quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
throw the cotton forward	273
walter evans and co	249
double crochet into the	141
the end of the	98
make a chain of	88
a chain of stitches	80
at the end of	73
the centre of the	70
in the centre of	63
the top of the	63
the last purl of	57
repeat from times more	54
of the preceding row	54
in the same manner	53
at the top of	52
victoria and albert museum	52
last purl of the	50
in raised satin stitch	48
crochet into the chain	48
to the last purl	46
of the eighteenth century	45
the middle of the	44
slip stitch in the	43
purl of the preceding	42
fastened on to the	41
the chain double crochet	40
st on th l	39
of gold and silver	39
the st on th	39
the st of the	39
in the same way	39
throw the wool forward	37
treble of last round	37
into the chain double	37
the beginning of the	36
the point of the	36
single crochet into the	36
crochet into the st	36
of the seventeenth century	35
the st on nd	35
worked in satin stitch	34
into centre loop of	34
fasten the cotton on	34
st on nd l	34
treble at the top	33
gold and silver lace	33
so as to form	33
double crochet into each	31
the size of the	30
into the same place	30
of the preceding round	30
to the end of	30
in the middle of	29
from left to right	29
purl divided by double	28
formed by throwing the	28
worked in raised satin	28
work double crochet into	28
with gold and silver	28
on to the last	27
on the other side	27
on the wrong side	27
at the same time	27
in the eighteenth century	26
of the preceding circle	26
repeat times more from	26
stitch of the preceding	26
in each of the	25
join it to the	25
the same as the	25
at the beginning of	25
crochet into successive loops	24
of the sixteenth century	24
other side of the	24
the other side of	24
cotton on to the	24
in the inventory of	24
double crochet into successive	23
at a short distance	23
on to the next	23
the victoria and albert	23
worked in the same	23
is worked in point	23
the cotton on to	23
the edge of the	23
instead of working the	23
from right to left	23
of the left hand	23
circle consisting of double	22
throwing the wool forward	22
the end of every	22
by throwing the wool	22
work treble in the	21
the middle purl of	21
the purl of the	21
stitch formed by throwing	21
of the nineteenth century	21
repeat from twice more	20
as to form a	20
as well as the	20
the back of the	20
into the st chain	20
on the right side	20
crochet into the next	20
in the reign of	20
draw up the cotton	20
into each of the	20
the rest of the	20
in the time of	19
work a stitch of	19
the needle in the	19
of the last century	19
as can be seen	19
the stitch formed by	19
point de bruxelles stitches	19
the slip stitch over	19
as early as the	19
into the st of	19
stitch of double crochet	19
in the following manner	19
crochet into the last	18
on each side of	18
the chain in last	18
in the victoria and	18
the st into th	18
the art of lace	18
into the chain in	18
st of the chain	18
the beauty of the	18
pass the slip stitch	18
st into th loop	18
the end of each	18
double in the next	18
the first and last	17
miss the space of	17
end of every row	17
the same number of	17
the last of the	17
under the name of	17
to the next purl	17
fifths of an inch	17
repeat to the end	17
are worked in raised	17
one of the most	17
the cotton to the	17
purl of the st	17
in satin stitch and	17
the cotton on the	17
the centre of each	17
the number of stitches	17
is worked in raised	17
in the right hand	17
in tatting and crochet	17
side of the work	17
in the preceding row	17
worked in point de	17
rows backwards and forwards	16
stitches into a circle	16
tight point de bruxelles	16
end of the row	16
said to have been	16
the next purl of	16
double divided by purl	16
turn on reverse side	16
the cotton round the	16
as seen in the	16
appears to have been	16
cotton round the needle	16
on the other hand	16
join the stitches into	15
the ends of the	15
be found in the	15
is worked in the	15
is worked in satin	15
long stitch into the	15
chain in last round	15
the place of the	15
double in the middle	15
the needle into the	15
double crochet over the	15
the stitches of the	15
work into the chain	15
the needle under the	15
de la duchesse de	15
each side of the	15
the stitches into a	15
of double crochet into	15
purl of the first	15
can be seen in	15
next purl of the	15
crochet into each loop	15
are worked in overcast	15
in the st stitch	15
the middle stitch of	15
be seen in illustration	14
in the middle stitch	14
work patterns from no	14
the st chain of	14
into the next chain	14
one from the other	14
the st on next	14
into the chain of	14
with the exception of	14
long into the next	14
the bottom of the	14
work treble at the	14
fasten the cotton to	14
in the next row	14
end of each row	14
loop of the ch	14
in the seventeenth century	14
is fastened on to	14
over the knitted stitch	14
work into successive loops	14
gold and silver thread	14
a stitch of double	14
slipped over the knitted	14
to be worked in	14
on to the middle	14
middle purl of the	13
times alternately throw the	13
double in the st	13
the in last round	13
st on next l	13
shown in illustration no	13
it on to the	13
it is worked in	13
in the style of	13
to the purl of	13
it is said that	13
is one of the	13
draw the slipped over	13
the slipped over the	13
of the st circle	13
by throwing the cotton	13
in the next stitch	13
of point de france	13
stitches of double crochet	13
the cotton over which	13
work the st row	13
it was not until	12
in the stitch formed	12
de madame du barry	12
les singuliers et nouveaux	12
right side of the	12
crochet into the same	12
circle of the preceding	12
of one of the	12
over threads in height	12
of the present day	12
be required for this	12
the south kensington museum	12
of the st row	12
the needle through the	12
the time of the	12
be seen in the	12
over which you work	12
cotton over which you	12
are filled in with	12
at the present time	12
the work of the	12
of the foundation chain	12
each of the next	12
and end as usual	12
top of the treble	12
into the nd chain	12
the right side of	12
will be required for	12
in the first of	12
to the middle purl	12
are worked in satin	12
in the making of	12
stitch at the end	12
and work the st	12
of an inch long	12
stitch in the st	12
the pattern is worked	12
point of the needle	12
seen in the illustration	12
as shown in illustration	12
begin and end as	12
throwing the cotton forward	12
in rows backwards and	11
seems to have been	11
as shown in the	11
cut and drawn work	11
the wool forward in	11
the thread round the	11
the back part of	11
at the beginning and	11
threads in height and	11
at the time of	11
draw the cotton through	11
the outlines of the	11
purl of the next	11
in consequence of the	11
to the size of	11
singuliers et nouveaux pourtraicts	11
a sufficient number of	11
on the last purl	11
with a row of	11
alternately throw the cotton	11
repeat from the beginning	11
in the course of	11
chain of last round	11
point de bruxelles stitch	11
are worked in the	11
the outline of the	11
is said to have	11
repeat from till sq	11
may be made of	11
height and in width	11
it is made of	11
loops on the needle	11
point de venise bars	11
the upper part of	11
the space to be	11
pass the needle under	11
into the rd chain	11
and join it to	11
it is to be	11
avec privilege du roy	11
the same way as	11
pattern is not repeated	11
during the reign of	11
the first purl of	11
worked in overcast stitch	11
of point de bruxelles	11
the course of the	11
from the join of	11
this pattern is not	11
in the sixteenth century	11
the same loop as	11
in height and in	11
over and under the	10
work double in the	10
the beginning and end	10
the threads of the	10
in the possession of	10
close to each other	10
not repeated in this	10
divided one from the	10
the number of lace	10
at the present day	10
rd chain from the	10
last purl of last	10
middle stitch of the	10
other by double stitches	10
is not repeated in	10
treble in the st	10
centre loop of ch	10
la duchesse de bourbon	10
short point de bruxelles	10
according to the size	10
long into the chain	10
double fastened on to	10
repeat from till the	10
of a piece of	10
in addition to the	10
the treble of last	10
shown in the illustration	10
the first of the	10
worked from left to	10
same number of stitches	10
the circles of the	10
the style of the	10
name is worked in	10
for the most part	10
purl in the stitch	10
in the form of	10
in the accounts of	10
the st stitch of	10
gros point de venise	10
double fastened on the	10
the last chain of	10
from to the end	10
border in tatting and	10
at the place where	10
the rd chain from	10
comptes de madame du	10
in the st of	10
at the age of	10
seventeenth and eighteenth centuries	10
join to last purl	10
a circle consisting of	10
made on the pillow	10
in the wardrobe accounts	10
the other side to	10
at the court of	10
are worked in point	10
the other by double	10
pattern is worked in	10
other side to correspond	10
double in the centre	10
fastened on the last	10
wind the cotton round	10
this stitch is worked	10
the cotton through the	10
insert the needle in	10
times double divided by	10
to last purl of	10
seen in the engraving	10
strip of insertion is	10
join to the last	10
space to be filled	10
may be used for	10
from the other by	10
as seen in illustration	10
of point de venise	10
the art of making	10
appear to have been	10
them into a circle	10
of the same material	10
in the same loop	10
double long into the	10
same loop as before	10
stitch into the same	9
as in the engraving	9
satin stitch and overcast	9
insertion in tatting and	9
beginning and end of	9
the thread must be	9
begun in the centre	9
to form a loop	9
upper part of the	9
the direction of the	9
seigneur federic de vinciolo	9
the introduction of the	9
the cotton with which	9
the space of two	9
is to be worked	9
the sixteenth and seventeenth	9
which you work on	9
the second and third	9
of the cotton together	9
into successive loops double	9
and is worked in	9
the marriage of the	9
of the fifteenth century	9
inserting the needle into	9
of these patterns will	9
in the inventories of	9
th and th rounds	9
these patterns will be	9
the hands of the	9
the centre purl of	9
work down the other	9
into the last chain	9
the same as last	9
by winding the cotton	9
purl divided one from	9
the th and th	9
part of the pattern	9
at the point of	9
join them into a	9
end of the round	9
in an inventory of	9
de point de france	9
the ladies of the	9
of an inch wide	9
chain from the join	9
the same as no	9
the two ends of	9
loose point de bruxelles	9
patterns will be required	9
the fact that the	9
may be worked in	9
what is known as	9
gold and silver laces	9
foundation chain of stitches	9
scallop of the preceding	9
this name is worked	9
down the other side	9
worked in point russe	9
letters are worked in	9
on account of the	9
it will be seen	9
successive loops double crochet	9
first purl of the	9
a foundation chain of	9
is worked like the	9
over the cotton on	9
the gold and silver	9
of the treble of	9
in the library of	9
the use of the	9
purl of last oval	9
ends of the cotton	9
is worked as follows	9
towards the end of	9
sixteenth and seventeenth centuries	9
of the in last	9
two on the loop	9
treble in the same	9
fingers of the left	9
fasten it on to	9
long into the same	8
design for a corner	8
loop on the needle	8
into the circle double	8
both sides of the	8
a large number of	8
the dress of the	8
in the last century	8
with which you work	8
the st row of	8
par iean le clerc	8
in the next purl	8
long into successive loops	8
in the case of	8
insert the needle into	8
on to the same	8
with very fine cotton	8
from the beginning of	8
wool forward in preceding	8
end of the eighteenth	8
in one of the	8
crochet over the in	8
repeat from to the	8
to the value of	8
at the place of	8
the early part of	8
plain in the centre	8
tatting and darned netting	8
the place where the	8
at south kensington museum	8
federic de vinciolo venitien	8
either side of the	8
the international exhibition of	8
x cerise in next	8
side of the chain	8
is begun in the	8
satin stitch and point	8
alternately throw the wool	8
crochet into each of	8
into the next loop	8
the reign of queen	8
of the st purl	8
is ornamented with a	8
crochet into the centre	8
and repeat from times	8
photo by walker and	8
in point de feston	8
to have been the	8
worked round in button	8
le clerc le ieune	8
by walker and cockerell	8
the inventory of the	8
in the same stitch	8
an inch in width	8
in the hands of	8
chain of th pattern	8
in the british museum	8
in point de bruxelles	8
the character of the	8
are to be worked	8
long into the rd	8
tatting and lace stitch	8
between the thumb and	8
treble in the next	8
in the manufacture of	8
treble in the centre	8
edge of the braid	8
to have been made	8
spaces are filled in	8
plain at the top	8
at the bottom of	8
of the next scallop	8
a quarter of a	8
st stitch of the	8
on either side of	8
double of the preceding	8
the way to make	8
in the th round	8
under the direction of	8
repeat from n to	8
of the countess of	8
the sides of the	8
long into the st	8
in the city of	8
and work into successive	8
composed of double stitches	8
made with the needle	8
of madame du barry	8
supposed to have been	8
edged all round with	8
iean le clerc le	8
like the preceding one	8
is worked in a	8
all round with a	8
into the centre of	8
course of the work	8
of lace in the	8
inserting the needle in	8
of the middle row	8
gold and silver threads	8
in the left hand	8
may be seen in	8
in point de reprise	8
join to next purl	8
and draw it through	8
is worked in rows	8
double crochet at the	8
on a parchment pattern	8
on the occasion of	8
forward in preceding row	8
it is impossible to	8
was made in the	7
middle purl of a	7
of the next chain	7
the slipped stitch over	7
into the last double	7
the seventeenth and eighteenth	7
rosette in tatting and	7
the wrong side of	7
repeat from l to	7
this kind of lace	7
it to the th	7
is worked with fine	7
in the province of	7
end of the cotton	7
of lace made in	7
on the second of	7
in the same year	7
the edict of nantes	7
the method of making	7
work pattern from no	7
double crochet into loop	7
in the pattern of	7
repeat from a to	7
into the back part	7
inches deep a point	7
size of the cotton	7
to have been of	7
twice round the needle	7
of the city of	7
the cotton is fastened	7
crochet into the in	7
in the south kensington	7
by means of the	7
can also be worked	7
purl of the large	7
the church of st	7
the city of london	7
to the th purl	7
of the great wardrobe	7
as far as the	7
thumb of the left	7
on to the purl	7
title in gothic letters	7
same as the th	7
the same time with	7
is made in the	7
fasten the cotton over	7
in such a manner	7
of working the st	7
crochet into the nd	7
made of the finest	7
work so that the	7
way to make a	7
revocation of the edict	7
the centre one of	7
with a tatted lace	7
it is difficult to	7
a short distance from	7
care must be taken	7
in gold and silver	7
the centre of a	7
same as last row	7
in the production of	7
as will be seen	7
purl of the nd	7
the first of these	7
work a row of	7
of the work is	7
purl of a circle	7
under and over the	7
another long stitch into	7
times round the needle	7
repeat from v to	7
it is easy to	7
the circle double crochet	7
the same manner as	7
of each of the	7
it was the custom	7
a stitch of single	7
in the environs of	7
work another long stitch	7
it was made in	7
be fastened on to	7
beginning of the nineteenth	7
work at a short	7
the st circle of	7
one at the end	7
selvedge stitches of the	7
point de fillet and	7
working the st purl	7
the ground of the	7
the laces of flanders	7
the st loop of	7
purl of the th	7
the first and second	7
repeat from p to	7
repeat from c to	7
work single crochet into	7
in the shape of	7
stitch and point de	7
the same stitch as	7
stitch of the next	7
the design may be	7
thread from right to	7
double in the th	7
chain of same leaf	7
point plat de venise	7
the paris exhibition of	7
the manufacture of the	7
round the needle and	7
edged with bone lace	7
the th of the	7
in one at the	7
the lace industry of	7
of the last row	7
such a manner that	7
and point de pois	7
a considerable quantity of	7
repeat from i to	7
to end of row	7
greek lace made at	7
long treble in the	7
fifth of an inch	7
to the same purl	7
of the edict of	7
the quality of the	7
it was not till	7
the st double crochet	7
the width of the	7
to the centre purl	7
the th purl of	7
each of the three	7
repeat from g to	7
during the eighteenth century	7
double crochet into every	7
to the amount of	7
two of these patterns	7
the lace manufactures of	7
the pattern of the	7
cravat end in tatting	7
the cotton twice round	7
stitches of the preceding	7
repeat from r to	7
the making of the	7
for a purse in	7
in the days of	7
like those of the	7
beauty of the work	7
in the first stitch	7
and cut the cotton	7
so that there are	7
the last double crochet	7
the strip of insertion	7
over a mesh measuring	7
repeat from t to	7
eighth of an inch	7
the environs of paris	7
the first half of	7
crochet into every loop	7
of points de france	7
should be worked with	7
is made by the	7
on one side and	7
by means of a	7
should be worked in	7
worked with very fine	7
repeat from e to	7
quarter of a yard	7
must be fastened on	7
in tatting and embroidery	7
of the small circles	7
end of the seventeenth	7
long into the nd	7
embroidered in satin stitch	7
the selvedge stitches of	6
of the same colour	6
hole stitches in the	6
work the same as	6
on to the preceding	6
to that of the	6
the lace of the	6
work into the circle	6
dryden from private collections	6
insertion is worked in	6
then turn the work	6
leaf the same as	6
stitch of single crochet	6
and under the bars	6
du seigneur federic de	6
may be used in	6
the costume of the	6
repeat from x to	6
work long into the	6
the nd of the	6
of the duc de	6
if you were going	6
circle in the centre	6
of every other row	6
on to the first	6
for the sake of	6
be worked from the	6
border in crochet and	6
for the purpose of	6
the fashion of the	6
turn the work so	6
in the st row	6
worked in rows backwards	6
which the pattern is	6
and work a stitch	6
you wish to make	6
with the needle and	6
delle nobili et virtuose	6
of the next circle	6
upper edge of the	6
stars are worked in	6
filled in with point	6
in plain satin stitch	6
same time with the	6
a piece of lace	6
of working the first	6
the next stitch of	6
in the seventeenth and	6
be said to have	6
une paire de manchettes	6
back part of the	6
modern reproduction at burano	6
needle in the right	6
linen collar trimmed with	6
as if you were	6
was not until the	6
to have been worked	6
of an inch round	6
the wardrobe accounts of	6
must be worked in	6
beginning and the end	6
a corner in battenburg	6
work a th leaf	6
in england and france	6
the thread is passed	6
with the same cotton	6
so called from the	6
in the exhibition of	6
of the pattern is	6
to fill in the	6
on each of the	6
centre loop of the	6
patterns are worked in	6
of two threads twisted	6
into rd loop of	6
in the point of	6
square is worked in	6
for a corner in	6
one of the earliest	6
between the second and	6
it into a round	6
the upper edge of	6
join it into a	6
different parts of the	6
and at the same	6
draw it through the	6
of the last round	6
end of every other	6
the center of the	6
then work double crochet	6
a sufficiently long foundation	6
de la reine de	6
of the large circle	6
circle of the st	6
to be worked on	6
the reign of james	6
de fillet and point	6
a few years later	6
of the rd row	6
wrong side of the	6
is used for the	6
lace made in the	6
in the great wardrobe	6
sufficiently long foundation chain	6
in the st chain	6
of the french court	6
in the habit of	6
we read in the	6
chains of last round	6
the nd and rd	6
design for a lace	6
left side of the	6
the last year of	6
centre one of the	6
the south kensington collection	6
chain of nd leaf	6
the time of charles	6
pass the slipped stitch	6
in the th row	6
a row of double	6
as well as in	6
of double fastened on	6
stitch is worked over	6
design for darned net	6
of the lace industry	6
of william and mary	6
purl of th circle	6
stitch is worked like	6
of the queen of	6
with a piece of	6
into the st double	6
in tatting and lace	6
the whole of the	6
point and pillow lace	6
first half of the	6
will be found useful	6
pattern for cravat ends	6
th and th rows	6
the great wardrobe accounts	6
the work so that	6
the women of the	6
is supposed to have	6
at the other end	6
it is necessary to	6
the author of the	6
of the same pattern	6
and draw it out	6
of the art of	6
the thumb of the	6
the left side of	6
the history of lace	6
a rose point flounce	6
the chain of the	6
is edged with a	6
on the back of	6
the inventories of the	6
cravat end in embroidery	6
winding the cotton round	6
and join it into	6
lace edging in tatting	6
stitches in the loop	6
a certain number of	6
of the st round	6
for the use of	6
th to th round	6
the in th round	6
put an end to	6
in point de venise	6
blossom in satin stitch	6
during the seventeenth century	6
the st into rd	6
is formed by a	6
by inserting the needle	6
point de bruxelles and	6
taking care that the	6
will be found very	6
slip the st stitch	6
it is made in	6
of the first circle	6
lace was made at	6
on the middle purl	6
to make a stitch	6
circle like the first	6
after the manner of	6
so as to make	6
frankfort on the mayn	6
the value of the	6
is not to be	6
worked with fine cotton	6
as may be required	6
side of the foundation	6
of the th circle	6
by a chain of	6
with the light wool	6
the last to the	6
the leaves of the	6
join of th pattern	6
at the back of	6
medallion for a purse	6
bone lace of gold	6
the embroidery is worked	6
la reine de navarre	6
the beginning and the	6
nel quale si dimostra	6
in the international exhibition	6
is drawn through the	6
the reign of louis	6
at the right side	6
the revocation of the	6
top of the three	6
the corners of the	6
you were going to	6
and over the thread	6
eighths of an inch	6
in tatting and darned	6
are cast off together	6
we find in the	6
the st purl of	6
st purl of the	6
chain of e of	6
left on the needle	6
on the st of	6
st into rd loop	6
purl of the circle	6
to be found in	6
the nd chain from	6
is edged all round	6
the dissolution of the	6
in the last year	6
each by double stitches	6
nobili et virtuose donne	6
the points de france	6
and point de reprise	6
or tatting cotton no	6
lace was made in	6
to the centre of	6
in some of the	6
attached to the reel	6
at a distance of	6
is made of the	6
the end of this	6
in the first and	6
in the neighbourhood of	6
stitch in the middle	6
au chef sainct denis	6
are embroidered in overcast	5
sufficient number of stitches	5
the shape of a	5
worked in black silk	5
inches deep a rose	5
were made in the	5
is worked in button	5
is very easy to	5
the pattern may be	5
a bone lace of	5
off and cut the	5
both ends of cotton	5
a copy of the	5
up to the present	5
of the th pattern	5
it was in the	5
crochet into the rd	5
the nd purl of	5
trimmed with the same	5
till the lace is	5
letters in satin stitch	5
stitches fastened to the	5
worked in the following	5
worked over threads in	5
worked in overcast and	5
known under the name	5
in every stitch of	5
each of the first	5
and repeat times more	5
will be found in	5
are worked on the	5
will be seen from	5
one of the finest	5
the history of the	5
is mentioned in the	5
the next row the	5
and repeat from till	5
in the upper part	5
stitches of the foundation	5
of the duke of	5
the name of point	5
de reseau de point	5
di mostre di punti	5
this rosette is worked	5
on a sufficient number	5
the pattern must be	5
which are worked in	5
fasten the silk on	5
time of henry viii	5
the last stitch of	5
pattern is worked with	5
the common cross stitch	5
the fair of st	5
prohibiting the importation of	5
outlines of the pattern	5
and a pair of	5
cuttit out werk of	5
and work over it	5
of the nd leaf	5
then in round loop	5
to the preceding one	5
with a needle and	5
second and third fingers	5
of a circle of	5
to the first purl	5
at the fair of	5
in a similar manner	5
to have belonged to	5
cotton again round the	5
daisy pattern for a	5
at the marriage of	5
insert the point of	5
two ends of the	5
quarters of a yard	5
st round of the	5
top of the one	5
wind the cotton again	5
of the low countries	5
in same as last	5
latter part of the	5
in graduated satin stitch	5
the second of the	5
the three treble of	5
close to this circle	5
cast on a sufficient	5
st chain of the	5
a row of circles	5
reign of louis xiv	5
a circle like the	5
same way as the	5
part of the border	5
the application of the	5
fasten both ends of	5
is worked from left	5
double crochet in the	5
are worked like the	5
in the th stitch	5
the loop left on	5
end of the thread	5
made at the beginning	5
it was made of	5
the top and bottom	5
in the centre with	5
passing the needle through	5
from the fact that	5
rosette is worked in	5
is said to be	5
preceding row by throwing	5
working the first purl	5
to the next stitch	5
to form a circle	5
this insertion is worked	5
three chains of last	5
x repeat all round	5
quale si dimostra in	5
and other parts of	5
the thread is wound	5
the cotton at the	5
points of venice and	5
repeat once more from	5
work of a spanish	5
dots are worked in	5
corner borders in guipure	5
shown in the engraving	5
and fasten the cotton	5
the thread used in	5
three and a half	5
the reign of george	5
end of nineteenth century	5
on the opposite side	5
the point de france	5
of the same year	5
join to th d	5
stitch in the next	5
in the top of	5
the border of the	5
th loop of the	5
this pattern is worked	5
worked in plain satin	5
is to be made	5
early part of the	5
the lower part of	5
of the fabric of	5
on account of its	5
ends of cotton together	5
the other half of	5
similar to that of	5
round the left hand	5
same stitch as the	5
in the centre by	5
on the marriage of	5
as a present to	5
next stitch of the	5
of the same date	5
stitches in the first	5
stitch which has been	5
the taste of the	5
the size of a	5
which forms the centre	5
circle at a short	5
from the earliest times	5
place of the st	5
the centre is worked	5
the chain of same	5
dryden from private collection	5
join at the end	5
a large quantity of	5
with chain between each	5
and at the end	5
purl of the second	5
by the peasants of	5
be used for a	5
beginning of the sixteenth	5
a purse in embroidery	5
in design and workmanship	5
circle of the middle	5
lower part of the	5
is made with a	5
crochet into the circle	5
that the manufacture of	5
as to form the	5
work backwards and forwards	5
in the next chain	5
to the st stitch	5
and fasten it on	5
raised or velvet stitch	5
mary queen of scots	5
for the first time	5
an article of commerce	5
knit the last stitch	5
by the women of	5
in the church of	5
the remainder of the	5
to be met with	5
differens portrais de reseau	5
th purl of the	5
beginning of the row	5
the reign of charles	5
border is worked in	5
is a copy of	5
next scallop of the	5
both black and white	5
the art of embroidery	5
square in reticella work	5
in silk and gold	5
the cotton between the	5
with which it is	5
the bobbins are twisted	5
fasten the cotton at	5
the property of mr	5
the queen of scots	5
chain from the last	5
into the centre one	5
of the point de	5
the latter part of	5
of flanders and italy	5
by reason of the	5
double stitches fastened to	5
initials are worked in	5
of working the purl	5
the early days of	5
cotton with which you	5
the cotton in the	5
and it may be	5
each of the st	5
double in the first	5
of the stitches of	5
deep a rose point	5
which the thread is	5
a circle of the	5
consists of rows of	5
to the invention of	5
one of the prettiest	5
the great period of	5
the join of th	5
in the same place	5
chain of same pattern	5
and edged with a	5
out werk of gold	5
the preceding row by	5
the importation of foreign	5
at an early period	5
the next chain stitch	5
divided each by double	5
or crochet cotton no	5
the reign of henry	5
which is fastened on	5
the laces of the	5
the illustration shows the	5
change to the next	5
and that of the	5
loop left on the	5
which it is worked	5
draw the cotton up	5
and into each of	5
with cuttit out werk	5
very easy to work	5
middle of the next	5
three treble of last	5
to the first circle	5
of this lace is	5
outre le reseau premier	5
stitches in one at	5
double in each stitch	5
in the following way	5
the description of the	5
st circle of the	5
cotton is fastened on	5
needle into the back	5
in the next loops	5
the thumb and forefinger	5
medallion in point russe	5
time of charles ii	5
treble in the th	5
edge of the border	5
and a half inches	5
the lower edge of	5
quarters of an inch	5
seem to have been	5
formed in the preceding	5
to correspond with the	5
photo by the burano	5
into the chain long	5
pierre de saincte lucie	5
made in imitation of	5
is said that the	5
by chain in the	5
the cotton must be	5
each of the other	5
design is worked in	5
treble of the preceding	5
of the laces made	5
flowers are worked in	5
the laces of france	5
the convent of the	5
the next scallop of	5
the next stitch but	5
commence at the right	5
point of the leaf	5
stitches of plain tatting	5
in and out of	5
says a writer of	5
on either side with	5
a writer of the	5
of lille and arras	5
it appears to have	5
raised satin stitch with	5
begin on the second	5
you work on the	5
and trimmed with a	5
to have been a	5
work stitches of double	5
last of the chain	5
it to the last	5
in the chain stitch	5
comptes de la reine	5
as may be seen	5
worked from the engraving	5
the point of one	5
for the decoration of	5
worked backwards and forwards	5
to the bottom of	5
as an article of	5
the length of the	5
and albert museum collection	5
consisting of double fastened	5
portrais de reseau de	5
of a spanish nun	5
part of the stitch	5
the join of the	5
double crochet down the	5
of the side row	5
to the introduction of	5
row by throwing the	5
again round the needle	5
beginning of the eighteenth	5
the annual value of	5
third of an inch	5
a variety of the	5
work the other side	5
is made with the	5
with a slip stitch	5
by the burano school	5
the shape of the	5
till the end of	5
the stitch which has	5
by working double stitches	5
from generation to generation	5
rd loop of the	5
there is also a	5
made in the country	5
st loop of chain	5
in every other stitch	5
in the early part	5
used to connect the	5
be found useful for	5
stitch of the foundation	5
out of the loop	5
in any of the	5
x cerise in the	5
of the three treble	5
in the sixteenth and	5
stitch is worked in	5
is worked in crochet	5
royal school of needlework	5
in point de toile	5
be worked in overcast	5
the cotton again round	5
insertion is sufficiently long	5
middle of the last	5
of the nd round	5
with a bone lace	5
unfinished work of a	5
the library of the	5
the loop formed by	5
the possession of the	5
which the cotton is	5
and the end of	5
centre of the chain	5
cotton to the last	5
of the lace of	5
and work a circle	5
venice gold and silver	5
of a yard wide	5
from where you joined	5
they are worked in	4
it will be easy	4
stitches in the same	4
from till the lace	4
of the same leaf	4
the first row of	4
are made in the	4
centre of the rosette	4
the accounts of the	4
of black purse silk	4
queen of edward the	4
a row of button	4
by the use of	4
to the production of	4
is used as a	4
commence by working double	4
the st row is	4
and silver lace of	4
the letters in satin	4
end of the last	4
this is done by	4
lace has always been	4
the one treble of	4
the sumptuary laws of	4
great wardrobe account of	4
close to the end	4
be made of the	4
work a circle consisting	4
the ground is worked	4
certain it is that	4
once the property of	4
the body of the	4
of the space to	4
the ruffs of the	4
fasten them on to	4
and the beauty of	4
on the same side	4
by the peasant women	4
with the thumb of	4
and commence by working	4
chain stitch of chain	4
and maniple of st	4
on to the centre	4
the point of each	4
the lady arabella denny	4
is worked in overcast	4
on both sides of	4
of the five treble	4
the same as st	4
purl of the same	4
the queen of sheba	4
lace was first made	4
chats on old lace	4
nd chain from the	4
the designs of the	4
the lace is formed	4
with a few stitches	4
of this kind of	4
is worked over threads	4
de la ville de	4
centre of the ch	4
of the next treble	4
this elegant design is	4
beaux et differens portrais	4
always inserting the needle	4
a butterfly in point	4
of which are worked	4
lace in the victoria	4
a double thread is	4
which is ornamented with	4
in the pattern to	4
worked with crochet cotton	4
battenburg lace and linen	4
is known as the	4
black silk and hair	4
part of the eighteenth	4
cover in square crochet	4
of which there are	4
embroidered in overcast stitch	4
it is said to	4
in the present day	4
star in point de	4
at an early date	4
the needle out of	4
fastened on to each	4
top of the point	4
worked over with the	4
first stitches of the	4
in the centre is	4
the top of a	4
the various kinds of	4
is the same as	4
repeat from k to	4
worked like the preceding	4
and repeat to the	4
each stitch of the	4
inches deep an old	4
pass the thread round	4
both men and women	4
the silk on to	4
it was one of	4
of the right hand	4
repeat from till within	4
the next stitches of	4
the manufacture of gold	4
plusieurs beaux et differens	4
seven treble of last	4
the thread of the	4
make a loop in	4
into the th loop	4
one of the next	4
the stitches on the	4
crochet down the stem	4
the next stitch is	4
to the nd purl	4
in place of the	4
on to a purl	4
material is cut away	4
and albert museum there	4
between those of the	4
as closely as possible	4
point or honiton braids	4
the death of the	4
x to the end	4
in many of the	4
for many years the	4
a needle and thread	4
of the duchesse de	4
with a fine needle	4
centre of the next	4
forms the centre of	4
outer edge of the	4
repeat from o to	4
the st on the	4
the middle of each	4
the eighteenth century the	4
centre purl of the	4
have been worked by	4
long purl of the	4
of the points de	4
an old italian rose	4
on gold and silver	4
done in square crochet	4
which has been formed	4
the cotton and join	4
de mademoiselle de charollais	4
and end of every	4
slip stitch on the	4
the next chain of	4
take the selvedge stitches	4
of point de feston	4
are joined together by	4
it off from the	4
for trimming lingeries in	4
was one of the	4
one of the small	4
the pillow and the	4
circle must be fastened	4
beginning on the st	4
the inside of the	4
the pattern outlined with	4
delle quali mostre possono	4
double in the nd	4
the right side and	4
care should be taken	4
from v to v	4
next treble of last	4
letter is worked in	4
a short distance a	4
from c to c	4
over the back of	4
the upper one is	4
held in high estimation	4
in exactly the same	4
the making of lace	4
the use you wish	4
to the purl which	4
for a piece of	4
is made of a	4
of an inch apart	4
is an imitation of	4
the other end of	4
border in tatting with	4
of edward the confessor	4
of the first row	4
to work with the	4
has been made in	4
on the top of	4
a loop on the	4
at the top and	4
of the st chain	4
of chain in the	4
from s to s	4
according to the design	4
of all sorts of	4
des nobles dames damoiselles	4
the latter half of	4
in vogue in the	4
beginning in the centre	4
as a double thread	4
and out of the	4
backwards and forwards on	4
this engraving represents a	4
in the early days	4
needle through the loop	4
a manufacture of lace	4
on the purl of	4
to the present time	4
the accounts of madame	4
de bruxelles in the	4
is worked on the	4
treble in the ch	4
for the next stitch	4
top and bottom of	4
repeat from q to	4
the pattern is then	4
seen in the picture	4
but do not cut	4
divided by chain in	4
said to be of	4
is joined to the	4
the chain of last	4
of the one treble	4
make a foundation chain	4
were going to purl	4
derechef et pour la	4
and work small circles	4
end of the stem	4
nevill jackson and e	4
st row of the	4
cast on stitches and	4
with black purse silk	4
off together with the	4
the time of louis	4
wind the cotton twice	4
into the end of	4
back to the left	4
over the in last	4
the same all round	4
butterfly in point lace	4
nobles dames damoiselles autres	4
turn the work downwards	4
the thread from right	4
is cut away underneath	4
double crochet and long	4
on which the thread	4
the points of the	4
is to be done	4
are fastened on to	4
reseau de point c	4
of the first round	4
is composed of two	4
went out of fashion	4
from l to l	4
circle of this round	4
long into the th	4
will be seen that	4
into a circle and	4
molte delle quali mostre	4
from n to n	4
for the best imitation	4
in connection with the	4
is worked in two	4
worked in graduated satin	4
in net and tatting	4
last stitch of the	4
top of the five	4
turn the work again	4
the st into the	4
in the mercure galant	4
from r to r	4
work on the other	4
repeat from all round	4
the lace trade was	4
one half of the	4
raised satin stitch and	4
first circle of the	4
it to the st	4
par le seigneur federic	4
joined on to the	4
thread attached to the	4
much in vogue in	4
of a later date	4
from m to m	4
border for a reading	4
do not cut it	4
for handkerchief in point	4
five treble of last	4
leaf in raised satin	4
with the small mesh	4
repeat from b to	4
the five treble of	4
of which we give	4
petit point de venise	4
with the same material	4
daughter of louis xv	4
with the needle or	4
the great wardrobe account	4
from i to i	4
last year of her	4
de bruxelles stitches are	4
nd of the chain	4
of and unite it	4
the first stitch of	4
through the same hole	4
more double crochet into	4
flower in satin stitch	4
crochet at the point	4
the making of laces	4
old italian rose point	4
short distance from the	4
for a butterfly in	4
of the late mrs	4
th chain stitch of	4
and veined satin stitch	4
from q to q	4
silk on to the	4
out of his humour	4
to the house of	4
one of the in	4
to form a round	4
avec le nombre des	4
hear no more of	4
a manner that the	4
colour is to be	4
from h to h	4
on the next purl	4
partly in satin stitch	4
this stitch is used	4
in the matter of	4
unite the last to	4
of an inferior quality	4
imitation of point lace	4
stitch in the th	4
one of the patterns	4
on the nd shuttle	4
the entry of all	4
the palmy days of	4
we shall not mention	4
repeat from the st	4
lace collar and cuff	4
an imitation of the	4
in the history of	4
now the same as	4
for the benefit of	4
the general name of	4
with the richest point	4
the edges of the	4
double on the next	4
this pattern can be	4
manufacture of gold and	4
and silver laces of	4
as one of the	4
on the day of	4
is easy to follow	4
of the lace and	4
on the subject of	4
to form the pattern	4
being worked in the	4
is filled in with	4
embroidered flowers worked in	4
close it into a	4
it into a circle	4
for the beauty of	4
like the nd row	4
de david le clerc	4
off from the reel	4
the manner of making	4
cotton twice round the	4
use you wish to	4
sixth of an inch	4
the letters are worked	4
corona delle nobili et	4
pattern in the centre	4
the next treble of	4
said to have belonged	4
on a separate needle	4
and in the next	4
come down to us	4
of the fact that	4
and point de venise	4
repeat this times more	4
in the list of	4
and is made of	4
double crochet in last	4
corner in battenburg lace	4
in which the word	4
time of louis xiv	4
the city of dublin	4
continue to work with	4
lace is made in	4
top of the next	4
the groundwork of the	4
the loop of chain	4
the circle in the	4
nd purl of the	4
latter half of the	4
repeat from h to	4
from the south kensington	4
and silver thread and	4
of the old lace	4
from a to b	4
is sewn on the	4
from the hands of	4
a pair of sleeves	4
last purl of th	4
rest of the letters	4
of single crochet into	4
dames damoiselles autres gentils	4
in the paris exhibition	4
a purl of the	4
repeat from w to	4
point de venise stitches	4
it is worked over	4
the next circle of	4
single crochet to the	4
diverse sorti di mostre	4
the stitches used in	4
ground is worked in	4
lady mary wortley montagu	4
increasing at the end	4
every man out of	4
then on to the	4
the last circle of	4
carried to great perfection	4
and work as follows	4
of the preceding scallop	4
into the circle long	4
de dentelle de binche	4
name of point de	4
x cerise on next	4
attempts were made to	4
one side of the	4
one of the many	4
circles must be fastened	4
which joins the circles	4
the base of the	4
repeat from f to	4
the treble stitches are	4
covering for a quilted	4
le sorti di mostre	4
from g to g	4
double in each of	4
in the palmy days	4
cut it off from	4
work in the same	4
accounts of madame du	4
make a row of	4
in bedfordshire and buckinghamshire	4
le nombre des mailles	4
over the knitted one	4
end of the same	4
the points of genoa	4
in tatting with crochet	4
in front of the	4
join of the th	4
the first circle of	4
the arms of the	4
which the lace is	4
of the two first	4
lower edge of the	4
of the work depends	4
the line of thread	4
with the point of	4
up the cotton and	4
insert the needle downwards	4
these will be required	4
them on to the	4
the best imitation of	4
from a to a	4
a history of hand	4
of the ladies of	4
worked from right to	4
kinds of lace made	4
embroidered in raised satin	4
by the name of	4
to the use of	4
seen in illustration no	4
ogni sorte di lavoro	4
pattern may be worked	4
forefinger of the left	4
the centre of this	4
are worked in a	4
was much used for	4
to the queen of	4
to be found on	4
not cut it off	4
repeat from u to	4
and the lace is	4
within the walls of	4
privy purse expenses of	4
point de bruxelles in	4
the development of the	4
of insertion is sufficiently	4
a term applied to	4
those of the preceding	4
and pattern from no	4
at the same distance	4
from p to p	4
une paire de manches	4
may still be found	4
this stitch is very	4
in the nineteenth century	4
opposite side of the	4
fashion of the day	4
sewitt with cuttit out	4
thread to the left	4
filling in the spaces	4
they should be of	4
lectures on the art	4
found their way to	4
the little town of	4
inserting the needle under	4
about the middle of	4
laces of gold and	4
reign of queen elizabeth	4
is described as wearing	4
chain of the nd	4
stitch is to be	4
on the last page	4
fasten off and cut	4
rows of point de	4
history of lace in	4
the royal school of	4
cantor lectures on the	4
formed by winding the	4
the size of this	4
the cotton into a	4
with point de bruxelles	4
stitch on each side	4
repeat from m to	4
other parts of the	4
the other in the	4
the pattern to be	4
from f to f	4
before proceeding to the	4
on the art of	4
to make a purl	4
and work the edging	4
fasten on the cotton	4
early petit point picture	4
of the letters in	4
into the nd of	4
one part of the	4
an end to the	4
joined into a circle	4
each of the chain	4
of these will be	4
the rd and th	4
stitches of the th	4
st chain of nd	4
used to fill in	4
purl of one of	4
be met with in	4
year of her reign	4
cravat end in raised	4
pattern for a couvrette	4
the points of venice	4
the opposite side of	4
in order to make	4
when the pattern is	4
point de france was	4
palmy days of the	4
de plusieurs beaux et	4
sorti di mostre di	4
the flowers and leaves	4
a loop through the	4
at the rate of	4
point lace collar and	4
a mesh measuring three	4
with fine tatting cotton	4
for the adornment of	4
join the cotton to	4
x repeat to the	4
back part of a	4
leaf in the same	4
on the cotton afresh	4
into the hands of	4
worked with fine tatting	4
et differens portrais de	4
from till within sq	4
from o to o	4
a narrow piece of	4
the king and the	4
shown in our illustration	4
from w to w	4
repeat from d to	4
the lace made in	4
cotton on the nd	4
the loop on the	4
is seen in the	4
for the production of	4
at the same period	4
dress of the day	4
other end of the	4
the point de raccroc	4
and draw up the	4
work tight point de	4
trimmed with the richest	4
alphabet is worked in	4
first and last stitches	4
centre is worked in	4
cotton to the centre	4
repeat from s to	4
to the number of	4
was first introduced into	4
design for a butterfly	4
then work down the	4
as it is not	4
the taste for lace	4
stitches on each of	4
the success of the	4
the material is cut	4
make a round loop	4
point de bruxelles or	4
is a kind of	4
the laces of venice	4
cast on stitches on	4
part of the work	4
must not be too	4
to the reel round	4
the piece of cotton	4
placed at equal distances	4
from an engraving of	4
of all classes of	4
from k to k	4
damoiselles autres gentils esprits	4
part of the seventeenth	4
chain of and unite	4
well as in the	4
in different parts of	4
de dentelle de malines	4
which will be found	4
stitch as the last	4
can be used for	4
long into the circle	4
double in each scallop	4
handkerchief in point russe	4
between the first and	4
from d to d	4
it is worked on	4
from u to u	4
cerise in the same	4
into th loop of	4
of two shades of	4
imports of lace from	4
the thickness of the	4
repeat to end of	4
the wearing of lace	4
is placed in the	4
be used as a	4
plain part of the	4
double crochet from the	4
fasten it on the	4
on the outer edge	4
wish to make of	4
the front of the	4
the royal wardrobe accounts	4
both ends of the	4
a coarse kind of	4
from b to b	4
on both sides with	4
from t to t	4
man out of his	4
circles of the rd	4
stitches are point de	4
in point de pois	4
this kind of work	4
and work double in	4
of opinion that the	4
on the small mesh	4
with bone lace of	4
round the point of	4
cotton and join it	4
corner border in guipure	4
fare ogni sorte di	4
and so on to	4
with embroidered flowers worked	4
was made of the	4
is worked on a	4
quali mostre possono servire	4
parts of the pattern	4
in point russe and	4
stitch over the knitted	4
upon a piece of	4
of foreign bone lace	4
chain stitch of the	4
stitch of last row	4
are used to fill	4
the first stitches of	4
middle of the eighteenth	4
middle of the seventeenth	4
of the french revolution	4
over the in th	4
the eyes of the	4
the leaves and flowers	4
next circle of the	4
treble in the last	4
we do not know	4
each other in the	4
parts of the kingdom	4
is worked backwards and	4
at the left hand	4
rose in satin stitch	4
outline of the pattern	4
the th loop of	4
design for modern lace	4
to the next shade	4
the flowers are worked	4
corner for handkerchief in	4
will be easy to	4
the inner part of	4
reel round the left	4
the next shade of	4
from e to e	4
a great number of	4
used in making battenburg	4
the art of needlework	4
of the nd circle	4
may be used to	4
the manufacture of lace	4
with one of the	4
reign of james i	4
double stitch of the	4
the name of the	4
of the pattern being	4
increasing stitch at the	4
in the next two	4
given to the lace	4
le seigneur federic de	4
is very pretty for	4
reproduction at burano of	4
that the work is	4
is a variety of	4
point of the next	4
parts of the country	4
sewn on to the	4
by the late mrs	4
at the foot of	4
but instead of working	4
as much as possible	4
in which the pattern	4
of the flowers and	4
of the th round	4
basket in straw and	4
this strip of insertion	4
in each stitch of	4
by passing the needle	4
to the st circle	4
the time of henry	4
centre of a tatted	4
are filled in in	4
isle of wight lace	4
last chain of same	4
join in the same	4
this is a very	4
alternately knitting and purling	4
of the earl of	4
reign of george ii	4
of the church of	4
from the point of	4
is of two kinds	4
and end of the	4
we find among the	4
of the duke de	4
the products of the	4
treble in each of	4
in the account of	4
st double crochet in	4
is worked on fine	4
the head of the	4
over the next chain	4
of battenburg lace and	4
of the lace is	4
putting the thread attached	4
the greater part of	4
may be said to	4
every description of lace	4
cuffs of the same	4
proceeding to the next	4
purl of st oval	4
the appearance of a	4
button and eyelet holes	4
into the same loop	4
is worked with very	4
needle out of the	4
with the stitch formed	4
lace to be made	4
to be made into	4
the top of each	4
from c to d	4
collar trimmed with tatting	4
which it is made	4
purl divided each by	4
one at the corners	4
crochet edgings and insertions	4
with a pair of	4
manufacture of bone lace	4
are wound upon bobbins	4
as a means of	4
worked at the same	4
one treble of last	4
dotted point de venise	4
the works of vinciolo	4
end of darned net	4
the reel round the	4
ladies of the court	4
on a piece of	4
in the last row	4
be seen from illustration	4
for a couvrette in	4
the outer edge of	4
art of making the	4
by the hands of	4
the thread attached to	4
must be turned downwards	4
worked in with the	4
of the next leaf	4
the lace trade of	4
rd loop of ch	4
fillet and point de	4
de point c o	4
the needle and draw	4
of embroidery and lace	3
centre of pincushion or	3
mostre di punti tagliati	3
lace which is made	3
out at the place	3
middle stitch of every	3
of the large figure	3
et pour la troisiesme	3
that as it may	3
white and black silk	3
the perfection of the	3
stitch is made by	3
chain of the same	3
from t to u	3
wool forward in the	3
each of the four	3
for an easy chair	3
the breaking out of	3
the court of france	3
back of the chair	3
divided by double stitches	3
worked like the first	3
st of the in	3
the same as that	3
to the purl in	3
and silver lace made	3
in the london gazette	3
the wife of the	3
strangers in the city	3
called the queen of	3
each of which the	3
lace of geometric pattern	3
and work backwards and	3
bead is placed in	3
in with the needle	3
in the north of	3
the outlines are worked	3
fibre of the aloe	3
as in the case	3
mostre possono servire anchora	3
di varie sorti di	3
the corner spaces are	3
in embroidery and stitching	3
the chain of th	3
be described as being	3
then work a circle	3
these initials are worked	3
at the french court	3
the end of row	3
many of them are	3
to the head of	3
tidy in square crochet	3
to it in the	3
a straight thread being	3
the stitch into a	3
in with point de	3
laces of the present	3
in the end of	3
put the thread round	3
a letter from the	3
the thread between the	3
taught in the schools	3
top of the two	3
for the centre of	3
some of the finest	3
by doing two in	3
direction of the arrow	3
the same manner on	3
work the other half	3
all of the same	3
and cut and drawn	3
for a quilted counterpane	3
easy chair or sofa	3
size of the space	3
lace of gold and	3
the slipped stitch of	3
of the first chain	3
is worked in coloured	3
the hook of the	3
ane rabbat of cuttit	3
in veined satin stitch	3
the queen of lace	3
was carried on in	3
for the lower edge	3
is worked at the	3
a needle on a	3
the furniture of the	3
of the lozenge pattern	3
and work over the	3
begin on the first	3
so as to show	3
row consists of treble	3
number of stitches on	3
work on to the	3
edge of the medallion	3
stitches in each loop	3
of bone lace for	3
used for filling in	3
the loops on the	3
lace made at the	3
crochet trimming for a	3
like the rest of	3
forward in the preceding	3
is filled up with	3
decreasing stitch at the	3
to nd chain of	3
now work the same	3
in filling in the	3
worked in two halves	3
crochet into the end	3
for yards of fine	3
made of four threads	3
stitch in last row	3
draw it out at	3
between the forefinger and	3
filled in in point	3
the rd loop of	3
to spain and the	3
a circle as follows	3
the needle on the	3
star in satin stitch	3
raleigh bars with picots	3
department devoted to stitches	3
each stitch is completed	3
collar of christian iv	3
and point de bruxelles	3
the th treble of	3
be detected by the	3
on the white silk	3
quarter of a square	3
decreasing at the end	3
in a larger size	3
the queen of the	3
of the stitch is	3
purl of the rd	3
th treble of the	3
are said to be	3
of stitches of plain	3
the schools and convents	3
and fastened on the	3
attempt was made to	3
in overcast and point	3
to the braid at	3
the loop thus formed	3
with the same number	3
in the same time	3
lace of the same	3
the different kinds of	3
four times round the	3
in black and white	3
de reprise is worked	3
writes the author of	3
work case in guipure	3
in the fifteenth century	3
worked in square crochet	3
which are used in	3
mention is made of	3
three of these patterns	3
top of the seven	3
for the making of	3
deux paires de manchettes	3
known by the name	3
museum for art and	3
drawing the threads of	3
of this circle are	3
a sum of money	3
in the eyes of	3
on one side of	3
of this type of	3
during the last century	3
in the following rounds	3
with a white lace	3
the two chain of	3
importation of foreign bone	3
draw the needle out	3
a common cross stitch	3
as far back as	3
in the last round	3
the number of threads	3
for the women of	3
were exported to america	3
that used for the	3
or crosswise of the	3
wives and daughters of	3
the town of that	3
the present day is	3
worked in one piece	3
is given in full	3
with respect to the	3
the finest brussels lace	3
of a square in	3
and point de toile	3
beginning of the round	3
also be developed in	3
of which we have	3
the workers of the	3
front of the case	3
of an inch between	3
one of the last	3
crosswise of the space	3
to the time of	3
bobbin net and machine	3
a piece of the	3
other side the same	3
opera nova di recami	3
the point de bruxelles	3
be worked with the	3
wrought with the needle	3
all in one piece	3
to the style of	3
in her days of	3
begin in the centre	3
consequence of the large	3
of the plain of	3
stitches on each side	3
al presente sono in	3
a revival of the	3
it to the rd	3
which is worked in	3
inch and a half	3
is so easy to	3
the cotton which joins	3
in the latter part	3
raised rose crochet collar	3
the design of the	3
when the work is	3
stitch of the following	3
of black and white	3
the st of these	3
of cuttit out werk	3
are also worked in	3
between the nd and	3
point de grecque is	3
of the midland counties	3
the author has to	3
head of a bed	3
of the same lace	3
counterpane for a bassinet	3
nostre dame de confort	3
purl of the small	3
difference being that the	3
for the improvement of	3
is to be joined	3
a document of the	3
from e to f	3
sister of francis i	3
a in point lace	3
a piece of wire	3
the selvedge stitches on	3
embroidery border for a	3
to the last of	3
are worked over a	3
in the th chain	3
needle under the stitch	3
the wages of the	3
in point russe with	3
a great variety of	3
the cotton times round	3
of making picots or	3
middle treble of the	3
the purl stitches of	3
the foot of the	3
a long cross stitch	3
it through the stitch	3
the needle must pass	3
alternately under and over	3