This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
light of recent discoveries | 29 |
ancient rome in the | 29 |
the light of recent | 29 |
rome in the light | 29 |
in the light of | 29 |
the life of the | 27 |
the private life of | 27 |
life of the romans | 27 |
private life of the | 27 |
life of the greeks | 26 |
rome under the caesars | 26 |
in rome under the | 26 |
of the greeks and | 26 |
society in rome under | 26 |
the greeks and romans | 25 |
readings in ancient history | 22 |
in the days of | 16 |
the stress on the | 14 |
rome and the west | 14 |
foreign classics in english | 13 |
myths in english literature | 13 |
roman life in the | 13 |
classic myths in english | 13 |
life in the days | 13 |
the days of cicero | 13 |
rome in the age | 12 |
in the age of | 12 |
life at rome in | 12 |
day in ancient rome | 12 |
social life at rome | 12 |
a day in ancient | 12 |
at rome in the | 12 |
the age of cicero | 12 |
the beginning of the | 8 |
more than two syllables | 8 |
at the beginning of | 8 |
illustrated history of ancient | 7 |
throw the stress back | 7 |
the value of latin | 7 |
of more than two | 7 |
words of more than | 7 |
the end of the | 7 |
of the english language | 7 |
history of ancient literature | 7 |
inversion of the phrase | 6 |
let us adore him | 6 |
a history of roman | 6 |
prose works of percy | 6 |
the man i sing | 6 |
of percy bysshe shelley | 6 |
arms and the man | 6 |
works of percy bysshe | 6 |
the prose works of | 6 |
at the end of | 6 |
history of roman literature | 6 |
and the man i | 6 |
the first syllable of | 5 |
in the solemn midnight | 5 |
the classic myths in | 5 |
a friend of caesar | 5 |
varying of the pause | 5 |
for the sake of | 5 |
the inversion of the | 5 |
on the other hand | 5 |
more concise than the | 4 |
has a wonderful effect | 4 |
the conclusion of the | 4 |
old romans at home | 4 |
the varying of the | 4 |
a beau is one | 4 |
i am now to | 4 |
come now to the | 4 |
it is to be | 4 |
the doom of the | 4 |
the old romans at | 4 |
in the second line | 4 |
more as thou hast | 4 |
for the short sound | 4 |
with shelley in italy | 4 |
am apt to think | 4 |
no more as thou | 4 |
peeps at many lands | 4 |
than two syllables with | 4 |
doom of the slothful | 4 |
in one dull line | 4 |
was treated as a | 4 |
i am apt to | 4 |
threw the stress back | 4 |
words of this class | 4 |
art no more as | 4 |
thou art no more | 4 |
the traditional pronunciation of | 4 |
line it is upon | 4 |
of the old gods | 4 |
singular and plural numbers | 4 |
latin and greek in | 4 |
of the same nature | 4 |
have the stress on | 4 |
that may be used | 4 |
the penultimate vowel is | 4 |
used for the programs | 4 |
may be used for | 4 |
i come now to | 4 |
greek in american education | 4 |
as thou hast been | 4 |
it is upon the | 4 |
a plea for the | 4 |
plea for the classics | 4 |
and greek in american | 4 |
stress on the vowel | 4 |
orpheus with his lute | 4 |
be used for the | 4 |
the pronunciation of english | 4 |
masterpieces of latin literature | 3 |
to take notice of | 3 |
in the first syllable | 3 |
letter from pliny the | 3 |
dictionary of classical literature | 3 |
is not to be | 3 |
beau is one who | 3 |
the sound to the | 3 |
poems of oscar wilde | 3 |
upon the first syllable | 3 |
that there is a | 3 |
the singular and plural | 3 |
with the usual exceptions | 3 |
her lap to rest | 3 |
of the second foot | 3 |
it may be said | 3 |
pronunciation of english words | 3 |
the assembly of the | 3 |
is one of the | 3 |
a false quantity in | 3 |
assembly of the gods | 3 |
a letter written by | 3 |
in her lap to | 3 |
of the pronunciation of | 3 |
of latin as a | 3 |
the calm and silent | 3 |
summas levibus pellabitur undas | 3 |
the epigrams of martial | 3 |
the short sound heard | 3 |
the quantity of the | 3 |
gods came up from | 3 |
of the allusio verborum | 3 |
the italians of to | 3 |
the two long sounds | 3 |
the pronunciation of latin | 3 |
it is not easy | 3 |
classical literature and antiquities | 3 |
nothing can be more | 3 |
the generality of readers | 3 |
in the same place | 3 |
the eruption of vesuvius | 3 |
the gods came up | 3 |
on the vowel which | 3 |
the stress back and | 3 |
a day in pompeii | 3 |
stress on the antepenultima | 3 |
jupiter and his children | 3 |
cupid and the bee | 3 |
it may be proper | 3 |
i do not know | 3 |
the queen of love | 3 |
the beginning of a | 3 |
and at the same | 3 |
of what i am | 3 |
the prayer of socrates | 3 |
by the roman road | 3 |
to the common measure | 3 |
day in pompeii as | 3 |
that there is no | 3 |
the verse would have | 3 |
pompeii as described by | 3 |
for the study of | 3 |
the auxiliary verb is | 3 |
the watch of the | 3 |
contrary to the common | 3 |
is to be found | 3 |
sound to the sense | 3 |
first lines of the | 3 |
came straight from latin | 3 |
is not easy to | 3 |
to begin with the | 3 |
that the words are | 3 |
is upon the first | 3 |
the gods of the | 3 |
y was treated as | 3 |
calm and silent night | 3 |
value of latin as | 3 |
in words of more | 3 |
of classical literature and | 3 |
first syllable of the | 3 |
from pliny the younger | 3 |
at the same time | 3 |
source book of roman | 3 |
the last syllable of | 3 |
any letter x with | 3 |
the fall of rome | 3 |
came up from italy | 3 |
totaque thuriferis panchaia pinguis | 3 |
watch of the old | 3 |
the following are examples | 3 |
stress on the antepenultimate | 3 |
english words derived from | 3 |
how is the verse | 3 |
the poems of oscar | 3 |
education among the romans | 3 |
an exception for which | 3 |
to be found in | 3 |
short sound heard in | 3 |
of which i have | 3 |
concise than the latin | 3 |
that the penultima of | 3 |
and for the obscure | 3 |
book of roman history | 3 |
pliny the younger to | 3 |
rotis summas levibus pellabitur | 3 |
in pompeii as described | 3 |
may be proper to | 3 |
long sounds heard in | 3 |
the passage in homer | 3 |
thuriferis panchaia pinguis arenis | 3 |
a hymn in praise | 2 |
the reason why he | 2 |
it appears that the | 2 |
roman holidays and others | 2 |
end of the second | 2 |
et mulcere dedit fluctus | 2 |
me pigris ubi nulla | 2 |
that this line is | 2 |
it must be admitted | 2 |
throws up the reins | 2 |
molemque montis insuper altos | 2 |
who came with it | 2 |
perhaps the short vowel | 2 |
on their heads they | 2 |
foedere certo et premere | 2 |
the common pause in | 2 |
rising from the purpling | 2 |
you will meet with | 2 |
for the two long | 2 |
be said to be | 2 |
in praise of neptune | 2 |
example or two of | 2 |
as can possibly be | 2 |
words throw the stress | 2 |
of this class have | 2 |
up from italy and | 2 |
the name of a | 2 |
letter of pliny the | 2 |
i will produce an | 2 |
xy any pair of | 2 |
a model young lady | 2 |
that is the reason | 2 |
apibus quanta experientia parcis | 2 |
famous temples of ancient | 2 |
heads triumphant death his | 2 |
or two of the | 2 |
in the first line | 2 |
stress on the ultima | 2 |
the programs flevit lepus | 2 |
eagle mopes beside an | 2 |
qui foedere certo et | 2 |
story of a roman | 2 |
of that forbidden tree | 2 |
the beginning of it | 2 |
as in english words | 2 |
great father of the | 2 |
shakespeare a hymn in | 2 |
st syllable of the | 2 |
to the gods of | 2 |
oak uprears his reverend | 2 |
i will now shew | 2 |
to be able to | 2 |
in very long words | 2 |
the long initial vowel | 2 |
invitation to dine written | 2 |
adapting the sound to | 2 |
and all our woe | 2 |
in three or four | 2 |
any pair of letters | 2 |
vero viciam que seres | 2 |
pigris ubi nulla campis | 2 |
life in modern italy | 2 |
a letter from pliny | 2 |
the son of jove | 2 |
raise storms at thy | 2 |
they chanted loud and | 2 |
some common professions and | 2 |
ought to be so | 2 |
sing to the lord | 2 |
in the first place | 2 |
famous pictures and sculpture | 2 |
qui cultus habendo sit | 2 |
sir theodore martin an | 2 |
oft creep in one | 2 |
a passage in milton | 2 |
saxe the prayer of | 2 |
accrue from a classical | 2 |
mentioned in my former | 2 |
death into the world | 2 |
ten low words oft | 2 |
the mixt alliteration in | 2 |
hopper an etruscan ring | 2 |
is short in greek | 2 |
is no occasion to | 2 |
montis insuper altos imposuit | 2 |
but i might have | 2 |
and skims the watry | 2 |
two first lines of | 2 |
and gave their bodies | 2 |
i am not sure | 2 |
steeds he flies in | 2 |
in longer words the | 2 |
tot simois correpta sub | 2 |
flies in open day | 2 |
really not at all | 2 |
the level of the | 2 |
in the pronunciation of | 2 |
their heads triumphant death | 2 |
of the single alliteratio | 2 |
of another learned foreigner | 2 |
heard in the first | 2 |
sciret dare jussus habenas | 2 |
mixt alliteration in the | 2 |
to the soft idalian | 2 |
penultimate had the stress | 2 |
waves their rage compose | 2 |
missouri state normal school | 2 |
to prefer the stress | 2 |
of this monosyllable collocation | 2 |
some famous buildings of | 2 |
over their heads triumphant | 2 |
penultima qu was treated | 2 |
the adapting the sound | 2 |
of greek and latin | 2 |
the romans made a | 2 |
if i were to | 2 |
the great father of | 2 |
john addington symonds hector | 2 |
as it appears to | 2 |
vowel in the first | 2 |
the craze for amusement | 2 |
as in the case | 2 |
not at all surprising | 2 |
theodore martin an invitation | 2 |
at their shady lodge | 2 |
of which there is | 2 |
the scanning conclusive rhyme | 2 |
addington symonds hector and | 2 |
hay epitaph on erotion | 2 |
of latin andrew lang | 2 |
on his radiant carr | 2 |
the penultima qu was | 2 |
from the reformation to | 2 |
temples of ancient and | 2 |
may faith admit that | 2 |
condar intra tuum latus | 2 |
atque hominum rex et | 2 |
some famous pictures and | 2 |
former vowel or diphthong | 2 |
the first u of | 2 |
be sung to the | 2 |
the last days of | 2 |
school pronunciation of the | 2 |
the changing the common | 2 |
sir richard fanshawe to | 2 |
it is a particular | 2 |
famous women of ancient | 2 |
god among the laurels | 2 |
have a long y | 2 |
had the stress on | 2 |
artful way of varying | 2 |
taste brought death into | 2 |
what is given to | 2 |
strength to the verse | 2 |
on an old latin | 2 |
programs a plea for | 2 |
the roman spent his | 2 |
sung to the tune | 2 |
the fountain of trevi | 2 |
is given to friends | 2 |
a mute and r | 2 |
stress remains on the | 2 |
if it were an | 2 |
upon the last syllable | 2 |
in the roman army | 2 |
some famous temples of | 2 |
letters concerning poetical translations | 2 |
a balmy cloud with | 2 |
no sudden goddess through | 2 |
preparation for the study | 2 |
i am taking notice | 2 |
to produce more examples | 2 |
it is clear that | 2 |
and horrid helms high | 2 |
rapt by his steeds | 2 |
richard fanshawe to a | 2 |
one of the finest | 2 |
biggest born of earth | 2 |
of the missouri state | 2 |
and smooth the seas | 2 |
stress on the penultima | 2 |
misty visions trooping sadly | 2 |
has the stress on | 2 |
a hymn to the | 2 |
and ten low words | 2 |
from whence it appears | 2 |
the words are etymologically | 2 |
if there be one | 2 |
through the rushes glides | 2 |
be much more concise | 2 |
et sonitu terrebis aves | 2 |
warble as ye flow | 2 |
nora hopper an etruscan | 2 |
nora hopper helen of | 2 |
among the ancient romans | 2 |
the roman forum as | 2 |
olive groves are gleaming | 2 |
their heads they bear | 2 |
latin as a training | 2 |
on land or sea | 2 |
funeral customs and burial | 2 |
syllable of the second | 2 |
in such manner as | 2 |
before him humbled all | 2 |
meta non est obitus | 2 |
fruit of that forbidden | 2 |
words according to their | 2 |
oliver herford the harpy | 2 |
prefer the stress on | 2 |
of such words as | 2 |
walter taylor field palladium | 2 |
as a preparation for | 2 |
the verse and the | 2 |
disyllables the former vowel | 2 |
of english words derived | 2 |
sound heard in the | 2 |
particles que and et | 2 |
the stress remains on | 2 |
into the blissful field | 2 |
the death of caesar | 2 |
of ancient and modern | 2 |
oliver herford cupid and | 2 |
and trades among the | 2 |
in the traditional pronunciation | 2 |
is the reason why | 2 |
which to the greeks | 2 |
merivale the fall of | 2 |
fourth thing to be | 2 |
and ades sit alone | 2 |
it is possible that | 2 |
the influence of greek | 2 |
elton the happy life | 2 |
vowel of the word | 2 |
will be well to | 2 |
mopes beside an empty | 2 |
quo sidere terram vertere | 2 |
in the sense of | 2 |
penultimate vowel is long | 2 |
what i am taking | 2 |
what english owes to | 2 |
longer words throw the | 2 |
heroes to the main | 2 |
two syllables with a | 2 |
italian and lavinian coast | 2 |
a walk in rome | 2 |
some ancient romans of | 2 |
and heroes to the | 2 |
as a training for | 2 |
to be much more | 2 |
herman merivale the fall | 2 |
craze for amusement among | 2 |
the assonantia syllabarum or | 2 |
quibus aut venistis ab | 2 |
this has a wonderful | 2 |
matthew arnold after construing | 2 |
by his steeds he | 2 |
majesty and strength to | 2 |
rodd the doom of | 2 |
wheels along the level | 2 |
such manner as to | 2 |
the first syllables of | 2 |
in the fourth line | 2 |
there is a reason | 2 |
lord byron on portia | 2 |
along the level of | 2 |
as fast as possible | 2 |
traditional pronunciation of latin | 2 |
those which have the | 2 |
death his dart shook | 2 |
the judge shall be | 2 |
soft the olive groves | 2 |
but it may be | 2 |
if he had writ | 2 |
ancient and modern rome | 2 |
i do not like | 2 |
did endless sorrows bring | 2 |
alliteration in the first | 2 |
the obscure sound heard | 2 |
is there any thing | 2 |
whose mortal taste brought | 2 |
and what an effect | 2 |
according to their latin | 2 |
of the history of | 2 |
keep the stress on | 2 |
which i have said | 2 |
the following are instances | 2 |
the story of a | 2 |
the english pronunciation of | 2 |
to friends is not | 2 |
to the tune of | 2 |
take off his great | 2 |
the reformation to the | 2 |
seem to prefer the | 2 |
interior of a pompeian | 2 |
are to be found | 2 |
young lady of antiquity | 2 |
obscure sound heard in | 2 |
the pronunciation of words | 2 |
on the ground that | 2 |
assonantia syllabarum or rhyme | 2 |
the stress of the | 2 |
hay what is given | 2 |
the greek and latin | 2 |
was in the tenth | 2 |
in the first u | 2 |
hopper helen of troy | 2 |
syllable of the d | 2 |
from a passage in | 2 |
disyllables lengthen the penultima | 2 |
the greeks did endless | 2 |
straight from the latin | 2 |
reader cannot but perceive | 2 |
in this respect than | 2 |
one of the most | 2 |
bulletin of the missouri | 2 |
am not sure that | 2 |
the soft idalian grove | 2 |
whither lies your way | 2 |
the fourth thing to | 2 |
syllables in the latin | 2 |
pair of letters xy | 2 |
the roaring waves their | 2 |
radiant carr he rides | 2 |
william shakespeare a hymn | 2 |
seems to me to | 2 |
now is come into | 2 |
the stile of homer | 2 |
followed by two consonants | 2 |
from italy and found | 2 |
the reader cannot but | 2 |
myth in modern literature | 2 |
the short vowel is | 2 |
when the great father | 2 |
it will be well | 2 |
remains on the penultima | 2 |
when the judge shall | 2 |
from the purpling water | 2 |
the english is almost | 2 |
friends is not lost | 2 |
laxas sciret dare jussus | 2 |
of a pompeian house | 2 |
not to be generally | 2 |
the author of the | 2 |
si vero viciam que | 2 |
x any letter x | 2 |
words derived from latin | 2 |
the anger of achilles | 2 |
uprears his reverend head | 2 |
the beginning to the | 2 |
from the beginning to | 2 |
goddess through the rushes | 2 |
more instances of the | 2 |
the wit of man | 2 |
chanted loud and clear | 2 |
much more concise than | 2 |
old and new rome | 2 |
model young lady of | 2 |
in the united states | 2 |
and safely to regain | 2 |
to me to be | 2 |
three or four lines | 2 |
do not like thee | 2 |
of the flood arose | 2 |
this is one of | 2 |
six years of age | 2 |
last days of pompeii | 2 |
in his description of | 2 |
kempis the favorite prayer | 2 |
low words oft creep | 2 |
greeks did endless sorrows | 2 |
the two following vowels | 2 |
mixing the singular and | 2 |
that it is a | 2 |
the rule of latin | 2 |
written by horace to | 2 |
may be said to | 2 |
there is no occasion | 2 |
of the same kind | 2 |
what is a rapid | 2 |
helms high on their | 2 |
the former vowel or | 2 |
of the nineteenth century | 2 |
must be admitted that | 2 |
found them an abode | 2 |
in order to write | 2 |
cultus habendo sit pecori | 2 |
common professions and trades | 2 |
women of ancient rome | 2 |
at the home of | 2 |
carthage was the name | 2 |
and the bee anacreon | 2 |
songs that may be | 2 |
the vowel in the | 2 |
words oft creep in | 2 |
words with a long | 2 |
breathe soft or loud | 2 |
stood for the two | 2 |
to the greeks did | 2 |
english is almost one | 2 |
roaring waves their rage | 2 |
ruris opaci falce premes | 2 |
and the fruit of | 2 |
his radiant carr he | 2 |
in readings in ancient | 2 |
whence it appears that | 2 |
long initial vowel of | 2 |
give you to level | 2 |
passage of this nature | 2 |
of the fourteenth century | 2 |
till he came to | 2 |
of the protagonists of | 2 |
with that of the | 2 |
the conclusion of this | 2 |
no inverted stress in | 2 |
in the third line | 2 |
but now ye strangers | 2 |
symonds hector and andromache | 2 |
the interior of a | 2 |
him humbled all my | 2 |
will be seen that | 2 |
and whither lies your | 2 |
are really not at | 2 |
for dear days done | 2 |
treated as a consonant | 2 |
rex et mulcere dedit | 2 |
instances of this nature | 2 |
ancient myth in modern | 2 |
verses contrary to the | 2 |
ancient myths and legends | 2 |
when heavy consonants bring | 2 |
school life in italy | 2 |
long in classical latin | 2 |
es et cinis eris | 2 |
and the gods came | 2 |
customs and burial places | 2 |
the sake of the | 2 |
the strength of the | 2 |
two long sounds heard | 2 |
then did the roaring | 2 |
au and eu were | 2 |
some famous roman letters | 2 |
feasible explanation of the | 2 |
strength of the english | 2 |
the souls of many | 2 |
lines of the aeneid | 2 |
high on their heads | 2 |
for the programs flevit | 2 |
him the most high | 2 |
in order that the | 2 |
the roman of old | 2 |
the spirit of homer | 2 |
hominum rex et mulcere | 2 |
is come into the | 2 |
it is true that | 2 |
common pronunciation of words | 2 |
creep in one dull | 2 |
opening lines of the | 2 |
high school word book | 2 |
to regain your native | 2 |
italy and found them | 2 |
are in the same | 2 |
the catacombs of rome | 2 |
to raise storms at | 2 |
of letters xy with | 2 |
shore a mournful mien | 2 |
john hay epitaph on | 2 |
stress back and shorten | 2 |
letter written by cicero | 2 |
and before him humbled | 2 |
end of the line | 2 |
sense of the word | 2 |
in the two last | 2 |
sound of trumpets loud | 2 |
the missouri state normal | 2 |
brought death into the | 2 |
the ancient myth in | 2 |
an invitation to dine | 2 |
for the programs a | 2 |
from any thing else | 2 |
they had never had | 2 |
and looks across the | 2 |
in the preface to | 2 |
horrid helms high on | 2 |
aut venistis ab oris | 2 |
that the english is | 2 |
it would have been | 2 |
last syllable of the | 2 |
use of the particles | 2 |
of the son of | 2 |
the stress goes back | 2 |
in the thirteenth century | 2 |
skims the watry way | 2 |
programs flevit lepus parvulus | 2 |
with a full rhyme | 2 |
have taken notice of | 2 |
father of the flood | 2 |
instance of this kind | 2 |
some aged oak uprears | 2 |
assiduis terram insectabere rastris | 2 |
fanshawe to a schoolmaster | 2 |
and that is the | 2 |
programs the value of | 2 |
ye that warble as | 2 |
aged oak uprears his | 2 |
of varying the pause | 2 |
the st syllable of | 2 |
syllables than the penultima | 2 |
and found them an | 2 |
in these two lines | 2 |
the vowel is short | 2 |
the latin language is | 2 |
in the manner of | 2 |
of the english tongue | 2 |
was pronounced long if | 2 |
the english language is | 2 |
in the paradise lost | 2 |
cinis es et cinis | 2 |
selections that may be | 2 |
mounted on his radiant | 2 |
off his great head | 2 |
given to friends is | 2 |
that at the warlike | 2 |
hymn to the lares | 2 |
in the case of | 2 |
am taking notice of | 2 |
of pliny the younger | 2 |
hymn in praise of | 2 |
dine written by horace | 2 |
be seen that the | 2 |
to their latin stems | 2 |
sigourney jupiter and his | 2 |
penultima the vowel in | 2 |
professions and trades among | 2 |
and shorten or obscure | 2 |
most of the protagonists | 2 |
the warlike sound of | 2 |
cowper to the reader | 2 |
persephone and ades sit | 2 |
finley by the roman | 2 |
for amusement among the | 2 |
and all of them | 2 |
in a balmy cloud | 2 |
parasitic y was treated | 2 |
and wave your tops | 2 |
what an effect this | 2 |
ubi tot simois correpta | 2 |
the sire of gods | 2 |
to have a long | 2 |
follow the same rules | 2 |
facti de nomine byrsam | 2 |
history of the english | 2 |
buildings of ancient rome | 2 |
it is difficult to | 2 |
at the warlike sound | 2 |
herford cupid and the | 2 |
the ground that the | 2 |
so that the english | 2 |
how the roman spent | 2 |
it is owing to | 2 |
come into the blissful | 2 |
famous buildings of ancient | 2 |
bare he in his | 2 |
the verse is not | 2 |
very long words the | 2 |
women of the caesars | 2 |
of will be sent | 2 |
regain your native shores | 2 |
the fruit of that | 2 |
trades among the romans | 2 |
apt to think mr | 2 |
one in the english | 2 |
words of greek origin | 2 |
footnote in original book | 2 |
it is at present | 2 |
the woodmen grew so | 2 |
the women of the | 2 |
makes the reader see | 2 |
atque rotis summas levibus | 2 |
many words of this | 2 |
a preparation for the | 2 |
some famous women of | 2 |
to take off his | 2 |
an instance of this | 2 |
lines of the iliad | 2 |
homophones in tract ii | 2 |
then mounted on his | 2 |
in the same manner | 2 |
came to follow the | 2 |
pone me pigris ubi | 2 |
did the roaring waves | 2 |
in the tenth century | 2 |
will now shew you | 2 |
in the first syllables | 2 |
it is a very | 2 |
ubi nulla campis arbor | 2 |
to the lord with | 2 |
handbook for latin clubs | 2 |
for the obscure sound | 2 |
numen adorant sub coelo | 2 |
eager god among the | 2 |
the programs a plea | 2 |
translation in readings in | 2 |
he in his hose | 2 |
and in the thirteenth | 2 |
from the other door | 2 |
the two first lines | 2 |
sudden goddess through the | 2 |
which of these two | 2 |
safely to regain your | 2 |
love of latin andrew | 2 |
faith admit that all | 2 |
rennell rodd the doom | 2 |
at the conclusion of | 2 |
level of the tides | 2 |
and now is come | 2 |
warlike sound of trumpets | 2 |
in any one of | 2 |
it will be seen | 2 |
of our society to | 2 |
all the beauties of | 2 |
the four tracts for | 2 |
no eager god among | 2 |
instance of this monosyllable | 2 |
and wheels along the | 2 |
on to the penultima | 2 |
mackail orpheus with his | 2 |
which have the suffix | 2 |
you to level priam | 2 |
change the suffix into | 2 |
regain the blissful seat | 2 |
ae ligature characters with | 2 |
beside an empty throne | 2 |
cicero as a wit | 2 |
and ye that warble | 2 |
favorite prayer of mary | 2 |
among the laurels hides | 2 |
letters xy with joining | 2 |
instances of the same | 2 |
ancient romans of fame | 2 |
the preface to his | 2 |
that the verse is | 2 |
beginning to the end | 2 |
arthur chamberlain a christmas | 2 |
from a classical education | 2 |
was pronounced long in | 2 |
seems not to be | 2 |
that the auxiliary verb | 2 |
books i and ii | 2 |
his steeds he flies | 2 |
the direful spring of | 2 |
sits and looks across | 2 |
and ought to be | 2 |
and regain the blissful | 2 |
nihil est ad spiritus | 2 |
a long vowel in | 2 |
qu was treated as | 2 |
the collocation of words | 2 |
benson a roman mirror | 2 |
to dine written by | 2 |
the song of the | 2 |
people that on earth | 2 |
triumphant death his dart | 2 |
penultimate vowel is short | 2 |
that it may be | 2 |
chamberlain a christmas hymn | 2 |
the olive groves are | 2 |
of the first syllable | 2 |
i beg leave to | 2 |
and carthage was the | 2 |
that warble as ye | 2 |
and the god of | 2 |
the common pronunciation of | 2 |
john hay what is | 2 |
mortal taste brought death | 2 |
him to the soft | 2 |
martin an invitation to | 2 |
and under open sky | 2 |
is almost one third | 2 |
is owing to the | 2 |
looks across the billow | 2 |
opaci falce premes umbras | 2 |
the favorite prayer of | 2 |
old latin text book | 2 |
english owes to greek | 2 |
charles lamb de patientia | 2 |
in an english line | 2 |
the middle of the | 2 |
roman spent his year | 2 |
changing the common pronunciation | 2 |
an old latin text | 2 |
humbled all my heart | 2 |
romans made a road | 2 |
he flies in open | 2 |
nec venenatis gravida sagittis | 2 |
of a false quantity | 2 |
it will not be | 2 |