quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
in the form of	48
the end of the	44
the middle of the	43
one of the most	36
at the same time	35
the arts and crafts	33
in the case of	32
in the sixteenth century	31
of the sixteenth century	30
valencia de don juan	30
in the middle ages	30
the time of the	29
of the fifteenth century	29
of gold and silver	27
of valencia de don	27
the art of the	27
count of valencia de	27
in the thirteenth century	26
the form of a	26
of the thirteenth century	26
in the kingdom of	25
of the middle ages	24
of ferdinand and isabella	23
seems to have been	23
the kingdom of valencia	22
on the other hand	22
the centre of the	22
the rest of the	22
the count of valencia	21
in the middle of	21
of the eighteenth century	21
of the seventeenth century	21
in the fifteenth century	21
in the seventeenth century	20
in the province of	20
the beginning of the	20
that is to say	19
the work of the	19
the surface of the	19
in the centre of	19
in the reign of	19
of charles the fifth	18
the close of the	18
of the art of	18
talavera de la reina	18
in the royal armoury	18
the figure of a	18
as well as the	17
to be seen in	17
of the fourteenth century	16
with gold and silver	16
to have been a	16
of the arts and	16
in the eighteenth century	16
it is impossible to	15
the south kensington museum	15
in the church of	15
as well as in	15
is one of the	15
at the end of	15
in the time of	15
is said to have	15
to have been the	15
the greater part of	15
at the time of	15
in the midst of	15
of the church of	14
in the shape of	14
with the arms of	14
in the first place	14
in spite of the	14
the arms of the	14
the first of these	13
in the national museum	13
a part of the	13
as early as the	13
arts and crafts of	13
in the fourteenth century	12
as well as a	12
will be found in	12
the sixteenth and seventeenth	12
in one of the	12
of the chapel of	12
in the twelfth century	12
the body of the	12
in the british museum	12
be found in the	12
said to have been	12
in the manner of	12
sixteenth and seventeenth centuries	12
the work of a	12
in the days of	12
you will find that	12
at the close of	12
of the cathedral of	11
in the south kensington	11
the church of st	11
and in the other	11
the reja of the	11
but it is not	11
and a half in	11
one of the chief	11
late th century madrid	11
in which it is	11
by the count of	11
it is to be	11
maker of pieces for	11
gold and silver work	11
the beauty of the	11
of the dukes of	11
in the nineteenth century	11
for the most part	11
a good deal of	11
by order of the	11
is now in the	10
the case of the	10
in the museum of	10
in the same collection	10
the whole of the	10
the latter half of	10
at the head of	10
towards the middle of	10
the decoration of the	10
in the name of	10
the fact that the	10
arts and crafts exhibition	10
of the same material	10
the reign of ferdinand	10
latter half of the	10
in gold and silver	10
the use of the	10
is that of a	10
and crafts exhibition society	10
the former of these	10
end of the fifteenth	10
in the eleventh century	10
may be seen in	10
is believed to have	10
gold and silver thread	10
of the kingdom of	10
the church of san	10
the royal spanish academy	10
in the course of	10
however this may be	10
a large number of	9
of the hall of	9
the chapel of the	9
of the buen retiro	9
the head of the	9
xxxxx xxxxx xxxxx xxxxx	9
saint john the baptist	9
in the art of	9
the count of clonard	9
the parish church of	9
as that of the	9
of the royal spanish	9
believed to have been	9
once upon a time	9
it is difficult to	9
on a small scale	9
reign of ferdinand and	9
in course of time	9
as late as the	9
to have belonged to	9
the life of the	9
of philip the second	9
from the life of	9
of pieces for crossbows	9
the walls of the	9
be seen in the	9
studded with precious stones	9
it seems to me	9
the kingdom of granada	9
the nature of the	9
the same time that	9
to the fact that	9
about the middle of	9
of the spanish moors	9
from the fifteenth century	8
on the part of	8
the hand of man	8
of the time of	8
in other parts of	8
that it is not	8
in many parts of	8
for the decoration of	8
for the purpose of	8
with a view to	8
as if it were	8
a chalice and the	8
it to have been	8
the chronicle of the	8
in use among the	8
chalice and the host	8
to have been made	8
and dating from the	8
holding in one hand	8
in the monastery of	8
it was necessary to	8
seem to have been	8
from time to time	8
in the act of	8
the sides of the	8
for the sake of	8
may be said to	8
well as in the	8
the palace of the	8
that in the year	8
and there is no	8
into the hands of	8
of the king and	8
of the tenth century	8
in the cathedral of	8
was one of the	8
the royal armoury at	8
royal academy of history	8
the history of the	8
in spain in the	8
of the house of	8
it is said that	8
covered with silver plates	8
at the present day	8
inches and a half	8
the figure of the	8
as soon as the	8
says that in the	8
early in the nineteenth	8
in the nature of	8
royal armoury at madrid	8
about the same time	8
the dukes of alburquerque	8
the colour of the	7
towards the end of	7
the shape of a	7
end of the fourteenth	7
at the beginning of	7
the size of the	7
tells us that the	7
a great deal of	7
from the end of	7
the way in which	7
as one of the	7
las bellas artes en	7
from the twelfth century	7
the ordinances of granada	7
represented by a figure	7
de las bellas artes	7
in the latter half	7
the name of god	7
to be able to	7
far back as the	7
by means of a	7
the edges of the	7
the property of the	7
with gold or silver	7
the mosque of cordova	7
in the madrid museum	7
of the nineteenth century	7
the period of the	7
in a series of	7
the chapel royal of	7
on the one hand	7
there is also a	7
one hundred and twenty	7
towards the close of	7
is to be seen	7
it is related that	7
in spain throughout the	7
in one hand a	7
royal spanish academy of	7
as well as to	7
one of the first	7
at the time when	7
of the mosque of	7
of which it is	7
hundred thousand pounds of	7
on account of its	7
of the monastery of	7
of the twelfth century	7
the reign of philip	7
of the fact that	7
is by no means	7
of the history of	7
as well as it	7
the form of the	7
as time went on	7
it is stated that	7
from the thirteenth century	7
reign of philip the	7
in the same century	7
i do not say	7
in connection with the	7
the quality of the	7
known to have been	7
on either side of	7
in the opinion of	7
the history of spanish	7
and gold and silver	7
to the church of	7
it is not a	7
the cross of angels	7
at the foot of	7
are preserved in the	7
is covered with a	7
the early part of	7
of the catholic sovereigns	7
are to be seen	7
the part of the	7
on the tomb of	7
the hall of the	7
the costume of the	7
the figures of the	6
in the way of	6
half of the sixteenth	6
it is easy to	6
in the fourth century	6
la historia de las	6
with that of the	6
the midst of the	6
the first of aragon	6
the king and queen	6
it was made by	6
by a figure holding	6
published in the museo	6
the skill of the	6
para la historia de	6
the arms of castile	6
reja of the chapel	6
this kind of work	6
as the thirteenth century	6
the emir of the	6
at a cost of	6
the provincial museum of	6
the scene of the	6
an inventory of the	6
the names of the	6
the art of embroidery	6
in the history of	6
the influence of the	6
of saint john the	6
in the other a	6
it is necessary to	6
in the manufacture of	6
early part of the	6
in any of the	6
opinion of the writer	6
in a state of	6
it dates from the	6
on account of the	6
late count of valencia	6
may yet be seen	6
hall of the two	6
a great number of	6
is that of the	6
to be made in	6
of alfonso the eleventh	6
of the human form	6
bertaut de rouen wrote	6
early as the thirteenth	6
it is certain that	6
the manner of a	6
the history of this	6
the opinion of the	6
middle of the eighteenth	6
of the eleventh century	6
of history at madrid	6
the second half of	6
date from about the	6
the most remarkable of	6
the hands of the	6
as well as for	6
in the ninth century	6
may be traced to	6
sense of the word	6
historia de las bellas	6
the archives of the	6
second half of the	6
believed to date from	6
the design of the	6
as though it were	6
we are told that	6
the middle ages the	6
of the two sisters	6
be one of the	6
either side of the	6
of boabdil el chico	6
as far back as	6
on the other side	6
academy of history at	6
image of the virgin	6
to the end of	6
the sixteenth century the	6
as it can be	6
of the work of	6
in the olden time	6
the gold and silver	6
in the direction of	6
of the city of	6
the count of aranda	6
of the older spanish	6
are known to have	6
in relation to the	6
the back of the	6
the head of a	6
the level of the	6
from the same period	6
for the production of	6
to date from the	6
the lower part of	6
the late count of	6
now in the madrid	6
the blessing of god	6
so far as it	6
of the same city	6
on the side of	6
at the siege of	6
it is possible to	6
upon the other hand	6
i have said that	6
in the decoration of	6
appear to have been	6
may still be seen	6
casa de los tiros	6
in the university of	5
in the same city	5
that it should be	5
emir of the mussulmans	5
of this branch of	5
of ferdinand the third	5
and in the centre	5
he seems to have	5
the bell of st	5
in the city of	5
this was in the	5
fourteenth and fifteenth centuries	5
the value of the	5
the ceiling of the	5
it seems to have	5
a few years later	5
twelfth and thirteenth centuries	5
in the matter of	5
spite of the fact	5
is decorated with a	5
is the work of	5
have been found in	5
than that of the	5
under the head of	5
in the sixteenth and	5
is reported to have	5
he made for the	5
far the greater part	5
i do not know	5
in the work of	5
which seems to have	5
in the neighbourhood of	5
to be found in	5
by the hand of	5
from the beginning of	5
middle of the sixteenth	5
the fifteenth century the	5
of this class of	5
and philip the second	5
to the cathedral of	5
of art in the	5
it is interesting to	5
notre dame in paris	5
de la catedral de	5
the same time as	5
is the figure of	5
under the direction of	5
two hundred and fifty	5
the figure of christ	5
in which it was	5
is the result of	5
of many of the	5
in various parts of	5
is not to be	5
on the back of	5
it may be said	5
of the kings of	5
of the ancient world	5
in the habit of	5
is in the form	5
end of the sixteenth	5
from the time of	5
and at the same	5
between the years and	5
one or other of	5
from the reign of	5
the fourteenth and fifteenth	5
of the work is	5
to be seen at	5
at the bottom of	5
custodia of seville cathedral	5
of the convent of	5
of the capilla mayor	5
by the introduction of	5
dating from the same	5
in the fact that	5
by ferdinand and isabella	5
that in order to	5
during the middle ages	5
to the production of	5
of the holy spirit	5
in the same year	5
it is not so	5
of the reign of	5
preserved in the museum	5
a great part of	5
the chapter of the	5
the west front of	5
of which they are	5
in most of the	5
referred to in the	5
it was the custom	5
by the use of	5
in the making of	5
on a ground of	5
parish church of san	5
for the same purpose	5
mention is made of	5
the place of the	5
thousand pounds of silk	5
in the sierra de	5
factory of san ildefonso	5
as if they were	5
the casa de los	5
there is mention of	5
with the figure of	5
at seville in the	5
in the chapel of	5
surmounted by a cross	5
of edward the confessor	5
in the provincial museum	5
early in the seventeenth	5
on a large scale	5
the sixteenth and the	5
is that which is	5
the present state of	5
the top of the	5
it would have been	5
by far the greater	5
the ruin of the	5
nouveau voyage en espagne	5
one hundred and fifty	5
in the use of	5
it is probable that	5
the style of the	5
to the duke of	5
nothing could be more	5
upon the surface of	5
have been discovered in	5
the twelfth and thirteenth	5
the side of the	5
late th century albacete	5
on the top of	5
to have been first	5
to the sixteenth century	5
and on the other	5
every part of spain	5
poem of the cid	5
was a kind of	5
and you will find	5
great part of the	5
as a kind of	5
the church of the	5
to be used in	5
the tomb of the	5
was made by the	5
the houses of the	5
as far as possible	5
in which they are	5
it is amusing to	5
charles the fifth and	5
in which there is	5
are now in the	5
to charles the fifth	5
in the year the	5
the members of the	5
was given to the	5
gold and precious stones	5
as much as the	5
the reign of charles	5
the monastery of san	5
as well as of	5
in the same way	5
historia general del arte	5
to the marquis of	5
of the most beautiful	5
and one of the	5
as in the case	5
the cross of victory	5
the fifteenth and sixteenth	5
in possession of the	5
seventeenth and eighteenth centuries	5
so as to be	5
the church of santa	5
was made in spain	5
end of the eighteenth	5
dating from the fifteenth	5
on the surface of	5
the altar of the	5
the seventeenth and eighteenth	5
in the same manner	5
still to be seen	5
in the inventory of	5
fifteenth and sixteenth centuries	5
it is not an	5
in order to be	5
by reason of the	5
of the crown of	5
in favour of the	5
of wood covered with	5
to the monastery of	5
is known as the	5
dyeing as an art	5
the conditions under which	5
early in the eighteenth	5
scenes from the life	5
of alfonso the learned	5
as though they were	5
from the sixteenth century	5
inches in length by	5
formed part of the	5
the poem of the	5
the space between the	4
porcelain of the buen	4
to believe that the	4
patio de las doncellas	4
have said that the	4
feet in height by	4
represented by the figure	4
the subject of the	4
the cartuja de miraflores	4
is stated to have	4
you will find the	4
the duke of lerma	4
hall of the abencerrajes	4
of the nasrite sultans	4
of the use of	4
the latter of these	4
in the treatment of	4
first half of the	4
that as well as	4
a fine of ten	4
chronicle of alfonso the	4
the same kind of	4
at a later date	4
the final surface coat	4
manufactured by the spanish	4
as far as i	4
has an html version	4
the cost of the	4
the church of saint	4
the whole effect is	4
the throne of the	4
for the beauty of	4
is almost impossible to	4
i do not think	4
reign of charles the	4
to be used as	4
it is almost impossible	4
to be placed upon	4
to be met with	4
time of the renaissance	4
gold and silver plate	4
a work of the	4
from the fourteenth century	4
the crown of aragon	4
art of the saracens	4
the attention of the	4
there should be no	4
of a smaller size	4
tells us that in	4
convent of san marcos	4
in her right hand	4
the back of a	4
a combination of the	4
with an introduction by	4
throughout the sixteenth and	4
in the royal palace	4
is made of the	4
of the high altar	4
six hundred thousand pounds	4
the mind of the	4
to be carried out	4
from the hand of	4
of the most famous	4
crafts of older spain	4
of this file which	4
in the collection of	4
nearly the whole of	4
a half in height	4
to do more than	4
the fifth and philip	4
the edge of the	4
the last few years	4
that it shall be	4
every part of the	4
that there is a	4
at the court of	4
the action of the	4
it was made at	4
was presented to the	4
by one of the	4
made of the same	4
of ferdinand the catholic	4
in accordance with the	4
in the museums of	4
and crafts of older	4
beginning of the eighteenth	4
the surface of a	4
we find that the	4
the royal palaces of	4
and is now in	4
it is not possible	4
a hundred and forty	4
this file which includes	4
at cordova in the	4
glass of the factory	4
gutenberg also has an	4
it was found in	4
at this time a	4
two reales and a	4
dating from the sixteenth	4
among the most interesting	4
the ordinances of this	4
in the style of	4
which includes the original	4
the art of sculpture	4
early in the fifteenth	4
and the rest of	4
the heart of the	4
about the end of	4
in proportion to the	4
it is not necessary	4
the chronicle of alfonso	4
in the early part	4
is known to have	4
html version of this	4
the production of these	4
members of the guild	4
parts of the design	4
it must have been	4
of the casa de	4
as well as by	4
in each of which	4
we know that the	4
is not an art	4
chapel royal of granada	4
reales and a half	4
the first of the	4
there is only one	4
through the middle ages	4
one of the two	4
other parts of the	4
of silk and gold	4
of the battle of	4
of the chapel royal	4
such and such a	4
are also to be	4
of the last century	4
lower part of the	4
arms of castile and	4
in his history of	4
fine of ten thousand	4
towards the twelfth century	4
the following is a	4
about the time of	4
also has an html	4
the british museum is	4
or very nearly so	4
early th century albacete	4
to have been used	4
the preparation of the	4
and cloth of gold	4
is mentioned in the	4
of design and handicraft	4
the factory of san	4
for the first time	4
by far the most	4
to such an extent	4
the name of the	4
the first and last	4
it is true that	4
in the sacristy of	4
but it is a	4
is no god but	4
monastery of las huelgas	4
upon the other side	4
it is not only	4
the shrine of st	4
a few of the	4
the word of god	4
and the seventeenth centuries	4
the author of this	4
which belongs to the	4
be seen at the	4
work is to be	4
the very essence of	4
the book of kells	4
figures of the virgin	4
it was in the	4
includes the original illustrations	4
the saracens in egypt	4
it is not merely	4
in the following terms	4
in the following manner	4
the thirteenth and fourteenth	4
by the nature of	4
it is believed to	4
in the early days	4
and one or two	4
is also in the	4
of the first of	4
the tree of life	4
the material in which	4
in the sixth century	4
is preserved in the	4
revival of design and	4
it would be well	4
it is decorated with	4
project gutenberg also has	4
towns and villages of	4
parts of the peninsula	4
the art of painting	4
the world of art	4
of the palace of	4
a corner of the	4
to the thirteenth century	4
was the author of	4
the rejas of the	4
to be one of	4
is known to be	4
from the eleventh century	4
the handle is of	4
one hundred and eighty	4
with the figures of	4
stone and wood carving	4
we do not know	4
de don juan says	4
and the sixteenth centuries	4
which i have already	4
be the work of	4
thousand pounds of silver	4
in the reigns of	4
belonged to ferdinand the	4
of the beauty of	4
various parts of the	4
of the same name	4
the reign of pedro	4
of the seventeenth and	4
member of the royal	4
and is covered with	4
cloth of gold and	4
figures of the four	4
a copy of the	4
this branch of spanish	4
with precious stones and	4
with a series of	4
of charles the third	4
not many years ago	4
for each of the	4
to be made for	4
dates from the year	4
of the surface of	4
british museum is a	4
of the figures are	4
in some of the	4
is in the national	4
a gift from the	4
a great variety of	4
the majesty of the	4
in the north of	4
silk was to be	4
beginning of the fifteenth	4
of the saracens in	4
for the cathedral of	4
by the duke of	4
one of the earliest	4
the proportions of the	4
the codex of the	4
the sixteenth century that	4
on the work of	4
or early in the	4
in spite of all	4
above the level of	4
to the city of	4
the book of chess	4
the result of the	4
half of the thirteenth	4
such as that of	4
the first half of	4
is found in the	4
was that of the	4
and early in the	4
and ears of wheat	4
for the use of	4
by the spanish moors	4
any one who has	4
in a corner of	4
now in the national	4
the statue of the	4
middle of the fifteenth	4
the right arm of	4
so as to make	4
the top of a	4
in order to distinguish	4
which date from the	4
of philip the fourth	4
a quarter of an	4
in silk and gold	4
the base of the	4
in the fourteenth and	4
a sketch of the	4
the nasrite sultans of	4
on which it is	4
thirteenth and fourteenth centuries	4
was made in the	4
all through the middle	4
in the possession of	4
harness of philip the	4
the academy of history	4
in the casa de	4
my lord the duke	4
harness of charles the	4
the art of making	4
is not easy to	4
are those of the	4
the fifteenth and the	4
the spaces between the	4
to that of the	4
the ordinances of the	4
sixteenth and the seventeenth	4
the following passage from	4
reign of pedro the	4
which there is no	4
de la muy noble	4
one of the finest	4
of castile and aragon	4
us that in the	4
the convent of san	4
the business of the	4
was destroyed by the	4
the cathedral of gerona	4
of this kind of	4
within the scope of	4
is an example of	4
and there is a	4
i do not mean	4
the expulsion of the	4
so as to give	4
from about the year	4
on the principle of	4
of the same kind	4
one side of the	4
the inventory of the	4
and the count of	4
for the purposes of	4
his history of the	4
the image of the	4
and the result is	4
ladies of the aristocracy	4
are known by name	4
may be found in	4
and a half inches	4
in the life of	4
the royal armoury contains	4
to one of the	4
to the order of	4
by the figure of	4
oppression of the poor	4
in every part of	4
of the virgin mary	4
is supposed to have	4
the patio de las	4
of the factory of	4
with a preface by	4
there is no doubt	4
and this is the	4
is contained in the	4
fifth and philip the	4
century and early in	4
the result is a	4
figure holding in one	4
two of the most	4
in the ordinances of	4
in the revista de	4
of various kinds of	4
by the name of	4
the use of a	4
middle of the seventeenth	4
of the sixteenth and	4
nasrite sultans of granada	4
the chapels of the	4
the seo of zaragoza	4
the early middle ages	4
designs and working drawings	4
are mentioned in the	4
or two of the	4
of the works of	4
and now in the	4
the dress of the	4
this is to be	4
of talavera de la	4
to be the work	4
vessels of catalan glass	4
the seventeenth century the	4
rodrigo amador de los	4
as the eleventh century	4
which are to be	4
file which includes the	4
figures of the apostles	4
have been made in	4
as far as the	4
the centre of this	4
the purpose of the	4
in the chronicle of	4
in proportion as the	4
proceeding from the same	4
the kings of spain	4
in charge of the	4
of the duke of	4
a figure holding in	4
to a certain extent	4
of cloth of gold	4
the price of the	4
in order to make	4
the early days of	4
an html version of	4
the coat of mail	4
spanish academy of history	4
of philip the fifth	4
the foot of the	4
for the making of	4
it is in the	4
the province of palencia	4
with his right hand	4
dates from about the	4
under the influence of	4
wrote of the same	4
by juan de arfe	4
the arms of a	4
juan th century madrid	4
it was to be	4
for the benefit of	4
date from the fourteenth	4
in the twelfth and	4
the royal academy of	4
an account of the	4
praise him for his	4
of a single piece	4
there is not the	4
of ten thousand maravedis	4
upon a ground of	4
by charles the fifth	4
is a work of	4
dating from the twelfth	4
version of this file	4
an image of the	4
the work may be	4
which is to be	4
tiles of the decadent	3
the principle of a	3
the revival of design	3
there seems to be	3
may be seen to	3
of older spain by	3
and known as the	3
in the parish church	3
on a white ground	3
to be aimed at	3
furniture and the room	3
on a dark ground	3
is mentioned in a	3
conditions under which the	3
it can be done	3
of the most perfect	3
and the arrangement of	3
by some authorities to	3
to be a good	3
he was succeeded by	3
the twelfth century the	3
the fourth of aragon	3
as i have stated	3
expulsion of the moriscos	3
which it is made	3
inscription in cufic characters	3
that early in the	3
belonged to the late	3
a law was passed	3
the dyers of silk	3
just as much as	3
that the blades were	3
to the present day	3
the spelling and formatting	3
of the gremios of	3
a few years ago	3
the manufacture of the	3
it is made of	3
the foot of a	3
at madrid possesses a	3
an example of the	3
by underscores is in	3
to the throne of	3
the period in which	3
as we have seen	3
palace of the alhambra	3
consisting of a single	3
thousand three hundred and	3
more or less closely	3
is recorded as having	3
that the conditions of	3
with notes on the	3
and that they were	3
made use of to	3
appears to have been	3
good files or razors	3
the ile de france	3
altar of the church	3
which was used in	3
use of the word	3
a hundred and sixty	3
parts of the world	3
was added to the	3
on the door of	3
the design should be	3
the position of the	3
by zarco del valle	3
the carat is superscripted	3
by letters of the	3
the oppression of the	3
must toil for it	3
en el siglo xvi	3
the length of the	3
do more than glance	3
reigns of charles the	3
of silver and of	3
table below lists all	3
the banks of the	3
art series the arts	3
what is known as	3
at the side of	3
all corrections applied to	3
of the most interesting	3
inferior to that of	3
in the renaissance style	3
making good files or	3
by leonard williams corresponding	3
by the arrangement of	3
the value of these	3
of art in england	3
following the carat is	3
in knowing how to	3
the sheath of this	3
and the whole is	3
two volumes of this	3
to the skill of	3
jayme the first of	3
and all of them	3
a quarter of a	3
canon of the cathedral	3
on the opposite side	3
reja of chapel royal	3
of glass in the	3
collection of the late	3
be a part of	3
of mohammed the third	3
in the centre is	3
rather than to the	3
but this is not	3
be looked upon as	3
in speaking of the	3
it is completely covered	3
the battle of the	3
the only place where	3
on the portal of	3
of one or two	3
of the former of	3
be met with in	3
ornamented with precious stones	3
the most important of	3
four hundred and five	3
from the spanish moors	3
in order to produce	3
may be seen a	3
at granada in the	3
is placed in a	3
is obtained by the	3
introduced into england by	3
effect is that of	3
the sala de la	3
which they are made	3
for a long time	3
with the use of	3
the owner of a	3
toledo en el siglo	3
most important centre of	3
the same collection is	3
in the sala de	3
edging of the same	3
could not have been	3
of the four seasons	3
part of the blade	3
the monastery of st	3
it is divided into	3
the middle of this	3
no god but god	3
the fifth to the	3
don martin of aragon	3
end of the tenth	3
was ordered to be	3
it is of the	3
five thousand five hundred	3
was made at the	3
are those which were	3
form of a scarf	3
a daily wage of	3
and do you suppose	3
a yard in height	3
those belonging to the	3
the oxide of iron	3
the interior of the	3
coffer of the cid	3
while one of the	3
academy of fine arts	3
you must toil for	3
and there is not	3
a promenade in andalusia	3
were employed in the	3
by nearly all the	3
at some time in	3
when the work is	3
feet six inches in	3
about the twelfth century	3
and in order to	3
single character following the	3
the furniture of the	3
maravedis shall have a	3
shrine of the three	3
tendrils and ears of	3
so as to form	3
of the raw material	3
in spain until the	3
if you wish to	3
the origin of this	3
no doubt that the	3
of leaves and flowers	3
arts and crafts essays	3
the sign of the	3
story is told of	3
the cathedral of granada	3
and the material of	3
which were made in	3
for the art of	3
the qualities of the	3
reina in new castile	3
of the custodia of	3
might as well have	3
are of no use	3
yet be seen in	3
of the late count	3
the figures on the	3
in the space of	3
or about the year	3
in much the same	3
the middle ages it	3
were used in spain	3
and in the south	3
and that of his	3
was accomplished in the	3
from the view of	3
raised in the kingdom	3
of more or less	3
must have been a	3
decorative painting and design	3
gayangos in the revista	3
jayme the conqueror in	3
of the land of	3
he says that the	3
of darts and lances	3
de rouen wrote of	3
i am not aware	3
the royal palace at	3
the use of which	3
may have been in	3
if it were a	3
of the three kings	3
is said that the	3
the late marquis of	3
land of the dons	3
this holiest of sacraments	3
is thought to have	3
or the beginning of	3
were made in spain	3
the moors of spain	3
used in spain throughout	3
gold and silver fringes	3
there is in the	3
it to the church	3
in the service of	3
space of ten years	3
with the beauty of	3
in nearly every case	3
the treasure of guerrazzar	3
wrote bertaut de rouen	3
williams corresponding member of	3
is an account of	3
but as a rule	3
also says that the	3
the sheath is of	3
way in which it	3
the vase of the	3
the beauty of its	3
is an art of	3
santo domingo de silos	3
paid a visit to	3
supposed to have been	3
to the count of	3
does not appear to	3
it would not be	3
as the twelfth century	3
in front of it	3
we praise him for	3
a certain number of	3
volumes of this work	3
as well as that	3
one of the best	3
in the whole of	3
at talavera de la	3
at the castle of	3
the nature of a	3
is a far more	3
amil y castro has	3
will be readily understood	3
very much the same	3
do not suppose that	3
the treasure of guarrazar	3
of the virgen del	3
they are made of	3
continued to be made	3
that glass was made	3
the earlier part of	3
in france and england	3
that i have ever	3
in the tomb of	3
in one hand and	3
edges of the book	3
about this time the	3
he was allowed to	3
close of the middle	3
is open to you	3
the battle of la	3
passages from the life	3
the eye of the	3
history of the house	3
are not at all	3
to the original text	3
at or san michele	3
were made in great	3
book illustration and book	3
at the south kensington	3
would be well if	3
this class of work	3
for its own sake	3
seems to be no	3
applied to the original	3
the virgin and child	3
many parts of spain	3
specimens of lustred ware	3
crucifix of the cid	3
in the original if	3
with the kind of	3
the coloured windows of	3
to do that as	3
between the work of	3
which appear to be	3
present state of the	3
continued to be used	3
the power of the	3
virgen de la vega	3
gobierno de la muy	3
and proceeding from the	3
made in the same	3
out of a hundred	3
this applies equally to	3
the middle ages till	3
it has been my	3
may be thus translated	3
the death of the	3
about the beginning of	3
the number of her	3
the material of which	3
the king of france	3
is a different thing	3
to the value of	3
it is intended to	3
of a number of	3
him to have been	3
that the women of	3
the ends of the	3
and all its greatness	3
at a later age	3
the thickness of the	3
of the mohammedan dynasties	3
may also be had	3
corrections applied to the	3
four and a half	3
from which we learn	3
of the most important	3
the relics of st	3
the arrangement of the	3
which is now in	3
the museum of madrid	3
vase of the alhambra	3
in the same work	3
early th century madrid	3
of philip the third	3
the effect of this	3
which in its turn	3
it is due to	3
they would have found	3
in the presence of	3
that it is almost	3
minor inconsistencies in the	3
the rest of his	3
is represented by oe	3
the number of these	3
dukes of alburquerque mentions	3
in the library of	3
of charles the second	3
that at that time	3
more than glance at	3
of the human body	3
to be made by	3
ligature oe is represented	3
banks of the tagus	3
of art series the	3
in the arts and	3
of the same metal	3
been discovered in galicia	3
costume of the spanish	3
a single character following	3
from the rest of	3
th century ivory mirror	3
if not marked as	3
adoration of the magi	3
is among the most	3
the monastery of santa	3
of the fifteenth and	3
set against the poor	3
the seventeenth century and	3
the other two volumes	3
there has been a	3
end of the thirteenth	3
six hundred and fifty	3
as the art of	3
is a matter of	3
lamp of mohammed the	3
the fact that in	3
of the count of	3
outlined in black enamel	3
adorned with gold and	3
the effect of the	3
of the giralda tower	3
about a quarter of	3
the virgin of battles	3
the gate of wine	3
number of her looms	3
as much as you	3
much the same as	3
the genius of the	3
that there is no	3
the order of the	3
was made in a	3
the same as that	3
this is not all	3
until the sixteenth century	3
the presence of the	3
are in the south	3
woods and other materials	3
journey through spain in	3
early in the middle	3
a time when the	3
single and honest effort	3
of the present day	3
the skin of a	3
character is used to	3
you all probably know	3
he was permitted to	3
by the late aubrey	3
be said to have	3
the cathedrals of oviedo	3
were often made of	3
spite of all these	3
be noticed under arms	3
main lines and masses	3
the apprentice to a	3
one hand and a	3
i am sorry to	3
history of the mohammedan	3
of the colour of	3
the same collection are	3
spanish academy of fine	3
the teeth of the	3
tells us in his	3
that single and honest	3
by means of it	3
it is a fact	3
among them were the	3
belonging to the church	3
this part of the	3
the ligature oe is	3
and it is a	3
when i was inclined	3
which may still be	3
be said to be	3
formatting have been maintained	3
series the arts and	3
the table below lists	3
was made at seville	3
as in the original	3
body of the box	3
in the best of	3
original if not marked	3
they are not so	3
he speaks of the	3
that they could be	3
of the seo of	3
is not possible to	3
same time as the	3
is divided into four	3
the same century the	3
of the blade is	3
portrait statuette of peter	3
so that it may	3
the treasury of the	3
was manufactured in the	3
the nouveau voyage en	3
in the exercise of	3
that it is in	3
and was known as	3
which are known to	3
and in the midst	3
of reynolds to velasquez	3
a single piece of	3
before the christian era	3
ferdinand the first and	3
the figures are of	3
chronicle of the monk	3
for the man who	3
dried in the sun	3
to the marquises of	3
have been made at	3
in the preparation of	3
chapter of the cathedral	3
the first thing to	3
work of a goldsmith	3
a figure of a	3
the streets through which	3
at the cost of	3
dating from the reign	3
that the manufacture of	3
of the capilla de	3
was stated to be	3
accents are as in	3
the reigns of charles	3
there is nothing more	3
of the town of	3
of a beautiful woman	3
it is not always	3
a matter of course	3
it is the result	3
gutenberg has the other	3
in the churches of	3
the time of ferdinand	3
from an early period	3
period of the renaissance	3
the same time the	3
the crown of recceswinth	3
ordered it to be	3
illustration and book decoration	3
in that of a	3
four arms of equal	3
in this as in	3
nothing to do with	3
such a subject as	3
presented to this temple	3
of the king of	3
the outline of the	3
of the ninth century	3
are still preserved in	3
respect her for her	3
ordenanzas para el buen	3
of the fourteenth or	3
with a mixture of	3
san miguel in excelsis	3
an image of st	3
and the number of	3
there is also in	3
cloth of gold or	3
royal palace at madrid	3
of most of the	3
the delicacy of the	3
i have stated in	3
of two or three	3
the capilla de los	3
from the fact that	3
to the top of	3
it is extremely probable	3
tapestry was made in	3
of the artists of	3
designing for the art	3
the construction of the	3
is due to the	3
and to date from	3
important centre of the	3
of the saint in	3
and part of the	3
in spite of his	3
on the one side	3
may be said that	3
the front of whitehall	3
inclined to think that	3
the life of christ	3
bobbin or pillow lace	3
or any kind of	3
provincial museum of granada	3
together with the words	3
is only fair to	3
material of which it	3
as far as they	3
described in an old	3
if you want to	3
which will be noticed	3
greater part of the	3
of the virgin with	3
carat character is used	3
the room and furniture	3
presented to the cathedral	3
of the monk of	3
of an inferior quality	3
was once upon a	3
of pedro the cruel	3
of light and shade	3
work of the arts	3
which if you destroy	3
de las cuatro torres	3
balsa de la vega	3
when it is in	3
letters of the king	3
the king of spain	3
beginning of the sixteenth	3
in the other hand	3
a hundred and twenty	3
american edition published october	3
in the present day	3
will be noticed under	3
and consists of the	3
is made up of	3
except in the case	3
well as it could	3
a certain amount of	3
the protection of the	3
centre of this industry	3
the original if not	3
may be considered as	3
as was the case	3
the changes in the	3
arms of equal length	3
the throne of spain	3
the virgen de la	3
the inhabitants of this	3
in the spring of	3
is surmounted by a	3
don alvaro de luna	3
as much of the	3
we are about to	3
towards the fourteenth century	3
form a part of	3
with the royal arms	3
the last of the	3
but there is no	3
it is not easy	3
spelling and formatting have	3
maker of darts and	3
used to denote superscription	3
wrote of it in	3
it is not in	3
it is not often	3
annals of the artists	3
the later middle ages	3
from the mouth of	3
of the eighth century	3
to one hundred and	3
this state of things	3
and other towns and	3
the women of the	3
as a rule the	3
the torre de la	3
there are a few	3
early th for crossbows	3
the principles on which	3
gold and silver in	3
from the new testament	3
to enable him to	3
spelling and minor inconsistencies	3
have been preserved until	3
one of them was	3
the result of this	3
was the work of	3
de los tiros at	3
are said to be	3
there never was a	3
leonard williams corresponding member	3
have belonged to the	3
are the work of	3
in such wise that	3
hyphenation and accents are	3
in the archives of	3
which is mentioned in	3
is of the highest	3
by gayangos in the	3
dating from the end	3
the leather or other	3
of the order of	3
la reina in new	3
during the reign of	3
the material is a	3
in the palace of	3
the ruins of the	3
the name of a	3
there is a legend	3
which is said to	3
printed by neill and	3
of one of the	3
the demands of the	3
the land of the	3
prior to the sixteenth	3
on the occasion of	3
is true that the	3
the duke of burgundy	3
will at once be	3
side by side with	3
henry the eighth of	3
darts and lances for	3
embroidered with gold thread	3
there is no god	3
must be said that	3
of the first importance	3
such a piece of	3
are said to have	3
in many of the	3
some of the most	3
do that as well	3
the rule of st	3
of a hand and	3
with a chalice and	3
other two volumes of	3
school pursuing truth of	3
the original spelling and	3
it is only fair	3
for every pound of	3
stalls of toledo cathedral	3
to be covered with	3
on the outside of	3
a study of the	3
was not to be	3
so as not to	3
the work was accomplished	3
character following the carat	3
in the hands of	3
when it has become	3
of william the conqueror	3
turned their attention to	3
given by the monk	3
national museum of artillery	3
the province of burgos	3
the conquest of granada	3
form part of the	3
the custodia of seville	3
we learn from the	3
the same manner as	3
at a time when	3
precious stones and metals	3
you do not know	3
the late aubrey l	3
the root of all	3
the means at disposal	3
in honour of the	3
foulis american edition published	3
fifteenth and the sixteenth	3
the work of his	3
a yard and a	3
and talavera de la	3
the dawn of the	3
and seems to have	3
sala de la barca	3
we respect her for	3
it is evident that	3
one hundred years ago	3
are as in the	3
the decoration consists of	3
close of the seventeenth	3
the colours of the	3
of the same period	3
were famous for their	3
them to have been	3
to make a good	3
specimens of this work	3
that it was a	3
the kingdom of the	3
to the cathedrals of	3
los tiros at granada	3
from one of the	3
the island of majorca	3
it is an art	3
the eighth of england	3
capilla de los vargas	3
is no doubt that	3
in the south of	3
the beginning of this	3
a piece of cloth	3
the slopes of the	3
and the cross of	3
statuette of peter vischer	3
with a certain set	3
have you ever considered	3
the king of england	3
and the necessity of	3
now to be seen	3
they are of different	3
oe is represented by	3
banner of las navas	3
and accents are as	3
battle of la higueruela	3
in the last century	3
by amador to be	3
which it is composed	3
is a figure of	3
it seemed to me	3
lists all corrections applied	3
the character of this	3
by means of the	3
by the end of	3
the spanish moors were	3
the other hand a	3
amador de los rios	3
a native of granada	3
the baptistery in florence	3
to the service of	3
in white and blue	3
time of the romans	3
of the decadent period	3
if we were to	3
to ferdinand the catholic	3
of a later date	3
had its origin in	3
is not so much	3
museum there is a	3
the last of these	3
saying that it was	3
to the work of	3
of the manufacture of	3
the monk of silos	3
a more or less	3
in the kingdoms of	3
the upper part of	3
the remainder of the	3
the street of the	3
the dome of the	3
de la reina in	3
the crucifix of the	3
belonging to the duke	3
earlier part of the	3
of the early renaissance	3
the hall of justice	3
the municipal archives of	3
at the palace of	3
glance at a few	3
the same quantity of	3
the pretty colours in	3
of a single emerald	3
pedro the fourth of	3
the products of the	3
belonging to the crown	3
a carat character is	3
the process of their	3
in the mind of	3
the coffer of the	3
of the sovereigns of	3
queen victoria of spain	3
with two hundred and	3
to philip the second	3
of the precious metal	3
don juan says that	3
one or two of	3
the virgen del sagrario	3
of this order are	3
made in the form	3
the shape of the	3
as a ground for	3
which was made by	3
which we learn that	3
with figures of the	3
the completion of the	3
son of our lord	3
weathercock of the giralda	3
of the son of	3
statue of the virgin	3
that the art of	3
i was inclined for	3
is difficult to imagine	3
corresponding member of the	3
to the twelfth century	3
arts and crafts in	3
bears the arms of	3
there is no attempt	3
been a gift from	3
of the sala de	3
author of the land	3
in the treasury of	3
as the reign of	3
is not necessary to	3
the entrance to the	3
in a sort of	3
have not time to	3
it will be found	3
with which it is	3
the best of it	3
by a piece of	3
philip the second by	3
the shrine of the	3
was introduced into england	3
at the present time	3
pounds of raw silk	3
the practice of this	3
as a method of	3
from about the same	3
the case of a	3
the art of dyeing	3
upon a gold ground	3
maravedis for every pound	3
text enclosed by underscores	3
the direction of the	3
the weathercock of the	3
enclosed by underscores is	3
the time when the	3
first thing to be	3
of notre dame in	3
inconsistent hyphenation and accents	3
to us in the	3
as those of the	3
with the aid of	3
but it is the	3
inventory of the dukes	3
to the method of	3
that the price of	3
the eighteenth century a	3
y gobierno de la	3
the library of the	3
passed into the hands	3
has the other two	3
the sheaf of arrows	3
altar of the catholic	3
supposed to be the	3
baron de las cuatro	3
underscores is in italics	3
close of the eighteenth	3
superintended the building of	3
is often thought to	3
the making of a	3
the house of cordova	3
of the royal palace	3
project gutenberg has the	3
with the christian spaniards	3
of the virgin on	3
in or about the	3
specimens of this pottery	3
the process of casting	3
the object of the	3
a good example of	3
the feet of the	3
so that there are	3
in the costume of	3
as consisting of a	3
formerly belonged to the	3
to point to the	3
velvet worked in gold	3
the secrets of the	3
list of illustrations volume	3
all more or less	3
world of art series	3
to speak of the	3
of a larger size	3
nine out of a	3
the capital of spain	3
it is obvious that	3
was found in a	3
and in the middle	3
inconsistencies in the spelling	3
in this class of	3
and more or less	3
older spain by leonard	3
dont il y a	3
we shall find that	3
this class of objects	3
to be of the	3
in so small a	3
the stalls of the	3
do not say that	3
the scheme of decoration	3
is formed by a	3
and the process of	3
it is known as	3
by the fact that	3
a league and a	3
and lances for crossbows	3
notes on the work	3
that in the time	3
this is not so	3
the court of the	3
and crafts of design	3
the convent of the	3
gold or silver thread	3
the sala de las	3
of bertaut de rouen	3
another of the same	3
a great quantity of	3
it is not worth	3
their records and romances	3
and a kind of	3
i do not doubt	3
of the spanish character	3
conventionalism by cause of	3
the top and bottom	3
centre of this craft	3
some of them were	3
for all kinds of	3
it must be said	3
and of the royal	3
other parts of spain	3
as a species of	3
so far as you	3
sign of the cross	3
on the same lines	3
same time that the	3
in the year of	3
are in the national	3
is entirely covered with	3
of the treasure of	3
in imitation of the	3
is supposed to be	3
the work is so	3
the space of ten	3
of santo domingo de	3
gold and silver lace	3
a great proportion of	3
to be the finest	3
in the spelling and	3
are intended for the	3
and surmounted by a	3
of the life and	3
was carried in procession	3
the collection of the	3
known as that of	3
what they would be	3
the face of a	3
how to make a	3
the summit of the	3
to bring about a	3
beginning of this century	3
the church of santiago	3
the following account of	3
by the monk of	3
the manner of the	3
a work of art	3
have been a gift	3
original spelling and minor	3
i have already quoted	3
of the mussulmans abu	3
is used to denote	3
quarter of an inch	3
chronicle of the cid	3
in so far as	3
the garments of the	3
the decoration of a	3
like most of the	3
to the court of	3
be judged of from	3
in and out of	3
the adoration of the	3
is a tendency to	3
the real meaning of	3
can be got by	3
from that of the	3
the central figure of	3
not worth while to	3
to which i have	3
were probably made in	3
well as it can	3
the artists of spain	3
were used for making	3
to be of spanish	3
to lead us to	3
now the property of	3
popularly known as the	3
of gothic art in	3
by charles the third	3
published by gayangos in	3
as a general rule	3
of the edge of	3
the national library at	3
of the right arm	3
figure of a youth	3
late as the year	3
at the battle of	3
not an art for	3
spain by leonard williams	3
la catedral de sevilla	3
made by order of	3
as if it had	3
kinds of pottery were	3
below lists all corrections	3
and formatting have been	3
who are interested in	3
church of san pedro	3
made in large quantities	3
in the street of	3
the spanish moors and	3
in the construction of	3
though not of the	3
which proceeds from the	3
it has not been	3
in an inventory of	3
and minor inconsistencies in	3
silva says that the	2
began his career as	2
de seda de sevilla	2
the writer of this	2
in its turn is	2
masters of this craft	2
the following list of	2
with a kind of	2
are endowed with a	2
that in a few	2
lived and worked at	2
and medallions containing figures	2
there is a fine	2
for use in celebrating	2
wall as much water	2
scenes from the new	2
remained in possession of	2
works of art in	2
centre of the craft	2
will not draw a	2
of this craft in	2
relief by adam kraft	2
colour of cooked quince	2
there is one of	2
under the title of	2
still exist in spain	2
to the reign of	2
as the largest and	2
together with the yoke	2
saint peter and saint	2
be no doubt that	2
coverings for the head	2
santa isabel and santa	2
that which has a	2
a legend that in	2
was a native of	2
we have the power	2
i have been unable	2
reja of the choir	2
or cloth of gold	2
the properties of things	2
whom it will not	2
is a fact that	2
made of iron and	2
centuries before the christian	2
comparatively early in the	2
him by the king	2
there are very few	2
that have been preserved	2
the lion and the	2
this latter is the	2
also superintended the building	2
the way of speculation	2
some of them with	2
san juan de dios	2
art of the goldsmith	2
number of specimens of	2
embroidered with gold and	2
the train of the	2
as though they had	2
long enough they would	2
by the kings of	2
for the pleasure of	2
the marquis of la	2
it is impossible in	2
conventional art over nations	2
to the top and	2
in the city archives	2
the men who can	2
king of kings will	2
to be of little	2
what i have heard	2
after the conquest of	2
nearly fourteen feet in	2
of the gold and	2
is popularly known as	2
to put up with	2
it is made up	2
century ivory mirror case	2
and a black tassel	2
the history of david	2
and which is known	2
in the apartments of	2
of the west front	2
the tiles which bear	2
for you by the	2
and blades of wheat	2
attributed to charles the	2
death of charles the	2
dates from the end	2
of all our modern	2
at the same period	2
a yard in length	2
by the light of	2
within the limits of	2
continued to be the	2
it is the work	2
few words on the	2
painted or embroidered with	2
example of the first	2
by craftsmen such as	2
of the salon de	2
that he was the	2
was a great deal	2
the destruction of the	2
that in the seventeenth	2
of man and his	2
church of santa ana	2
those that are made	2
were the work of	2
of the same age	2
life of the virgin	2
in the forms of	2
is a good deal	2
two feet of the	2
the earliest and most	2
his widow and children	2
from the fourth century	2
tiempo de juan i	2
the oldest of these	2
the little town of	2
of gold or silver	2
of a hundred and	2
of the east and	2
first glance one would	2
rejas of the choir	2
yourselves what is the	2
at a human being	2
the decoration of their	2
he was also a	2
representing scenes from the	2
of the colours used	2
and handy little book	2
in the palace at	2
the precious stones and	2
in the duke of	2
and in our own	2
of the craft in	2
juan de arfe in	2
at any of the	2
the course of its	2
as the necessity of	2
of the skill of	2
there is a good	2
is covered with an	2
that he is able	2
the province of granada	2
spain at some time	2
there is much in	2
there is an entry	2
with passages from the	2
been preserved until our	2
are for the most	2
according to the various	2
was given by the	2
tell us that the	2
violence of your hands	2
they emit a smell	2
forms of printed letters	2
ground and weather of	2
not say that you	2
the manufacture of these	2
the names of other	2
a mouth as well	2
to the town of	2
the region of valencia	2
the treasure of the	2
to maravedis shall have	2
of which are made	2
leaves of the end	2
many of which were	2
many of the most	2
furlones shall not be	2
the king of the	2
arts and crafts were	2
page on the paper	2
is used for the	2
which it learns at	2
and upon the other	2
the year of the	2
is surrounded by a	2
artist and the craftsman	2
and silver thread and	2
tells us that this	2
drawn in a very	2
one hand a bunch	2
in the early years	2
and at the lower	2
all of them of	2
strove to do that	2
y plata encontrados en	2
with the flaming sword	2
has from to maravedis	2
belonged to isabella the	2
of the craft and	2
some of the figures	2
was the custom to	2
from the fifth to	2
as our forefathers called	2
by the arts of	2
the application of this	2
in the garden of	2
of the women of	2
a certain quantity of	2
friars of the cartuja	2
it is in this	2
is interesting to note	2
the harvest of the	2
of the richest and	2
to receive and to	2
taken out of the	2
book is printed in	2
if the book is	2
of this law was	2
the subjects of the	2
cloth with the arms	2
upper part of the	2
for the same reason	2
and last of all	2
do with great labor	2
and upward shall have	2
of the earth and	2
as in other countries	2
it is only necessary	2
not at all the	2
who wrote of it	2
the conqueror in the	2
author of the nouveau	2
process as described by	2
and carried as their	2
it is no more	2
a long period of	2
the distinctive colour of	2
knows what painting means	2
and yet another thousand	2
and is lined with	2
la real academia de	2
quality of the ancient	2
a large glass cup	2
cloths are made at	2
according to the dictionary	2
were limited to a	2
of toledo cathedral is	2
stuffs of silk and	2
who worked at cordova	2
reported to have worked	2
mosque of the alhambra	2
in the pitti palace	2
and by the crossing	2
equipment of the spanish	2
the great poets of	2
the appearance of a	2
has come to be	2
of which there is	2
the history of art	2
to learn how to	2
a certain class of	2
its origin in the	2
a curious form of	2
power of conventional art	2
at the houses of	2
because it was the	2
iron crown of monza	2
to the painting of	2
our schools of art	2
were set to cool	2
is to be found	2
to be the one	2
must be understood that	2
if he had the	2
my lady the duchess	2
the eye of a	2
hundred years ago the	2
for the head of	2
with the city seal	2
en el pueblo de	2
you are to make	2
of rendering the owner	2
lxxv vessels of catalan	2
it may be noted	2
in imitation of crystal	2
casa de las conchas	2
with those of the	2
the preservation of the	2
centres of this industry	2
it is executed with	2
a maker of pieces	2
body of the saint	2
the various forms of	2
these may be seen	2
once belonged to the	2
is stated that the	2
destroyed by the explosion	2
most of the best	2
on a light ground	2
to the fourteenth century	2
five hundred and six	2
that the work was	2
hand a bunch of	2
and in her other	2
recipes given by the	2
the design consists of	2
a gift to the	2
dating from the roman	2
there was a great	2
is covered with elaborately	2
any part of the	2
painting which is not	2
a half in length	2
the bobbin or pillow	2
it is not uncommon	2
all that lovely vermilion	2
the mouths of their	2
part of the foot	2
los letreros ornamentales en	2
was largely used in	2
and as a rule	2
the metal in the	2
of the same colour	2
the length of this	2
moorish palace of the	2
el pueblo de santiponce	2
them the best thing	2
medallion by veit stoss	2
and many more are	2
according to the process	2
made at valencia are	2
be well if we	2
order to make it	2
to have been of	2
rico y sinobas has	2
did not apply them	2
the same author wrote	2
and the crown of	2
either side of it	2
other inscriptions of a	2
filled with a substance	2
of a certain sum	2
when the needle is	2
the doorway of the	2
to have been imitated	2
as hard as stone	2
reja of the high	2
are set in the	2
in addition to the	2
in the universality of	2
are cut out of	2
nothing that is great	2
thousand nine hundred and	2
to the lustre process	2
royal palace of madrid	2
which it has been	2
and a piece of	2
by which they are	2
maravedis and upward shall	2
in the true sense	2
are believed to have	2
where there is a	2
to dwell upon the	2
into possession of the	2
nature of the materials	2
in this country is	2
art of pietra dura	2
in by order of	2