Questions

This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.

identifier	question
7409	Bursts out, resistless, with a thundering tide, But where''s the man who counsel can bestow, Still pleased to teach, and yet not proud to know?
7409	Like some fair flower the early spring supplies That gayly blooms but even in blooming dies What is this wit, which must our cares employ?
7409	[ 445] If faith itself has different dresses worn, What wonder modes in wit should take their turn?
7409	leave the combat out?"
14528	But when,_ Mecænas_, will Thy Star appear In our low Orb, and gild the_ British_ Sphere?
14528	Can we forget how_ Damon''s_ lofty Tongue Shook the glad Mountains?
14528	Hail_ English_ Swan?
14528	How could Learn''d_ Athens_ with contempt refuse, Th''immortal labours of so vast a Muse?
14528	How goes the State of_ Parnassus_?
14528	I scorn to Flatter, or the Dead defame; But who will call a Blaze a Lambent Flame?
14528	Is he oblig''d to_ France_, who draws from thence By_ English_ Energy, their Captive Sense?
14528	O Soul_ Seraphick_, teach us how we may Thy Praise adapted to thy Worth display, For who can Merit more?
14528	O_ Sacharissa_, what could steel thy Breast, To Rob_ Harmonious Waller_ of his Rest?
14528	Say, art Thou come, and, to deceive our Eyes Dissembled under_ DORSET''s_ fair Disguise?
14528	Was not loathsom Night And ever- during Dark sufficient Pain, But Man must Triumph, by our Fall to Reign, And Register the Fate which we Sustain?
14528	What Prince can equal what no Muse can praise?
14528	What has the Battle of_ Ramillies_ produc''d?
14528	Who shall describe Him?
14528	Who''d not be_ Dryden_; tho''his Faults are great, Sooner than our Laborious_ Laureat_?
14528	With what Delight he tunes his Silver- Strings, And_ David''s_ Toils in_ David''s_ numbers Sings?
14528	he cries,_ Despair of better state, and loss of Light Irreparable?
14528	or what Eye can trace The Matchless Glories of his Princely Race?
14528	or who enough can Pay?
3377	Do you think it''s much worse than being shut up to their tradition of indecency?
3377	Shall we always be shut up to our tradition of decency?
3377	At what moment did our fiction lose this privilege?
3377	But do they really believe it?
3377	But what editor of what American magazine would print such a story?
3377	But what is it that gives tendency in art, then?
3377	But what is this idea of the beautiful which art rests upon, and so becomes moral?
3377	Do not you know that this small condition of yours implies in its fulfilment hardly less than the gift of the whole earth?
3377	Do they mean anything more or less than the Mastery which comes to any man according to his powers and diligence in any direction?
3377	In what fatal hour did the Young Girl arise and seal the lips of Fiction, with a touch of her finger, to some of the most vital interests of life?
3377	Then, are we critics of no use in the world?
3377	Were these men second- rate in their way?
3377	What is it makes people like this at one time, and that at another?
3377	Who calls Washington a genius?
3377	Who can endure to read old reviews?
3377	Why?
3377	Will he play us false or will he be true in the operation of this or that principle involved?
3377	With her example before them, why should not English novelists have gone on writing simply, honestly, artistically, ever after?
3377	Yet who would trifle with that great heir of fame, that plain, grand, manly soul, by speaking of"genius"and him together?
3377	or Franklin, or Bismarck, or Cavour, or Columbus, or Luther, or Darwin, or Lincoln?
36245	Est- ce là défense et illustration,he exclaims,"ou plus tost offense et dénigration?"
36245	Take an actual history,says Scaliger;"how does Lucan differ, for example, from Livy?
36245	[ 142] But what, according to Castelvetro, are the conditions of stage representation? 36245 [ 227] That is, how does a poem differ from a well- written historical narrative, if the former be without organic unity?
36245	[ 61] Poetry, then, is an ideal representation of life; but should it be still further limited, and made an imitation of only human life? 36245 After all, since it is the public who pays for these stupidities, why should we not serve what it wants? 36245 But after all, what is_ extra rem_? 36245 But how out of purpose, and place, do I name art? 36245 But how should he be that just imitator of life, whilst he himself knows not its measures, nor how to guide himself by judgment and understanding? 36245 But if poetry is a matter of inspiration, how can it be called an art? 36245 But what is the origin of the two other unities,--the unities of time and place? 36245 But what produces laughter? 36245 But who can doubt it? 36245 Et voir à nos misteres Les Payens asservis sous les loix salutaires De nos Saints et Martyrs? 36245 First, what is the meaning of imitation? 36245 How did the classic spirit arise? 36245 How then are the true poets to be known? 36245 If genius alone suffices, what need is there of study and artifice? 36245 Now, in what way can we discover exactly how to imitate nature, and perceive whether or not we have imitated it correctly? 36245 Now, what constitutes a serious action, and what actions are not suited to the dignified character of tragedy? 36245 The imitation of the classics having thus become essential to literary creation, what was to be its relation to the imitation of nature? 36245 The question as Giraldi had stated it was this: Does every poem need to have unity? 36245 The question as discussed in the Tasso controversy had changed to this form: What is unity? 36245 The question at issue, as we have seen, is that of unity; that is, does the heroic poem need unity? 36245 To whom then are the rules of Aristotle useful? 36245 What is the aim of the poet? 36245 What more can the poet desire, and indeed what more can he find in life, and find there with the same certainty and accuracy? 36245 What was the origin of the principles and precepts of neo- classicism? 36245 What, then, is the function of the poet? 36245 Whence did it come, and how did it develop? 36245 [ 184] Why should tragedy be limited as to time, and not epic poetry? 36245 [ 476] Where shall you find in life such a friend as Pylades, such a hero as Orlando, such an excellent man as Æneas? 36245 and what in life is the subject- matter of this imitation? 36245 but, How are the poets to be used? 36245 et du vieux testament Voir une tragedie extraite proprement? 36245 quel plaisir seroit- ce à cette heure de voir Nos poëtes Chrestiens, les façons recevoir Du tragique ancien? 14637 ''Like that?''
14637	''And always I ask and wonder( Though often I do not know it) Why does this water not smell like water?...''
14637	''How can a bell sound on into a race?''
14637	''Mais tu ne seras plus?
14637	''Tell me honestly who of my contemporaries-- that is, men between thirty and forty- five-- have given the world one single drop of alcohol?...
14637	''Vous ne le voulez pas?
14637	''_ Bast_.--James Gurney, wilt thou give us leave awhile?
14637	All that remains to be said is that Mr Monro is fond of dogs(''Can you smell the rose?''
14637	And what exactly_ is_ a philosophic critic?
14637	And what, indeed, have material things to do with the purification and the peace of the soul?
14637	And which( strange question) is the more consoling, the more satisfying, the more acceptable?
14637	Are we to look for a music of verbal melody, or for a musical elaboration of an intellectual theme?
14637	But can we isolate the philosophic critic in the same way?
14637	But what happens in_ The Way of all Flesh_?
14637	Can the source be defined or indicated?
14637	Do you, because you clothed yourselves in the shreds of a moral respectability which you had not the time( or was it the courage?)
14637	Et puis?...
14637	How shall we recognise him?
14637	How shall we say it?
14637	How_ could_ a race be drowsy?
14637	I am myself a mouth for blood....''Perhaps we do wrong to ask ourselves whether this and similar things mean, exactly, anything?
14637	Into what cloud cuckoo land have we been beguiled by Coleridge''s laudanum trances?
14637	Is it not Mr Hardy?
14637	Is it not Mr Hardy?
14637	Is it not always on the point of degenerating into a jingle-- as much an exhibition of the limitations of a poetical theory as of its capabilities?
14637	Is it surprising that we do not trust these gentlemen?
14637	Or would he hear the eternal arc- lamps sputter, Only that; and see old shadows crawl; And find the stars were street lamps after all?
14637	To be serious nowadays is to be ill- mannered, and what, murmurs the cynic, does it matter?
14637	Was it laziness, was it a felt incapacity?
14637	What does he do?
14637	What does it matter?
14637	What if after all, the true end of man be those hours of plenary beatitude he spent lying at the bottom of the boat on the Lake of Bienne?
14637	What if the old truth is valid still, that man is born free but is everywhere in chains?
14637	What is the secret of poetic power like this?
14637	What is''the race of night?''
14637	What right had you to suppose that a man disarmed of tradition is stronger for his nakedness?
14637	What right, indeed, have these to condemn the logical outcome of an anarchic individualism which they themselves so jealously cherished?
14637	What shall we require of her?
14637	What shall we require of poetry?
14637	What would he not have found in those mighty seekers, with whom Hardy alone stands equal?
14637	What_ can_ it mean?
14637	When, when, Peace, will you, Peace?
14637	Whence came the power that compelled it?
14637	Where are we to call a halt in the inevitable process by which the kinds of literary art merge into one?
14637	Which is the more beautiful?
14637	Who alive can say,''Thou art no poet-- mays''t not tell thy dreams''?
14637	Who but a fool would ask Mr De la Mare to write an epic or Miss Mansfield to give us a novel?
14637	Who could hurt him more than he had been hurt already?
14637	Who may not well be plunged up to the lips in sorrow at parting from one of whom he can say this in all soberness and truth?
14637	Why did you not see that the end of all your devotion was to shift man''s responsibility for himself from his shoulders?
14637	Yet even here, where the general beauty is undoubted, is not the music too obvious?
14637	_ Present Condition of English Poetry_ Shall we, or shall we not, be serious?
14637	_ The Wisdom of Anatole France_ How few are the wise writers who remain to us?
14637	or''Hé, que ne suis- je puce?''
14637	quand la paleur Qui blemist nôtre corps sans chaleur ne lumière Nous perd le sentiment?...
14637	to analyse, dare to denounce us because our teeth are set on edge by the sour grapes which you enjoyed?
13764	Alas,he wrote in another letter,"what can I do with my wit?
13764	Blameable in ten thousand other respects,he wrote to Conway seventeen years later,"may not I almost say I am perfect with regard to you?
13764	Have you forgot,he asked his followers,"the close, the milk- house, the stable, the barn, and the like, where God did visit your souls?"
13764	How can a tall man help thinking of his size,he asked,"when dwarfs are constantly standing on tiptoe beside him?"
13764	Know him?
13764	Might he not,he asks,"have written these prophetic lines with his mind''s eye upon France of the Terror or upon modern Russia?"
13764	Was ever so agreeable a man as King George the Second,he wrote,"to die the very day it was necessary to save me from ridicule?"
13764	What have I written,he asks,"that was worth remembering, even by myself?"
13764	What signifies what a man thought,he wrote,"who never thought of anything but himself, and what signifies what a man did who never did anything?"
13764	Why so?
13764	Why then,he asks, should the Germans have attempted to lay violent hands upon our Shakespeare?
13764	Will your baby tell us anything about pre- existence, madam?
13764	And what next?
13764	Are we not told that Wordsworth died as his favourite cuckoo- clock was striking noon?
13764	Are you that d-- d atheist, Shelley?"
13764	Born Originals, how comes it to pass that we are Copies?"
13764	But did he?
13764	But how else is one to define the peculiar quality of his style-- its hesitations, its vaguenesses, its obscurities?
13764	But of what quality is this fascination?
13764	But was there ever a passage written suggesting more forcibly how much easier it is to explain poetry by writing it than by writing about it?
13764	But what of the equipment of the reviewer?
13764	Could there be a more effective example of the return to reality than we find in the final shape of this verse?
13764	Did not Stevenson write_ Pulvis et Umbra_?
13764	Did not even Horace attempt to escape into Stoicism?
13764	Do it?
13764	Do n''t you think, if he had never been heard of before, that he would have been invented on the late partition of Poland?"
13764	Do you ever stop and ask,"Is it all going to happen again?"
13764	For who do you think should be there but I and Mrs. Love- the- flesh, and three or four more, with Mr. Lechery, Mrs. Filth, and some others?"
13764	He cries out against a love that is merely an ecstatic friendship: But O alas, so long, so far, Our bodies why do we forbear?
13764	He had a strong imagination and the true sublime?
13764	He was scarcely capable of open rudeness in the fashion of Beau Brummell''s"Who''s your fat friend?"
13764	His line in_ The Everlasting Mercy:_ And yet men ask,"Are barmaids chaste?"
13764	If he the tinkling harpsichord regards As inoffensive, what offence in cards?
13764	If we consider realities rather than labels, however, what do we find were the chief political ideals for which Swift stood?
13764	Is it any wonder that during a great part of his life Tennyson was widely regarded as not only a poet, but a teacher and a statesman?
13764	Is not the old ward- robe there still?
13764	Is there any prettier anecdote in literary history?
13764	Is this to lower literary standards?
13764	Since I was fifteen have I not loved you unalterably?"
13764	The shoemaker,"being an honest man,"had at once told the boy''s master: Bowyer asked me why I had made myself such a fool?
13764	Thought''s"Wherefore?"
13764	Was his a generous genius?
13764	Was it not Mr. Gosse who early in the war glorified the blood that was being shed as a cleansing stream of Condy''s Fluid?
13764	What has the"sweet master Campion"who wrote these lines to do with poisoned tarts and jellies?
13764	What of his standards?
13764	What, then, are his standards to be?
13764	What, then, of Mr. Ransome''s estimate of_ Salomé_?
13764	Who is so safe as we, where none can do Treason to us, except one of us two?
13764	Who is there who would not rather have written a single ode of Gray''s than all the poetical works of Southey?
13764	Will it embarrass you if I now present you with the entire brood in the name of a friendship that has lasted many midnights?
13764	With his pet hares, his goldfinches, his dog, his carpentry, his greenhouse--"Is not our greenhouse a cabinet of perfumes?"
13764	Would he have turned pessimist if he had lived to see the world infected with Prussianism as it has been in our time?
13764	_ What is Art?_ was unquestionably the most remarkable piece of sustained hostile criticism that was ever written.
13764	and"When?"
13764	died, he wrote a brief note to Thomas Brand:"Dear Brand-- You love laughing; there is a king dead; can you help coming to town?"
13764	how can anybody hurt them?
6106	Pilgrim''s Progressand"The Thousand and One Nights"could serve as models for success, and the question, What makes popularity in fiction?
6106	After all, why expect a century and a half of semi- independent intellectual existence to result in a great national literature?
6106	All this is a world away from the anonymous, dogmatic reviewing of a century ago, But who shall say that in this respect our practice is retrograde?
6106	And how many Americans are willing to criticize it with eyes wide open?
6106	And the cure is more civilization, more intellectuality, a finer and stronger emotion?
6106	And why does Butler revisit Erewhon?
6106	Are his novels long or short skirted?
6106	Are reviewers bewildered by the coveys of novels that wing into editorial offices by every mail?
6106	As for the older generation, what actually is it, and who in reality are they?
6106	Because some among us insist that the mystic rose of the emotions shall be painted a brighter pink than nature allows, are the rest to forego glamour?
6106	But is it a reason for writing more of an author already more discussed than any English stylist of our time?
6106	But it is not Hardy''s philosophy, sound or unsound, that counts in his art?
6106	But romance that pretends to be realism, realism that fizzles out into sentimental romance-- is there any excuse for that?
6106	But what is an appeal to the emotions?
6106	But, even so, shall blankness be for aye?...
6106	Can other countries, other times, show such a phenomenon?
6106	Does he write for_ Harper''s_ or_ The Dial_?
6106	Emerson, Thoreau, Hawthorne, Whitman-- was idealism ever more thoroughly incarnate than in them?
6106	Even if it provides"heart interest"and an effective climax?
6106	Had she cared to dance with him after all?
6106	Have they had worthy successors?
6106	How many modern novels does one find well bound, and placed on the shelves devoted to"standard reading"?
6106	If the great American story should arrive at last, would we not call it"only a novel"?
6106	Is he to lay out the possible fields of emotion as a surveyor prepares for his blue print?
6106	Is it Newland Archer, who bears the uncomfortable ferment within him?
6106	Is it because she is, after all, just what that loftiest if not most impeccable of Puritans called her, stern daughter of the voice of God?
6106	Is it his wife, the lovely May, whose clear blue eyes will see only innocence?
6106	Is it necessary to prove this public disrespect?
6106	Is it true that because we are not to be damned for playing golf on Sunday, nothing can damn us?
6106	Is it true that if we cease being Puritans we can remain without principle, swayed only by impulse and events?
6106	Is our author conservative or radical?
6106	Is the editor more competent?
6106	Is the reviewing of novels left to the novice as a mere rhetorical exercise in which, a subject being afforded, he can practise the display of words?
6106	Is there somewhere a reviewer''s manual, like the manual of correct social phrases which some one has recently published?
6106	Is this true?
6106	One woman he invented entirely( was it Tess?)
6106	Or, from another angle, how many readers buy novels, and buy them to keep?
6106	SEMI- CHORUS I OF THE PITIES Nay;--shall not Its blindness break?
6106	SPIRIT OF THE YEARS What wouldst have hoped and had the Will to be?...
6106	Says the intellectual, why_ should_ he write for the general public?
6106	Shall anything be done about it?
6106	Shall it die?
6106	Some poetry of Whitman''s and of Poe''s, some essays of Emerson, a little Thoreau, and what important besides?
6106	Suppose they want to marry?
6106	TIME''S MIRROR What is the use of criticizing modern literature unless you are willing to criticize modern life?
6106	That because the rock- ribbed Vermont ancestor''s idea of duty can never be ours, we have no duty to acknowledge?
6106	The question I propose, therefore, is, What makes a novel popular in our time?
6106	To what emotions does the popular book appeal?
6106	To what?
6106	Was May right when, with the might of innocence, she forced Newland to give up life for mere living?
6106	Was her nose properly powdered?...
6106	Was the fact so surprising after all?
6106	What are these instinctive cravings that seek satisfaction in fiction and, finding it, make both great and little books popular?
6106	What can we do about it?
6106	What has become of Charles Kingsley''s novels, of the apologues of Maria Edgeworth?
6106	What is an"Anglo- Saxon"American?
6106	What is the biography of this modern youth?
6106	What is the cause?
6106	What is the moral for the writer?
6106	What is the moral of this discussion for the critical reader?
6106	What is to be done about it?
6106	What makes a novel sell 100,000 copies, or a short story bring$ 1000?
6106	What makes"Treasure Island"popular?
6106	What was he, or rather, what did he stand for, and inflict upon us, to- day?
6106	What was_ his_ end?
6106	Who can make use of it?
6106	Who exalted?
6106	Who is the real Anglomaniac in America?
6106	Who is this terrible Puritan?
6106	Who wants it?
6106	Who will be dulled by it?
6106	Why are the characters therein depicted so persistently disagreeable, even in the lighter stories?
6106	Why are the women always freckled, the men predominantly red and watery in the eye?
6106	Why are we sentimental?
6106	Why did"Main Street"have such an unexpected and still reverberating success?
6106	Why give eye and ear all the fine experiences?
6106	Why has duty become so unpopular in American literature?
6106	Why is the country so flat, so foggy, so desolate; and why are the peasants so lumpish and miserable?
6106	Why not do something for poor, slovenly mind?
6106	Why should a hard race-- if we are hard-- read soft books?
6106	Why should it not be?
6106	Why?
6106	Yea, must not Its heart awake, Promptly tending To its mending In a genial germing purpose, and for loving- kindness''sake?
6106	have we degenerated from Lincoln''s day?
3379	And are you taking all your household stuff with you?
3379	And do you pretend that the two- dollar drama is intellectual?
3379	And do you think you had a profitable hour at that show?
3379	Are you a brother Yankee?
3379	Do n''t you think you are going from bad to worse?
3379	Have you been at the circus yet?
3379	Profitable?
3379	Tell me,said my friend,"do you read the advertisements of the books of rival authors?"
3379	Ten cents, for instance?
3379	Then you do n''t believe that the offer to meet your want suggested it?
3379	What do you say to the ten- cent magazines?
3379	Why do n''t you turn it to account?
3379	Why,I asked,"do you see any harm in it?"
3379	Wof?
3379	Yet?
3379	You do n''t think you''re making yourself rather offensive?
3379	You goin''past Jim Marden''s?
3379	You will admit that there is everything else here?
3379	All this seems probable and natural enough at the writing; but how will it be when one has turned one''s back upon it?
3379	Are n''t the arts one?
3379	As early as ten, as nine o''clock?
3379	But does it ever move you to get what you do n''t want?"
3379	But really is it any such emotion?
3379	But what is to become of the race when it is penetrated at every pore with a sense of the world''s demand and supply?"
3379	But what was the use?
3379	But why should I be so violent of phrase against these guiltless means of millionairing?
3379	Come, is n''t there hope in that?"
3379	Could one say to his next- hand man,"Will you please keep my place?"
3379	Did some of them even meditate the thankless muse and not mind her ingratitude?
3379	Did they ever quarrel over questions of precedence?
3379	Did they read the new historical fictions aloud to one another?
3379	Do you still read such advertisements with your early zest?"
3379	Had they some comity, some etiquette, which a man forced to leave his place could appeal to, and so get it back?
3379	Have they any use for each other such as people of unbroken associations have?
3379	Honestly is not it a cruel embarrassment, which all the hypocritical pretences can not hide?
3379	How came they all here, seven hundred miles from any larger land?
3379	How can you say that any art is higher than the others?
3379	How can you watch three sets of trapezists at once?
3379	How did they pass their illimitable leisure, when they rested from the fishing- net by day and the chicken- coop by night?
3379	How early did these files begin to form themselves for the midnight dole of bread?
3379	How were all those similar souls to know themselves apart in their common eternity?
3379	If he reformed that and gave the saving to hunger and cold?
3379	If so, did the fact argue habitual destitution, or merely habitual leisure?
3379	If the men had borne their part as well, there would not have been these tears: and yet, what am I saying?
3379	Is it clear, simple, unaffected?
3379	Is it true to human experience generally?
3379	Is not each wishing the other at that end of the earth from which he came?
3379	It sufficed as it was; and when he said to Rosencrantz,"Will you pleh upon this pyip?"
3379	Now, why not suggest something that is really level with the popular taste?"
3379	Shall I say that he seemed the only member of that little circus who was not of an amiable temper?
3379	She called down, in English that sounded like some delocalized, denaturalized speech, it was so strange then and there,"Is it all right?"
3379	Take the article of old friends, for instance: has it ever happened to the reader to witness the encounter of old friends after the lapse of years?
3379	The old friends smile and laugh, and babble incoherently at one another, but are they genuinely glad?
3379	This must sometimes happen, and what did they do then?
3379	V."Does that view of the situation still satisfy you?"
3379	We are supposed to have associations with the old things which render them precious, but do not the associations rather render them painful?
3379	What do you think it was worth?"
3379	What remains?
3379	What should I do with the family in that case?
3379	Which of them were old- comers, and which novices?
3379	Who can possibly read them?
3379	Who cares even to look at them?
3379	Who would not wish his novel to sell five hundred thousand copies, for reasons besides the sordid love of gain which I am told governs novelists?
3379	Who would not wish his picture to draw a crowd about it?
3379	Why do they do it, or, having done it, why do they mind it, since the public does not?
3379	Why is it nobler to contort the mind than to contort the body?"
3379	Why not?
3379	Why should such an exhibition as that be supposed to give pleasure?
3379	Will it be credited that I became willing something should happen, anything, to vary it?
3379	Will it not lapse into the gross fable of travellers, and be as the things which the liars who swap them can not themselves believe?
3379	Would some New- Year''s day come when some President would proclaim, amid some dire struggle, that their slavery was to be no more?
3379	Would the world ever outlive it?
3379	You may call it interesting them, if you like; but, really, what is the difference?
3379	and would this man say to an interloper,"Excuse me, this place is engaged"?
3379	why should their sable shadows intrude in a picture that was meant to be all so gay and glad?
6320	''_ Do n''t_ you like it?''
6320	''tis here: and what can suns give more?
6320	--_Donne._ Who but Donne would have thought that a good man is a telescope?
6320	Again, a man might ask out of what commonwealth Plato did banish them?
6320	And again, by Tityrus, what blessedness is derived to them that lie lowest from the goodness of them that sit highest?
6320	And do they not know that a tragedy is tied to the laws of poesy, and not of history?
6320	And doth the lawyer lie, then, when under the names of John a stile and John a noakes, he puts his case?
6320	And may not I presume a little further, to show the reasonableness of this word_ vates_?
6320	And say that the holy David''s Psalms are a divine poem?
6320	And then how will you discern what to follow but by your own discretion, which you had without reading Quintus Curtius?
6320	And what could prove more clearly that the old metrical form was dead?
6320	And why not so much the better, taking the best of both the other?
6320	Are the times so much more reformed now than they were five and twenty years ago?
6320	Are we to judge of a given work merely by asking: Is it clearly conceived and consistently carried out?
6320	Aristotle writes the Art of Poesy: and why if it should not be written?
6320	But if it be so in_ Gorboduc_, how much more in all the rest?
6320	But they will say, how then shall we set forth a story, which containeth both many places, and many times?
6320	But what need more?
6320	But what needeth more in a thing so known to all men?
6320	But what, shall the abuse of a thing make the right use odious?
6320	But what?
6320	But where doth Euripides?
6320	But, after all, it may be asked, is a painter like Botticelli-- a secondary painter-- a proper subject for general criticism?
6320	Do we not see the skill of physic( the best rampire to our often- assaulted bodies), being abused, teach poison the most violent destroyer?
6320	Doth not knowledge of law, whose end is to even and right all things, being abused, grow the crooked fosterer of horrible injuries?
6320	Doth not( to go to the highest) God''s word, abused, breed heresy?
6320	For see we not valiant Miltiades rot in his fetters?
6320	For wants he heat or light?
6320	For what else is the awaking his musical instruments?
6320	For what is it to make folks gape at a wretched beggar, or a beggarly clown?
6320	For who will be taught, if he be not moved with desire to be taught?
6320	From what other cause has it arisen that the discoveries which should have lightened have added a weight to the curse imposed on Adam?
6320	His notable prosopopeias, when he maketh you, as it were, see God coming in His majesty?
6320	Homer has celebrated the anger of Achilles: but was not the hero as mad as the poet?
6320	If this were wit, was this a time to be witty, when the poor wretch was in the agony of death?
6320	In its most general form, the problem of criticism amounts to this: What is the nature of the standard to be employed in literary judgments?
6320	Is it by his own impression, or by the code handed down from previous critics, that in the last resort the critic should be guided?
6320	Is it for a few wild speeches, an occasional licence of dialogue?
6320	Is it possible to account otherwise for his disparagement of Moliere, or his grudging praise of Wordsworth and of Coleridge?
6320	Is it the lyric that most displeaseth, who with his tuned lyre, and well accorded voice, giveth praise, the reward of virtue, to virtuous acts?
6320	Is it then the pastoral poem which is misliked?
6320	Is not the evidence conclusive?
6320	Is the poor pipe disdained, which sometime out of Melibeus''s mouth, can show the misery of people under hard lords, or ravening soldiers?
6320	Is, then, the peerage of England anything dishonoured when a peer suffers for his treason?
6320	It was when he came to ask, What is the nature of those ideas, and how does the artist or the critic arrive at them?
6320	Lodge''s_ Defence of Poetry, Musick, and Stage Plays_, 1579(?).
6320	Now, whom shall we find( sith the question standeth for the highest form in the school of learning) to be moderator?
6320	Once dead, how can it be, Death should a thing so pleasant seem to thee, That thou should''st come to live it o''er again in me?
6320	Plutarch teacheth the use to be gathered of them, and how if they should not be read?
6320	Pompey and Cicero slain then, when they would have thought exile a happiness?
6320	See we not virtuous Cato driven to kill himself?
6320	Sidney''s_ Apologie for Poetrie_, 1580(?).
6320	Since''t is my doom, Love''s undershrieve, Why this reprieve?
6320	Sulla and Marius dying in their beds?
6320	The cruel Severus live prosperously?
6320	The excellent Severus miserably murdered?
6320	The just Phocion, and the accomplished Socrates, put to death like traitors?
6320	The often and free changing of persons?
6320	The second is the far more important question, How far is the dramatist bound by conventional restrictions?
6320	To sell thyself dost thou intend By candle''s end, And hold the contrast thus in doubt, Life''s taper out?
6320	Tully, when he was to drive out Catiline, as it were with a thunderbolt of eloquence, often used that figure of repetition,_ Vivit?
6320	Was rhyme a"brutish"form of verse?
6320	What are the conventional restrictions that surround the dramatist, and how far are they of binding force?
6320	What child is there, that coming to a play, and seeing Thebes written in great letters upon an old door, doth believe that it is Thebes?
6320	What flesh, like loving grass, would not covet to meet half- way the stroke of such a delicate mower?
6320	What is poetry?
6320	What is the detecting of a fault, but the feeling of an incongruity, of a contradiction, which may exist in ourselves as well as in the object?
6320	What joy could''st take, or what repose, In countries so unciviliz''d as those?
6320	What poet has been so alert to recognize the master- spirits of his own time and his father''s?
6320	What poet has felt and avowed a deeper reverence for the great Latins?
6320	What sort of a figure would he cut, translated into an epic poem, by the side of Achilles?
6320	What would Ovid have done on this occasion?
6320	What, then, shall we say?
6320	What, then, was Johnson''s method?
6320	What, then, was it that drove Burke to a position so markedly at variance with the idealism of his later years?
6320	Whence comes that empyrean fire, which irradiates their whole being, and pierces, at least in starry gleams, like a diviner thing, into all hearts?
6320	Wherein lies that life; how have they attained that shape and individuality?
6320	While in the meantime, two armies fly in, represented with four swords and bucklers, and then what hard heart will not receive it for a pitched field?
6320	Who readeth Aneas carrying old Anchises on his back, that wisheth not it were his fortune to perform so excellent an act?
6320	Who shall say in which?
6320	Who would imagine it possible that in a very few lines so many remote ideas could be brought together?
6320	Whom do not the words of Turnus move?
6320	Why doth my She Advowson fly Incumbency?
6320	Would any man, who is ready to die for love, describe his passion like Narcissus?
6320	Would he think of_ inopem me copia fecit_, and a dozen more of such expressions, poured on the neck of one another, and signifying all the same thing?
6320	Would their effect be the same if we were not acquainted with the text?
6320	Would then the mere superaddition of metre, with or without rhyme, entitle these to the name of poems?
6320	Yet who shall say that the facts answer to these expectations?
6320	], which in his youth he learned, and even to his old age serve him for hourly lessons?
6320	]_?_ No perchance it is the comic, whom naughty play- makers and stage- keepers have justly made odious.
6320	and His name abused, become blasphemy?
6320	and rebel Caesar so advanced, that his name yet after 1600 years, lasteth in the highest honour?
6320	and what its practical application?
6320	and what so much good doth that teaching bring forth( I speak still of moral doctrine) as that it moveth one to do that which it doth teach?
6320	is not easily to be done; but what can not Milbourn bring about?
6320	is so nearly the same question with, what is a poet?
6320	or a virtuous man in all fortunes, as Aneas in Virgil?
6320	or a whole commonwealth, as the way of Sir Thomas More''s Utopia?
6320	or rather the vipers, that with their birth kill their parents?
6320	or would have store Of both?
6320	or, against law of hospitality, to jest at strangers, because they speak not English so well as we do?
6320	who can be so strong?
6320	who doth not only teach and move to a truth, but teacheth and moveth to the most high and excellent truth?
6320	who maketh magnanimity and justice shine, throughout all misty fearfulness and foggy desires?
6320	who would be less weak than Calantha?
13408	Above all, what grounds have you for supposing that we can have, or ought to have, a drama based upon true observation of life? 13408 Do you think,"she said,"that it is pleasant to hold an eight or ten guinea hat on your knees, to say nothing of a boa and muff and veil?
13408	Indeed; do n''t you think half- a- guinea is enough to pay for a stall without buying a special hat into the bargain? 13408 Sometimes you think,''Are they married?''
13408	Why did you do that?
13408	Why do you persist in girding at Mr Tree because he gives beautiful scenery instead of what you think fine plays? 13408 Why not,"asks a fair correspondent, whose letter has incited this article--"why not begin with the last act?"
13408	A last matter-- why is it supposed that almost all the characters in a play are wearing new clothes on a first night?
13408	An audience is entitled to say,"What care I how good he be if he seem not good to me?"
13408	And England?
13408	And Pinero-- our exception-- how would"Percival"classify_ His House in Order_, which has a strong story?
13408	And what does it matter where the plays come from any more than where the nuts come from?
13408	Another question may be asked: Why do people stay away though able to go?
13408	Are the soliloquies of Hamlet likely to lure them to the severe intellectual task of reading the play scrupulously?
13408	Are there no kind friends on the stage to give unpalatable advice?
13408	Are they able to distinguish beautiful blank verse from bombast?
13408	Are they content that the great half- washed should remain in their present condition, which exhibits painfully a great lack of education?
13408	But was Shakespeare,"Shakespeare"?
13408	By- the- by, why has De Quincey gone out of fashion?
13408	By- the- by, why was the press that was so indignant about the so- called problem play almost silent concerning these French dramas?
13408	Can it be that the triumph that we sometimes see, of the actress over the actor, is partly due to the fact that she reduces make- up to the minimum?
13408	Can one imagine any foreign company able to present_ His House in Order_ without entirely destroying the stage illusion and losing the colour?
13408	Can they recognize profound thoughts at first hearing, or at all?
13408	Could a Gautier who hated music_ honestly_ criticize a symphony; could a blind man_ honestly_ criticize a picture?
13408	Could it be-- the thought is painful-- that they did not quite understand_ L''Age d''Aimer_ and imagined that all the people were married?
13408	Do newspaper criticisms affect it?"
13408	Do services such as this count for nothing?
13408	Do the critics exist?
13408	Do they merely help themselves out of the common fund of ignorance?
13408	Do they think that the public needs no education in theatrical art?
13408	Do we make no sacrifices when we come to their aid?
13408	Do you believe that British Drama, as you understand it, ever did live, or ever will?
13408	Do you think I care to run the risk of removing my hat without even a looking- glass to guide me?
13408	Do you think you can flog it into life?
13408	Does Mr Cavendish Morton think players were really worse off before the latest refinements in make- up were invented?
13408	Does anyone exist who knows really what is the average level of acting in the four countries named?
13408	Does it mean anything?
13408	Does she ever consider the costumes in relation to the scenery?
13408	Does the Syndicate regard any critic who expresses an unfavourable opinion about its wares as"absolutely impartial,"etc.?
13408	Does the critic really get jaded?
13408	Does the public for such a theatre exist?
13408	Does the word_ repoussoir_ mean any thing to her?
13408	Has Mr Max made it?
13408	Has the Stage Society ever considered the question of a revival?
13408	How can an author claim, under such circumstances, to remain the absolute master of his work?"
13408	How could they be without our aid?
13408	How is he to understand why Hamlet is so rude to Ophelia, yet later on declares that he loved her prodigiously?
13408	How is the reader to guess that they all mean the same thing?
13408	How is the solicitor treated on the stage?
13408	How often have we seen a French, German or Italian performance of an English play concerning English people?
13408	How on earth could the critic know whether his suggestions were true?
13408	How, I ask you, are these London successes manufactured?
13408	I mean,"he added, hastily anticipating a question,"would people go more or less to the theatre, or would the kind of plays and acting change?
13408	I suppose it would make a little difference; would the difference be great?"
13408	In which would"Percival"place Shakespeare''s?
13408	Is Mr Max Beerbohm''s assertion well founded?
13408	Is it a really good thing that_ Hamlet_ should be offered to those who have little or no acquaintance with the tragedy?
13408	Is it easy to doubt that it is the sentimental treatment which has caused the history of the play to be so different from that of the novel?
13408	Is it the true one?
13408	Is it unfair that the"jaded"critic should deal with the average play?
13408	Is my occupation to become like that of the Moor of Venice-- merely because managers are forgetful?
13408	Is not service of this character to be counted?
13408	Is there a vicious circle, in which each and all accept as true what others have written?
13408	Is there no lesson in this?
13408	Is this matter too horrible for the stage?
13408	Is this surprising?
13408	It comes from the country cousin, and is generally in these words or thereabouts:"What piece ought we to take tickets for?"
13408	Need it be added that the training of the body insisted upon by the mime would cause some of our players to move more gracefully on the stage?
13408	Need it be added that the"star"actresses of other nations were all eager to appear in these pieces?
13408	Shakespeare, indeed, might ask the gallery in the phrase of Benedick,"For which of my bad parts didst thou first fall in love with me?"
13408	Suppose that the critic has come to the conclusion that he knows the truth about a play, with what is he to tell it?
13408	The curtain rises, and you ask yourself the question,''Will they marry?''"
13408	The last prodigious production of_ Faust_?
13408	The scornful may answer with the question,"Why begin at all if you''ve nothing better than our ordinary drama?"
13408	Then came the charming utterance of quaint old songs-- who can forget Béranger''s"La Grandmère"as it came from her?
13408	Under what circumstances are we invited?
13408	Was the author making an anticipatory hit at Mr Lauder?
13408	Was the great Eleonora as painfully truthful as Mrs Patrick Campbell in_ The Second Mrs Tanqueray_?
13408	We use it frequently; who can find a word in the French language that exactly represents it?
13408	What about the expense of coming to and fro?
13408	What about the navy?
13408	What art has ever made progress under laws dictated by the great half- washed?
13408	What combination is likely to be formed to fight it; and if there be none, what is the inevitable result?
13408	What does your wife do?"
13408	What has been the outcome?
13408	What is honesty?
13408	What is knocking?
13408	What is the manager to do?
13408	What method does the manager adopt?
13408	What native plays have we had by men during the period covered by these four ladies dealing with similar questions?
13408	What opinion is he to form of the perfectly idiotic, complex conspiracy between the King and Laertes to get rid of Hamlet?
13408	What would happen if fifty of us were to take off our hats and touch up our hair in a room too small for fifteen, before taking our seats?
13408	What, then, are the necessary qualifications of the critic who takes his work and himself seriously?
13408	When a play is doing good business?
13408	Where are the splendid Puritans who howled about_ A Wife without a Smile_?
13408	Where were the phrases, such as miasmatic putrescence or putrescent miasma-- I forget which it was-- that used to greet the dramas of Ibsen?
13408	Which of our playwrights does not envy the licence of a Capus?
13408	Who can imagine a picture gallery as seen by the person who suffers even mildly from colour- blindness?
13408	Who is to decide whether the critic in a particular case is"absolutely impartial, absolutely just, and on the most dignified plane"?
13408	Who knows whether his wrath has not a touch of the_ spretae injuria formae_?
13408	Who would be satisfied that justice had not slept if such evidence were excluded?
13408	Who, if names had been altered, would have guessed that the hero of the piece was the author of the immortal poems?
13408	Why do the enthusiasts rage and profess that it ought to be endowed?
13408	Why do we go to the Theatre?
13408	Why do you keep howling against melodrama and musical comedy?
13408	Why do you not cease flogging that dead horse, the British Drama?
13408	Why does the theatre exist?
13408	Why does"Percival"ignore them?
13408	Why have you not got a sense of humour?
13408	Why not?
13408	Why should an exception be made in case of a player?
13408	Why should it be otherwise?
13408	Why, then, do we go to the theatre?
13408	Why, then, should Balzac and Browning have failed where Shakespeare and Sardou have succeeded?
13408	Why?
13408	Why?
13408	Would not_ Dorothy_ have died young but for our intervention?
13408	Would the pieces and performances be affected by the suppression of criticism?
13408	Would they have combined?
13408	Yet who will pretend that any of the pieces that he concocted alone or in conjunction with others is worth the least valuable of his novels?
13408	_ The Interviewer_:"How is public taste formed?
13408	which generally has an under- surface suggestion, and might be translated into:"For what theatre are you going to get us seats?"
11251	But say, what was it?
11251	By the way,does Mr. Leigh Hunt suppose that the aged nurses of Rimini weep with their mouths?
11251	From England, and from Thornfield; and--"Well?
11251	How dare you?
11251	My dear doctor,said he to Goldsmith,"what harm does it do to a man to call him Holofernes?"
11251	Not the voyage, but the distance, Sir; and then the sea is a barrier--"From what, Jane?
11251	Pooh, ma''am,he exclaimed to Mrs. Carter,"who is the worse for being talked of uncharitably?"
11251	''s sharp essay on the Cockney Poetry cut him to the heart?
11251	***** Who comes from the bridal chamber?
11251	And again in"The Golden Dream,"-- When shall all men''s good Be each man''s rule, and universal peace Lie like a shaft of light across the land?
11251	And what has he learned by leaning on his own soul?
11251	And what idea?
11251	And what think ye of that bastard temper?
11251	And yet why?
11251	Are any of their materials such as a pedlar could possibly have dealt in?
11251	Are the manners, the diction, the sentiments, in any, the very smallest degree, accommodated to a person in that condition?
11251	Are the various forms under which she has exhibited it no more for her than the Mahometan and Hindoo systems were for the poet of Thalaba and Kehama?
11251	As for prose, we give up Cicero as compared with Demosthenes, but with no one else; and is Livy less original, or less admirable, than Herodotus?
11251	Being_ learned in music_, is intelligible, and, of Milton, true; but what can Mr. Hunt mean by saying that Milton had"_ learnedly_ a_ musical ear_"?
11251	But how is his difficulty really affected?
11251	But how many passions have amalgamated to form that hatred?
11251	But if we abandon it for the new one proposed to us by the Rationalist party, how shall we be able to stand?
11251	But is it otherwise with"the_ reading_ public"?
11251	But what could induce him to suspect the amiable Bill Hazlitt,"him, the immaculate,"of being Z.?
11251	But what did the Divine Teacher say?
11251	But what has all this to do with our opinion of their poetry?
11251	But what is to be thought of the fact that the authoress of these tales is also the translator of Strauss''s notorious book?
11251	But what of that?
11251	But where was the Greek model of the noble poem of Lucretius?
11251	But why not?
11251	But why stop here?
11251	But, were he, which Heaven forbid, taken from us, whom have we to succeed him?
11251	But, with all her rage for morality, had not that fair accused have better left the matter alone?
11251	Can we lay down the pen without remembering that Coleridge the poet is but half the name of Coleridge?
11251	Coleridge-- do you?
11251	Coleridge?"
11251	Could he have gone on much farther without having had recourse to some of the ordinary shifts of witch tales?
11251	Couldst thou wish for lineage_ higher_ Than twin sister of_ Thalia_?
11251	Curb and thrill the world?
11251	Did not your great- great- grandfather love and delight in Don Quixote and Sancho Panza?
11251	Discern ye not his faults of taste, his deplorable propensity to write blank verse?
11251	Do n''t they move laughter and awaken affection now as three hundred years ago?
11251	Does Mr. Wordsworth really imagine that this is more natural or engaging than the ditties of our common song- writers?...
11251	Does any one believe that ever at any time there was a greater number of deaths referable to that comprehensive cause a broken heart?
11251	Does it not prove indisputably that I am not as other men are?"
11251	For who would bear the whips and scorns of time?"
11251	Harp?
11251	Has Mr. Smith really gone through the controversy upon this subject?
11251	Has he discovered any new materials?
11251	Has he produced a new fact?
11251	Have they lost their vitality by their age?
11251	He and Leigh Hunt are Arcades ambo Et cantare pares-- Shall we add, et respondere parati?
11251	He seems seriously to have proceeded on Mr. Bays''s maxim--"What the deuce is a plot good for, but to bring in fine things?"
11251	His books may have lost in art, perhaps, but could we afford to wait?
11251	How can we account for all this?
11251	How comes it that Jane had acquired neither?
11251	How could it meet Rationalism on the one hand?
11251	How could it withstand Popery on the other?
11251	How should it, when both the pointing and the language are corrupt?
11251	How should such a Christian instruct an innocent and beautiful child, his pupil?
11251	How, then, are we to solve them?
11251	I sent thee six- pence for thy leman( mistress): had''st it?"
11251	In fancy I can almost hear him now exclaiming,_"Harp?
11251	Indeed, who that knows any thing of Poetry could for a moment suppose it otherwise?
11251	Is Cain, the dark, dim, disturbed, insane, hell- haunted Cain, a failure?
11251	Is Mrs. Trollope less vain than they when she declares, and merely_ declares_, her own to be the real creed, and stigmatises its rival so fiercely?
11251	Is Mrs. Trollope serving God, in making abusive licencious pictures of those who serve Him in a different way?
11251	Is Sardanapalus, the passionate, princely, philosophical, joy- cheated, throne- wearied voluptuary, a failure?
11251	Is he so eager for money as to be indifferent to revenge?
11251	Is it to be happier than others?
11251	Is that a death- bed where a Christian lies?
11251	Is the Gospel which she has represented in so many attractive lights nothing better to her, after all, than"fabula ista de Christo"?
11251	Is the Roman less an unapprochable master, in his peculiar line, that of sentimental history, than the Grecian in his?
11251	Is there any thing in his learned, abstracted, and logical harangues, that savours of the calling that is ascribed to him?
11251	It may be proper in them; but what can make it proper to us?
11251	Know ye that he has never tasted the birch at Eton, nor trodden the flags of Carfax, nor paced the academic flats of Trumpington?
11251	Know ye that in mathematics, or logic, this wretched ignoramus is not fit to hold a candle to a wooden spoon?
11251	Know ye that your new idol hath little Latin and less Greek?
11251	Know ye what ye do?
11251	Lyre?
11251	May I request, Sir, said the prince, and frowned, Your ear a moment in the tilting ground?
11251	Must we at once pronounce them profane, and is nothing to be set down to the score of natural temper inclining them to wit and humour?
11251	No.... Was he idle?
11251	On what then is the new theory based?
11251	One hears the cauliflowered god exclaim, mournfully shaking the powder out of his ambrosial curls,"What strange new folly is this?
11251	Only why print them after they have had their day and served their turn?...
11251	Or Benedick''s?
11251	Or Harry the Fifth''s?
11251	Or Lear''s?
11251	Or Macbeth''s?
11251	Or Othello''s?
11251	Or Shylock''s?
11251	Or Wolsey''s?
11251	Or so bent on both together as to be indifferent to the honour of his nation and the law of Moses?
11251	Or so eager for revenge as to be indifferent to money?
11251	Or that of Cassius?
11251	Or that of Falconbridge?
11251	Or who would expect vanity to be conscious of its own loathsomeness?
11251	See ye not how, from describing law humours, he now, forsooth, will attempt the sublime?
11251	Shall we not kill her?
11251	Such sort of concessions are very gratifying to us; but how will they be received by the children of the Tabernacle?
11251	Take, for example, Leslie in physical science, and what airs of majesty does he ever assume?
11251	The question, therefore, comes simply to be-- which of them is the most proper object for poetical imitation?
11251	They asked each other"What manner of man is this?"
11251	They took her to themselves; and she, Still hoping, fearing,"is it yet too late?"
11251	Think you he nought but prison walls did see, Till, so unwilling, thou unturn''dst the key?
11251	Was he envious?
11251	Was he false?
11251	Was he insolent?
11251	Was he servile?
11251	Was he vain?
11251	Was she really the daughter of Roland de Vaux, and would the friends have met again and embraced?...
11251	We have heard it asked, what was the proposed object of Mr. Coleridge''s labours as a metaphysical philosopher?
11251	What could he have made of her?
11251	What danger could there be in the performance of his exploits, except that of being committed as a Vagrant?
11251	What did the poet mean to make of her?
11251	What does he mean by saying that life seemed cheap?
11251	What does this creature know of virtue, who finds it_ by leaning on his own soul_, forsooth?
11251	What good to mankind has ever flowed from the confessions of Rousseau, or the autobiographical sketch of Hume?
11251	What has Campbell ever obtruded on the Public of his private history?
11251	What indeed could rank appear to a person thus voluntarily degraded?
11251	What interpretation are we meant to give to all this sound and fury?
11251	What is Hamlet''s ruling passion?
11251	What is Samuel Coleridge compared to such a man?
11251	What is the vitality of the Iliad?
11251	What new deity do you worship?
11251	What reason does he give for this work of supererogation?
11251	What right have we poor devils to be nice?
11251	What should such a philosopher do?
11251	What so solemn as to see the excellent passions of the human heart called forth by a great actor, animated by a great poet?
11251	What strange disguise hast now put on, To make believe that thou art gone?
11251	What though the perfections with which imagination has decorated the beloved object, may, in fact, exist but in a slender degree?
11251	What, except the mere idea, did the Georgics borrow from Hesiod?
11251	What, though the pursuit may be fruitless, and the hopes visionary?
11251	Where can be found a spectacle more worthy of sorrow than such a man performing and glorying in the performance of such things?
11251	Where is every feeling more roused in favour of virtue, than at a good play?
11251	Where is goodness so feelingly, so enthusiastically learnt?
11251	Where, we may ask, is not at this moment the effect of that movement perfectly appreciable within our body?
11251	Which would ye show to the Horticultural Society as a fair specimen of the tree?
11251	Who and what is Geraldine-- whence come, whither going, and what designing?
11251	Who can listen to objections regarding such a book as this?
11251	Who can, with any face, liken a dear friend to a murderess?
11251	Who has not felt the beauty of a woman''s arm?
11251	Who shall his fame impair When thou art dead, and all thy wretched crew?
11251	Who would not have expected them to be insipid likenesses of each other?
11251	Why does he select such?
11251	Why had she formed no friendships among them?
11251	Why is Shakespeare the greatest of poets?
11251	Why is it that, speaking of this friend or that, we say in the tender mercies of our hearts,"No, she is not_ quite_ so bad as Becky?"
11251	Why not roast dissenters at slow fires?
11251	Why should he not meet him as well as any one else?
11251	Why should it be?
11251	Why then did Mr. Macaulay not content himself with beginning where Mackintosh left off-- that is, with the Revolution?
11251	Why was this?
11251	Why"inexplicable"?
11251	Why, on the theory of creation, should this be so?
11251	Why, then, is this prerogative of punishment, so eminently paternal, to be withheld from a paternal government?
11251	Why, then, should not every free inquirer agree with the Church?
11251	_ There_, brother?
11251	_ Tickler._ Southey-- Coleridge-- Moore?
11251	and by what Greek minor poems are they surpassed?
11251	and the"What then, sir?"
11251	and what Greek historian has written anything similar or comparable to the sublime peroration of the_ Life of Agricola_?
11251	and what, in the matter of_ tones_ and_ sounds_, is the effect of_ frankness_?
11251	and whoever thinks of comparing the two poems?
11251	and why, good Johnny Keats?
11251	for why is the striping of one species a less real difficulty than the striping of many?
11251	or are they not eminently and conspicuously such as could not by possibility belong to it?
11251	or to be better?
11251	she spoke in a deeply- shaken, half- smothered voice:"what right have I given you to insult me?"
11251	think you he did wait?
6081	And of himselfe imaginid he ofte To ben defaitid, pale and woxin lesse Than he was wonte, and that men saidin softe, What may it be? 6081 And what, Sir,"he said, after a short pause,"might the cost be?"
6081	Only three guineas for selling a thousand copies of a work in two volumes?
6081	Queen of all harmonious things, Dancing words and speaking strings, What god, what hero, wilt thou sing? 6081 STATUE- GHOST.--Will you not relent and feel remorse?
6081	Was not this love? 6081 What then are we to understand?
6081	--"Thirty and two pages?
6081	--a sophism, which I fully agree with Warburton, is unworthy of Milton; how much more so of the awful Person, in whose mouth he has placed it?
6081	--or have brought all the different marks and circumstances of a sealoch before the mind, as the actions of a living and acting power?
6081	--or have spoken of boys with a string of club- moss round their rusty hats, as the boys"with their green coronal?"
6081	A man of fortune?
6081	Alexander and Clytus!--Flattery?
6081	Alexander and Clytus!--anger-- drunkenness-- pride-- friendship-- ingratitude-- late repentance?
6081	And by the latter in consequence only of the former?
6081	And by what rules could he direct his choice, which would not have enabled him to select and arrange his words by the light of his own judgment?
6081	And how came the percipient here?
6081	And how can I do this better than by pointing out its gallant attention to the ladies?
6081	And how much, did you say, there was to be for the money?"
6081	And since then, Sir--?
6081	And to what law can their motions be subjected but that of time?
6081	And what is become of the wonder- promising Matter, that was to perform all these marvels by force of mere figure, weight and motion?
6081	And yet, though under this impression, should have commenced his critique in vulgar exultation with a prophecy meant to secure its own fulfilment?
6081	Anna mia, Anna dolce, oh sempre nuovo E piu chiaro concento, Quanta dolcezza sento In sol Anna dicendo?
6081	Are they the style used in the ordinary intercourse of spoken words?
6081	As eyes, for which the former has pre- determined their field of vision, and to which, as to its organ, it communicates a microscopic power?
6081	But I must yield, for this"( what?)
6081	But Milton-- D. Aye Milton, indeed!--but do not Dr. Johnson and other great men tell us, that nobody now reads Milton but as a task?
6081	But are books the only channel through which the stream of intellectual usefulness can flow?
6081	But are such rhetorical caprices condemnable only for their deviation from the language of real life?
6081	But is this a poet, of whom a poet is speaking?
6081	But is this the order, in which the rustic would have placed the words?
6081	But now, perplex''d by what the Old Man had said, My question eagerly did I renew,''How is it that you live, and what is it you do?''
6081	But tell me, do tell me,--Is I not, now and den, speak some fault?
6081	But what is there to account for the prodigy of the tempest at Bertram''s shipwreck?
6081	But where are the evidences of the danger, to which a future historian can appeal?
6081	But where findeth he wisdom?
6081	But why need I appeal to these invidious facts?
6081	But why should I say retire?
6081	But why then do you pretend to admire Shakespeare?
6081	By meditation, rather than by observation?
6081	By reflection?
6081	CHAPTER XXIII Quid quod praefatione praemunierim libellum, qua conor omnem offendiculi ansam praecidere?
6081	Can any candid and intelligent mind hesitate in determining, which of these best represents the tendency and native character of the poet''s genius?
6081	Coleridge?"
6081	D. But do you not know, that he has distributed papers and hand- bills of a seditious nature among the common people?
6081	Dear, could my heart not break, When with my pleasures ev''n my rest was gone?
6081	Devils, say you?
6081	Does e''en thy age bear Memory of so terrible a storm?
6081	Does he not send for a posse of constables or thief- takers to handcuff the villain, or take him either to Bedlam or Newgate?
6081	Does not the Prior act?
6081	E che non fammi, O sassi, O rivi, o belue, o Dii, questa mia vaga Non so, se ninfa, o magna, Non so, se donna, o Dea, Non so, se dolce o rea?
6081	For surely these words could never mean, that a painter may have a person sit to him who afterwards may leave the room or perhaps the country?
6081	For to what law can the action of material atoms be subject, but that of proximity in place?
6081	For wherein does the realism of mankind properly consist?
6081	Had she remained constant?
6081	Harp?
6081	Hast sent the hare?
6081	Have we not flown off to the contrary extreme?]
6081	Here then shall I conclude?
6081	How can we make bricks without straw;--or build without cement?
6081	How convened?
6081	How is the reader at the mercy of such men?
6081	How shall I explain this?
6081	How then?
6081	How, therefore, is the poor husband to amuse himself in this interval of her penance?
6081	How?
6081	However, as once for all, you have dismissed the well- known events and personages of history, or the epic muse, what have you taken in their stead?
6081	I began then to ask myself, what proof I had of the outward existence of anything?
6081	I know all about it!--But what can anybody say more than this?
6081	IMOG.--(with a frantic laugh) The forest fiend hath snatched him-- He( who?
6081	If a man be asked how he knows that he is?
6081	If he continue to read their nonsense, is it not his own fault?
6081	If it be asked,"But what shall I deem such?"
6081	If possible, what are its necessary conditions?
6081	In fancy I can almost hear him now, exclaiming"Harp?
6081	In the assertion that there exists a something without them, what, or how, or where they know not, which occasions the objects of their perception?
6081	In what sense does he read"the eternal deep?"
6081	In what sense is a child of that age a Philosopher?
6081	In what sense is he declared to be"for ever haunted"by the Supreme Being?
6081	Is I not in some wrong?
6081	Is I not speak English very fine?
6081	Is it comedy?
6081	Is it obtained by wandering about in search of angry or jealous people in uncultivated society, in order to copy their words?
6081	Is it, perhaps, that you only pretend to admire him?
6081	Is the diffusion of truth to be estimated by publications; or publications by the truth, which they diffuse or at least contain?
6081	Is there one word, for instance, attributed to the pedlar in THE EXCURSION, characteristic of a Pedlar?
6081	Is, is-- I mean to ask you now, my dear friend-- is I not very eloquent?
6081	It can not surely be, that the four lines, immediately following, are to contain the explanation?
6081	JOHN.--Are these some of your retinue?
6081	Lastly, if you ask me, whether I have read THE MESSIAH, and what I think of it?
6081	Learning, Sir?
6081	Lyre?
6081	Metre in itself is simply a stimulant of the attention, and therefore excites the question: Why is the attention to be thus stimulated?
6081	Muse, boy, Muse?
6081	My beauty, little child, is flown, But thou wilt live with me in love; And what if my poor cheek be brown?
6081	Need the rank have been at all particularized, where nothing follows which the knowledge of that rank is to explain or illustrate?
6081	No!--A clerk?
6081	No!--A merchant''s traveller?
6081	No!--A merchant?
6081	No!--Un Philosophe, perhaps?
6081	Only fourteen years old?
6081	Or between that of rage and that of jealousy?
6081	Or even if this were admitted, has the poet no property in his works?
6081	Or have represented the reflection of the sky in the water, as"That uncertain heaven received into the bosom of the steady lake?"
6081	Or in the IDLE SHEPHERD- BOYS?
6081	Or in the LUCY GRAY?
6081	Or is wealth the only rational object of human interest?
6081	Or must he rest on an assertion?
6081	Or not far rather by the power of imagination proceeding upon the all in each of human nature?
6081	Or on the other, that they are not prosaic, and for that reason unpoetic?
6081	Or that it is vicious, and that the stanzas are blots in THE FAERY QUEEN?
6081	Or where can the poet have lived?
6081	Our whole information[ 84] is derived from the following words--"PRIOR.--Where is thy child?
6081	Over what place, thought I, does the moon hang to your eye, my dearest friend?
6081	P. But I pray you, friend, in what actions great or interesting, can such men be engaged?
6081	P. It is your own poor pettifogging nature then, which you desire to have represented before you?--not human nature in its height and vigour?
6081	Pierian spring?
6081	Quid autem facias istis, qui vel ob ingenii pertinaciam sibi satisfieri nolint, vel stupidiores sint, quam ut satisfactionem intelligant?
6081	Say rather how dare I be ashamed of the Teutonic theosophist, Jacob Behmen?
6081	Sir, the men are without number, and infinite blindness supplies the place of sight?
6081	Such a position therefore must, in the first instance be demanded, and the first question will be, by what right is it demanded?
6081	That there exist no inconveniences, who will pretend to assert?
6081	The grammar, Sir?
6081	To their question,"Why did you choose such a character, or a character from such a rank of life?"
6081	Vel-- and vat is dhat?
6081	Was it ambition?
6081	Was it his spirit, by spirits taught to write Above a mortal pitch that struck me dead?
6081	What God?
6081	What Man shall we celebrate?
6081	What can be more accurate yet more lovely than the two concluding stanzas?
6081	What happy man to equal glories bring?
6081	What has a plain citizen of London, or Hamburg, to do with your kings and queens, and your old school- boy Pagan heroes?
6081	What have you heard?
6081	What heroes has she reared on her buskins?
6081	What if he himself has owned, that beauties as great are scattered in abundance throughout the whole book?
6081	What literary man has not regretted the prudery of Spratt in refusing to let his friend Cowley appear in his slippers and dressing gown?
6081	What then did he mean?
6081	What then may you be?
6081	What then shall we say?
6081	What?
6081	Whence gained he the superiority of foresight?
6081	Whence then cometh wisdom?
6081	Where dwelleth understanding?
6081	Where is the place of understanding?
6081	Where is thy child?
6081	Who also can deny a portion of sublimity to the tremendous consistency with which he stands out the last fearful trial, like a second Prometheus?
6081	Who can listen to you for a minute, who can even look at you, without perceiving the extent of it?
6081	Who dares suspect it?
6081	Who dies, that bears Not one spurn to the grave of their friends''gift?
6081	Who lives, that''s not Depraved or depraves?
6081	Whom has your tragic muse armed with her bowl and dagger?
6081	Why dost thou urge her with the horrid theme?
6081	Why need I be afraid?
6081	Why, I repeat, do you pretend to admire Shakespeare?
6081	Will it be contended on the one side, that these lines are mean and senseless?
6081	Would then the mere superaddition of metre, with or without rhyme, entitle these to the name of poems?
6081	Yet will Mr. Wordsworth say, that the style of the following stanza is either undistinguished from prose, and the language of ordinary life?
6081	and are they by no other means to be precluded, but by the rejection of all distinctions between prose and verse, save that of metre?
6081	and what are they?
6081	and what do you know of the person in question?
6081	are not our modern sentimental plays filled with the best Christian morality?
6081	by conscious intuition?
6081	by knowledge?
6081	does he ever harangue the people?
6081	e qual pur forte?
6081	have his daughters brought him to this pass?
6081	is--?
6081	non vonne errando, E non piango, e non grido?
6081	only three guineas for the what d''ye call it-- the selleridge?"
6081	or by any form or modification of consciousness?
6081	or hast thou swallow''d her?"
6081	or how can it be called the child, if it be no part of the child''s conscious being?
6081	or so inspired as to deserve the splendid titles of a Mighty Prophet, a blessed Seer?
6081	or, if convened, Must not the magic power that charms together Millions of men in council, needs have power To win or wield them?
6081	the fiend or the child?)
6081	the sentimental muse I should have said, whom you have seated in the throne of tragedy?
6081	thou hast something seen?"
6081	what Hero?
6081	what could this mean?
6081	what man to join with these can worthy prove?
6081	who can the sothe gesse, Why Troilus hath al this hevinesse?
6081	without some lehrning?