trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
one of the	180
as well as	142
to have been	115
gold and silver	111
the art of	100
part of the	100
of the same	96
and in the	95
it is not	90
the sixteenth century	88
in order to	79
the work of	75
in the same	75
the thirteenth century	75
the use of	73
the fifteenth century	70
there is a	69
the middle ages	68
that of the	68
in the year	65
of the spanish	60
the count of	59
of the most	58
the end of	57
is in the	56
in which the	56
there is no	56
in the middle	56
the time of	56
the form of	55
is to be	55
end of the	55
some of the	54
the middle of	54
but it is	50
arts and crafts	50
the seventeenth century	50
in the form	50
the church of	50
a kind of	49
the history of	47
together with the	46
the eighteenth century	46
the name of	46
that in the	46
the reign of	45
the kingdom of	45
according to the	44
that it is	44
it is a	44
the fourteenth century	43
of the virgin	43
the same time	43
middle of the	43
at the same	43
on the other	43
the arms of	42
in the sixteenth	41
the twelfth century	41
work of the	41
by means of	41
late th century	41
in the centre	40
of the art	40
of gold and	40
more or less	40
that it was	40
out of the	39
one of these	39
known as the	39
it may be	39
seems to have	39
a piece of	38
so that the	38
which it is	38
i do not	38
so as to	38
a series of	38
charles the fifth	37
it is the	37
of the sixteenth	37
and a half	37
to be the	37
and it is	37
and the other	37
of the cathedral	37
the fact that	37
and of the	37
of the fifteenth	37
the inscription says	37
the figure of	36
you will find	36
art of the	36
to be a	36
of the church	36
dating from the	35
to be seen	35
early in the	35
of the work	35
is that of	34
be seen in	34
the arts and	34
and that the	34
may be seen	33
many of the	33
ferdinand and isabella	33
most of the	33
the eleventh century	33
in spite of	33
the centre of	32
the whole of	32
the case of	32
those of the	32
it would be	32
the cathedral of	32
it has been	32
in the case	32
with precious stones	31
time of the	31
says that the	31
belonging to the	31
the rest of	31
the other hand	31
in the royal	30
as it is	30
de don juan	30
valencia de don	30
and on the	30
as in the	29
the first of	29
to make a	29
of all the	29
at the time	29
of the alhambra	29
the monastery of	29
such as the	29
to be made	29
of the two	29
in the kingdom	28
the names of	28
the head of	28
in the thirteenth	28
of the thirteenth	28
a number of	28
the province of	28
the decoration of	28
centre of the	28
the royal armoury	28
count of valencia	27
the surface of	27
of the great	27
are to be	27
side of the	27
of charles the	27
of the royal	27
of the arts	27
now in the	27
as far as	27
of which are	27
of valencia de	27
of the old	27
the spanish moors	27
made in the	27
surface of the	27
that of a	27
figure of a	26
form of a	26
of the middle	26
of the seventeenth	26
as a rule	26
the beginning of	26
of the renaissance	26
so far as	26
found in the	26
of the eighteenth	26
bertaut de rouen	26
there is an	25
the close of	25
the ordinances of	25
in the world	25
preserved in the	25
at this time	25
said to have	25
the value of	25
of philip the	25
owing to the	25
be found in	24
the duke of	24
the beauty of	24
th century madrid	24
philip the second	24
south kensington museum	24
in the seventeenth	24
the most important	24
with gold and	24
history of the	24
in the other	24
the body of	24
gold or silver	24
of ferdinand and	23
are in the	23
this is the	23
covered with a	23
in the fifteenth	23
have been the	23
the life of	23
the nature of	23
the production of	23
the effect of	23
of the city	23
it was a	23
beginning of the	23
the work was	23
one hundred and	23
is covered with	23
have been a	23
the manufacture of	23
of the fourteenth	23
must have been	23
was made in	23
one or two	23
tells us that	23
of this kind	23
surmounted by a	22
rest of the	22
in the church	22
as soon as	22
is one of	22
kingdom of valencia	22
was made by	22
of the world	22
in the early	22
parts of the	22
the king of	22
it is impossible	21
and there is	21
the making of	21
of the material	21
the number of	21
that is to	21
use of the	21
of the ancient	21
the work is	21
as much as	21
and all the	21
in the first	21
there was a	21
it to the	21
it should be	21
half of the	21
in the province	21
it must be	21
that they were	21
was to be	21
to be of	21
it is in	21
one of them	21
of the first	21
of the whole	21
in the south	21
made in spain	20
of the silk	20
a hundred and	20
in the following	20
to make the	20
in gold and	20
belonged to the	20
is to say	20
a sort of	20
it in the	20
as early as	20
the figures are	19
the result of	19
date from the	19
of the design	19
the city of	19
in which it	19
and at the	19
cloth of gold	19
the power of	19
will be found	19
which they are	19
the nineteenth century	19
the quality of	19
with the inscription	19
dates from the	19
close of the	19
it was the	19
to be used	19
is made of	19
not to be	19
were made in	19
the shape of	19
is of the	19
in the national	19
on which the	19
in the reign	19
de la reina	19
a part of	19
the purpose of	19
the tomb of	19
or in the	19
as to the	19
in the cathedral	18
by no means	18
as that of	18
which may be	18
the influence of	18
as it were	18
when it is	18
the town of	18
the chronicle of	18
by order of	18
of the chapel	18
from about the	18
in the time	18
in the eighteenth	18
to the church	18
and by the	18
the sixteenth and	18
early th century	18
it seems to	18
the chapel of	18
the present day	18
proceeding from the	18
all kinds of	18
figures of the	18
talavera de la	18
hundred and fifty	18
from the same	18
is said to	18
as they are	18
continued to be	18
and precious stones	18
was in the	18
a matter of	18
in the twelfth	18
the cost of	17
de la sociedad	17
the process of	17
in the fourteenth	17
is described by	17
of the king	17
the midst of	17
at that time	17
reja of the	17
that he was	17
much of the	17
by the spanish	17
it will be	17
of seville cathedral	17
hundred and twenty	17
in one of	17
on account of	17
it can be	17
the introduction of	17
arms of the	17
believed to have	17
that he had	17
of the moorish	17
of the period	17
amador de los	17
a good deal	17
in the midst	17
well as the	17
which had been	17
of the earth	17
the greater part	17
the battle of	17
of the cid	17
account of the	17
church of san	17
in connection with	17
and which is	17
upon the other	17
the design is	17
on the same	17
the walls of	16
that there is	16
at the head	16
academy of history	16
the colour of	16
up to the	16
of all these	16
in one hand	16
it does not	16
on the whole	16
all of them	16
some of them	16
of the finest	16
published in the	16
by the same	16
of art in	16
a native of	16
for many years	16
beauty of the	16
even in the	16
in the manner	16
the national museum	16
the museum of	16
which have been	16
two or three	16
sides of the	16
about the same	16
with the arms	16
was found in	16
the south kensington	16
with all the	16
at the end	16
was made at	16
the sense of	16
are those of	16
the kind of	16
it was made	16
of which is	16
the same period	16
when it was	16
any of the	16
the crown of	16
more than a	16
of it is	15
a pair of	15
is believed to	15
it is possible	15
of the works	15
is not so	15
it is to	15
of the crown	15
have been made	15
in this way	15
is impossible to	15
the first place	15
the price of	15
of the word	15
was known as	15
of the human	15
made of the	15
the back of	15
the hands of	15
greater part of	15
description of the	15
made for the	15
may have been	15
it is quite	15
the cross of	15
out of a	15
the days of	15
would have been	15
of this craft	15
of the time	15
at the top	15
of the best	15
figure of the	15
of their own	15
a couple of	15
in the peninsula	15
maker of pieces	15
of the figures	15
well as in	15
and the whole	15
the manner of	15
of alfonso the	14
early as the	14
work of a	14
of the older	14
than that of	14
this branch of	14
about the year	14
author of the	14
a set of	14
to be found	14
of a single	14
a great deal	14
order of the	14
nature of the	14
of ferdinand the	14
with the same	14
in the art	14
this kind of	14
on either side	14
they are not	14
so that it	14
instead of being	14
and this is	14
the top of	14
the direction of	14
much the same	14
in the british	14
of a man	14
spite of the	14
about this time	14
in the latter	14
each of the	14
the method of	14
of the chief	14
it is said	14
in the shape	14
two hundred and	14
to the eye	14
the shrine of	14
the treasure of	14
the hall of	14
it is only	14
which has been	14
there are two	14
there is not	14
seem to have	14
body of the	14
should not be	14
the british museum	14
the marquis of	14
of the colour	14
in an old	14
at the present	14
the first and	14
of the craft	14
the property of	14
to the same	14
be able to	14
the hand of	14
the palace of	14
of the roman	14
is now in	14
of which the	13
spain in the	13
decoration of the	13
for the most	13
of the guild	13
decorated with a	13
and to the	13
says that in	13
of the town	13
and that of	13
in the days	13
can only be	13
which he had	13
and for the	13
as if it	13
no less than	13
made by the	13
is not a	13
nearly all the	13
door of the	13
which is a	13
as late as	13
are made of	13
there are many	13
in those days	13
presented to the	13
which i have	13
first of these	13
do not know	13
the style of	13
the other side	13
the same city	13
thousand pounds of	13
and seventeenth centuries	13
the most interesting	13
for the purpose	13
it was not	13
well as a	13
several of the	13
had to be	13
in this country	13
the convent of	13
the mosque of	13
is composed of	13
at all events	13
down to the	13
is a very	13
it has a	13
the court of	13
the same writer	13
a few years	13
church of st	13
the same author	13
portion of the	13
it consists of	13
it to be	13
that they are	13
that which is	13
other parts of	13
he was a	13
in a very	13
but in the	13
the lower part	13
the throne of	13
together with a	13
sixteenth and seventeenth	13
the death of	13
the same as	13
in which they	13
and crafts of	13
the quantity of	13
will find that	12
it is very	12
centre of this	12
to the cathedral	12
you may be	12
point of view	12
with which the	12
hundred thousand pounds	12
of the early	12
of the original	12
count of clonard	12
known to have	12
but this is	12
hall of the	12
this may be	12
at the foot	12
colour of the	12
of the peninsula	12
of pieces for	12
with that of	12
of our lord	12
is that the	12
seen in the	12
in the eleventh	12
way in which	12
at the close	12
image of the	12
specimens of this	12
by far the	12
as it can	12
form of the	12
and you will	12
at the bottom	12
may be traced	12
the buen retiro	12
of this work	12
applied to the	12
given to the	12
used by the	12
of an inch	12
may be said	12
the house of	12
of the craftsman	12
john the baptist	12
and it was	12
and so forth	12
it is of	12
the king and	12
members of the	12
two of the	12
a work of	12
which is not	12
the side of	12
every part of	12
of older spain	12
pounds of silk	12
we are told	12
were made of	12
feet in height	12
of the holy	12
every kind of	12
of the christian	12
as one of	12
ferdinand the third	12
this is not	12
there is also	12
is decorated with	12
the man who	12
that there was	12
in the nineteenth	12
walls of the	12
among the most	12
at a later	12
scenes from the	12
what i have	12
we do not	12
that he has	12
of his own	12
by reason of	12
to date from	12
of the room	12
and with the	12
the amount of	12
th century albacete	12
of the saint	12
the same collection	12
it is made	12
of the metal	12
the design of	12
one of his	12
at any rate	12
than in the	12
the sala de	12
is not the	12
the dukes of	12
of which were	12
used in the	12
the same material	12
moresque lustred ware	12
the best of	12
the heads of	12
museum of granada	12
sculpture in the	11
case of the	11
from the life	11
of various kinds	11
the time when	11
that the art	11
treatment of the	11
which is the	11
of the more	11
the ninth century	11
the works of	11
the author of	11
some of these	11
the sides of	11
the book of	11
by the count	11
the kings of	11
and early th	11
of the hall	11
zarco del valle	11
amil y castro	11
was given to	11
said that the	11
was one of	11
of a certain	11
more than two	11
parts of spain	11
the most remarkable	11
if it were	11
rico y sinobas	11
this was a	11
this class of	11
such are the	11
of the former	11
of this country	11
the period of	11
is known as	11
of his day	11
part of a	11
sense of the	11
all through the	11
of the romans	11
not at all	11
represented by a	11
of this industry	11
but there is	11
as i have	11
the part of	11
the reja of	11
of the other	11
in the museo	11
a study of	11
it is just	11
and silver work	11
for you to	11
fact that the	11
all that is	11
coats of arms	11
intended to be	11
which is now	11
palace of the	11
the tenth century	11
we know that	11
to that of	11
of the kingdom	11
in the design	11
in the north	11
of that period	11
in the fourth	11
used to be	11
ferdinand the catholic	11
used in spain	11
were used in	11
while in the	11
have been found	11
have been discovered	11
chapel of the	11
you are to	11
as to be	11
mentioned in the	11
in the work	11
appear to be	11
inches in length	11
to make it	11
a ground of	11
by juan de	11
the necessity of	11
the title of	11
the most part	11
life of the	11
to the other	11
to be placed	11
of toledo cathedral	11
it is true	11
for the same	11
the former of	11
or any other	11
is not an	11
a half in	11
belongs to the	11
of the page	11
the following inscription	11
they do not	11
to the spanish	11
of the dukes	11
relating to the	11
here and there	11
good deal of	11
the skill of	11
in this respect	11
in all the	11
this was the	11
which it was	10
be said to	10
in the course	10
of large size	10
the latter half	10
described as a	10
the siege of	10
that all the	10
il y a	10
are full of	10
of the palace	10
they had been	10
the invention of	10
the order of	10
the stalls of	10
in the sun	10
it is difficult	10
on a small	10
in the name	10
which he was	10
for it is	10
knowledge of the	10
in the monastery	10
the course of	10
a period of	10
all over the	10
the conquest of	10
edward the confessor	10
royal spanish academy	10
of such a	10
parish church of	10
and the host	10
of the cross	10
the same thing	10
how to make	10
among the spaniards	10
it is also	10
in the last	10
this is a	10
in the way	10
to represent the	10
you have the	10
the door of	10
have belonged to	10
a small scale	10
the cause of	10
were to be	10
was that of	10
i have seen	10
to be in	10
it is an	10
to look at	10
reign of ferdinand	10
given by the	10
the size of	10
whole of the	10
the edges of	10
of the highest	10
the factory of	10
be seen at	10
of the nineteenth	10
pieces for crossbows	10
about the middle	10
to say that	10
in spain in	10
is mentioned in	10
crafts exhibition society	10
and dating from	10
the preparation of	10
in the museum	10
us that the	10
towards the middle	10
of saint isidore	10
of which was	10
the fourth century	10
consisting of a	10
of a later	10
however this may	10
ordinances of granada	10
to give a	10
on the one	10
an image of	10
the inventory of	10
in the great	10
portions of the	10
in which a	10
or at least	10
of the house	10
the women of	10
the study of	10
is of a	10
is known to	10
are preserved in	10
of the gold	10
on the contrary	10
are of a	10
work of art	10
the royal spanish	10
and with a	10
period of the	10
latter half of	10
part of it	10
imitation of the	10
executed in the	10
is supposed to	10
of them are	10
than any other	10
of solid gold	10
kind of work	10
and silver thread	10
xxxxx xxxxx xxxxx	10
who worked at	10
the appearance of	10
perhaps the most	10
the face of	10
on each side	10
these are the	10
of the three	10
and then the	10
as an art	10
from the first	10
charles the third	10
inventory of the	10
of the choir	10
of the country	10
in length by	10
a form of	10
head of the	10
there has been	10
and the like	10
and is now	10
said to be	10
presented by the	10
the cathedrals of	10
course of time	10
the precious metals	10
three hundred and	10
which seems to	10
boabdil el chico	10
and crafts exhibition	10
of the letters	10
juan de arfe	10
work in the	10
as long as	10
former of these	10
seems to me	10
all sorts of	10
the arts of	10
the art was	10
the most beautiful	10
in the country	9
piece of furniture	9
in the most	9
are covered with	9
the construction of	9
of design and	9
of his work	9
with a large	9
on to the	9
of a very	9
the practice of	9
inches and a	9
you have to	9
a state of	9
inferior to the	9
and has been	9
study of the	9
is the best	9
i have said	9
it is almost	9
was a great	9
a school of	9
the result is	9
same time that	9
as we have	9
a figure of	9
the one which	9
the service of	9
chronicle of the	9
required to be	9
altar of the	9
this was in	9
as many as	9
once upon a	9
represented in the	9
but there are	9
may still be	9
de la vega	9
an inventory of	9
quality of the	9
relative to the	9
art in the	9
has always been	9
of the kind	9
of a spanish	9
there is some	9
is difficult to	9
connected with the	9
the same century	9
and in a	9
it dates from	9
we learn from	9
of the later	9
the fifth and	9
alvarez de colmenar	9
by the moors	9
with those of	9
the progress of	9
in this case	9
the conditions of	9
you will not	9
there are a	9
that it may	9
it was necessary	9
large number of	9
was a very	9
the figures of	9
silk and gold	9
on the right	9
is the most	9
in return for	9
to deal with	9
value of the	9
in that city	9
some years ago	9
for some time	9
to produce a	9
charles the second	9
in course of	9
seem to be	9
studded with precious	9
in the whole	9
would not be	9
of the twelfth	9
is found in	9
the love of	9
a fragment of	9
of the national	9
for the king	9
and from the	9
to begin with	9
a great many	9
use among the	9
of these objects	9
the principle of	9
on the outside	9
a large number	9
from the sixteenth	9
the most famous	9
of this period	9
of the present	9
of the earliest	9
in the best	9
the madrid museum	9
the fifteenth and	9
of the pattern	9
the point of	9
to make them	9
on the back	9
from the thirteenth	9
to the fact	9
one of which	9
attention to the	9
in each of	9
of one of	9
the place of	9
in company with	9
the royal palace	9
of the artist	9
philip the fifth	9
are decorated with	9
the way of	9
consists of a	9
kingdom of granada	9
possession of the	9
upon a time	9
there is nothing	9
that it has	9
of the lower	9
works of art	9
and so on	9
van der goten	9
in any case	9
piece of work	9
of the buen	9
of the four	9
the revival of	9
to have belonged	9
are known to	9
hundred years ago	9
they are made	9
side by side	9
and may be	9
late as the	9
in height by	9
the proportions of	9
it to have	9
but as a	9
the bayeux tapestry	9
that is the	9
in the present	9
an example of	9
which was made	9
and part of	9
puente del arzobispo	9
was supposed to	9
which was used	9
it is stated	9
has been made	9
in many parts	9
the human form	9
three or four	9
on the part	9
the material is	9
of the greatest	9
of the master	9
convent of san	9
example of the	9
of henry vii	9
covered with silver	9
of the eleventh	9
all the world	9
size of the	9
and covered with	9
hundred and sixty	9
and a little	9
a variety of	9
added to the	9
of the general	9
used at the	9
was also a	9
a few of	9
in the arts	9
the infante don	9
the following passage	9
the book is	9
in the palace	9
is said that	9
be made in	9
the parish church	9
in the renaissance	9
that you may	9
idea of the	9
the act of	9
between the two	9
a fine of	9
who died in	9
alfonso the eleventh	9
consisted of a	9
of the second	9
it was found	9
a mixture of	9
is necessary to	9
the length of	9
an account of	9
the son of	9
in order that	9
as those of	9
and if you	9
so long as	9
which are made	9
saint john the	9
connection with the	8
the forms of	8
time to time	8
which there is	8
spanish academy of	8
another of the	8
grew to be	8
of saint john	8
it is related	8
from the time	8
of the mosque	8
of the poor	8
is not to	8
shrine of the	8
of the blade	8
is that which	8
of the people	8
either side of	8
to do it	8
the art had	8
of which it	8
hundred and forty	8
is called the	8
the sake of	8
the limitations of	8
also in the	8
the world of	8
than to the	8
with figures of	8
of a hundred	8
in use among	8
do you suppose	8
museum of artillery	8
it has become	8
of the aristocracy	8
date from about	8
royal armoury at	8
the casa de	8
casa de los	8
far as it	8
from the rest	8
in that of	8
of the building	8
from time to	8
them to the	8
the neighbourhood of	8
with silver plates	8
on the top	8
to any one	8
be in the	8
holding in one	8
in the old	8
the eyes of	8
may be found	8
alfonso the learned	8
in the manufacture	8
at the beginning	8
and that they	8
most of them	8
from the end	8
royal academy of	8
it as a	8
the spirit of	8
the castle of	8
have been in	8
of different kinds	8
the pattern is	8
edges of the	8
all over with	8
in favour of	8
of the gothic	8
that can be	8
on the tomb	8
the council of	8
seems to be	8
into the hands	8
as though they	8
also to be	8
the other a	8
chalice and the	8
at a time	8
of san ildefonso	8
in all its	8
the sword of	8
a quarter of	8
by charles the	8
the olden time	8
the fourteenth and	8
of the catholic	8
the origin of	8
hundred and eighty	8
by the king	8
dukes of alburquerque	8
appear to have	8
as in other	8
in imitation of	8
a later date	8
the principles of	8
to be carried	8
to show that	8
of its kind	8
in the act	8
we find the	8
a chalice and	8
of the said	8
ladies of the	8
figure of christ	8
ears of wheat	8
member of the	8
which is of	8
there was no	8
the feet of	8
and which were	8
of the modern	8
to do with	8
to the duke	8
those which were	8
of this town	8
many parts of	8
the earl of	8
figures in the	8
the heart of	8
a view to	8
the sum of	8
used as a	8
were made at	8
he says that	8
embroidered with gold	8
part of this	8
to the present	8
to the end	8
the other two	8
of the earlier	8
of the last	8
archives of the	8
in the inventory	8
has been much	8
to form a	8
from the fifteenth	8
the treatment of	8
those which are	8
de lo blanco	8
although it is	8
we find that	8
must not be	8
in the nature	8
and there are	8
to all the	8
until it is	8
the blessing of	8
the catholic sovereigns	8
the image of	8
the habit of	8
the gift of	8
for a moment	8
of the sea	8
relation to the	8
which were used	8
in possession of	8
believed to be	8
and other objects	8
find that the	8
at south kensington	8
para la historia	8
and the two	8
property of the	8
the leaves of	8
being able to	8
history of this	8
to keep the	8
it were a	8
of cast iron	8
and many other	8
the makers of	8
white of egg	8
with the best	8
emir of the	8
glass of the	8
to give the	8
and the result	8
which can be	8
the position of	8
may yet be	8
with a view	8
of the figure	8
towns and villages	8
and the rest	8
in relation to	8
was necessary to	8
i think it	8
in a book	8
for the sake	8
to the top	8
might have been	8
the exercise of	8
the foot of	8
with gold or	8
in the city	8
of the monastery	8
do you think	8
i have already	8
to bring about	8
of the apostles	8
the subject of	8
i will not	8
and has a	8
was succeeded by	8
from the old	8
of a fine	8
which has a	8
hand of man	8
the people of	8
ambrosio de morales	8
in other parts	8
in the madrid	8
to be an	8
armoury at madrid	8
soon as the	8
to see how	8
corner of the	8
the one hand	8
it was of	8
the university of	8
of the tenth	8
that he is	8
for this purpose	8
the labour of	8
the spanish christians	8
and that is	8
of the new	8
or two of	8
examples of the	8
in which he	8
the chapel royal	8
is the result	8
from the twelfth	8
scene of the	8
of the capilla	8
the west front	8
the arrangement of	8
four hundred and	8
the idea of	8
in design and	8
poem of the	8
as may be	8
just as the	8
which forms the	8
juan the first	8
for the decoration	8
skill of the	8
the sierra de	8
of the bell	8
in his work	8
and the lower	8
all of these	8
in high relief	8
the object of	8
as a ground	7
to be so	7
were not to	7
of the fact	7
that in this	7
in a single	7
the blade is	7
in france and	7
as for the	7
of the third	7
the silk is	7
the south of	7
well as to	7
we have no	7
and gold and	7
there should be	7
them in the	7
were also made	7
and not the	7
the costume of	7
more and more	7
and in his	7
the bishop of	7
design and handicraft	7
tell us that	7
entrance to the	7
the possession of	7
by those who	7
to study the	7
such is the	7
the archives of	7
of history at	7
part of spain	7
and of a	7
of santo domingo	7
by the hand	7
filled with a	7
manner of a	7
on the ground	7
a very great	7
philip the fourth	7
is stated by	7
of this locality	7
from the city	7
in the ninth	7
and which was	7
set in the	7
the weight of	7
in a frame	7
to believe that	7
is able to	7
are made at	7
of various colours	7
the kingdoms of	7
can be made	7
no more than	7
the churches of	7
a large scale	7
the thirteenth and	7
back as the	7
is apt to	7
the years and	7
far back as	7
the custom of	7
in the very	7
of colour and	7
different kinds of	7
upon the whole	7
they are the	7
the word of	7
the craft of	7
in the alhambra	7
bellas artes en	7
the raw material	7
shrine of st	7
of the book	7
the character of	7
as the thirteenth	7
similar to those	7
was brought to	7
of the actual	7
it is curious	7
is not always	7
the early part	7
for many centuries	7
of the custodia	7
the year the	7
less than the	7
the top and	7
any kind of	7
there is one	7
the spanish people	7
that he should	7
to supply the	7
when it has	7
of christian spain	7
which we are	7
in some of	7
of the principal	7
been found in	7
a later period	7
to this day	7
front of the	7
all of which	7
because it is	7
the relics of	7
or else the	7
the virgin and	7
hands of the	7
there was an	7
in the second	7
is divided into	7
various parts of	7
belonging to a	7
by a figure	7
chapter of the	7
of this city	7
back of the	7
that this was	7
any one who	7
room for the	7
than those of	7
in the east	7
can be done	7
embroidered with the	7
those in the	7
philip the third	7
in the opinion	7
there is the	7
in spain throughout	7
houses of the	7
he was the	7
at seville in	7
the custodia of	7
and one of	7
together with its	7
to each other	7
in addition to	7
stone and wood	7
towards the end	7
worked in the	7
also in this	7
account of its	7
them to be	7
by which the	7
which is to	7
of this century	7
work may be	7
and as the	7
in like manner	7
reported to have	7
in his own	7
supposed to have	7
of the door	7
is also a	7
history of spanish	7
in a series	7
be traced to	7
time went on	7
what is the	7
through which the	7
described in the	7
manufactured by the	7
is stated that	7
of the wood	7
the exportation of	7
the latter is	7
early part of	7
for a time	7
ferdinand the first	7
god the father	7
with a fine	7
up in the	7
of the blessed	7
la historia de	7
few of the	7
in many cases	7
design of the	7
notice of the	7
not far from	7
the demands of	7
and those of	7
the colours of	7
from the east	7
made of a	7
if you will	7
well as it	7
of the decorative	7
by the rev	7
of the gremios	7
away from the	7
furniture of the	7
was born in	7
the opinion of	7
back to the	7
appears to be	7
the way in	7
is an art	7
superior to the	7
there may be	7
it is now	7
began to be	7
as the work	7
in which year	7
a man of	7
great deal of	7
of this class	7
to the ground	7
manufactured in the	7
towards the close	7
of all kinds	7
he is not	7
were used for	7
in spain is	7
of its own	7
of the boards	7
edge of the	7
known to be	7
as they were	7
for this reason	7
at some time	7
in the chapel	7
which are still	7
shape of a	7
which are the	7
influence of the	7
similar to the	7
the purposes of	7
of his art	7
the last century	7
were executed in	7
arms of castile	7
cross of angels	7
taken from the	7
the altar of	7
in his hand	7
inches in height	7
las bellas artes	7
the twelfth and	7
of the italian	7
of the writer	7
to show the	7
consists of two	7
in this instance	7
made use of	7
will not be	7
is by no	7
in either case	7
one side of	7
was covered with	7
filled in with	7
on a large	7
of the process	7
not so much	7
many of these	7
is possible to	7
the human figure	7
the members of	7
of the tagus	7
if they were	7
of the common	7
the absence of	7
the older spanish	7
made at seville	7
of the richest	7
on one side	7
and if the	7
an art of	7
that i am	7
that they have	7
mosque of cordova	7
to the material	7
as time went	7
that you are	7
contained in the	7
in this work	7
the balearic islands	7
do not say	7
likely to be	7
the employment of	7
the houses of	7
of a little	7
the gate of	7
they are of	7
and also the	7
various kinds of	7
the seventeenth and	7
i have just	7
is described as	7
one hand a	7
toledo and madrid	7
of the true	7
laid upon the	7
to be able	7
of light and	7
of the lord	7
is related that	7
employed in the	7
been discovered in	7
the dimensions of	7
collection of the	7
means of a	7
the whole is	7
the upper part	7
the bottom of	7
out of place	7
which date from	7
to be covered	7
where there is	7
of the public	7
the most perfect	7
see that the	7
of the glass	7
the sign of	7
of which we	7
depend upon it	7
the wife of	7
of the entire	7
such was the	7
the type of	7
on both sides	7
destroyed by the	7
the christian spaniards	7
is as follows	7
the existence of	7
of these weapons	7
of silk and	7
of a beautiful	7
the people who	7
costume of the	7
chapel royal of	7
such as that	7
it is easy	7
in this province	7
and they are	7
to the work	7
decorated with the	7
by the french	7
coat of mail	7
and as a	7
opinion of the	7
the edge of	7
of the arms	7
when he was	7
spain throughout the	7
the library of	7
more than one	7
contains the following	7
is no longer	7
tells of a	7
is the only	7
coats of mail	7
the same year	7
the fuero of	7
of the english	7
at least as	7
characteristic of the	7
could be more	7
of life in	7
the effort to	7
of the century	7
historia de las	7
to the king	7
reign of philip	7
la catedral de	7
on which it	7
alfonso the sixth	7
and all that	7
of a similar	7
and other parts	7
passed into the	7
surrounded by a	7
tomb of the	7
de las bellas	7
has not been	7
voyage en espagne	7
of gold or	7
to ferdinand the	7
ought to be	7
with pearls and	7
the difference between	7
worked in gold	7
in such a	7
the eye of	7
the decoration is	7
the age of	7
the collection of	7
and in this	7
earlier than the	7
as if they	7
name of god	7
is interesting to	7
all the other	7
to a certain	7
of the border	7
the life and	7
of leaves and	7
of toledo and	7
a method of	7
it is believed	7
the windows of	7
states that the	7
precious stones and	7
quarter of the	7
the mass of	7
to those who	7
and all other	7
the material of	7
of the history	7
we have seen	7
the chapter of	7
of this art	7
museum at madrid	7
the same kind	7
of the spaniards	7
the statue of	7
is the same	7
the presence of	7
but they are	7
of decorative art	7
the gold and	7
of every kind	7
in the original	7
has been the	7
than the other	7
supposed to be	7
of the year	7
the scene of	7
it is necessary	7
yet be seen	6
of the casa	6
to one another	6
a history of	6
been able to	6
in his life	6
to protect the	6
it shall be	6
on a white	6
you do not	6
the scope of	6
from the arabic	6
were often used	6
and that it	6
in the neighbourhood	6
journey through spain	6
pedro the cruel	6
placed in a	6
the matter of	6
in every part	6
it is worth	6
and some of	6
two of these	6
i have stated	6
in the book	6
there are some	6
the action of	6
i have not	6
the gremios of	6
to me that	6
him to have	6
of this order	6
of these was	6
of san miguel	6
favour of the	6
next to the	6
to us in	6
revival of the	6
of the market	6
in making the	6
much as the	6
the handle is	6
formed by the	6
top of the	6
at least in	6
space between the	6
intended for the	6
and is the	6
of this pottery	6
those who have	6
work was accomplished	6
is not in	6
for all the	6
of the reign	6
worn by the	6
be said that	6
large quantities of	6
us that in	6
on one occasion	6
are made in	6
in nearly every	6
at the lower	6
ceiling of the	6
with the hammer	6
the third and	6
and of his	6
it is hardly	6
the precious stones	6
to be one	6
with which we	6
the effect is	6
the mind of	6
the privilege of	6
with as much	6
would seem to	6
for the cathedral	6
representation of the	6
are those which	6
as far back	6
to one of	6
of what he	6
more than the	6
it from the	6
though it were	6
if it is	6
of which they	6
due to the	6
will be noticed	6
that the artist	6
he was not	6
as though it	6
so it is	6
the material was	6
the level of	6
sculpture in stone	6
and yet the	6
and not a	6
it with a	6
names of the	6
the lives of	6
of the hand	6
out in the	6
in a corner	6
came to be	6
when they have	6
in its turn	6
caused to be	6
is obtained by	6
statue of the	6
of these two	6
place of the	6
panels of the	6
but it was	6
one which is	6
and fifteenth centuries	6
the essence of	6
in the matter	6
of the visigothic	6
the ruin of	6
as with the	6
reales and a	6
which we have	6
wood covered with	6
the pattern in	6
at the siege	6
it will not	6
introduction to the	6
in the history	6
it is known	6
i know not	6
to the right	6
there are few	6
that it should	6
the front of	6
count of aranda	6
adapted to the	6
which belongs to	6
the lack of	6
that the silk	6
two kinds of	6
art of embroidery	6
to the monastery	6
the right hand	6
the royal palaces	6
in any of	6
the early days	6
the loss of	6
the building of	6
as in all	6
history at madrid	6
the most precious	6
the application of	6
king alfonso the	6
art of making	6
at the first	6
in front of	6
is worked in	6
was of a	6
be made of	6
not only a	6
as large as	6
if it be	6
de rouen wrote	6
are the same	6
of the workman	6
of the high	6
is a curious	6
made of iron	6
the drawing of	6
of the factory	6
it was to	6
and which are	6
of sculpture in	6
there was some	6
of the nasrite	6
adorned with gold	6
a portrait of	6
of the village	6
the countess of	6
and that which	6
of henry iii	6
lost sight of	6
if you have	6
is easy to	6
the provincial museum	6
carried in procession	6
it is often	6
of this metal	6
level of the	6
on one of	6
of an angel	6
the factories of	6
of those who	6
of pure gold	6
of edward the	6
we have to	6
great number of	6
of which a	6
belong to the	6
in the decoration	6
it would have	6
the law of	6
the abbey of	6
juan th century	6
a group of	6
to see the	6
together with other	6
are told that	6
once belonged to	6
of our own	6
an art for	6
they seem to	6
it was in	6
is certain that	6
in which you	6
middle ages the	6
is given by	6
speaks of the	6
it is certain	6
on pain of	6
the oppression of	6
in this armoury	6
in the direction	6
and eighteenth centuries	6
than the others	6
in some respects	6
is true that	6
of their work	6
the height of	6
sixteenth century the	6
as the one	6
a visit to	6
which is made	6
the north of	6
lies in the	6
which would be	6
pounds of silver	6
when they are	6
isabella the catholic	6
we read of	6
in former times	6
precisely the same	6
adam and eve	6
and the work	6
it is probable	6
in this craft	6
to the effect	6
are of the	6
on the surface	6
of his works	6
in the sacristy	6
in the olden	6
changes in the	6
of many of	6
to those of	6
on the cover	6
would be the	6
when they were	6
of the mass	6
should always be	6
in a state	6
time when the	6
of the moors	6
of them all	6
blessing of god	6
the details of	6
it is no	6
they would be	6
is not merely	6
design should be	6
a later age	6
the owner of	6
that we have	6
state of things	6
most remarkable of	6
a tendency to	6
could not be	6
is full of	6
on the side	6
lower part of	6
of the french	6
the two sisters	6
it to a	6
a cost of	6
late count of	6
of the decoration	6
to the original	6
except in the	6
the cross is	6
of cloth of	6
that when the	6
accomplished in the	6
the substance of	6
of the chain	6
church of santa	6
was presented to	6
five hundred and	6
he was also	6
porcelain of the	6
of san isidro	6
the royal academy	6
throughout the world	6
and not to	6
know that the	6
to be considered	6
jayme the conqueror	6
referring to the	6
used for the	6
at this moment	6
twelfth and thirteenth	6
the furniture of	6
juan the second	6
made in a	6
though not of	6
il y avoit	6
still be seen	6
the banner of	6
the subjects of	6
in the spanish	6
de los tiros	6
this craft was	6
place in the	6
be considered as	6
well as for	6
from the roman	6
not have been	6
cut out and	6
of silver and	6
represented by the	6
with which it	6
and when they	6
in the least	6
by the late	6
it would seem	6
of the life	6
from designs by	6
the same manner	6
an inscription in	6
it is evident	6
the cortes of	6
to form the	6
of this is	6
border of the	6
a figure holding	6
of the women	6
among the spanish	6
custodia of seville	6
may be a	6
of it in	6
of the east	6
to know that	6
but if you	6
the ruins of	6
were known as	6
of the past	6
embroidered in gold	6
it in his	6
one by one	6
the strength of	6
of gold thread	6
to receive the	6
the precious metal	6
of which there	6
a good many	6
you want to	6
placed on the	6
subordinated to the	6
sketch of the	6
the scheme of	6
and other places	6
during the reign	6
the back and	6
of beauty in	6
are the most	6
by way of	6
quite out of	6
the right arm	6
the former is	6
placed in the	6
the monk of	6
has to be	6
the late count	6
the second half	6
of the surface	6
the qualities of	6
are employed in	6
it had been	6
surface of a	6
development of the	6
of the cartuja	6
a single piece	6
and is a	6
in early times	6
expression of the	6
shape of the	6
is not of	6
a hundred years	6
by one of	6
of saint ferdinand	6
from which we	6
the blood of	6
believe that the	6
a description of	6
entirely covered with	6
it into the	6
the men who	6
and that their	6
made at the	6
and among the	6
first of aragon	6
few years later	6
regarded as a	6
such were the	6
that on the	6
the finished work	6
relating to this	6
specimens of the	6
to be done	6
we are to	6
second half of	6
of spanish make	6
the means of	6
work is to	6
is an interesting	6
that it shall	6
placed upon the	6
according to their	6
head of a	6
that is what	6
on the left	6
be one of	6
may be considered	6
proportion to the	6
they were not	6
of life and	6
because they are	6
midst of the	6
the legend of	6
made at barcelona	6
wrote of it	6
in all these	6
was allowed to	6
in the use	6
of them is	6
him by the	6
were employed in	6
a great number	6
and the third	6
of the ground	6
for the production	6
of the artists	6
on the wall	6
of them were	6
a record of	6
that the work	6
the moors of	6
from the lower	6
formed part of	6
i am not	6
the sixth century	6
mention is made	6
instead of a	6
to charles the	6
do not think	6
in the sierra	6
stated to be	6
which is in	6
of any kind	6
i have been	6
lines of the	6
the ancient world	6
each of these	6
the inhabitants of	6
found in spain	6
were made by	6
nothing can be	6
of arms and	6
the reigns of	6
that the whole	6
the mode of	6
in some cases	6
and a quarter	6
provincial museum of	6
king and queen	6
is open to	6
the interior of	6
from the beginning	6
state of the	6
carving of the	6
the last of	6
some of which	6
employed in making	6
in this manner	6
made at granada	6
and the inscription	6
is the great	6
instead of the	6
the marquises of	6
have said that	6
the lines of	6
the hours of	6
at a cost	6
one of its	6
of pedro the	6
name of the	6
a copy of	6
be used in	6
together in the	6
for the design	6
for making the	6
to have the	6
and other writers	6
these objects were	6
and bears the	6
the same authority	6
secured by a	6
work has been	6
it in a	6
are composed of	6
of this book	6
at one time	6
to the city	6
pedro the fourth	6
of a great	6
of two hundred	6
to suppose that	6
are at least	6
his right hand	6
bell of st	6
each of which	6
the eighth century	6
several kinds of	6
thought to have	6
are the words	6
that which was	6
be called the	6
are said to	6
a plate of	6
conditions under which	6
the worship of	6
power of the	6
to use the	6
the pottery of	6
the upper classes	6
found in a	6
was made of	6
of the giralda	6
but on the	6
the methods of	6
de la catedral	6
it is as	6
of the larger	6
still preserved in	6
as applied to	6
in the hand	6
the emir of	6
of the latter	6
of boabdil el	6
believed to date	6
necessary for the	6
in spain are	6
journal du voyage	5
for their own	5
red and yellow	5
by the introduction	5
have been first	5
the root of	5
nothing could be	5
issuing from the	5
through the whole	5
of late years	5
two hundred thousand	5
in the parish	5
as a kind	5
of the needle	5
city of the	5
one or other	5
and the count	5
of castile and	5
arms and armour	5
the early renaissance	5
and such a	5
patio de las	5
in a small	5
down to us	5
at the escorial	5
and the best	5
in the street	5
attached to the	5
that in order	5
with the most	5
oxide of iron	5
an idea of	5
standard of the	5
virgen del sagrario	5
some of his	5
the painting of	5
ordinances of the	5
any more than	5
the rate of	5
and on a	5
are exported to	5
more than half	5
at the last	5
returning to the	5
the cuerda seca	5
are cut out	5
the human body	5
and the furniture	5
the sixteenth centuries	5
of the valencian	5
upper part of	5
of a long	5
work is the	5
to the purpose	5
de la cruz	5
put into the	5
it is by	5
popularly known as	5
glass was made	5
the pulpit of	5
or early in	5
to the best	5
the monks of	5
nouveau voyage en	5
is filled with	5
six hundred and	5
to philip the	5
by alfonso the	5
at this day	5
completely covered with	5
of charlemagne is	5
the colours are	5
suitable for the	5
street of the	5
a time when	5
from the earliest	5
of a book	5
factory of san	5
us in the	5
able to give	5
the product of	5
probably the most	5
of the wall	5