trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
of the church	739
part of the	506
the church of	371
one of the	346
of the nave	339
side of the	321
end of the	284
there is a	281
of the building	255
to have been	249
on the south	223
on the north	202
church of s	198
the east end	197
of the choir	190
and in the	185
wall of the	164
in the church	163
the time of	161
of the south	160
that of the	157
some of the	156
the end of	155
the south side	154
of the tower	153
in the south	149
of the cathedral	148
of the chancel	147
the north side	146
of the north	143
in which the	143
the work of	140
the church was	140
of the same	139
the west end	137
church of the	136
the thirteenth century	135
in the north	132
plan of the	131
the fifteenth century	131
of the old	130
at the east	127
of the most	126
walls of the	125
north and south	123
there was a	122
of the holy	121
the south transept	120
the fourteenth century	119
the use of	118
the lady chapel	116
the south aisle	115
the church is	115
the walls of	114
to the church	114
of the city	113
portion of the	113
a series of	111
of a church	110
it was a	109
according to the	107
architecture of scotland	107
ecclesiastical architecture of	103
as well as	103
on each side	102
on the other	98
the remains of	98
of the great	98
seems to have	98
east end of	97
it is a	97
at the west	96
as in the	96
it has been	96
the north aisle	94
is to be	94
and it is	94
the north transept	93
of the monastery	93
to the north	93
the monastery of	92
to face page	91
the body of	89
the west front	88
church of st	88
the reign of	87
that he was	87
the history of	86
that it was	86
on account of	85
the head of	85
there is no	84
of the cross	84
the middle of	84
those of the	83
of the altar	83
said to have	83
on the east	82
the nave and	82
the name of	82
south side of	81
it is not	81
in the centre	81
the plan of	80
of the early	80
in the same	79
known as the	79
the parish church	79
the north and	79
the twelfth century	79
the centre of	79
the south wall	79
of the thirteenth	78
must have been	78
may have been	78
at the end	78
there was no	77
of the west	77
of which the	77
the early english	77
in the chora	77
the architecture of	76
the fact that	76
and of the	76
in the time	76
on the west	75
remains of the	75
the other hand	75
account of the	74
the site of	74
is said to	73
history of the	73
middle of the	73
and on the	73
the same time	72
but it is	71
is one of	70
the upper part	70
of the fifteenth	69
the chapel of	69
the rest of	69
the form of	69
of the dome	68
of the walls	68
of the original	68
north side of	68
that he had	67
it was the	67
out of the	67
the beginning of	66
to be the	66
east of the	66
parts of the	65
at the same	65
found in the	65
centre of the	65
to the south	65
the chancel arch	64
up to the	64
in order to	64
the central tower	64
of the east	64
the middle ages	64
of the abbey	63
from the south	63
sides of the	63
west of the	63
in the middle	63
so as to	62
of the twelfth	62
it is the	62
work of the	62
body of the	61
view of the	61
in the east	61
the interior of	61
saviour in the	60
of the fourteenth	60
which it is	59
interior of the	59
use of the	59
and at the	59
in the fourteenth	59
is in the	59
that in the	59
it may be	58
beginning of the	58
to be found	58
of our lord	58
to the east	58
of the aisles	57
many of the	57
be found in	57
the roof of	57
we see the	57
upper part of	57
architecture of the	56
it will be	56
the east window	56
to that of	56
the south church	56
the building of	56
each side of	56
in the early	55
of a building	55
it was not	55
to the west	55
on either side	55
portions of the	55
sergius and bacchus	55
the east wall	54
and the church	54
of the house	54
as it is	54
entrance to the	54
the north wall	53
head of the	53
the whole of	53
the church and	53
in the wall	53
of the central	53
the choir and	53
restoration of the	53
nave and chancel	53
churches of the	53
the building is	53
chapel of st	53
would have been	53
of the wall	53
seem to have	52
of early english	52
rest of the	52
of the greek	52
the churches of	52
of the cloister	52
the top of	51
the east side	51
of the first	51
and it was	51
windows in the	51
the erection of	51
windows of the	51
west end of	50
used as a	50
and that the	50
the close of	50
of the arch	50
dedicated to the	50
part of a	50
of the two	50
are to be	50
the lower part	50
building of the	49
buildings of the	49
of the studion	49
time of the	49
north of the	49
of the aisle	49
of which is	48
the house of	48
of the roof	48
the restoration of	48
in the choir	48
the choir is	48
most of the	48
chapel of the	48
as we have	48
according to that	47
arches of the	47
of the churches	47
the tomb of	47
site of the	47
in the reign	47
not to be	47
and there is	47
floor of the	47
in the fifteenth	47
ought to be	47
of the world	47
covered by a	46
it would be	46
as a rule	46
of the work	46
development of the	46
it is said	46
roof of the	46
of the transept	45
south of the	45
at any rate	45
much of the	45
the position of	45
was built by	45
the foundation of	45
of the windows	45
in the west	45
in front of	45
the exterior of	44
he was a	44
have been a	44
but it was	44
that it is	44
that the church	44
close of the	44
of the middle	44
of all the	44
in the cathedral	44
of the main	44
the south of	44
dedicated to st	44
belong to the	43
the altar of	43
in the nave	43
of the temple	43
nave and aisles	43
it is to	43
of the apse	43
the style of	43
in the thirteenth	43
the nave is	43
the east of	43
attached to the	43
appears to have	43
of the lord	43
the north church	43
to the same	43
of one of	43
is a fine	43
the hands of	43
of the present	43
at the time	43
this is the	42
tower and spire	42
is a very	42
was in the	42
the high altar	42
connected with the	42
belongs to the	42
which he had	42
the temple of	42
was one of	42
as to the	41
the civil war	41
the presence of	41
the holy ghost	41
the place of	41
face of the	41
of the norman	41
the abbey of	41
the north of	41
by no means	41
at the south	41
the decorated style	40
we notice the	40
the church in	40
there are some	40
said to be	40
which is the	40
so far as	40
in the great	40
south wall of	40
from the north	40
from the church	40
the windows are	40
the west of	40
the ruins of	39
of the virgin	39
the story of	39
the relics of	39
character of the	39
of the structure	39
he had been	39
form of the	39
is of the	39
the nave was	39
lower part of	39
in spite of	39
the sixteenth century	39
the beauty of	39
of the monks	39
the west wall	39
on the exterior	39
seen in the	39
which have been	39
story of the	39
there is an	39
is a large	38
of the style	38
consists of a	38
the course of	38
in the first	38
is that of	38
the floor of	38
buried in the	38
of the western	38
the same period	38
to be a	38
of the eastern	38
the face of	38
the side of	38
leading to the	38
the back of	37
early english style	37
the founder of	37
so that the	37
the tower of	37
with which the	37
and there was	37
there can be	37
the inner narthex	37
the building was	37
fact that the	37
that there was	37
front of the	37
appear to have	37
the height of	37
from the nave	37
and to the	37
the cathedral of	37
at the reformation	37
but in the	37
which had been	37
the holy trinity	37
of the capital	37
of the finest	37
which has been	37
of the ancient	36
from the west	36
line of the	36
to that saying	36
in the western	36
part in the	36
the development of	36
style of the	36
the greater part	36
the pointed arch	36
features of the	36
the nave of	36
the tower is	36
aisle of the	36
he could not	36
the wall of	36
as it were	36
position of the	36
the perpendicular style	36
the palace of	36
of the roman	36
the cathedral was	36
the buildings of	36
of the parish	36
of the whole	35
the altar is	35
name of the	35
the outer narthex	35
which we have	35
for a moment	35
of the emperor	35
bay of the	35
the bishop of	35
top of the	35
a portion of	35
each of the	35
it must be	35
examples of the	35
have been the	35
beauty of the	35
may be seen	35
corner of the	35
the influence of	35
the life of	35
the memory of	35
in the form	35
of the buildings	35
as far as	35
on which the	35
the construction of	35
the heads of	35
the eleventh century	35
the roof is	35
arch of the	35
the works of	35
of gothic architecture	35
the hand of	34
by means of	34
one of these	34
in the second	34
the introduction of	34
of the body	34
the tower and	34
was founded by	34
the monastic buildings	34
early in the	34
of the new	34
it is written	34
more or less	34
church in the	34
the arms of	34
john the baptist	34
of the chapel	34
and the whole	34
feature of the	34
the west side	34
is on the	33
of the transepts	33
of the pantokrator	33
the choir was	33
at this time	33
this part of	33
the th century	33
was to be	33
we have seen	33
the consecration of	33
of the narthex	33
was dedicated to	33
the sides of	33
is covered with	33
the character of	33
of nave ft	33
the windows of	33
with the exception	33
the entrance to	33
the base of	33
angles of the	33
exterior of the	33
church of ss	33
and also the	33
example of the	33
the death of	33
height of the	33
have been built	33
of the apostles	33
whole of the	32
andrew in krisei	32
the number of	32
later than the	32
lord blandamer had	32
a parish church	32
in addition to	32
and the other	32
either side of	32
the old norman	32
which may be	32
and has a	32
built by bishop	31
it was in	31
at the north	31
that of st	31
in some of	31
the dedication of	31
into the church	31
to be seen	31
used in the	31
in the world	31
of the later	31
is a good	31
covered with a	31
the shrine of	31
founder of the	31
the church from	31
as if he	31
it is in	31
section of the	31
is divided into	31
the case of	31
the church to	31
of this period	31
which is a	31
in the interior	30
is called the	30
east wall of	30
the line of	30
in memory of	30
similar to that	30
the figure of	30
length of the	30
it is difficult	30
of the king	30
the effect of	30
a kind of	30
at the angles	30
the art of	30
east and west	30
level of the	30
for the most	30
peter and mark	30
the gothic period	30
a good example	30
will be found	30
the fall of	30
and all the	30
divided into two	30
quarter of the	30
of the earlier	30
due to the	30
greater part of	30
of which we	30
a row of	30
the walls are	29
in the case	29
the angles of	29
the arches of	29
in honour of	29
the exception of	29
together with the	29
i do not	29
the period of	29
can be no	29
regard to the	29
such as the	29
owing to the	29
to the nave	29
angle of the	29
piers of the	29
of the english	29
of the christian	29
the date of	29
the foundations of	29
of the period	29
of the best	29
the south porch	29
when it was	29
at the back	29
on the right	29
the monastery was	28
between the two	28
of the parecclesion	28
half of the	28
of the chapter	28
in the eastern	28
in the decorated	28
of the architecture	28
more than one	28
the capital of	28
and is a	28
of the last	28
surmounted by a	28
of the columns	28
in which it	28
we enter the	28
of the mosque	28
and there are	28
in the city	28
of his own	28
placed in the	28
the seat of	28
place of the	28
of the exterior	28
the names of	28
the holy apostles	28
on the site	28
the design of	28
is early english	28
a matter of	28
than that of	28
of the day	28
of the bishop	28
to show that	28
and part of	28
the church at	28
back of the	28
good example of	28
which he was	28
is difficult to	28
by which the	28
of the plan	28
the nebuly coat	28
the gate of	28
members of the	28
the eighteenth century	28
of the country	27
if he had	27
the monks of	27
of which are	27
has been much	27
from the east	27
at the beginning	27
in the house	27
be able to	27
in favour of	27
the study of	27
built in the	27
and when the	27
are covered with	27
in which they	27
place in the	27
in the course	27
the day of	27
the tower was	27
ends of the	27
on the outside	27
the same date	27
is a curious	27
used as the	27
east side of	27
of the other	27
the side walls	27
form of a	27
hands of the	27
of the pammakaristos	27
peter and paul	27
the arrangement of	27
of the interior	27
of the arches	27
the most part	27
the western tower	27
and by the	27
eastern part of	27
it is of	27
this is a	27
led to the	27
the north porch	27
window of the	27
was the first	27
far as the	27
at one time	26
the power of	26
was on the	26
of the piers	26
as it was	26
he did not	26
added to the	26
the clerestory windows	26
the purpose of	26
converted into a	26
of the trinity	26
between nave and	26
down to the	26
and then the	26
the crown of	26
from which the	26
work in the	26
to the memory	26
on the walls	26
altar of the	26
similar to the	26
erected in the	26
had to be	26
which it was	26
be seen in	26
with the church	26
early english work	26
separated from the	26
church from the	26
with that of	26
the piers are	26
the shape of	26
on the table	26
to which the	26
it is true	26
in the latter	26
the first time	25
the plans of	25
of the palace	25
the church has	25
the foot of	25
are of the	25
it is very	25
was erected by	25
it is probable	25
details of the	25
rebuilt in the	25
the result of	25
of the upper	25
in this country	25
in the history	25
shrine of st	25
the feast of	25
of the window	25
might have been	25
stood on the	25
of the chora	25
the absence of	25
of the side	25
is a small	25
of the law	25
of the people	25
of the sixteenth	25
of the town	25
formed part of	25
of the late	25
of a great	25
the scene of	25
earlier than the	25
at the top	25
to the monastery	25
in connection with	25
it had been	25
tomb of the	24
associated with the	24
the rule of	24
of the lower	24
in the old	24
of the lady	24
the church by	24
the addition of	24
the kingdom of	24
the chancel of	24
the office of	24
base of the	24
in the kingdom	24
but there is	24
of the see	24
the vaulting of	24
the work was	24
the great church	24
example of a	24
in the head	24
the outer walls	24
north wall of	24
bays of the	24
ruins of the	24
seen from the	24
of the faithful	24
the level of	24
capital in the	24
the destruction of	24
reference to the	24
on the th	24
derived from the	24
the central apse	24
he would have	24
back to the	24
of the four	24
the chancel was	24
the west window	24
on the subject	24
given to the	24
is probable that	24
construction of the	23
in a church	23
must not be	23
of nave and	23
of the saint	23
of the gothic	23
monastery of manuel	23
the walls and	23
could not be	23
took place in	23
an arcade of	23
parish church of	23
it is now	23
the origin of	23
the monument of	23
a number of	23
to be in	23
stood in the	23
vaulting of the	23
we have already	23
of the various	23
than in the	23
that there is	23
the order of	23
the most beautiful	23
for the church	23
shall be said	23
the see of	23
some of them	23
to the present	23
and from the	23
the part of	23
formed by the	23
where there is	23
the style is	23
doorway in the	23
in the year	23
the east and	23
for the first	23
capitals of the	23
many of them	23
foundation of the	23
this was the	23
the capitals of	23
the west door	23
is known as	23
there are two	23
the builders of	23
the dome arches	22
the choir of	22
was destroyed by	22
as has been	22
window in the	22
the glory of	22
in proportion to	22
more than a	22
belonging to the	22
and his wife	22
of the latter	22
and with the	22
there are many	22
arms of the	22
of the triforium	22
south transept is	22
the rood screen	22
for the use	22
addition to the	22
consisted of a	22
in the chapel	22
abbey of paisley	22
was founded in	22
length of nave	22
which they are	22
tracery of the	22
the builder of	22
a piece of	22
design of the	22
the eastern part	22
there is some	22
the earl of	22
it was only	22
south choir aisle	22
the idea of	22
of the th	22
from the first	22
erection of the	22
the passion of	22
over the crossing	22
of the arcade	22
john of the	22
and may be	22
a central tower	22
are found in	22
idea of the	22
of the ground	22
representation of the	22
the mosque of	22
north transept is	22
at the foot	22
the church are	22
filled in with	22
principal building dates	22
the sixth century	22
to the right	22
the dome is	22
of norman work	22
east window of	22
towards the end	22
be said to	22
appear in the	22
abbot of the	22
up in the	22
in the lower	22
close to the	22
on the ground	22
that on the	22
access to the	22
the whole church	21
in many cases	21
capital of the	21
the cathedrals of	21
is covered by	21
connection with the	21
into the nave	21
the ground floor	21
an early english	21
the appearance of	21
was erected in	21
as the church	21
the tracery of	21
inserted in the	21
the ends of	21
of the time	21
in order that	21
the decorated period	21
to the great	21
of the college	21
in a very	21
to be noted	21
of the theotokos	21
works of the	21
the most important	21
of the empire	21
i am sure	21
of such a	21
to the altar	21
early part of	21
that they were	21
that he would	21
in one of	21
of a column	21
of the northern	21
of the mongols	21
sir gilbert scott	21
that lord blandamer	21
the upper portion	21
and some of	21
the quarter of	21
in the later	21
it is called	21
occupied by the	21
here and there	21
the days of	21
to form a	21
the honour of	21
of some of	21
arrangement of the	21
of the presbytery	21
sign of the	21
by the same	21
was built in	21
of a greek	21
in the style	21
the piers of	21
the original norman	21
on the left	21
on the wall	21
foot of the	21
west side of	21
in the way	21
of the perpendicular	21
there are no	21
for the purpose	21
met with in	21
traces of the	21
the early part	21
of the former	21
the city of	21
fall of the	21
but there was	21
divided into three	21
was not a	21
the cambridge camden	21
in the perpendicular	21
was buried in	21
the duke of	20
the present day	20
and with a	20
study of the	20
we do not	20
springing of the	20
of the earliest	20
the south end	20
in which a	20
a part of	20
of which was	20
we have said	20
the spirit of	20
it is impossible	20
of the gallery	20
gothic architecture in	20
the south chapel	20
to the cathedral	20
of the imperial	20
to be of	20
upon which the	20
to a certain	20
one of those	20
and he was	20
as a whole	20
of the basilica	20
honour of the	20
of the eighteenth	20
hand of god	20
in the building	20
church is a	20
will be noticed	20
the western part	20
and for the	20
similar to those	20
it has a	20
of the scottish	20
probable that the	20
to those of	20
miss joliffe was	20
the turkish conquest	20
than the nave	20
a representation of	20
the advent of	20
applied to the	20
to see the	20
and the same	20
the arches are	20
also in the	20
but they are	20
belonged to the	20
surface of the	20
the old testament	20
we shall speak	20
to the ground	20
is very beautiful	20
of which it	20
speak of the	20
in the outer	20
large number of	20
leads to the	20
aisles of the	20
of a series	20
which is of	20
are in the	20
description of the	20
the springing of	20
as shall be	20
about the same	20
the figures of	20
the th of	20
and that of	20
are the remains	20
used by the	20
of the crossing	20
and many other	19
in the neighbourhood	19
was a little	19
cambridge camden society	19
for the sake	19
at bellevue lodge	19
or in the	19
north aisle of	19
that which is	19
and the south	19
the norman style	19
from the old	19
in the next	19
of a man	19
church of scotland	19
served as a	19
in all the	19
the sake of	19
with respect to	19
to the holy	19
the way of	19
is very fine	19
of a window	19
it does not	19
nave of the	19
favour of the	19
the subject of	19
of the diocese	19
the south choir	19
triforium and clerestory	19
the central church	19
the nave by	19
monastery of lips	19
door in the	19
of the column	19
into a mosque	19
made in the	19
to speak of	19
obtained from the	19
one of them	19
the removal of	19
treatment of the	19
now used as	19
the details of	19
is the only	19
and as the	19
the most interesting	19
it should be	19
the plan is	19
that it may	19
of the porch	19
is at the	19
have been made	19
north choir aisle	19
them in the	19
any of the	19
as that of	19
of its own	19
and then he	19
the weight of	19
the son of	19
that is to	19
was divided into	19
to do with	19
possession of the	19
and one of	19
nave from the	19
in the upper	19
the golden horn	19
the right of	19
of the edifice	19
the king of	19
the word of	19
characteristic of the	19
be no doubt	19
in his hand	19
was a great	19
a place of	19
at the close	19
in regard to	19
a few minutes	19
on the same	19
western part of	19
date of the	19
at the restoration	19
that of a	19
about the middle	19
of the monastic	19
in the district	19
he was not	19
that she had	19
in the presence	19
the aisles of	19
the practice of	19
that is the	19
well as the	19
ought not to	19
they have been	19
the seventeenth century	19
the virgin and	19
to the throne	19
figure of the	18
it to the	18
way to the	18
well as in	18
that we may	18
to set forth	18
of the screen	18
of st mary	18
here is the	18
is full of	18
relics of the	18
and the west	18
both in the	18
a few years	18
the dignity of	18
mary of the	18
the ground plan	18
the door of	18
could not have	18
the finest in	18
the most striking	18
a little later	18
edward the confessor	18
that they are	18
the space between	18
the windows in	18
west wall of	18
period of the	18
of the reformation	18
those in the	18
east window is	18
the doorway is	18
in the new	18
erected by bishop	18
the old church	18
from the ground	18
one of which	18
the abbey church	18
as soon as	18
on the floor	18
is to say	18
situated in the	18
to support the	18
the abbey was	18
in the aisles	18
may be said	18
it in the	18
church dedicated to	18
corresponding to the	18
plan of a	18
the central area	18
a group of	18
church is the	18
have been erected	18
the aisles and	18
has already been	18
effect of the	18
the sign of	18
figures of the	18
weight of the	18
it is only	18
division of the	18
in the northern	18
mr sharnall had	18
door of the	18
the existence of	18
the south and	18
is impossible to	18
in some churches	18
is the work	18
the rebuilding of	18
the nature of	18
in the narthex	18
ornaments of the	18
the symbolism of	18
in such a	18
said the organist	18
of the gospel	18
in the former	18
read in the	18
the cause of	18
width of the	18
of the greatest	18
for some time	18
was rebuilt in	18
hall of the	18
and the nave	18
of a large	18
in the most	18
refer to the	18
of the eleventh	18
to the end	18
was converted into	18
even in the	18
during the reign	18
in the following	18
and miss joliffe	18
the nave from	18
proceedings of the	18
is found in	18
the norman conquest	18
was in a	18
as much as	18
at a later	18
the church as	18
in place of	18
be noted that	17
the castle of	17
miss joliffe had	17
residence of the	17
side by side	17
footnote that is	17
in the chancel	17
just as the	17
every part of	17
the chapel is	17
a later date	17
of this church	17
the building has	17
but he was	17
it consists of	17
may be taken	17
dedicated to s	17
employed in the	17
the cathedral at	17
the monks were	17
of the vaulting	17
the holy spirit	17
exception of the	17
of the stone	17
it is also	17
the central dome	17
monastery of the	17
to the chapter	17
is lighted by	17
the throne of	17
the glass is	17
to make the	17
footnote and the	17
as we shall	17
life of the	17
the outline of	17
the college of	17
style of architecture	17
destruction of the	17
in the present	17
at the bottom	17
remains of a	17
the most perfect	17
opening into the	17
in the tower	17
outline of the	17
work of bishop	17
of the tomb	17
soon after the	17
be buried in	17
as if the	17
of the door	17
can be seen	17
in the walls	17
in the sixteenth	17
it is possible	17
the title of	17
to say that	17
south aisle was	17
vault of the	17
on the side	17
axis of the	17
and south aisles	17
one or more	17
that this was	17
the narthex of	17
a few of	17
lord blandamer was	17
of this kind	17
he was in	17
the summit of	17
there is the	17
were to be	17
in the last	17
come to the	17
size of the	17
of the dedication	17
lighted by a	17
in some cases	17
after the conquest	17
in the churches	17
south aisle of	17
other parts of	17
from that of	17
i shall be	17
a good deal	17
as the parish	17
dimensions total length	17
the council of	17
have been used	17
go to the	17
covered with cross	17
of this building	17
in the gable	17
to a church	17
to be buried	17
to the wall	17
come down to	17
order of the	17
the screen is	17
manner in which	17
to have a	17
who had been	17
the nave has	17
to the old	17
of the second	17
the children of	17
but it has	17
interest in the	17
than those of	17
of an arch	17
to do so	17
of the mass	17
in the central	17
and south transepts	17
the time when	17
from the choir	17
doctrine of the	17
the blessed virgin	17
we read in	17
hand of the	16
the lower story	16
of church architecture	16
the length of	16
the main building	16
and lady chapel	16
and the choir	16
of the rest	16
the possession of	16
the north choir	16
it was built	16
the love of	16
were in the	16
it from the	16
of a roman	16
the eastern wall	16
to the time	16
in the eleventh	16
space between the	16
north side is	16
higher than the	16
this was a	16
of henry viii	16
the chantry of	16
fine example of	16
the age of	16
we ought to	16
of it is	16
arch in the	16
it is an	16
of many of	16
as may be	16
be met with	16
heads of the	16
out of his	16
the main arcade	16
because of the	16
and in many	16
the seventh century	16
is not the	16
is worthy of	16
of the towers	16
especially in the	16
set forth by	16
she did not	16
resemblance to the	16
should be noticed	16
was not the	16
the clergy and	16
foundations of the	16
of an altar	16
as to be	16
the present cathedral	16
the south is	16
of a cross	16
a church is	16
out from the	16
in each bay	16
is derived from	16
the place where	16
of the three	16
no doubt that	16
used for the	16
in the original	16
late in the	16
one or two	16
west front and	16
the martyrdom of	16
the church were	16
the gates of	16
bishop of the	16
be taken as	16
on both sides	16
supposed to be	16
of a bishop	16
the eastern end	16
that we are	16
at his feet	16
chamber in the	16
it must have	16
have been added	16
the west tower	16
we have the	16
of great beauty	16
a sort of	16
in the shape	16
of a very	16
eastern end of	16
on the opposite	16
the cathedral is	16
and its surroundings	16
in a few	16
of the principal	16
which can be	16
influence of the	16
he knew that	16
a man of	16
to the left	16
as to form	16
open to the	16
in his own	16
palace of the	16
is seen in	16
the book of	16
mr sharnall was	16
the main entrance	16
by the bishop	16
a very beautiful	16
arm of the	16
to believe that	16
of a tower	16
and the work	16
is similar to	16
the treatment of	16
in the quarter	16
have been removed	16
the arch of	16
the tombs of	16
that she was	16
for which the	16
in the gallery	16
a short distance	16
to make a	16
with regard to	16
the chancel is	16
it was true	16
church to the	16
in the monastery	16
be in the	16
in the parecclesion	16
when he was	16
separated by a	16
is the most	16
in this case	16
of the passion	16
would be a	16
said in the	16
of the decorated	16
the cistern of	16
holy of holies	16
the four evangelists	16
and in a	16
east end is	16
dome of the	16
an account of	16
seat of the	16
the bottom of	16
the employment of	15
banks of the	15
a fine example	15
at the sides	15
with figures of	15
are those of	15
and is of	15
and it has	15
of the works	15
of the aisleless	15
placed on the	15
of the atrium	15
of the byzantine	15
and south sides	15
is made of	15
to be met	15
builder of the	15
of purbeck marble	15
the two churches	15
not only in	15
of the fabric	15
of the romans	15
the district of	15
at the entrance	15
church and the	15
the holy of	15
apse of the	15
from the fact	15
in the th	15
analysis of buildings	15
the example of	15
at the ends	15
many of our	15
the perpendicular period	15
devoted to the	15
for he was	15
should not be	15
is composed of	15
the choir are	15
the heart of	15
the size of	15
and was probably	15
a church in	15
erected by the	15
to restore the	15
and the windows	15
and the two	15
appears to be	15
a large and	15
the commencement of	15
the doctrine of	15
cathedral of st	15
of the sixth	15
it seemed as	15
that we have	15
be noticed that	15
to build a	15
surrounded by a	15
it to be	15
and the old	15
early english design	15
of the outer	15
passion of christ	15
and seems to	15
to this day	15
of the octagon	15
to think that	15
is pierced by	15
to his own	15
the holy cross	15
in the civil	15
is the case	15
date than the	15
he had not	15
as those of	15
nave and transepts	15
glory of the	15
as the nave	15
the series of	15
is remarkable for	15
at that time	15
we shall see	15
of edward i	15
which was the	15
church has been	15
it was also	15
in the chapter	15
we will now	15
that he could	15
and the new	15
would not be	15
for it is	15
a very large	15
the fourteenth and	15
the aisles are	15
of the cloisters	15
same date as	15
in the sixth	15
west end is	15
in imitation of	15
of the vault	15
names of the	15
speak in the	15
there is also	15
the spaces between	15
and this is	15
carving of the	15
in the twelfth	15
chapel at the	15
so great a	15
the right hand	15
and the rest	15
of an earlier	15
the upper story	15
or of the	15
have been very	15
and the lady	15
scenes from the	15
on the day	15
examples of this	15
thickness of the	15
of the clerestory	15
fabric of the	15
much the same	15
has been made	15
of glasgow cathedral	15
the first bishop	15
which they were	15
of our churches	15
the bishops of	15
parts of england	15
pronounced to be	15
greek syllogos of	15
the east walk	15
remarkable for its	15
that there were	15
was rebuilt by	15
was used as	15
nave and the	15
by a large	15
the ark of	15
condition of the	15
an example of	15
the union of	14
in the construction	14
few of the	14
to be made	14
churches in the	14
of the rock	14
it was to	14
the neighbourhood of	14
of which he	14
of english gothic	14
two or more	14
or at least	14
it would have	14
the same as	14
and the upper	14
the eastern arm	14
the vaulting is	14
in the third	14
rebuilding of the	14
it is that	14
there is one	14
divided from the	14
it is quite	14
the proceedings of	14
but this is	14
in the days	14
him in the	14
projecting from the	14
has been recently	14
she had been	14
the dome of	14
the exterior the	14
in most cases	14
the capitals are	14
of this style	14
that he may	14
st mary redcliffe	14
narthex of the	14
of the art	14
need not be	14
was probably the	14
and was built	14
one side of	14
two western towers	14
to the fact	14
piece of work	14
of the ordinary	14
and was the	14
from the wall	14
the cruciform plan	14
the scheme of	14
designed by sir	14
and south walls	14
years of the	14
in the immediate	14
of these churches	14
has been a	14
of the blessed	14
example of this	14
made use of	14
a building of	14
consisting of a	14
little more than	14
of her own	14
is that the	14
the holy sepulchre	14
to the virgin	14
the aisleless church	14
to the theotokos	14
we shall find	14
on the whole	14
was at the	14
towards the close	14
the lord saith	14
narthex of s	14
the banks of	14
member of the	14
the monuments of	14
constantine the great	14
and fifteenth centuries	14
ark of the	14
is a noble	14
there was an	14
she could not	14
to the last	14
about the year	14
none of the	14
which took place	14
examination of the	14
and the bishop	14
who was the	14
of the word	14
to signify that	14
the corinthian order	14
our lord in	14
of the refectory	14
not in the	14
and lord blandamer	14
the custom of	14
in three bays	14
of gothic art	14
of the doric	14
the mouth of	14
fourteenth and fifteenth	14
to give a	14
he would not	14
at the altar	14
and the roof	14
of that period	14
to the use	14
and as a	14
is not a	14
is the church	14
and renaissance architecture	14
light of the	14
of the head	14
on the occasion	14
the greek syllogos	14
previous to the	14
already alluded to	14
and the arch	14
northern and southern	14
and the altar	14
in the windows	14
removed from the	14
of edward iii	14
we now enter	14
by way of	14
many of these	14
with which it	14
altar of st	14
should have been	14
there were no	14
ought to have	14
to the building	14
lines of the	14
he is a	14
the features of	14
and in that	14
cathedral of the	14
seemed as if	14
the most ancient	14
in later times	14
with the same	14
window is a	14
the conversion of	14
by sir g	14
seems to be	14
the eastern bay	14
completion of the	14
house of god	14
time when the	14
so long as	14
a large window	14
of the older	14
to the general	14
piers and arches	14
perhaps the most	14
they may be	14
specimen of the	14
the outside of	14
to the early	14
is part of	14
to the chancel	14
south end of	14
of the pope	14
the aisles were	14
illustration plan of	14
who died in	14
of the place	14
the case with	14
the words of	14
the mother of	14
relation to the	14
of light and	14
the central bay	14
considered to be	14
the thickness of	14
shall speak in	14
late early english	14
with all the	14
they are not	14
was the case	14
the growth of	14
the fabric of	14
the eyes of	14
to whom the	14
what has been	14
the centralised plan	14
there are three	14
but there are	14
of which have	14
at the point	14
of the third	14
occur in the	14
of the dead	14
length of choir	14
intended to be	14
point of view	14
in all probability	14
of the general	14
column in the	14
a pair of	13
went to the	13
destroyed by the	13
the reception of	13
he had taken	13
by henry viii	13
the bishopric of	13
in the roman	13
the battle of	13
which we shall	13
monastery of s	13
the point of	13
author of the	13
of the preacher	13
and the tower	13
the triforium is	13
it was an	13
was designed by	13
and in his	13
and has been	13
because it is	13
the authority of	13
the northern and	13
to rebuild the	13
we have a	13
in the matter	13
each of which	13
in the earlier	13
the original church	13
the north is	13
afterwards bishop of	13
on to the	13
is written in	13
church of england	13
and to have	13
in the country	13
in each of	13
in the name	13
at this period	13
a door in	13
two of the	13
is of a	13
of the saints	13
of the rood	13
decoration of the	13
side is the	13
a large number	13
the greek doric	13
of the consecration	13
ancient and modern	13
has not been	13
william the conqueror	13
of the testimony	13
by the emperor	13
the ribs of	13
did not know	13
within the church	13
larger than the	13
the divine offices	13
the arch is	13
of his life	13
of the doorway	13
has been said	13
be regarded as	13
noticed that the	13
was taken down	13
has been already	13
built on the	13
each of these	13
so called from	13
and dedicated to	13
to take the	13
archbishop of canterbury	13
preserved in the	13
the celebration of	13
the norman work	13
dedication of the	13
that saying of	13
on the banks	13
was no doubt	13
the dorcas meeting	13
to have had	13
the organist said	13
of the southern	13
is not to	13
to point out	13
the side aisles	13
the description of	13
are the work	13
a member of	13
of a gothic	13
supposed to have	13
refers to the	13
the people of	13
church and monastery	13
addition of aisles	13
has been restored	13
of the subject	13
the domed basilica	13
in the main	13
as for example	13
saying of the	13
he came to	13
the fate of	13
was forced to	13
the list of	13
he went on	13
and consists of	13
it as a	13
a very interesting	13
then came the	13
at each end	13
set forth the	13
bottom of the	13
been much restored	13
not seem to	13
and the dome	13
but if the	13
the north chapel	13
if it were	13
regarded as the	13
of the monasteries	13
in the abbey	13
in this way	13
builders of the	13
was the church	13
from the aisles	13
a church or	13
that the bishop	13
relics of s	13
the command of	13
after his death	13
the eastern portion	13
and the great	13
archbishop of york	13
support of the	13
and many of	13
that mr sharnall	13
the great palace	13
as a matter	13
in connexion with	13
the mouldings of	13
kingdom of heaven	13
the surface of	13
to the first	13
the shadow of	13
the ninth century	13
specimens of the	13
of his work	13
taken from the	13
of the sacred	13
the patron saint	13
is later than	13
to the bishop	13
because it was	13
total length ft	13
and is the	13
in two stories	13
columns of the	13
the light of	13
the same height	13
lord blandamer said	13
and the western	13
when the church	13
as is the	13
the decoration of	13
was begun by	13
is called a	13
with a small	13
the abbot of	13
arches in the	13
john in trullo	13
son of the	13
the columns of	13
had not been	13
of these buildings	13
the arch never	13
towards the east	13
the building to	13
some of these	13
the whole building	13
on the plan	13
off from the	13
course of the	13
the piers and	13
the tomb is	13
and the north	13
the daughter of	13
in which he	13
east to west	13
we have to	13
the view of	13
is pronounced to	13
will not be	13
we find the	13
we have spoken	13
of the saviour	13
monuments in the	13
ground plan of	13
been inserted in	13
given in the	13
by a single	13
of the entrance	13
the opposite side	13
of norman date	13
the windows have	13
the most famous	13
in this style	13
that they may	13
of the pointed	13
a mass of	13
width of nave	13
was begun in	13
the church militant	13
of which has	13
book of glasgow	13
the altar and	13
as early as	13
arch never sleeps	13
he was the	13
by the danes	13
the clerestory is	13
of the basilican	13
of the architect	13
and those of	13
crown of the	13
the vault of	13
the width of	13
if he were	13
the completion of	13
upon the altar	13
do not think	13
and the arches	13
the latter part	13
the worship of	13
of the water	13
appearance of the	13
the diocese of	13
copy of the	13
the requirements of	13
the ornaments of	13
had been a	13
he had to	13
if it was	13
in the lowest	13
the nave are	13
which led to	13
into which the	13
been recently restored	13
of the shaft	13
latter part of	13
and the like	13
built at the	12
the narthex is	12
with side aisles	12
he had no	12
of the order	12
was true that	12
when he had	12
it seemed to	12
from the cloister	12
to the central	12
there had been	12
access to a	12
was the architect	12
has a large	12
is due to	12
the dome and	12
than the rest	12
chancel and nave	12
which she had	12
of our own	12
side of this	12
of the famous	12
is a little	12
the last abbot	12
by the great	12
one of its	12
of the spire	12
is by no	12
the eighth century	12
great east window	12
that he should	12
from the life	12
the author of	12
this form of	12
extension of the	12
the best known	12
instead of the	12
all the while	12
under the head	12
the library of	12
than the others	12
glass in the	12
of andronicus ii	12
the central space	12
the apostles and	12
the whole world	12
to take a	12
the architect was	12
destroyed by fire	12
lady chapel was	12
to keep the	12
the western towers	12
choir and the	12
to find that	12
of henry iii	12
but it must	12
of the fourth	12
at the four	12
which support the	12
only a few	12
the case in	12
and the most	12
english parish church	12
of the name	12
are covered by	12
central tower was	12
it is evident	12
the see was	12
chapel on the	12
of the medieval	12
the court of	12
nature of the	12
dedication of a	12
the first to	12
they are of	12
as a place	12
and the walls	12
record of the	12
leading from the	12
no less than	12
to some extent	12
is a beautiful	12
in the other	12
adapted to the	12
a band of	12
west front is	12
away from the	12
of choir ft	12
the church with	12
is believed to	12
this is an	12
the mystery of	12
this passage is	12
in that case	12
our own day	12
in the dome	12
the chancel and	12
end is a	12
founded in by	12
in the cloister	12
it seems to	12
as long as	12
in the midst	12
services of the	12
in the arches	12
is the chapel	12
is a double	12
south and west	12
chapel in the	12
very similar to	12
central tower is	12
which the church	12
in the vault	12
first pointed work	12
mouldings of the	12
the result is	12
virgin and child	12
of the organ	12
instance of the	12
the result that	12
the sacrifice of	12
elevation of the	12
was finished by	12
the norman period	12
flight of steps	12
tower was built	12
art of the	12
erected at the	12
the most remarkable	12
is now used	12
and a large	12
what it was	12
to the outer	12
the residence of	12
given by the	12
it with the	12
there has been	12
from the time	12
the roman church	12
as he had	12
was called the	12
matter of fact	12
mystery of the	12
has been erected	12
the western bay	12
the lines of	12
to the period	12
during the civil	12
and the first	12
from east to	12
time of edward	12
to which it	12
the dissolution of	12
the identification of	12
a barrel vault	12
the ground level	12
now enter the	12
consult the glossary	12
but has been	12
it may have	12
date as the	12
those on the	12
the northern wall	12
sir george farquhar	12
here is a	12
the gift of	12
of our cathedrals	12
the object of	12
the accession of	12
the greek community	12
the door is	12
he saw the	12
but on the	12
of the cambridge	12
and the central	12
in view of	12
scottish abbeys and	12
place where the	12
the wife of	12
the hall of	12
to be an	12
a great deal	12
and the clerestory	12
of them are	12
monks of the	12
the edge of	12
pierced by a	12
at the base	12
of the latin	12
does not seem	12
from the temple	12
the christian church	12
of churches in	12
he was so	12
the great east	12
the manner in	12
in common with	12
the finest examples	12
a long time	12
was restored by	12
so to speak	12
set to work	12
the isle of	12
the building as	12
figure of our	12
it was erected	12
does not appear	12
to the new	12
he would be	12
of this transept	12
fragments of the	12
of the civil	12
tower at the	12
the faith of	12
of the large	12
this church was	12
the fashion of	12
head of a	12
the present church	12
west corner of	12
tomb of bishop	12
in the clerestory	12
at right angles	12
characteristics of the	12
is set forth	12
over the door	12
i should like	12
signified by the	12
spaces between the	12
appear to be	12
with the result	12
and in some	12
is remarkably fine	12
not have been	12
and a few	12
the former is	12
to the top	12
for many years	12
divided by a	12
but this was	12
imitation of the	12
in the dec	12
we come to	12
is supposed to	12
was a very	12
he went to	12
the sacrament of	12
of the picture	12
in the palace	12
mosque of sultan	12
the occasion of	12
church by the	12
nave and choir	12
feast of the	12
by a series	12
on the contrary	12
the ionic order	12
is a long	12
the preaching of	12
see church of	12
removal of the	12
the archbishop of	12
in classic architecture	12
built by abbot	12
breadth of nave	12
the same way	12
something of the	12
and built the	12
it is clear	12
the chapel was	12
the axis of	12
to miss joliffe	12
which is to	12
the first pointed	12
of later date	12
a greek doric	12
abbeys and cathedrals	12
height of nave	12
the cross of	11
and we have	11
side of it	11
wall of a	11
dome in the	11
in the parish	11
the narthex and	11
the jambs of	11
the western wall	11
of part of	11
of the ionic	11
the support of	11
the baptism of	11
to the palace	11
after the reformation	11
of the patriarch	11
and a small	11
the forum of	11
and had a	11
in the plan	11
parish churches of	11
a figure of	11
is flanked by	11
of first pointed	11
and as he	11
him with a	11
which is not	11
founded by the	11
the cloister court	11
that by the	11
domed cross church	11
of the divine	11
and the building	11
at the head	11
i have been	11
from the floor	11
and of a	11
which formed the	11
of the capitals	11
the roof was	11
as we see	11
the oldest part	11
the chancel at	11
of the saxon	11
doorway of the	11
worship of the	11
it was probably	11
of a chancel	11
with the monastery	11
the basilican plan	11
the main arches	11
part of this	11
presence of the	11
the high priest	11