quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
of the eighteenth century	99
of the seventeenth century	81
the end of the	71
the middle of the	65
the south kensington museum	63
victoria and albert museum	60
in the south kensington	59
in the british museum	44
by the courtesy of	38
the victoria and albert	38
of the nineteenth century	38
of william and mary	37
is said to have	34
at the time of	33
in the form of	33
to be found in	33
in the possession of	32
by permission of messrs	32
one of the most	32
the time of the	31
of the sixteenth century	30
it will be seen	29
the courtesy of messrs	29
said to have been	29
the top of the	28
the furniture of the	27
as well as the	27
of the time of	26
the queen anne period	26
the proprietors of the	26
of the queen anne	26
proprietors of the connoisseur	26
in the sixteenth century	25
the beginning of the	25
in the days of	25
of the furniture of	25
of the proprietors of	25
during the reign of	25
be found in the	25
is one of the	25
in the time of	24
william and mary period	24
are to be found	24
the period of louis	24
in the eighteenth century	24
in some of the	23
the use of the	23
be seen in the	23
is shown in the	23
half of the eighteenth	22
by permission of the	22
the latter part of	22
of the fifteenth century	22
the early days of	22
the work of the	22
in the style of	22
latter part of the	21
in the history of	21
may be said to	21
will be seen that	20
on account of the	20
in the seventeenth century	20
of the same period	20
at the victoria and	20
at the same time	20
the period of the	20
end of the seventeenth	20
towards the end of	19
the days of the	19
the influence of the	19
in the reign of	18
the back of the	18
furniture of this period	18
a part of the	18
at the end of	18
the reign of louis	18
to be seen in	18
it is difficult to	17
in the chapter on	17
the early part of	17
to have been the	17
for the use of	17
from the fact that	17
it is interesting to	17
in the early days	17
early part of the	17
first half of the	17
in the kensington museum	16
cottage and farmhouse furniture	16
the first half of	16
a piece of furniture	16
of the present day	16
in the case of	16
a good example of	16
permission of the proprietors	15
in the united states	15
in the middle of	15
about the middle of	15
it was not until	15
on the same page	15
seems to have been	15
in the way of	15
middle of the eighteenth	15
in the collection of	15
appears to have been	15
is shown in figure	15
of some of the	14
was one of the	14
the hall of the	14
the evolution of the	14
middle of the century	14
as early as the	14
in the jones collection	14
half of the seventeenth	14
last quarter of the	14
the last quarter of	14
still to be seen	14
of the reign of	14
the latter half of	14
is said to be	14
the william and mary	14
in one of the	14
designed and manufactured by	14
of the period of	13
in the fifteenth century	13
part of the eighteenth	13
in the hall of	13
to the fact that	13
it will be observed	13
at hampton court palace	13
in regard to the	13
period of louis xv	13
seem to have been	13
last half of the	13
in the centre of	13
by the use of	13
the last half of	13
latter half of the	13
the rest of the	12
be seen that the	12
in addition to the	12
end of the century	12
the furniture of this	12
first quarter of the	12
it will be noticed	12
the centre of the	12
from the time of	12
as well as in	12
the first quarter of	12
are still to be	12
it is probable that	12
is interesting to note	12
the reign of james	12
either side of the	12
a great deal of	12
middle of the seventeenth	12
of the middle ages	12
a fine example of	12
the fact that the	12
by the kindness of	12
be said to have	12
is found in the	12
the form of the	12
the sides of the	12
found their way to	11
the time of louis	11
an idea of the	11
their useful monthly publication	11
it is impossible to	11
in harmony with the	11
in the design of	11
the reign of queen	11
some of the most	11
it is said that	11
on either side of	11
the early eighteenth century	11
to have belonged to	11
is to be found	11
the time of william	11
early days of the	11
is a fine example	11
in figure is shown	11
the early years of	11
at the top of	11
for the purpose of	11
the place of the	11
said to be the	11
of the fourteenth century	11
from their useful monthly	11
during the seventeenth century	11
is known as the	11
on account of its	11
parts of the country	11
great bed of ware	10
the design of furniture	10
period of louis xiv	10
the close of the	10
in connection with the	10
oak chest of drawers	10
th and th centuries	10
the kindness of the	10
have been made in	10
furniture of the time	10
the houses of the	10
at the beginning of	10
with the advent of	10
kindness of the proprietors	10
furniture of this time	10
seventeenth and eighteenth centuries	10
the walls of the	10
the front of the	10
of the cabriole leg	10
fine example of the	10
of the days of	10
the advent of the	10
will be found in	10
the form of a	10
the seventeenth and eighteenth	10
in the manufacture of	10
more often than not	10
it must be remembered	10
the surface of the	10
chats on old furniture	10
quarter of the eighteenth	10
on the walls of	10
the property of mr	10
in the victoria and	10
the history of the	10
the time of charles	10
as ornament to initial	9
there are in the	9
the south kensington collection	9
on the inside of	9
in the home of	9
the same manner as	9
the design of the	9
early years of the	9
what is known as	9
of the fine arts	9
in the latter part	9
some of the old	9
in the middle ages	9
at a time when	9
prices realised at auction	9
ornament to initial letter	9
from the collection of	9
the size of the	9
chippendale and his contemporaries	9
the length of the	9
the second half of	9
items are given from	9
the character of the	9
these items are given	9
in the new york	9
the taste of the	9
the beauty of the	9
in the early part	9
are given from their	9
came into general use	9
said to have belonged	9
will be observed that	9
time of charles ii	9
second half of the	9
the possession of the	9
for the display of	9
the decoration of the	9
very similar to the	9
when not in use	9
given from their useful	9
in various parts of	9
the center of the	9
one of the best	9
the art of the	9
to be one of	9
be one of the	9
the whole of the	9
early in the eighteenth	9
in the same manner	9
one of these is	9
to the end of	9
on the part of	9
of which there is	8
must be remembered that	8
reign of queen anne	8
it is true that	8
reign of james i	8
of the connoisseur these	8
beginning of the eighteenth	8
the shape of the	8
the use of a	8
which is said to	8
the lines of the	8
the details of the	8
period of louis xvi	8
an illustration of a	8
of this class of	8
time of william and	8
for the most part	8
that is to say	8
various parts of the	8
the connoisseur these items	8
back of the chair	8
it is to be	8
the homes of the	8
and manufactured by m	8
appear to have been	8
one side of the	8
late queen anne period	8
reign of louis xiv	8
one of the finest	8
the fashion of the	8
is an example of	8
there is no doubt	8
of furniture in the	8
the style of the	8
a portion of the	8
the date of the	8
is that of the	8
found its way to	8
found their way into	8
of gold and silver	8
it is certain that	8
in the art of	8
at the present time	8
the arms of the	8
to be seen at	8
period william and mary	8
house on federal street	8
in the production of	8
french furniture of the	8
their way to america	8
at the head of	8
connoisseur these items are	8
time of charles i	8
was made in the	8
of this period are	8
days of queen anne	8
in the furniture of	8
the illustration of the	8
is in the south	8
one of the first	8
to the period of	8
the tops of the	8
for a long time	8
the reign of charles	8
the prince of wales	8
on each side of	8
all over the country	8
the history of furniture	8
was used as a	8
is seen in the	7
a great variety of	7
into the hands of	7
of the house of	7
it is obvious that	7
is illustrated on p	7
than that of the	7
in the city of	7
of the back of	7
the appearance of the	7
the hand of the	7
eighteenth and early nineteenth	7
as we have seen	7
during the time of	7
to be met with	7
in england during the	7
will be noticed that	7
part of the house	7
in the hamilton palace	7
sixteenth and seventeenth centuries	7
each side of the	7
to have been made	7
were made in the	7
similar to the one	7
in the center of	7
the part of the	7
thirteenth and fourteenth centuries	7
the renaissance in italy	7
it was not till	7
the age of the	7
the manufacture of furniture	7
the sixteenth and seventeenth	7
of one of these	7
until the middle of	7
be borne in mind	7
in the same collection	7
at the present day	7
end of the fifteenth	7
the commencement of the	7
the illustration of a	7
period of william and	7
the name of the	7
the one on the	7
as a general rule	7
of the use of	7
the last of the	7
it is one of	7
the inside of the	7
the dawn of the	7
years of the eighteenth	7
about the time of	7
the head of the	7
one of these was	7
the date of this	7
as in the case	7
of furniture of this	7
in the nineteenth century	7
are to be seen	7
evolution of the chair	7
the reign of george	7
did not come into	7
the death of the	7
an example of the	7
it belongs to the	7
in which it was	7
there is also a	7
good example of the	7
may be seen in	7
habits of the people	7
the great bed of	7
it is said to	7
a few years ago	7
there is in the	7
of the windsor chair	7
in many of the	7
chairs of this period	7
of furniture of the	7
of woodwork and furniture	7
on account of their	7
the thirteenth and fourteenth	7
were to be found	7
the same page is	7
the excellence of the	7
in the midst of	6
half of sixteenth century	6
the finest examples of	6
and some of the	6
and william and mary	6
it is well to	6
in the seventeenth and	6
as well as a	6
design published by t	6
changing habits of the	6
which came into vogue	6
the property of the	6
a feature of the	6
in the wallace collection	6
in the houses of	6
in the construction of	6
the chair of st	6
a room in which	6
the origin of the	6
the characteristics of the	6
it may be said	6
reign of louis xv	6
the height of the	6
end of the sixteenth	6
as well as for	6
much of the furniture	6
brought to this country	6
from generation to generation	6
the woodwork of the	6
part of the nineteenth	6
by means of a	6
to the use of	6
the introduction of the	6
it was used as	6
interesting to note that	6
examples of this type	6
the time of james	6
as will be seen	6
the time of elizabeth	6
the fact that it	6
of the first empire	6
years of the nineteenth	6
it is worth while	6
on the furniture of	6
of the present owner	6
of this kind of	6
as far back as	6
an old house in	6
may be found in	6
the mistress of the	6
the body of the	6
the sign of the	6
the period of william	6
from an old house	6
the hamilton palace collection	6
was known as the	6
in the museum at	6
the first empire style	6
of a piece of	6
the possession of mr	6
this class of furniture	6
of one of the	6
as a matter of	6
the life of the	6
part of the seventeenth	6
so far as the	6
the collection of the	6
it was here that	6
in the decoration of	6
the edges of the	6
and it is not	6
the chest of drawers	6
his book of designs	6
the styles of the	6
the master of the	6
a large number of	6
the design of a	6
it is only when	6
it will be found	6
the bottom of the	6
a good deal of	6
there is an illustration	6
can be seen in	6
italian louis xvi salon	6
as that of the	6
the time of its	6
the home of the	6
william and mary and	6
with the exception of	6
from the days of	6
and it is a	6
tables of this period	6
formed part of the	6
and most of the	6
with regard to the	6
quarter of the nineteenth	6
with gold and silver	6
the hamilton palace sale	6
until the end of	6
is very similar to	6
and a pair of	6
to the waring galleries	6
the reign of henry	6
as may be seen	6
time of louis xv	6
into more general use	6
a survival of the	6
of the british museum	6
the edict of nantes	6
of sir christopher wren	6
many of the old	6
be noticed that the	6
it was in the	6
be seen at the	6
a hundred years ago	6
chairs of the period	6
are said to have	6
from time to time	6
the days of charles	6
was not until the	6
chippendale and his school	6
are in the south	6
late in the eighteenth	6
and a set of	6
is shown by the	6
the forerunner of the	6
is a good example	6
be said to be	6
about the same period	6
later in the century	6
in the thirteenth century	6
in a great measure	6
the colour of the	6
is now in the	6
was not confined to	6
chairs of the time	6
on the subject of	6
is to be seen	6
mistress of the house	6
to that of the	6
there can be no	6
in place of the	6
the time of his	6
it was the fashion	6
science and art department	6
during the last half	6
as one of the	6
for which they were	6
the days of queen	6
the chair of dagobert	6
of the william and	6
in the shape of	6
in the old days	6
specimens from collection of	6
with a piece of	6
the story of the	6
borne in mind that	6
to the days of	6
to be used in	6
on the other hand	6
in the making of	6
of the united states	6
much in the same	6
the reign of william	6
of the previous century	5
old print in the	5
a matter of fact	5
the two examples illustrated	5
the invention of the	5
the duke of edinburgh	5
with those of the	5
an example of this	5
in the metropolitan museum	5
the greater part of	5
it must be borne	5
and feet of animals	5
on cottage and farmhouse	5
we give an example	5
and chairs of the	5
of the stuart period	5
in the same way	5
the first years of	5
on carved cabriole legs	5
it would seem that	5
the corners of the	5
great fire of london	5
renaissance on the continent	5
for the purposes of	5
this kind of furniture	5
as a background for	5
as is shown in	5
and crafts exhibition society	5
in the early eighteenth	5
with the reign of	5
so as to be	5
shown in figure is	5
the possession of lord	5
of a hundred years	5
the furniture of a	5
with the name of	5
the inventory of the	5
and it was not	5
the renaissance in england	5
that one of the	5
the society of arts	5
during the eighteenth century	5
surface of the wood	5
of the middle of	5
it may be observed	5
in the development of	5
the science and art	5
the eighteenth century there	5
the eighteenth and early	5
into vogue in the	5
most of the old	5
some of the designs	5
of the contents of	5
first years of the	5
with the rest of	5
like that of the	5
one of the few	5
are shown in the	5
on the ground floor	5
was used in the	5
van flanders th century	5
the records of the	5
william and mary chair	5
of this type of	5
is no doubt that	5
as well as to	5
to the fifteenth century	5
as far as the	5
the sixteenth century the	5
so many of the	5
the decorations of the	5
be the work of	5
hundred and fifty years	5
as in the woodcut	5
belongs to the waring	5
it would appear that	5
pieces of furniture of	5
come down to us	5
fine example of a	5
took place in the	5
and early nineteenth centuries	5
the golden age of	5
of which is a	5
as the reign of	5
the renaissance on the	5
by a slab of	5
so called from the	5
there is a good	5
silver furniture at knole	5
a chair of the	5
the influence of chippendale	5
the illustration on p	5
of the last century	5
the erection of the	5
work of grinling gibbons	5
the arts and crafts	5
it has been said	5
of the chair is	5
some of the furniture	5
for the reason that	5
has been made to	5
middle of sixteenth century	5
the names of the	5
to the south kensington	5
of the best specimens	5
but there is no	5
the best examples of	5
the seventeenth century and	5
from the end of	5
and surmounted by a	5
surmounted by a slab	5
the finish of the	5
formerly in the hamilton	5
in furniture of this	5
by the end of	5
an excellent example of	5
of the manor house	5
and early eighteenth centuries	5
the late eighteenth century	5
of a room in	5
far back as the	5
chippendale and his style	5
and at the same	5
from the fact of	5
at a cost of	5
chair of the period	5
be studied in the	5
the hands of a	5
the interior of a	5
in which they were	5
illustrated on the same	5
will be noticed in	5
far removed from the	5
the result of the	5
in the art journal	5
in this class of	5
fifteenth and sixteenth centuries	5
the interior of the	5
the art of interior	5
and manufactured by messrs	5
upper part of the	5
in the first half	5
makers of the eighteenth	5
the time of their	5
it must have been	5
reign of charles ii	5
a portion of a	5
reign of william and	5
half of the nineteenth	5
the back of this	5
in the wall paper	5
the development of the	5
seventeenth and early eighteenth	5
the same colour scheme	5
from a photo by	5
handsome piece of furniture	5
of the day was	5
to have been in	5
for the benefit of	5
to have been used	5
the right of the	5
period of the renaissance	5
the pieces of furniture	5
which we have seen	5
the panels of the	5
to be made in	5
some three or four	5
and a half inches	5
was made for the	5
one end of the	5
carved in low relief	5
took the place of	5
found in new england	5
end of the room	5
finely turned legs and	5
the church of st	5
was at this time	5
quarter of the century	5
the designs of the	5
it was probably made	5
in a new york	5
at the foot of	5
to the first half	5
in the homes of	5
headpiece to this chapter	5
of chippendale and his	5
it is of the	5
in his history of	5
to be found on	5
we have seen that	5
the survival of the	5
a queen anne bedroom	5
it is made of	5
same manner as the	5
in the illustration of	5
the top of a	5
to a great extent	5
late seventeenth and early	5
of the seventeenth and	5
of the early eighteenth	5
of which we have	5
from an old print	5
the new york gazette	5
a book of designs	5
to the middle of	5
which there is a	5
may be said that	5
in use during the	5
days of james i	5
was found to be	5
a member of the	5
a good idea of	5
of the most beautiful	5
to be of the	5
of many of the	5
in the direction of	5
about the end of	5
of fruit and flowers	5
came to the throne	5
south kensington museum a	5
house on essex street	5
should be made of	5
come into general use	5
the upper part of	5
an old print in	5
it is necessary to	5
the age of walnut	5
for the manufacture of	5
an examination of the	5
in the house of	5
came into vogue in	5
in many cases the	5
a change in the	5
a chest of drawers	5
art of interior decoration	5
arts and crafts exhibition	5
quarter of the seventeenth	5
was not till that	5
philadelphia book of prices	5
the door of the	5
many of them are	5
at the top and	5
be found in a	5
leonardo da vinci and	5
the courtesy of mr	5
of the brothers adam	5
take the place of	5
with the arms of	5
in the fashion of	5
it is in the	5
furniture of the period	5
must be borne in	5
chats on english china	5
on queen anne period	5
a specimen of the	5
at one side of	5
by the adam brothers	5
to those of the	4
the back of a	4
in the sixteenth and	4
not come into general	4
they were made in	4
to which allusion has	4
piece of furniture is	4
to all but the	4
reproduced by photography from	4
to the value of	4
published a book of	4
in the jones bequest	4
types are found in	4
in the introduction to	4
to the beauty of	4
an important part of	4
is now to be	4
designers and makers of	4
time of james ii	4
for many years in	4
of furniture may be	4
and many of the	4
after the death of	4
on a ground of	4
household furniture in the	4
of the louis xvi	4
of the charles ii	4
chippendale style windsor chairs	4
the power of the	4
examples in the south	4
of the richer classes	4
came to this country	4
are characteristic of the	4
for the first time	4
the best specimens in	4
of a salon in	4
in its various forms	4
time of james i	4
the head and foot	4
ball and claw feet	4
styles contemporary with the	4
the north of europe	4
under the hand of	4
time of his death	4
days of the eighteenth	4
colonial and later periods	4
the initial letter of	4
the making of the	4
of the arts and	4
this type of furniture	4
to have been a	4
in the neighbourhood of	4
the queen anne splat	4
the reign of anne	4
for a work table	4
is a matter of	4
it is built of	4
in the chapter dealing	4
furniture of the last	4
oak chimney piece in	4
the foot of the	4
is worth while to	4
of household furniture in	4
which it was made	4
the possession of a	4
in the accompanying woodcut	4
of the duke of	4
furniture of our forefathers	4
in italy during the	4
and it is interesting	4
to accord with the	4
we have in mind	4
photography from an old	4
but as a rule	4
quite a number of	4
initial letter of this	4
on the left has	4
a development of the	4
is small in size	4
break up of the	4
in keeping with the	4
an italian louis xvi	4
to harmonise with the	4
in the manner of	4
during the latter half	4
from a manuscript of	4
reigns of william and	4
furniture as well as	4
the decoration of a	4
the past few years	4
was the fashion to	4
articles of domestic furniture	4
in use at this	4
the construction of the	4
of the kind of	4
of the evolution of	4
of the chest of	4
the days of william	4
as we have said	4
an important part in	4
in the late seventeenth	4
until his death in	4
of the beautiful and	4
interest in the subject	4
in england in the	4
chest of drawers of	4
are preserved in the	4
as old as the	4
it was customary for	4
of the french renaissance	4
new york duplex apartment	4
on the top of	4
history of music in	4
in the north of	4
the use of this	4
the fifteenth and sixteenth	4
the bureau du roi	4
head and foot boards	4
carved and gilt wood	4
chair is of the	4
chats on cottage and	4
one of them is	4
it was made by	4
are mentioned in the	4
of furniture and woodwork	4
in a state of	4
allusion has been made	4
of chinese and japanese	4
we should call them	4
the house of the	4
end of the hall	4
as in our own	4
the louis xvi period	4
the british museum is	4
days of charles i	4
william and mary gate	4
part of the fifteenth	4
of the same material	4
to the lover of	4
at the hands of	4
examples of the best	4
of the victoria and	4
as distinguished from the	4
which took place in	4
companion volume to chats	4
english furniture of the	4
architects of the time	4
carved cabriole legs and	4
in the louvre and	4
influence on design of	4
was at that time	4
half of the sixteenth	4
the days of louis	4
the same period is	4
be seen at hampton	4
ink drawing by h	4
and not a few	4
the carving of the	4
seats and backs of	4
by the duke of	4
of the estate of	4
came into use in	4
that in which the	4
pen and ink drawing	4
of the master of	4
block front bureau desk	4
some of the more	4
designed and made by	4
it is not easy	4
of the italian renaissance	4
during the period of	4
in conjunction with the	4
and chests of drawers	4
at the court of	4
of these is the	4
there was also a	4
table found at pompeii	4
to the present time	4
in the palace at	4
possession of lord sackville	4
piece is at the	4
the seat and back	4
will be seen in	4
and one of these	4
of a page in	4
in such a case	4
at the little trianon	4
for spurious marquetry work	4
still to be found	4
the grain of the	4
must be admitted that	4
the cabriole leg and	4
the warner house at	4
that some of the	4
this class of work	4
the social life of	4
a fine piece of	4
of the finest examples	4
under the influence of	4
on some of the	4
the side of the	4
work of this kind	4
queen anne oak settle	4
and those of the	4
are good examples of	4
on the following page	4
was formerly in the	4
the carving on the	4
beginning of the nineteenth	4
the base of the	4
an ancestor of the	4
a piece of old	4
room in the house	4
that in the latter	4
jacobean chest of drawers	4
in france and italy	4
to the number of	4
part of the household	4
the choir of the	4
as part of the	4
at the back of	4
in the age of	4
we shall see that	4
artists of the day	4
a reproduction of the	4
the lover of the	4
the original in the	4
in which he was	4
of this chair is	4
a salon in louis	4
of the work of	4
the chapter dealing with	4
the changing habits of	4
the date of their	4
the latter days of	4
the reigns of william	4
shown in the illustration	4
of most of the	4
a knowledge of the	4
the days of james	4
of the art of	4
to be had in	4
the days of elizabeth	4
in a great many	4
of this type was	4
the result of this	4
of this type are	4
called by his name	4
of the most elaborate	4
of the period in	4
may be studied in	4
to distinguish between the	4
some idea of the	4
it is of carved	4
of what is termed	4
the eighteenth century was	4
the bethnal green museum	4
with the work of	4
the revocation of the	4
the lower parts of	4
formerly the property of	4
furniture of all kinds	4
the panelling of rooms	4
the grandeur of the	4
in a salem home	4
the late seventeenth and	4
when the hall was	4
not seem to have	4
relief in the british	4
at a later date	4
the gold and silver	4
of the first half	4
this is one of	4
mentioned in the inventories	4
a combination of the	4
referred to in the	4
into the possession of	4
which allusion has been	4
is associated with the	4
they must have been	4
been made in the	4
the great fire of	4
of the latter half	4
in the french style	4
and it was here	4
the age of machinery	4
records of new amsterdam	4
the new york mercury	4
of an inch in	4
with sunk panels and	4
for the storage of	4
house on washington square	4
two or three of	4
with a view to	4
of the same colour	4
which was made in	4
which there is an	4
the old days of	4
and customs of the	4
be noticed in the	4
the seventeenth century were	4
the chair which is	4
of seventeenth century work	4
lower parts of the	4
and many of these	4
the simplicity of the	4
part of the country	4
turned legs and stretcher	4
of about the same	4
and grace of the	4
under the direction of	4
work of this period	4
to say nothing of	4
the date of manufacture	4
the ends of the	4
be used as a	4
in france and england	4
is covered with a	4
the colour of your	4
farmhouse styles contemporary with	4
which we give a	4
figure is shown an	4
life in the reign	4
furniture of the eighteenth	4
and there was no	4
william and mary style	4
in most of the	4
were brought from england	4
one of the rarest	4
of ebony and ivory	4
revocation of the edict	4
as we have already	4
was not until that	4
days of the colonies	4
were employed by the	4
now in the possession	4
to the study of	4
with an inlay of	4
as well as by	4
for the decoration of	4
are still in existence	4
of the room is	4
of the style of	4
in our own country	4
idea of the design	4
of the decoration of	4
continued to be made	4
it must be admitted	4
a careful examination of	4
as well as of	4
of the age of	4
in the classic style	4
a few of the	4
at a very early	4
in new york apartment	4
this kind of decoration	4
would seem that the	4
to have come from	4
carved woodwork of the	4
the feet of the	4
furniture in other countries	4
in figure are shown	4
latter days of the	4
and early part of	4
the conservation of old	4
high chest of drawers	4
it was during the	4
attempt has been made	4
it is easy to	4
black and gold lacquer	4
which are still preserved	4
of the late eighteenth	4
its name from the	4
in south kensington museum	4
the eighteenth century is	4
antoinette at the little	4
the palace of versailles	4
middle of the nineteenth	4
year of the reign	4
they seem to have	4
the width of the	4
an attempt has been	4
the idea of the	4
cane back and seat	4
some of these were	4
is seen on the	4
and the use of	4
the ornaments may be	4
first earl of strafford	4
covered with beauvais tapestry	4
on a larger scale	4
queen anne cabriole leg	4
may still be seen	4
the manner of the	4
oak chest with drawers	4
a very early period	4
letter of this chapter	4
specimen of the kind	4
some of the best	4
was not to be	4
the royal coat of	4
and in the old	4
it is of mahogany	4
was said to have	4
are by no means	4
of the thirteenth century	4
the late seventeenth century	4
in a subsequent chapter	4
the hands of the	4
to the work of	4
period in which it	4
of an earlier period	4
the study of the	4
the first part of	4
is not to be	4
of the three louis	4
came in with the	4
an example of a	4
it to be a	4
the slow assimilation of	4
the designs of furniture	4
made in this country	4
were used in the	4
during the early years	4
to the time of	4
old cottages and farmhouses	4
time of which we	4
the early seventeenth century	4
a corner of the	4
collection at the victoria	4
of which we give	4
their way into the	4
which were used as	4
were in use in	4
carved and gilded wood	4
the carved woodwork of	4
were filled in with	4
first part of the	4
the time of queen	4
of the eighteenth and	4
as was also the	4
to be used as	4
in the hands of	4
the names of some	4
the time of henry	4
are said to be	4
of the same office	4
the colour scheme is	4
museum of fine arts	4
a case in point	4
to the sixteenth century	4
call attention to the	4
of the colony of	4
some of the finest	4
often than not the	4
the architects of the	4
design for spurious marquetry	4
of which we are	4
we give a woodcut	4
in his work on	4
specimens in the south	4
the gentleman and cabinet	4
on the back of	4
in the fourteenth century	4
in the renaissance style	4
years of the reign	4
used by james i	4
the top and bottom	4
contemporary with the cane	4
dresser and clock combined	4
seen at hampton court	4
other parts of the	4
and the beginning of	4
in line and colour	4
of the case is	4
the best in the	4
general in its use	4
is preserved in the	4
have been the first	4
the same period as	4
of the present century	4
of the edict of	4
of the finest of	4
simile of a page	4
end of the fourteenth	4
is shown in fig	4
two stories in height	4
there was a great	4
is of carved oak	4
not a few of	4
is repeated in the	4
out of place in	4
the borders carved with	4
attracted the attention of	4
property of oliver cromwell	4
on the top is	4
with the use of	4
the introduction to the	4
by the same author	4
part of the furniture	4
at the height of	4
royal coat of arms	4
highboy with shell ornamentation	4
with the period of	4
in order to give	4
interest to the collector	4
the queen anne style	4
used in the construction	4
of the italian style	4
with which it is	4
there are a few	4
is by no means	4
and folding doors below	4
the secret of the	4
the style known as	4
of the sixteenth and	4
room in whipple house	4
it is possible to	4
the museum of the	4
found in the united	4
top of the back	4
made by chippendale and	4
were used by the	4
in favor of the	4
in use in the	4
as an instance of	4
the skill of the	4
important part of the	4
be seen from the	4
was at its height	4
as has been already	4
from the top of	4
we know but little	4
and it will be	4
to an ancestor of	4
which had been sent	4
is an illustration of	4
late in the seventeenth	4
has been already noticed	4
at herculaneum and pompeii	4
and ink drawing by	4
we have seen in	4
of the characteristics of	4
volume to chats on	4
this type of chair	4
at the sign of	4
the chateau of fontainebleau	4
makers philadelphia book of	4
by photography from an	4
part of a salon	4
of this period is	4
been in the family	4
be used instead of	4
as in the accompanying	4
in the last half	4
to be the work	4
it is amusing to	4
of grinling gibbons at	4
in a series of	4
we are able to	4
part of the sixteenth	4
by the aid of	4
for the reception of	4
treatment of a very	4
as they were in	4
the fact that a	4
warner house at portsmouth	4
were made by chippendale	4
are some of the	4
in date this is	4
which is in the	4
during the latter part	4
heads and feet of	4
the color of the	4
the period in which	4
marie antoinette at the	4
of the palace of	4
the growth of the	4
not only for its	4
meubles de luxe of	4
to a large extent	4
forms part of the	3
out a patent for	3
was first used in	3
of much of the	3
given to it by	3
it is doubtful whether	3
it may be mentioned	3
of the fact that	3
called queen anne style	3
a set of six	3
days of louis xiv	3
the service of the	3
which may be seen	3
great deal of attention	3
of the five orders	3
for the fact that	3
the old and the	3
as it had been	3
and it is only	3
in silver and gold	3
examples of his work	3
many of the drawings	3
stick legs without stretcher	3
date this is about	3
that this was a	3
have found their way	3
from a drawing of	3
xi old english chintzes	3
to the taste of	3
or mistress of the	3
the same number of	3
of the room would	3
may be called the	3
chapter x miscellaneous ironwork	3
in relation to the	3
the decorated type with	3
early in the nineteenth	3
the rear of the	3
is not easy to	3
the inlay of brass	3
old days of the	3
the top rail is	3
of the franklin stove	3
many of these are	3
the period of its	3
to note that the	3
in the best style	3
of the men of	3
in the palace of	3
was going on in	3
earlier part of the	3
from the year to	3
in the national collections	3
the chapter on louis	3
it was found to	3
the last years of	3
in hampton court palace	3
to the furniture of	3
in a measure the	3
the product of the	3
influence upon the design	3
as soon as the	3
the empress marie louise	3
of the old and	3
does not seem to	3
into the surface of	3
a record of the	3
from gothic to renaissance	3
court room of the	3
of the walls and	3
over and over again	3
part of the decoration	3
the lives of the	3
robert and james adam	3
the most popular of	3
to have been introduced	3
covered with petit point	3
as works of art	3
of a set of	3
the central panel of	3
eighteenth century there were	3
the fancy of the	3
is no wonder that	3
associated with his name	3
after the great fire	3
formerly owned by president	3
a large portion of	3
the disappearance of the	3
is made in a	3
by the dutch and	3
this piece of furniture	3
refine the present taste	3
finest examples of the	3
made and decorated in	3
to suit the taste	3
has a value of	3
one of the earliest	3
a value of about	3
a taste for the	3
is that in the	3
of the surface of	3
enough has been said	3
great hall at hampton	3
will be seen from	3
were made of the	3
old cap was new	3
in the court room	3
the time of augustus	3
and bears the date	3
will also be found	3
style with double cupboards	3
decorated type with shelves	3
was a person of	3
was brought from england	3
be so placed as	3
to have been of	3
the action of the	3
in the town of	3
be seen that there	3
any piece of furniture	3
top of the table	3
this piece is at	3
typical jacobean oak chair	3
of two or three	3
from a house in	3
as the headpiece to	3
it is possible that	3
room in new york	3
the changes in the	3
the subjects of the	3
wood carving of the	3
a sufficient number of	3
a hundred years old	3
but it must be	3
figure of the wood	3
with more or less	3
flemish work of this	3
reading and writing desk	3
he seems to have	3
styles of louis xiv	3
very beautiful example of	3
leather seats and backs	3
which we have already	3
in the museum of	3
little books about old	3
the illustrations on p	3
came into vogue about	3
in the choir of	3
which it was intended	3
examples of which are	3
was obtained from the	3
of his chairs are	3
survival of the windsor	3
it seems a pity	3
one side of a	3
a practical guide for	3
and is known as	3
of his death in	3
collection of old furniture	3
furniture of that day	3
isle of man tables	3
it is stated that	3
period of james ii	3
is in the same	3
when this old cap	3
time of queen anne	3
and the whole of	3
down from generation to	3
one of the two	3
combination of the two	3
these pieces of furniture	3
an imitation of the	3
it is not to	3
decorated with gilding and	3
according to the old	3
of the erection of	3
lower half of the	3
is held to be	3
is the result of	3
the legs are cabriole	3
are in keeping with	3
it is safe to	3
in the life of	3
sweden and in denmark	3
that there is a	3
of the front legs	3
louvre and in the	3
an instance of the	3
in point of time	3
seventeenth and eighteenth century	3
corner of a room	3
and much of it	3
the case of a	3
set at an angle	3
laws and customs of	3
the backs of chairs	3
the class of furniture	3
that the manufacture of	3
and we find that	3
chapter v the bible	3
with glazed folding doors	3
it is essential that	3
chair with cabriole legs	3
a reproduction of an	3
the gradual development of	3
he says in his	3
more than anything else	3
members of his family	3
was built in by	3
brought from england in	3
of the upper classes	3
of period of louis	3
of this period were	3
more or less elaborate	3
the illustration is taken	3
of carving found in	3
in order that the	3
half of xvii century	3
the fashion in the	3
a considerable amount of	3
master of the house	3
the first mention of	3
whom it was made	3
the art of furniture	3
article of household furniture	3
design of woodwork and	3
the wood used was	3
give an idea of	3
there are very few	3
like those of the	3
the top rail with	3
of art in england	3
in his book on	3
was made to the	3
of the property of	3
and during the reign	3
with the time of	3
in line and decoration	3
of this bed is	3
was at one time	3
influence of chippendale and	3
belong to the period	3
and cushions of the	3
museum in the jones	3
drawing room at sandringham	3
was followed by the	3
the purposes for which	3
be met with in	3
more than a century	3
other pieces of furniture	3
of louis the sixteenth	3
tables were made of	3
on the occasion of	3
at one end of	3
chair which is said	3
of the house or	3
have already referred to	3
of furniture for the	3
turned legs and uprights	3
is decorated with the	3
have come down to	3
and the cabriole leg	3
william and mary to	3
with which we are	3
during the last century	3
with a narrow fringe	3
of the same style	3
by the name of	3
and is said to	3
the typical jacobean oak	3
of the interior fittings	3
and it is the	3
gave way to the	3
the courtesy of the	3
in the osgood house	3
is as old as	3
and made by the	3
early period of the	3
character of his work	3
it is a fine	3
as well as their	3
of persons in all	3
some of the early	3
protestant bible in every	3
an innovation in the	3
lancashire queen anne settle	3
of the roman empire	3
oak in the provinces	3
part of the interior	3
the fact of its	3
in france during the	3
nothing could be more	3
excellent example of the	3
lifted from the ground	3
influence of walnut on	3
have been applied to	3
in the open air	3
by courtesy of messrs	3
in the corners of	3
oak general in its	3
the tenth to the	3
with the same material	3
the chairs and tables	3
a considerable number of	3
covered with old beauvais	3
particularly noticeable in the	3
collection of empire furniture	3
the seat on the	3
in this case the	3
lord house at newton	3
furniture may be said	3
is almost impossible to	3
the curve of the	3
the design of which	3
in spite of the	3
the great hall at	3
doors above and below	3
volume has been written	3
middle of the fifteenth	3
much of it is	3
architects of the day	3
christopher wren and grinling	3
been applied to the	3
portion of carved walnut	3
imported by the dutch	3
of the carving and	3
life of the people	3
the outside of the	3
be used in the	3
the wealth of the	3
as time went on	3
the description of the	3
between the work of	3
must have been a	3
the duke of buckingham	3
the design of decorative	3
the albany historical society	3
placed against the wall	3
it is seen that	3
one hundred and fifty	3
in the nature of	3
later days of the	3
reign of george iii	3
preserved in the louvre	3
of the seventeenth centuries	3
the one shown in	3
was adopted by the	3
but little of the	3
early in the century	3
of the most famous	3
half of the century	3
bear in mind that	3
to act as a	3
and in connection with	3
which they were intended	3
as a means of	3
the men of the	3
such as the chair	3
what is called the	3
furniture of the xviii	3
said to be of	3
to the william and	3
brought over in the	3
may be mentioned here	3
made in the seventeenth	3
it is convenient to	3
was made to order	3
the pattern of the	3
of black and gold	3
were introduced into england	3
a sixteenth century room	3
chapter ix local types	3
it is almost impossible	3
as that in the	3
for which it was	3
the architect of the	3
chest with drawers underneath	3
adapted from the french	3
of the homes of	3
the line of beauty	3
the hangings of the	3
reproduction of an old	3
that they may be	3
in keeping with its	3
in the churches and	3
the restoration of the	3
panel of carved oak	3
authorised version of the	3
presented to marie louise	3
a revival of the	3
from the old palace	3
the work of a	3
between the kitchen and	3
in the book of	3
in general use in	3
of the ladies of	3
at first it was	3
and farmhouse furniture is	3
carved with arabesque foliage	3
well as in the	3
a part of a	3
if you are planning	3
after the manner of	3
to be hoped that	3
after the renaissance had	3
to the design of	3
of the great hall	3
all the details of	3
whole pieces of furniture	3
this piece belongs to	3
handed down from generation	3
side of the table	3
assimilation of foreign styles	3
on either side to	3
the year when the	3
not intended to be	3
clock was made by	3
a representative specimen of	3
name of the maker	3
the protestant bible in	3
who could afford it	3
with garlands of flowers	3
office in wall street	3
in the old world	3
escaped the great fire	3
was designed and made	3
the copy of the	3
who has made a	3
is not surprising that	3
piece of spanish chestnut	3
the story of textiles	3
latter end of the	3
side of a room	3
until within the last	3
towards the close of	3
furniture of a later	3
room in a small	3
goes on to say	3
was introduced into england	3
swags of fruit and	3
a strong family likeness	3
is still to be	3
were the result of	3
jacobean and william and	3
the great master of	3
to the decoration of	3
a number of secret	3
periodicals of the day	3
we have already referred	3
and the top of	3
be remembered that the	3
original is folio size	3
in the same room	3
excellent examples of which	3
a cast of the	3
best examples of this	3
the museum connected with	3
decline in favor of	3
with the addition of	3
to correspond with the	3
of a later date	3
mistress of the home	3
designs of furniture of	3
the master or mistress	3
of those days were	3
of the empire style	3
until the eighteenth century	3
with a band of	3
of the lattice work	3
a new york apartment	3
there is evidence of	3
were made of wood	3
for one of the	3
second half of sixteenth	3
chairs of the queen	3
fashions of the day	3
the tops of these	3
to the right of	3
the founder of the	3
vogue in the first	3
treatment of a narrow	3
that the use of	3
a collection of old	3
of the old furniture	3
different kinds of wood	3
it is known as	3
in the palaces of	3
a hundred and fifty	3
and many of them	3
specimens of such work	3
and as a result	3
that the period of	3
wren and grinling gibbon	3
the influence of walnut	3
a factor in the	3
are in the louvre	3
a very small bedroom	3
of flowers and foliage	3
england at this time	3
it is an interesting	3
the better class of	3
new palace of westminster	3
a brief description of	3
is in keeping with	3
the nineteenth century we	3
richly carved and gilt	3
of the late stuarts	3
in this country is	3
to william and mary	3
also to be seen	3
by permission of t	3
an instance of this	3
the eighteenth century in	3
which one sees in	3
to england by the	3
at the ends of	3
are also to be	3
is of the same	3
there was always the	3
not confined to the	3
chapter iii the gate	3
to be sold by	3
years of the century	3
of all the old	3
of the high chest	3
guests sat on one	3
same material as the	3
back and its development	3
a fine specimen of	3
used in its construction	3
bequest at the victoria	3
da vinci and raffaele	3
of the interior of	3
general use in the	3
mary style with double	3
the revival of directoire	3
be observed that the	3
and it may be	3
of the dutch furniture	3
the doors of the	3
of the best kind	3
decoration of a salon	3
from five to ten	3
after the fashion of	3
in the next reign	3
room of the house	3
the women of the	3
the opening years of	3
was derived from the	3
it is noticeable that	3
the seats of the	3
in mind that the	3
this country in the	3
master or mistress of	3
the treatment of the	3
had come into more	3
renaissance in the netherlands	3
days of the seventeenth	3
was protected by a	3
removed from an old	3
reign of queen elizabeth	3
to china to be	3
the reign of elizabeth	3
form of the chest	3
the property of oliver	3
was in general use	3
of these pieces of	3
the greeks and romans	3
claw and ball foot	3
of periods in furniture	3
furniture made in america	3
the royal palaces of	3
the two front legs	3
best specimens in new	3
were in use for	3
by the middle of	3
this room with its	3
which he presented to	3
in china and japan	3
the closing years of	3
chests of drawers and	3
the same time be	3
made in the form	3
jones bequest at the	3
a place in the	3
that of james ii	3
in an antique shop	3
from a drawing by	3
parts of the house	3
little more than a	3
in the minds of	3
in connection with this	3
from the looms of	3
valuable contribution to the	3
examples are to be	3
customs of the greeks	3
is it to be	3
of the chair with	3
what was called the	3
the most highly prized	3
was used by the	3
for gas and electricity	3
in this country there	3
one of these tables	3
the same kind of	3
it may be of	3
the woodcut shows the	3
of the fifteenth and	3
the walls and ceilings	3
one of the three	3
and is in good	3
many of these were	3
an addition to the	3
made at this time	3
persons in all degrees	3
first introduced into england	3
of the room are	3
upper end of the	3
survival of oak in	3
be placed near the	3
furniture at hampton court	3
an integral part of	3
a study of the	3
at the close of	3
of which are to	3
found throughout new england	3
period in the history	3
that on the left	3
and suited to the	3
of what may be	3
william and mary forms	3
in very early times	3
and albert museum in	3
furniture belonging to this	3
of our own country	3
inlaid with ebony and	3
in the corner of	3
of the various styles	3
the building of the	3
in the indian museum	3
the cost of the	3
and the legs are	3
first came into use	3
the people of england	3
still in the possession	3
and a half feet	3
in the one case	3
of queen anne of	3
five to ten pounds	3
one hundred years old	3
greater part of the	3
of interest in the	3
is of the charles	3
that many of the	3
are found in the	3
of the industrial arts	3
one of these old	3
there is a fine	3
from a pen and	3
to be seen the	3
chapter iv the farmhouse	3
independence of country furniture	3
the legs of tables	3
the present government of	3
to rearrange a room	3
the bedsteads of the	3
italy th and th	3
vii the evolution of	3
to the credit of	3
the great hall of	3
the nature of the	3
a chair of this	3
a quarter of a	3
the interior decoration of	3
of the cost of	3
in the thirteenth and	3
used instead of the	3
which is to be	3
at the commencement of	3
the english furniture of	3
on the side of	3
studded with brass nails	3
the sixteenth century furniture	3
in the th century	3
that we find the	3
by the hands of	3
similar to that of	3
the pillar and claw	3
the meubles de luxe	3
the turned legs and	3
a basket of flowers	3
integral part of the	3
the oncoming of the	3
oak the chief wood	3
on the backs of	3
hall at hampton court	3
and circumstances of persons	3
in a variety of	3
as some of the	3
century we find the	3
the variety of carving	3
the possessions of the	3
days of charles ii	3
feet inches in diameter	3
sent to london for	3
this clock was made	3
came into more general	3
during the preceding reign	3
time of henry iv	3
its adoption in modern	3
design and manufacture of	3
formerly in possession of	3
great master of the	3
in such a way	3
evolution of the stretcher	3
and published in his	3
the stick legs without	3
designer and maker of	3
to say that the	3
piece of furniture in	3
which is a good	3
the style of decoration	3
chapter dealing with that	3
in the pickering house	3
and at one end	3
or three of the	3
the new palace of	3
after the invention of	3
and on the top	3
of the walnut period	3
the finest specimens of	3
we give an illustration	3
the finest in the	3
day as well as	3
calculated to improve and	3
beginning of the century	3
the authorised version of	3
the outcome of the	3
the period under review	3
it served as a	3
between jacobean and william	3
to the fancy and	3
of an inch thick	3
and one of the	3
old specimens of this	3
from which it is	3
and was bought by	3
which we have any	3
it is no wonder	3
the men and women	3
say nothing of the	3
it was a very	3
it was purchased by	3
some forty years ago	3
of the influence of	3
of the few remaining	3
we have come to	3
a very handsome piece	3
articles of everyday use	3
same page is illustrated	3
carved oak bedstead of	3
in the carved work	3
in black and gold	3
for the rest of	3
chapter xi old english	3
many of which are	3
into the wood and	3
about the beginning of	3
of the precious metals	3
in which there is	3
and early nineteenth century	3
for the adornment of	3
which had hitherto been	3
the art of lacquering	3
of designs for every	3
the renaissance in france	3
the earlier part of	3
of carved walnut virginal	3
the lower half of	3
in furniture and woodwork	3
with the result that	3
is probable that the	3
scheme of the room	3
the addition of a	3
were made of metal	3
they continued to be	3
of the very best	3
the illustration on the	3
as the chair of	3
time of the erection	3
to the fifteenth centuries	3
of the xviii century	3
the old furniture book	3
to the appearance of	3
form part of the	3
the manufacture of the	3
as well as those	3
and on either side	3
nineteenth century we find	3
master of the charterhouse	3
present government of japan	3
in the instance of	3
the seats and backs	3
in the latter half	3
the minds of the	3
of queen marie antoinette	3
of the th century	3
to bear in mind	3
carthusian convent at granada	3
mary and queen anne	3
books about old furniture	3
in some cases the	3
the renaissance in the	3
as well as many	3
of old farmhouse furniture	3
may be had for	3
before the time of	3
that the gate table	3
of the pieces of	3
of the same kind	3
he brought with him	3
has been well said	3
belonging to this period	3
piece of furniture which	3
time of the revolution	3
now to be seen	3
in the beginning of	3
influence of saracenic art	3
chest of drawers on	3
brass rail at the	3
good idea of the	3
and is now in	3
two fine examples of	3
fancy and circumstances of	3
of the stoning of	3
the course of the	3
and there is a	3
the best work of	3
imported into this country	3
the rococo style of	3
and the other of	3
has already been made	3
to have come into	3
of oak in the	3
bedroom of marie antoinette	3
known to have been	3
ancient and modern furniture	3
of these was the	3
the delicacy of the	3
but it was not	3
in the back of	3
arms of thomas sutton	3
carved with terminal figures	3
of this piece is	3
at the age of	3
it was the age	3
sixteenth of an inch	3
the earliest form of	3
walnut and mahogany varieties	3
having belonged to the	3
the means of the	3
to improve and refine	3
and manufactured by mr	3
at the rear of	3
to the collection of	3
it is of a	3
the form of an	3
has six legs and	3
on a gold ground	3
on a black ground	3
of the design of	3
example of the chair	3
figure is shown one	3
a knowledge of english	3
up to that time	3
quarter of a century	3
at that time the	3
began to be used	3
in front of them	3
at the hamilton palace	3
a good specimen of	3
in sweden and in	3
pieces of furniture were	3
wonderful works of art	3
of a pair of	3
after the style of	3
those who could afford	3
during the civil war	3
on a line with	3
directoire and empire furniture	3
made by a local	3
place of the old	3
made to match the	3
some years later than	3
give an illustration of	3
two examples are illustrated	3
on the shelves of	3
way in which the	3
same italian louis xvi	3
the capital of the	3
as the middle of	3
tripod table found at	3
in the matter of	3
as a rule the	3
of which it is	3
is in the home	3
in the course of	3
the opening of the	3
till late in the	3
on the door of	3
we illustrate a sufficient	3
of the louis xiv	3
first half of sixteenth	3
so much of the	3
in the work of	3
of the whole world	3
the author of the	3
know what you want	3
this country there are	3
by the help of	3
and guests sat on	3
in the last quarter	3
the corner of the	3
for chests of drawers	3
should not be neglected	3
reference has been made	3
a glance at the	3
and makers of furniture	3
the time of which	3
had been made in	3
the estate of the	3
with painting and gilding	3
the graceful curves of	3
of furniture which is	3
the popularity of the	3
days of the late	3
of pieces of furniture	3
of walnut on cabinet	3
the court room of	3
came into fashion in	3
hamilton palace sale for	3
length of the pendulum	3
president of the united	3
as well as all	3
was a member of	3
on a smaller scale	3
have been in the	3
is known as a	3
story of the evolution	3
in this type of	3
court records of new	3
stood for many years	3
to the art of	3
dealing with that period	3
the eighteenth century were	3
in the study of	3
than any of the	3
grain of the wood	3
farmhouse furniture may be	3
specimens in new england	3
are shown in figure	3
is now at the	3
and in the days	3
the chief wood employed	3
shaped at the top	3
iv the farmhouse dresser	3
this was the time	3
of the first quarter	3
piece belongs to the	3
and is valued at	3
room at sandringham house	3
upon the design of	3
to the present day	3
the seventeenth century the	3
it was made for	3
the majority of these	3
the decoration of their	3
work of the same	3
the upper one is	3
where economy is not	3
the legs and arms	3
furniture of the present	3
there is little doubt	3
we are indebted for	3
of which an illustration	3
of the fireplace was	3
is one of these	3
would seem to have	3
the end of a	3
not until the middle	3
to that of a	3
the rise of the	3
and refine the present	3
the walls of a	3
chapter viii the windsor	3
be seen in many	3
in the large catalogue	3
one generation to another	3
the south sea bubble	3
from one generation to	3
by no means a	3
which was built in	3
purposes for which they	3
of which should be	3
good examples of the	3
a century and a	3
to the same period	3
large pieces of furniture	3
the original is folio	3
in its construction the	3
the larger number of	3
it had never been	3
in the lord house	3
the middle seventeenth century	3
still be seen in	3
of the woodwork of	3
in what is known	3
us an idea of	3
which may be said	3
and one or two	3
type of queen anne	3
in those days was	3
and a number of	3
reign of henry iii	3
may still be found	3
name is that of	3
the nobility and gentry	3
founded a school of	3
were also used as	3
an example in the	3
there are no pictures	3
one who is interested	3
a touch of the	3
but it does not	3
folding doors above and	3
england in the year	3
different parts of the	3
the times in which	3
some excellent examples of	3
queen anne chair with	3
to the production of	3
the later years of	3
time of henry viii	3
on french furniture of	3
and as late as	3
the limitations of the	3
at about the same	3
as shewn in the	3
its establishment as a	3
chairs and sofas of	3
on the same line	3
was the result of	3
veneered with walnut and	3
now in the south	3
and on the walls	3
example of which is	3
more general use in	3
was in use in	3
in the description of	3
the seats of chairs	3
various articles of furniture	3
in all degrees of	3
on the exterior of	3
the cabinet maker and	3
the title page of	3