trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
the cotton forward	285
throw the cotton	280
walter evans and	253
evans and co	250
double crochet into	210
crochet into the	178
in the same	168
the end of	166
is worked in	165
repeat from to	162
one of the	155
purl of the	153
in the centre	144
on to the	139
gold and silver	131
of the preceding	129
point de venise	121
the centre of	118
end of the	115
point de bruxelles	115
into the chain	114
at the end	112
are worked in	112
of the same	110
part of the	109
to have been	104
to face page	104
of the lace	100
the st on	95
a chain of	94
side of the	92
in satin stitch	92
chain of stitches	91
make a chain	90
embroidery cotton no	89
double in the	88
of last round	84
the eighteenth century	84
each of the	83
stitch of the	82
fasten the cotton	78
the top of	78
of the next	77
centre of the	76
in the next	73
the preceding row	72
so as to	72
last purl of	71
at the top	71
of an inch	70
long into the	70
treble in the	69
of the first	69
the same as	68
as well as	68
according to the	66
and in the	65
the last purl	65
a piece of	64
of the st	64
top of the	64
of the work	64
of the pattern	64
on the other	63
in the st	63
in the middle	63
the manufacture of	62
the number of	62
of the chain	61
raised satin stitch	61
the wool forward	61
to the end	60
the laces of	60
repeat from times	60
to the last	59
made in the	59
repeat times more	58
the pattern is	58
tatting cotton no	58
the seventeenth century	57
stitch in the	57
of the last	56
the same manner	56
point de france	56
stitches of the	55
the art of	55
of gold and	54
the middle of	54
as in the	54
from times more	54
the point of	54
in the first	53
victoria and albert	53
work double crochet	53
so that the	53
and albert museum	53
in the following	53
is to be	52
in point de	51
of point de	51
fastened on to	51
in the last	51
into the st	51
into the next	49
in raised satin	49
the cotton on	49
round the needle	48
the st row	48
the reign of	48
the other side	48
worked in the	48
on the needle	47
number of stitches	47
the beginning of	47
into successive loops	47
of the eighteenth	47
the same way	46
and unite it	46
the next stitch	46
the making of	46
of the day	46
a row of	45
slip stitch in	45
backwards and forwards	45
mecklenburg thread no	45
is made of	45
it is worked	45
a pair of	44
be worked in	44
middle of the	44
the name of	44
the size of	44
to be worked	43
at the beginning	43
into a circle	43
great exhibition prize	43
edge of the	43
the st of	43
in the th	43
of double crochet	43
at the same	43
point of the	43
with the needle	43
some of the	43
seen in the	41
consisting of double	41
the left hand	41
on th l	41
and point de	41
point de reprise	41
worked in point	41
in which the	41
the lace is	41
chain double crochet	41
of the old	41
the chain double	40
to form a	40
it to the	40
the time of	40
the same place	40
of the finest	40
to the next	39
seen in illustration	39
it will be	39
throw the wool	39
by means of	39
the sixteenth century	39
st on th	39
in tatting and	39
st of the	39
on nd l	38
on the pillow	38
in last round	38
of the seventeenth	38
beginning of the	38
treble of last	38
centre loop of	37
single crochet into	37
worked in raised	37
into th loop	37
the use of	37
it may be	36
into the same	36
by throwing the	36
the work is	36
a kind of	36
stitches in the	36
on each side	36
the queen of	35
treble at the	35
st on nd	35
as early as	35
worked in satin	34
and silver lace	34
lace made at	34
to be made	34
many of the	34
as it is	34
and work the	34
the next chain	34
into centre loop	34
insert the needle	33
made by the	33
lace industry of	33
parts of the	33
as to form	33
with gold and	33
in point russe	33
on next l	33
the wrong side	33
the preceding round	32
circle of the	32
and fasten off	32
the next purl	32
may be used	32
and repeat from	32
work into the	32
in the engraving	32
size of the	32
the inventory of	32
in point lace	32
with the same	32
of the cotton	32
the st chain	31
are to be	31
that of the	31
the lace of	31
stitch is worked	31
of the french	31
crochet into each	31
the thread is	31
the st into	31
out of the	30
worked in overcast	30
the beauty of	30
be seen in	30
of the needle	30
inserting the needle	30
the same time	30
in the illustration	30
left to right	30
of the left	30
of the border	30
this pattern is	30
on the right	30
is worked with	30
the last century	30
it is made	30
of the sixteenth	30
at the point	29
cast on stitches	29
crochet cotton no	29
the last stitch	29
the introduction of	29
the st stitch	29
on the last	29
the present day	29
this stitch is	29
the right side	29
to form the	29
from left to	29
draw up the	29
said to have	29
as shown in	29
the work of	28
the back of	28
the needle and	28
times more from	28
formed by throwing	28
divided by double	28
those of the	28
design for a	28
the design is	28
in the inventory	28
of this lace	28
the points of	28
the purl of	28
filled in with	28
in the pattern	28
the nineteenth century	28
purl divided by	28
of the row	28
lace of the	28
will be found	28
as seen in	27
instead of the	27
a stitch of	27
in each of	27
and work a	27
in the eighteenth	27
chain of the	27
the needle in	27
in overcast stitch	27
the preceding circle	27
on the wrong	27
the first and	27
each side of	27
needle in the	27
lace made in	27
head crochet cotton	27
there is a	27
draw the cotton	27
south kensington museum	27
it was not	26
under the ch	26
is made in	26
cotton on to	26
the right hand	26
and at the	26
half of the	26
of louis xiv	26
end of every	26
a number of	26
in order to	26
th and th	26
the space of	26
satin stitch and	26
repeat from till	26
found in the	26
used for the	26
black and white	26
the edge of	26
work of the	26
points de france	25
together with the	25
a short distance	25
of the three	25
right to left	25
the th round	25
the first of	25
it was made	25
any of the	25
join it to	25
number of lace	25
the fashion of	25
of the foundation	25
same as the	25
instead of working	25
a variety of	25
ends of the	24
wind the cotton	24
the first stitch	24
crochet into successive	24
the style of	24
loop of the	24
the last of	24
of the most	24
may be made	24
the st purl	24
pattern from no	24
of which is	24
to the first	24
circle consisting of	24
it is said	24
with cotton no	24
to the lace	24
at the present	24
the next row	24
of the stitches	24
on one side	24
lace in the	24
the city of	24
other side of	24
repeat all round	24
of working the	24
of the th	24
into the circle	24
this lace is	23
at the bottom	23
the chain of	23
the slip stitch	23
history of lace	23
of the following	23
to make a	23
and a half	23
point de feston	23
fastened on the	23
throwing the wool	23
patterns from no	23
the middle purl	23
into the last	23
the rest of	23
the lace trade	23
up to the	23
on the same	23
was made in	23
the hands of	23
made at the	23
from right to	23
at the place	23
is composed of	23
of the design	23
the victoria and	23
of every row	23
to the centre	23
at a short	23
it is not	23
appears to have	23
turn the work	23
may be worked	23
the lace industry	23
stitch formed by	23
and so on	22
the st circle	22
madame du barry	22
divided by purl	22
on the first	22
must be worked	22
of the great	22
tatting and crochet	22
at the corners	22
should be worked	22
is made by	22
the property of	22
the ends of	22
of bone lace	22
edged with a	22
in the stitch	22
lace was made	22
cravat end in	21
most of the	21
kind of lace	21
of the present	21
on both sides	21
back of the	21
of the two	21
of the nineteenth	21
of the nd	21
of the country	21
of the fabric	21
by double stitches	21
of the braid	21
be found in	21
bead after each	21
the chain in	21
the value of	21
must have been	21
into each of	21
close to the	21
a sort of	21
given to the	21
double divided by	21
work treble in	21
point de toile	21
it is a	21
double fastened on	21
on either side	21
middle purl of	21
of point lace	21
the stitches are	21
place of the	21
as can be	21
which you work	21
de point de	21
the stitch formed	21
the duchess of	20
may be seen	20
insertion in tatting	20
the foundation chain	20
and the lace	20
of queen elizabeth	20
in the reign	20
of the middle	20
in the seventeenth	20
the south kensington	20
to that of	20
pattern is worked	20
then work the	20
art of lace	20
on the next	20
stitch of double	20
is made with	20
rest of the	20
of the point	20
that it is	20
of the ch	20
of the time	20
of the thread	20
account of the	20
from twice more	20
in consequence of	20
repeat from twice	20
lace is made	20
in the loop	20
which it is	20
point de paris	20
of darned net	20
through the loop	20
the ground is	20
work a stitch	20
early as the	20
in the time	20
work in the	20
which forms the	20
well as the	20
to the purl	20
up the cotton	20
the history of	19
the needle under	19
join to the	19
sides of the	19
end of each	19
head cotton no	19
to the th	19
the fabric of	19
loop of ch	19
have been worked	19
and draw it	19
the place of	19
there is no	19
it is to	19
in the right	19
pass the slip	19
the beginning and	19
but it is	19
made of the	19
the following manner	19
circles of the	19
of the other	19
insertion in guipure	19
of brussels lace	19
of last row	19
stitch on the	19
slip stitch over	19
de bruxelles stitches	19
can be seen	19
the stitches of	19
into rd loop	19
in addition to	19
the last row	19
in the preceding	19
beauty of the	19
the production of	19
over and under	19
the countess of	19
shown in illustration	19
into each loop	19
the present time	19
and repeat round	19
the first purl	19
and join it	19
the point de	19
alternately throw the	19
in the country	19
centre of each	19
shown in the	19
bottom of the	18
in the victoria	18
at the back	18
it was the	18
they are worked	18
the cotton to	18
previous to the	18
in the city	18
into the nd	18
work the st	18
the manner of	18
worked in rows	18
in imitation of	18
in illustration no	18
in the early	18
will be seen	18
the bottom of	18
be made of	18
and it is	18
bone lace of	18
chain in last	18
of the round	18
the women of	18
to the middle	18
of which the	18
chain from the	18
on account of	18
of the large	18
one of these	18
in the year	18
is said to	18
from the beginning	18
the duke of	18
of the leaf	18
point de fillet	18
repeat to the	18
appear to have	18
times alternately double	18
the wearing of	18
stitch into the	18
over the knitted	18
two or three	18
then work a	18
first and last	18
the great wardrobe	18
repeat from the	18
the th row	18
as may be	18
the importation of	18
st into th	18
miss the space	18
at the time	17
under the name	17
are filled in	17
cotton on the	17
double in each	17
st chain of	17
of the early	17
same number of	17
to make the	17
inches deep a	17
next purl of	17
of each row	17
to each other	17
the same year	17
the invention of	17
have been made	17
into every loop	17
of th pattern	17
seems to have	17
work on the	17
the stitches into	17
of the ground	17
with a needle	17
the lace was	17
the needle into	17
be used for	17
and in this	17
made with the	17
last of the	17
the cotton over	17
cotton to the	17
a few years	17
la duchesse de	17
to be of	17
it was a	17
of lace in	17
is fastened on	17
the preceding one	17
square in guipure	17
worked on the	17
is done in	17
into the centre	17
and on the	17
of double stitches	17
laces of the	17
fifths of an	17
the same number	17
border in tatting	17
is known as	17
this is a	17
the last round	16
stitch at the	16
the pattern of	16
the court of	16
in the round	16
scallop of the	16
threads of the	16
that in the	16
pass the needle	16
de la duchesse	16
rows backwards and	16
with a fine	16
and under the	16
x all round	16
in the nd	16
the cotton is	16
this kind of	16
the knitted stitch	16
made with a	16
on the subject	16
the outlines of	16
of james i	16
stitches into a	16
rosette in tatting	16
at this period	16
the cotton round	16
on reverse side	16
pattern of the	16
are made in	16
is one of	16
which may be	16
the ground of	16
stitches on the	16
of the rosette	16
cotton round the	16
double crochet over	16
at that time	16
the lace manufacture	16
to the same	16
of one of	16
the thread round	16
the middle stitch	16
the other hand	16
to the other	16
long stitch into	16
the fifteenth century	16
trimmed with the	16
in full size	16
in the sixteenth	16
appear in the	16
needle into the	16
will be required	16
tight point de	16
is described as	16
the st round	16
dress of the	16
worked in a	16
of henry viii	16
to be filled	16
of the stitch	16
and may be	16
the french revolution	16
begin at the	16
the needle through	16
turn on reverse	16
said to be	16
is used for	16
the upper part	15
the accounts of	15
the first row	15
the loop of	15
of a yard	15
in square crochet	15
worked like the	15
from the other	15
to the st	15
the death of	15
is ornamented with	15
it must be	15
needle under the	15
and edged with	15
a succession of	15
method of making	15
an article of	15
it has been	15
of the city	15
to be a	15
of which are	15
a circle of	15
is worked on	15
into the rd	15
photos by a	15
the outer edge	15
the author of	15
the first circle	15
required for this	15
to keep the	15
is worked like	15
that it was	15
into the th	15
in every other	15
applied to the	15
on which the	15
and black silk	15
with the cotton	15
of the church	15
the cotton through	15
the same loop	15
and of the	15
insertion in embroidery	15
it would be	15
piece of lace	15
was made at	15
middle stitch of	15
not to be	15
a quarter of	15
the nd row	15
worked with fine	15
of the spanish	15
be worked with	15
the nd chain	15
years of age	15
of charles ii	15
fasten it on	15
of the venetian	15
lace industry at	15
are made of	15
same as last	15
the ladies of	15
in the making	15
it into a	15
a very pretty	15
slipped over the	15
photo by a	15
work down the	15
loops on the	15
this name is	15
the age of	15
are worked with	15
it consists of	15
at south kensington	15
of lace was	15
preserved in the	15
over the cotton	15
similar to the	15
from the last	15
the church of	15
shades of green	15
join the stitches	15
anne of austria	15
in the old	15
which has been	15
crochet over the	15
imitation of the	14
of the patterns	14
one from the	14
more or less	14
over which you	14
it in the	14
used as a	14
outline of the	14
st on next	14
is worked over	14
on the second	14
is cut away	14
draw the slipped	14
row of the	14
as far as	14
easy to work	14
work into successive	14
and silver thread	14
th to th	14
and that of	14
the border is	14
double on the	14
an imitation of	14
the entry of	14
a foundation chain	14
strip of insertion	14
in the lace	14
in black silk	14
they may be	14
the marriage of	14
decrease a sq	14
needle through the	14
is in the	14
be required for	14
the in last	14
fastened to the	14
the exception of	14
the place where	14
of lace made	14
work treble at	14
outlines of the	14
work patterns from	14
used in making	14
of the ladies	14
with the exception	14
round with a	14
made on the	14
the patterns are	14
consists of a	14
of the fine	14
the threads of	14
to be found	14
throwing the cotton	14
and th rounds	14
the needle is	14
like the preceding	14
x cerise in	14
black silk lace	14
of the period	14
like the first	14
purl in the	14
consists of double	14
double crochet in	14
common cross stitch	14
the fact that	14
the same material	14
wardrobe accounts of	14
is used to	14
the inventories of	14
the circles of	14
and over the	14
on the left	13
the lace made	13
of the best	13
black purse silk	13
the slipped over	13
which completes the	13
the sum of	13
the pattern in	13
for many years	13
the low countries	13
punto in aria	13
loop of chain	13
stitches in every	13
thread round the	13
the other end	13
mentioned in the	13
beginning on the	13
worked as follows	13
a manufacture of	13
point de gaze	13
illustration shows the	13
of making the	13
draw it out	13
much of the	13
one at the	13
known as the	13
the lower edge	13
the amount of	13
of le puy	13
for the purpose	13
in height and	13
on the loop	13
attached to the	13
all sorts of	13
we find in	13
under and over	13
of the art	13
with very fine	13
gros point de	13
the centre is	13
the last chain	13
stitches of double	13
being worked in	13
in last row	13
of the square	13
a sufficient number	13
point de grecque	13
plain in the	13
is embroidered in	13
it on to	13
the upper edge	13
the rd row	13
end with sq	13
the subject of	13
and trimmed with	13
was made by	13
used in the	13
of the rd	13
of the royal	13
in the second	13
which must be	13
une paire de	13
it on the	13
in the style	13
back to the	13
is formed of	13
of these patterns	13
times alternately throw	13
cotton over which	13
into a round	13
a round of	13
twice round the	13
and is worked	13
and from no	13
the th stitch	13
right side of	13
in one of	13
are embroidered in	13
of the manufacture	13
two on the	13
work double in	13
in the work	13
chain of last	13
are worked over	13
stitches are worked	13
a few stitches	13
in one piece	13
the chain stitches	13
loop on the	13
is said that	13
in there were	13
as much as	13
of the circle	13
of the fifteenth	12
white and black	12
of the letters	12
de madame du	12
inventory of the	12
description of the	12
threads in height	12
in round loop	12
double long into	12
avec privilege du	12
introduced into the	12
of each of	12
circle like the	12
all round with	12
to the size	12
times round the	12
the possession of	12
first purl of	12
was made of	12
work the same	12
an inch long	12
and the other	12
must be fastened	12
with point de	12
of the court	12
and it was	12
chain of same	12
it is the	12
begin and end	12
the other half	12
place in the	12
les singuliers et	12
de la reine	12
time of the	12
belonging to the	12
is formed by	12
the direction of	12
to the queen	12
pattern is not	12
seem to have	12
the way to	12
to be done	12
the town of	12
drawn through the	12
fingers of the	12
and end as	12
the small circles	12
at equal distances	12
chats on old	12
and with the	12
use of the	12
pattern for a	12
of the earliest	12
worked in button	12
there are two	12
state papers dom	12
the piece of	12
and th rows	12
was not until	12
the slipped stitch	12
chain in the	12
to the braid	12
as it was	12
of the queen	12
sufficient number of	12
the rd chain	12
singuliers et nouveaux	12
of flanders lace	12
which is worked	12
the cotton with	12
the sides of	12
end as usual	12
outlined with a	12
on the contrary	12
ladies of the	12
design may be	12
both sides of	12
and the ground	12
of lace is	12
the method of	12
be said to	12
of the virgin	12
of chain stitches	12
which are worked	12
yards inches long	12
the products of	12
of the treble	12
william and mary	12
all the stitches	12
the shape of	12
the back part	12
the appearance of	12
the wardrobe accounts	12
in each stitch	12
of the loop	12
was in the	12
a strip of	12
is not repeated	12
the flowers and	12
with chain between	12
and for the	12
the outline of	12
the two ends	12
the next loop	12
of the people	12
worked in fine	12
centre of a	12
de dentelle de	12
the same stitch	12
lace and linen	12
the flowers are	12
border in guipure	12
worked with the	12
begin on the	12
this completes the	12
over threads in	12
inventories of the	12
seventeenth and eighteenth	11
de venise bars	11
with the finest	11
course of the	11
like the th	11
in every stitch	11
to those of	11
the nd round	11
lace made by	11
from to the	11
ends of cotton	11
the last double	11
sewn on the	11
foundation chain of	11
as will be	11
name is worked	11
of black silk	11
in the point	11
miss the st	11
worked on a	11
mention of lace	11
fill in the	11
to the preceding	11
chain stitch of	11
back part of	11
for the lace	11
and draw the	11
same way as	11
the form of	11
formed by the	11
the following rows	11
on the opposite	11
form a loop	11
for the best	11
of the flower	11
the custom of	11
here and there	11
the long stitch	11
as the last	11
to make it	11
with a row	11
the king of	11
the days of	11
of the flowers	11
part of a	11
on the st	11
for darned net	11
of the pillow	11
same loop as	11
this lace was	11
the outlines are	11
to be worn	11
end of row	11
quarter of a	11
it is very	11
dryden from private	11
plain at the	11
lace of gold	11
and worked in	11
the chain stitch	11
lace made with	11
are joined together	11
this design is	11
trimmed with a	11
draw the needle	11
from the join	11
with white wool	11
of the collar	11
height and in	11
of the small	11
the centre one	11
work as follows	11
the productions of	11
point de pois	11
can only be	11
during the reign	11
repeated in this	11
in the church	11
upper part of	11
the house of	11
from till sq	11
this is the	11
long treble in	11
embroidery cotton nos	11
the course of	11
the province of	11
and in width	11
cut and drawn	11
employed in the	11
divided by chain	11
supposed to have	11
in the manufacture	11
the bobbins are	11
a specimen of	11
of the four	11
the price of	11
the produce of	11
lace is of	11
ground of the	11
it can be	11
the space to	11
like those of	11
cotton through the	11
wool forward in	11
of which we	11
with which you	11
first half of	11
be worked from	11
and drawn work	11
books of the	11
de bruxelles stitch	11
the birth of	11
needle and thread	11
in the course	11
on a pillow	11
the next scallop	11
in the wardrobe	11
which is made	11
consequence of the	11
et nouveaux pourtraicts	11
in all the	11
are used in	11
the same pattern	11
hands of the	11
in the form	11
of louis xv	11
the duchesse de	11
national portrait gallery	11
embroidery and lace	11
the origin of	11
lace manufactures of	11
begun in the	11
copy of the	11
in the inventories	11
the selvedge stitches	11
privilege du roy	11
in rows backwards	11
second and third	11
in the accounts	11
value of the	11
called point de	11
is very pretty	11
have been of	11
of the whole	11
been made in	11
collar trimmed with	11
the other by	11
in battenburg lace	11
after the th	11
with fine cotton	11
the join of	11
the head of	11
work a circle	11
it was in	11
is easy to	11
space to be	11
is done by	10
with black silk	10
so that there	10
the edict of	10
comptes de madame	10
an inch wide	10
marriage of the	10
and work into	10
queen of scots	10
at each end	10
has always been	10
the strip of	10
other by double	10
first of the	10
th of the	10
work with the	10
days of the	10
short point de	10
of insertion is	10
in the convents	10
known to the	10
joined to the	10
the first half	10
on the occasion	10
sixteenth and seventeenth	10
tatting and embroidery	10
not repeated in	10
piece of cotton	10
to fill in	10
the last to	10
to work with	10
lace of a	10
of the bag	10
divided one from	10
and seventeenth centuries	10
join to last	10
the whole of	10
the convent of	10
about the year	10
specimens of the	10
the two first	10
close to each	10
a circle consisting	10
other parts of	10
the centre stitch	10
and they are	10
into centre of	10
duchesse de bourbon	10
the most part	10
must not be	10
between the two	10
the library of	10
to be seen	10
worked over with	10
circle as follows	10
de vinciolo venitien	10
pattern may be	10
countess of pembroke	10
a lace made	10
into the loop	10
of the industry	10
specimens of this	10
winding the cotton	10
is suitable for	10
diamond in tatting	10
them into a	10
of the in	10
branch of the	10
the next circle	10
une garniture de	10
than that of	10
in design and	10
which the pattern	10
in the province	10
as that of	10
from till the	10
is of the	10
the quality of	10
lace industry in	10
that of a	10
patterns will be	10
pattern in the	10
international exhibition of	10
are point de	10
the th of	10
worked from left	10
st stitch of	10
work pattern from	10
bars are worked	10
side to correspond	10
of the world	10
work another long	10
last chain of	10
the most important	10
history of the	10
introduction of the	10
edged all round	10
speaking of the	10
at the age	10
with bone lace	10
loop as before	10
have been a	10
the latter is	10
of the gold	10
the thread from	10
the treble of	10
continue to work	10
of the laces	10
in with the	10
thread to the	10
double over the	10
it is impossible	10
of this round	10
sent to the	10
the cotton twice	10
was first made	10
selvedge stitches of	10
and eighteenth centuries	10
cloth of gold	10
of a lace	10
and all the	10
of the purse	10
purl of last	10
stitch in every	10
a single thread	10
the middle row	10
two of these	10
fine black silk	10
art of making	10
the character of	10
the needle out	10
at the court	10
to last purl	10
point de valenciennes	10
be seen from	10
in double crochet	10
similar to that	10
with a lace	10
worn by the	10
from the engraving	10
over the thread	10
to be the	10
laces of france	10
the th circle	10
in fine overcast	10
and fasten the	10
rd chain from	10
in those days	10
embroidery pattern for	10
cast off together	10
the names of	10
worked over the	10
style of the	10
on each of	10
the same period	10
petit point picture	10
which is the	10
made in england	10
is edged with	10
has never been	10
a parchment pattern	10
be fastened on	10
of the second	10
with black wool	10
round of the	10
purl of a	10
beginning and end	10
the same date	10
beaumont and fletcher	10
point plat de	10
is worked as	10
other side to	10
taste of the	10
addition to the	10
iean le clerc	10
the duc de	10
width of the	10
the exhibition of	10
cuttit out werk	10
edict of nantes	10
of a piece	10
seigneur federic de	10
stitch and point	10
of this work	10
at an early	10
is sewn on	10
it is now	10
is sufficiently long	10
and work treble	10
thread must be	10
then take the	10
the length of	10
the dress of	10
of the latter	10
two rows of	10
in the library	10
during the last	10
to the present	10
the international exhibition	10
that there are	10
pass the thread	10
in the possession	10
composed of double	10
point lace collar	10
for the most	10
lace made of	10
as to the	10
the fabrics of	10
by the same	10
idea of the	10
the left side	10
join to next	10
appears in the	10
the decoration of	10
stitches between the	10
down to the	10
a pillow lace	10
the laces made	10
point and pillow	10
the nuns of	10
edged with lace	10
times double divided	10
the french court	10
in th row	10
the second of	10
may be easily	10
and pillow lace	10
the thread must	10
the gold and	9
these patterns will	9
of the many	9
to the top	9
of last oval	9
chain between each	9
draw it through	9
pattern to be	9
with a tatted	9
circle in tatting	9
all of the	9
rd loop of	9
of madame du	9
an inch in	9
the thumb and	9
varie sorti di	9
stitch must be	9
them in the	9
the braid is	9
of the right	9
where it is	9
in general use	9
close to this	9
no mention of	9
description of lace	9
by winding the	9
stitch over the	9
placed in the	9
may have been	9
of george ii	9
the effect of	9
the taste for	9
space of two	9
the sixteenth and	9
for the centre	9
no less than	9
is a very	9
in making the	9
the environs of	9
you wish to	9
take up the	9
so that it	9
exactly the same	9
and fasten it	9
the width of	9
manufacture of lace	9
ornamented with a	9
of single crochet	9
the foundation of	9
is here illustrated	9
points de venise	9
join them into	9
centre purl of	9
passing the needle	9
by the nuns	9
and then the	9
place where the	9
inch in width	9
towards the end	9
the occasion of	9
be worked on	9
work at a	9
stitch with the	9
and end of	9
and lace stitch	9
very pretty for	9
is that of	9
direction of the	9
of opinion that	9
sorti di mostre	9
a collection of	9
they should be	9
manufacture of the	9
church of st	9
are in the	9
from the earliest	9
in the great	9
thread used in	9
of venice and	9
very easy to	9
with which the	9
point de neige	9
were in the	9
this border is	9
of the princess	9
the paris exhibition	9
the bobbin net	9
this is done	9
on the top	9
the thread in	9
the net ground	9
rosette is worked	9
in such a	9
of the duke	9
each stitch is	9
begin with the	9
on st l	9
of queen mary	9
laces of flanders	9
of the cross	9
an inventory of	9
women of the	9
applied to a	9
the pattern and	9
very fine cotton	9
in preceding row	9
the establishment of	9
we read in	9
filled up with	9
open square crochet	9
you come to	9
you work on	9
a needle and	9
stitches on each	9
of the king	9
of the past	9
as a loop	9
is done with	9
in an inventory	9
on the middle	9
of the town	9
what is known	9
slip on the	9
on the two	9
loose point de	9
in the latter	9
large number of	9
now in the	9
are used for	9
sew on the	9
every other row	9
black silk and	9
in the chain	9
in the south	9
the second and	9
of venetian point	9
cotton with which	9
at the other	9
more double stitches	9
but in the	9
for trimming lingeries	9
together at the	9
and cut the	9
stitch and overcast	9
the initial letter	9
two ends of	9
which we have	9
le clerc le	9
spaces are filled	9
st purl of	9
in the left	9
the late mrs	9
chain join to	9
the th and	9
was a great	9
rings and buttons	9
in working the	9
of their own	9
worked at the	9
and its environs	9
double of the	9
purl divided one	9
are worked on	9
at the right	9
are used to	9
of lace of	9
and that the	9
a lace of	9
work a second	9
the small mesh	9
lace school at	9
de mademoiselle de	9
of the material	9
hole stitches in	9
the points de	9
but as the	9
of it is	9
can also be	9
lace may be	9
and silver laces	9
also be worked	9
either side of	9
the cotton together	9
stitches used in	9
at one time	9
and a few	9
fact that the	9
in this manner	9
the cotton again	9
with that of	9
of the canvas	9
the centre purl	9
both ends of	9
letters are worked	9
round in button	9
when it was	9
head knitting cord	9
with red wool	9
at the sides	9
st row of	9
of the late	9
cotton in the	9
length of the	9
the other stitches	9
down the stem	9
but instead of	9
annual value of	9
it through the	9
loops double crochet	9
of nineteenth century	9
have been the	9
the author has	9
three or four	9
federic de vinciolo	9
are cast off	9
successive loops double	9
it is difficult	9
of lace from	9
down the other	9
making of the	9
a series of	9
of the ancient	9
the earl of	9
front of the	9
character of the	9
laces of italy	9
cut the cotton	9
owing to the	9
it appears that	9
is worked by	9
same as no	9
for the queen	9
of the end	8
the cotton at	8
tatting and lace	8
the designs of	8
in place of	8
reign of louis	8
work the other	8
by drawing the	8
are worked as	8
required for the	8
insertion is worked	8
and thread lace	8
of mary stuart	8
by arthur hayden	8
of the province	8
to work the	8
way to make	8
of rows of	8
thread of the	8
accounts of the	8
from a to	8
made in flanders	8
gold or silver	8
th purl of	8
to th round	8
which will be	8
in each chain	8
work close to	8
for this purpose	8
arms of the	8
join to th	8
and repeat the	8
double crochet and	8
long into successive	8
the center of	8
it is easy	8
were made in	8
par iean le	8
of points de	8
from n to	8
replaced by the	8
the edge is	8
and silver threads	8
cerise in next	8
joined together by	8
by the peasants	8
the stitch which	8
of the l	8
to the left	8
clerc le ieune	8
and work over	8
by walker and	8
a copy of	8
the design may	8
the nd of	8
it is of	8
veined satin stitch	8
on a parchment	8
sew them together	8
rd and th	8
is lined with	8
cut off the	8
of the previous	8
of fine linen	8
occupation of the	8
the illustration shows	8
make a foundation	8
medallion in point	8
is impossible to	8
long treble stitch	8
reign of queen	8
of brussels and	8
round the top	8
pattern for collars	8
that of flanders	8
in the case	8
which is very	8
to next purl	8
walker and cockerell	8
was of the	8
repeat from n	8
the case of	8
made for the	8
consisting of a	8
at the foot	8
a dress of	8
great wardrobe accounts	8
the fourteenth century	8
all kinds of	8
and work double	8
punti in aria	8
loops of the	8
title in gothic	8
the peasant women	8
to correspond with	8
chains of last	8
the last two	8
of a pattern	8
in the present	8
the workers of	8
in the british	8
round the edge	8
of lace for	8
for a lace	8
the early part	8
and the design	8
early part of	8
worked over a	8
to the work	8
and the work	8
in the hands	8
was much used	8
point de raccroc	8
for a corner	8
or in the	8
of the threads	8
cut away the	8
of the kingdom	8
be of the	8
is mentioned in	8
of charles i	8
may also be	8
master of the	8
in the neighbourhood	8
for the use	8
the top and	8
in gold and	8
will not be	8
and is very	8
and is made	8
only in the	8
two of the	8
in the other	8
daughter of the	8
of the countess	8
of its manufacture	8
forward in preceding	8
and also the	8
by which the	8
trimmed with lace	8
the outer border	8
row of double	8
learned the art	8
a considerable quantity	8
of the anti	8
for yards of	8
more than a	8
lace has been	8
and the same	8
between the thumb	8
the seventeenth and	8
for the pattern	8
we find the	8
of the poor	8
and cast off	8
a lady of	8
the st double	8
for the king	8
edged with bone	8
speaks of the	8
of the hand	8
used to fill	8
for cravat ends	8
the corners of	8
into same loop	8
a large number	8
in the north	8
rose point flounce	8
the lace manufactures	8
under the direction	8
the circle double	8
the richest point	8
worked round in	8
we have already	8
the same lace	8
author of the	8
are of the	8
photo by walker	8
kinds of lace	8
five or six	8
stitch of single	8
the needle must	8
formed by a	8
other in the	8
of the space	8
over the in	8
formed in the	8
tableau de paris	8
circles must be	8
body of the	8
as to be	8
for the ground	8
the work and	8
satin stitch with	8
where the two	8
to the point	8
point or honiton	8
as we have	8
lace collar and	8
treble of the	8
which it was	8
and darned netting	8
bone lace for	8
from the point	8
under every ch	8
the cotton between	8
th loop of	8
the following stitches	8
the next loops	8
as late as	8
on the lace	8
knitting cotton no	8
the last year	8
at court of	8
point de tulle	8
sumptuary laws of	8
england and france	8
of same leaf	8
the same purl	8
to prevent the	8
we may infer	8
examples of the	8
in next chain	8
this rosette is	8
be made to	8
over a mesh	8
the description of	8
so called from	8
by queen elizabeth	8
is worked from	8
which joins the	8
taking care that	8
the thread to	8
fashion of the	8
from each other	8
lace for the	8
of france and	8
met with in	8
into the back	8
the finest lace	8
all round the	8
like the st	8
is very effective	8
in the beginning	8
it is in	8
must always be	8
quality of the	8
to the church	8
of battenburg lace	8
paires de manchettes	8
by passing the	8
more double crochet	8
at an end	8
as fine as	8
crochet at the	8
st circle of	8
see that title	8
working the st	8
to end of	8
of the edict	8
double long treble	8
the manufactures of	8
the arms of	8
among the new	8
an interval of	8
on the ground	8
the lace schools	8
then turn the	8
corner borders in	8
and work on	8
from c to	8
of the dress	8
out of fashion	8
many of them	8
is of a	8
the lace and	8
make it round	8
cast off the	8
of the aloe	8
these patterns are	8
of edward the	8
make a loop	8
in england and	8
with a pattern	8
et virtuose donne	8
of all sorts	8
covered with the	8
to connect the	8
the demand for	8
the leaves are	8
and sorrento bars	8
at that period	8
three rows of	8
of a circle	8
point de plume	8
that the lace	8
to the right	8
those in the	8
double crochet at	8
for the first	8
through the stitch	8
a slip stitch	8
one side of	8
a la royne	8
for a purse	8
corners of the	8
the square is	8
lace edging in	8
it to be	8
wife of the	8
border for a	8
long cross stitch	8
chain of th	8
silk and gold	8
open english lace	8
one in the	8
to the value	8
tatting and darned	8
of the five	8
the braid and	8
drawing the cotton	8
the british museum	8
are knotted together	8
wardrobe account of	8
in the earlier	8
is begun in	8
the opposite side	8
of the net	8
thumb of the	8
is difficult to	8
is drawn through	8
of the worker	8
the dissolution of	8
section of the	8
of his reign	8
stitches must be	8
the letters in	8
for which the	8
the border of	8
lace with a	8
to which the	7
cotton must be	7
the second row	7
revocation of the	7
all the other	7
of late years	7
of great beauty	7
with a white	7
after a time	7
is a copy	7
by reason of	7
the embroidery is	7
the cotton must	7
as the th	7
the st and	7
on her marriage	7
end in tatting	7
is given to	7
work single crochet	7
about the same	7
it at the	7
of the book	7
in one at	7
the name is	7
row of circles	7
in the kingdom	7
of the women	7
made by hand	7
worked in black	7
were made of	7
short distance from	7
monograms and initials	7
in the spaces	7
circle at a	7
united by brides	7
of the english	7
various parts of	7
for the next	7
on the white	7
may still be	7
of pillow lace	7
a yard of	7
far as the	7
of the cravat	7
the colour of	7
to work a	7
or tatting cotton	7
for the work	7
which is fastened	7
in the most	7
due to the	7
another long stitch	7
stitch of last	7
work so that	7
into the in	7
early in the	7
the stitch is	7
reseau de point	7
the spanish stitch	7
wrong side of	7
cast on a	7
to see the	7
the leaves and	7
the english lace	7
the row of	7
from the centre	7
make a stitch	7
in overcast and	7
in this row	7
trimmed with tatting	7
collars and cuffs	7
of italian lace	7
is the only	7
may be required	7
worked from the	7
yards of fine	7
to fill up	7
the costume of	7
from t to	7
of the irish	7
of venetian lace	7
away from the	7
lace was first	7
the battle of	7
stitch between the	7
embroidered in satin	7
and it may	7
at each corner	7
portion of the	7
stitches are used	7
the pattern to	7
of the cloth	7
in this country	7
men and women	7
in darning stitch	7
first of these	7
to the use	7
lace on the	7
brussels and mechlin	7
in the world	7
last year of	7
in th chain	7
lace in england	7
a straight line	7
in a letter	7
the term is	7
the second round	7
worked on fine	7
madame de maintenon	7
said that the	7
a matter of	7
repeat the same	7
we read how	7
at the lower	7
a yard wide	7
a manner that	7
and cuffs of	7
with a few	7
was worked in	7
repeat from v	7
cotton twice round	7
much used in	7
join on the	7
st loop of	7
edges of the	7
it is only	7
says a writer	7
the early days	7
is that it	7
thread from right	7
on the back	7
cotton is fastened	7
the large circle	7
eighth of an	7
de france was	7
work at the	7
as point de	7
venetian rose point	7
for the same	7
and when the	7
in the shape	7
in the english	7
crochet into loop	7
laces made in	7
of the frame	7
it is recorded	7
the loop left	7
lace work of	7
easy to follow	7
of two threads	7
of that name	7
deep a point	7
embroidered in overcast	7
is a lace	7
square is worked	7
on the th	7
to produce a	7
both in the	7
in this way	7
referring to the	7
or crochet cotton	7
is that the	7
the black silk	7
repeat from a	7
a large quantity	7
stitches at the	7
of the netting	7
to all the	7
is well known	7
the leaves of	7
with a thick	7
in any of	7
of a square	7
time of henry	7
stitches in one	7
commence at the	7
of rose point	7
when it is	7
from v to	7
of the regent	7
last stitch of	7
the sale of	7
a mesh measuring	7
a band of	7
crochet to the	7
this collar is	7
environs of paris	7
upper edge of	7
who died in	7
as they are	7
this work is	7
in y e	7
squares in guipure	7
women and girls	7
used for this	7
is trimmed with	7
the last circle	7
in raised embroidery	7
with lace stitches	7
it is necessary	7
forms the centre	7
the st loop	7
being made in	7
of venice gold	7
crochet into every	7
by working double	7
where it was	7
is supposed to	7
by a chain	7
specimen of the	7
in one direction	7
same time with	7
la reine de	7
at regular intervals	7
repeat from c	7
repeat from l	7
king charles i	7
time of charles	7
one side and	7
the ground in	7
of the beautiful	7
be seen by	7
from the st	7
was the custom	7
at a distance	7
is long enough	7
chef sainct denis	7
work over it	7
flowers are worked	7
to the second	7
must be taken	7
the first empire	7
about this time	7
is necessary to	7
edged with gold	7
in gothic letters	7
were going to	7
the life of	7
mecklenburg thread nos	7
was given to	7
lace is a	7
purl with beads	7
lace is the	7
of all classes	7
this insertion is	7
from i to	7
of lace and	7
a straight thread	7
fasten off the	7
leaves of the	7
stitches into the	7
jean le clerc	7
stitch is used	7
fabricated in the	7
repeat from e	7
in the environs	7
line of thread	7
nella quale si	7
repeat from i	7
a species of	7
the diamond pattern	7
a coarse thread	7
a relic of	7
nel quale si	7
same manner as	7
the pattern was	7
of various colours	7
considerable quantity of	7
royal battenburg lace	7
those who have	7
with the pattern	7
city of london	7
last double crochet	7
a great deal	7
of the trade	7
the patterns of	7
in a few	7
stitch of each	7
taking up the	7
of modern lace	7
the first stitches	7
was made for	7
in the island	7
it has a	7
in same chain	7
garnies de dentelle	7
used for a	7
the design and	7
with the following	7
the work so	7
the stitches and	7
the cotton in	7
point de sedan	7
correspond with the	7
it is stated	7
care that the	7
distance from the	7
of the house	7
of genoa and	7
on the l	7
with lace of	7
a foundation of	7
was not till	7
in the production	7
with the lightest	7
not until the	7
together in the	7
a charge for	7
de la dentelle	7
many of these	7
first and second	7
over the l	7
anne of denmark	7
was sold in	7
draw the thread	7
the purchase of	7
from p to	7
of fine lace	7
of lyme regis	7
is dedicated to	7
draw it up	7
plat de venise	7
point of one	7
the straight thread	7
repeat from g	7
in the art	7
designs for the	7
such a manner	7
the thread used	7
from r to	7
of the points	7
a stitch in	7
and other articles	7
the stitches used	7
circle double crochet	7
fifth of an	7
a later date	7
make chain stitches	7
each by double	7
out in the	7
can be used	7
each of these	7
slipped stitch over	7
be met with	7
lace known as	7
laces of gold	7
a line of	7
pattern book of	7
to the nd	7
duchess of hamilton	7
the lines of	7
the difference between	7
in a similar	7
stitch in each	7
with a broad	7
the next treble	7
chain of e	7
for all the	7
along the edge	7
for the border	7
to the edge	7
means of a	7
from g to	7
consists of rows	7
with gold thread	7
one part of	7
them with the	7
with chain stitches	7
on the braid	7
in the rd	7
is on the	7
worked entirely in	7
it is done	7
to the amount	7
border of the	7
during the eighteenth	7
pour toutes sortes	7
the next stitches	7
for point lace	7
edgings and insertions	7
the effect is	7
patterns are worked	7
this forms the	7
an early date	7
to the great	7
paris exhibition of	7
in the royal	7
can be made	7
work a th	7
was one of	7
round the point	7
greek lace made	7
the point lace	7
the application of	7
in the town	7
from l to	7
which had been	7
means of the	7
the last loop	7
patterns of the	7
presented by the	7
from e to	7
same stitch as	7
in the days	7
work a row	7
such as the	7
has been the	7
is seen in	7
in the design	7
of thread and	7
to hold the	7
in which he	7
sumptuary laws in	7
repeat from r	7
row is worked	7
and fastened on	7
in modern lace	7
the commerce of	7
from which the	7
repeat from p	7
of the richest	7
and even the	7
the taste of	7
worked with very	7
working the last	7
public record office	7
of queen anne	7
in at the	7
has been made	7
worked by the	7
are worked like	7
of the one	7
a purse in	7
to have the	7
repeat from t	7
a tatted lace	7
lace compared with	7
working the first	7
of the cap	7
centre one of	7
edging in tatting	7
st double crochet	7
on the nd	7
the pattern must	7
de fillet and	7
round with button	7
these bars are	7
of gold lace	7
point de minute	7
de la ville	7
to be embroidered	7
few years later	7
which form the	7
the th purl	7
the thumb of	7
pillow lace made	7
the industry of	7
the nd and	7
rows of squares	7
in its place	7
of embroidery instructions	7
lace manufacture of	7
laces were made	7