This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
life of the | 54 |
the eternal city | 50 |
clara erskine clement | 45 |
rome in the | 41 |
of recent discoveries | 29 |
the light of | 29 |
in the light | 29 |
ancient rome in | 29 |
light of recent | 29 |
the life of | 28 |
private life of | 27 |
the private life | 27 |
of the greeks | 27 |
of the romans | 27 |
guhl and koner | 26 |
rome under the | 26 |
in rome under | 26 |
society in rome | 26 |
under the caesars | 26 |
the greeks and | 26 |
greeks and romans | 25 |
in ancient history | 22 |
readings in ancient | 22 |
in the first | 20 |
william stearns davis | 19 |
the days of | 19 |
in ancient rome | 18 |
william ralph inge | 18 |
roba di roma | 17 |
a day in | 16 |
it may be | 16 |
in the days | 16 |
walks in rome | 16 |
stress on the | 15 |
there is no | 15 |
the stress on | 15 |
day and yesterday | 15 |
rome of to | 15 |
of the english | 14 |
the beginning of | 14 |
one of the | 14 |
in english literature | 14 |
and the west | 14 |
rome and the | 14 |
classic myths in | 14 |
classics in english | 13 |
days of cicero | 13 |
roman life in | 13 |
the english language | 13 |
life in the | 13 |
myths in english | 13 |
it is a | 13 |
foreign classics in | 13 |
in the age | 12 |
of the same | 12 |
life at rome | 12 |
the age of | 12 |
day in ancient | 12 |
the pronunciation of | 12 |
age of cicero | 12 |
at rome in | 12 |
william cleaver wilkinson | 12 |
social life at | 12 |
as it is | 11 |
the stress back | 11 |
the first syllable | 11 |
is to be | 11 |
james anthony froude | 11 |
in the same | 11 |
of the word | 10 |
latin and greek | 10 |
it is not | 10 |
as in the | 10 |
the conclusion of | 9 |
pliny the younger | 9 |
in the english | 9 |
the value of | 9 |
in this respect | 9 |
at the beginning | 8 |
of ancient literature | 8 |
more than two | 8 |
the auxiliary verb | 8 |
ought to be | 8 |
of the second | 8 |
in the latin | 8 |
i do not | 8 |
complete poetical works | 8 |
beginning of the | 8 |
as described by | 8 |
than two syllables | 8 |
of ancient rome | 8 |
it must be | 8 |
throw the stress | 8 |
it is the | 7 |
words of more | 7 |
it is to | 7 |
charles mills gayley | 7 |
the study of | 7 |
syllable of the | 7 |
the paradise lost | 7 |
pronunciation of latin | 7 |
as i have | 7 |
end of the | 7 |
the old gods | 7 |
of more than | 7 |
value of latin | 7 |
of all the | 7 |
the penultimate vowel | 7 |
of the gods | 7 |
history of ancient | 7 |
the words are | 7 |
illustrated history of | 7 |
the end of | 7 |
the common pause | 6 |
inversion of the | 6 |
of roman literature | 6 |
vowel is short | 6 |
thing to be | 6 |
there is a | 6 |
that it is | 6 |
man i sing | 6 |
a history of | 6 |
in the second | 6 |
a friend of | 6 |
and the man | 6 |
of the phrase | 6 |
and the like | 6 |
this is the | 6 |
of percy bysshe | 6 |
fustel de coulanges | 6 |
the allusio verborum | 6 |
but of course | 6 |
not to be | 6 |
the ancient city | 6 |
the man i | 6 |
prose works of | 6 |
arms and the | 6 |
history of roman | 6 |
not at all | 6 |
first syllable of | 6 |
and all the | 6 |
the classic myths | 6 |
it will be | 6 |
let us adore | 6 |
from the latin | 6 |
works of percy | 6 |
us adore him | 6 |
lines of the | 6 |
in the following | 6 |
percy bysshe shelley | 6 |
the prose works | 6 |
harry thurston peck | 6 |
of this class | 6 |
and in the | 6 |
at the end | 6 |
of this kind | 6 |
that there is | 6 |
in the two | 5 |
is upon the | 5 |
pronunciation of words | 5 |
varying the pause | 5 |
a plea for | 5 |
of the first | 5 |
to begin with | 5 |
in the solemn | 5 |
charles thomas cruttwell | 5 |
the traditional pronunciation | 5 |
vowel in the | 5 |
greek and latin | 5 |
of the pause | 5 |
a long vowel | 5 |
the second line | 5 |
of this nature | 5 |
harry buxton forman | 5 |
the name of | 5 |
was pronounced long | 5 |
the word is | 5 |
sound heard in | 5 |
and it is | 5 |
all of them | 5 |
a christmas hymn | 5 |
the varying of | 5 |
of the old | 5 |
as to the | 5 |
among the romans | 5 |
used for the | 5 |
the marble faun | 5 |
the influence of | 5 |
on the other | 5 |
the death of | 5 |
friend of caesar | 5 |
in which the | 5 |
for the sake | 5 |
the verse is | 5 |
the roman forum | 5 |
as well as | 5 |
miller and beeson | 5 |
the other hand | 5 |
the general rule | 5 |
varying of the | 5 |
second latin book | 5 |
the following are | 5 |
the manner of | 5 |
of the iliad | 5 |
i am now | 5 |
as thou hast | 5 |
to the english | 5 |
the inversion of | 5 |
of the verse | 5 |
the queen of | 5 |
the sake of | 5 |
the two last | 5 |
the solemn midnight | 5 |
the doom of | 5 |
to be found | 5 |
was treated as | 5 |
description of the | 4 |
the story of | 4 |
of the two | 4 |
taking notice of | 4 |
the temple of | 4 |
it appears that | 4 |
be found in | 4 |
an instance of | 4 |
two long sounds | 4 |
the italians of | 4 |
in all the | 4 |
that the words | 4 |
two syllables with | 4 |
threw the stress | 4 |
down to the | 4 |
flevit lepus parvulus | 4 |
with shelley in | 4 |
treated as a | 4 |
is owing to | 4 |
peeps at many | 4 |
it in the | 4 |
the next line | 4 |
old romans at | 4 |
for the short | 4 |
the poems of | 4 |
to have a | 4 |
if he had | 4 |
the roman road | 4 |
that we have | 4 |
in one dull | 4 |
conclusion of the | 4 |
but it is | 4 |
the use of | 4 |
i am apt | 4 |
with his lute | 4 |
has a wonderful | 4 |
i will produce | 4 |
beau is one | 4 |
the first vowel | 4 |
the son of | 4 |
the word as | 4 |
in american education | 4 |
that there are | 4 |
that the english | 4 |
orpheus with his | 4 |
of the language | 4 |
is a good | 4 |
i come now | 4 |
it has been | 4 |
heard in the | 4 |
non amo te | 4 |
singular and plural | 4 |
history of the | 4 |
than the latin | 4 |
thou hast been | 4 |
words of this | 4 |
in order to | 4 |
the penultima of | 4 |
no more as | 4 |
the old romans | 4 |
in one of | 4 |
a long y | 4 |
concise than the | 4 |
it would be | 4 |
the women of | 4 |
for the programs | 4 |
the rule of | 4 |
romans at home | 4 |
am now to | 4 |
thou art no | 4 |
the following lines | 4 |
of the line | 4 |
come now to | 4 |
the generality of | 4 |
one of its | 4 |
literature and antiquities | 4 |
use of the | 4 |
vowel is long | 4 |
art no more | 4 |
is one of | 4 |
the first who | 4 |
may be used | 4 |
the fugitive of | 4 |
greek in american | 4 |
and to the | 4 |
more concise than | 4 |
of the slothful | 4 |
i have said | 4 |
have the stress | 4 |
there are in | 4 |
keep the stress | 4 |
any one of | 4 |
plea for the | 4 |
latin as a | 4 |
it is now | 4 |
that may be | 4 |
it would have | 4 |
may be said | 4 |
the same nature | 4 |
instance of this | 4 |
apt to think | 4 |
do not know | 4 |
and plural numbers | 4 |
for the classics | 4 |
pictures from italy | 4 |
and greek in | 4 |
it is long | 4 |
out of the | 4 |
the gods of | 4 |
penultimate vowel is | 4 |
and many others | 4 |
the nineteenth century | 4 |
in other words | 4 |
one dull line | 4 |
is at present | 4 |
of which i | 4 |
on the antepenultima | 4 |
so that the | 4 |
what i am | 4 |
the short sound | 4 |
be used for | 4 |
a wonderful effect | 4 |
on the penultima | 4 |
and for the | 4 |
more as thou | 4 |
and i believe | 4 |
in these two | 4 |
to the sense | 4 |
the passage in | 4 |
am apt to | 4 |
alliteration in the | 4 |
now to the | 4 |
sir theodore martin | 4 |
to the latin | 4 |
is not the | 4 |
in spite of | 4 |
of these two | 4 |
would have been | 4 |
a beau is | 4 |
pronunciation of english | 4 |
in favour of | 4 |
the vowel is | 4 |
words ending in | 4 |
of the latin | 4 |
on the vowel | 4 |
shelley in italy | 4 |
made use of | 4 |
traditional pronunciation of | 4 |
the short vowel | 4 |
sir edward bulwer | 4 |
the vowel which | 4 |
under french influence | 4 |
the history of | 4 |
not easy to | 4 |
doom of the | 4 |
the last syllable | 4 |
line it is | 4 |
the latin language | 4 |
these two lines | 4 |
the quantity of | 4 |
at many lands | 4 |
it is upon | 4 |
the first line | 4 |
the reason why | 4 |
straight from latin | 3 |
all in the | 3 |
one of which | 3 |
in the former | 3 |
in her lap | 3 |
walk in rome | 3 |
for the study | 3 |
cupid and the | 3 |
as we pronounce | 3 |
gods of the | 3 |
is the most | 3 |
the following words | 3 |
jupiter and his | 3 |
in our language | 3 |
sire of gods | 3 |
of roman history | 3 |
of the protagonists | 3 |
deb o rah | 3 |
dictionary of classical | 3 |
the mixing of | 3 |
rock of ages | 3 |
the greek and | 3 |
a false quantity | 3 |
sense of the | 3 |
any letter x | 3 |
seems to me | 3 |
of our language | 3 |
generality of readers | 3 |
puer ex jersey | 3 |
in longer words | 3 |
to be the | 3 |
that the vowel | 3 |
appear to be | 3 |
to find out | 3 |
seem to have | 3 |
of the most | 3 |
letter from pliny | 3 |
on the ground | 3 |
mentioned in my | 3 |
which is very | 3 |
came through french | 3 |
in this matter | 3 |
three or four | 3 |
it should be | 3 |
a passage in | 3 |
due to the | 3 |
vowel or diphthong | 3 |
the want of | 3 |
to the verse | 3 |
what i have | 3 |
ten low words | 3 |
prayer of socrates | 3 |
anger of achilles | 3 |
pompeii as described | 3 |
from the other | 3 |
the sound of | 3 |
of this art | 3 |
be said that | 3 |
in the penultima | 3 |
it is true | 3 |
of a line | 3 |
a walk in | 3 |
in the roman | 3 |
y was treated | 3 |
any thing else | 3 |
word of the | 3 |
the interior of | 3 |
the english bible | 3 |
a long unit | 3 |
of a false | 3 |
would have said | 3 |
to be in | 3 |
if it were | 3 |
sounds heard in | 3 |
the roman house | 3 |
the protagonists of | 3 |
to speak of | 3 |
much of the | 3 |
is due to | 3 |
of the roman | 3 |
of the allusio | 3 |
translation of the | 3 |
in the antepenultima | 3 |
in classical latin | 3 |
and that is | 3 |
with a full | 3 |
sound of trumpets | 3 |
state normal school | 3 |
allyn and bacon | 3 |
contrary to the | 3 |
and in all | 3 |
from the greek | 3 |
the preface to | 3 |
it did not | 3 |
day in rome | 3 |
queen of love | 3 |
and it will | 3 |
a single consonant | 3 |
there is nothing | 3 |
the e in | 3 |
words throw the | 3 |
part of the | 3 |
to take notice | 3 |
false quantity in | 3 |
on the antepenultimate | 3 |
as in english | 3 |
the gods came | 3 |
in the third | 3 |
gods came up | 3 |
words derived from | 3 |
i cannot omit | 3 |
the sound to | 3 |
the epigrams of | 3 |
the assembly of | 3 |
in tract ii | 3 |
stood for the | 3 |
letter written by | 3 |
in english words | 3 |
those which have | 3 |
if it had | 3 |
artful way of | 3 |
over their heads | 3 |
the eruption of | 3 |
the assonantia syllabarum | 3 |
it is possible | 3 |
line of the | 3 |
of latin literature | 3 |
the two long | 3 |
short sound heard | 3 |
and even the | 3 |
source book of | 3 |
it was the | 3 |
which i have | 3 |
can be more | 3 |
upon the ear | 3 |
an example in | 3 |
a letter written | 3 |
au and eu | 3 |
syllables in the | 3 |
is short in | 3 |
of the finest | 3 |
instances of the | 3 |
the singular and | 3 |
hymn to the | 3 |
of modern english | 3 |
second and third | 3 |
there are many | 3 |
the same as | 3 |
with the usual | 3 |
with a long | 3 |
the usual exceptions | 3 |
more than a | 3 |
the verse would | 3 |
i think the | 3 |
classical literature and | 3 |
auxiliary verb is | 3 |
that dwell in | 3 |
that it was | 3 |
the prayer of | 3 |
on their heads | 3 |
by the roman | 3 |
of the house | 3 |
to keep the | 3 |
would be a | 3 |
of english words | 3 |
may the gods | 3 |
the english is | 3 |
ligature characters with | 3 |
is a very | 3 |
is not to | 3 |
the two consonants | 3 |
letter x with | 3 |
the english pronunciation | 3 |
of the ancient | 3 |
more than once | 3 |
sound to the | 3 |
that of the | 3 |
and grecian warriors | 3 |
quantity of the | 3 |
masterpieces of latin | 3 |
watch of the | 3 |
art of war | 3 |
taken notice of | 3 |
fall of rome | 3 |
back and shorten | 3 |
epigrams of martial | 3 |
which there is | 3 |
walter taylor field | 3 |
the stile of | 3 |
short in greek | 3 |
he in his | 3 |
from pliny the | 3 |
this is one | 3 |
in disyllables the | 3 |
of classical literature | 3 |
the city of | 3 |
the funeral of | 3 |
the vowel in | 3 |
there was no | 3 |
how is the | 3 |
in his hand | 3 |
the long vowel | 3 |
thuriferis panchaia pinguis | 3 |
are to be | 3 |
came up from | 3 |
the fourteenth century | 3 |
some aged oak | 3 |
italians of to | 3 |
last syllable of | 3 |
panchaia pinguis arenis | 3 |
the second foot | 3 |
the roman soldier | 3 |
ich bin dein | 3 |
the power to | 3 |
for the obscure | 3 |
an exception for | 3 |
from whence i | 3 |
land or sea | 3 |
to follow the | 3 |
and the bee | 3 |
sciret dare jussus | 3 |
in every line | 3 |
which is the | 3 |
take notice of | 3 |
lodge latin grammar | 3 |
makes the reader | 3 |
the collocatio verborum | 3 |
the fall of | 3 |
of the vowels | 3 |
with the words | 3 |
and the same | 3 |
the thirteenth century | 3 |
ancient and modern | 3 |
si vero viciam | 3 |
when i was | 3 |
in these words | 3 |
quantity in the | 3 |
of the early | 3 |
preface to his | 3 |
the common pronunciation | 3 |
laxas sciret dare | 3 |
exception for which | 3 |
stress back and | 3 |
it is at | 3 |
american book company | 3 |
ad sanctum spiritus | 3 |
the golden mean | 3 |
but it was | 3 |
beginning of a | 3 |
as it appears | 3 |
the classical quantities | 3 |
of these lines | 3 |
there was a | 3 |
what is a | 3 |
and what is | 3 |
her lap to | 3 |
book of roman | 3 |
initial vowel of | 3 |
to have been | 3 |
oliver wendell holmes | 3 |
be allowed to | 3 |
of these words | 3 |
to the common | 3 |
in words of | 3 |
may be proper | 3 |
the tenth century | 3 |
the obscure sound | 3 |
as in our | 3 |
of the society | 3 |
to be so | 3 |
up from italy | 3 |
than the english | 3 |
education among the | 3 |
the younger to | 3 |
that the penultima | 3 |
ulmisque adjungere vites | 3 |
and at the | 3 |
here you see | 3 |
and silent night | 3 |
lap to rest | 3 |
the common measure | 3 |
is the verse | 3 |
the same rules | 3 |
poems of oscar | 3 |
to be a | 3 |
the watch of | 3 |
passage in homer | 3 |
at the same | 3 |
the last vowel | 3 |
qui cultus habendo | 3 |
assembly of the | 3 |
follow the same | 3 |
begin with the | 3 |
the last line | 3 |
strength to the | 3 |
is not easy | 3 |
the last word | 3 |
which is not | 3 |
pronunciation of the | 3 |
verse would have | 3 |
and his children | 3 |
in the manner | 3 |
nothing can be | 3 |
eruption of vesuvius | 3 |
whence you are | 3 |
the calm and | 3 |
the same place | 3 |
roman spent his | 3 |
of latin as | 3 |
the same time | 3 |
calm and silent | 3 |
of what i | 3 |
with a short | 3 |
came straight from | 3 |
the pause is | 3 |
first lines of | 3 |
to the first | 3 |
the former vowel | 3 |
a roman mirror | 3 |
the power of | 3 |
john addington symonds | 3 |
the two first | 3 |
epitaph on erotion | 3 |
vowel of the | 3 |
back to the | 3 |
long sounds heard | 3 |
of the pronunciation | 3 |
that i have | 3 |
any other language | 3 |
of oscar wilde | 3 |
such words as | 3 |
in pompeii as | 3 |
following are examples | 3 |
is one who | 3 |
day in pompeii | 3 |
upon the first | 3 |
the tomb of | 3 |
or two of | 3 |
most of the | 3 |
to the ear | 3 |
summas levibus pellabitur | 3 |
to a schoolmaster | 3 |
two of the | 3 |
totaque thuriferis panchaia | 3 |
to be much | 3 |
qui foedere certo | 3 |
in such a | 3 |
english words derived | 3 |
on the ultima | 3 |
be proper to | 3 |
rotis summas levibus | 3 |
came with it | 3 |
father of the | 3 |
levibus pellabitur undas | 3 |
shorten the penultima | 3 |
name of a | 3 |
a parasitic y | 2 |
of that forbidden | 2 |
but then the | 2 |
once it was | 2 |
the mamertine prison | 2 |
seems to be | 2 |
study of the | 2 |
or any other | 2 |
in this passage | 2 |
syllables of the | 2 |
some famous buildings | 2 |
the object of | 2 |
apibus quanta experientia | 2 |
catacombs of rome | 2 |
programs a plea | 2 |
found them an | 2 |
that on earth | 2 |
the long initial | 2 |
sort of rhyme | 2 |
penultima qu was | 2 |
it seems to | 2 |
arthur chamberlain a | 2 |
of one in | 2 |
the englishmen who | 2 |
from the reformation | 2 |
simois correpta sub | 2 |
is there any | 2 |
the case of | 2 |
what it is | 2 |
in my former | 2 |
this monosyllable collocation | 2 |
william shakespeare a | 2 |
words with heavy | 2 |
may be very | 2 |
penultima the vowel | 2 |
the two following | 2 |
it is difficult | 2 |
then mounted on | 2 |
two celebrated lines | 2 |
ending in a | 2 |
of the church | 2 |
latin to the | 2 |
long initial vowel | 2 |
of pronunciation is | 2 |
a model young | 2 |
be sung to | 2 |
than the penultima | 2 |
his mighty standard | 2 |
only in the | 2 |
their heads triumphant | 2 |
and which i | 2 |
of this work | 2 |
saxe perdidi diem | 2 |
stile of homer | 2 |
would have had | 2 |
plain direct rhyme | 2 |
the one from | 2 |
where it has | 2 |
because of its | 2 |
spent his year | 2 |
of the fourteenth | 2 |
the plain direct | 2 |
the third thing | 2 |
of the greek | 2 |
the four tracts | 2 |
que and et | 2 |
they found it | 2 |
his description of | 2 |
both in the | 2 |
an effect this | 2 |
the translations of | 2 |
blew zephyrus alte | 2 |
the latin nominative | 2 |
makes the verse | 2 |
nora hopper helen | 2 |
at any rate | 2 |
craze for amusement | 2 |
for which it | 2 |
as seen by | 2 |
the missouri state | 2 |
from their birth | 2 |
where it is | 2 |
wheels along the | 2 |
ae ligature characters | 2 |
lamb to potitus | 2 |
longer words throw | 2 |
the scanning conclusive | 2 |
ante mare tellus | 2 |
in the most | 2 |
consciously or unconsciously | 2 |
in the paradise | 2 |
six years of | 2 |
et sola in | 2 |
sidere terram vertere | 2 |
a few more | 2 |
following are instances | 2 |
from a passage | 2 |
the romans made | 2 |
the topography of | 2 |
verse and the | 2 |
robert herrick elysium | 2 |
sung to the | 2 |
the beauty of | 2 |
did the roaring | 2 |
the author of | 2 |
throws up the | 2 |
what is given | 2 |
philosophy of life | 2 |
penultimate had the | 2 |
classical word in | 2 |
bulletin of the | 2 |
how does the | 2 |
mackail orpheus with | 2 |
of the letters | 2 |
in that place | 2 |
there can be | 2 |
them an abode | 2 |
and innumerable others | 2 |
the classical journal | 2 |
this sort of | 2 |
adorant sub coelo | 2 |
mortal taste brought | 2 |
the first word | 2 |
are in the | 2 |
the st syllable | 2 |
and the reason | 2 |
will produce an | 2 |
parasitic y was | 2 |
i will now | 2 |
in the ancient | 2 |
be seen that | 2 |
xy with joining | 2 |
the error of | 2 |
but i doubt | 2 |
we need not | 2 |
to prefer the | 2 |
the fifth line | 2 |
on the hill | 2 |
to virgil in | 2 |
is possible that | 2 |
observed that this | 2 |
bare he in | 2 |
is a particular | 2 |
balmy cloud with | 2 |
amusement among the | 2 |
and that it | 2 |
across the billow | 2 |
when he says | 2 |
kind out of | 2 |
the stress goes | 2 |
and heroes to | 2 |
a roman banquet | 2 |
virgil in this | 2 |
storms at thy | 2 |
words have been | 2 |
famous temples of | 2 |
really not at | 2 |
pictures and sculpture | 2 |
with respect to | 2 |
to the greeks | 2 |
came to follow | 2 |
herford cupid and | 2 |
and eu were | 2 |
of this passage | 2 |
that forbidden tree | 2 |
influence of greek | 2 |
it was not | 2 |
sir richard fanshawe | 2 |
as they are | 2 |
ab oris italiam | 2 |
at the warlike | 2 |
ut rei naturam | 2 |
mixing the singular | 2 |
seem to be | 2 |
can hardly be | 2 |
speak of the | 2 |
of such words | 2 |
for the long | 2 |
a hymn to | 2 |
in this line | 2 |
assonantia syllabarum or | 2 |
as much as | 2 |
holidays and others | 2 |
are really not | 2 |
not sure that | 2 |
in it the | 2 |
is capable of | 2 |
could not but | 2 |
one of these | 2 |
an etruscan ring | 2 |
the delicacy of | 2 |
that it may | 2 |
but if we | 2 |
changes in the | 2 |
syllabarum or rhyme | 2 |
and all of | 2 |
friends is not | 2 |
seen that the | 2 |
that sort of | 2 |
it was in | 2 |
which it is | 2 |
the fountain of | 2 |
now shew you | 2 |
some religious customs | 2 |
it were an | 2 |
the earth was | 2 |
arts of versification | 2 |
thee in the | 2 |
arnold after construing | 2 |
alfred dommett roman | 2 |
so that i | 2 |
to the grave | 2 |
who came with | 2 |
sonitu terrebis aves | 2 |
the ancient myth | 2 |
several sorts of | 2 |
take off his | 2 |
a mournful mien | 2 |
the latin stress | 2 |
is sweet and | 2 |
school pronunciation of | 2 |
that the second | 2 |
which milton has | 2 |
rising from the | 2 |
mixt alliteration in | 2 |
selections that may | 2 |
adventures among books | 2 |
high school word | 2 |
are in virgil | 2 |
then did the | 2 |
all the hurry | 2 |
the prince of | 2 |
romans of fame | 2 |
the soft idalian | 2 |
made a road | 2 |
adjectives of this | 2 |
given to friends | 2 |
i am not | 2 |
for the two | 2 |
must be added | 2 |
admit that all | 2 |
the stress remains | 2 |
thou hast the | 2 |
which have the | 2 |
his translation of | 2 |
come into the | 2 |
to the soft | 2 |
as it were | 2 |
there are four | 2 |
his dart shook | 2 |
the sense of | 2 |
me pigris ubi | 2 |
and the latin | 2 |
but to go | 2 |
if they were | 2 |
english is almost | 2 |
a night in | 2 |
oliver herford cupid | 2 |
a man of | 2 |
sing heavenly muse | 2 |
back with pleasure | 2 |
and whither lies | 2 |
and so are | 2 |
love of latin | 2 |
in the sense | 2 |
buildings of ancient | 2 |
a secondary stress | 2 |
of the last | 2 |
the most beautiful | 2 |
nulla campis arbor | 2 |
of the aeneid | 2 |
in the next | 2 |
fanshawe to a | 2 |
to show that | 2 |
been further abbreviated | 2 |
was in the | 2 |
long vowel in | 2 |
in open day | 2 |
of the tides | 2 |
queen of scots | 2 |
can possibly be | 2 |
author of the | 2 |
if they came | 2 |
longer words the | 2 |
changing the common | 2 |
this respect than | 2 |
the roaring waves | 2 |
line in the | 2 |
the seat of | 2 |
be much more | 2 |
customs and burial | 2 |
which i cannot | 2 |
in the sixteenth | 2 |
word which is | 2 |
one in the | 2 |
is a reason | 2 |
in a letter | 2 |
i were to | 2 |
in praise of | 2 |
more or less | 2 |
whence it appears | 2 |
you what is | 2 |
there are two | 2 |
long in classical | 2 |
the burning of | 2 |
is difficult to | 2 |
in the learned | 2 |
of the missouri | 2 |
latin andrew lang | 2 |
i cannot express | 2 |
it was a | 2 |
an english word | 2 |
virgil and milton | 2 |
the level of | 2 |
amantis res adversae | 2 |
bending his ear | 2 |
in the n | 2 |
do well to | 2 |
is long in | 2 |
judge shall be | 2 |
of this line | 2 |
appeared in the | 2 |
his great head | 2 |
that the hebrew | 2 |
upon the whole | 2 |
safely to regain | 2 |
instances of this | 2 |
wave your tops | 2 |
foedere certo et | 2 |
homer will be | 2 |
lamb de patientia | 2 |
direful spring of | 2 |
but if the | 2 |
invitation to dine | 2 |
another learned foreigner | 2 |
are examples of | 2 |
of latin in | 2 |
the rushes glides | 2 |
the beauties of | 2 |
of the d | 2 |
any pair of | 2 |
of earth and | 2 |
of being misunderstood | 2 |
verses contrary to | 2 |
in the newspapers | 2 |
lines in our | 2 |
which have been | 2 |
in the last | 2 |
english language is | 2 |
the ground that | 2 |
pro me perforatus | 2 |
a good word | 2 |
did endless sorrows | 2 |
temples of ancient | 2 |
cannot be compared | 2 |
though it is | 2 |
the beginning to | 2 |
years of age | 2 |
but it may | 2 |
the reader see | 2 |
and wave your | 2 |
long vowel and | 2 |
interior of a | 2 |
of this letter | 2 |
words according to | 2 |
protagonists in the | 2 |
and horrid helms | 2 |
pigris ubi nulla | 2 |
the lord with | 2 |
raise storms at | 2 |
at least the | 2 |
rex et mulcere | 2 |
he had writ | 2 |
and regain the | 2 |
explanation of the | 2 |
much to the | 2 |
humbled all my | 2 |
the song of | 2 |
will be well | 2 |
radiant carr he | 2 |
and found them | 2 |
be thought that | 2 |
exceptions to the | 2 |
roman forum as | 2 |
to the end | 2 |
if i were | 2 |
steeds he flies | 2 |
abounds in rhyme | 2 |
borrowed from latin | 2 |
much more concise | 2 |
a trochaick foot | 2 |
direct from latin | 2 |
his reverend head | 2 |
de nativitate domini | 2 |
this will prayer | 2 |
taste brought death | 2 |
the roman army | 2 |
our society to | 2 |
and by the | 2 |
it is in | 2 |
the stressed penultimate | 2 |
elton the happy | 2 |
pessimus omnium poeta | 2 |
as if the | 2 |
common professions and | 2 |
scholars of the | 2 |
than the first | 2 |
high on their | 2 |
straight from the | 2 |
god among the | 2 |
gladstone dies irae | 2 |
but they have | 2 |
programs flevit lepus | 2 |
italy of to | 2 |
ades sit alone | 2 |
to mean that | 2 |
to the classical | 2 |
to be done | 2 |
the english of | 2 |
the first place | 2 |
when heavy consonants | 2 |
are worthy of | 2 |
a line of | 2 |
in his hose | 2 |
will now shew | 2 |
english pronunciation of | 2 |
has the following | 2 |
latin in the | 2 |
but the most | 2 |
was pronounced as | 2 |
in original book | 2 |
common pause in | 2 |
the direful spring | 2 |
do justice to | 2 |
no sudden goddess | 2 |
see what is | 2 |
to the lares | 2 |
under open sky | 2 |
all the gods | 2 |
of the preceding | 2 |
in reading latin | 2 |
the reason was | 2 |
words are etymologically | 2 |
conclusion of this | 2 |
the judge shall | 2 |
words follow the | 2 |
it is very | 2 |
of the beginning | 2 |
of the son | 2 |
the blissful field | 2 |
de nomine byrsam | 2 |
a roman boy | 2 |
began as a | 2 |
almost one third | 2 |
byron on portia | 2 |
the middle of | 2 |
a boy at | 2 |
begin with a | 2 |
i is shortened | 2 |
the wind it | 2 |
their shady lodge | 2 |
of his finest | 2 |
give you to | 2 |
the same word | 2 |
spirit of homer | 2 |
de poematum cantu | 2 |
cases it is | 2 |
days of pompeii | 2 |
vultus in orbe | 2 |
passage of this | 2 |
pronunciation of proper | 2 |
woodmen grew so | 2 |
the clouds away | 2 |
to their latin | 2 |
as a training | 2 |
of the third | 2 |
pair of letters | 2 |
as a consonant | 2 |
two following vowels | 2 |
the vowel i | 2 |
which to the | 2 |
of their own | 2 |
was pronounced short | 2 |
rapt by his | 2 |
xy any pair | 2 |
but now ye | 2 |
the following is | 2 |
in the case | 2 |
to the main | 2 |
beginning to the | 2 |
a classical education | 2 |
praise of neptune | 2 |
of the immortal | 2 |
to whom the | 2 |
oak uprears his | 2 |
of course all | 2 |
the preparation of | 2 |
long words the | 2 |
the trojan shore | 2 |
song of the | 2 |
if i had | 2 |
the air is | 2 |
to have committed | 2 |
young lady of | 2 |
appears that virgil | 2 |
of rhyme in | 2 |
each of these | 2 |
it is short | 2 |
by cicero describing | 2 |
to take off | 2 |
vero viciam que | 2 |
a passage of | 2 |
by his steeds | 2 |
certo et premere | 2 |
as a preparation | 2 |
an invitation to | 2 |
sensible of this | 2 |
at times to | 2 |
is the common | 2 |
first u of | 2 |
whose mortal taste | 2 |
cannot but perceive | 2 |
people that on | 2 |
i have shewn | 2 |
just now recollect | 2 |
and what an | 2 |
now is come | 2 |
a banquet at | 2 |
in the calm | 2 |
the penultima the | 2 |
words which have | 2 |
is no occasion | 2 |
as if they | 2 |
new york times | 2 |
fruit of that | 2 |
martin an invitation | 2 |
words beginning with | 2 |
opaci falce premes | 2 |
lines in his | 2 |
much of its | 2 |
to think that | 2 |
the most high | 2 |
to the alliteratio | 2 |
strikes the ear | 2 |
written by horace | 2 |
on to the | 2 |
fair and good | 2 |
to see a | 2 |
the need of | 2 |
the latin or | 2 |
words retain the | 2 |
all the world | 2 |
the single alliteratio | 2 |
richard fanshawe to | 2 |
hay epitaph on | 2 |
both of these | 2 |
favorite prayer of | 2 |
as fast as | 2 |
sir philip sidney | 2 |
is given to | 2 |
shortening of the | 2 |
come from the | 2 |
seem to prefer | 2 |
the translation of | 2 |
of will be | 2 |
at the conclusion | 2 |
among the laurels | 2 |
herford the harpy | 2 |
north american review | 2 |
the voice of | 2 |
to which the | 2 |
be well to | 2 |
to the shore | 2 |
they came through | 2 |
than the beginning | 2 |
province far away | 2 |
books i and | 2 |
of ten syllables | 2 |
i should have | 2 |
or four lines | 2 |
may be allowed | 2 |
i hope that | 2 |
the very first | 2 |
the wind that | 2 |
to the world | 2 |
and skims the | 2 |
that from us | 2 |
now ye strangers | 2 |
of a man | 2 |
and on the | 2 |
might be thought | 2 |
in the line | 2 |
syllables than the | 2 |
now out of | 2 |
and on her | 2 |
of the penultimate | 2 |
hopper helen of | 2 |
louise chandler moulton | 2 |
stress remains on | 2 |
impression of the | 2 |
translation in readings | 2 |
in a balmy | 2 |
and you will | 2 |
that is the | 2 |
may not be | 2 |
had the stress | 2 |
all the following | 2 |
the true quantities | 2 |
is come into | 2 |
an empty throne | 2 |
pone me pigris | 2 |
in verses of | 2 |
how great a | 2 |
to the gods | 2 |
on this subject | 2 |
be brought to | 2 |
judge of the | 2 |
order to write | 2 |
the sire of | 2 |
in readings in | 2 |
quove tenetis iter | 2 |
upon the monosyllable | 2 |
death of caesar | 2 |
a mute and | 2 |
unus erat toto | 2 |
to call it | 2 |
warble as ye | 2 |
in latin verse | 2 |
chamberlain a christmas | 2 |
a pompeian house | 2 |
cinis es et | 2 |
are used in | 2 |
i found milton | 2 |
he does not | 2 |
we may quote | 2 |
school word book | 2 |
et cinis eris | 2 |
it was long | 2 |
latin language is | 2 |
mounted on his | 2 |
the collocation of | 2 |
syllables with a | 2 |
am taking notice | 2 |
through the rushes | 2 |
the westminster play | 2 |
and ought to | 2 |
with the slain | 2 |
and the latter | 2 |
atque rotis summas | 2 |
had never had | 2 |
in this particular | 2 |
some famous temples | 2 |
of the plain | 2 |
the suffix into | 2 |
the home of | 2 |
journal of education | 2 |
to the door | 2 |
smooth the seas | 2 |
a long penultima | 2 |
the great father | 2 |
aged oak uprears | 2 |
at last to | 2 |
rodd the doom | 2 |
is true that | 2 |
into the blissful | 2 |
prosper in the | 2 |
the mixt alliteration | 2 |
the following passage | 2 |
and ten low | 2 |
school life in | 2 |
hae meat and | 2 |
in which milton | 2 |
the flood arose | 2 |
you to level | 2 |
on an old | 2 |
him the most | 2 |
wit of man | 2 |
for which reason | 2 |
the last days | 2 |
is very much | 2 |
in modern literature | 2 |
to produce more | 2 |
middle of the | 2 |
particles que and | 2 |
women of ancient | 2 |
all sorts of | 2 |
obscure sound heard | 2 |
the effect of | 2 |
of george iii | 2 |
dear days done | 2 |
up the reins | 2 |
famous buildings of | 2 |
exactly in the | 2 |
words with a | 2 |
herman merivale the | 2 |
i should not | 2 |
with the latin | 2 |
the god of | 2 |
of letters xy | 2 |
the stress of | 2 |
lies your way | 2 |
in an english | 2 |
no less than | 2 |
the pronunciation is | 2 |
thomas of celano | 2 |
hinc canere incipiam | 2 |
the reformation to | 2 |
stress of the | 2 |
cultus habendo sit | 2 |
passage through french | 2 |
to the latter | 2 |
the opinion of | 2 |
the stile is | 2 |
have in it | 2 |
the second syllable | 2 |
in some cases | 2 |
i beg leave | 2 |
king of men | 2 |
in modern english | 2 |
for dear days | 2 |
examples of the | 2 |
of the history | 2 |
quo sidere terram | 2 |
loud and clear | 2 |
of varying the | 2 |
sing to the | 2 |
to say that | 2 |
greeks did endless | 2 |
the arts of | 2 |
the father of | 2 |
at all surprising | 2 |
footnote in original | 2 |
viciam que seres | 2 |
mute and r | 2 |
from trojan shores | 2 |
the lips of | 2 |
when the word | 2 |
intra tuum latus | 2 |
were pronounced short | 2 |
i might have | 2 |
before the penultima | 2 |
the tune of | 2 |
observe in the | 2 |
latin text book | 2 |
sigourney jupiter and | 2 |
than it is | 2 |
i will give | 2 |
his radiant carr | 2 |
the watry way | 2 |
the same kind | 2 |
properly called the | 2 |
may have been | 2 |
at six years | 2 |
of the air | 2 |
his steeds he | 2 |
italy and found | 2 |
the description of | 2 |
two first lines | 2 |
but in england | 2 |
them to the | 2 |
an anecdote of | 2 |
one sometimes hears | 2 |
and when it | 2 |
hay what is | 2 |
looks across the | 2 |
when the great | 2 |
i and ii | 2 |
goddess through the | 2 |
was the name | 2 |
and looks across | 2 |
this class have | 2 |
way to the | 2 |
and new rome | 2 |
notes by h | 2 |
dine written by | 2 |
at the time | 2 |
of minicia marcella | 2 |
the fourth line | 2 |
that this line | 2 |
met e l | 2 |
arma virumque cano | 2 |
the secondary stress | 2 |
is not lost | 2 |
and therefore he | 2 |
ubi nulla campis | 2 |
has a very | 2 |
must have had | 2 |
the changing the | 2 |
for the pronunciation | 2 |
and the fruit | 2 |
is almost one | 2 |
we should be | 2 |
who does not | 2 |
to the present | 2 |
eager god among | 2 |
where the penultimate | 2 |
among the ancient | 2 |
english in the | 2 |
chanted loud and | 2 |
venus and vulcan | 2 |
addington symonds hector | 2 |
with heavy consonants | 2 |
is a rapid | 2 |
here at least | 2 |
that the auxiliary | 2 |
in the pine | 2 |
because of the | 2 |
concerning poetical translations | 2 |
lengthen the penultima | 2 |
the woods are | 2 |
est ad spiritus | 2 |
the standard of | 2 |
o nimium coelo | 2 |
miller and nelson | 2 |
passage in milton | 2 |
facti de nomine | 2 |
the face of | 2 |
it is evident | 2 |
shakespeare a hymn | 2 |
source of all | 2 |
the first u | 2 |
you will easily | 2 |
is not a | 2 |
missouri state normal | 2 |
am not sure | 2 |
of the nineteenth | 2 |
many words of | 2 |
that is not | 2 |
way of writing | 2 |
of the caesars | 2 |
as ye flow | 2 |
some famous roman | 2 |
has the stress | 2 |
story of a | 2 |
studiisque asperrima belli | 2 |
the stress is | 2 |
example or two | 2 |
and the other | 2 |
st syllable of | 2 |
lady of antiquity | 2 |
letters concerning poetical | 2 |
to the reader | 2 |
an exception to | 2 |
that warble as | 2 |
in any one | 2 |
and gave their | 2 |
the latin by | 2 |
low words oft | 2 |
here you have | 2 |
which of these | 2 |
appears that the | 2 |
before front vowels | 2 |
from the purpling | 2 |
it is owing | 2 |
that the verse | 2 |
the opposite of | 2 |
the soul and | 2 |
a prime favourite | 2 |
the happy life | 2 |
with that of | 2 |
in the fourth | 2 |
in an affair | 2 |
ten dull words | 2 |
from the end | 2 |
breathe soft or | 2 |
of two syllables | 2 |
sudden goddess through | 2 |
the catacombs of | 2 |
here is my | 2 |
they had never | 2 |
behemoth biggest born | 2 |
as a wit | 2 |
come through french | 2 |
carthage was the | 2 |
the verse and | 2 |
the stress or | 2 |
by horace to | 2 |
numen adorant sub | 2 |
condar intra tuum | 2 |
all the arts | 2 |
here we have | 2 |
to give to | 2 |
the bee anacreon | 2 |
myths and legends | 2 |
it appears to | 2 |
some common professions | 2 |
as can possibly | 2 |
warlike sound of | 2 |
atque hominum rex | 2 |
seems not to | 2 |
their verse is | 2 |
the last foot | 2 |
shore a mournful | 2 |
the fourth thing | 2 |
the hands of | 2 |
ancient myth in | 2 |
illi inter sese | 2 |
and wheels along | 2 |
we have the | 2 |
twenty centuries ago | 2 |
to an english | 2 |
faith admit that | 2 |
it is of | 2 |
and ades sit | 2 |
and trades among | 2 |
ubi tot simois | 2 |
and strength to | 2 |
some famous pictures | 2 |
the men of | 2 |
visions trooping sadly | 2 |
in this verse | 2 |
parts of the | 2 |
hopper an etruscan | 2 |
in this place | 2 |
to think mr | 2 |
and safely to | 2 |
groves are gleaming | 2 |
to make a | 2 |
their heads they | 2 |
there is in | 2 |
and carthage was | 2 |
tyrii tenuere coloni | 2 |
lee and shepard | 2 |
at the home | 2 |
reader cannot but | 2 |
of the world | 2 |
to the fifth | 2 |
soft or loud | 2 |
be said to | 2 |
ancient myths and | 2 |
reason why he | 2 |
of it is | 2 |
disyllables the former | 2 |
from whence it | 2 |
by permission of | 2 |
said to be | 2 |
women of the | 2 |
to be as | 2 |
famous women of | 2 |
roman holidays and | 2 |
funeral customs and | 2 |
from a classical | 2 |
of trumpets loud | 2 |
today the goat | 2 |
ruris opaci falce | 2 |
helen of troy | 2 |
from tyber far | 2 |
emm a us | 2 |
quibus aut venistis | 2 |
to raise storms | 2 |
for sight reading | 2 |
of pliny the | 2 |
but in the | 2 |
myth in modern | 2 |
he flies in | 2 |
is the reason | 2 |
pronunciation is now | 2 |
creep in one | 2 |
the clouds along | 2 |
brought death into | 2 |
the corny reed | 2 |
we have in | 2 |
mopes beside an | 2 |
the purpling water | 2 |
is called a | 2 |
is an example | 2 |
and now is | 2 |
a full rhyme | 2 |
words oft creep | 2 |
may faith admit | 2 |
it in this | 2 |
famous pictures and | 2 |
by two consonants | 2 |
before him humbled | 2 |
in the vernacular | 2 |
in modern italy | 2 |
ancient romans of | 2 |
john hay what | 2 |
of the varying | 2 |
to dine written | 2 |
of the classical | 2 |
in speaking of | 2 |
hector and andromache | 2 |
fountain of trevi | 2 |
hope that they | 2 |
collocation of words | 2 |
to me to | 2 |
what it was | 2 |
what an effect | 2 |
from the same | 2 |
whither lies your | 2 |
as the english | 2 |
their jolly notes | 2 |
misty visions trooping | 2 |
the chief protagonist | 2 |
must be admitted | 2 |
in the traditional | 2 |
written by cicero | 2 |
all these words | 2 |
skims the watry | 2 |
soft the olive | 2 |
the souls of | 2 |
heads triumphant death | 2 |
again he knows | 2 |
to regain your | 2 |
death into the | 2 |
the olive groves | 2 |
short vowel is | 2 |
property of majesty | 2 |
his stile from | 2 |
that might be | 2 |
et sonitu terrebis | 2 |
in all probability | 2 |
of this monosyllable | 2 |
who love the | 2 |
or by the | 2 |
for latin clubs | 2 |
committed himself to | 2 |
of the s | 2 |
it is plain | 2 |
pronounced long if | 2 |
me to be | 2 |
named after a | 2 |
souls of many | 2 |
these words have | 2 |
from the beginning | 2 |
reformation to the | 2 |
set me free | 2 |
former vowel or | 2 |
upon the last | 2 |
when the judge | 2 |
in such manner | 2 |
with acute accent | 2 |
sake of the | 2 |
the ancient vowel | 2 |
last days of | 2 |
which has a | 2 |
i believe that | 2 |
must continue to | 2 |
and before him | 2 |
of the sea | 2 |
ancient rome the | 2 |
have a long | 2 |
have taken notice | 2 |
the strength of | 2 |
art in the | 2 |
order that the | 2 |
quanta experientia parcis | 2 |
for it is | 2 |
general rule was | 2 |
the programs a | 2 |
waves their rage | 2 |
a word which | 2 |
in order that | 2 |
in a ring | 2 |
just the same | 2 |
of the words | 2 |
and we are | 2 |
of ancient fame | 2 |
the time when | 2 |
should have been | 2 |
essay on criticism | 2 |
that i can | 2 |
was on the | 2 |
what english owes | 2 |
and the gods | 2 |
opening lines of | 2 |
and to her | 2 |
impression of rome | 2 |
some roman gods | 2 |
of the healing | 2 |
horace to vergil | 2 |
who from the | 2 |
how the roman | 2 |
an english line | 2 |
sits and looks | 2 |
its first vowel | 2 |
it will not | 2 |
cicero as a | 2 |
to his wife | 2 |
no occasion to | 2 |
from italy and | 2 |
fast as possible | 2 |
aut venistis ab | 2 |
helms high on | 2 |
and all our | 2 |
the passages of | 2 |
followed by two | 2 |
the craze for | 2 |
and the rest | 2 |
your native shores | 2 |
keep the long | 2 |
programs the value | 2 |
the house of | 2 |
triumphant death his | 2 |
of latin andrew | 2 |
yet wears thy | 2 |
and others who | 2 |
for amusement among | 2 |
what is the | 2 |
famous roman letters | 2 |
though it has | 2 |
and burial places | 2 |
level of the | 2 |
fourth thing to | 2 |
ought to follow | 2 |
have been borrowed | 2 |
with all his | 2 |
beg leave to | 2 |
ground that the | 2 |
composition and rhetoric | 2 |
of the profession | 2 |
it is clear | 2 |
so far as | 2 |
will be sent | 2 |
of the stress | 2 |
no eager god | 2 |
in the preface | 2 |
majesty and strength | 2 |
the favorite prayer | 2 |
but i might | 2 |
you will meet | 2 |
a lack of | 2 |
vowel was pronounced | 2 |
to know that | 2 |
was taught in | 2 |
change the suffix | 2 |
in three or | 2 |
is at the | 2 |
luxury and extravagance | 2 |
shorten or obscure | 2 |
first syllables of | 2 |
matthew arnold after | 2 |
the loud billows | 2 |
qu was treated | 2 |
his verse with | 2 |
benson a roman | 2 |
of her hair | 2 |
has it short | 2 |
of greek origin | 2 |
owing to the | 2 |
the roman spent | 2 |
in this letter | 2 |
must have been | 2 |
in the stressed | 2 |
derived from latin | 2 |
handbook for latin | 2 |
i wish to | 2 |
john hay epitaph | 2 |
non est obitus | 2 |
the penultimate unit | 2 |
nihil est ad | 2 |
songs that may | 2 |
to the penultima | 2 |
endless sorrows bring | 2 |
urbs antiqua fuit | 2 |
the first syllables | 2 |
to be able | 2 |
not like thee | 2 |
of another learned | 2 |
of a long | 2 |
do not like | 2 |
arrangement of words | 2 |
even in the | 2 |
the roman slave | 2 |
the penultima qu | 2 |
into the world | 2 |
the difference between | 2 |
but this i | 2 |
greek or latin | 2 |
he came to | 2 |
o antique fables | 2 |
oliver herford the | 2 |
four tracts for | 2 |
robert herrick cerberus | 2 |
rennell rodd the | 2 |
dare jussus habenas | 2 |
the greek greek | 2 |
for which i | 2 |
regain your native | 2 |
all the beauties | 2 |
have met with | 2 |
in gloomy caves | 2 |
x any letter | 2 |
italian and lavinian | 2 |
a greek tragedy | 2 |
uprears his reverend | 2 |
there be one | 2 |
the rest of | 2 |
roaring waves their | 2 |
the laurels hides | 2 |
to level priam | 2 |
have been lost | 2 |
verse is not | 2 |
gave their bodies | 2 |
i am taking | 2 |
service in the | 2 |
venistis ab oris | 2 |
by the same | 2 |
and the god | 2 |
the poet laureate | 2 |
the woodmen grew | 2 |
of the modern | 2 |
an old latin | 2 |
disyllables lengthen the | 2 |
and ye that | 2 |
all our woe | 2 |
lord byron on | 2 |
symonds hector and | 2 |
adapting the sound | 2 |
poverty among the | 2 |
usage has made | 2 |
i would observe | 2 |
words of greek | 2 |
in his description | 2 |
till he came | 2 |
theodore martin an | 2 |
regain the blissful | 2 |
quod tegit omnia | 2 |
stress goes back | 2 |
the greeks did | 2 |
a balmy cloud | 2 |
spirited sly snake | 2 |
this has a | 2 |
roman of old | 2 |
at their shady | 2 |
is to the | 2 |
and under open | 2 |
in sound with | 2 |
all my heart | 2 |
placed in the | 2 |
pronounced as in | 2 |
meta non est | 2 |
had meant to | 2 |
in both the | 2 |
flies in open | 2 |
horrid helms high | 2 |
to friends is | 2 |
was to be | 2 |
pelago confise sereno | 2 |
letters xy with | 2 |
heads they bear | 2 |
their latin stems | 2 |
the blissful seat | 2 |
the words of | 2 |
model young lady | 2 |
scanning conclusive rhyme | 2 |
which is a | 2 |
metal and mettle | 2 |
the ancient romans | 2 |
words borrowed from | 2 |
if there was | 2 |
heavy consonants bring | 2 |
old and new | 2 |
on land or | 2 |
life in italy | 2 |
of ancient and | 2 |
example in this | 2 |
not consider the | 2 |
the programs flevit | 2 |
venenatis gravida sagittis | 2 |
if there be | 2 |
of the best | 2 |
falce premes umbras | 2 |
might be produced | 2 |
longfellow nil admirari | 2 |
the whole passage | 2 |
romans made a | 2 |
the i is | 2 |
in any case | 2 |
pause at the | 2 |
the most learned | 2 |
the long quality | 2 |
remains on the | 2 |
used it in | 2 |
in all other | 2 |
as a general | 2 |
finley by the | 2 |
very long words | 2 |
no inverted stress | 2 |
the wit of | 2 |
trades among the | 2 |
seems to have | 2 |
him to the | 2 |
strength of the | 2 |
words are composed | 2 |
borrowed bodily from | 2 |
to this purpose | 2 |
perhaps the short | 2 |
of this word | 2 |
but these are | 2 |
cowper to the | 2 |
to the grecians | 2 |
persephone and ades | 2 |
son of jove | 2 |
saxe the prayer | 2 |
the result of | 2 |
and of the | 2 |
the other door | 2 |
latin or greek | 2 |
kempis the favorite | 2 |
i mean the | 2 |
according to their | 2 |
a training for | 2 |
o come ye | 2 |
it is easily | 2 |
harper and miller | 2 |
merivale the fall | 2 |
an example from | 2 |
eagle mopes beside | 2 |
two first words | 2 |
still obtains in | 2 |
kind of verse | 2 |
to be used | 2 |
in the morning | 2 |
martha baker dunn | 2 |
to the antepenultima | 2 |
the adapting the | 2 |
will not be | 2 |
of a pompeian | 2 |
a tyrian colony | 2 |
way to school | 2 |
rule of latin | 2 |
fortia corpora volvit | 2 |
capable of it | 2 |
also in toc | 2 |
a letter from | 2 |
among the americans | 2 |
they have been | 2 |
accrue from a | 2 |
is better than | 2 |
this kind of | 2 |
the king of | 2 |
owes to greek | 2 |
es et cinis | 2 |
and there i | 2 |
oft creep in | 2 |
or secondary stress | 2 |
raises the attention | 2 |
to write or | 2 |
molemque montis insuper | 2 |
some ancient romans | 2 |
charles lamb de | 2 |
professions and trades | 2 |
the wrath of | 2 |
great father of | 2 |
at this time | 2 |
form of the | 2 |
taylor field palladium | 2 |
a preparation for | 2 |
beginning of it | 2 |
and shorten or | 2 |
of a roman | 2 |
of the flood | 2 |
but there is | 2 |
from any thing | 2 |
in the thirteenth | 2 |
mulcere dedit fluctus | 2 |
was of course | 2 |
this line is | 2 |
to the skies | 2 |
it is sometimes | 2 |
tot simois correpta | 2 |
the second i | 2 |
heroes to the | 2 |
a city rose | 2 |
better than the | 2 |
the same manner | 2 |
when they were | 2 |
feasible explanation of | 2 |
he says that | 2 |
the english tongue | 2 |
and lavinian coast | 2 |
vowel by the | 2 |
they chanted loud | 2 |
born of earth | 2 |
the several following | 2 |
have the suffix | 2 |
homophones in tract | 2 |
to the lord | 2 |
than for saying | 2 |
some famous women | 2 |
of your father | 2 |
english owes to | 2 |
manner as to | 2 |
the fruit of | 2 |
have a good | 2 |
in the tenth | 2 |
the latin word | 2 |
based on caesar | 2 |
prayer of mary | 2 |
it is certain | 2 |
insuper altos imposuit | 2 |
the third line | 2 |
beside an empty | 2 |
to be generally | 2 |
the other in | 2 |
carr he rides | 2 |
the excellency of | 2 |
him humbled all | 2 |
hominum rex et | 2 |
some of the | 2 |
on his radiant | 2 |
ye that warble | 2 |
of three syllables | 2 |
his mould behemoth | 2 |
of the single | 2 |
follow the rules | 2 |
to wash her | 2 |
feasible is a | 2 |
to the most | 2 |
be able to | 2 |
will be seen | 2 |
soft idalian grove | 2 |
and modern rome | 2 |
gift to us | 2 |
stress the antepenultima | 2 |
the human race | 2 |
hymn in praise | 2 |
there would be | 2 |
t a t | 2 |
the warlike sound | 2 |
of which is | 2 |
of the city | 2 |
the same difference | 2 |
biggest born of | 2 |
way of varying | 2 |
than the latter | 2 |
it is no | 2 |
was justified in | 2 |
a roman citizen | 2 |
where simois streams | 2 |
more instances of | 2 |
life in modern | 2 |
and not by | 2 |
an epic tragedy | 2 |
it cannot be | 2 |
et mulcere dedit | 2 |
in the translation | 2 |
it was once | 2 |
the reader cannot | 2 |
common pronunciation of | 2 |
be read by | 2 |
nora hopper an | 2 |
and in such | 2 |
no more the | 2 |
to the second | 2 |
of latin poetry | 2 |
produce more examples | 2 |
stems ending in | 2 |
which gives us | 2 |
quae in metro | 2 |
the fact that | 2 |
such manner as | 2 |
of our society | 2 |
broad bare backs | 2 |
along the level | 2 |
letter of pliny | 2 |
the roman of | 2 |
examples of this | 2 |
of which there | 2 |
montis insuper altos | 2 |
of the rhyme | 2 |
be admitted that | 2 |
there any thing | 2 |
of an old | 2 |
long or short | 2 |
a is short | 2 |
and i suspect | 2 |
preparation for the | 2 |
speak and write | 2 |
terram insectabere rastris | 2 |
the vowels in | 2 |
in several places | 2 |
olive groves are | 2 |
pronounced long in | 2 |
had not been | 2 |
the united states | 2 |
arts of verse | 2 |
be hoped that | 2 |
the anger of | 2 |
i will mention | 2 |
the usual shortenings | 2 |
habendo sit pecori | 2 |
prefer the stress | 2 |
but twenty one | 2 |
name of the | 2 |
i believe it | 2 |
inverted stress in | 2 |
a hymn in | 2 |
old latin text | 2 |
in many other | 2 |
their rage compose | 2 |
of the particles | 2 |
in the united | 2 |
the close of | 2 |
the worth of | 2 |
the shortening of | 2 |
from the bench | 2 |
of all you | 2 |
of his god | 2 |
in the pronunciation | 2 |
this is an | 2 |
in england the | 2 |
that at the | 2 |
an example of | 2 |
will meet with | 2 |
that the latin | 2 |
off his great | 2 |
the spirit of | 2 |
of greek and | 2 |
to the tune | 2 |
assiduis terram insectabere | 2 |
nec venenatis gravida | 2 |
for since i | 2 |
in very long | 2 |
and smooth the | 2 |
death his dart | 2 |
sound of the | 2 |
is clear that | 2 |
a double consonant | 2 |
some of them | 2 |