trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
one of the	190
as well as	182
part of the	147
the eighteenth century	147
some of the	139
the time of	137
william and mary	136
the seventeenth century	132
there is a	118
of the eighteenth	108
and in the	108
the use of	99
to have been	97
of the seventeenth	94
of the time	94
of the old	91
end of the	90
furniture of the	87
the end of	87
of this period	86
the reign of	85
south kensington museum	84
of the same	83
and it is	80
the south kensington	80
of the period	80
the furniture of	75
the sixteenth century	72
it will be	72
in the south	71
the middle of	70
queen anne period	69
one of these	68
said to have	68
the period of	68
to be found	67
the days of	67
middle of the	66
of the most	66
pieces of furniture	65
many of the	64
piece of furniture	63
in the same	62
of the house	62
the queen anne	61
by permission of	61
victoria and albert	61
and albert museum	60
the art of	60
the work of	59
as early as	59
of the furniture	59
half of the	58
in this country	57
found in the	57
it is a	56
that of the	56
at the time	55
be found in	54
is in the	54
the style of	54
chest of drawers	53
the british museum	53
the fact that	53
of the day	52
in the old	51
days of the	51
chests of drawers	50
more or less	50
it may be	50
the history of	50
shown in figure	49
is said to	49
of the present	49
the influence of	48
as in the	48
of queen anne	48
of the room	48
the nineteenth century	48
the form of	48
it is not	47
is shown in	47
of louis xiv	47
of the first	47
of the century	47
of the early	46
work of the	46
in the british	45
of the chair	45
it was not	45
in which the	45
furniture of this	45
shown in the	45
at this time	45
the fifteenth century	44
on account of	44
in order to	44
to be seen	43
made in the	43
example of the	42
at the top	41
the top of	41
a piece of	41
side of the	41
the cabriole leg	40
known as the	40
of the nineteenth	40
be seen in	40
of the country	40
there is no	40
the manufacture of	40
of this time	40
the design of	39
will be seen	39
in the early	39
at hampton court	39
are to be	39
the courtesy of	39
used in the	39
the possession of	39
in the centre	38
of the sixteenth	38
the date of	38
of the great	38
the victoria and	38
by the courtesy	38
of the renaissance	38
of the best	38
seen in the	37
is of the	37
is one of	37
of william and	37
the collection of	37
carved and gilt	36
period of louis	36
there was a	36
a number of	36
much of the	36
in the form	35
the property of	35
idea of the	35
in regard to	34
such as the	34
that in the	34
it has been	34
is to be	34
the beginning of	33
parts of the	33
in the middle	33
time of the	33
on either side	33
it is of	33
hampton court palace	33
belongs to the	33
chairs of the	33
of charles ii	32
said to be	32
of louis xv	32
must have been	32
the decoration of	32
in the possession	32
that it was	32
courtesy of messrs	32
permission of messrs	32
the back of	32
may be said	32
and it was	32
the name of	31
the same period	31
of this type	31
the number of	31
most of the	31
of the middle	31
of the late	31
the age of	31
top of the	31
many of these	30
the present day	30
at that time	30
in the sixteenth	30
in some of	30
of furniture of	30
will be found	30
those of the	30
quarter of the	30
years of the	30
were made in	30
surmounted by a	29
the duke of	29
it was the	29
period of the	29
as to the	29
gold and silver	29
but it is	29
of the queen	29
in the days	29
seem to have	28
in the first	28
we find the	28
in the louvre	28
account of the	28
of the people	28
were made of	28
seems to have	28
of the connoisseur	27
it is the	27
in the seventeenth	27
we have seen	27
in the eighteenth	27
in one of	27
according to the	27
in those days	27
the appearance of	27
of the wood	27
at the back	27
well as the	27
some of these	27
use of the	27
the middle ages	27
in addition to	27
so as to	27
the names of	27
the introduction of	26
it must be	26
as it is	26
there is an	26
latter part of	26
proprietors of the	26
in new england	26
the renaissance in	26
of the family	26
in the time	26
the early days	26
examples of the	26
early eighteenth century	26
of the proprietors	26
back of the	26
furniture in the	26
form of the	26
the proprietors of	26
which it is	26
now in the	26
beginning of the	26
many of them	26
during the reign	25
of a room	25
of charles i	25
to be the	25
influence of the	25
a part of	25
this is a	25
the same time	25
be said to	25
the designs of	25
an example of	25
of the fifteenth	25
in the style	25
instead of the	25
in new york	25
the walls of	25
permission of the	25
made for the	25
and on the	25
early in the	24
it was a	24
for many years	24
and there are	24
of the two	24
the illustration of	24
queen anne style	24
and mary period	24
hall of the	24
similar to the	24
in the chapter	24
furniture and woodwork	24
of the three	24
the fourteenth century	24
found their way	24
out of the	24
chippendale and his	24
of the french	24
at the same	24
two or three	24
of louis xvi	24
the place of	24
of the back	24
the centre of	23
early days of	23
on the same	23
of furniture in	23
owing to the	23
in connection with	23
used by the	23
are in the	23
which had been	23
of some of	23
as we have	23
belong to the	23
of which is	23
appears to have	23
in the hall	23
the house of	23
at south kensington	23
a pair of	23
in the illustration	22
have been the	22
the united states	22
it is said	22
design of the	22
three or four	22
on each side	22
was in the	22
in the history	22
to be a	22
came into use	22
the case of	22
of which are	22
in the museum	22
early part of	22
of interior decoration	22
the latter part	22
from the fact	22
in the country	22
first half of	22
of the fine	22
in the latter	22
used as a	22
by means of	22
on the walls	22
the story of	22
the production of	21
be seen that	21
houses of the	21
it should be	21
articles of furniture	21
of the finest	21
of the original	21
at the end	21
and by the	21
and a half	21
the home of	21
it was made	21
furniture of a	21
of james i	21
to be used	21
as they were	21
that it is	21
this kind of	21
and of the	21
of carved oak	20
is a fine	20
the character of	20
the evolution of	20
this class of	20
in the great	20
of the table	20
good example of	20
have been made	20
portion of the	20
of one of	20
came into vogue	20
the head of	20
of the work	20
of which the	20
in the reign	20
fine example of	20
belonging to the	20
at the victoria	20
the tops of	20
specimens in the	20
is known as	20
a set of	20
still to be	20
a hundred years	20
a series of	19
was one of	19
may be seen	19
towards the end	19
of the empire	19
so far as	19
history of the	19
the chapter on	19
of new york	19
on the left	19
character of the	19
which it was	19
there are many	19
on the top	19
of the reign	19
made by the	19
of the design	19
a kind of	19
evolution of the	19
so that the	19
of the chairs	19
the death of	19
which we have	19
in the collection	19
at this period	19
in a room	19
to that of	19
covered with a	19
a matter of	19
the jones collection	19
regard to the	19
from an old	19
the windsor chair	19
the hall of	19
of james ii	19
of the new	19
book of designs	19
to match the	19
in figure is	19
illustrated on p	19
they were made	19
as it was	19
reign of louis	19
in some cases	18
in the new	18
of the louis	18
illustration of a	18
examples of this	18
it is difficult	18
the hands of	18
the result of	18
for the purpose	18
the beauty of	18
there is the	18
of the fireplace	18
place of the	18
this type of	18
as a rule	18
the fashion of	18
is difficult to	18
about this time	18
the kensington museum	18
was made in	18
late eighteenth century	18
a few years	18
the making of	18
and the other	18
in the house	18
the advent of	18
the rest of	18
in the case	18
carved and gilded	18
in the jones	18
the chair of	18
time of charles	18
the development of	18
was to be	18
of which we	18
for the use	18
of the beautiful	18
it is interesting	18
of the english	18
will be noticed	18
cottage and farmhouse	18
and with the	18
decoration of the	18
in the way	17
to the collector	17
latter half of	17
with regard to	17
is a very	17
more than a	17
is interesting to	17
an illustration of	17
in the kensington	17
from the east	17
were in use	17
the taste of	17
as has been	17
which they were	17
in the art	17
of the cabinet	17
the way of	17
is found in	17
has been made	17
in many cases	17
was not until	17
the details of	17
the early part	17
characteristic of the	17
to be made	17
on the subject	17
in the year	17
was made by	17
applied to the	17
in the city	17
to the old	17
preserved in the	17
the walls are	17
the subject of	17
to this country	17
sides of the	17
of his work	17
example of a	17
chats on old	17
which may be	17
there is also	17
down to the	17
the first half	17
there was no	17
are of the	16
of his own	16
of furniture and	16
and at the	16
the woodwork of	16
in such a	16
is a good	16
and farmhouse furniture	16
the height of	16
by no means	16
inlaid with ivory	16
of the last	16
this was the	16
a good example	16
addition to the	16
and there is	16
one of his	16
of the more	16
about the middle	16
the adam brothers	16
part of a	16
but in the	16
and manufactured by	16
the revival of	16
this style of	16
with cabriole legs	16
chairs and tables	16
of the king	16
specimens of this	16
of the case	16
of all the	16
the surface of	16
either side of	16
work of this	16
had to be	16
that of a	16
of this kind	16
and from the	16
the prince of	16
this is the	16
of the bed	16
the shape of	16
is that of	16
the front of	16
the styles of	16
place in the	16
will be observed	16
the effect of	16
in the design	16
chinese and japanese	16
woodwork of the	16
a variety of	16
which has been	16
of the latter	15
it is probable	15
early as the	15
second half of	15
the houses of	15
when it was	15
were to be	15
and they were	15
in the united	15
the arms of	15
specimens of the	15
belonged to the	15
on the other	15
a fine example	15
of flowers and	15
at the present	15
to make the	15
one or two	15
late seventeenth century	15
the seventeenth and	15
it is very	15
which is a	15
back to the	15
of the woodwork	15
into general use	15
woodwork and furniture	15
the legs are	15
works of art	15
this piece is	15
the top is	15
one of them	15
continued to be	15
life of the	15
a portion of	15
in harmony with	15
of the master	15
of that time	15
chairs of this	15
development of the	15
on the right	15
art of the	15
in his book	15
the invention of	15
specimen of the	15
of the revolution	15
the latter half	15
it is in	15
introduced into england	15
the william and	15
in the wall	15
been made in	15
to the first	15
of an old	15
the legs of	15
would have been	15
designs of the	15
the lines of	15
the great hall	15
of the italian	15
it is now	15
to make a	15
late in the	15
it was in	15
the present time	15
sir christopher wren	15
by the great	15
feature of the	15
is not a	15
of the art	15
designed and manufactured	15
but it was	15
the same page	15
turned legs and	15
in the last	15
an idea of	15
and the whole	15
chair of the	15
the lower part	15
of furniture which	15
the same colour	15
the study of	14
of these is	14
the backs of	14
the brothers adam	14
as is the	14
in date about	14
at the head	14
the value of	14
and in a	14
in other countries	14
of the various	14
close to the	14
of this style	14
can be seen	14
than that of	14
of a chair	14
of old furniture	14
in england and	14
the thirteenth century	14
as they are	14
was made for	14
a room in	14
fact that the	14
a touch of	14
appear to have	14
in the main	14
and that the	14
in which they	14
one side of	14
is made of	14
is of a	14
early seventeenth century	14
interest in the	14
of the household	14
last quarter of	14
fine examples of	14
in use in	14
was made to	14
survival of the	14
to be of	14
in the fifteenth	14
some of them	14
of the different	14
of sixteenth century	14
chair in the	14
and that of	14
the sides of	14
of the rooms	14
the whole of	14
during the seventeenth	14
in a great	14
history of furniture	14
and his contemporaries	14
the interior of	14
the hamilton palace	14
the most important	14
class of furniture	14
last half of	14
no less than	14
about the year	14
front of the	14
in the furniture	14
very similar to	14
seen that the	14
it is only	14
the seat is	14
there are in	14
illustration of the	14
a great deal	14
of the whole	14
the last quarter	14
to this day	14
carving on the	14
of henry viii	14
their way to	14
interesting to note	14
at one time	14
at its best	14
of the owner	14
of the home	14
the great fire	14
the most interesting	14
the size of	13
in general use	13
the upper part	13
use in the	13
form of a	13
the back is	13
to have the	13
the first empire	13
in a small	13
from the time	13
of the sideboard	13
who died in	13
on the continent	13
prior to the	13
is also a	13
master of the	13
formerly in the	13
carving of the	13
of the upper	13
in place of	13
to form a	13
treatment of the	13
treatment of a	13
on the back	13
the art journal	13
on which the	13
which were used	13
a chair of	13
and as the	13
should not be	13
to this period	13
of the colonial	13
in the room	13
and one of	13
by the use	13
in its construction	13
taste of the	13
seventeenth and eighteenth	13
the growth of	13
of the carving	13
it is to	13
found its way	13
to the same	13
room of the	13
line and colour	13
of the jacobean	13
the purpose of	13
of the frame	13
it had been	13
made in england	13
there are several	13
and to the	13
surface of the	13
the new york	13
in front of	13
queen anne chairs	13
not to be	13
the society of	13
a feature of	13
which there is	13
the hand of	13
to the fact	13
to suit the	13
which have been	13
attention to the	13
in france and	13
removed from the	13
of the very	13
during the last	13
were made by	13
and there was	13
about the same	13
connected with the	13
it is impossible	13
up to the	13
was used for	13
be seen at	13
of all kinds	13
the legs and	13
work in the	13
against the wall	13
of decorative furniture	13
change in the	13
and many of	13
is covered with	13
the last half	13
hundred and fifty	13
has always been	13
made by chippendale	13
style of the	13
with which the	13
used for the	12
came to the	12
like that of	12
of carved wood	12
are still to	12
of the seat	12
together with the	12
that they were	12
it was used	12
it has a	12
lines of the	12
oak chest of	12
of chippendale and	12
the first quarter	12
at the bottom	12
the inside of	12
excellent examples of	12
possession of the	12
property of mr	12
account of its	12
of grinling gibbons	12
the majority of	12
of these are	12
have been in	12
of the hall	12
table in the	12
the close of	12
bureau du roi	12
centre of the	12
to say that	12
were used in	12
cabriole legs and	12
black and gold	12
were covered with	12
the amount of	12
in the earlier	12
description of the	12
of the walls	12
here and there	12
all over the	12
beauty of the	12
at a time	12
first quarter of	12
of english furniture	12
is probable that	12
to show the	12
the fine arts	12
of the chest	12
or in the	12
as that of	12
of the designs	12
as far as	12
mistress of the	12
a collection of	12
the cost of	12
any of the	12
the reigns of	12
the colour of	12
and in some	12
point of view	12
have belonged to	12
were in the	12
a sort of	12
of the interior	12
italy th century	12
the room is	12
and is in	12
by the dutch	12
of the dutch	12
at one side	12
the civil war	12
sir william chambers	12
brought from england	12
it belongs to	12
in the national	12
of its kind	12
all sorts of	12
well as in	12
has been already	12
be observed that	12
work on the	12
reign of james	12
members of the	12
the jacobean period	12
has already been	12
the design and	12
may have been	12
to hold the	12
to be sure	12
rest of the	12
the homes of	12
study of the	12
of the fourteenth	12
of the world	12
in which he	12
of the famous	12
the panels of	12
which came into	12
records of the	12
by the kindness	12
designed by w	12
given to the	12
found to be	12
began to be	12
to have a	12
of the royal	12
the manor house	12
the kindness of	12
to those of	12
which could be	12
contrast to the	12
the part of	12
the early eighteenth	12
time of william	12
of new england	12
great deal of	12
the house was	11
and some of	11
a great many	11
of the carved	11
in this way	11
the wallace collection	11
far as the	11
is not so	11
and is a	11
blue and white	11
design of furniture	11
there were also	11
was the fashion	11
the treatment of	11
the table is	11
harmony with the	11
that there is	11
and the legs	11
is impossible to	11
bed of ware	11
not in use	11
this form of	11
we have already	11
of the style	11
to have belonged	11
and for the	11
tables of this	11
in the manufacture	11
way to america	11
of marie antoinette	11
in a house	11
french furniture of	11
of the antique	11
in the center	11
home of the	11
of the days	11
their useful monthly	11
to the early	11
there is in	11
in the later	11
the last century	11
to be in	11
great bed of	11
various parts of	11
with those of	11
not only in	11
they are not	11
included in the	11
the center of	11
the early years	11
of this work	11
to the period	11
auction sale prices	11
the seat of	11
so much of	11
figure is shown	11
were used for	11
of their own	11
of which was	11
from their useful	11
advent of the	11
on the floor	11
the commencement of	11
of which were	11
are still in	11
it is an	11
with gold and	11
be used in	11
of william iii	11
associated with the	11
on the ground	11
is an interesting	11
furniture may be	11
in low relief	11
they are of	11
colour of the	11
in keeping with	11
example of this	11
is at the	11
on old furniture	11
from the collection	11
catherine of braganza	11
reign of queen	11
the top rail	11
details of the	11
during the latter	11
of the large	11
there are some	11
had been made	11
manufacture of furniture	11
was used in	11
queen anne chair	11
of a single	11
habits of the	11
meubles de luxe	11
there is nothing	11
th and th	11
of about the	11
decoration of a	11
kindness of the	11
employed by the	11
in many of	11
they have been	11
which we are	11
was used as	11
such a piece	11
a specimen of	11
in the century	11
if you are	11
in furniture and	11
the effect is	11
early years of	11
time of louis	11
with the same	11
the wall paper	11
of the earlier	11
and there were	11
was a very	11
useful monthly publication	11
the construction of	11
with that of	11
at the beginning	11
is said that	11
many of his	11
the carving of	11
the attention of	11
on the table	11
of art in	11
an important part	11
and covered with	11
the most beautiful	11
length of the	11
hundred years ago	11
this type was	11
in carved oak	11
room in a	11
were made to	11
the chair is	11
was known as	11
the characteristics of	11
in this chapter	11
center of the	11
in the colonies	11
of the rich	10
the records of	10
the addition of	10
in all the	10
it was found	10
the same manner	10
during the early	10
may be found	10
style of furniture	10
be one of	10
room in the	10
to those who	10
the city of	10
of old english	10
of a great	10
instead of being	10
are shown in	10
walls of the	10
the chairs of	10
made of wood	10
in a few	10
collection of old	10
with all the	10
are said to	10
modern painted furniture	10
of an inch	10
of the clock	10
we find that	10
their way into	10
which is in	10
late queen anne	10
by the same	10
in use for	10
but they are	10
was the first	10
to the last	10
a time when	10
of woodwork and	10
added to the	10
the method of	10
of the kind	10
years after the	10
in the victoria	10
in mind that	10
must be remembered	10
examples in the	10
stuart or jacobean	10
excellent example of	10
found in a	10
of gold and	10
chair of st	10
of this chapter	10
of the stuarts	10
fashion of the	10
of them are	10
the finest examples	10
the italian renaissance	10
which are so	10
are made of	10
made of the	10
of the arts	10
and his school	10
of the cabriole	10
on the sides	10
and his work	10
the idea of	10
the length of	10
this is of	10
feature in the	10
in our own	10
the court of	10
and surmounted by	10
it was here	10
member of the	10
a century ago	10
in spite of	10
designs of furniture	10
with the advent	10
of the front	10
of these old	10
the illustration on	10
as regards the	10
the throne of	10
and ornamented with	10
in the royal	10
in westminster abbey	10
derived from the	10
in the home	10
was a great	10
of the metal	10
in which it	10
they may be	10
there were many	10
ebony and ivory	10
which is now	10
on the wall	10
to be had	10
to the furniture	10
the king of	10
close of the	10
took place in	10
be remembered that	10
when not in	10
of such a	10
there are two	10
in point of	10
the palace of	10
a long time	10
size of the	10
is not an	10
the seats of	10
of design and	10
of the times	10
connection with the	10
finish of the	10
in the upper	10
prices realised at	10
of your room	10
taken from the	10
on the front	10
noticed in the	10
use of a	10
in common use	10
some of our	10
he did not	10
the present owner	10
is an example	10
the upper portion	10
appearance of the	10
recent sale prices	10
homes of the	10
style of decoration	10
on the furniture	10
and most of	10
of a later	10
this chair is	10
of the top	10
of the other	10
to the present	10
prince of wales	10
are given from	10
this is an	10
it would be	10
of his chairs	10
is no doubt	10
and eighteenth centuries	10
had been in	10
over the country	10
not until the	10
the walls and	10
and was made	10
during the first	10
these items are	10
which they are	10
more often than	10
the direction of	10
and th centuries	10
as late as	10
all of the	10
it is quite	10
of the legs	10
on the inside	10
which was a	10
the case is	10
of furniture was	10
the most common	10
more than one	10
of those who	10
edges of the	10
in the thirteenth	10
the hall was	10
of the former	10
the wood is	10
of the modern	10
of the pieces	10
often than not	10
is of oak	10
of a large	10
the chairs and	10
that he was	10
as to be	10
of the walnut	10
makers of the	10
chair of dagobert	9
kind of furniture	9
of a fine	9
be said that	9
we have the	9
the lover of	9
furniture was made	9
with the other	9
hand of the	9
were also made	9
at one end	9
at the base	9
it is no	9
at windsor castle	9
shown by the	9
of the earliest	9
which in the	9
decorations of the	9
it is made	9
to the fifteenth	9
confined to the	9
house of the	9
but there is	9
realised at auction	9
it is true	9
the colour scheme	9
suitable for the	9
in the late	9
of the city	9
came into fashion	9
offered for sale	9
room in which	9
it is possible	9
were used to	9
a sense of	9
as ornament to	9
love of the	9
of seventeenth century	9
typical of the	9
to be one	9
and these were	9
of a very	9
arms of the	9
coat of arms	9
article of furniture	9
the works of	9
of domestic furniture	9
of the decoration	9
in an old	9
what is known	9
is now in	9
about the time	9
the contents of	9
of which there	9
evidence of the	9
later in the	9
even in the	9
the door of	9
a general rule	9
accord with the	9
traces of the	9
for this purpose	9
items are given	9
out of fashion	9
introduction to the	9
have been a	9
is taken from	9
the life of	9
it is found	9
a good deal	9
of the roman	9
given from their	9
not confined to	9
as much as	9
in early days	9
it in the	9
a book of	9
the second half	9
the side of	9
ornament to initial	9
for use in	9
of the greek	9
the louis xvi	9
the feet of	9
example in the	9
legs and stretcher	9
of the men	9
same manner as	9
of the subject	9
instance of the	9
one in the	9
is decorated with	9
whole of the	9
was not a	9
the line of	9
manufactured by m	9
of mahogany and	9
in this volume	9
that it has	9
the louis xiv	9
is characteristic of	9
age of the	9
of the stuart	9
presented to the	9
and as a	9
characteristics of the	9
was no longer	9
known in england	9
architects of the	9
among the most	9
may be had	9
if it is	9
in a large	9
body of the	9
at each end	9
in the next	9
of the long	9
in the following	9
corner of the	9
and it has	9
the frames of	9
and may be	9
in england during	9
to the end	9
period of william	9
of french furniture	9
at the ends	9
objects of art	9
and many other	9
in line and	9
type of chair	9
introduction of the	9
in their own	9
did not come	9
the class of	9
the present century	9
chair is of	9
for the most	9
is in a	9
the top and	9
to carry out	9
on the part	9
one on the	9
the manner of	9
came into general	9
south kensington collection	9
brought from the	9
of this class	9
is seen in	9
the origin of	9
in furniture of	9
commencement of the	9
due to the	9
little more than	9
referred to in	9
a little later	9
knowledge of the	9
of a well	9
one hundred and	9
may be of	9
it is this	9
for the display	9
church of st	9
styles of the	9
is of mahogany	9
head of the	9
which was the	9
the last of	9
a very early	9
and during the	9
the sixteenth and	9
was of the	9
at the foot	9
in various parts	9
its way to	9
and we have	9
a taste for	9
was born in	9
are found in	9
of a new	9
to prevent the	9
has been said	9
edict of nantes	9
of this room	9
three hundred years	9
from the old	9
of those days	9
to initial letter	9
the design is	9
the chateau of	9
of the well	9
part in the	9
italian louis xvi	9
in the provinces	9
reference to the	9
for which they	9
the whole is	9
seats and backs	9
the simplicity of	9
the display of	9
of furniture is	9
this period are	9
finished with a	9
as a general	9
in figure are	9
the arts and	9
the front stretcher	9
the description of	9
for a long	9
a type of	9
a combination of	9
ancient and modern	9
and the old	9
the variety of	9
furniture made in	9
between the two	9
date of the	9
the fashion in	9
the waring galleries	9
the work was	9
it is worth	9
as will be	9
each side of	9
of our own	9
a row of	9
this period of	9
of these was	9
mentioned in the	9
in the best	9
at a very	8
an account of	8
furniture which was	8
it is certain	8
of an earlier	8
of drawers and	8
more general use	8
is to say	8
be of the	8
and claw feet	8
placed on the	8
the body of	8
on the side	8
in the former	8
life in the	8
house on federal	8
with a small	8
the foundation of	8
of english make	8
grandeur of the	8
great variety of	8
a list of	8
the connoisseur these	8
were used as	8
and early nineteenth	8
portion of a	8
is an illustration	8
and feet of	8
shown on the	8
herculaneum and pompeii	8
which was used	8
of furniture made	8
in conjunction with	8
probably the most	8
and the two	8
period william and	8
much of it	8
of gilt bronze	8
the three louis	8
may be used	8
of the windsor	8
of household furniture	8
as those of	8
england in the	8
seen on the	8
houses in the	8
and not a	8
of the classic	8
of the previous	8
but as a	8
is illustrated on	8
the elaboration of	8
time of james	8
were made at	8
tops of the	8
was at the	8
also to be	8
to the other	8
panels in the	8
are covered with	8
pieces of this	8
hamilton palace collection	8
the most part	8
we give an	8
collection of the	8
in the inventories	8
the time when	8
up and down	8
renaissance in italy	8
the other hand	8
of the wall	8
so that it	8
on one side	8
which can be	8
during the period	8
during the time	8
all of these	8
in the lower	8
of the leg	8
the louis quinze	8
at the front	8
on the outside	8
design of a	8
the ladies of	8
noticed that the	8
previous to the	8
the head and	8
to the one	8
to which the	8
and fourteenth centuries	8
to note that	8
the first of	8
are still preserved	8
the inventory of	8
of carved walnut	8
of it is	8
his designs for	8
to the throne	8
to the middle	8
book of prices	8
as a whole	8
the late eighteenth	8
in the second	8
clock was made	8
noticeable in the	8
of the dwelling	8
a great variety	8
of all these	8
and has been	8
sign of the	8
to the new	8
days of queen	8
and the new	8
the work is	8
in the world	8
his chairs are	8
an old house	8
let into the	8
shape of the	8
some years later	8
to the south	8
were brought to	8
that one of	8
this bed is	8
on federal street	8
the old days	8
came to be	8
of the maker	8
as it were	8
a later date	8
portions of a	8
the best of	8
in the production	8
and died in	8
the walnut period	8
bottom of the	8
were made with	8
decorated in the	8
we know that	8
were used by	8
silver and gold	8
a later period	8
leonardo da vinci	8
it is well	8
in the back	8
the chairs were	8
the fact of	8
large number of	8
at the rear	8
and the like	8
in a new	8
a new york	8
feet of the	8
portions of the	8
made in america	8
of the court	8
be made in	8
clocks of the	8
table is a	8
england during the	8
used instead of	8
in the carved	8
be found on	8
from which the	8
the dutch influence	8
that is to	8
instead of a	8
general use in	8
rooms of the	8
the nature of	8
would seem to	8
it was probably	8
and those of	8
came into favor	8
of these were	8
be of a	8
as may be	8
back and seat	8
in his own	8
of their work	8
furniture for the	8
from collection of	8
served as a	8
in the court	8
our own country	8
at a later	8
be made of	8
bethnal green museum	8
design and workmanship	8
should have been	8
in the manner	8
of furniture were	8
connoisseur these items	8
and in his	8
the late seventeenth	8
old english furniture	8
we have a	8
no matter how	8
of the palace	8
the duchess of	8
the chest of	8
in the french	8
in high relief	8
been in the	8
as is shown	8
the taste for	8
the fifteenth and	8
reign of charles	8
an abundance of	8
of the united	8
may still be	8
furniture at knole	8
which is said	8
filled in with	8
placed in the	8
is certain that	8
much in the	8
in the most	8
a few of	8
table of the	8
chairs and sofas	8
property of the	8
manners and customs	8
was imported from	8
of the romans	8
and they are	8
met with in	8
it was to	8
may be mentioned	8
reproduction of the	8
the base of	8
the purchase of	8
to cover the	8
to charles ii	8
flanders th century	8
was called the	8
repeated in the	8
be met with	8
the type of	8
to the best	8
is true that	8
all through the	8
way to the	8
of this nature	8
could not be	8
few years ago	8
this was a	8
of these tables	8
in this case	8
which were in	8
of a piece	8
in the farmhouse	8
in the dining	8
a reproduction of	8
at the sides	8
date of this	8
of the past	8
in the palace	8
a knowledge of	8
seat and back	8
for it is	8
to have come	8
the furniture was	8
a very handsome	8
the french revolution	8
and seventeenth centuries	8
sixteenth and seventeenth	8
resulted in the	8
carved with foliage	8
in the hamilton	8
must not be	8
excellence of the	8
that he had	8
of his life	8
of the company	8
features of the	8
the adoption of	8
described in the	8
panelling of the	8
it is one	8
the one on	8
if you have	8
and we find	8
of the gothic	8
on to the	8
the panelling of	8
it is obvious	8
the back and	8
of its own	8
was probably the	8
several of the	8
by the time	8
hundred years later	8
of the pendulum	8
the table was	8
there are no	8
construction of the	8
type of the	8
that had been	8
and no doubt	8
be noticed that	8
and decorated with	8
of this date	8
hints to collectors	8
name of the	8
the turned legs	8
from the french	8
in coloured woods	8
the survival of	8
and had a	8
to the use	8
which was made	8
bears the date	7
the most expensive	7
in the shape	7
until his death	7
the fine old	7
a man of	7
furniture of that	7
of the richest	7
as it does	7
was used by	7
of the crown	7
grain of the	7
gave way to	7
imported from england	7
the furniture is	7
the panels are	7
to protect the	7
it is intended	7
birds and flowers	7
attached to the	7
in all its	7
found on the	7
in this manner	7
perhaps the most	7
in the making	7
of the kitchen	7
was at its	7
the kind of	7
the combination of	7
the court room	7
a sixteenth century	7
said that the	7
in possession of	7
be able to	7
to this time	7
those who have	7
which we give	7
of the william	7
a hundred and	7
the thirteenth and	7
the same material	7
a change in	7
was purchased by	7
was at first	7
can be made	7
story of the	7
of these chairs	7
of such work	7
in the large	7
a chest of	7
was kept in	7
hamilton palace sale	7
and his style	7
not have been	7
and his wife	7
the question of	7
of the british	7
was not confined	7
by james i	7
out by the	7
the bed and	7
in the splat	7
period of english	7
from the floor	7
of many of	7
of louis the	7
is very similar	7
the price of	7
by chippendale and	7
of the panels	7
suite of furniture	7
the very earliest	7
a member of	7
they were not	7
the wealthy classes	7
each of the	7
the french style	7
should be of	7
of pieces of	7
the room are	7
are the most	7
were furnished with	7
was in use	7
many examples of	7
to take the	7
of the society	7
found at pompeii	7
hey bonnie hall	7
is shown by	7
on washington square	7
should be a	7
seen from the	7
was also a	7
of the chippendale	7
there is one	7
a bit of	7
done by the	7
of a modern	7
contemporary with the	7
the english renaissance	7
the low countries	7
for marie antoinette	7
carried out in	7
harmonise with the	7
that could be	7
days of charles	7
the rise of	7
is a remarkable	7
panels of the	7
as in our	7
of the bureau	7
as an ornament	7
designed and made	7
the great exhibition	7
made for a	7
and when the	7
published by t	7
the mirror is	7
we see the	7
art in the	7
of the manor	7
hall in the	7
of this chair	7
so that they	7
a school of	7
kinds of wood	7
the task of	7
last of the	7
with folding doors	7
touch of the	7
it would have	7
this may be	7
it was first	7
record of the	7
and is now	7
produced by the	7
of the use	7
the gothic period	7
the lower portion	7
chats on english	7
of them is	7
with inlay of	7
into the room	7
founder of the	7
not only the	7
there is little	7
of the town	7
of his designs	7
death of the	7
no doubt that	7
the love of	7
owner of the	7
called queen anne	7
that the old	7
in paris in	7
oak and walnut	7
inside of the	7
is found on	7
is a matter	7
of taste and	7
to be met	7
we have in	7
up by the	7
to the great	7
as many as	7
and the table	7
in favor of	7
apart from the	7
the museum at	7
set in a	7
for a time	7
published a book	7
of this old	7
the excellence of	7
not come into	7
the illustrations of	7
of form and	7
of the few	7
earlier than the	7
the fashion to	7
can be no	7
pieces of wood	7
the charm of	7
devoted to the	7
of early times	7
a wealth of	7
carved oak bedstead	7
made in this	7
until the middle	7
it was an	7
period in the	7
the rage for	7
in use at	7
have never been	7
the beds were	7
we do not	7
manner of the	7
the popularity of	7
account of their	7
of the colonies	7
fire of london	7
the french renaissance	7
and bears the	7
first used in	7
new york apartment	7
the wealth of	7
the best known	7
carved on the	7
interior of the	7
style which was	7
was not till	7
new york gazette	7
as was the	7
the eighteenth and	7
tables and chairs	7
he was the	7
of these pieces	7
in the north	7
it to be	7
chairs in the	7
hundred years old	7
from the days	7
was not the	7
of the ware	7
the delicacy of	7
a record of	7
reign of george	7
of artists and	7
the bottom of	7
of other countries	7
of the four	7
a very beautiful	7
and could be	7
the arts of	7
to decorate the	7
are made in	7
was probably made	7
all that was	7
a period of	7
colours in the	7
years before the	7
isle of man	7
appears in the	7
examination of the	7
the royal palaces	7
design for a	7
england th century	7
of the dresser	7
the front legs	7
of the charterhouse	7
the right of	7
made during the	7
ladies of the	7
formed part of	7
of old oak	7
of the celebrated	7
of the older	7
of the emperor	7
much the same	7
eighteenth and early	7
in order that	7
the gate table	7
he had been	7
have come to	7
in accordance with	7
in the present	7
seventeenth and early	7
by arthur hayden	7
any number of	7
the palaces of	7
form of decoration	7
art in england	7
to imitate the	7
the new style	7
there can be	7
of the greeks	7
of sir christopher	7
that the country	7
to the front	7
the middle classes	7
of interest in	7
of fruit and	7
renaissance in england	7
in the netherlands	7
it is as	7
the first time	7
the fashion for	7
inventory of the	7
and furniture of	7
print in the	7
periods in furniture	7
same page is	7
chimney piece in	7
which are now	7
of a salon	7
the means of	7
the floor is	7
date of manufacture	7
the church of	7
be borne in	7
of the rarest	7
far back as	7
first empire style	7
there was also	7
of a few	7
we give a	7
is about the	7
best examples of	7
and the first	7
an earlier period	7
in the decoration	7
the old furniture	7
was built in	7
in the previous	7
of the oak	7
dawn of the	7
in imitation of	7
in the foreground	7
dates from the	7
the most valuable	7
the custom of	7
to the days	7
the residence of	7
as one of	7
the choir of	7
and inlaid with	7
large enough to	7
is obvious that	7
the great bed	7
growth of the	7
the same collection	7
one of a	7
only by the	7
borne in mind	7
its influence on	7
a study of	7
cabinet of the	7
this country in	7
of a little	7
of the later	7
a revival of	7
the rococo style	7
on essex street	7
fruit and flowers	7
the estate of	7
science and art	7
adapted to the	7
with the new	7
in the nineteenth	7
age of walnut	7
of drawers of	7
to the design	7
by the way	7
important part of	7
is an excellent	7
different kinds of	7
has never been	7
thirteenth and fourteenth	7
was used to	7
side by side	7
door of the	7
of furniture as	7
old english chintzes	7
of the high	7
have been used	7
to ornament the	7
on queen anne	7
known to have	7
cabriole leg and	7
which is the	7
of the south	7
and a table	7
if it was	7
the italian style	7
the object of	7
and the top	7
clocks were made	7
no doubt the	7
in english furniture	7
top and bottom	7
that can be	7
reign of william	7
two of the	7
was made of	7
back of this	7
be sure that	7
his death in	7
down to us	7
of the restoration	7
made to order	7
into the hands	7
new york city	7
england by the	7
covered with the	7
louis xvi salon	7
on the surface	7
of a carved	7
the order of	7
been made to	7
the position of	7
for the first	7
which he was	7
pieces of the	7
painted and gilt	7
vogue in the	7
of the building	7
and so on	7
or in a	7
the most elaborate	7
of his time	7
the maker of	7
the elegance of	7
is a feature	7
of this furniture	7
number of the	7
and so the	7
the foot of	7
is not the	7
the list of	7
some years ago	7
in the chinese	7
there was an	7
intended to be	7
with panels of	7
to represent the	7
of the wealthy	7
appear in the	7
in italy and	7
the corners of	7
the dawn of	7
not a few	7
of the highest	7
the mahogany period	7
illustrated on the	7
years later than	7
head and foot	7
men and women	7
as it had	6
french and english	6
the disappearance of	6
way into the	6
well as a	6
of the mahogany	6
from the early	6
were decorated with	6
what may be	6
color of the	6
of the eastern	6
what is termed	6
should be placed	6
time of elizabeth	6
as a matter	6
in design and	6
pieces which are	6
been made of	6
upper part of	6
to keep the	6
of the spanish	6
duchess of marlborough	6
the lower half	6
in the corners	6
combination of the	6
is worthy of	6
decorated with the	6
the wood of	6
the empire style	6
two years later	6
these chairs were	6
that it could	6
jacobean chest of	6
in which these	6
the best specimens	6
during the eighteenth	6
might have been	6
in the drawing	6
in use during	6
of the poor	6
design published by	6
come into general	6
on english china	6
generation to generation	6
woodwork in the	6
of the smaller	6
that at the	6
an excellent example	6
consisted of a	6
of a period	6
this room was	6
and makers of	6
which were so	6
oak chimney piece	6
by the name	6
the country maker	6
ince and mayhew	6
fact that it	6
in the other	6
the walls were	6
possession of mr	6
about in date	6
of the chief	6
the period in	6
a work table	6
all at once	6
to suppose that	6
this type is	6
riesener and david	6
return to the	6
to the bed	6
examples of his	6
as soon as	6
of the doors	6
and in its	6
chairs are of	6
various articles of	6
the composition of	6
would not have	6
until the end	6
a quarter of	6
a narrow hall	6
the decorations of	6
the want of	6
of the nation	6
with the arms	6
was first used	6
the eleventh century	6
action of the	6
seventeenth century work	6
for the purposes	6
in the homes	6
the scarcity of	6
the first part	6
eighteenth century is	6
of the panel	6
ornament on the	6
to indicate the	6
productions of the	6
in the direction	6
were filled with	6
given in the	6
with a long	6
to the eye	6
furniture is the	6
type of furniture	6
that many of	6
and the following	6
fifty years ago	6
be studied in	6
to do with	6
of furniture are	6
the furniture which	6
the sign of	6
for a hundred	6
access to the	6
eighteenth century there	6
backs of chairs	6
in interior decoration	6
tells us that	6
style known as	6
of what is	6
a good idea	6
it is with	6
good idea of	6
during this period	6
the old roman	6
it as a	6
the carving on	6
it is known	6
carved oak chairs	6
on the market	6
with plaques of	6
in memorial hall	6
the frame of	6
to the student	6
in this connection	6
the change from	6
to be filled	6
the chair in	6
were kept in	6
of that period	6
names of the	6
with the royal	6
with his name	6
it can be	6
led to the	6
time to time	6
may be made	6
that of his	6
is now at	6
a survival of	6
of this same	6
that came into	6
and the more	6
the precious metals	6
come down to	6
which are still	6
in the fine	6
was brought from	6
worthy of the	6
as to make	6
they seem to	6
with which it	6
should be made	6
prie dieu chair	6
illustration on p	6
in this room	6
corners of the	6
to make them	6
studied in the	6
portion of carved	6
palace of versailles	6
all but the	6
end of a	6
on the legs	6
is fitted with	6
the old style	6
similar to that	6
is only when	6
the edict of	6
we find a	6
was adopted by	6
and cabinets were	6
belong to this	6
and chairs of	6
on a stand	6
have seen that	6
first earl of	6
be referred to	6
in the midst	6
it is doubtful	6
were no longer	6
has been given	6
and a pair	6
the furniture and	6
little of the	6
on chestnut street	6
in the work	6
the finish of	6
days of william	6
of the farmhouse	6
for his own	6
an instance of	6
and the date	6
of the women	6
is valued at	6
the jones bequest	6
interior of a	6
chippendale and sheraton	6
there are a	6
that on the	6
the writer has	6
from which it	6
to produce a	6
could be used	6
one end of	6
from a photo	6
were imported from	6
this was in	6
much to the	6
were sent to	6
is an important	6
brought to this	6
a form of	6
it was no	6
east india company	6
was responsible for	6
specimens from collection	6
the same style	6
there were no	6
reproductions of the	6
the golden age	6
and chests of	6
in the wallace	6
and a set	6
and with a	6
the edges of	6
of oak and	6
as part of	6
covered with silk	6
as long as	6
patron of the	6
far removed from	6
we shall see	6
is always a	6
at first the	6
of our forefathers	6
of the mirror	6
inlaid with marquetry	6
this is not	6
the one shown	6
in mind the	6
most of these	6
though it is	6
to be placed	6
and mary and	6
to the art	6
the best examples	6
chair on the	6
into the wood	6
factor in the	6
of these clocks	6
is associated with	6
later than the	6
the width of	6
but they were	6
the carved ornament	6
fastened to the	6
up of the	6