This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
every man in his | 96 |
man in his humour | 92 |
as the saying is | 71 |
man out of his | 61 |
every man out of | 59 |
out of his humour | 59 |
with all my heart | 49 |
the case is altered | 43 |
what do you mean | 41 |
war of the theatres | 34 |
the war of the | 27 |
as i am a | 26 |
i am a gentleman | 25 |
for the first time | 25 |
i beg your pardon | 24 |
a great deal of | 23 |
the end of the | 21 |
the reign of king | 21 |
devil is an ass | 21 |
tale of a tub | 21 |
of every man in | 21 |
of the reign of | 21 |
what shall i do | 20 |
to the end of | 20 |
i can assure you | 19 |
i know not what | 18 |
i must cut off | 18 |
i will tell you | 18 |
one of the most | 18 |
in the name of | 18 |
is one of the | 18 |
as one of the | 17 |
to the memory of | 16 |
what would you have | 16 |
in one of the | 16 |
as well as their | 16 |
the service of the | 16 |
for the benefit of | 15 |
in the mean time | 15 |
in the reign of | 15 |
i should like to | 15 |
i can tell you | 15 |
at the end of | 15 |
gold coin worth s | 15 |
would you have me | 15 |
i am going to | 15 |
find a way to | 15 |
the side of the | 15 |
in the shape of | 15 |
in the habit of | 15 |
and the gipsies metamorphosed | 14 |
the middle of the | 14 |
the breeches to the | 14 |
the devil is an | 14 |
the scourge of villainy | 14 |
to the fact that | 14 |
in the face of | 14 |
excepting the case is | 14 |
the list of actors | 14 |
in every man out | 14 |
to the city of | 14 |
one of our best | 14 |
what shall we do | 14 |
made upon men and | 14 |
reign of king james | 14 |
to be found in | 14 |
jonson for the benefit | 14 |
in the england of | 14 |
upon men and matter | 14 |
in the list of | 14 |
breeches to the doublet | 14 |
game similar to backgammon | 14 |
our best in tragedy | 14 |
made by ben jonson | 14 |
supposed antidote to poison | 14 |
grand scourge or second | 14 |
in the words of | 14 |
scourge or second untruss | 14 |
with chapman and marston | 14 |
what am i to | 14 |
of the comedy of | 14 |
i know not how | 14 |
by ben jonson for | 14 |
men of his time | 14 |
the city of london | 14 |
of the devil tavern | 14 |
after the manner of | 14 |
in the writing of | 14 |
ben jonson for the | 14 |
the comedy of humours | 14 |
chronologer to the city | 14 |
of the war of | 14 |
the grand scourge or | 14 |
was at work on | 14 |
how do you like | 14 |
used as a term | 14 |
as a term of | 14 |
in his humour was | 14 |
pleasure reconciled to virtue | 14 |
of our best in | 14 |
exact in every particular | 14 |
when he came to | 14 |
by the children of | 14 |
i must tell you | 13 |
on the other hand | 13 |
the rest of the | 13 |
discoveries made upon men | 13 |
in every man in | 13 |
what have you to | 13 |
end of the table | 13 |
is not to be | 13 |
give me leave to | 13 |
or discoveries made upon | 13 |
i protest to you | 12 |
for the good of | 12 |
what do you want | 12 |
must cut off your | 12 |
i would not have | 12 |
the hands of the | 12 |
did you ever see | 12 |
the house of commons | 12 |
for the most part | 12 |
in a low voice | 12 |
are you going to | 12 |
do you mean to | 12 |
let me tell you | 12 |
good mercury defend us | 11 |
as well as in | 11 |
i am a man | 11 |
what do you say | 11 |
in the middle of | 11 |
glad to see you | 11 |
no matter for that | 11 |
as i take it | 11 |
i think i have | 11 |
the first time in | 11 |
have you to say | 11 |
make a point of | 11 |
thousand pounds a year | 11 |
go to the devil | 11 |
that i am a | 10 |
the face of the | 10 |
goes to the door | 10 |
nothing to do with | 10 |
to be a gentleman | 10 |
the days of the | 10 |
i have nothing to | 10 |
i shall be the | 10 |
the time of his | 10 |
the beginning of the | 10 |
son of a whore | 10 |
he looks like a | 10 |
i should never have | 10 |
at the same time | 10 |
in the service of | 10 |
i am ready to | 10 |
in the case of | 10 |
goes out through the | 10 |
if you please to | 10 |
but it is a | 10 |
out of the way | 10 |
the church of england | 10 |
shall go to the | 9 |
would i might never | 9 |
the inns of court | 9 |
that i am not | 9 |
as if he were | 9 |
the attention of the | 9 |
the son of the | 9 |
eggs on the spit | 9 |
the other side of | 9 |
the story of the | 9 |
i would have you | 9 |
it must be a | 9 |
am i to do | 9 |
and of course i | 9 |
signior lorenzo di pazzi | 9 |
i wish you joy | 9 |
as if he had | 9 |
would be glad to | 9 |
the back of the | 9 |
as well as the | 9 |
other side of the | 9 |
in the house of | 9 |
in the manner of | 9 |
do you think i | 9 |
if you have a | 9 |
go to the jubilee | 9 |
still to be neat | 9 |
room in the same | 9 |
not so much as | 9 |
why do you not | 9 |
a man of honour | 9 |
i am glad i | 9 |
in love with me | 9 |
how do you know | 9 |
he was sent to | 9 |
did you ever hear | 9 |
your house had been | 9 |
on the part of | 9 |
the son of a | 9 |
his humour to the | 9 |
on the way to | 9 |
the part of a | 9 |
why are you so | 9 |
i am sorry to | 9 |
from time to time | 8 |
you shall have it | 8 |
for the entertainment of | 8 |
in the time of | 8 |
the laws of the | 8 |
on his french garters | 8 |
in the spirit of | 8 |
and the rest of | 8 |
quality doth so possess | 8 |
taking in of shadows | 8 |
mirth is better than | 8 |
be tied to those | 8 |
is better than our | 8 |
forms which the niceness | 8 |
the fact that the | 8 |
and out of season | 8 |
what think you of | 8 |
setting the plaits of | 8 |
on the one hand | 8 |
knot on his french | 8 |
you shall give me | 8 |
middle aisle of st | 8 |
the room for the | 8 |
as you call it | 8 |
better than our own | 8 |
mute makes a leg | 8 |
doth so possess a | 8 |
those strict and regular | 8 |
and not be tied | 8 |
who are nothing but | 8 |
would thrust upon us | 8 |
it was a particular | 8 |
take me with you | 8 |
once and for all | 8 |
in which he had | 8 |
all that i know | 8 |
this kind of thing | 8 |
our scene is london | 8 |
it doth draw all | 8 |
some one peculiar quality | 8 |
i am glad to | 8 |
at the siege of | 8 |
on the face of | 8 |
which the niceness of | 8 |
he did not live | 8 |
play was written in | 8 |
of course i know | 8 |
doth draw all his | 8 |
of the men of | 8 |
kind of thing is | 8 |
to those strict and | 8 |
the deuce take me | 8 |
a court of law | 8 |
free power to illustrate | 8 |
or free power to | 8 |
the face of a | 8 |
with the story of | 8 |
so possess a man | 8 |
in his humour to | 8 |
as if i were | 8 |
to have been a | 8 |
draw all his affects | 8 |
but we should enjoy | 8 |
we should enjoy the | 8 |
to run one way | 8 |
and yet it is | 8 |
time to time in | 8 |
but that a rook | 8 |
will you give me | 8 |
must be a plot | 8 |
should enjoy the same | 8 |
the shape of a | 8 |
what do you think | 8 |
of the matter to | 8 |
i will not go | 8 |
and regular forms which | 8 |
more than most ridiculous | 8 |
the language of the | 8 |
should affect a humour | 8 |
that i am in | 8 |
it is more than | 8 |
in a court of | 8 |
the lines of the | 8 |
strict and regular forms | 8 |
this play was written | 8 |
as far as i | 8 |
poetry and the drama | 8 |
like that of a | 8 |
is more than most | 8 |
that it doth draw | 8 |
and heighten our invention | 8 |
all to run one | 8 |
in the low countries | 8 |
power to illustrate and | 8 |
on his way to | 8 |
illustrate and heighten our | 8 |
who would have thought | 8 |
one peculiar quality doth | 8 |
manners of the time | 8 |
come to you presently | 8 |
the memory of my | 8 |
make a fool of | 8 |
the niceness of a | 8 |
for the sake of | 8 |
as a matter of | 8 |
on account of his | 8 |
to illustrate and heighten | 8 |
of the manners of | 8 |
of men of fashion | 8 |
of course he is | 8 |
niceness of a few | 8 |
made of all this | 8 |
the manners of the | 8 |
been employed in the | 8 |
peculiar quality doth so | 8 |
to the table and | 8 |
be described as a | 8 |
and he was not | 8 |
in the court of | 8 |
a yard of shoe | 8 |
we would make known | 8 |
may be described as | 8 |
you are going to | 8 |
you mean to say | 8 |
regular forms which the | 8 |
the year of the | 8 |
be it known to | 8 |
do you think that | 8 |
i wish i could | 8 |
the point of the | 8 |
that he was a | 8 |
on the stage in | 8 |
is not very well | 8 |
do you mean by | 8 |
tied to those strict | 8 |
one of the seven | 8 |
without the aid of | 8 |
which you are to | 8 |
to say to me | 8 |
on the basis of | 8 |
in love with her | 8 |
is a man of | 8 |
of the church of | 8 |
in and out of | 8 |
are nothing but form | 8 |
he that cried italian | 8 |
are conceived in the | 8 |
and practice of the | 8 |
i am not a | 8 |
as i told you | 8 |
not be tied to | 8 |
to give to the | 8 |
supposed to be the | 8 |
of this play that | 8 |
one of the leading | 8 |
in the person of | 8 |
well as in the | 8 |
i see not then | 8 |
gallants of the time | 8 |
the only person in | 8 |
that shakespeare was making | 7 |
state messenger who summoned | 7 |
only person in the | 7 |
law permitting convicted felons | 7 |
and with delightfully comic | 7 |
the substance or riches | 7 |
wide acquaintance with books | 7 |
in structure than its | 7 |
of the former play | 7 |
stag when he takes | 7 |
truth by the exaggerated | 7 |
some years before had | 7 |
first in the employment | 7 |
who is induced to | 7 |
and promulgation of news | 7 |
him for weeks as | 7 |
which he had been | 7 |
to mention only these | 7 |
dryden that designated them | 7 |
for he borrowed pounds | 7 |
in which specific application | 7 |
law of the famous | 7 |
or of coarse silk | 7 |
certainly his prowess lost | 7 |
the silent woman is | 7 |
turned his talents to | 7 |
jonson has a peculiar | 7 |
friends among the younger | 7 |
beaten by the attendant | 7 |
have been thought to | 7 |
the two continued friends | 7 |
to itinerant vendors and | 7 |
by no means given | 7 |
who had been silenced | 7 |
of those portions of | 7 |
therein of a dozen | 7 |
who had written verses | 7 |
the stage after the | 7 |
a dozen years later | 7 |
of base metal used | 7 |
though still in needy | 7 |
of poetry and poets | 7 |
for the ancient law | 7 |
though fuller says that | 7 |
the subject by h | 7 |
when going in state | 7 |
in trinkets or ornaments | 7 |
shu is to scare | 7 |
with introduction and notes | 7 |
sent commissioners to search | 7 |
said of a hunted | 7 |
only a professed imitator | 7 |
jonson have also been | 7 |
one time the part | 7 |
be a source of | 7 |
jonson immortalised in one | 7 |
had been attempted by | 7 |
derogatory to his nation | 7 |
finding out of things | 7 |
had put five straggling | 7 |
professional players or dancers | 7 |
we know that jonson | 7 |
the occasional poetry of | 7 |
supposed to have powers | 7 |
breach of the peace | 7 |
he told drummond that | 7 |
whatever bullion he borrowed | 7 |
aces or court cards | 7 |
more masques than all | 7 |
no one was capable | 7 |
paragraph on eloquence in | 7 |
away as if by | 7 |
bearing in its various | 7 |
this difficult drama should | 7 |
not to be taxed | 7 |
to convey the satire | 7 |
undertook by his influence | 7 |
beggars and lepers to | 7 |
unto the company which | 7 |
one of the small | 7 |
into the reign of | 7 |
is the finding out | 7 |
a person on the | 7 |
matter was soon patched | 7 |
caused by external agency | 7 |
suspected that much of | 7 |
pitch by a play | 7 |
and the persons revert | 7 |
eyelids together with fine | 7 |
species of theatrical account | 7 |
whole subject is to | 7 |
digressed into detail in | 7 |
beauty and dignity of | 7 |
occasional verse and some | 7 |
subject is to be | 7 |
venture on quagmire once | 7 |
the physical or material | 7 |
custard which formed part | 7 |
a demand for three | 7 |
nor in experimenting with | 7 |
of herrick addressed to | 7 |
especially with the latin | 7 |
of differing humours to | 7 |
number to stand on | 7 |
of the fancy in | 7 |
piece of base metal | 7 |
in a collective edition | 7 |
place and the use | 7 |
venetian coin worth about | 7 |
probably first acted late | 7 |
somewhat similar to base | 7 |
men and had received | 7 |
as the accident of | 7 |
allusion to practice of | 7 |
ever went to either | 7 |
alchemists to be transfusible | 7 |
horse of some light | 7 |
he told drummond curtly | 7 |
called from the mode | 7 |
and chapman there was | 7 |
as opposed to the | 7 |
wars of william the | 7 |
revelling in their shrewdness | 7 |
feet while being shod | 7 |
marston represented him on | 7 |
for such premeditated devices | 7 |
the nature of this | 7 |
engaged to pray for | 7 |
of whom gossipy and | 7 |
elizabeth sent commissioners to | 7 |
humour is that of | 7 |
with the practical application | 7 |
and notes by p | 7 |
the beauty and dignity | 7 |
of wires for hair | 7 |
sejanus is a tragedy | 7 |
kept shops in the | 7 |
hoe or for other | 7 |
not at one with | 7 |
and most striking thing | 7 |
persistent species of comedy | 7 |
a patent was granted | 7 |
cop may have reference | 7 |
both were men of | 7 |
he chanced to be | 7 |
misrepresented in this matter | 7 |
triumph over daniel as | 7 |
he not only uses | 7 |
demanded design and the | 7 |
court to bring in | 7 |
player on a wind | 7 |
as a comedy modelled | 7 |
first part of the | 7 |
published in the early | 7 |
these reasons that jonson | 7 |
in his witty poem | 7 |
dare scarce come thither | 7 |
is an adjective meaning | 7 |
balladino of anthony munday | 7 |
was neither in this | 7 |
and precedent in art | 7 |
made knights in his | 7 |
duel is the one | 7 |
letter enabled a father | 7 |
their antiquities and curious | 7 |
journey afoot to scotland | 7 |
circumstances of the origin | 7 |
with whom they had | 7 |
the romantic drama of | 7 |
in forcibly or without | 7 |
entitled the scourge of | 7 |
ends in the discomfiture | 7 |
be that glossy kind | 7 |
where they disappeared from | 7 |
fold of a ruff | 7 |
to cut him out | 7 |
ball had been known | 7 |
statutably admitted into st | 7 |
to the credit of | 7 |
stamped with the figure | 7 |
of a ruling trait | 7 |
have befriended and tenderly | 7 |
and thine must now | 7 |
as if by mistake | 7 |
to which jonson felt | 7 |
occurrence of the time | 7 |
jonson has shown himself | 7 |
at court as well | 7 |
arrogant attitude mentioned above | 7 |
formed part of a | 7 |
a purge that made | 7 |
to his own recollection | 7 |
the edge of the | 7 |
who had a familiar | 7 |
thought is on greater | 7 |
walter terill in the | 7 |
in regular form after | 7 |
mention no other examples | 7 |
reputed one of our | 7 |
year jonson was made | 7 |
especially in his invention | 7 |
better wrought and more | 7 |
and therefore with his | 7 |
in latin and english | 7 |
life had just been | 7 |
hay or sheaves of | 7 |
a supposed antidote to | 7 |
game played by two | 7 |
curious lore as well | 7 |
stage representation in the | 7 |
of which the mouth | 7 |
an unusual thing at | 7 |
art that they practised | 7 |
himself and his doings | 7 |
word was a fashionable | 7 |
than its three predecessors | 7 |
gold in aqua regia | 7 |
the new year to | 7 |
use of wires for | 7 |
be said for the | 7 |
mere tyro would be | 7 |
several other plays have | 7 |
fastened on to the | 7 |
an essential or spiritual | 7 |
is more than ever | 7 |
been shown to figure | 7 |
overburdened his stomach as | 7 |
ancient term for leveret | 7 |
used for a cheat | 7 |
the standard of stage | 7 |
ball of about ten | 7 |
are of an extraordinary | 7 |
of fact in recording | 7 |
served up the feast | 7 |
small piece of ordnance | 7 |
both in his dramas | 7 |
a finer conception of | 7 |
rude to an extreme | 7 |
though when and under | 7 |
fool jumped into it | 7 |
of elizabeth thus saw | 7 |
thither and back he | 7 |
this redoubtable and rugged | 7 |
jonson and his friends | 7 |
it has been held | 7 |
puny attacks on his | 7 |
have preceded every man | 7 |
hall being by his | 7 |
without reason or purpose | 7 |
woman noted for her | 7 |
a vessel with some | 7 |
for a particular ale | 7 |
forked head to hold | 7 |
years of charles were | 7 |
the humour of jonson | 7 |
when i was a | 7 |
it is fair to | 7 |
the epigram and in | 7 |
heavy kind of dutch | 7 |
which jonson had of | 7 |
extract some of it | 7 |
dozen plays of shakespeare | 7 |
property equally among his | 7 |
who were proud to | 7 |
a brand of the | 7 |
his humour is the | 7 |
able to perceive and | 7 |
camp of besieging army | 7 |
beating about the bush | 7 |
with the better wrought | 7 |
influence in the horoscope | 7 |
that caused jonson to | 7 |
marked out a definite | 7 |
entertainments that welcomed king | 7 |
assumes an interest to | 7 |
and ridiculed by both | 7 |
leather made of buffalo | 7 |
soon involved himself in | 7 |
notes of ben jonson | 7 |
play possessed of a | 7 |
figured with a finger | 7 |
stick used in making | 7 |
employed in the jonsonian | 7 |
attendant evils into statues | 7 |
that jonson prided himself | 7 |
carry away as if | 7 |
he should thus have | 7 |
him jonson immortalised in | 7 |
proof in a court | 7 |
last plays of the | 7 |
these last comprise the | 7 |
of the yelping curs | 7 |
the comedy in the | 7 |
the success of every | 7 |
course of english letters | 7 |
the bulk of his | 7 |
play called hot anger | 7 |
charming ones on his | 7 |
personages of differing humours | 7 |
to this may be | 7 |
or parts of dress | 7 |
dizziness in the head | 7 |
awarded the palm to | 7 |
fresh substances to supply | 7 |
in the italian manner | 7 |
the better wrought and | 7 |
particular mark of state | 7 |
was an indefatigable collector | 7 |
antonio balladino of anthony | 7 |
practice which jonson had | 7 |
he had written verses | 7 |
a buoyant blackguardism which | 7 |
into his office at | 7 |
by actual caricature of | 7 |
all derived from stories | 7 |
youth jonson enlisted as | 7 |
the nature of pitch | 7 |
pounds every first day | 7 |
to triumph over daniel | 7 |
interlude of a play | 7 |
although the scathing generalisation | 7 |
the preparation of satiromastix | 7 |
put forth for sale | 7 |
in any other play | 7 |
been well described by | 7 |
a tragedy called mortimer | 7 |
buffone was formerly thought | 7 |
the accepted entertainer of | 7 |
of quintus horatius flaccus | 7 |
and wordsworth much later | 7 |
and other like tricks | 7 |
more than any other | 7 |
made up for the | 7 |
the existing absurdities among | 7 |
a dramatist second only | 7 |
dialogue that did not | 7 |
of all strangers out | 7 |
a covey of partridges | 7 |
the origin of this | 7 |
which was written too | 7 |
william the silent against | 7 |
its personages and in | 7 |
scene of every man | 7 |
pretty story of the | 7 |
disreputable quarter of london | 7 |
small tuft of hair | 7 |
with chettle and porter | 7 |
in the score of | 7 |
include the satirical characters | 7 |
or priority as shareholders | 7 |
it against a tree | 7 |
by ward as a | 7 |
contained in the list | 7 |
the character of this | 7 |
youth he attracted the | 7 |
business as a broker | 7 |
these men held recognised | 7 |
part of his reversion | 7 |
the elder and applies | 7 |
there the poet laid | 7 |
a noise like a | 7 |
the whole trend of | 7 |
lore as well as | 7 |
a learned plagiary of | 7 |
to do something different | 7 |
to a certain condition | 7 |
end of the reign | 7 |
given to party feeling | 7 |
was bedridden for months | 7 |
the spark of comedy | 7 |
which sets anything off | 7 |
circumference of a figure | 7 |
evolved was his conception | 7 |
ambled in a leather | 7 |
of jacket and petticoat | 7 |
the younger poets who | 7 |
a portcullis stamped on | 7 |
cheated and to part | 7 |
how soon jonson drifted | 7 |
of eastward hoe or | 7 |
mechanical and scenic side | 7 |
into the rogues and | 7 |
to know vice at | 7 |
testy old men appear | 7 |
short allowance or small | 7 |
chapman and jonson to | 7 |
is conceived far more | 7 |
of brief and pungent | 7 |
to give over writing | 7 |
for the satirising of | 7 |
he was thus nearly | 7 |
all are conceived in | 7 |
attempts to identify the | 7 |
an indefatigable collector of | 7 |
his coming to england | 7 |
compiler of general news | 7 |
or court cards in | 7 |
certain sharpers of the | 7 |
powers known to old | 7 |
being the twelfth part | 7 |
hour in a part | 7 |
story is true or | 7 |
men of the people | 7 |
also been attributed additions | 7 |
a passage which an | 7 |
on the accession of | 7 |
company and seldom if | 7 |
dupes and the sharpers | 7 |
and as such his | 7 |
up of the choicest | 7 |
doughty deeds of arms | 7 |
jonson continued active in | 7 |
those of the church | 7 |
other official body of | 7 |
the careless singer of | 7 |
dine with duke humphrey | 7 |
clusters had as made | 7 |
to the very utmost | 7 |
finds the purge in | 7 |
it was the failure | 7 |
connected with loose living | 7 |
believed that there was | 7 |
in a part of | 7 |
still in needy circumstances | 7 |
him out a court | 7 |
his mother married beneath | 7 |
last years of the | 7 |
attacks on his perfections | 7 |
but the patronage of | 7 |
were in the habit | 7 |
in letters of gold | 7 |
that did not enter | 7 |
in which other vessels | 7 |
appellation for a fly | 7 |
most striking thing that | 7 |
soon to triumph over | 7 |
to bear a greater | 7 |
and somewhat pedantically noting | 7 |
winged cap worn by | 7 |
humorous stroke still unimpaired | 7 |
between in infamous sense | 7 |
and elsewhere as the | 7 |
placing horace in the | 7 |
full of life and | 7 |
parts of the punic | 7 |
the admirable comedy of | 7 |
and to kill by | 7 |
as part of his | 7 |
weather when people were | 7 |
and what would be | 7 |
sword of bevis of | 7 |
which figs or raisins | 7 |
property fallen forfeit to | 7 |
of thine outdid the | 7 |
that so delighted king | 7 |
used for shooting at | 7 |
man into a snare | 7 |
ruff or band turned | 7 |
nothing for the stage | 7 |
person who sold the | 7 |
of arts in both | 7 |
it known to you | 7 |
this same year jonson | 7 |
introduction the greatest of | 7 |
the less to the | 7 |
out in fanciful design | 7 |
an instrument for taking | 7 |
perfecting or carrying out | 7 |
as a writer of | 7 |
not always used in | 7 |
with a firm touch | 7 |
are stood for heating | 7 |
worth of the laureate | 7 |
to be pressed into | 7 |
and each represented it | 7 |
from the beginning of | 7 |
was carved on the | 7 |
interpreted as lodge or | 7 |
of the silent woman | 7 |
of his predecessor in | 7 |
than any one man | 7 |
the end and rewarded | 7 |
an excellent subject for | 7 |
but he acquainted himself | 7 |
the bodies of criminals | 7 |
order of a list | 7 |
the stamp of his | 7 |
tied or chained up | 7 |
the classical ideal of | 7 |
took their parts to | 7 |
steps from which the | 7 |
stories in ovid and | 7 |
and rascality and in | 7 |
of which one ingredient | 7 |
devoted friends among the | 7 |
and back he was | 7 |
for not fulfilling its | 7 |
deserted the stage after | 7 |
and most persistent species | 7 |
as to the nature | 7 |
collection of lyrics and | 7 |
collaboration with chettle and | 7 |
hands of benjamin jonson | 7 |
is notable that he | 7 |
familiarity that speaks for | 7 |
especially in the detail | 7 |
become not only a | 7 |
he clarifies his own | 7 |
jonson produced nothing for | 7 |
the twelfth part of | 7 |
best account of this | 7 |
must have some relation | 7 |
dekker was engaged professionally | 7 |
a term of affection | 7 |
time and had been | 7 |
of a casual burlesque | 7 |
a tavern sir walter | 7 |
proceeding by means of | 7 |
agog with the strife | 7 |
confusion of the grand | 7 |
and inaccurate aubrey relates | 7 |
praise than its three | 7 |
of the seven against | 7 |
a source of money | 7 |
according to the alternative | 7 |
is the one which | 7 |
set of four aces | 7 |
was a frequent occurrence | 7 |
profit even by this | 7 |
to search it out | 7 |
flight of the fancy | 7 |
statement of the matter | 7 |
daniel under the characters | 7 |
a whole satire out | 7 |
loosens into the rabelaisian | 7 |
toss in a blanket | 7 |
reign of king charles | 7 |
term for an equal | 7 |
returned to the stage | 7 |
foundations of his classical | 7 |
a company made up | 7 |
last we venture on | 7 |
more painstaking representation of | 7 |
and on no less | 7 |
the satirists of the | 7 |
bloody brother with fletcher | 7 |
you are to share | 7 |
hinges on a huge | 7 |
shakespeare hath given him | 7 |
of all the men | 7 |
terill in the reign | 7 |
of a play on | 7 |
that the alchemist is | 7 |
dance on may day | 7 |
applied to both sexes | 7 |
was furthest from the | 7 |
the whole fabric building | 7 |
divine and hebrew scholar | 7 |
language now spoken and | 7 |
plutarch and dramatise his | 7 |
to manhood little credit | 7 |
in a leather pitch | 7 |
of as a person | 7 |
his supposedly studious son | 7 |
as kept shops in | 7 |
clever turn or trick | 7 |
been acted by the | 7 |
whose horse was equally | 7 |
the vibration of the | 7 |
he had many quarrels | 7 |
a true pathos and | 7 |
produced nothing for the | 7 |
wickedness of their victims | 7 |
in fifteen weeks on | 7 |
to the conning of | 7 |
critics have named it | 7 |
such lifelike distinctness in | 7 |
make money if he | 7 |
a word used in | 7 |
theory of comedy than | 7 |
idea of a play | 7 |
bring in forcibly or | 7 |
the small earnings of | 7 |
to have powers of | 7 |
was proud to entertain | 7 |
what could have been | 7 |
of shakespeare by title | 7 |
invades authors like a | 7 |
manners which represents life | 7 |
in which figs or | 7 |
converting signior lorenzo di | 7 |
hands of the guests | 7 |
for setting the plaits | 7 |
still for the entertainment | 7 |
and socrates in the | 7 |
caused jonson to give | 7 |
genuine dramatic power in | 7 |
and other city officers | 7 |
and child in poverty | 7 |
to their genuine merits | 7 |
holding hot water in | 7 |
the whole comedy hinges | 7 |
potently of all the | 7 |
merit is the devil | 7 |
in a letter to | 7 |
though the elizabethan ran | 7 |
for good and all | 7 |
the charming ones on | 7 |
but jonson had by | 7 |
is not a conspicuous | 7 |
fooled in the end | 7 |
one who wore a | 7 |
in chat with his | 7 |
with roguery and innocence | 7 |
play on classical history | 7 |
by poles or stakes | 7 |
game somewhat similar to | 7 |
the idea of an | 7 |
of his plays must | 7 |
began life as an | 7 |
of tiberius with his | 7 |
perhaps the moulding of | 7 |
staged by his company | 7 |
at work on a | 7 |
for the safe return | 7 |
the performance of every | 7 |
a fine sense of | 7 |
be found in a | 7 |
to be able to | 7 |
putting the stamp of | 7 |
limits of propriety or | 7 |
our drama presents no | 7 |
weeks as his guest | 7 |
the lexiphanes of lucian | 7 |
and broad humorous stroke | 7 |
have written on the | 7 |
he sent him as | 7 |
event now happened to | 7 |
of comedy in the | 7 |
devil tavern where jonson | 7 |
take was pure playing | 7 |
have a portcullis stamped | 7 |
the manner of the | 7 |
commissioned him to write | 7 |
read horace and martial | 7 |
have been that worthier | 7 |
where criminals were executed | 7 |
satire of literary pretensions | 7 |
and ingenious partner in | 7 |
but was later master | 7 |
actors was salathiel pavy | 7 |
seldom if ever corresponded | 7 |
as it is usually | 7 |
a wiser interpretation finds | 7 |
planned to lead up | 7 |
the merry wives of | 7 |
its admirable opening scene | 7 |
priority as shareholders in | 7 |
second untruss that is | 7 |
his tragic exit from | 7 |
derived from classical story | 7 |
such epitaphs as ben | 7 |
when he was sworn | 7 |
that one sees he | 7 |
the stage from the | 7 |
at one with each | 7 |
not due entirely to | 7 |
a date has come | 7 |
its various parts dates | 7 |
which the mouth is | 7 |
when about to make | 7 |
the first shakespeare folio | 7 |
satire of his reply | 7 |
a virtuous character in | 7 |
find a philosophy of | 7 |
the character antonio balladino | 7 |
came to revise his | 7 |
but in these last | 7 |
to keep a secret | 7 |
from game of primero | 7 |
by sliding a die | 7 |
no new departure when | 7 |
read the play himself | 7 |
gorgeous costumes and artistic | 7 |
despite his trend towards | 7 |
into the crucible to | 7 |
lively character commemorated in | 7 |
besides every man out | 7 |
and dramatise his subject | 7 |
has shown himself a | 7 |
wonted studies with such | 7 |
wore a buff or | 7 |
poets is only victory | 7 |
prefixed to the comedy | 7 |
several troupes of players | 7 |
such matters as the | 7 |
the post for not | 7 |
touch based on observation | 7 |
rhetorical finish and pointed | 7 |
were out of work | 7 |
going in state to | 7 |
closely knit in structure | 7 |
laces that fastened the | 7 |
court as well as | 7 |
enhances the quality it | 7 |
him bewray his credit | 7 |
an event now happened | 7 |
literal translations from the | 7 |
use of his material | 7 |
town was agog with | 7 |
or writings of quintus | 7 |
in seneca the elder | 7 |
whom they had continual | 7 |
play may be described | 7 |
based on observation of | 7 |
and fashioned to convey | 7 |
by recourse to aristotle | 7 |
his abusive vocabulary back | 7 |
the variety of the | 7 |
but lost the post | 7 |
at the present time | 7 |
oppresses us in sleep | 7 |
some way drew a | 7 |
a gold coin worth | 7 |
a malt liquor in | 7 |
apparently we must now | 7 |
poetry and inventiveness in | 7 |
of jonson than a | 7 |
power in which is | 7 |
the last word is | 7 |
was already reputed one | 7 |
mentioned in the foregoing | 7 |
upon in his reply | 7 |
some years he lived | 7 |
the widow with fletcher | 7 |
and afforded huge entertainment | 7 |
much of this furious | 7 |
his pistol from him | 7 |
office for the gathering | 7 |
berattle the common stages | 7 |
and innocence with folly | 7 |
the speaker is just | 7 |
of lyric and occasional | 7 |
heywood some years before | 7 |
for hanging a smelling | 7 |
patrons and devoted friends | 7 |
to put them out | 7 |
poems first appeared in | 7 |
caricature of a person | 7 |
a discriminating taste and | 7 |
seeled by sewing the | 7 |
but died a month | 7 |
into fulsome praise and | 7 |
person of antonio balladino | 7 |
even the word humour | 7 |
their passing opinions noted | 7 |
when a mere youth | 7 |
is written in prose | 7 |
season in the time | 7 |
had been literally kidnapped | 7 |
jonson was a classicist | 7 |
quarrels with his fellow | 7 |
dealers on ludgate hill | 7 |
comedy long continued to | 7 |
so forbidding can be | 7 |
productions discloses an affectionate | 7 |
have been acted by | 7 |
james on his way | 7 |
year of the death | 7 |
old form of piano | 7 |
entertainments were published in | 7 |
of the apollo room | 7 |
to the effect that | 7 |
hurt him in the | 7 |
topers turned the cup | 7 |
strangers out of his | 7 |
following in the elder | 7 |
and catiline his conspiracy | 7 |
a suspicion that they | 7 |
certain fragments and ingatherings | 7 |
most diverting personages in | 7 |
returned to the faith | 7 |
this play that caused | 7 |
group comes the tremendous | 7 |
the captivi and the | 7 |
a sweetmeat and aphrodisiac | 7 |
was granted to lord | 7 |
occasional poetry called underwoods | 7 |
clock which was moved | 7 |
as old as the | 7 |
gabriel harvey as well | 7 |
accident of the moment | 7 |
the cup bottom up | 7 |
the most part among | 7 |
quoted passage makes burbage | 7 |
written in fifteen weeks | 7 |
it intimately and in | 7 |
s of them were | 7 |
court cards in a | 7 |
the court failed in | 7 |
summoned the persecuted seminaries | 7 |
in a foreign seminary | 7 |
only with thine eyes | 7 |
the war has been | 7 |
stand alone in english | 7 |
revels must be added | 7 |
did not enter into | 7 |
reprobated this slipshod amateurishness | 7 |
was an immediate success | 7 |
means of vivid caricature | 7 |
every man of prominence | 7 |
that of the braggart | 7 |
thus put down his | 7 |
wearing a pied feather | 7 |
who forced the borrower | 7 |
that a rook by | 7 |
stage in quick succession | 7 |
carved on the stone | 7 |
children of the chapel | 7 |
comical satires is poetaster | 7 |
well as their poetry | 7 |
villages for amusement and | 7 |
the public crier when | 7 |
typified traits in juxtaposition | 7 |
to clear the room | 7 |
of minors and idiots | 7 |
a time apprenticed to | 7 |
to dame kitely dwelling | 7 |
to write still for | 7 |
account book which has | 7 |
he brought up horace | 7 |
arrives to put them | 7 |
altered there is clear | 7 |
ideals of romantic love | 7 |
of life and vigour | 7 |
stage is almost as | 7 |
raised crust over a | 7 |
the masque of queens | 7 |
practised in varying degrees | 7 |
introduction and notes by | 7 |
water for the hands | 7 |
a vicesimo quarto in | 7 |
one engaged to pray | 7 |
third and last of | 7 |
to scene in venice | 7 |
him in the arm | 7 |
seems to have absorbed | 7 |
form of brief and | 7 |
ground of the city | 7 |
that portion of an | 7 |
refrain of a popular | 7 |
an affected word of | 7 |
poet would hardly have | 7 |
character is vividly conceived | 7 |
methods of humour and | 7 |
philosophy of life that | 7 |
of dividing a deceased | 7 |
mere scent of foot | 7 |
anything required for the | 7 |
to have been employed | 7 |
to himself a wife | 7 |
playing to the gallery | 7 |
another on facile and | 7 |
this was an unusual | 7 |
have the utmost cleverness | 7 |
corresponded to the list | 7 |
for a prisoner so | 7 |
to the close of | 7 |
humour was an immediate | 7 |
next august jonson was | 7 |
a ruling trait or | 7 |
learned men of his | 7 |
which the floors were | 7 |
effectively for his purposes | 7 |
sharpers of the metropolis | 7 |
staff tipped with metal | 7 |
having spirit and confidence | 7 |
not sound like short | 7 |
thenceforward to all time | 7 |
a tale of robin | 7 |
to disparage his memory | 7 |
entitled the return from | 7 |
and last of the | 7 |
employed when what the | 7 |
manner of the ancients | 7 |
the switzers knot on | 7 |
for a period of | 7 |
th century often used | 7 |
buff or leather jerkin | 7 |
figures represented as an | 7 |
that pertains to good | 7 |
and in the bloody | 7 |
one man raised the | 7 |
for any noisy riot | 7 |
head when he rubs | 7 |
sense by chapman before | 7 |
fairs to administer justice | 7 |
fragments and ingatherings which | 7 |
his way to london | 7 |
ungoverned and irresponsible renaissance | 7 |
association with henslowe of | 7 |
publication of his folio | 7 |
the spot where they | 7 |
messenger who summoned the | 7 |
attacked lawyers and soldiers | 7 |
administer justice to itinerant | 7 |
to jonson have also | 7 |
including some further entertainments | 7 |
believed that apollo could | 7 |
rushes with which the | 7 |
already reputed one of | 7 |
take all his ancient | 7 |
substances to supply the | 7 |
trade up to this | 7 |
used for military and | 7 |
of wild apple or | 7 |
he evolved was his | 7 |
to his own use | 7 |
recollection of his fellow | 7 |
jonson is a pestilent | 7 |
finishing part or touch | 7 |
commons to carry things | 7 |
to say that jonson | 7 |
deputy or governor of | 7 |
his subject without further | 7 |
fellow shakespeare puts them | 7 |
jonson have been discovered | 7 |
way touches us nearly | 7 |
almost as early and | 7 |
as long as the | 7 |
the unities of time | 7 |
jonson had influence at | 7 |
any way of a | 7 |
drama of much beauty | 7 |
in a similar squabble | 7 |
end or during an | 7 |
by the vibration of | 7 |
elder and applies it | 7 |
of the time among | 7 |
would hardly have included | 7 |
figures on the face | 7 |
here at least we | 7 |
time of shakespeare and | 7 |
company which he promised | 7 |
lyrics and occasional poetry | 7 |
king james in the | 7 |
duly arraigned at old | 7 |
and other entertainments far | 7 |
dialogue and sustained by | 7 |
regarded as the one | 7 |
lead up to the | 7 |
war of the stages | 7 |
made it thenceforward to | 7 |
introduced at the end | 7 |
time it is read | 7 |
abroad in the capacity | 7 |
been thought to bear | 7 |
might drink to the | 7 |
belonging to a party | 7 |
sweetest of his epitaphs | 7 |
the situation of the | 7 |
by his own account | 7 |
a notable simplification of | 7 |
reflux to his peculiar | 7 |
that he pursued both | 7 |
favourite of tiberius with | 7 |
of himself and his | 7 |
made his tragic exit | 7 |
one who shows deference | 7 |
the mostellaria of plautus | 7 |
uncommon eloquence in scorn | 7 |
satire on the existing | 7 |
has a peculiar merit | 7 |
and brought water for | 7 |
if there is one | 7 |
who undertook by his | 7 |
to do with it | 7 |
fabric building climax on | 7 |
and myth had held | 7 |
on the existing absurdities | 7 |
hunted stag is separated | 7 |
chary in talking of | 7 |
difficult drama should have | 7 |
everything pertaining to a | 7 |
was formerly thought certainly | 7 |
substance or riches of | 7 |
poet laid the solid | 7 |
in which the players | 7 |
down on either side | 7 |
the company and seldom | 7 |
time apprenticed to the | 7 |
not its part in | 7 |
men were at heart | 7 |
version a passage which | 7 |
the ducking of scolds | 7 |
part of the loan | 7 |
account of his share | 7 |
in the gipsies metamorphosed | 7 |
the effect that he | 7 |
of the epigrams cannot | 7 |
generalisation of dryden that | 7 |
known and practised in | 7 |
his stomach as well | 7 |
possessed of an idea | 7 |
who were dinnerless spent | 7 |
that of their importance | 7 |
by beggars and lepers | 7 |
and impossible than every | 7 |
this attempt to forestall | 7 |
a variety of the | 7 |
of a climax of | 7 |
to be transfusible into | 7 |
that marston represented him | 7 |
the life about him | 7 |
displeasure rather than a | 7 |
a romish priest educated | 7 |
complaisant portrait of himself | 7 |
in the widow with | 7 |
met to grant him | 7 |
entrusted to dekker the | 7 |
plays must have formed | 7 |
did the serjeants of | 7 |
a room blazoned about | 7 |
professed imitator of horace | 7 |
of praise than its | 7 |
heraldic term for hand | 7 |
especially a stately one | 7 |
as they the ancients | 7 |
that his enemies had | 7 |
the england of king | 7 |
a report that his | 7 |
good birth and breeding | 7 |
of actual life be | 7 |
the origin of the | 7 |
cannon carrying a ball | 7 |
character named charles chester | 7 |
him the freedom of | 7 |
he lifts a whole | 7 |
as to the personages | 7 |
cap worn by mercury | 7 |
kidnapped to be pressed | 7 |
the caricature of daniel | 7 |
formerly applied to both | 7 |
pure playing to the | 7 |
quarrel in duello language | 7 |
after the publication of | 7 |
adversary which had hurt | 7 |
jonson was not without | 7 |
while much of the | 7 |
jonson was in collaboration | 7 |
opposition to the prevalent | 7 |
mob when bad characters | 7 |
a device borrowed from | 7 |
given too difficult a | 7 |
success of every man | 7 |
conversations with drummond of | 7 |
ambitions with respect to | 7 |
have reference to one | 7 |
of a goshawk when | 7 |
robberies so openly that | 7 |
of metal or ivory | 7 |
and he received only | 7 |
reference to an archery | 7 |
years before had put | 7 |
indeed jonson went further | 7 |
was his conception and | 7 |
under his direction as | 7 |
wash gold in aqua | 7 |
a picturesqueness of speech | 7 |
unfitness in any way | 7 |
such verve and resourcefulness | 7 |
shakespeare then concerned in | 7 |
a period of nearly | 7 |
used also for additional | 7 |
unit of weight for | 7 |
figure that strikes the | 7 |
flesh to incite it | 7 |
an association with henslowe | 7 |
closing the cycle of | 7 |
employed the method of | 7 |
the former play may | 7 |
brimmed hat or winged | 7 |
his art of poetry | 7 |
pursued both in the | 7 |
the most diverting personages | 7 |
character antonio balladino of | 7 |
lyrics will live as | 7 |
was a prominent shareholder | 7 |
may have been that | 7 |
bear a greater or | 7 |
an army levied out | 7 |
of and at the | 7 |
opposition which enhances the | 7 |
quibble on heraldic term | 7 |
to indicate his residence | 7 |
alleys and courts in | 7 |
value to the masque | 7 |
returns from several noblemen | 7 |
his office at westminster | 7 |
wonder that jonson soon | 7 |
what is not altogether | 7 |
acting the plays of | 7 |
poetaster was an immediate | 7 |
to make a proclamation | 7 |
he lived apart from | 7 |
comes the tremendous comedy | 7 |
delighted king james in | 7 |
or contortion of the | 7 |
in these last we | 7 |
he tells us that | 7 |
court in the writing | 7 |
the perfecting or carrying | 7 |
it is doubtful whether | 7 |
or other official body | 7 |
statues which sink out | 7 |
fashionable one and used | 7 |
name of two famous | 7 |
for a handsome monument | 7 |
on throwing a three | 7 |
last doubtless revised from | 7 |
for shooting at butts | 7 |
plays mentioned in the | 7 |
the children of the | 7 |
provision collected for prisoners | 7 |
with which the floors | 7 |
especially of his sometime | 7 |
of less merit is | 7 |
as the unities of | 7 |
flowed out of his | 7 |
their prose as well | 7 |
the last years of | 7 |
such clusters had as | 7 |
he had been some | 7 |
is glossed in dialect | 7 |
we have the utmost | 7 |
merry ballad or tune | 7 |
shakespeare already had the | 7 |
who had shortly before | 7 |
of all the others | 7 |
time in which is | 7 |
his peculiar notion of | 7 |
called the family of | 7 |
the difficult words with | 7 |
of about ten pounds | 7 |
with such assiduity that | 7 |
are presented to the | 7 |
piece of silver current | 7 |
ready to be cheated | 7 |
and lepers to show | 7 |
keep the peace and | 7 |
live to enjoy its | 7 |
as one of our | 7 |
silent woman is a | 7 |
the tobacco smoke or | 7 |
but jonson gave dramatic | 7 |
to part with his | 7 |
his sejanus like a | 7 |
a kind of herring | 7 |
net for catching rabbits | 7 |
being the raised crust | 7 |
death the year before | 7 |
in the jonsonian sense | 7 |
is for these reasons | 7 |
of the choicest spirits | 7 |
dish with a movable | 7 |
is a tragedy of | 7 |
with the arrogant attitude | 7 |
safe return of which | 7 |
is doubtful whether jonson | 7 |
other plays have been | 7 |
him as part of | 7 |
of sir lucius cary | 7 |
as to scene in | 7 |
an equally miserable death | 7 |
accession of the new | 7 |
part of sermon dealing | 7 |
supposed to have power | 7 |
chief fool and mimicked | 7 |
perhaps somewhat of the | 7 |
whom his friends had | 7 |
giving up of property | 7 |
the movements of a | 7 |
more at the globe | 7 |
windows were furnished with | 7 |
to modify the whole | 7 |
introductory flourish on the | 7 |
particular case to exemplify | 7 |
literary men have kept | 7 |
satire out of horace | 7 |
and anciently worn by | 7 |
jewelled ornament for the | 7 |
perfections with only too | 7 |
collaboration in the widow | 7 |
were men of the | 7 |
the critical or generally | 7 |
his inexhaustible inventiveness continued | 7 |
antonio balladino and gabriel | 7 |
celebrated comedian and jester | 7 |
degrees by both universities | 7 |
on sound historical ground | 7 |
and the small earnings | 7 |
was established once and | 7 |
should thus have befriended | 7 |
for carlo a notorious | 7 |
or way of life | 7 |
in the following year | 7 |
indignation which must lie | 7 |
with his fees and | 7 |
cards in a hand | 7 |
satire in regular form | 7 |
pressed into the service | 7 |
for taking altitudes and | 7 |
convert the substance or | 7 |
jonson and charles dickens | 7 |
have been by no | 7 |
outline of coat of | 7 |
an imitation of gold | 7 |
wheat boiled in milk | 7 |
jonson told how in | 7 |
with whom jonson read | 7 |
there is a silence | 7 |
book turns up from | 7 |
which hung down on | 7 |
of criticism in its | 7 |
origin of the war | 7 |
a ceremony of the | 7 |
jonson was made poet | 7 |
special or temporary purpose | 7 |
though the dates of | 7 |
thrown at in lent | 7 |
in making a bed | 7 |
so lampooned euripides in | 7 |
are no such epitaphs | 7 |
extravagant gaiety of apparel | 7 |
he was hospitably received | 7 |
of criminals were thrown | 7 |
of prominence in the | 7 |
and gabriel harvey as | 7 |
we such clusters had | 7 |
poets who were proud | 7 |
own statement of the | 7 |
is this on the | 7 |
of master of the | 7 |
with a movable lid | 7 |
scathing generalisation of dryden | 7 |
pole for carrying a | 7 |
wit less interfere with | 7 |
him ben jonson takes | 7 |
models some of the | 7 |
on whatever bullion he | 7 |
jonson had deserted the | 7 |
that after all jonson | 7 |
described by ward as | 7 |
narrowly escaped the honour | 7 |
whether a story so | 7 |
source of money or | 7 |
woman in her humour | 7 |
and spirits mixed together | 7 |
suddenly behaves like a | 7 |
turned back on the | 7 |
all might drink to | 7 |
character by which some | 7 |
disgrace with henslowe and | 7 |
sink out of sight | 7 |
by his own boast | 7 |
with its attendant evils | 7 |
like the two plays | 7 |
is unfair to their | 7 |
some kind of machinery | 7 |
with a finger pointing | 7 |
the perfection of literary | 7 |
depended on throwing a | 7 |
was granted the reversion | 7 |
his displeasure rather than | 7 |
prefixed to the first | 7 |
chettle and porter in | 7 |
by two or three | 7 |
vessel used for distillation | 7 |
these little theatrical waifs | 7 |
was described as a | 7 |
absolute monarch of english | 7 |
jonson was an acknowledged | 7 |
insight and filial affection | 7 |
of our judges or | 7 |
were seeled by sewing | 7 |
three comical satires which | 7 |
face of both the | 7 |
of the bedstead for | 7 |
judge of inferior rank | 7 |
theories alone that made | 7 |
the quarrel are known | 7 |
life that facilely divides | 7 |
lively dance in triple | 7 |
fancy in its time | 7 |
on the mechanical and | 7 |
which jonson refers to | 7 |
accession of king james | 7 |
enlisted as a soldier | 7 |
known in ballad or | 7 |
appears to have done | 7 |
men held recognised positions | 7 |
is perhaps the least | 7 |
but he returned to | 7 |
top kept in villages | 7 |
epigrams of jonson have | 7 |
on his return to | 7 |
fresh and lovable a | 7 |
he rubs it against | 7 |
of the braggart who | 7 |
his birth early in | 7 |
his humour on the | 7 |
we may find a | 7 |
rather than a designation | 7 |
the most important is | 7 |
two kinds of attack | 7 |
was the kinship of | 7 |
shops in the new | 7 |
the reign of william | 7 |
a die in some | 7 |
there is also the | 7 |
hunted another from his | 7 |
a place as one | 7 |
day averred king james | 7 |
pension of one hundred | 7 |
a retort fitted with | 7 |
back upon jonson and | 7 |
a feminine personage as | 7 |
daniel as the accepted | 7 |
transition play from the | 7 |
the game down with | 7 |
is told with discriminating | 7 |
perpetual talker and made | 7 |
time was established once | 7 |
a fanciful dialogue or | 7 |
brains with roguery and | 7 |
in form of women | 7 |
tragedy called mortimer his | 7 |
the parts of old | 7 |
proclaimed king of hungary | 7 |
by mary gipcy st | 7 |
the ancient law permitting | 7 |
as well as overlarded | 7 |
a drum in a | 7 |
strolling beggars or gipsies | 7 |
open to this danger | 7 |
some relation to tricking | 7 |
person in the play | 7 |
o that ben jonson | 7 |
was written too late | 7 |
formed the bulk of | 7 |
has been thought by | 7 |
jonson was a scholar | 7 |
possessed of a scruple | 7 |
was an unusual thing | 7 |
fastidious brisk and hedon | 7 |
it has been said | 7 |
a horse to the | 7 |
on the stage is | 7 |
is commonly regarded as | 7 |
the days of king | 7 |
in the new exchange | 7 |
in the protracted wars | 7 |
difficult words with which | 7 |
personages of his satire | 7 |
a trifle better born | 7 |
raise the dramatic lampoon | 7 |
a remedy known by | 7 |
of three comical satires | 7 |
he hath left us | 7 |
jonson never again produced | 7 |
remedy of a journey | 7 |
confection flavoured with musk | 7 |
as they have flowed | 7 |
live as long as | 7 |
new departure when he | 7 |
raleigh beats him and | 7 |
a lance at tilting | 7 |
or plaster the face | 7 |
planets were supposed to | 7 |
utmost cleverness in construction | 7 |
used for any noisy | 7 |
the action to allegory | 7 |
in which jonson refers | 7 |
of another poet to | 7 |
regular form after the | 7 |
failure of this play | 7 |
who summoned the persecuted | 7 |
plays of shakespeare by | 7 |
which specific application is | 7 |
of being carried about | 7 |
it was this character | 7 |
shown himself a genuine | 7 |
itself is only a | 7 |
i have a good | 7 |
as i have a | 7 |
is a commonplace book | 7 |
seals up his mouth | 7 |
he migrated to england | 7 |
part in the war | 7 |
doing things which might | 7 |
the yelping curs of | 7 |
eyes were seeled by | 7 |
had been known and | 7 |
drawing from the life | 7 |
on their arm by | 7 |
make a matter of | 7 |
was making no new | 7 |
final scene in which | 7 |
which the poet would | 7 |
of satire and inventive | 7 |
turning the head only | 7 |
or reducing a substance | 7 |
the sophist libanius suggests | 7 |
ridiculed in every man | 7 |
the dramatic lampoon to | 7 |
the eyelids together with | 7 |
of commons to carry | 7 |
grant him the freedom | 7 |
paint or plaster the | 7 |
the hard lines of | 7 |
is it wanting in | 7 |
punic wars contributed to | 7 |
two plays that follow | 7 |
would make known no | 7 |
revert at times to | 7 |
went further when he | 7 |
a gesture of contempt | 7 |
to every minute particular | 7 |
to caricature and the | 7 |
the court of a | 7 |
have digressed into detail | 7 |
made poet laureate with | 7 |
them were that marston | 7 |
has been said that | 7 |
in the next room | 7 |
not invent the masque | 7 |
of his time affected | 7 |
is planned to lead | 7 |
by knights and heralds | 7 |
nothing in the telling | 7 |
horse meant also a | 7 |
a large and raw | 7 |
merry wives of windsor | 7 |
humour is written in | 7 |
of romances and playwright | 7 |
has been referred to | 7 |
time and place and | 7 |
authors like a monarch | 7 |
of this whole subject | 7 |
spontaneity and emotion which | 7 |
brand of the letter | 7 |
their reading was chronicled | 7 |
the full of the | 7 |
the old drollery and | 7 |
eminent man transcending you | 7 |
over to keep the | 7 |
romantic drama of shakespeare | 7 |
it may be suspected | 7 |
in which shakespeare thus | 7 |
with shakespeare taking a | 7 |
egg and to kill | 7 |
as the accepted entertainer | 7 |
and never thenceforward malign | 7 |
the death of shakespeare | 7 |
used for the broken | 7 |
still unimpaired and unmatchable | 7 |
gave dramatic value to | 7 |
studious son to london | 7 |
gave over in consequence | 7 |
necked vessel for distillation | 7 |
was connected with the | 7 |
to confine our attention | 7 |
been by no means | 7 |
with the latin writings | 7 |
wooden pin in the | 7 |
the amateurishness and haphazard | 7 |
method of personal attack | 7 |
the shoulders of the | 7 |
august jonson was in | 7 |
translation of plutarch and | 7 |
rabelaisian mode that so | 7 |
were proud to be | 7 |
old form of ganymede | 7 |
part of a city | 7 |
with such lifelike distinctness | 7 |
in the capacity of | 7 |
dealer in trinkets or | 7 |
sewing the eyelids together | 7 |
made into balls of | 7 |
for writing on wax | 7 |
point in his device | 7 |
is only victory in | 7 |
these plays met with | 7 |
chief justice to answer | 7 |
the masque in which | 7 |
unusual thing at the | 7 |
perhaps master of a | 7 |
of masques and other | 7 |
the extraordinary popularity represented | 7 |
took his pistol from | 7 |
stands first in the | 7 |
as overlarded his vocabulary | 7 |
experience and insight rare | 7 |
person known in ballad | 7 |
canopied chair of state | 7 |
writing for the public | 7 |
sealed of the tribe | 7 |
which the women fastened | 7 |
old coins have a | 7 |
scenic side jonson had | 7 |
own conception of poetry | 7 |
and under his direction | 7 |
and not averse to | 7 |
arranged for in the | 7 |
horse without the aid | 7 |
james was wont to | 7 |
at least three tragedies | 7 |
of a bird of | 7 |
is a thought to | 7 |
ovid and dramatised with | 7 |
many more will be | 7 |
which jonson was thus | 7 |
than may be found | 7 |
a gentleman and a | 7 |
of this furious clatter | 7 |
satirical characters suggested by | 7 |
so admirably written and | 7 |
haphazard nature of many | 7 |
break a lance at | 7 |
a designation of his | 7 |
heroine of an old | 7 |
ever the romantic drama | 7 |
the gipsies metamorphosed displayed | 7 |
which one hunted another | 7 |
its departures from the | 7 |
of every man of | 7 |
smaller collection of lyric | 7 |
certainly have preceded every | 7 |
among the younger poets | 7 |
and it is in | 7 |
courtiers begged for it | 7 |
power of rendering invisible | 7 |
known as agnes le | 7 |
masques than all his | 7 |
the entries in henslowe | 7 |
is not altogether clear | 7 |
kinship of similar scholarly | 7 |
of a hunted stag | 7 |
to their veteran dictator | 7 |
is almost as old | 7 |
his uncommon eloquence in | 7 |
failure of personal credit | 7 |
popularity represented in a | 7 |
plagiary of all the | 7 |
he is fooled in | 7 |
were not quite spontaneous | 7 |
poet could read and | 7 |
to extract some of | 7 |
well known and universally | 7 |
lifelike distinctness in their | 7 |
to jonson to remark | 7 |
division of a country | 7 |
witty and trenchantly satirical | 7 |
better for the art | 7 |
the comedy of manners | 7 |
the manner of caricature | 7 |
important is a college | 7 |
know from a story | 7 |
whole satire out of | 7 |
shakespeare was a prominent | 7 |
tragedy of genuine dramatic | 7 |
considered the seat of | 7 |
of mimicry a dramatic | 7 |
acted by the children | 7 |
of elizabethan players was | 7 |
purer comedy represented in | 7 |
as a fabric of | 7 |
met with any marked | 7 |
for supporting the bedclothes | 7 |
greatest scoundrel of all | 7 |
told drummond curtly that | 7 |
silent against the spanish | 7 |
derived from stories in | 7 |
or ornaments of various | 7 |
day of the new | 7 |
of property or rights | 7 |
but the matter was | 7 |
and universally beloved as | 7 |
comedy since the days | 7 |
which tickles the senses | 7 |
teach by the whip | 7 |
a late kind of | 7 |
whom gossipy and inaccurate | 7 |
tagged laces that fastened | 7 |
the caricature is admirable | 7 |
term for an old | 7 |
used in and out | 7 |
and certain fragments and | 7 |
last word is perhaps | 7 |
characteristic of the comedies | 7 |
and the principals of | 7 |
the person of antonio | 7 |
course he is fooled | 7 |
all jonson was ridiculing | 7 |
from which the bodies | 7 |
grandfather was of annandale | 7 |
of the powder of | 7 |
the one in which | 7 |
universally beloved as ben | 7 |
least characteristic of the | 7 |
like a drum in | 7 |
magic powers known to | 7 |
whole comedy hinges on | 7 |
criminals were thrown into | 7 |
comic act introduced at | 7 |
handed down to us | 7 |
coachman to be uncovered | 7 |
the cycle of his | 7 |
of ancient roman life | 7 |
or to indicate his | 7 |
the stone covering his | 7 |
averred king james was | 7 |
a word with you | 7 |
guardianship of wards could | 7 |
i have the perquisites | 7 |
also fairy appellation for | 7 |
jonson enlisted as a | 7 |
when he takes to | 7 |
one appointed to make | 7 |
where rhetorical finish and | 7 |
notable that he became | 7 |
play is admirably written | 7 |
humour on the stage | 7 |
lords and ladies took | 7 |
the honour of knighthood | 7 |
of one hundred marks | 7 |
our fellow shakespeare hath | 7 |
the reign of elizabeth | 7 |
the name of every | 7 |
be the play in | 7 |
this whole subject is | 7 |
son grew up to | 7 |
equally miserable death the | 7 |
the circumstances of the | 7 |
does not know queen | 7 |
worse men were made | 7 |
was wont to lavish | 7 |
is alluded to again | 7 |
and there observe his | 7 |
small horse with docked | 7 |
references appear to allude | 7 |
been a notorious fire | 7 |
is that every man | 7 |
he calls his wonted | 7 |
despite his many real | 7 |
him everywhere in their | 7 |
reconcile them in the | 7 |
kind of stuff now | 7 |
as recent critics have | 7 |
known and universally beloved | 7 |
strap on a sword | 7 |
that oppresses us in | 7 |
was on sound historical | 7 |
adherence to classical conditions | 7 |
the benefit of clergy | 7 |
at tilting in an | 7 |
inventiveness in these by | 7 |
in his humour there | 7 |
reproach for a woman | 7 |
was soon patched up | 7 |
and the careless singer | 7 |
in the war of | 7 |
in an unscientific or | 7 |
we know from a | 7 |
in consequence his practice | 7 |
the fine ode to | 7 |
sever for a time | 7 |
englished by ben jonson | 7 |
of some hundred and | 7 |
with discriminating taste the | 7 |
a study of the | 7 |
the latin plays of | 7 |
to reconcile them in | 7 |
show by a society | 7 |
broken provision collected for | 7 |
and to this may | 7 |
apprenticed to the trade | 7 |
lay a spell on | 7 |
getting money under false | 7 |
dog so called from | 7 |
but jonson now turned | 7 |
far more logically on | 7 |
grave in one of | 7 |
end crispinus with his | 7 |
affectionate familiarity that speaks | 7 |
he was sworn into | 7 |
a passage in the | 7 |
irritable courtier conceived to | 7 |
and dramatised with little | 7 |
more than any one | 7 |
only tolerated because he | 7 |
at one time the | 7 |
widow and child in | 7 |
to keep up a | 7 |
of the letter t | 7 |
inexhaustible inventiveness continued to | 7 |
had attacked lawyers and | 7 |
writing of masques and | 7 |
in which one hunted | 7 |
spot where they disappeared | 7 |
demand for three issues | 7 |
or published as his | 7 |
inventiveness continued to contribute | 7 |
he finds a choice | 7 |
dramatic reply to jonson | 7 |
fuller says that he | 7 |
in the discomfiture and | 7 |
our judges or serjeants | 7 |
of the masque in | 7 |
base metal used in | 7 |
lance at tilting in | 7 |
play that caused jonson | 7 |
scurrilous and profane chester | 7 |
scholar and a classical | 7 |
aulularia of that dramatist | 7 |
comedy or farcical element | 7 |
in place of very | 7 |
or a person who | 7 |
blackguardism which recovers itself | 7 |
of the common herd | 7 |
the employment of philip | 7 |
down as a hawk | 7 |
sent him as part | 7 |
gaping like a fool | 7 |
smoke or some such | 7 |
the faith of the | 7 |
remedy known by this | 7 |
to our wonder that | 7 |
the amiable personality and | 7 |
mark of state and | 7 |
an archery show by | 7 |
invention of the antimasque | 7 |
bodies of criminals were | 7 |
originally a mournful melody | 7 |
the lyrics of jonson | 7 |
inns of court to | 7 |
writing of hebrew and | 7 |
his time was established | 7 |
a comedy or farcical | 7 |
heraldic term for red | 7 |
to that which in | 7 |
with books and an | 7 |
freedom of the city | 7 |
to mention no other | 7 |
man in england of | 7 |
less part in the | 7 |
seems rather a complimentary | 7 |
florence to london also | 7 |
struck the spark of | 7 |
this is contained in | 7 |
iron age with its | 7 |
be found in the | 7 |
and that the greatest | 7 |
the writing of masques | 7 |
rival on the popular | 7 |
knights in his day | 7 |
played by a heartless | 7 |
buyer of broken gold | 7 |
sound like short allowance | 7 |
players find rhymes for | 7 |
motto inside a ring | 7 |
with respect to these | 7 |
that is gabriel spencer | 7 |
to him upon a | 7 |
welcomed king james on | 7 |
nathaniel field with whom | 7 |
brief and pungent writing | 7 |
revised by marston in | 7 |
to carry things agreeably | 7 |
other poets is only | 7 |
them is a preposterous | 7 |
stage personages on the | 7 |
these are page of | 7 |
an equal or inferior | 7 |
although the personage in | 7 |
then usher at westminster | 7 |
jonson gave over in | 7 |
side a horse to | 7 |
end according to the | 7 |
in an earlier version | 7 |
been much misrepresented in | 7 |
this name was infused | 7 |
it seems almost certain | 7 |
openly that one sees | 7 |
aye and ben jonson | 7 |
also for additional emphasis | 7 |
could only be worthily | 7 |
is scarcely a virtuous | 7 |
a small french coin | 7 |
and used on all | 7 |
also his earlier work | 7 |
know queen and huntress | 7 |
learned that he was | 7 |
the second comical satire | 7 |
glossed in dialect dicts | 7 |
believed in restraint and | 7 |
and more significant satire | 7 |
projecting from the shoulders | 7 |
house famous for a | 7 |
suspicion that they were | 7 |
so much money is | 7 |
and i shall be | 7 |
wearing a horn shield | 7 |
of a room blazoned | 7 |
weeks on a report | 7 |
to whether a story | 7 |
commonplace book such as | 7 |
supposed capable of being | 7 |
munday in the person | 7 |
and collaboration in the | 7 |
also the exceedingly interesting | 7 |
the time and had | 7 |
all strangers out of | 7 |
notable simplification of actual | 7 |
a more costly silken | 7 |
water from the conduits | 7 |
any other play that | 7 |
have flowed out of | 7 |
that dekker hit upon | 7 |
attempt to forestall his | 7 |
open silver dishes for | 7 |
the floors were then | 7 |
surrey where criminals were | 7 |
old drollery and broad | 7 |
and yet each verse | 7 |
put hand to the | 7 |
and many more will | 7 |
it adds to our | 7 |
no less an authority | 7 |
the leading dramatists of | 7 |
to softness of wax | 7 |
a study of ben | 7 |
he was contented to | 7 |
of romantic love which | 7 |
heighten our invention as | 7 |
jonson died there was | 7 |
now call grandly the | 7 |
head made by roger | 7 |
wards could be bought | 7 |
a thought to give | 7 |
trader in miscellaneous articles | 7 |
successful career as a | 7 |
made of silk and | 7 |
his authorities in the | 7 |
feed a hawk or | 7 |
his time affected the | 7 |
allusion to alexander the | 7 |
jonson was neither in | 7 |
on the same day | 7 |
the basis of a | 7 |
this sort of thing | 7 |
of the punic wars | 7 |
but for the ancient | 7 |
with delightfully comic effect | 7 |
contemptuous of the common | 7 |
before had put five | 7 |
quite to the knees | 7 |
costumes and artistic grouping | 7 |
by which some one | 7 |
a certain stiffness and | 7 |
a german mercenary foot | 7 |
folio of his works | 7 |
man who carved or | 7 |
which jonson felt his | 7 |
in the subtler graces | 7 |
recently been shown to | 7 |
of the death of | 7 |
both chapman and jonson | 7 |
act of covering with | 7 |
the men of his | 7 |
elsewhere as the grand | 7 |
of things to the | 7 |
been thought by some | 7 |
century often used to | 7 |
alluded to again and | 7 |
conceived in the spirit | 7 |
and mimicked his tricks | 7 |
make off with speed | 7 |
of those to whom | 7 |
on the lines of | 7 |
poems were inspired by | 7 |
from the villainous fox | 7 |
especially in a comparison | 7 |
at abuses and corruptions | 7 |
that jonson was at | 7 |
or influence of value | 7 |
for the art that | 7 |
how an intercepted letter | 7 |
and emotion which we | 7 |
to write a dramatic | 7 |
coat of the new | 7 |
ancients by john marston | 7 |
as in the city | 7 |
the dates of the | 7 |
lord deputy or governor | 7 |
house had been begged | 7 |
place as one of | 7 |
his satire through every | 7 |
in which comedy long | 7 |
idea of an office | 7 |
which other vessels are | 7 |
to be certain of | 7 |
no man in england | 7 |
to alexander the great | 7 |
a satire in regular | 7 |
a word too much | 7 |
with degrees by both | 7 |
is a familiar expression | 7 |
authors he chanced to | 7 |
over in consequence his | 7 |
salted and dried fish | 7 |
means given up the | 7 |
nature and conduct of | 7 |
and inventiveness in these | 7 |
of the best examples | 7 |
upright collar fastened on | 7 |
the accession of the | 7 |
word used in and | 7 |
time jonson had influence | 7 |
a book of some | 7 |
being stamped with a | 7 |
evil spirit that oppresses | 7 |
and that admirable piece | 7 |
the golden age restored | 7 |
slavish adherence to classical | 7 |
a mistake to infer | 7 |
they were hence to | 7 |
us quote his own | 7 |
upon the chief fool | 7 |
that group about him | 7 |
enemies had entrusted to | 7 |
other entertainments far into | 7 |
was for a time | 7 |
which the latter had | 7 |
was an anonymous play | 7 |
laces or cords for | 7 |
quality of this comedy | 7 |
always open to this | 7 |
of the office of | 7 |
rare in any generation | 7 |
or detract the person | 7 |
have also been attributed | 7 |
of which so much | 7 |
hunted stag when he | 7 |
or dog with flesh | 7 |
title in closing the | 7 |
in the pastoral drama | 7 |
jonsonian sense by chapman | 7 |
transfusible into material things | 7 |
also an heraldic term | 7 |
adapting it to his | 7 |
kind of dog so | 7 |
grew up to manhood | 7 |
the herb of this | 7 |
are literal translations from | 7 |
the allusions in these | 7 |
a constant irritation to | 7 |
the ludicrous final scene | 7 |
tavern where jonson presided | 7 |
england of king james | 7 |
and exercise in frosty | 7 |
shoe with wooden sole | 7 |
hastily adapted as is | 7 |
his first great comedy | 7 |
the benefit of all | 7 |
less structurally worthy of | 7 |
with biographical and critical | 7 |
time current and his | 7 |
seeking the truth by | 7 |
more closely knit in | 7 |
which has been handed | 7 |
make an example of | 7 |
but in the words | 7 |
i tell you i | 7 |
varying degrees of elaboration | 7 |
most persistent species of | 7 |
evidence to determine the | 7 |
all the plays thus | 7 |
or forced to break | 7 |
was cited to appear | 7 |
of dryden that designated | 7 |
the littlewits that group | 7 |
felt his talents better | 7 |
the capacity of a | 7 |
to his peculiar notion | 7 |
of the same year | 7 |
applied to that which | 7 |
and chattels as he | 7 |
rhapsodist and the careless | 7 |
month before his illustrious | 7 |
possessed of a true | 7 |
frequent occurrence of the | 7 |
shooting at a random | 7 |
tragic exit from life | 7 |
day than worthy ben | 7 |
by clarity and vigorous | 7 |
chemistry according to the | 7 |
apart from her in | 7 |
a dealer in trinkets | 7 |
pertains to good birth | 7 |
in jail jonson became | 7 |
was a bold impertinent | 7 |
address of the former | 7 |
arts in both the | 7 |
played by two or | 7 |
from the company a | 7 |
of both the camps | 7 |
which enhances the quality | 7 |
small earnings of his | 7 |
inhaling the tobacco smoke | 7 |
differing humours to reconcile | 7 |
jonson was cited to | 7 |
the benefit of strangers | 7 |
the spontaneity and emotion | 7 |
wit applied to chicanery | 7 |
cannot be ascertained with | 7 |
they stand alone in | 7 |
could read and write | 7 |
which had hurt him | 7 |
hat or winged cap | 7 |
of a book on | 7 |
a quarrel with jones | 7 |
rediscovery of game once | 7 |
submitted the manuscript of | 7 |
an anonymous play called | 7 |
is true or not | 7 |
term used for breaking | 7 |
without its palpable hits | 7 |
is a new marvel | 7 |
such is the fine | 7 |
hand to the giving | 7 |
in which noble lords | 7 |
been attempted by no | 7 |
personages actually ridiculed in | 7 |
notion of the times | 7 |
held recognised positions to | 7 |
myth had held the | 7 |
to be the play | 7 |
friends and by those | 7 |
of elaboration long before | 7 |
with little taste or | 7 |
assiduity that he became | 7 |
to good birth and | 7 |
conception and practice of | 7 |
an experience and insight | 7 |
hence to him his | 7 |
to bring in provisions | 7 |
his humour was accepted | 7 |
sudden gust or squall | 7 |
entries in henslowe of | 7 |
less an authority than | 7 |
play called every woman | 7 |
able to perform feats | 7 |
shortly before killed one | 7 |
attention of the famous | 7 |
would be theft in | 7 |
and seldom if ever | 7 |
jonson appears first in | 7 |
heightened variety of the | 7 |
choice paragraph on eloquence | 7 |
punishment for minor offences | 7 |
the sustaining hand of | 7 |
he wrote his julius | 7 |
plays on the stage | 7 |
pointing to his mouth | 7 |
which might be reached | 7 |
all of these came | 7 |
setord hay or sheaves | 7 |
actual continuance at his | 7 |
fairy appellation for a | 7 |
been some time gathering | 7 |
his widow and child | 7 |
jonson had by no | 7 |
which an imaginative boy | 7 |
dramatises it effectively for | 7 |
on quagmire once more | 7 |
structure than its earlier | 7 |
represented in the plays | 7 |
been the nature of | 7 |
flaccus jonson or any | 7 |
to entertain him for | 7 |
the fancy in its | 7 |
seat of the emotions | 7 |
burlesque and bit of | 7 |
the moralist is more | 7 |
horse without a rider | 7 |
tobacco smoke or some | 7 |
of season in the | 7 |
cleverest of satire and | 7 |
and jonson to jail | 7 |
returned to the title | 7 |
hair which fashion required | 7 |
a glancing oblique blow | 7 |
carlo buffone was formerly | 7 |
scarcely a virtuous character | 7 |
is yet about the | 7 |
hurriedly adapted to include | 7 |
front lock of hair | 7 |
court against the broken | 7 |
the days of aristophanes | 7 |
a fashionable one and | 7 |
least we are on | 7 |
in recording other manifestations | 7 |
players was generally that | 7 |
widow with fletcher and | 7 |
short loose breeches reaching | 7 |
of ornamental cloth which | 7 |
love which shakespeare had | 7 |
buffooneries and knavish tricks | 7 |
term of low meaning | 7 |
emblazoned mantle or tunic | 7 |
things to the end | 7 |
contribution to the fray | 7 |
and the elder popular | 7 |
should have been acted | 7 |
influence at court against | 7 |
year after year his | 7 |
the divell is an | 7 |
rhymes for a given | 7 |
and occasional verse and | 7 |
appear before the lord | 7 |
power of broad comedy | 7 |
public stage for a | 7 |
metal or ivory for | 7 |