trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
the work of	120
of the city	104
one of the	87
you may see	74
seems to have	73
it is not	66
out of the	62
it is the	61
it is said	58
to have been	55
as it were	52
the church of	52
and in the	51
church of s	51
a sort of	50
as it is	48
it is a	45
here in the	45
work of the	44
of the world	37
the tomb of	35
of the people	34
the fifteenth century	34
part of the	34
in the work	33
in the midst	33
of the most	33
the most beautiful	33
of the sea	33
at any rate	32
full of the	32
and i shall	31
of the great	31
the city of	31
in the uffizi	30
of all the	30
the art of	30
or san michele	30
and it is	30
may see the	30
beauty of the	29
of the fifteenth	29
the end of	29
end of the	29
of the church	29
in the city	29
in the bargello	28
the beauty of	28
and at last	27
is full of	27
and full of	27
of the duomo	27
in spite of	26
on the left	26
not far away	26
the head of	26
of the renaissance	26
on the other	26
the name of	25
madonna and child	25
you may find	25
for a moment	25
it is true	25
be found in	25
for the first	25
but it is	25
so full of	24
now in the	24
side of the	24
the portrait of	24
in the world	24
the first time	24
for the most	24
in the duomo	24
it is in	24
of the republic	24
is in the	23
the hands of	23
adoration of the	23
the life of	23
the most part	23
in the church	23
the midst of	23
up and down	23
of the virgin	23
said to have	23
it is to	22
it was in	22
the death of	22
the middle age	22
the story of	22
the foot of	21
the convent of	21
i know not	21
come to the	21
it seems to	21
the house of	21
is said to	21
something of the	21
it might seem	21
it was a	21
the sixteenth century	20
convent of s	20
it was the	20
the way to	20
it was not	20
seems to be	20
on the right	20
there is no	19
at the foot	19
the adoration of	19
of the hills	19
of the middle	19
the fourteenth century	19
and it was	19
you come upon	19
the thirteenth century	19
a city of	19
you come to	19
is one of	19
at last to	18
of our lord	18
vasari tells us	18
a work of	18
in the old	18
on either side	18
foot of the	18
life of the	18
the pupil of	18
of the old	18
the gate of	18
there is a	18
may be found	18
in the piazza	17
to be found	17
luca della robbia	17
it is really	17
seem to have	17
in those days	17
it may be	17
more than a	17
the other side	17
must have been	17
at the end	17
in the year	17
palace of the	17
in which the	17
of the way	17
to the sea	17
full of a	16
we may see	16
as we may	16
the high altar	16
as well as	16
nanni di banco	16
found in the	16
the manner of	16
seems to me	16
in the sun	16
the birth of	16
of the mountains	16
in his work	16
and on the	16
on the way	16
to be a	15
he was a	15
the tower of	15
at the corner	15
of the holy	15
which he had	15
i shall see	15
in the morning	15
in the manner	15
the palace of	15
a portrait of	15
in the great	15
come into the	15
to be the	15
that it was	15
in the same	15
while in the	15
is like a	15
to the left	15
but in the	15
the influence of	15
that it is	15
the love of	15
on the north	15
door of the	15
at this time	14
that he had	14
come upon the	14
andrea del sarto	14
fresco of the	14
we come to	14
and the sea	14
with a certain	14
and of the	14
the church is	14
as it seems	14
of the magi	14
song of the	14
there in the	14
not to be	14
the rest of	14
there is nothing	14
of such a	14
of the sixteenth	14
tells us that	14
a man of	14
it is with	14
was in the	14
and all the	14
a madonna and	14
portrait of a	14
you will find	14
seem to be	13
in such a	13
the gates of	13
of his work	13
every sort of	13
church of the	13
perhaps the most	13
the church itself	13
the sound of	13
to see the	13
that he was	13
this may be	13
at last in	13
in front of	13
the hand of	13
to the church	13
lost in the	13
as it was	13
all day long	13
full of life	13
of the greatest	13
the history of	12
with all the	12
of those who	12
the body of	12
in the early	12
name of the	12
the city and	12
on your way	12
the son of	12
of the fourteenth	12
to the right	12
at that time	12
as he was	12
the song of	12
the middle of	12
when he was	12
in order to	12
the heart of	12
a look of	12
it is as	12
i shall hear	12
with a look	12
some of the	12
of the whole	12
the splendour of	12
of the beautiful	12
the road to	12
of his time	12
you enter the	12
head of the	12
of the shepherds	12
chapel of the	12
middle of the	12
in the garden	12
in the accademia	12
in the pitti	12
that we find	12
the door of	12
here and there	12
was the first	12
piazza del duomo	12
of a man	12
the fresco of	11
of the tower	11
however this may	11
not far from	11
that in the	11
i shall come	11
it would be	11
the corner of	11
a piece of	11
of the sun	11
and the hills	11
the guild of	11
the joy of	11
so that he	11
in the south	11
work of his	11
to the great	11
of the gods	11
the statue of	11
crowe and cavalcaselle	11
gate of the	11
for in the	11
in the choir	11
of the loveliest	11
of the blessed	11
the shadow of	11
to the city	11
and in a	11
the first of	11
at the gate	11
by reason of	11
john the divine	11
he seems to	11
there is but	11
of the thirteenth	11
of old the	11
opera del duomo	11
the madonna and	11
the people of	11
it is strange	11
desiderio da settignano	11
on one side	11
as though to	11
the sun and	11
from his hand	11
come at last	11
he was the	11
by the wayside	11
down to the	11
the church was	11
of his own	11
is not the	10
the glory of	10
on the hills	10
years of age	10
that we see	10
statue of st	10
among the flowers	10
of the baptistery	10
in the evening	10
the duke of	10
for it is	10
that of the	10
of the life	10
he did not	10
of the place	10
the most ancient	10
may well have	10
of the first	10
even in the	10
city of florence	10
the city was	10
guelph and ghibelline	10
it will be	10
on his way	10
one of his	10
the della robbia	10
in the museo	10
about this time	10
and the sun	10
of a great	10
in the convent	10
the whole city	10
this is the	10
in my heart	10
in the hands	10
city of the	10
and when the	10
the feet of	10
who goes there	10
the duomo of	10
the day of	10
much of the	10
was compelled to	10
of the dead	10
the chapel of	10
in which he	10
so that the	10
the city in	10
in the background	10
we may think	10
it was here	10
is not a	10
of the work	10
the fall of	10
splendour of the	9
not without a	9
is but a	9
for the duomo	9
and in his	9
came to the	9
and the rest	9
through the city	9
as in the	9
that is not	9
way to the	9
the beginning of	9
giovanni da bologna	9
it is so	9
to me to	9
has painted the	9
the top of	9
is true that	9
at his best	9
the sun is	9
the possession of	9
of the madonna	9
in the name	9
it is perhaps	9
the centre of	9
after a pause	9
the piazza del	9
for the sake	9
though they be	9
work of andrea	9
is not so	9
the hills and	9
appears to have	9
is about to	9
a man who	9
set out for	9
so it is	9
and so it	9
midst of the	9
as that of	9
on the first	9
to us of	9
is to be	9
in the first	9
of the florentine	9
in the shadow	9
the modern world	9
into the piazza	9
great church of	9
that we have	9
the beauty and	9
manner of the	9
of the soul	9
to the pope	9
the help of	9
his work is	9
then in the	9
have been the	9
and above all	9
the voice of	9
work in the	9
rest of the	9
the sake of	9
piazza della signoria	9
coronation of the	9
for it was	9
on the ground	9
where you may	9
of his life	9
the great church	9
of the medici	9
him in the	9
of the same	9
and the great	9
lorenzo di credi	9
gentile da fabriano	9
is the great	9
the south transept	9
of the two	9
at the head	9
the spirit of	9
we seem to	9
away in the	9
is strange that	8
the old road	8
of andrea pisano	8
is the most	8
and by the	8
story of st	8
reliefs of the	8
the will of	8
remains to us	8
it to the	8
far from the	8
the friend of	8
over the door	8
such work as	8
the walls of	8
it is rather	8
work of donatello	8
into the city	8
the valley of	8
on the th	8
early in the	8
of the italian	8
the seventeenth century	8
in the heart	8
seemed to be	8
we see in	8
there was a	8
was born in	8
sun and the	8
the eleventh century	8
with a sort	8
in the streets	8
of madonna and	8
the order of	8
the statues of	8
where of old	8
that we come	8
picture of madonna	8
face to face	8
the verge of	8
i shall pass	8
the twelfth century	8
be found here	8
he went to	8
the little church	8
the hearts of	8
the place where	8
one of those	8
is but little	8
we shall find	8
built in by	8
mino da fiesole	8
in the north	8
in a sort	8
on the road	8
they are the	8
of his master	8
the way of	8
some have thought	8
so that in	8
to come to	8
in the form	8
the great door	8
duke of genoa	8
an old man	8
is perhaps the	8
but it was	8
the prince of	8
of the state	8
and beauty of	8
the greatest of	8
in the sacristy	8
of the palace	8
the old church	8
far and far	8
the monks of	8
corner of via	8
out of his	8
of the north	8
her little son	8
fra lippo lippi	8
if we compare	8
captain of the	8
a group of	8
all his life	8
and one of	8
the opera del	8
of the day	8
of the house	8
we come upon	8
beautiful work of	8
while on the	8
of the della	8
of the commune	8
of the piazza	8
where it is	8
art of the	8
he has carved	8
of the cicale	8
of the genoese	8
that she was	8
he had been	8
on the south	8
in a certain	8
of florence and	8
is the work	8
with the help	8
of the order	8
the resurrection of	8
in the temple	8
or at least	8
thing in the	8
of the last	8
in her arms	8
are full of	8
i have said	8
to build a	8
shall hear the	8
all that is	8
said to be	8
piazza di s	8
the first to	8
is said that	8
day in the	8
that you may	8
the madonna della	8
on your right	8
in the country	8
it was for	8
to this day	8
on the threshold	8
joy of the	8
of the east	8
in the hills	8
used as a	7
is difficult to	7
the grand dukes	7
of the country	7
the fact that	7
the masterpiece of	7
and the wind	7
belonged to the	7
front of the	7
of the florentines	7
as i have	7
it was to	7
is really the	7
among the olives	7
the way is	7
the streets of	7
see in the	7
the father of	7
of life and	7
the dust of	7
worth a visit	7
christ and st	7
the blessed virgin	7
is with a	7
in a moment	7
of the tuscan	7
and the st	7
in the beautiful	7
to the people	7
arnolfo di cambio	7
has become a	7
by the hand	7
built by the	7
in the nave	7
is to say	7
the gulf of	7
a statue of	7
one of them	7
that i have	7
by the old	7
as this that	7
on the wall	7
is now a	7
the founder of	7
in the summer	7
on your left	7
his way to	7
for more than	7
and for this	7
the family of	7
of the annunciation	7
and indeed the	7
that we may	7
the time of	7
but for the	7
he would not	7
may well be	7
up to the	7
may see a	7
the eighteenth century	7
or in the	7
was built in	7
into the hands	7
frescoes of the	7
is as though	7
there you may	7
of the uffizi	7
the soul of	7
of the valley	7
the via s	7
left in the	7
in the cappella	7
and far away	7
picture of the	7
the rise of	7
it must have	7
the triumph of	7
is the first	7
from the city	7
relief of the	7
of his pupil	7
to speak of	7
he returned to	7
not of the	7
he has painted	7
was it not	7
the last supper	7
of luca della	7
in the st	7
as you pass	7
in the heat	7
love of god	7
of the badia	7
the form of	7
one by one	7
a young man	7
with the other	7
little church of	7
know not what	7
on their way	7
of one of	7
with a great	7
and began to	7
to him in	7
of a sort	7
all the way	7
all sorts of	7
beginning of the	7
him in his	7
the side of	7
we come into	7
on the walls	7
the year of	7
and at the	7
jacopo della quercia	7
the world is	7
walking up and	7
and then the	7
in the twilight	7
it was with	7
are the work	7
that is to	7
in the valley	7
and in her	7
according to vasari	7
of the mountain	7
of the other	7
might seem to	7
here is the	7
just within the	7
the pitti palace	7
is not any	7
and child with	7
hills and the	7
under the influence	7
black and white	7
at his feet	7
statues of the	7
the coronation of	7
and to have	7
on the verge	7
of his art	7
shall see the	7
the cities of	7
strange and beautiful	7
the beautiful work	7
the houses of	7
it is for	7
you may be	7
of the via	7
all that was	7
from the sea	7
was painted in	7
part in the	7
placed in the	7
as of old	7
a relief of	7
the sea and	7
is the beautiful	7
which i have	7
scarcely more than	7
in the centre	7
in the middle	7
the old man	7
was not a	7
the pitti gallery	7
an air of	7
most beautiful of	7
far away in	7
in the left	7
that may be	7
work as this	7
so that when	7
in the plain	7
of a new	7
in its own	7
it was on	7
and a little	7
the right is	6
house of the	6
in the sixteenth	6
the rule of	6
here in this	6
madonna della cintola	6
and the little	6
to make the	6
gate of st	6
at a turning	6
place of the	6
it is ever	6
form of a	6
built in the	6
them with the	6
the campo santo	6
here you may	6
come upon in	6
the annunciation of	6
of the body	6
of the end	6
of the poor	6
in the east	6
our own time	6
to do with	6
among the rest	6
john baptist and	6
to the north	6
of all that	6
in the woods	6
the power of	6
most beautiful and	6
the doors of	6
we find the	6
in a garden	6
his best work	6
was not to	6
the feast of	6
a glimpse of	6
peter and st	6
little more than	6
a church as	6
when in the	6
in the possession	6
pass into the	6
in a museum	6
that strange and	6
to think of	6
in his hands	6
as the work	6
you will see	6
it is just	6
who had been	6
work seems to	6
the site of	6
palio and ponte	6
she was a	6
only in the	6
under the olives	6
must go to	6
in your heart	6
as i think	6
the patron of	6
of the family	6
the city to	6
centre of the	6
than anywhere else	6
the madonna of	6
the sculptors of	6
guild of silk	6
shadow of the	6
by the way	6
to be his	6
to have come	6
val di nievole	6
as soon as	6
spite of the	6
of the art	6
we hear of	6
of the convent	6
to the work	6
you may still	6
of every sort	6
of his father	6
have come to	6
in the history	6
work of fra	6
for this cause	6
she was not	6
set himself to	6
and there are	6
be found there	6
death of the	6
in the house	6
the government of	6
the wind of	6
in the thirteenth	6
by the will	6
on the site	6
the sight of	6
come to her	6
which in the	6
on the top	6
the four evangelists	6
not long after	6
all the world	6
he came to	6
in one of	6
and there in	6
is a little	6
building of the	6
was born at	6
madonna and saints	6
there is the	6
works of the	6
we see the	6
of the sacristy	6
convent of the	6
in the tomb	6
there are some	6
something of that	6
corner of the	6
we find in	6
the banners of	6
the arms of	6
of the modern	6
of painting in	6
much the same	6
there by the	6
out of which	6
other side of	6
by no means	6
in the loggia	6
where there is	6
by giovanni da	6
at or san	6
a turning of	6
he could not	6
houses of the	6
and the other	6
you come into	6
to return to	6
him by the	6
of his country	6
is the very	6
it may well	6
at her feet	6
in all tuscany	6
that has been	6
high altar is	6
out from the	6
monks of the	6
and then in	6
them in the	6
you find the	6
was in his	6
all the cities	6
and his wife	6
is the only	6
he would have	6
into the world	6
to the end	6
it is only	6
of leonardo bruni	6
a host of	6
i set out	6
of this city	6
to its own	6
and the madonna	6
the king of	6
the sun will	6
the gift of	6
than any other	6
the place of	6
painted in fresco	6
of the crucifixion	6
the liberty of	6
was given to	6
not altogether without	6
such an one	6
away to the	6
without a certain	6
in his youth	6
who died in	6
it was only	6
the best of	6
in the next	6
and i will	6
which he was	6
duke of athens	6
with a banner	6
a banner of	6
in the place	6
so i shall	6
strange and lovely	6
tomb of the	6
heart of the	6
here is a	6
founder of the	6
at last into	6
there is little	6
the guelph league	6
full of grace	6
via del proconsolo	6
to those who	6
shrine of madonna	6
of the roman	6
the assumption of	6
of the palazzo	6
is not yet	6
if he were	6
i shall look	6
as to the	6
shall come into	6
you see him	6
over the sea	6
a sense of	6
ponte di mezzo	6
the most delightful	6
at the door	6
glory of the	6
last to the	6
madonna and st	6
it in the	6
the face of	6
have been a	6
the way from	6
me to be	6
lorenzo il magnifico	6
of the twelfth	6
the garden of	6
the splendour and	6
because of the	6
the baptism of	6
to the piazza	6
the ways of	6
of desiderio da	6
ways of the	6
that i am	6
at its best	6
the pulpit of	6
who was the	6
the same time	6
for the sun	6
at the top	6
such a church	6
the victory of	6
in the fourteenth	6
the dead body	6
a friend of	6
of the nave	6
that they are	6
who knows what	6
in the churches	6
that we should	6
he refused to	6
the hills of	6
it is but	6
him to the	6
in the chapel	6
it was this	6
for a little	6
and they were	6
work of a	6
with an air	6
miniato al tedesco	6
which seems to	6
as the sun	6
madonna of the	6
of the young	6
of the street	6
art of painting	5
is no longer	5
the count is	5
to make a	5
the praise of	5
if it is	5
coming to the	5
the aspect of	5
master of the	5
the conti guidi	5
is the church	5
of life which	5
works of art	5
set out on	5
countess of lavagna	5
we know not	5
madonna with st	5
of the pitti	5
what dost thou	5
the hero of	5
to the south	5
to and fro	5
the hill of	5
when i came	5
michele in borgo	5
is to the	5
there in that	5
banners of the	5
and with the	5
people of the	5
monastery of the	5
of andrea del	5
the pleasure of	5
was a little	5
stood on the	5
i shall go	5
farinata degli uberti	5
not only to	5
the one side	5
praise of the	5
saints and angels	5
the island of	5
of the three	5
not for long	5
the monastery of	5
hands and feet	5
we see to	5
of madonna with	5
the shape of	5
sculptor of the	5
the spoil of	5
sight of the	5
a pupil of	5
the national gallery	5
and there you	5
so soon to	5
him on the	5
in that the	5
the shores of	5
who in the	5
reason of the	5
and the two	5
lies in the	5
the north side	5
andrea del castagno	5
which is so	5
time in the	5
one might think	5
it was an	5
the street corner	5
and the tomb	5
his hands and	5
the wife of	5
the sea is	5
in by the	5
the umbrian school	5
to face with	5
of the bargello	5
stronghold of the	5
the last judgment	5
was on the	5
come out of	5
till at last	5
i speak elsewhere	5
of lippo lippi	5
works of that	5
with its beautiful	5
founded in by	5
turning of the	5
of the town	5
spite of every	5
i shall watch	5
hearts of the	5
a picture of	5
perhaps in the	5
of the empire	5
in the via	5
villani tells us	5
of the time	5
city of merchants	5
was about to	5
and there was	5
to have gone	5
to take the	5
where he was	5
came into the	5
best of all	5
he has set	5
will come to	5
of the eighteenth	5
view of the	5
at the very	5
which you may	5
dedicated to s	5
to the order	5
there on the	5
your way to	5
the great and	5
you turn into	5
piero della francesca	5
came to her	5
the sacristy of	5
the portraits of	5
yet it was	5
on the sea	5
was placed in	5
of the venetians	5
set out from	5
worthy of the	5
the mother of	5
you from the	5
at the feet	5
away from the	5
among the vines	5
by one of	5
but as a	5
while he was	5
to build the	5
the brancacci chapel	5
son in her	5
in the night	5
of the mediterranean	5
close to the	5
i do not	5
of the white	5
i have done	5
to go to	5
of a young	5
the bust of	5
appear to have	5
in the portrait	5
and a great	5
it must be	5
had to be	5
and even in	5
to have found	5
eyes of the	5
the man who	5
from the church	5
will be found	5
century work of	5
in the gallery	5
the young cardinal	5
he was not	5
then i shall	5
it is impossible	5
if you come	5
in that city	5
in the spring	5
from the hand	5
the little city	5
at the beginning	5
we find there	5
body of the	5
by domenico ghirlandajo	5
the bishops of	5
enter the city	5
and though in	5
one side of	5
masters of the	5
he had to	5
in honour of	5
whisper of the	5
is not to	5
most of the	5
little to see	5
so that there	5
right is the	5
the early renaissance	5
help of the	5
it was called	5
so long ago	5
to the old	5
into the valley	5
it is always	5
and to the	5
is really a	5
leonardo da vinci	5
for the church	5
and as he	5
and if you	5
time of the	5
i came into	5
power of the	5
was in that	5
to be of	5
and white marble	5
seems about to	5
work of giotto	5
the sun that	5
the shrine of	5
in the fresco	5
amid all the	5
the pisans had	5
have been gathered	5
at the gates	5
though it was	5
said that the	5
the master of	5
the greatness of	5
so far as	5
as far as	5
a little by	5
really in the	5
that it would	5
the throne of	5
of the duke	5
it is very	5
sculptors of the	5
and with a	5
the most precious	5
the advent of	5
now and then	5
a thought of	5
on th november	5
of just that	5
in he had	5
a garden of	5
maria del fiore	5
to follow the	5
as i suppose	5
prince of life	5
city was in	5
was to be	5
of the loggia	5
it is certainly	5
in all its	5
of the latin	5
see the very	5
and a madonna	5
men and women	5
of the hill	5
story of the	5
was founded in	5
up in the	5
of piero della	5
not on the	5
he appears to	5
be content with	5
on the east	5
the countess imperiali	5
pulpit of s	5
it is difficult	5
it is my	5
such a place	5
of the dominicans	5
top of the	5
on all sides	5
of our lady	5
history of painting	5
and that he	5
verge of the	5
more than the	5
for the love	5
in his hand	5
way to rome	5
might have been	5
sacco and calcagno	5
gates of paradise	5
in the crowd	5
there are but	5
and though it	5
church of that	5
the whisper of	5
the church and	5
which had been	5
but of the	5
and there will	5
gonfaloniere of justice	5
this is a	5
not so far	5
will not be	5
the wonder of	5
and then to	5
and he is	5
of the new	5
himself to the	5
through all the	5
of old things	5
if it be	5
do not know	5
and the beauty	5
the picture of	5
is the tomb	5
in the vineyard	5
with something of	5
the giuoco del	5
the creation of	5
with its old	5
see le mesurier	5
us of the	5
tomb of leonardo	5
in the sunshine	5
walks up and	5
of her own	5
in it was	5
of christ and	5
given up to	5
made in the	5
of the frescoes	5
by nanni di	5
so that his	5
up the hill	5
on the one	5
the palazzo vecchio	5
in the silence	5
and to this	5
painting in italy	5
she is a	5
certainly in the	5
about the year	5
of porto venere	5
of my soul	5
in the cool	5
has told us	5
the countess of	5
treasure of the	5
and as though	5
possession of the	5
something of this	5
the whole nobility	5
the republic of	5
is that of	5
however that may	5
may still be	5
though it is	5
know not why	5
man who is	5
behind the high	5
but by the	5
have seen the	5
the eyes of	5
any other city	5
the image of	5
and though the	5
baptist and st	5
gates of the	5
on the day	5
two of his	5
in the most	5
but florence was	5
will be the	5
the destruction of	5
such a thing	5
on the night	5
far away to	5
it was now	5
the valley to	5
the gardens of	5
has carved the	5
it to be	5
all the other	5
by the sea	5
of the altar	5
the city with	5
the children of	5
the tuscan hills	5
in the wind	5
the great families	5
that you are	5
long given to	5
of fra angelico	5
came at last	5
he set out	5
so characteristic of	5
the desire of	5
scenes from the	5
they have been	5
of silver and	5
he began to	5
of the decamerone	5
for a time	5
the cross of	5
when the sun	5
came to pisa	5
though it be	5
the great gate	5
is the same	5
piazza al serchio	5
you come at	5
tronci tells us	5
by the florentines	5
the soft sky	5
turning to the	5
the treasures of	5
buildings of the	5
i saw the	5
something of a	5
he died in	5
of the school	5
we compare it	5
benedetto da maiano	5
may find a	5
and this is	5
but here in	5
sea and the	5
at last the	5
we have seen	5
there will be	5
the valleys and	5
yet it is	5
in the baptistery	5
the threshold of	5
is always with	5
giuoco del ponte	5
a little way	5
the presence of	5
and the most	5
birth of venus	5
still be found	5
such were the	4
a school of	4
in the mysterious	4
you find a	4
the painters of	4
that the great	4
in which all	4
if you can	4
duchess of urbino	4
of the high	4
more like a	4
and indeed it	4
with a fine	4
where he has	4
was covered with	4
of its own	4
of our own	4
whom he had	4
is the masterpiece	4
on his knees	4
hung in the	4
the night of	4
many an old	4
the success of	4
art thou mad	4
to one of	4
of grand duke	4
the ruins of	4
is the story	4
so great was	4
if we may	4
within her walls	4
church of marble	4
of the sky	4
hands of the	4
all the clergy	4
of the pulpit	4
of the accademia	4
of the seventeenth	4
the people with	4
him at the	4
to prove that	4
i heard the	4
is a very	4
in the right	4
the shadows of	4
come under the	4
in the afternoon	4
in the sala	4
coming out of	4
the madonna with	4
the street of	4
so that you	4
and yet so	4
that i could	4
it had been	4
in that of	4
in its present	4
to the ground	4
altar of the	4
into the sky	4
like a fortress	4
the tragedy of	4
as good as	4
you will not	4
the old convent	4
into the sea	4
a stronghold of	4
is in such	4
the city by	4
we shall see	4
of cosimo i	4
he had found	4
pisa in the	4
not only the	4
be the work	4
stands on the	4
the capital of	4
of the latter	4
city with a	4
capital of the	4
from the ground	4
most splendid and	4
of the sunset	4
and took it	4
her son in	4
pass by the	4
than a hundred	4
the duomo and	4
by the republic	4
feast of the	4
if you would	4
and yet i	4
the gesture of	4
of the bridge	4
some fragments of	4
me to the	4
was at the	4
garden of the	4
ladies of the	4
of the quattrocento	4
with his hands	4
on the table	4
of his wife	4
grand duke of	4
with precious stones	4
spoiled a little	4
of the story	4
flowers and the	4
with which he	4
here in florence	4
chapel in the	4
that we owe	4
almost at once	4
of the beauty	4
in which a	4
portrait of himself	4
on his shoulders	4
and farther still	4
on his return	4
the most splendid	4
the whole piazza	4
the present church	4
it is from	4
it with a	4
arches of the	4
the mount of	4
it was his	4
early part of	4
of a church	4
body of a	4
anything of the	4
the great victory	4
of the christian	4
in many a	4
the kingdom of	4
the dominion of	4
in his own	4
of the signoria	4
the people for	4
one who had	4
in such work	4
of such things	4
but not less	4
is characteristic of	4
in the palazzo	4
of art in	4
i shall turn	4
it was built	4
that you see	4
was not so	4
of his house	4
was a man	4
may see in	4
like all the	4
at his death	4
the army of	4
will find in	4
it was given	4
left of the	4
you find yourself	4
a traitor to	4
here is no	4
of a certain	4
hundred and fifty	4
without a thought	4
called upon to	4
the badia di	4
florence and the	4
the wind and	4
in the last	4
like a flower	4
with his sword	4
of the lily	4
by the byways	4
the burden of	4
duomo of pisa	4
way of the	4
work of this	4
but he refused	4
much of his	4
is with the	4
you are a	4
began to build	4
he may well	4
the gallery of	4
the virgin and	4
and of his	4
not only in	4
was not slow	4
the three masks	4
on the city	4
is little to	4
bishop of lucca	4
some of them	4
ospedale degli innocenti	4
i have a	4
how in the	4
the frescoes of	4
he has not	4
the affections of	4
of what is	4
of madonna in	4
surrounded by a	4
martino a mensola	4
the blood of	4
it was about	4
cities of italy	4
of the forest	4
fortress of the	4
from the duomo	4
with a smile	4
left to us	4
where all the	4
high above the	4
again in the	4
with her son	4
that of all	4
he made for	4
tower of hunger	4
have been so	4
what am i	4
we know that	4
if you are	4
what have i	4
into his arms	4
with so much	4
beautiful of the	4
the back of	4
might seem that	4
in the wilderness	4
to pass into	4
in all the	4
that he should	4
francis of assisi	4
to the others	4
room on the	4
then on the	4
as some have	4
because it is	4
of the love	4
to say of	4
by antonio rossellino	4
borgo degli albizzi	4
between the mountains	4
is lost in	4
the company of	4
like to be	4
is a city	4
is a fine	4
by the people	4
to her from	4
all the work	4
where the old	4
the faith of	4
it was at	4
the whole world	4
in the way	4
valley to the	4
fiesco of lavagna	4
was not till	4
of the barbarian	4
was it that	4
his best works	4
the old manner	4
son of a	4
to the altar	4
the ashes of	4
but little to	4
of the death	4
as we have	4
to the last	4
out of their	4
to satisfy the	4
will of the	4
house of doria	4
the beauty that	4
of the sunshine	4
piero di cosimo	4
which was a	4
wind and the	4
has carved in	4
the mercato vecchio	4
certainly with the	4
of coolness and	4
set fire to	4
as though it	4
coming at last	4
the people and	4
the names of	4
the south aisle	4
as much as	4
a great and	4
owing to the	4
in the hearts	4
as we know	4
from the old	4
the pope and	4
the desolation of	4
of the monks	4
sake of the	4
the most characteristic	4
more than one	4
the pictures of	4
together with the	4
the mountains and	4
the dream of	4
may find the	4
true that the	4
by means of	4
at a distance	4
and lovely work	4
that when he	4
in a storm	4
what means this	4
all the city	4
more than two	4
no less than	4
apse of the	4
of their city	4
into two parts	4
he died at	4
the great palace	4
of a city	4
to have built	4
a matter of	4
work of raphael	4
is a madonna	4
just as the	4
hidden in the	4
the cappella del	4
the whole place	4
come to us	4
the most perfect	4
on a summer	4
follow the via	4
between the two	4
used to do	4
the only one	4
the delicate and	4
the marriage of	4
portrait of the	4
rhythm of the	4
as a friend	4
may be seen	4
liberty of the	4
destruction of the	4
flowers by the	4
have been painted	4
giovanni di bicci	4
into the night	4
his work seems	4
the holy grail	4
was in this	4
she seems to	4
as he said	4
like a lily	4
the tears of	4
he is the	4
nor was this	4
of castruccio castracani	4
the dust and	4
his old age	4
or of the	4
the olive gardens	4
the morning of	4
the castle of	4
and not the	4
where now stands	4
loggia dei banchi	4
find the great	4
that was the	4
the hope of	4
such a man	4
born in the	4
year of christ	4
no doubt of	4
to have taken	4
of my heart	4
then there is	4
with her little	4
night and day	4
those who have	4
by sandro botticelli	4
now to the	4
a place of	4
comes to us	4
what do i	4
that was to	4
that he would	4
on the west	4
if it were	4
with here a	4
we may suppose	4
blue and gold	4
the bells of	4
heat of the	4
tomb of jesus	4
was divided into	4
in the national	4
child of the	4
of the best	4
and made him	4
will be present	4
to the little	4
keep you long	4
as it does	4
they built a	4
them by the	4
in a chapel	4
of this world	4
among the corn	4
in for the	4
church of florence	4
place where the	4
for he had	4
for what purpose	4
there are many	4
when at last	4
of the south	4
it should be	4
and the palazzo	4
had come to	4
a building of	4
up at the	4
till our own	4
looking at him	4
art in the	4
and for the	4
the madonna del	4
and fra angelico	4
and that was	4
portrait of his	4
of a world	4
an old and	4
birth of st	4
and down in	4
of no account	4
since she was	4
the florentines were	4
domenico at fiesole	4
for the opera	4
the left is	4
they seem to	4
is just that	4
the knowledge of	4
the mountain that	4
bank of st	4
wonder of the	4
shall watch the	4
lived in the	4
and if the	4
dream of the	4
the monument of	4
francesco delle opere	4
him to be	4
you must go	4
should have been	4
in florence at	4
aspect of the	4
made for the	4
sides of the	4
the apse of	4
the early part	4
those of the	4
in the senate	4
tell me of	4
is nothing more	4
i come to	4
brought here from	4
madonna with her	4
santo of pisa	4
under the rule	4
from which he	4
it has been	4
on the shores	4
it was then	4
it is of	4
on the old	4
are among the	4
the picture is	4
beauty of his	4
sound of the	4
the duomo at	4
what are you	4
it in his	4
her from the	4
you may catch	4
we read of	4
ilaria del caretto	4
you leave the	4
in the said	4
always full of	4
by andrea del	4
the child of	4
be the first	4
to the west	4
was this all	4
tower in the	4
prince of the	4
history of the	4
is still in	4
the other hand	4
i shall find	4
of natural things	4
the country and	4
is so full	4
charge of the	4
account of the	4
he was buried	4
were to be	4
the works of	4
to look at	4
have thought to	4
into the great	4
without an afterthought	4
is in my	4
much to the	4
of the bishops	4
they are not	4
content with the	4
we have loved	4
street of the	4
in his heart	4
to paint in	4
and if it	4
may have been	4
went on their	4
on a hill	4
campo santo of	4
have been in	4
things have been	4
too in the	4
the holy city	4
struck with astonishment	4
benedetto da rovezzano	4
seem to see	4
by mino da	4
the commune of	4
shall come to	4
though it were	4
his own heart	4
in the fifteenth	4
of this work	4
silence of the	4
but to see	4
in the distance	4
to the greatest	4
that he might	4
found in his	4
of the guidi	4
in borgo ognissanti	4
at the first	4
the flowers and	4
certainly one of	4
of it in	4
the temple of	4
i understand you	4
who built the	4
and down the	4
and that is	4
was obliged to	4
they made a	4
of any other	4
years of the	4
in piazza s	4
to hear mass	4
much that is	4
full of coolness	4
the right into	4
and the children	4
as though one	4
and glory of	4
lucia sul prato	4
the figure of	4
i conjure you	4
very early in	4
in her lap	4
tower of the	4
in an almond	4
that she is	4
in the fourth	4
i came to	4
overwhelmed by the	4
city in italy	4
time seems to	4
the salvation of	4
returned from the	4
in which to	4
was not content	4
but he was	4
not as a	4
there is not	4
so it was	4
people and the	4
i give you	4
that seems to	4
this great and	4
the study of	4
lorenzo and s	4
the val di	4
thought of the	4
had entered the	4
that in his	4
the great days	4
melozzo da forli	4
well as the	4
came into italy	4
the battle of	4
us that the	4
of taddeo gaddi	4
something of their	4
so that they	4
with him to	4
a few days	4
it is almost	4
of the early	4
the cappella della	4
it was necessary	4
is the little	4
the heat of	4
it is like	4
say of the	4
uguccione della faggiuola	4
della robbia in	4
he had a	4
are of the	4
was the son	4
weary of the	4
to meet him	4
look at the	4
from the first	4
pupil of donatello	4
a chapel of	4
where the girls	4
lovely work of	4
most characteristic work	4
when they were	4
that we must	4
the old gods	4
so much more	4
divided into two	4
it is full	4
assumption of the	4
of the conspiracy	4
return to the	4
to this end	4
the same way	4
work of art	4
the court of	4
at least of	4
and his sons	4
on the side	4
came to pass	4
the loss of	4
more and more	4
is that all	4
they went on	4
of the assumption	4
a thing as	4
the florentine school	4
and the blessed	4
is the old	4
of the cities	4
yet in the	4
of the ghibelline	4
indeed it is	4
a strange and	4
by the pisans	4
you have come	4
the best work	4
after the great	4
in the second	4
as the church	4
and that the	4
his work in	4
at the time	4
that the greatest	4
to the duomo	4
think of it	4
youth of the	4
after the fall	4
of that age	4
i shall be	4
and come to	4
even as the	4
count of lavagna	4
in a great	4
that he may	4
great gate of	4
is not till	4
the hills to	4
in the fire	4
may still see	4
city of fiesole	4
come to me	4
thee to the	4
of the eleventh	4
in a place	4
a little weary	4
that on the	4
to us from	4
again and again	4
to destroy the	4
of that old	4
of or san	4
i am a	4
characteristic of the	4
was more than	4
where in the	4
to him and	4
on the far	4
i would have	4
you may hear	4
the old city	4
long in the	4
that there is	4
of country life	4
the narrow ways	4
and the whole	4
which we find	4
john louis fiesco	4
which there is	4
di or san	4
on a day	4
gallery of the	4
of green and	4
the close of	4
it has a	4
so fair as	4
painter of the	4
and in that	4
that of s	4
bagni di lucca	4
most beautiful in	4
as some say	4
group of christ	4
all that we	4
of the woods	4
is now in	4
in this very	4
not slow to	4
michele in orto	4
and then on	4
it is now	4
the fury of	4
the parte guelfa	4
well be that	4
for its own	4
of an old	4
the fate of	4
then to the	4
destroyed in the	4
set up a	4
the said church	4
of a lady	4
first time in	4
like the rest	4
of the government	4
memory of the	4
on the mountains	4
the pride of	4
school of painting	4
a temple of	4
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on this side	4
the brink of	4
works of his	4
so that we	4
of the river	4
may see his	4
hill of gardens	4
tomb in the	4
in the sunset	4
church itself is	4
a little child	4
he made a	4
a moment with	4
by the roadside	4
the bank of	4
of a latin	4
but the work	4
is a work	4
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day it is	4
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grand duke cosimo	4
such things as	4
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but the people	4
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of interest in	4
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that might have	4
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a latin cross	4
there was no	4
cup of the	4
of his best	4
in the earth	4
so much of	4
as i know	4
not content with	4
duke of tuscany	4
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us of his	4
on each side	4
in the end	4
is the palazzo	4
of the pictures	4
refers to the	4
full of energy	4
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the badia at	4
government of the	4
the care of	4
upon the table	4
with the head	3
he would often	3
of blue and	3
walls of the	3
girdle to st	3
patriots of genoa	3
was to come	3
work of verrocchio	3
the brotherhood of	3
the left transept	3
gate of italy	3
badia di s	3
the present building	3
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rose of the	3
the curse of	3
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pico della mirandola	3
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of his feet	3
along the coast	3
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side by side	3
into a chair	3
heaven and earth	3
confidence and beauty	3
i seemed to	3
characteristic work of	3
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into the church	3
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figures in the	3
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in florence in	3
where am i	3
delight in the	3
great for her	3
himself to be	3
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in that year	3
blue and white	3
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him that he	3
chiostro dello scalzo	3
heard of it	3
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under the cypresses	3
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the city into	3
rinaldo degli albizzi	3
the business of	3
soul of the	3
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for so much	3
common with the	3
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of la verna	3
give you thanks	3
the north aisle	3
in all his	3
that he is	3
to convince us	3
when he is	3
with the children	3
as a painter	3
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of the greeks	3
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by giovanni pisano	3
spirit of the	3
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i know that	3
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in our hearts	3
space and light	3
one may go	3
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moment with the	3
the genoese to	3
twelfth century the	3
the cry of	3
the south side	3
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andrea della robbia	3
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of the resurrection	3
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the church that	3
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floor of the	3
life of st	3
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knights of st	3
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the tomb itself	3
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piero his son	3
the raising of	3
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branch of olive	3
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preaching of st	3
to the walls	3
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of the knights	3
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ugolino della gherardesca	3
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the parapet of	3
picture in the	3
where the dead	3
the bishop of	3