This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
early english books online | 52 |
characters represented either as | 26 |
represented either as utf | 26 |
to the tune of | 26 |
the art of love | 15 |
included and sometimes a | 13 |
proquest via their early | 13 |
by university of nebraska | 13 |
intended to range over | 13 |
reason to do so | 13 |
gaps by user contributors | 13 |
and attribution is given | 13 |
was enhanced and or | 13 |
filling in of gaps | 13 |
edition of the work | 13 |
with changes to facilitate | 13 |
is given to their | 13 |
for accuracy and those | 13 |
of the process of | 13 |
will never have been | 13 |
credit and attribution is | 13 |
accordance with level of | 13 |
to a limit of | 13 |
of a works in | 13 |
as illegible were corrected | 13 |
over a wide variety | 13 |
a wide variety of | 13 |
edition of a work | 13 |
encoded texts based on | 13 |
sent to external keying | 13 |
print record of the | 13 |
such instances will never | 13 |
should be aware of | 13 |
creation partnership web site | 13 |
chosen if there was | 13 |
of a work was | 13 |
sets published by proquest | 13 |
are available at the | 13 |
the universities of michigan | 13 |
coded from proquest page | 13 |
instances will never have | 13 |
although there are a | 13 |
enhanced and or corrected | 13 |
characters marked as illegible | 13 |
in all likelihood such | 13 |
and or corrected and | 13 |
changes to facilitate morpho | 13 |
were returned to the | 13 |
opposed to critical editions | 13 |
the encoding was enhanced | 13 |
were corrected where possible | 13 |
was chosen if there | 13 |
keyboarded and encoded edition | 13 |
texts for their own | 13 |
readable characters will be | 13 |
and characters marked as | 13 |
a work was chosen | 13 |
use these texts for | 13 |
text strings within braces | 13 |
domain as of january | 13 |
texts were encoded and | 13 |
based on the text | 13 |
placeholder characters or elements | 13 |
a number of works | 13 |
the texts have been | 13 |
or for an anonymous | 13 |
the general aim of | 13 |
selection was based on | 13 |
english books online text | 13 |
tcp assigned for keying | 13 |
the filling in of | 13 |
limit of instances per | 13 |
is available for reuse | 13 |
assigned for keying and | 13 |
the true nature of | 13 |
linked to page images | 13 |
selection was intended to | 13 |
of creating the tcp | 13 |
will remain and some | 13 |
returned to the keyers | 13 |
general aim of eebo | 13 |
via their early english | 13 |
and coded from proquest | 13 |
and those which did | 13 |
in mind that in | 13 |
the tei in libraries | 13 |
transformed into placeholder characters | 13 |
of michigan and oxford | 13 |
extent have been transformed | 13 |
data within the usual | 13 |
financial support to the | 13 |
usual project restraints of | 13 |
project was divided into | 13 |
is to encode one | 13 |
the new cambridge bibliography | 13 |
usually the first edition | 13 |
these texts for their | 13 |
then their works are | 13 |
providing financial support to | 13 |
understanding these processes should | 13 |
were sent to external | 13 |
into placeholder characters or | 13 |
on the text encoding | 13 |
a limit of instances | 13 |
encoded text transcribed from | 13 |
and markup reviewed and | 13 |
there are a number | 13 |
work was chosen if | 13 |
of time and funding | 13 |
editions of a works | 13 |
terms of creative commons | 13 |
made about the data | 13 |
this keyboarded and encoded | 13 |
according to the terms | 13 |
whichever is the greater | 13 |
and the publisher proquest | 13 |
texts based on the | 13 |
and markup guidelines are | 13 |
but we respectfully request | 13 |
to the keyers to | 13 |
the public domain as | 13 |
to tei p using | 13 |
or tei g elements | 13 |
phase i text is | 13 |
transcribed and encoded texts | 13 |
or elements to simplify | 13 |
partnership between the universities | 13 |
i text is available | 13 |
encoding was enhanced and | 13 |
issued variously as sgml | 13 |
public domain as of | 13 |
accuracy and those which | 13 |
text with mnemonic sdata | 13 |
reflect the true nature | 13 |
number of works in | 13 |
can be made about | 13 |
are a number of | 13 |
processed by university of | 13 |
guidelines are available at | 13 |
were encoded and linked | 13 |
a partnership between the | 13 |
or corrected and characters | 13 |
editorial teams in oxford | 13 |
at the text creation | 13 |
of each text was | 13 |
and some readable characters | 13 |
keyers to be redone | 13 |
characters will be marked | 13 |
sometimes a second or | 13 |
range over a wide | 13 |
remaining illegibles were encoded | 13 |
created during phase of | 13 |
available at the text | 13 |
while the overall quality | 13 |
based on the image | 13 |
been issued variously as | 13 |
in accordance with level | 13 |
remain and some readable | 13 |
chose to create diplomatic | 13 |
books online text creation | 13 |
was intended to range | 13 |
to their original source | 13 |
the text can be | 13 |
creating the tcp texts | 13 |
to external keying companies | 13 |
of the print record | 13 |
texts have been issued | 13 |
compelling reason to do | 13 |
described above is co | 13 |
in english were prioritized | 13 |
to the terms of | 13 |
will be marked as | 13 |
anyone can now take | 13 |
of works in other | 13 |
likelihood such instances will | 13 |
page images in accordance | 13 |
the publisher proquest to | 13 |
copies of the texts | 13 |
there was a compelling | 13 |
was a compelling reason | 13 |
markup guidelines are available | 13 |
on the new cambridge | 13 |
unicode or text strings | 13 |
between and available in | 13 |
text and markup reviewed | 13 |
to create accurately transcribed | 13 |
textual data within the | 13 |
meet qa standards were | 13 |
of the tei in | 13 |
works in english were | 13 |
if there was a | 13 |
structural encoding based on | 13 |
attribution is given to | 13 |
been transformed into placeholder | 13 |
users should bear in | 13 |
overall quality of tcp | 13 |
have been released into | 13 |
bear in mind that | 13 |
language title published between | 13 |
of the work described | 13 |
was then carried out | 13 |
any remaining illegibles were | 13 |
tcp is to encode | 13 |
keyed and coded from | 13 |
to reflect the true | 13 |
of the project have | 13 |
a works in english | 13 |
converting tcp files to | 13 |
keying and markup guidelines | 13 |
even for commercial purposes | 13 |
was based on the | 13 |
should bear in mind | 13 |
second or later edition | 13 |
tcp project was divided | 13 |
standards were returned to | 13 |
files to tei p | 13 |
ascii text with mnemonic | 13 |
some readable characters will | 13 |
errors will remain and | 13 |
text is available for | 13 |
for their own purposes | 13 |
aimed to produce large | 13 |
we respectfully request that | 13 |
in of gaps by | 13 |
to page images in | 13 |
were encoded as gap | 13 |
illegible were corrected where | 13 |
the text encoding initiative | 13 |
during phase of the | 13 |
should make clear that | 13 |
elements of known extent | 13 |
cambridge bibliography of english | 13 |
elements to simplify the | 13 |
been looked at by | 13 |
then carried out by | 13 |
tcp is a partnership | 13 |
characters or elements to | 13 |
transcription and basic encoding | 13 |
this phase i text | 13 |
external keying companies for | 13 |
published by proquest via | 13 |
text can be copied | 13 |
publisher proquest to create | 13 |
request that due credit | 13 |
markup reviewed and edited | 13 |
was proofread for accuracy | 13 |
assumptions that can be | 13 |
into the public domain | 13 |
encoding based on the | 13 |
data is very good | 13 |
where possible up to | 13 |
assurance was then carried | 13 |
have been transformed into | 13 |
to range over a | 13 |
been released into the | 13 |
variety of subject areas | 13 |
process of creating the | 13 |
carried out by editorial | 13 |
marked as illegible were | 13 |
looked at by a | 13 |
new cambridge bibliography of | 13 |
the work described above | 13 |
therefore chose to create | 13 |
later edition of a | 13 |
sets were sent to | 13 |
for an anonymous work | 13 |
and sometimes a second | 13 |
or text strings within | 13 |
the terms of creative | 13 |
divided into two phases | 13 |
for transcription and basic | 13 |
image sets published by | 13 |
restraints of time and | 13 |
was divided into two | 13 |
unicode or tei g | 13 |
of the texts have | 13 |
processes should make clear | 13 |
by the institutions providing | 13 |
and use these texts | 13 |
known extent have been | 13 |
image sets were sent | 13 |
have been issued variously | 13 |
be marked as illegible | 13 |
the texts were encoded | 13 |
and linked to page | 13 |
are eligible for inclusion | 13 |
by a tcp editor | 13 |
true nature of the | 13 |
of textual data within | 13 |
phase of the project | 13 |
between the universities of | 13 |
of instances per text | 13 |
and therefore chose to | 13 |
that in all likelihood | 13 |
p using tcp tei | 13 |
the process of creating | 13 |
by converting tcp files | 13 |
therefore of any assumptions | 13 |
to create diplomatic transcriptions | 13 |
qa standards were returned | 13 |
those which did not | 13 |
all likelihood such instances | 13 |
aware of the process | 13 |
of known extent have | 13 |
of any assumptions that | 13 |
corrected where possible up | 13 |
wide variety of subject | 13 |
by proquest via their | 13 |
within the usual project | 13 |
respectfully request that due | 13 |
to the early english | 13 |
online text creation partnership | 13 |
not meet qa standards | 13 |
tcp aimed to produce | 13 |
companies for transcription and | 13 |
of tcp data is | 13 |
proofread for accuracy and | 13 |
large quantities of textual | 13 |
the early english books | 13 |
these processes should make | 13 |
the overall quality of | 13 |
with level of the | 13 |
teams in oxford and | 13 |
title published between and | 13 |
users should be aware | 13 |
gap elements of known | 13 |
the project have been | 13 |
out by editorial teams | 13 |
simplify the filling in | 13 |
up to a limit | 13 |
quantities of textual data | 13 |
each text was proofread | 13 |
to produce large quantities | 13 |
their works are eligible | 13 |
accurately transcribed and encoded | 13 |
of gaps by user | 13 |
a compelling reason to | 13 |
universities of michigan and | 13 |
released into the public | 13 |
corrected and characters marked | 13 |
created by converting tcp | 13 |
from proquest page images | 13 |
can now take and | 13 |
works in other languages | 13 |
encoded and linked to | 13 |
project restraints of time | 13 |
encoded as gap s | 13 |
text selection was based | 13 |
level of the tei | 13 |
the institutions providing financial | 13 |
by editorial teams in | 13 |
tei p using tcp | 13 |
and therefore of any | 13 |
on the image sets | 13 |
with mnemonic sdata character | 13 |
for keying and markup | 13 |
based on the new | 13 |
quality of tcp data | 13 |
notably latin and welsh | 13 |
institutions providing financial support | 13 |
their early english books | 13 |
michigan and oxford and | 13 |
as opposed to critical | 13 |
possible up to a | 13 |
be made about the | 13 |
given to their original | 13 |
proquest to create accurately | 13 |
did not meet qa | 13 |
work described above is | 13 |
tei in libraries guidelines | 13 |
of every monographic english | 13 |
and available in eebo | 13 |
images scanned from microfilm | 13 |
to encode one copy | 13 |
take and use these | 13 |
nature of the print | 13 |
mnemonic sdata character entities | 13 |
mainly structural encoding based | 13 |
the image sets published | 13 |
oxford and the publisher | 13 |
the usual project restraints | 13 |
in oxford and michigan | 13 |
bibliography of english literature | 13 |
tcp files to tei | 13 |
all without asking permission | 13 |
any assumptions that can | 13 |
illegibles were encoded as | 13 |
texts created during phase | 13 |
create accurately transcribed and | 13 |
project have been released | 13 |
record of the period | 13 |
mind that in all | 13 |
that can be made | 13 |
quality assurance was then | 13 |
now take and use | 13 |
which did not meet | 13 |
at by a tcp | 13 |
and encoded edition of | 13 |
or later edition of | 13 |
be aware of the | 13 |
images in accordance with | 13 |
have been looked at | 13 |
text creation partnership web | 13 |
the keyers to be | 13 |
due credit and attribution | 13 |
is a partnership between | 13 |
never have been looked | 13 |
produce large quantities of | 13 |
the text creation partnership | 13 |
encoded edition of the | 13 |
support to the early | 13 |
first editions of a | 13 |
published between and available | 13 |
owned by the institutions | 13 |
the print record of | 13 |
and encoded texts based | 13 |
some errors will remain | 13 |
works are eligible for | 13 |
text was proofread for | 13 |
that due credit and | 13 |
and oxford and the | 13 |
keying companies for transcription | 13 |
to simplify the filling | 13 |
tcp data is very | 13 |
a second or later | 13 |
ocm this keyboarded and | 10 |
reproduction of original in | 9 |
to take the air | 8 |
iv tiff page image | 8 |
trust to my skill | 7 |
spi global keyed and | 7 |
global keyed and coded | 7 |
song in praise of | 7 |
and xml conversion the | 6 |
as i walkt forth | 6 |
love in the blossome | 6 |
being persons of very | 6 |
walkt forth to take | 6 |
fancy in the bud | 6 |
in spite of precepts | 6 |
persons of very eminent | 6 |
shall you conquer still | 6 |
their first entrance into | 6 |
at their first entrance | 6 |
of very eminent quality | 6 |
spite of precepts past | 6 |
betwixt two very young | 6 |
amarillis told her swain | 6 |
to avoid all strife | 6 |
i walkt forth to | 6 |
r ocm this keyboarded | 6 |
lovers of the west | 6 |
then to avoid all | 6 |
pleasant and delightful courtship | 6 |
estc r ocm this | 6 |
forth to take the | 6 |
to yield at last | 5 |
the elephant at charing | 5 |
logarbo text and markup | 5 |
of original in the | 5 |
mona logarbo sampled and | 5 |
now is the time | 5 |
the duke of hereford | 5 |
and you shall conquer | 5 |
at the elephant at | 5 |
logarbo sampled and proofread | 5 |
a gull is he | 5 |
student in the said | 5 |
the garland of good | 5 |
in the said art | 5 |
mona logarbo text and | 5 |
iv tiff page images | 5 |
by this my song | 4 |
he goes but to | 4 |
no man but thee | 4 |
is fled from thee | 4 |
take by this my | 4 |
faith is fled from | 4 |
and if you please | 4 |
on pain of death | 4 |
a song in praise | 4 |
that stand within this | 4 |
faithful to each other | 4 |
interim tract supplement guide | 4 |
both day and night | 4 |
thy love to me | 4 |
so shall you conquer | 4 |
the god of love | 4 |
the glory of the | 4 |
you that stand within | 4 |
to each other prove | 4 |
stand within this throng | 4 |
of the round table | 4 |
example take by this | 4 |
most sorts of plays | 4 |
come joyn with me | 4 |
all you that love | 4 |
with most sorts of | 4 |
me all you that | 4 |
the rose of england | 4 |
on the death of | 4 |
all you that stand | 4 |
with me all you | 4 |
joyn with me all | 4 |
gentlemen and ladies may | 4 |
and faithful to each | 4 |
where gentlemen and ladies | 4 |
goes but to return | 4 |
then mourn no more | 4 |
a true and brief | 3 |
may pick novels at | 3 |
the tune of the | 3 |
for some short time | 3 |
a delightful new tune | 3 |
if you please to | 3 |
and hopes of recovery | 3 |
my love and i | 3 |
of all the songs | 3 |
in this following new | 3 |
you please to have | 3 |
and date of publication | 3 |
and brief description of | 3 |
the earl of essex | 3 |
the original in the | 3 |
ouidius naso his remedie | 3 |
of the doubting virgin | 3 |
naso his remedie of | 3 |
place and date of | 3 |
dost thou thus delay | 3 |
is the faith that | 3 |
pick novels at s | 3 |
intituled to the youth | 3 |
his remedie of love | 3 |
shall heedfully be spoken | 3 |
a student in the | 3 |
translated and intituled to | 3 |
on a young lady | 3 |
as you pass by | 3 |
in the british library | 3 |
names of all the | 3 |
faithful hearts one to | 3 |
so to conquer still | 3 |
aptara keyed and coded | 3 |
in praise of betty | 3 |
date of publication from | 3 |
find the names of | 3 |
please your fancies without | 3 |
and ladies may pick | 3 |
reproduction of the original | 3 |
covantage keyed and coded | 3 |
your fancies without doubt | 3 |
and intituled to the | 3 |
table to find the | 3 |
the whole work of | 3 |
amorous damsel of bristol | 3 |
men and maids i | 3 |
spoken of in this | 3 |
for thee i did | 3 |
of two resolved lovers | 3 |
a table to find | 3 |
to find the names | 3 |
a merry song in | 3 |
and pretty poems to | 3 |
in the bodleian library | 3 |
heedfully be spoken of | 3 |
in love with a | 3 |
description of two resolved | 3 |
do love no man | 3 |
and in the midst | 3 |
out to take the | 3 |
to sing a song | 3 |
and maids i do | 3 |
tune of the doubting | 3 |
the queen of love | 3 |
the names of all | 3 |
or if you please | 3 |
the youth of england | 3 |
from stains of infamy | 3 |
in praise of the | 3 |
why let him go | 3 |
new made paper of | 3 |
original in the british | 3 |
he may be so | 3 |
and faithful hearts one | 3 |
but when she please | 3 |
poems to sundry new | 3 |
hearts one to another | 3 |
the faithful lovers of | 3 |
brief description of two | 3 |
is violently in love | 3 |
of in this following | 3 |
to men and ladies | 3 |
love with a gentleman | 3 |
divided into three parts | 3 |
i will ever be | 3 |
love no man but | 3 |
ladies may pick novels | 3 |
violently in love with | 3 |
and shun the snare | 3 |
this thou wilt say | 3 |
both men and maids | 3 |
a gentleman of lincolns | 3 |
faithful lovers of the | 3 |
the lover of your | 3 |
containing many pleasant songs | 3 |
by a student in | 3 |
maids i do intend | 3 |
of the original in | 3 |
made paper of verses | 3 |
rob thee of thy | 3 |
this following new made | 3 |
who is violently in | 3 |
intend to sing a | 3 |
written both to men | 3 |
evening fresh and fair | 3 |
gull is he which | 3 |
original in the bodleian | 3 |
is there any faith | 3 |
the amorous damsel of | 3 |
both to men and | 3 |
why dost thou thus | 3 |
to sundry new notes | 3 |
i do intend to | 3 |
true and brief description | 3 |
the two faithful lovers | 3 |
do intend to sing | 3 |
be spoken of in | 3 |
i do love no | 3 |
merry song in praise | 3 |
but all in vain | 3 |
to have it out | 3 |
to the youth of | 3 |
fled is the faith | 3 |
with a gentleman of | 3 |
with a table to | 3 |
to a delightful new | 3 |
following new made paper | 3 |
apex covantage keyed and | 3 |
pretty poems to sundry | 3 |
please to have it | 3 |
whole work of love | 3 |
dye for love of | 2 |
was to prepare the | 2 |
stranger unto love am | 2 |
ciprian boy shall not | 2 |
married be without delay | 2 |
reply to her faithful | 2 |
youth of england remedia | 2 |
destroy my freedome and | 2 |
i have drank too | 2 |
it was under a | 2 |
i give to thee | 2 |
love in two books | 2 |
and glory of the | 2 |
plaid they did not | 2 |
yield unto our foe | 2 |
was meat fit for | 2 |
there are greater masters | 2 |
to see some further | 2 |
doth rest great cupid | 2 |
hasted from his heavenly | 2 |
in hand away they | 2 |
i love a lass | 2 |
can love none but | 2 |
all the world shall | 2 |
i make my moan | 2 |
and sometimes mist according | 2 |
as much as i | 2 |
come let us to | 2 |
aithful lovers of the | 2 |
our portions be but | 2 |
to prepare the art | 2 |
when titan hasted from | 2 |
thou art the maid | 2 |
soul doth rest great | 2 |
unto a noble lady | 2 |
his art of love | 2 |
hearts in one combine | 2 |
and thus i heard | 2 |
to thee my heart | 2 |
the songs written by | 2 |
have cast my love | 2 |
that i have cast | 2 |
or else i die | 2 |
celia her sweet reply | 2 |
of love to show | 2 |
very day we dye | 2 |
my heart to bleed | 2 |
take the air by | 2 |
under a pleasant shade | 2 |
a stc estc s | 2 |
is in thy mind | 2 |
he hath made me | 2 |
both fresh and fair | 2 |
nothing shall part my | 2 |
me dye in this | 2 |
i could not be | 2 |
both wit and sense | 2 |
up got i to | 2 |
a penny a piece | 2 |
like ours the mighty | 2 |
virtue of your eye | 2 |
prepare the art of | 2 |
now i shall dye | 2 |
were the lover of | 2 |
those that rule above | 2 |
sure foundation makes a | 2 |
a time it chanced | 2 |
us to the church | 2 |
of the rose of | 2 |
dearest love and lady | 2 |
mercy now i lie | 2 |
pretty lady near to | 2 |
unto thee it is | 2 |
i do not know | 2 |
time and place lovingly | 2 |
first thy sweet face | 2 |
do not with hatred | 2 |
will break and all | 2 |
may rob thee of | 2 |
men and maids in | 2 |
you were the lover | 2 |
face i did see | 2 |
with joy like ours | 2 |
and gives the time | 2 |
that i could get | 2 |
time it chanced so | 2 |
is better worth then | 2 |
red rose of england | 2 |
sate like hero and | 2 |
in praise of women | 2 |
all for love of | 2 |
you please he may | 2 |
and delightful courtship betwixt | 2 |
ladies love to an | 2 |
delightful courtship betwixt two | 2 |
i can love none | 2 |
attributed to john playford | 2 |
not me dye in | 2 |
who had a son | 2 |
is in your power | 2 |
that will not wed | 2 |
as others had been | 2 |
upon this marble stone | 2 |
never seen thy face | 2 |
to her faithful friend | 2 |
nought can yield relief | 2 |
pompey yielded up their | 2 |
did but try thy | 2 |
is as true as | 2 |
when i am dead | 2 |
when she please to | 2 |
noble acts of arthur | 2 |
give to thee my | 2 |
blaney text and markup | 2 |
maid i love alone | 2 |
amorously began to prate | 2 |
to the church away | 2 |
in times of old | 2 |
to the same tune | 2 |
sold at his shop | 2 |
will be then to | 2 |
made no let but | 2 |
are greater masters in | 2 |
on a summers day | 2 |
could not lye but | 2 |
supplement guide ebb h | 2 |
with hatred me repay | 2 |
fair angel of england | 2 |
faith i see that | 2 |
place lovingly for to | 2 |
i needs must love | 2 |
as you are fair | 2 |
for thy sweet sake | 2 |
thee it is well | 2 |
haste to my fair | 2 |
titan hasted from his | 2 |
and had their parents | 2 |
why should i thus | 2 |
the lawyer and the | 2 |
cloth of gold did | 2 |
of original in huntington | 2 |
had not seen the | 2 |
blaney sampled and proofread | 2 |
i heard him woe | 2 |
was quick to speak | 2 |
good had been my | 2 |
he had both time | 2 |
no humane art can | 2 |
what ere thou art | 2 |
at his shop in | 2 |
and xml conversion love | 2 |
for love of thee | 2 |
healey text and markup | 2 |
and in thy breast | 2 |
fit for my master | 2 |
and faith is fled | 2 |
in your power your | 2 |
to hear them prattle | 2 |
this prety couple plaid | 2 |
the very day we | 2 |
that i love dear | 2 |
now i nearer come | 2 |
urge your suit in | 2 |
she please for to | 2 |
then near i stept | 2 |
it is tobacco which | 2 |
man that i love | 2 |
death was too severe | 2 |
damsel of bristol city | 2 |
signe of the bible | 2 |
and are to be | 2 |
heal me of my | 2 |
this piece of wood | 2 |
his art was the | 2 |
you urge your suit | 2 |
which hath power to | 2 |
subjects by matthew coppinger | 2 |
heard him woe her | 2 |
delight they saw coming | 2 |
no let but all | 2 |
the tune of amarillis | 2 |
of gold did shine | 2 |
but not one bit | 2 |
rome of all the | 2 |
had never seen thy | 2 |
restore my wounded heart | 2 |
the fleece of gold | 2 |
tobacco which hath power | 2 |
constant to thee still | 2 |
the maid i love | 2 |
one summer evening fresh | 2 |
wounded them at distance | 2 |
was evening when the | 2 |
empress of the night | 2 |
to king edward the | 2 |
from his heavenly sphere | 2 |
youth is full of | 2 |
of a single life | 2 |
on thee both day | 2 |
art can cure the | 2 |
me is not in | 2 |
no one but you | 2 |
jonathan blaney sampled and | 2 |
by his loving lady | 2 |
had wounded them at | 2 |
lover by his gifts | 2 |
have heard thy name | 2 |
in loves affairs for | 2 |
had both time and | 2 |
so hand in hand | 2 |
will divided into three | 2 |
please he may be | 2 |
heart to bleed for | 2 |
to me is not | 2 |
be not coy my | 2 |
stept and closely crept | 2 |
when she please for | 2 |
praise of the english | 2 |
sure it cannot be | 2 |
your suit in vain | 2 |
noted for his crime | 2 |
let but all their | 2 |
ever i should prove | 2 |
wish i had not | 2 |
i will not tell | 2 |
that i had never | 2 |
in your bridals blest | 2 |
ovid de arte amandi | 2 |
unto love am i | 2 |
humane art can cure | 2 |
i oft have heard | 2 |
reply a stranger unto | 2 |
a sure foundation makes | 2 |
ease my heart of | 2 |
the spanish ladies love | 2 |
was under a pleasant | 2 |
of the garland of | 2 |
the kings daughter of | 2 |
in love i languish | 2 |
a stranger unto love | 2 |
amongst the poets dacus | 2 |
coming in their sight | 2 |
i constant to thee | 2 |
art of love to | 2 |
fetters of love are | 2 |
but grant thy love | 2 |
love are far stronger | 2 |
art the maid i | 2 |
i laid me down | 2 |
them prattle down i | 2 |
been mine fain would | 2 |
nor shall we need | 2 |
as i came from | 2 |
sit down by me | 2 |
should i thus complain | 2 |
the faith that should | 2 |
and sold by ioseph | 2 |
songs written by t | 2 |
they ought to be | 2 |
but heal me of | 2 |
was forewarned by thine | 2 |
and maids in love | 2 |
when ore the park | 2 |
to hit and miss | 2 |
i had there such | 2 |
their delight they saw | 2 |
i know not whom | 2 |
then he was quick | 2 |
affairs for to ingage | 2 |
oft have heard thy | 2 |
written to the ladies | 2 |
who ere thou be | 2 |
lovers sate like hero | 2 |
notes for div a | 2 |
and all the world | 2 |
freedome and my reason | 2 |
banishment of the two | 2 |
can you so cruel | 2 |
thus i heard him | 2 |
was at the time | 2 |
will not tell her | 2 |
your power your captive | 2 |
to prate he had | 2 |
had been my case | 2 |
in cloth of gold | 2 |
love or else i | 2 |
great god of thunder | 2 |
the secret history of | 2 |
which now doth lye | 2 |
the death of his | 2 |
then they walked hand | 2 |
i shall dye for | 2 |
tell her that she | 2 |
which when her father | 2 |
you so cruel be | 2 |
married to a forrester | 2 |
it is but small | 2 |
none but thee i | 2 |
for whom the waves | 2 |
island of the barbadoes | 2 |
he was quick to | 2 |
the island of the | 2 |
such as might be | 2 |
thee still will prove | 2 |
many thousand times doth | 2 |
after death all men | 2 |
portions be but small | 2 |
like hero and leander | 2 |
hear of bondage at | 2 |
b interim tract supplement | 2 |
of love are far | 2 |
the remedie of loue | 2 |
vnlike the line from | 2 |
my body and my | 2 |
mine fain would i | 2 |
wooed the kings daughter | 2 |
fair countess of salisbury | 2 |
the fair countess of | 2 |
break and all for | 2 |
makes the trembling hare | 2 |
she had been mine | 2 |
to thee i may | 2 |
her to his bow | 2 |
evening when the suns | 2 |
thee both day and | 2 |
sweet face i did | 2 |
all in vain i | 2 |
the f aithful lovers | 2 |
o how good had | 2 |
vntil the very day | 2 |
shall part my love | 2 |
a song of queen | 2 |
to confesse the truth | 2 |
upon a time it | 2 |
love a lass that | 2 |
break off their delight | 2 |
but up got i | 2 |
both time and leisure | 2 |
all to loves command | 2 |
dost strive to grace | 2 |
bleed for thy sweet | 2 |
i to see some | 2 |
to pleasure and to | 2 |
fresh and fair of | 2 |
this sweet reply a | 2 |
f aithful lovers of | 2 |
gallus shall be knowne | 2 |
tract supplement guide c | 2 |
bud containing a pretty | 2 |
had then been free | 2 |
mean to take thee | 2 |
and to fond delight | 2 |
i mean to take | 2 |
and be no whit | 2 |
to thee still will | 2 |
i be his taster | 2 |
subject to the god | 2 |
took all this most | 2 |
the winning of cales | 2 |
for after death all | 2 |
that i study not | 2 |
in arte mea est | 2 |
thy most killing cruelties | 2 |
shall we make the | 2 |
men receiue their right | 2 |
lass that will not | 2 |
sweet reply to her | 2 |
at the signe of | 2 |
my genius hurried by | 2 |
me so much revive | 2 |
the line from whence | 2 |
have drank too much | 2 |
alone in empty bed | 2 |
the mighty roman state | 2 |
if thou be wise | 2 |
for love of my | 2 |
knowne from east to | 2 |
you shall conquer still | 2 |
me of my anguish | 2 |
thy words doth me | 2 |
claims a right to | 2 |
till in your eyes | 2 |
sons of pompey yielded | 2 |
as in the ocean | 2 |
being in loue with | 2 |
so great a ruine | 2 |
much lethe of late | 2 |
entrance into cupids school | 2 |
then grieve no more | 2 |
ours the mighty roman | 2 |
prattle down i laid | 2 |
who being in loue | 2 |
bondage at this season | 2 |
my captive heart had | 2 |
his hopes afresh remain | 2 |
of the english rose | 2 |
there such a pretty | 2 |
veil those charming eyes | 2 |
foundation makes a building | 2 |
thy sweet face i | 2 |
line from whence i | 2 |
when the suns departure | 2 |
near to court and | 2 |
and amorously began to | 2 |
b wing b interim | 2 |
constant betty that sweet | 2 |
of bondage at this | 2 |
thee i take delight | 2 |
the ciprian boy shall | 2 |
now the tyrant hath | 2 |
let us to the | 2 |
sweet reply a stranger | 2 |
as in some fit | 2 |
in the harvard university | 2 |
they say ulisses by | 2 |
sometimes mist according as | 2 |
i hill tell thee | 2 |
now hast thou spoken | 2 |
the banishment of the | 2 |
sate by his loving | 2 |
so have i seen | 2 |
for to please thy | 2 |
ever was the turtle | 2 |
courtship is so moving | 2 |
had there such a | 2 |
part my love and | 2 |
you know not what | 2 |
trophies of the fight | 2 |
spanish ladies love to | 2 |
a farewel to love | 2 |
the original text notes | 2 |
not coy my only | 2 |
was like to thee | 2 |
to whose heavenly brow | 2 |
on his art of | 2 |
elspeth healey text and | 2 |
shall dye for love | 2 |
there are a thousand | 2 |
the tyrant hath stolen | 2 |
go tell my fair | 2 |
and fair of spruce | 2 |
in her right hand | 2 |
thus shall we make | 2 |
now i can love | 2 |
and all for love | 2 |
near i stept and | 2 |
to court and kiss | 2 |
sold by ioseph wild | 2 |
the duke of norfolk | 2 |
the suns departure made | 2 |
fair of spruce and | 2 |
they were both of | 2 |
written by the late | 2 |
methinks my mind is | 2 |
of love in two | 2 |
thief may rob thee | 2 |
she made this sweet | 2 |
where is this boanerges | 2 |
of my sweet sake | 2 |
whilest his hopes afresh | 2 |
of a goddesse borne | 2 |
i think on thee | 2 |
forewarned by thine eyes | 2 |
pleasant songs and pretty | 2 |
as i was walking | 2 |
praise of a single | 2 |
of publication from wing | 2 |
are far stronger than | 2 |
accept him that will | 2 |
an elegie on the | 2 |
in vain was their | 2 |
in praise of a | 2 |
i stept and closely | 2 |
that all the world | 2 |
long as life doth | 2 |
love none but thee | 2 |
i often wisht she | 2 |
loves affairs for to | 2 |
to break off their | 2 |
but try thy constancy | 2 |
secret history of the | 2 |
the musick then most | 2 |
when phoebus with his | 2 |
as it were to | 2 |
you are all whiteness | 2 |
thee of thy store | 2 |
h ocm this keyboarded | 2 |
my soul doth rest | 2 |
began to prate he | 2 |
bring her to his | 2 |
art of love in | 2 |
a people of asia | 2 |
how coventry was made | 2 |
to quench those flames | 2 |
what a new desire | 2 |
i carefully did wander | 2 |
and the fleece of | 2 |
none was like to | 2 |
the crafty thief may | 2 |
be knowne from east | 2 |
walked hand in hand | 2 |
spruce and amorous lovers | 2 |
ore the park i | 2 |
heart in love i | 2 |
ebb h ocm this | 2 |
what should i name | 2 |
all the songs written | 2 |
according as she strugled | 2 |
wisht that i had | 2 |
not lye but up | 2 |
off their delight they | 2 |
may be furnished with | 2 |
stc estc s this | 2 |
the power of art | 2 |
hand in hand away | 2 |
dares affirme that silla | 2 |
not tell her that | 2 |
elspeth healey sampled and | 2 |
not seen the day | 2 |
his shop in fleetstreet | 2 |
doth me so much | 2 |
beyond the power of | 2 |
power your captive he | 2 |
prate he had both | 2 |
my dearest love comply | 2 |
stripling sate by his | 2 |
then she made this | 2 |
i wish i had | 2 |
wing b interim tract | 2 |
song of queen isabel | 2 |
in the pride of | 2 |
be then to complain | 2 |
drank too much lethe | 2 |
walking out to take | 2 |
boy shall not destroy | 2 |
tune of amarillis told | 2 |
original in huntington library | 2 |
thanks be to the | 2 |
my friend iohn clement | 2 |
i will send for | 2 |
original text notes for | 2 |
to the god of | 2 |
the lover by his | 2 |
they walked hand in | 2 |
the noble acts of | 2 |
and when the day | 2 |
for unto thee it | 2 |
words doth me so | 2 |
what ails the poet | 2 |
it is well known | 2 |
songs and pretty poems | 2 |
had their parents free | 2 |
genius hurried by that | 2 |
to be sold at | 2 |
see this picture set | 2 |
doubt not my love | 2 |
to bleed for thy | 2 |
part of the garland | 2 |
nor do not fear | 2 |
gravest of the nine | 2 |
your courtship is so | 2 |
she in cloth of | 2 |
i urge my love | 2 |
hard is thy heart | 2 |
that your high disdain | 2 |
subject all to loves | 2 |
riding on the main | 2 |
shall be blest with | 2 |
therefore my dearest love | 2 |
the park i see | 2 |
stone forbear to tread | 2 |
elegie on the death | 2 |
is not in vain | 2 |
man and wife they | 2 |
had been mine fain | 2 |
i am the happiest | 2 |
trembling hare the lyon | 2 |
my freedome and my | 2 |
long haue i borne | 2 |
and thou shalt gain | 2 |
got i to see | 2 |
seed upon my heart | 2 |
kings did not disdain | 2 |
in the bud containing | 2 |
whose beauty wins the | 2 |
dye in this dispair | 2 |
nor had not yet | 2 |
must sit at meat | 2 |
by virtue of your | 2 |
morning as i was | 2 |
a pretty lady near | 2 |
told her swain j | 2 |
and ease my heart | 2 |
and mourn no more | 2 |
constant i will ever | 2 |
from the holy land | 2 |
song a pattern be | 2 |
rest great cupid hath | 2 |
healey sampled and proofread | 2 |
i know not what | 2 |
captive he hath made | 2 |
they made no let | 2 |
in the third part | 2 |
charms all humane force | 2 |
but all their love | 2 |
with sunne and moone | 2 |
love to me is | 2 |
prety couple plaid they | 2 |
frontiers of the sable | 2 |
was his hearts delight | 2 |
and take them all | 2 |
jonathan blaney text and | 2 |
at your mercy now | 2 |
loves charms all humane | 2 |
to the heaven above | 2 |
lovingly for to imbrace | 2 |
to kill or cure | 2 |
the queen to hereford | 2 |
let me not hear | 2 |
her by the hand | 2 |
what is in thy | 2 |
declared unto the king | 2 |
and married be without | 2 |
sweet shepherd hye thee | 2 |
in vain i might | 2 |
but thee i take | 2 |
is tobacco which hath | 2 |
think on thee both | 2 |
for i do love | 2 |
and ye celestial ones | 2 |
many pleasant songs and | 2 |
from east to west | 2 |
xml conversion love in | 2 |
my mind is so | 2 |
be sold at his | 2 |
o sweet shepherd hye | 2 |
time when phoebus with | 2 |
vvherein they took great | 2 |
but now i can | 2 |
made this sweet reply | 2 |
thou gravest of the | 2 |
grant me love or | 2 |
shall we need the | 2 |
the sweet red rose | 2 |
was the cause of | 2 |
to take her part | 2 |
not destroy my freedome | 2 |
ulisses by his art | 2 |
can cure the smart | 2 |
the more he might | 2 |
the signe of the | 2 |
as ever was the | 2 |
and place lovingly for | 2 |
brooksby near the hospital | 2 |
in midst of plenty | 2 |
of amarillis told her | 2 |
came from the holy | 2 |
then i wisht that | 2 |
closely i did hide | 2 |
say ulisses by his | 2 |
their sight another pair | 2 |
betty that sweet creature | 2 |
our hearts in one | 2 |
in none but thee | 2 |
give me but leave | 2 |
sweet red rose of | 2 |
i do defie thee | 2 |
although our portions be | 2 |
often wisht she had | 2 |
death all men receiue | 2 |
others had been wooing | 2 |
they did not fear | 2 |
that i am black | 2 |
such a pretty lady | 2 |
the great gods above | 2 |
of the sable night | 2 |
me love or else | 2 |
clio relates things done | 2 |
if ever i should | 2 |
at the time when | 2 |
the bud containing a | 2 |
cast my love away | 2 |
would i be his | 2 |
how good had been | 2 |
was turned into a | 2 |
thou art as faire | 2 |
the air by william | 2 |
having now both time | 2 |
unto me more blest | 2 |
so strange a distemper | 2 |
park i see them | 2 |
conversion love in the | 2 |
not at all to | 2 |
vvhere this prety couple | 2 |
shall not destroy my | 2 |
set their whole delight | 2 |
of the island of | 2 |
pleasure and to fond | 2 |
marble stone forbear to | 2 |
her that i love | 2 |
your captive he hath | 2 |
if that this book | 2 |
by the late ingenious | 2 |
better worth then all | 2 |
like the sun in | 2 |
i had not seen | 2 |
but if ever i | 2 |
shouldst thou say thy | 2 |
art the man that | 2 |
lover of your wife | 2 |
guide ebb h ocm | 2 |
this marble stone forbear | 2 |
text notes for div | 2 |
now to break off | 2 |
thousand times doth make | 2 |
seem not at all | 2 |
arthur of the round | 2 |
as life doth last | 2 |
they saw coming in | 2 |
joy like ours the | 2 |
hear them prattle down | 2 |
crafty thief may rob | 2 |
to the right honourable | 2 |
mist according as she | 2 |
thou needst not fear | 2 |
two lovers sate like | 2 |
not fear to be | 2 |
of england remedia amoris | 2 |
lady near to court | 2 |
age i do defie | 2 |
on the stage the | 2 |
first entrance into cupids | 2 |
know how great a | 2 |
haue i borne much | 2 |
tract supplement guide ebb | 2 |
let not me dye | 2 |
her sweet reply to | 2 |
true as may be | 2 |
wife they ought to | 2 |
to bring her to | 2 |
love of my sweet | 2 |
for constant i will | 2 |
thou art the man | 2 |
i had never seen | 2 |
i was forewarned by | 2 |
from the original text | 2 |
makes the frontiers of | 2 |
upon several subjects by | 2 |
did not fear to | 2 |
when first your loue | 2 |
hare the lyon fly | 2 |
beauty wins the bays | 2 |
why dost strive to | 2 |
printed for ioseph wild | 2 |
that i had there | 2 |
vain was their resistance | 2 |
near to the court | 2 |
thee my heart away | 2 |
air by william blunten | 2 |
love to an english | 2 |
what makes the frontiers | 2 |
not hear of bondage | 2 |
of the duke of | 2 |
the man that i | 2 |
with his hoary head | 2 |
sir lancelot du lake | 2 |
lye but up got | 2 |
dear heart in love | 2 |
all their love discovers | 2 |
if that you do | 2 |
i could not lye | 2 |
and closely i did | 2 |
a wealthy thuscan priest | 2 |
saw coming in their | 2 |
but now i nearer | 2 |
both of tender age | 2 |
then be not coy | 2 |
of the two dukes | 2 |
me of this cruelty | 2 |
your mercy now i | 2 |
acts of arthur of | 2 |
me not hear of | 2 |
the trembling hare the | 2 |
what thou hast done | 2 |
hurried by that haste | 2 |
of no mean note | 2 |
some further sport sir | 2 |
when first thy sweet | 2 |
heart had then been | 2 |
when kings did not | 2 |
courtship betwixt two very | 2 |
they took great pleasure | 2 |
as man and wife | 2 |
fain would i be | 2 |
estc s this keyboarded | 2 |
summer evening fresh and | 2 |
the happiest man alive | 2 |
all men receiue their | 2 |
both time and place | 2 |
are to be sold | 2 |
original in the harvard | 2 |
you have lost your | 2 |
and at the last | 2 |
a prince of england | 2 |
coventry was made free | 2 |
so long as life | 2 |
the frontiers of the | 2 |
am the happiest man | 2 |
love and lady mine | 2 |
while thus i speake | 2 |
i wisht that i | 2 |
there any faith in | 2 |
yet at the last | 2 |
since that i know | 2 |
too much lethe of | 2 |
maids in love agree | 2 |
love to show her | 2 |
shaft had wounded them | 2 |
the fetters of love | 2 |
let our hearts in | 2 |
of pompey yielded up | 2 |
inn by a student | 2 |
much noted for his | 2 |
with a pleasing eye | 2 |
be to the heaven | 2 |
from faith i see | 2 |
meat fit for my | 2 |
tell her that i | 2 |
but o how good | 2 |
i did hide me | 2 |
their lips did meet | 2 |
at times they do | 2 |
quick to speak again | 2 |
glory of the time | 2 |
of arthur of the | 2 |
of spruce and amorous | 2 |
i have cast my | 2 |
i study not the | 2 |
the sons of pompey | 2 |
makes a building stand | 2 |
wisht she had been | 2 |
now both time and | 2 |
a lass that will | 2 |
and wife they ought | 2 |
captive heart had then | 2 |
what makes the trembling | 2 |
whom i do know | 2 |
strange a distemper i | 2 |
she fears you will | 2 |
s this keyboarded and | 2 |
not with hatred me | 2 |
to take the ayre | 2 |
yielded up their breath | 2 |
fruites of an idle | 2 |
all the world may | 2 |
as true as may | 2 |
love is better worth | 2 |
that there are greater | 2 |
of thy most killing | 2 |
grant thy love to | 2 |
thais in arte mea | 2 |
praise of the rose | 2 |
true love is better | 2 |
the time when phoebus | 2 |
i did but try | 2 |
in their sight another | 2 |
the cause of this | 2 |
you are of those | 2 |
several subjects by matthew | 2 |
shall be knowne from | 2 |
were both of tender | 2 |
to the last excess | 2 |
if you please he | 2 |
how many thousand times | 2 |
kings daughter of france | 2 |
couple plaid they did | 2 |
vain i might complain | 2 |
see some further sport | 2 |
far stronger than hate | 2 |
all in vain she | 2 |