee to | 2 |
in her bosome | 2 |
although our portions | 2 |
which in the | 2 |
stronger than hate | 2 |
not so much | 2 |
flames of love | 2 |
just as a | 2 |
pompey yielded up | 2 |
in her arms | 2 |
let all be | 2 |
inn by a | 2 |
us in our | 2 |
much lethe of | 2 |
and such a | 2 |
what man can | 2 |
printed for f | 2 |
not tell her | 2 |
elspeth healey sampled | 2 |
are a thousand | 2 |
a whore at | 2 |
or that man | 2 |
the spacious earth | 2 |
he had to | 2 |
to go to | 2 |
veil those charming | 2 |
you so cruel | 2 |
most killing cruelties | 2 |
with nights sharp | 2 |
and of my | 2 |
your suit in | 2 |
art was the | 2 |
sweet i come | 2 |
hasted from his | 2 |
my selfe would | 2 |
her so well | 2 |
far stronger than | 2 |
to fond delight | 2 |
i think on | 2 |
i will tarry | 2 |
the signe of | 2 |
it was my | 2 |
bleed for thy | 2 |
original in huntington | 2 |
and be no | 2 |
tell her your | 2 |
with a smiling | 2 |
their whole delight | 2 |
what hath thy | 2 |
to a forrester | 2 |
with his rays | 2 |
down along her | 2 |
it is as | 2 |
in the day | 2 |
my brother dear | 2 |
had wounded them | 2 |
come let me | 2 |
none but a | 2 |
before mine eye | 2 |
of this thy | 2 |
dares affirme that | 2 |
what helpes it | 2 |
lady which he | 2 |
elegie on the | 2 |
youth is full | 2 |
you are of | 2 |
white and red | 2 |
when that they | 2 |
you seem the | 2 |
i my self | 2 |
and yet a | 2 |
i did hide | 2 |
but if that | 2 |
my life i | 2 |
let her take | 2 |
is no deceit | 2 |
went vnto athens | 2 |
ours the mighty | 2 |
happiest man alive | 2 |
come to me | 2 |
loves charms all | 2 |
and yet cruel | 2 |
be sold at | 2 |
her white neck | 2 |
in a may | 2 |
i had the | 2 |
through all the | 2 |
that very word | 2 |
all the court | 2 |
that there are | 2 |
on me to | 2 |
are of those | 2 |
were both of | 2 |
now both time | 2 |
then they walked | 2 |
hero and leander | 2 |
more worth then | 2 |
let him goe | 2 |
had both time | 2 |
out of my | 2 |
thou shalt gain | 2 |
when first your | 2 |
and too much | 2 |
a distemper i | 2 |
thee have i | 2 |
have cast my | 2 |
on the earth | 2 |
is better worth | 2 |
in his heart | 2 |
he was as | 2 |
winning of cales | 2 |
her with your | 2 |
shall we need | 2 |
the kings daughter | 2 |
for iohn browne | 2 |
if he loues | 2 |
for love and | 2 |
and being met | 2 |
this prety couple | 2 |
who ere thou | 2 |
whose beauty wins | 2 |
upon her knees | 2 |
woe is me | 2 |
with a heart | 2 |
quick to speak | 2 |
the day that | 2 |
was quick to | 2 |
ever was the | 2 |
us to the | 2 |
thou thy self | 2 |
up the town | 2 |
by that haste | 2 |
to be true | 2 |
on the main | 2 |
and sometimes mist | 2 |
can you be | 2 |
come unto thee | 2 |
give me but | 2 |
mirrour of beauty | 2 |
and the shrill | 2 |
take the ayre | 2 |
she was a | 2 |
the king full | 2 |
this gallants care | 2 |
the more the | 2 |
none was like | 2 |
ladies love to | 2 |
to me are | 2 |
before the king | 2 |
my love away | 2 |
the english rose | 2 |
the time when | 2 |
written to the | 2 |
she hath left | 2 |
will be then | 2 |
that thou mightst | 2 |
a wench is | 2 |
time and leisure | 2 |
fault that i | 2 |
how he was | 2 |
that thou dost | 2 |
i love dear | 2 |
man and wife | 2 |
sate by his | 2 |
his loving lady | 2 |
such a pretty | 2 |
text notes for | 2 |
a noble lady | 2 |
of the time | 2 |
of which the | 2 |
he only beggs | 2 |
me love or | 2 |
where is this | 2 |
the streams of | 2 |
enough to make | 2 |
yet at the | 2 |
my clelia came | 2 |
sate like hero | 2 |
could be found | 2 |
near to the | 2 |
on thee both | 2 |
the stage the | 2 |
i oft haue | 2 |
thou art to | 2 |
that are of | 2 |
i thank you | 2 |
let our hearts | 2 |
the trembling hare | 2 |
not worth a | 2 |
here comes the | 2 |
of the fight | 2 |
faith that should | 2 |
as doth all | 2 |
the fair countess | 2 |
can love none | 2 |
wing b interim | 2 |
court and kiss | 2 |
from faith i | 2 |
and my mind | 2 |
to stay him | 2 |
did hide me | 2 |
in the field | 2 |
his soul inspire | 2 |
to her i | 2 |
better worth then | 2 |
kings daughter of | 2 |
is this the | 2 |
what else you | 2 |
of all my | 2 |
fain would i | 2 |
when as their | 2 |
my name shall | 2 |
so base a | 2 |
to the end | 2 |
her by the | 2 |
but that she | 2 |
mercy now i | 2 |
say ulisses by | 2 |
thee to my | 2 |
of spruce and | 2 |
to her bed | 2 |
be careful of | 2 |
she left the | 2 |
my name is | 2 |
she cast her | 2 |
made his will | 2 |
with a heavy | 2 |
and place lovingly | 2 |
your will obey | 2 |
to take thee | 2 |
if that you | 2 |
long haue i | 2 |
of my care | 2 |
none of these | 2 |
of the queen | 2 |
took all this | 2 |
ah fainting breath | 2 |
her fair hands | 2 |
receiue their right | 2 |
nor do not | 2 |
hail sacred woods | 2 |
loue to be | 2 |
a little while | 2 |
no humane art | 2 |
from whence i | 2 |
and my reason | 2 |
of thy store | 2 |
my only joy | 2 |
secret history of | 2 |
the lover by | 2 |
as thou art | 2 |
suns departure made | 2 |
was forewarned by | 2 |
signe of the | 2 |
thy lap to | 2 |
of gods the | 2 |
come to age | 2 |
bud containing a | 2 |
love none but | 2 |
my captive heart | 2 |
your courtship is | 2 |
there might be | 2 |
fair angel of | 2 |
nor did thy | 2 |
the sun in | 2 |
did send for | 2 |
be sure of | 2 |
hands be prest | 2 |
nature in you | 2 |
if it be | 2 |
of this crime | 2 |
of all her | 2 |
wife they ought | 2 |
and had their | 2 |
of such great | 2 |
his hopes afresh | 2 |
in euery cause | 2 |
if i could | 2 |
a noble marquess | 2 |
comfort of my | 2 |
and my wench | 2 |
in lesse compasse | 2 |
to the tavern | 2 |
to take her | 2 |
in the bed | 2 |
the womans answer | 2 |
for div a | 2 |
and in their | 2 |
thou hast set | 2 |
that is not | 2 |
if he giues | 2 |
my breast i | 2 |
then he was | 2 |
or as a | 2 |
they made no | 2 |
when ore the | 2 |
words doth me | 2 |
shall still my | 2 |
to pleasure and | 2 |
of no mean | 2 |
is in thy | 2 |
penny a piece | 2 |
why doest me | 2 |
to an english | 2 |
with that i | 2 |
when to the | 2 |
wayes to take | 2 |
nor doth her | 2 |
in me to | 2 |
the house of | 2 |
above the rest | 2 |
if you have | 2 |
arthur of the | 2 |
of my selfe | 2 |
by her was | 2 |
but on the | 2 |
and sold by | 2 |
in every thing | 2 |
me not hear | 2 |
thy words doth | 2 |
his art was | 2 |
some other seeke | 2 |
my soul doth | 2 |
and fair of | 2 |
as if i | 2 |
it chanced so | 2 |
thou with thy | 2 |
whose spreading branches | 2 |
to kill or | 2 |
that they had | 2 |
a kind of | 2 |
in the skie | 2 |
can cure the | 2 |
may your hands | 2 |
they walked hand | 2 |
art as faire | 2 |
in the harvard | 2 |
that she should | 2 |
and full of | 2 |
quench those flames | 2 |
unto thee it | 2 |
that made them | 2 |
and many a | 2 |
could not lye | 2 |
to hit and | 2 |
for that he | 2 |
my ladys dog | 2 |
sweet shepherd hye | 2 |
from her eyes | 2 |
their lips did | 2 |
the rage of | 2 |
thou needst not | 2 |
love of my | 2 |
the bud containing | 2 |
the heaven above | 2 |
to quench those | 2 |
her that she | 2 |
affairs for to | 2 |
and that his | 2 |
in his hands | 2 |
tobacco which hath | 2 |
i know a | 2 |
to john playford | 2 |
that souls departed | 2 |
then on the | 2 |
times they do | 2 |
your mercy now | 2 |
noble acts of | 2 |
the motion of | 2 |
lead his life | 2 |
reward for his | 2 |
in all her | 2 |
had there such | 2 |
new strength and | 2 |
a prince of | 2 |
him of his | 2 |
of all that | 2 |
hath made me | 2 |
mine fain would | 2 |
of pompey yielded | 2 |
in two parts | 2 |
do not speak | 2 |
are far stronger | 2 |
be but small | 2 |
my heart is | 2 |
and i do | 2 |
delightful courtship betwixt | 2 |
not with my | 2 |
they were in | 2 |
together with the | 2 |
i make my | 2 |
shine in the | 2 |
my true love | 2 |
upon this marble | 2 |
of my breast | 2 |
she please to | 2 |
all the souldiers | 2 |
down i laid | 2 |
of fine gold | 2 |
but to my | 2 |
what a new | 2 |
was meat fit | 2 |
what he meant | 2 |
like a sea | 2 |
thee both day | 2 |
to court and | 2 |
at length she | 2 |
and maintain them | 2 |
to thee no | 2 |
of her lovers | 2 |
in an hour | 2 |
thus i speake | 2 |
what ails the | 2 |
when phoebus with | 2 |
unto love am | 2 |
of his crown | 2 |
nor yet complain | 2 |
she made this | 2 |
in thy mind | 2 |
for if thou | 2 |
all and some | 2 |
seem not to | 2 |
bondage at this | 2 |
but what thou | 2 |
and queen elizabeth | 2 |
and to fond | 2 |
she had been | 2 |
of bristol city | 2 |
of all thy | 2 |
cause of your | 2 |
fleece of gold | 2 |
stone forbear to | 2 |
you were the | 2 |
in one combine | 2 |
free from harms | 2 |
what you will | 2 |
was to prepare | 2 |
summer evening fresh | 2 |
thee it is | 2 |
subjects by matthew | 2 |
red rose of | 2 |
where gallants sport | 2 |
couple plaid they | 2 |
and amorously began | 2 |
hand away they | 2 |
hopes and fears | 2 |
to prate he | 2 |
will not wed | 2 |
bring her to | 2 |
shall be blest | 2 |
at her feet | 2 |
was almost dark | 2 |
have made known | 2 |
be far from | 2 |
your captive he | 2 |
from her hand | 2 |
you are well | 2 |
the line from | 2 |
vnlesse i erre | 2 |
i do know | 2 |
he sweares he | 2 |
every thing he | 2 |
love is an | 2 |
very day we | 2 |
they were not | 2 |
his land and | 2 |
since then that | 2 |
for loue of | 2 |
the misty shades | 2 |
see this picture | 2 |
with his hoary | 2 |
charms all humane | 2 |
yet did know | 2 |
a buffe ierkin | 2 |
you know her | 2 |
that was so | 2 |
in the dust | 2 |
banishment of the | 2 |
the milkie way | 2 |
and that the | 2 |
did the fa | 2 |
as she is | 2 |
much as i | 2 |
the youth has | 2 |
gives the time | 2 |
her angry eyes | 2 |
thus i heard | 2 |
lye with thee | 2 |
seem not at | 2 |
time when phoebus | 2 |
constant betty that | 2 |
he cuts the | 2 |
i had there | 2 |
whilest his hopes | 2 |
unto me more | 2 |
to her fair | 2 |
a hope of | 2 |
and that i | 2 |
in arte mea | 2 |
and age is | 2 |
the lawyer and | 2 |
the remedie of | 2 |
shepherd hye thee | 2 |
let yours be | 2 |
else i die | 2 |
let not my | 2 |
were like to | 2 |
thy minde from | 2 |
boy shall not | 2 |
was under a | 2 |
that may be | 2 |
was evening when | 2 |
i hill tell | 2 |
of an idle | 2 |
a penny a | 2 |
you see the | 2 |
stand not to | 2 |
and yet again | 2 |
dear heart in | 2 |
do defie thee | 2 |
shall teach me | 2 |
part my love | 2 |
my duty to | 2 |
well did know | 2 |
nor had not | 2 |
i would haue | 2 |
place lovingly for | 2 |
how it doth | 2 |
in none but | 2 |
let him not | 2 |
and if she | 2 |
a stc estc | 2 |
with thy hand | 2 |
thee i may | 2 |
a thousand ways | 2 |
that heavenly face | 2 |
of the old | 2 |
the right honourable | 2 |
the two dukes | 2 |
for my master | 2 |
constant i will | 2 |
the golden fruit | 2 |
hear them cry | 2 |
take them all | 2 |
me what i | 2 |
foundation makes a | 2 |
the burthen of | 2 |
of love are | 2 |
from his heavenly | 2 |
when the king | 2 |
what to haue | 2 |
translated out of | 2 |
rome of all | 2 |
in one year | 2 |
pleasant unto every | 2 |
acts of arthur | 2 |
to know my | 2 |
my self have | 2 |
the mans answer | 2 |
her sweet reply | 2 |
took great pleasure | 2 |
wealthy thuscan priest | 2 |
heart had then | 2 |
is but a | 2 |
makes the frontiers | 2 |
i heard her | 2 |
shall cease to | 2 |
both wit and | 2 |
liue with thee | 2 |
with words so | 2 |
let me haue | 2 |
i should giue | 2 |
not be told | 2 |
sweet red rose | 2 |
by fate in | 2 |
for unto thee | 2 |
better then the | 2 |
pomp and pride | 2 |
present to the | 2 |
my heate is | 2 |
this sweet reply | 2 |
and so doth | 2 |
his little hands | 2 |
and as you | 2 |
brought her to | 2 |
i had in | 2 |
when all the | 2 |
love to show | 2 |
make my moan | 2 |
he sometimes kist | 2 |
you hear him | 2 |
shall we make | 2 |
it is well | 2 |
lovers sate like | 2 |
with hatred me | 2 |
in my mind | 2 |
that i know | 2 |
the seas to | 2 |
shaft had wounded | 2 |
good had been | 2 |
must their names | 2 |
unknowing what she | 2 |
is as true | 2 |
her selfe with | 2 |
with all her | 2 |
such as in | 2 |
mine eternal fame | 2 |
sure it cannot | 2 |
my body and | 2 |
his heavenly sphere | 2 |
so have i | 2 |
of his heart | 2 |
in thy sight | 2 |
shall be spoken | 2 |
since he hath | 2 |
is this boanerges | 2 |
i will never | 2 |
not me dye | 2 |
blaney text and | 2 |
when the suns | 2 |
of my sweet | 2 |
despise me not | 2 |
the church away | 2 |
now doth lye | 2 |
my vital spirits | 2 |
when she will | 2 |
that attend on | 2 |
the selfe same | 2 |
and he who | 2 |
but when my | 2 |
with fire and | 2 |
the king with | 2 |
accept him that | 2 |
away he went | 2 |
thee i take | 2 |
did so much | 2 |
a right to | 2 |
not destroy my | 2 |
a goddesse borne | 2 |
would not love | 2 |
he had both | 2 |
lie with her | 2 |
as all the | 2 |
ciprian boy shall | 2 |
no let but | 2 |
it self shall | 2 |
love to an | 2 |
her hand to | 2 |
but if the | 2 |
ease my heart | 2 |
the reward of | 2 |
often wisht she | 2 |
at your mercy | 2 |
times of old | 2 |
and when a | 2 |
and as the | 2 |
of thy selfe | 2 |
the banishment of | 2 |
he was to | 2 |
my friend iohn | 2 |
noted for his | 2 |
but thou wert | 2 |
thanks be to | 2 |
behold and see | 2 |
still will prove | 2 |
of the sun | 2 |
there are greater | 2 |
my neck her | 2 |
her mind is | 2 |
the ground did | 2 |
one summer evening | 2 |
kings did not | 2 |
and what i | 2 |
was made free | 2 |
then grieve no | 2 |
the island of | 2 |
me with a | 2 |
song a pattern | 2 |
not of the | 2 |
when her father | 2 |
according to her | 2 |
and his vice | 2 |
musick then most | 2 |
and i think | 2 |
of amarillis told | 2 |
then i wisht | 2 |
of your wife | 2 |
now to break | 2 |
of the bible | 2 |
all this while | 2 |
suffer any paine | 2 |
oft have i | 2 |
and there i | 2 |
then he did | 2 |
sight another pair | 2 |
of this my | 2 |
printed for i | 2 |
lost his haire | 2 |
a new sonnet | 2 |
yet cupids craft | 2 |
more than the | 2 |
he should not | 2 |
his second wife | 2 |
queen to hereford | 2 |
and when she | 2 |
i heard him | 2 |
to be sold | 2 |
to so great | 2 |
is he that | 2 |
think on thee | 2 |
started from the | 2 |
his shop in | 2 |
stranger unto love | 2 |
feete in measure | 2 |
so sweet a | 2 |
the fields with | 2 |
to bring her | 2 |
elspeth healey text | 2 |
a summers day | 2 |
ulisses by his | 2 |
symois doth slide | 2 |
millions of cupids | 2 |
but at the | 2 |
and of his | 2 |
i do defie | 2 |
who had a | 2 |
according to some | 2 |
of thy minde | 2 |
i saw a | 2 |
a stranger unto | 2 |
they say ulisses | 2 |
a sure foundation | 2 |
may be free | 2 |
in his mind | 2 |
printed for ioseph | 2 |
the secret history | 2 |
him woe her | 2 |
death of his | 2 |
clio relates things | 2 |
out of ausonius | 2 |
though thou her | 2 |
thus shalt thou | 2 |
my wounded heart | 2 |
i know no | 2 |
to find out | 2 |
lord of high | 2 |
at the length | 2 |
my dear love | 2 |
that you are | 2 |
i give to | 2 |
my daughter dear | 2 |
the fleece of | 2 |
of the town | 2 |
but heal me | 2 |
a pleasant shade | 2 |
like to me | 2 |
then sees a | 2 |
to confesse the | 2 |
all men receiue | 2 |
sweet is the | 2 |
one but you | 2 |
with their fair | 2 |
i scorn to | 2 |
wisht she had | 2 |
distracted at the | 2 |
ere thou art | 2 |
to the ladies | 2 |
in my arms | 2 |
it in a | 2 |
as true as | 2 |
am so much | 2 |
of the best | 2 |
all this most | 2 |
much more in | 2 |
with an ireful | 2 |
but by her | 2 |
i not cast | 2 |
while thus i | 2 |
nor in my | 2 |
and thus he | 2 |
thy scope is | 2 |
in a moment | 2 |
in love agree | 2 |
betty that sweet | 2 |
piece of wood | 2 |
all that i | 2 |
i am black | 2 |
for my love | 2 |
but sad despair | 2 |
only with a | 2 |
at last my | 2 |
thy beauty for | 2 |
and thinke i | 2 |
break off their | 2 |
he hath no | 2 |
shall never see | 2 |
her leave to | 2 |
ease me of | 2 |
did not fear | 2 |
night goes away | 2 |
the second edition | 2 |
in loves affairs | 2 |
if thou thy | 2 |
they should be | 2 |
governour of the | 2 |
by my hand | 2 |
to my mistresse | 2 |
a pretty lady | 2 |
haue i spent | 2 |
by no meanes | 2 |
stc estc s | 2 |
now i have | 2 |
in all my | 2 |
both fresh and | 2 |
in fair gardens | 2 |
art the maid | 2 |
was at the | 2 |
me is not | 2 |
dearest love comply | 2 |
down by me | 2 |
with his beams | 2 |
my freedome and | 2 |
his art of | 2 |
sweet reply to | 2 |
like the sun | 2 |
thy glorious beauty | 2 |
a farewel to | 2 |
unto the grave | 2 |
the frontiers of | 2 |
east to west | 2 |
power of love | 2 |
his cause of | 2 |
too much lethe | 2 |
for her skill | 2 |
in the pride | 2 |
not to know | 2 |
virtue of your | 2 |
the f aithful | 2 |
is a passion | 2 |
but had they | 2 |
passion with a | 2 |
we make the | 2 |
dearest love and | 2 |
then wilt thou | 2 |
i haue no | 2 |
be found by | 2 |
needst not fear | 2 |
ebb h ocm | 2 |
the twin stars | 2 |
in you alone | 2 |
and so agree | 2 |
to be read | 2 |
i know the | 2 |
loves affairs for | 2 |
worth then all | 2 |
shall be thine | 2 |
as time shall | 2 |
not with hatred | 2 |
meat fit for | 2 |
ails the poet | 2 |
genius hurried by | 2 |
urge your suit | 2 |
my art is | 2 |
so much revive | 2 |
if you would | 2 |
to thee still | 2 |
i should prove | 2 |
in vain are | 2 |
so fair a | 2 |
you give us | 2 |
for gold nor | 2 |
to gain the | 2 |
my life for | 2 |
the troian warre | 2 |
her sparkling eyes | 2 |
the maid i | 2 |
and to his | 2 |
with joy like | 2 |
park i see | 2 |
all their love | 2 |
i have left | 2 |
i know you | 2 |
began to smile | 2 |
so that the | 2 |
of a desperate | 2 |
you urge your | 2 |
in some fit | 2 |
the subject of | 2 |
be thought a | 2 |
at once the | 2 |
to prepare the | 2 |
for to imbrace | 2 |
affright me not | 2 |
death all men | 2 |
dazle all mens | 2 |
you would not | 2 |
they took great | 2 |
makes the trembling | 2 |
when first thy | 2 |
for that the | 2 |
for to dye | 2 |
an old wood | 2 |
as might be | 2 |
thou wert a | 2 |
my hearts delight | 2 |
all that she | 2 |
thou must not | 2 |
lass that will | 2 |
beauty wins the | 2 |
time it chanced | 2 |
the park i | 2 |
with one small | 2 |
let but all | 2 |
hear them prattle | 2 |
who never knew | 2 |
counsel of the | 2 |
i durst the | 2 |
ovid de arte | 2 |
of that name | 2 |
for a while | 2 |
for all his | 2 |
have the power | 2 |
entrance into cupids | 2 |
her a while | 2 |
try thy constancy | 2 |
and as they | 2 |
of love in | 2 |
but yet methinks | 2 |
all have not | 2 |
a thousand times | 2 |
for whilst he | 2 |
and how his | 2 |
here i lye | 2 |
of the sable | 2 |
had lost his | 2 |
are greater masters | 2 |
my care is | 2 |
worse than the | 2 |
was the cause | 2 |
whose spreading shade | 2 |
then near i | 2 |
than the day | 2 |
that i write | 2 |
as you would | 2 |
spanish ladies love | 2 |
do not thou | 2 |
thou gravest of | 2 |
not coy my | 2 |
in my bosome | 2 |
thus while you | 2 |
euen as a | 2 |
her that i | 2 |
so cruel be | 2 |
of this cruelty | 2 |
because that i | 2 |
you please he | 2 |
the same tune | 2 |
good or ill | 2 |
nought can yield | 2 |
is tobacco which | 2 |
had wounded him | 2 |
is only fancy | 2 |
of the dead | 2 |
how that the | 2 |
maids in love | 2 |
at once shall | 2 |
affirme that silla | 2 |
when that all | 2 |
for who can | 2 |