quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
the church of s	127
the end of the	126
on the south side	112
at the east end	107
ecclesiastical architecture of scotland	102
on the north side	98
the church of the	83
the east end of	82
at the west end	80
one of the most	76
on the other hand	75
in the time of	75
the south side of	73
the middle of the	73
south side of the	72
of the thirteenth century	71
at the end of	70
the walls of the	65
east end of the	65
the north and south	62
seems to have been	62
the north side of	62
of the fifteenth century	61
the centre of the	61
saviour in the chora	60
is one of the	59
of the church of	59
north side of the	59
the beginning of the	56
at the same time	56
is said to have	53
the rest of the	52
of the fourteenth century	52
of the twelfth century	52
the body of the	51
the upper part of	51
on each side of	50
the time of the	48
the head of the	48
each side of the	48
in the fourteenth century	48
the history of the	48
upper part of the	47
on account of the	47
in the reign of	47
the site of the	46
the west end of	45
the plan of the	44
of the church is	43
in the fifteenth century	43
the close of the	42
the remains of the	42
the interior of the	42
said to have been	41
west end of the	41
in the centre of	40
the use of the	39
in the church of	39
the south wall of	39
the roof of the	39
in the thirteenth century	39
the chapel of st	39
side of the church	38
on the east side	38
part of the church	37
the church of st	37
of the north aisle	37
the building of the	36
the restoration of the	36
south wall of the	36
of the south aisle	35
according to that saying	35
in the form of	35
the lower part of	35
side of the nave	35
the fact that the	34
of the middle ages	34
the top of the	34
of the south transept	34
plan of the church	34
the architecture of the	34
was one of the	34
the floor of the	33
the exterior of the	33
to the church of	33
body of the church	33
the whole of the	32
it is to be	32
lower part of the	32
appears to have been	31
of the nave and	31
of the south church	30
the greater part of	30
on either side of	30
the name of the	30
the east of the	30
of one of the	30
in the middle of	30
to that of the	30
in the south wall	30
this part of the	30
of the church was	29
in the case of	29
to be found in	29
the position of the	29
with the exception of	29
there can be no	29
of the north transept	28
church of the holy	28
the south of the	28
at the beginning of	27
the west of the	27
on the site of	27
for the most part	27
end of the north	27
end of the nave	27
in the course of	27
the back of the	26
the face of the	26
to the memory of	26
in front of the	26
the early english style	26
in the south aisle	26
the arches of the	26
the north of the	26
end of the church	26
the beauty of the	25
the side of the	25
the founder of the	25
of the chancel arch	25
in the history of	25
the entrance to the	25
one of the finest	25
walls of the church	25
the line of the	25
the hands of the	25
a good example of	24
to the east of	24
the east wall of	24
of the parish church	24
it is probable that	24
the form of a	24
the windows of the	24
the church from the	24
it is difficult to	24
be found in the	24
the east side of	24
a portion of the	24
between nave and chancel	24
the angles of the	23
of the holy ghost	23
the north wall of	23
the work of the	23
in the north wall	23
of the holy apostles	23
part of the building	23
of the monastery of	23
east wall of the	23
wall of the south	23
the level of the	23
the style of the	23
on the west side	23
the sides of the	23
of the lady chapel	23
the foundation of the	23
for the use of	22
the story of the	22
the south transept is	22
north wall of the	22
either side of the	22
in the south transept	22
seem to have been	22
as far as the	22
the ruins of the	22
the church of ss	22
to the north of	22
of the same date	22
appear to have been	22
the wall of the	22
and there is a	22
wall of the chancel	21
there is a curious	21
at the back of	21
the eastern part of	21
the height of the	21
of the choir and	21
in the north aisle	21
john of the studion	21
on the north and	21
the fall of the	21
early part of the	21
eastern part of the	21
the foot of the	21
side of the chancel	21
to the west of	21
the early part of	21
the erection of the	21
in some of the	21
and part of the	21
on the south of	20
the abbey of paisley	20
the springing of the	20
the vaulting of the	20
of the church and	20
the altar of the	20
of the north church	20
at the time of	20
towards the end of	20
the piers of the	20
the north transept is	20
east side of the	19
the construction of the	19
of the early english	19
the east and west	19
can be no doubt	19
at the foot of	19
about the middle of	19
as it is written	19
of the sixteenth century	19
greater part of the	19
as well as the	19
for the sake of	19
the buildings of the	19
the ends of the	19
the tomb of the	19
of the choir is	19
to the south of	19
of the building is	19
at the close of	19
of a series of	19
in the decorated style	19
in the presence of	19
the monastery of lips	18
as well as in	18
west side of the	18
for the first time	18
to have been a	18
during the reign of	18
of the th century	18
of the same period	18
is covered by a	18
are to be found	18
as we have said	18
the base of the	18
the south choir aisle	18
are the remains of	18
similar to that of	18
in the early english	18
of the central tower	18
the nave from the	18
the chapel of the	18
the form of the	18
the west side of	18
is the work of	18
there is a large	17
side of the cloister	17
the monastery of manuel	17
the west wall of	17
the development of the	17
in the way of	17
the cambridge camden society	17
part of the original	17
for the purpose of	17
the capitals of the	17
the tracery of the	17
the design of the	17
wall of the church	17
that is to say	17
as the parish church	17
part of the nave	17
in addition to the	17
the arms of the	17
wall of the nave	17
of the holy trinity	17
north and south aisles	17
is to be noted	17
formed part of the	17
it is impossible to	17
north and south transepts	17
west wall of the	17
of the west front	16
converted into a mosque	16
the hand of god	16
in the quarter of	16
to have been the	16
of the churches of	16
the parish church of	16
in favour of the	16
the windows in the	16
of the eighteenth century	16
is of the same	16
of the work of	16
the north side is	16
side of the choir	16
is said to be	16
part of the north	16
of the east end	16
the exception of the	16
it was in the	16
in the early part	16
the nave of the	16
of the walls of	16
will be found in	16
as we have seen	16
the capital of the	16
the sign of the	15
with that of the	15
of the eleventh century	15
of the church in	15
the place of the	15
the north aisle of	15
in the shape of	15
than that of the	15
the names of the	15
the churches of the	15
the western part of	15
the passion of christ	15
the north choir aisle	15
and the lady chapel	15
in the civil war	15
the east end is	15
mary of the mongols	15
in regard to the	15
the foundations of the	15
the destruction of the	15
the aisles of the	15
the monastery of the	15
on the th of	15
of which it is	15
the same date as	15
was converted into a	15
was built by bishop	15
on the south is	15
the holy of holies	15
to have been built	15
the work of bishop	15
the proceedings of the	14
there is a fine	14
we shall speak in	14
now used as a	14
western part of the	14
of some of the	14
the banks of the	14
entrance to the church	14
on the walls of	14
is to be found	14
from that of the	14
the influence of the	14
in one of the	14
of the greek syllogos	14
proceedings of the greek	14
the date of the	14
was buried in the	14
the east window of	14
the nave and aisles	14
parish church of st	14
may be said to	14
to the use of	14
in the sixteenth century	14
may be taken as	14
it will be noticed	14
south aisle of the	14
the tower and spire	14
the greek syllogos of	14
part of the tower	14
of the house of	14
is a good example	14
the doctrine of the	14
the character of the	14
the fourteenth and fifteenth	14
is on the south	14
the ark of the	14
sign of the cross	14
of the nave is	14
a fine example of	14
of the architecture of	14
the south end of	14
the west end is	14
the south aisle of	14
rest of the church	13
was dedicated to st	13
the remains of a	13
in connection with the	13
to the fact that	13
the part of the	13
a large number of	13
the nave and transepts	13
we read in the	13
the altar of st	13
the arch never sleeps	13
towards the close of	13
a part of the	13
is covered with a	13
of the church by	13
end of the thirteenth	13
are the work of	13
arms of the cross	13
so as to form	13
of the nave was	13
as the church of	13
will be noticed that	13
the shrine of st	13
used as the parish	13
shall speak in the	13
interior of the church	13
length of nave ft	13
in honour of the	13
aisle of the choir	13
of the dedication of	13
east window of the	13
of the south wall	13
on the banks of	13
as a matter of	13
end of the south	13
north and south walls	13
the fabric of the	13
the weight of the	13
of the church are	13
in the interior of	13
the kingdom of heaven	13
to the same period	13
in the middle ages	13
fourteenth and fifteenth centuries	13
north aisle of the	13
at the south end	13
the east window is	13
the builder of the	13
and some of the	13
the church is a	13
in the churches of	13
be no doubt that	13
the latter part of	13
to speak of the	13
the length of the	13
the study of the	13
of the holy cross	13
it must have been	13
the palace of the	13
it seemed as if	13
the works of the	13
book of glasgow cathedral	13
to have been erected	13
as shall be said	13
of the original norman	12
from east to west	12
the completion of the	12
with regard to the	12
the rebuilding of the	12
of the body of	12
on the opposite side	12
the details of the	12
from the life of	12
to that saying of	12
during the civil war	12
remains of the old	12
the church has been	12
the dedication of the	12
in the district of	12
the great east window	12
the builders of the	12
the manner in which	12
the outline of the	12
the removal of the	12
of early english design	12
is later than the	12
that the church was	12
the nave and the	12
dimensions total length ft	12
not seem to have	12
is by no means	12
end of the fifteenth	12
the arrangement of the	12
with the result that	12
we now enter the	12
is seen in the	12
the seat of the	12
is remarkable for its	12
the size of the	12
the space between the	12
scottish abbeys and cathedrals	12
the west front is	12
the time of edward	12
the feast of the	12
the relics of the	12
in the twelfth century	12
the heads of the	12
to the present day	12
dedication of a church	12
be seen in the	12
latter part of the	12
end of the choir	12
of the cambridge camden	12
of the church were	12
where there is a	12
the eastern end of	12
the course of the	12
has been recently restored	12
than those of the	12
walls of the building	12
to be met with	12
same date as the	12
and one of the	12
north and south sides	12
in the neighbourhood of	12
in the name of	12
it was true that	12
on the west of	12
by a series of	12
in the chapel of	11
the northern and southern	11
in the house of	11
the relics of s	11
the lady chapel was	11
the crown of the	11
south end of the	11
about the same time	11
is not to be	11
of the pointed arch	11
on the day of	11
in every part of	11
and on the north	11
the west front and	11
wall of the north	11
from the fact that	11
the church of england	11
bays of the nave	11
a matter of fact	11
the shape of a	11
of light and shade	11
part of the cathedral	11
in the north transept	11
to be noted that	11
greek syllogos of c	11
of the cathedral is	11
the church in the	11
i do not think	11
part of a church	11
is the chapel of	11
a door in the	11
the addition of aisles	11
the triforium and clerestory	11
that it was the	11
the virgin and child	11
it is in the	11
the effect of the	11
in the perpendicular style	11
the church to the	11
that there was a	11
to a certain extent	11
of the nave were	11
is probable that the	11
in the construction of	11
until the time of	11
part of the walls	11
church of the theotokos	11
to those of the	11
dedicated to the theotokos	11
the dedication of a	11
the period of the	11
is a fine example	11
ought not to be	11
middle of the fourteenth	11
the word of god	11
of the nave are	11
may be seen in	11
the children of israel	11
is known as the	11
the church and the	11
the presence of the	11
the mystery of the	11
for the reception of	11
of the building was	11
on the occasion of	11
end of the twelfth	11
scenes from the life	11
be noticed that the	11
about the beginning of	11
on the north of	11
in the days of	11
of the church to	11
set to work to	11
the mosque of sultan	11
of the gothic period	11
of the monastic buildings	11
in the outer narthex	11
in the th century	11
the church of scotland	11
the axis of the	11
beginning of the thirteenth	11
one side of the	11
the time when the	11
at a short distance	11
to the monastery of	11
walls of the nave	11
the residence of the	11
the time of bishop	11
from the nave by	10
face of the wall	10
is that of the	10
a member of the	10
this portion of the	10
it is true that	10
main entrance to the	10
it may have been	10
at the angles of	10
in the hands of	10
during the fifteenth century	10
the english parish church	10
part of the city	10
to the height of	10
the order of the	10
that lord blandamer had	10
there is a very	10
and there was a	10
earlier part of the	10
walls of the aisles	10
history of the cathedral	10
of which we have	10
the light of the	10
part of the thirteenth	10
of nave and aisles	10
the power of the	10
is now used as	10
supposed to have been	10
the door of the	10
it is written in	10
to be seen in	10
the summit of the	10
it was not till	10
of the perpendicular style	10
was the church of	10
temple of vesta at	10
as a place of	10
an account of the	10
church of the pammakaristos	10
the worship of the	10
eastern end of the	10
in which it is	10
at right angles to	10
a representation of the	10
the south aisle was	10
the width of the	10
the consecration of the	10
to the time of	10
the case of the	10
and the church of	10
the mouldings of the	10
into the hands of	10
the elevation of the	10
the temple of god	10
with the church of	10
the temple of vesta	10
of the rest of	10
in other parts of	10
it is clear that	10
by means of a	10
of the most beautiful	10
of the plan of	10
a few years later	10
of vesta at tivoli	10
the vault of the	10
under the head of	10
the earlier part of	10
of the present cathedral	10
aisles of the nave	10
is lighted by a	10
of the finest in	10
that it was a	10
aisle of the nave	10
first quarter of the	10
the spaces between the	10
the office of the	10
the bottom of the	10
of the time of	10
principal building dates norman	10
and the church was	10
of the holy spirit	10
the south is the	10
at the head of	10
was used as a	10
was dedicated to the	10
the right of the	10
the outer walls of	10
was built in the	10
in the eleventh century	10
from the temple of	10
figure of our lord	10
of this period are	10
floor of the tower	10
the head of a	10
in the east wall	10
the author of the	10
with north and south	10
is pronounced to be	10
of the holy sepulchre	10
of the same character	10
in spite of the	10
the ornaments of the	10
the commencement of the	10
to the end of	10
of the seventeenth century	10
a great deal of	10
that the church of	10
the surface of the	10
the old and new	10
the thickness of the	10
part of the structure	10
the west front of	10
in the style of	10
as if he had	10
it is divided into	10
at the hands of	10
there is a central	10
parts of the building	10
the cistern of aspar	10
come down to us	10
of the church has	10
there is a small	9
was by no means	9
in the south church	9
the cathedral of st	9
between the nave and	9
it would be a	9
church dedicated to the	9
is full of interest	9
was erected in the	9
manner in which the	9
set forth by the	9
part of the chancel	9
which took place in	9
of the choir are	9
chapel at the east	9
be said to have	9
as time went on	9
under the name of	9
a good deal of	9
on the right hand	9
eastern portion of the	9
of the exterior of	9
body of the building	9
the choir and the	9
on the feast of	9
restoration of the church	9
there was no one	9
of the interior of	9
the early english period	9
the central tower is	9
in the study of	9
the columns of the	9
has been much restored	9
the church was dedicated	9
the glory of the	9
is earlier than the	9
the apse of the	9
all that remains of	9
we come to the	9
choir and lady chapel	9
the site of a	9
i should like to	9
the view of the	9
there seems to have	9
of the martyrdom of	9
buried in the church	9
the south aisle at	9
of the english parish	9
of many of the	9
of the blessed virgin	9
the dome of the	9
on account of his	9
after the death of	9
is divided into two	9
to the holy trinity	9
the palace of blachernae	9
of the east wall	9
said to be the	9
is the chantry of	9
to make room for	9
the wall of a	9
the services of the	9
is of early english	9
be buried in the	9
the art of the	9
of the nineteenth century	9
in the thickness of	9
abbot of the monastery	9
at a later date	9
it consists of a	9
bay of the nave	9
height of nave ft	9
of the nebuly coat	9
in the old testament	9
the chamber in the	9
there are traces of	9
both sides of the	9
it is one of	9
took place in the	9
the life of st	9
the monastery of s	9
length of choir ft	9
the support of the	9
of the doric order	9
a few of the	9
the first quarter of	9
is the monument of	9
that he had been	9
at the bottom of	9
to the honour of	9
the preaching of the	9
it is possible that	9
the side walls of	9
may have been the	9
of the church at	9
that saying of the	9
outer walls of the	9
of the civil war	9
the place where the	9
the figure of a	9
on the side of	9
the narthex of s	9
the house of god	9
the ground floor of	9
but it has been	9
by the addition of	9
the origin of the	9
the treatment of the	9
with respect to the	9
that of the nave	9
and there was no	9
the main entrance to	9
a series of small	9
one of the best	9
that on the south	9
the life of the	9
hoja mustapha pasha mesjedi	9
the finest in england	9
in the midst of	9
is a row of	9
the south side is	9
it would have been	9
to the top of	9
floor of the church	9
of a greek doric	9
on a large scale	9
the south wall is	9
the thirteenth century the	9
was rebuilt in the	9
the time of henry	9
the carving of the	8
of the walls and	8
the church and monastery	8
the opening of the	8
end of the building	8
does not seem to	8
the remainder of the	8
to the north and	8
other parts of the	8
short distance to the	8
the dissolution of monasteries	8
in the east window	8
the south aisle is	8
the early history of	8
and at the east	8
angles of the cross	8
the hall of the	8
by the fall of	8
on the plan of	8
the scene of the	8
that part of the	8
portion of the church	8
that he was a	8
the same time as	8
by the use of	8
of the tower is	8
one and the same	8
the lady chapel at	8
mary queen of scots	8
western portion of the	8
side of the central	8
the description of the	8
where there is no	8
capital in the outer	8
the best examples of	8
illustrations consult the glossary	8
and that of the	8
it must be remembered	8
part of the fifteenth	8
the case with the	8
to that in the	8
the church is the	8
for illustrations consult the	8
to that of st	8
some of the best	8
the sea of marmora	8
part of the old	8
norman work in the	8
been inserted in the	8
the nave is the	8
that on the north	8
our lord in glory	8
plan of the temple	8
of the norman style	8
but it must be	8
similar to those of	8
the outside of the	8
and there is no	8
the bases of the	8
and south walls of	8
entrance to the chapter	8
the main body of	8
rest of the building	8
the gates of the	8
the lady chapel is	8
according to the saying	8
is in three bays	8
of the sixth century	8
chapel of the chancel	8
the introduction of the	8
of the west end	8
to the inner narthex	8
under the rule of	8
every part of the	8
and on the west	8
to be buried in	8
of the most interesting	8
in the proceedings of	8
the top of a	8
church from the south	8
of the main arcade	8
i do not know	8
the king of glory	8
in the narthex of	8
the arch of the	8
the decoration of the	8
in each of the	8
later part of the	8
to the position of	8
doorway in the south	8
he was one of	8
and it was not	8
of our lord in	8
is a series of	8
which it is said	8
founded by henry viii	8
upper portion of the	8
interior of the building	8
in a line with	8
a church dedicated to	8
refectory of the monastery	8
a very early period	8
there was a little	8
during the rule of	8
the precincts of the	8
the north aisle is	8
and the rest of	8
must have been a	8
as one of the	8
the command of the	8
of the west wall	8
was divided into two	8
the consecration of a	8
the reign of the	8
the church dedicated to	8
from the time of	8
side walls of the	8
similar to the north	8
piers of the nave	8
door of the church	8
outer wall of the	8
of the norman period	8
sacraments of the church	8
a short distance to	8
of the perpendicular period	8
the ground plan of	8
the neighbouring church of	8
the reign of edward	8
of the tower and	8
on the outside of	8
wall of the transept	8
to be able to	8
to be in the	8
in the immediate vicinity	8
may be regarded as	8
north side is the	8
the upper portion of	8
by sir gilbert scott	8
and most of the	8
must have been very	8
in the monastery of	8
the cathedral of the	8
at the entrance to	8
the mode in which	8
the choir from the	8
the clerestory windows are	8
ground floor of the	8
it will not be	8
are found in the	8
one above the other	8
the faith of the	8
san vitale at ravenna	8
is similar to the	8
to a large extent	8
as a general rule	8
of the north side	8
in the eighteenth century	8
fall of the tower	8
the western portion of	8
a capital in the	8
in spite of all	8
the later part of	8
west corner of the	8
dedicated to the virgin	8
the pillars of the	8
the possession of the	8
as that of the	8
as we read in	8
the library of the	8
as if he were	8
king robert the bruce	8
in the same way	8
east corner of the	8
the monks of the	8
there are some curious	8
on the north is	8
the spandrels of the	8
was founded in by	8
of our lord and	8
that it was not	8
the shadow of the	8
the soffit of the	8
the edge of the	8
be little doubt that	8
history of the church	8
the tower of london	8
is obtained from the	8
of the church there	8
church of the pantokrator	8
in the life of	8
in which they are	8
of the north and	8
the reconstruction of the	8
by the fact that	8
the body of christ	8
of the earl of	8
was the scene of	8
in the fourteenth and	8
is found in the	8
of the consecration of	8
the church by the	7
in the eastern lunette	7
for the restoration of	7
of the fourth century	7
on the other side	7
the relics of st	7
ark of the testimony	7
the plan of a	7
the church was rebuilt	7
shall be said hereafter	7
have to speak of	7
of the decorated period	7
on the east of	7
the teaching of the	7
in the same city	7
of the cathedral was	7
was raised to the	7
i am sure i	7
it has not been	7
walls of the city	7
the shape of the	7
closely connected with the	7
at the ground level	7
the absence of the	7
portion of the building	7
it is evident that	7
is on the north	7
of the roman empire	7
eaves of the roof	7
the east window has	7
at the four corners	7
at the high altar	7
the patron saint of	7
have been used for	7
the east wall is	7
as it has been	7
the appearance of the	7
to the south transept	7
is the tomb of	7
the central tower was	7
now known as the	7
portion of the nave	7
of the tower of	7
of the chancel was	7
in the lady chapel	7
attached to the monastery	7
building of the cathedral	7
of the choir was	7
four quarters of the	7
the day of judgment	7
a great part of	7
the body of st	7
in the nave and	7
of the mosque of	7
the reign of henry	7
in the possession of	7
lady chapel at the	7
is similar to that	7
the authority of the	7
roof of the nave	7
windows of the aisles	7
erected in memory of	7
was not to be	7
of the building as	7
in process of time	7
west of the south	7
are covered with cross	7
on the exterior the	7
and is said to	7
of the upper portion	7
at the time when	7
arches in each bay	7
in the wall of	7
the south transept was	7
the north and east	7
is the king of	7
of the ground plan	7
the greek doric order	7
not appear to have	7
as we shall see	7
may have been a	7
considered to be the	7
in the walls of	7
in the first instance	7
may be cited as	7
the skill with which	7
they are to be	7
the roof is modern	7
the celebration of the	7
there is a remarkable	7
it seems to have	7
covered by a dome	7
churches of the city	7
by the introduction of	7
middle of the fifteenth	7
for the support of	7
the early years of	7
above the level of	7
eastern wall of the	7
see church of s	7
the first time in	7
in the north side	7
in some of our	7
a close resemblance to	7
of the bishops of	7
i hope you will	7
in the gallery of	7
it is not surprising	7
figure of the virgin	7
of part of the	7
it is said that	7
the death of the	7
in proportion to their	7
of alfred the great	7
south of the nave	7
of the temple of	7
south choir aisle is	7
designed by sir g	7
the church had been	7
in its present state	7
on account of its	7
at the side of	7
of the transept is	7
have been one of	7
other churches of the	7
from the west end	7
of the palace of	7
seen from the south	7
tracery of the windows	7
side of the tower	7
the most striking features	7
there is also a	7
of the abbey church	7
the wall above the	7
form of the cross	7
of the works of	7
much of the old	7
in the use of	7
with those of the	7
of the virgin and	7
the refectory of the	7
in the library of	7
a church in the	7
with the rest of	7
nave of the church	7
there is a beautiful	7
the kingdom of god	7
has been much altered	7
the capital of a	7
the advent of the	7
the members of the	7
bear a close resemblance	7
during the fourteenth century	7
the eastern portion of	7
of the history of	7
the neighbourhood of the	7
imitation of timber construction	7
the south aisle are	7
to the outer walls	7
the narthex of the	7
main body of the	7
the mouth of the	7
in the church is	7
the presence of a	7
the heart of the	7
norman and early english	7
under the direction of	7
consecration of a church	7
near the east end	7
of one of these	7
is the church of	7
dedicated to the holy	7
the first half of	7
the valley of the	7
of the chapel is	7
south chapel of the	7
later date than the	7
shall be able to	7
in the decorated period	7
the identification of the	7
the glass is modern	7
through the middle ages	7
part of the present	7
us back to the	7
the condition of the	7
only part of the	7
the church of aetius	7
have come down to	7
of the great church	7
of the east window	7
it is necessary to	7
addition of aisles to	7
is to be remarked	7
the four quarters of	7
a great variety of	7
the reader is referred	7
as may be seen	7
it will be observed	7
was the work of	7
would appear to have	7
in the seventeenth century	7
portion of the cathedral	7
the slope of the	7
from the designs of	7
of a parish church	7
are filled in with	7
after the fashion of	7
the north transept was	7
the parecclesion of the	7
began to rebuild the	7
at the altar of	7
two bays of the	7
between the clergy and	7
an important part in	7
at a time when	7
first half of the	7
the eaves of the	7
is late early english	7
south walls of the	7
the building has been	7
in proportion to its	7
of the south porch	7
from the body of	7
but according to the	7
of the greek doric	7
to do with the	7
of the church as	7
capital of the column	7
it was converted into	7
may still be seen	7
at the dorcas meeting	7
john the baptist in	7
was built at the	7
and seems to have	7
the nature of the	7
of the north wall	7
is signified by the	7
as is the case	7
a series of mouldings	7
door leading to the	7
same time as the	7
from the top of	7
the hand of the	7
with a view to	7
is divided into three	7
of the old norman	7
the old church of	7
and on the south	7
portion of the west	7
well as in the	7
at any rate the	7
from the centre of	7
west of the church	7
for a long time	7
part of the south	7
the contrast between the	7
of the chancel at	7
abbot of the studion	7
to north and south	7
in memory of bishop	7
in the sixth century	7
of the main building	7
it is obvious that	7
the great church of	7
of first pointed work	7
it will be seen	7
at the ends of	7
with the monastery of	7
ringing of the bells	7
is difficult to imagine	6
added to the nave	6
is a matter of	6
in commemoration of the	6
to set forth the	6
on one of the	6
in the inner narthex	6
in addition to these	6
down to the ground	6
the result is that	6
into a series of	6
leading from the outer	6
was begun by bishop	6
of the decorated style	6
of the dome in	6
founded by david i	6
stopped for a moment	6
in the first place	6
and it is to	6
of the diocese of	6
the fourteenth century the	6
rebuilt in the fifteenth	6
known to have been	6
east of the south	6
the church is called	6
as to form a	6
between them and the	6
the choir and transepts	6
between the church and	6
in accordance with the	6
we will now examine	6
that we have here	6
his way to the	6
middle of the twelfth	6
in the sixth book	6
there are remains of	6
the style is decorated	6
will be observed that	6
in the british museum	6
is believed to have	6
the dome in the	6
he was a man	6
the union of the	6
to have been in	6
of this we shall	6
clerk of the works	6
it is said in	6
is to be seen	6
of the duke of	6
the conversion of the	6
the tombs of the	6
the art of building	6
as a means of	6
and the remains of	6
the communion of saints	6
of the northern and	6
and it is not	6
divided from the nave	6
in the west wall	6
details from the church	6
and it has been	6
reign of andronicus ii	6
the symbolism of the	6
from the east wall	6
to the development of	6
which is denoted by	6
horns of the altar	6
the treasury of atreus	6
the feast of all	6
the finest examples of	6
the reign of leo	6
the upper parts of	6
at the angles and	6
of the later saxon	6
the parthenon at athens	6
must have been one	6
was the architect of	6
side of the altar	6
the colour of the	6
of the windows is	6
was on the north	6
is very similar to	6
middle pointed or decorated	6
of the lord is	6
and many of the	6
of brick and stone	6
the lord saith to	6
when the church was	6
is an arcade of	6
as can be seen	6
the choir is a	6
to the north side	6
be seen on the	6
as those of the	6
for the performance of	6
for the erection of	6
is in five bays	6
and the greater part	6
from the outer to	6
in this part of	6
one of the earliest	6
south sides of the	6
full length of the	6
in the valley of	6
gifts of the holy	6
in the decoration of	6
and dedicated to st	6
and in the north	6
to one of the	6
on the south are	6
hours of the day	6
as well as a	6
part of the wall	6
the guild of st	6
will now examine the	6
of the erection of	6
body and blood of	6
to point out the	6
the full length of	6
the importance of the	6
in the consecration of	6
original form of the	6
have been added to	6
he is said to	6
of st mary and	6
the nave and choir	6
into the kingdom of	6
the reign of andronicus	6
column in the parecclesion	6
in the choir of	6
in the same year	6
the front of the	6
two storeys in height	6
northern wall of the	6
the two eastern bays	6
the time of pericles	6
we shall find that	6
the north or south	6
part of the fourteenth	6
the reception of the	6
has been inserted in	6
to the beauty of	6
in the head of	6
a view of the	6
is that of a	6
the unity of the	6
there is a double	6
the base of a	6
and south sides of	6
timber construction in stone	6
of the cathedrals of	6
there is a good	6
western end of the	6
the projection of the	6
in that case the	6
the parish church was	6
one of the few	6
and the duke of	6
portion of the choir	6
the architectural features of	6
east of the tower	6
in the perpendicular period	6
the church was founded	6
at the top of	6
so far as we	6
as if they were	6
in the next chapter	6
he went to the	6
in the day of	6
but there can be	6
it need not be	6
to the study of	6
the revenues of the	6
shall be said below	6
good example of an	6
the original church of	6
arches of the nave	6
in the development of	6
the woodwork of the	6
outer to the inner	6
the south church is	6
arch in the north	6
of the side walls	6
became the first bishop	6
the original form of	6
gallery over the narthex	6
greek doric capital from	6
there was a great	6
the characteristics of the	6
the south chapel of	6
of the site of	6
are of the same	6
from the face of	6
in the lower part	6
the lines of the	6
at the university press	6
during the time of	6
at a very early	6
is the figure of	6
above the chancel arch	6
the son of the	6
are the ruins of	6
on the east is	6
height of central tower	6
in the heads of	6
the altar is covered	6
the church on the	6
may be described as	6
the work of abbot	6
the first bishop of	6
the grace of the	6
the fate of the	6
believed to have been	6
shared the fate of	6
of a gothic church	6
the outer to the	6
the time of elizabeth	6
to the size of	6
of the middle of	6
made up his mind	6
and is one of	6
the aisleless church of	6
near the gate of	6
atrium of a roman	6
of the church from	6
in many parts of	6
grace of the holy	6
that he was not	6
and to have been	6
examination of the building	6
of the chancel and	6
which seems to have	6
it was not until	6
a fine view of	6
parish churches of the	6
was destroyed by the	6
one on each side	6
the elder lady chapel	6
our lord and the	6
most striking features of	6
head of the church	6
is impossible to say	6
near the church of	6
it ought to be	6
is generally considered to	6
of the building and	6
for the same reason	6
the monument of sir	6
as early as the	6
of the nave of	6
the addition of a	6
by the west door	6
the upper story of	6
no part of the	6
the days of the	6
the day of the	6
we have to speak	6
but it was a	6
side of the cathedral	6
the quarter of psamathia	6
cathedrals of great britain	6
the hearts of the	6
of the aisleless church	6
to the throne of	6
there can be little	6
the use of a	6
reader is referred to	6
after the example of	6
baptist of the studion	6
of timber construction in	6
was connected with the	6
form of the church	6
good example of the	6
is entered by a	6
part of the country	6
what do you think	6
all through the middle	6
the scheme of restoration	6
mosque of sultan mehemed	6
of the wall of	6
at the point of	6
the nave by the	6
the apex of the	6
the gate of the	6
of the art of	6
in order to make	6
the lord commanded moses	6
was founded by david	6
of the dome and	6
the gable of the	6
which may have been	6
to which he was	6
quarter of the city	6
which may be seen	6
behind the high altar	6
for the building of	6
the sacraments of the	6
there is no triforium	6
a cup of tea	6
to the period of	6
belongs to the same	6
the cost of the	6
with the remains of	6
north and south doorways	6
the difference between the	6
the house of the	6
part of the sixteenth	6
during the thirteenth century	6
the church consists of	6
commissioners of henry viii	6
in the later churches	6
early in the morning	6
important part in the	6
was one of those	6
carries us back to	6
in the parish church	6
the repair of the	6
at a later period	6
at the east of	6
the north transept has	6
in the south choir	6
the foundations of a	6
that it may be	6
and the body of	6
in the choir and	6
that they may be	6
the north side we	6
in the erection of	6
side we see the	6
of the original church	6
the cause of the	6
be met with in	6
it has been thought	6
condition of the church	6
half of the thirteenth	6
the western end of	6
the lord of the	6
are the monuments of	6
was known as the	6
in the same county	6
a large amount of	6
in the vicinity of	6
chamber in the south	6
on the one hand	6
there is no record	6
in the western lunette	6
be derived from the	6
door leading from the	6
in the palace of	6
breadth of nave ft	6
of the old work	6
and in the south	6
of the abbey of	6
the glass of the	6
restoration of the monarchy	6
the south and west	6
the crossing of the	6
he was in the	6
the right and left	6
a line with the	6
of early english date	6
the figures of the	6
to the bishop of	6
from time to time	6
at the command of	6
that it is the	6
we are able to	6
the grandeur of the	6
the later middle ages	6
high up in the	6
quarters of the world	6
in imitation of the	6
of the rood screen	6
it was built by	6
in the church was	6
the bishop of carisbury	6
churches of the same	6
the atrium of a	6
tower over the crossing	6
the walls of this	6
was erected by bishop	6
on the top of	6
the part of a	6
the clergy and the	6
is denoted by the	6
nave from the choir	6
the most beautiful in	6
but it is not	6
are not to be	6
to the dignity of	6
of the same width	6
the figure of our	6
to the same height	6
brass to the memory	6
the doors of the	6
wall of the choir	6
the chancel arch was	6
from the church to	6
from each other by	6
after the completion of	6
that there was no	6
the fact that they	6
each angle of the	6
to go to the	6
after the turkish conquest	6
is separated from the	6
was a man of	6
as high as the	6
from those of the	6
in the ark of	6
the finest in the	6
the domed cross church	6
of the tower was	6
if he had been	6
is supposed to have	6
scottish cathedrals and abbeys	6
of the temple at	6
of the ancient church	6
the different parts of	6
the last of the	6
mystery of the cross	6
the chancel of the	6
is part of the	6
of the two churches	6
at the present time	6
a copy of the	6
from the rest of	6
a large part of	6
ground plan of the	6
the appearance of a	6
the result of the	6
the only part of	6
and it is probable	6
sharnall in d flat	6
thickness of the wall	6
of the university of	6
parts of the structure	6
the monuments here are	6
the news of the	6
most beautiful in england	6
is derived from the	6
and those of the	6
the pointed arch was	6
the abbot of the	6
in the northern wall	6
was probably built by	6
was added to the	6
consult the glossary under	6
is in the south	6
out of the church	6
to a height of	6
of the most striking	6
the nave was finished	6
and it is said	6
on the back of	6
to the time when	6
the pavement of the	6
one of which is	6
the book of the	6
can be little doubt	6
lord blandamer in the	6
this as it may	5
history of gothic art	5
the richness of the	5
in the buildings of	5
plan of san vitale	5
one of the greatest	5
the lower part is	5
the first pointed style	5
in three bays covered	5
is all that remains	5
springing of the aisle	5
time of edward iii	5
upon the altar of	5
the second quarter of	5
of the cloister court	5
the honour of being	5
the preface to the	5
on the roof of	5
the care of the	5
the settlement of the	5
was that of the	5
as has been said	5
order had also abbeys	5
west angle of the	5
north of the alps	5
picture of the flowers	5
in the office of	5
the royal institute of	5
the east of this	5
the civil war period	5
the reredos is modern	5
which is to be	5
into nave and aisles	5
to see mr westray	5
early years of the	5
but there was no	5
be declared in the	5
the gate of s	5
character of the building	5
made use of in	5
the buttresses of the	5
of gothic art in	5
of norman work in	5
the time of his	5
and section of the	5
consists of a choir	5
in the face of	5
it would appear that	5
is believed to be	5
for the celebration of	5
there was no time	5
be seen from the	5
from the church of	5
right side of the	5
part of the twelfth	5
the biographer of s	5
years of his life	5
the monastic buildings were	5
from the south aisle	5
and it is in	5
the tympanum of the	5
temple of zeus at	5
before the turkish conquest	5
to the fifteenth century	5
by the erection of	5
which the church of	5
and in the same	5
feast of the dedication	5
the instruments of the	5
wall of a building	5
south of the chancel	5
buildings of the romans	5
of lysicrates at athens	5
had also abbeys at	5
and the roof of	5
of the ninth century	5
of the south chapel	5
epitaph in honour of	5
and has a large	5
is the history of	5
on each side are	5
cut off from the	5
a burden too heavy	5
in the preparation of	5
the narthex and the	5
carried out in the	5
the church during the	5
the best example of	5
upper parts of the	5
played an important part	5
plan of the house	5
in the outer wall	5
in the second quarter	5
at the base of	5
hypostyle hall at karnak	5
he looked at it	5
go up to the	5
the roof is a	5
the church of san	5
of english gothic art	5
height of west towers	5
work of the same	5
site of the present	5
each corner of the	5
of the dome arches	5
marks the site of	5
did after their kind	5
the immediate vicinity of	5
the bosses of the	5
but it does not	5
the inscription on the	5
of late perpendicular work	5
tower between nave and	5
of the golden horn	5
angles of the tower	5
and made it the	5
east angle of the	5
on the right and	5
we have seen that	5
staircase leading to the	5
for the benefit of	5
are some of the	5
is flanked by two	5
ancient and modern constantinople	5
we are told that	5
be this as it	5
to the influence of	5
as was the case	5
the founders of the	5
third book of kings	5
great part of the	5
was on the south	5
of churches in the	5
tower and spire are	5
the requirements of the	5
angle of the transept	5
end of the narthex	5
gothic architecture in england	5
the gallery over the	5
the upper portion is	5
little more than a	5
south of the church	5
of which we give	5
became the seat of	5
use was made of	5
the murder of the	5
the mark of the	5
and the whole church	5
it is said to	5
that he was going	5
and finished by his	5
so far as the	5
the honour of the	5
and of the holy	5
the interior we enter	5
width of nave ft	5
the idea that the	5
a certain amount of	5
part of a building	5
last half of the	5
may be found in	5
the way in which	5
some of the work	5
interior we enter the	5
of the bishop of	5
of the old testament	5
the north is the	5
which a church is	5
the tomb of bishop	5
side of the south	5
before the erection of	5
of the eastern arm	5
in memory of his	5
set fire to the	5
was rebuilt by bishop	5
is of later date	5
the body and blood	5
of zeus at olympia	5
and consists of a	5
be one of the	5
gallery on the north	5
the reign of justinian	5
is preserved in the	5
as part of the	5
was the first time	5
we have spoken in	5
the most holy trinity	5
the right hand of	5
the festivals of the	5
shape of a cross	5
of the high altar	5
and the roof is	5
beginning of the sixteenth	5
us a burden too	5
length of the nave	5
the memory of the	5
to have been of	5
east end is a	5
both within and without	5
the ribs of the	5
in the same place	5
and the work was	5
before the high altar	5
to have been introduced	5
the church is cruciform	5
will be seen that	5
to part with it	5
to the north aisle	5
of the structure is	5
close of the thirteenth	5
the massacre of the	5
and in the gable	5
of the patron saint	5
office of the mass	5
end of each aisle	5
on his way to	5
are examples of the	5
the chantry of bishop	5
the nave to the	5
the wall between the	5
which stood on the	5
to the christian faith	5
in common with the	5
and the whole of	5
with which we are	5
in a state of	5
in the whole of	5
side of the doorway	5
of which there are	5
was at one time	5
he was going to	5
of the old nave	5
are known to have	5
of the aisle walls	5
destroyed at the reformation	5
is used in the	5
entering the choir we	5
whole length of the	5
about the end of	5
of the finest examples	5
is due to the	5
part of the exterior	5
another part of the	5
could not have been	5
in a roman house	5
the piers and arches	5
monument of lysicrates at	5
in proportion to the	5
lord of the manor	5
attached to the church	5
bays covered with cross	5
of the gate of	5
the eyes of the	5
have been built by	5
description of the church	5
he did not know	5
much the same as	5
as well as of	5
in the restoration of	5
the plan of these	5
of the foundation of	5
division between nave and	5
the festival of the	5
church of the koimesis	5
the northern wall of	5
view of the cathedral	5
the course of this	5
in the north and	5
the architectural character of	5
the crypt of the	5
has been pointed out	5
towards the middle of	5
the troubles of the	5
portico of the erechtheium	5
at a distance of	5
generally considered to be	5
if it was a	5
the famous shrine of	5
on one side of	5
the mysteries of the	5
the norman work of	5
was the case with	5
a noble specimen of	5
the oil of the	5
are usually on the	5
the form of an	5
very large number of	5
by abbot john de	5
to convey the idea	5
the area of the	5
which has been much	5
the martyrdom of s	5
saying of the apostle	5
it appears to have	5
is referred to the	5
the affairs of the	5
at the battle of	5
windows have been inserted	5
of the lower church	5
and the destruction of	5
of the present building	5
from the floor of	5
in the list of	5
the masonry of the	5
and the name of	5
a large body of	5
in the architecture of	5
it with the church	5
floor of the choir	5
the war of independence	5
the east end and	5
window of the south	5
similar to that in	5
to or up to	5
is at the west	5
but we do not	5
of francis the first	5
saw that it was	5
and at the west	5
beginning of the fifteenth	5
from the old testament	5
of the most ancient	5
the choir and aisles	5
that he would have	5
is on the east	5
relics of the saint	5
so called from the	5
and the richness of	5
a large triple window	5
to be one of	5
the narthex is in	5
found in the church	5
the dignity of the	5
part of the edifice	5
of which have been	5
chapel on the south	5
capitals of the columns	5
flanked by two towers	5
the right side of	5
of the building are	5
a relic of the	5
of the cathedral of	5
the west front has	5
raised to the dignity	5
the result that the	5
is at the east	5
the last half of	5
the north wall is	5
it appears that the	5
the time of james	5
there be that are	5
the tower of the	5
have been erected by	5
eleventh and twelfth centuries	5
the wars of the	5
of the fourteenth and	5
during the reigns of	5
that this was the	5
the baptist of the	5
end of the aisle	5
of the most holy	5
by constantine the great	5
and at the same	5
wall of the aisle	5
it is quite possible	5
the spirit of the	5
had its origin in	5
as has already been	5
may be due to	5
window in the south	5
in place of the	5
porch was built by	5
of the twelfth dynasty	5
sides of the octagon	5
be observed that the	5
in the gothic period	5
early in the fourteenth	5
face to face with	5
the jambs of the	5
dome in the south	5
sides of the chancel	5
the floor in the	5
in the western wall	5
east of the north	5
the existence of a	5
the north transept and	5
nave from the aisles	5
as in the case	5
an early english doorway	5
the builder of this	5
west front has been	5
the outer narthex of	5
it is hard to	5
same width as the	5
the apostle of the	5
as long as the	5
as the mother church	5
in the faith of	5
the period of transition	5
to pull down the	5
east end of this	5
kingdom of heaven is	5
to the worship of	5
been one of the	5
the cathedrals of great	5
use of the arch	5
an example of a	5
figures of the apostles	5
the clerestory of the	5
the discovery of the	5
stood on the south	5
right hand of the	5
of the most magnificent	5
the octave of the	5
oldest part of the	5
by the hands of	5
the eastern dome arch	5
was founded by the	5
monuments in the nave	5
extend to the outer	5
in connexion with the	5
the gift of the	5
it is thought that	5
of the most curious	5
the columns in the	5
the end of a	5
of the roof is	5
be obtained from the	5
at the point where	5
which it has been	5
of the figure of	5
the spaces between them	5
the example of the	5
as a parish church	5
seems to have had	5
of this part of	5
in the exterior of	5
the western tower was	5
a large perpendicular window	5
nothing to do with	5
the order in which	5
of the reign of	5
the high altar of	5
the adoption of the	5
that the head of	5
destroyed by fire in	5
the ribs of a	5
built up in the	5
in the act of	5
early history of the	5
by the presence of	5
is pierced by a	5
until the reign of	5
face of the tower	5
the choir and lady	5
side of the west	5
end of the th	5
and is remarkable for	5
and the architecture of	5
the third book of	5
tower at the west	5
not only in the	5
the original norman work	5
in the immediate neighbourhood	5
on the soffit of	5
arches of the windows	5
it consisted of a	5
door in the north	5
capture of the city	5
to the level of	5
the doorway in the	5
belong to the same	5
narthex of the south	5
wall of the tower	5
norman character of the	5
of the aisle was	5
clerestory of the nave	5
of the church militant	5
in the body of	5
would appear that the	5
so far as it	5
outer narthex of the	5
may have been used	5
the core of the	5
in the north of	5
in the choir are	5
the roof of which	5
after the destruction of	5
the same height as	5
i am indebted to	5
be noted that the	5
as far as possible	5
the body of a	5
model of the church	5
to the early english	5
what is known as	5
interior of the north	5
the question of the	5
a considerable number of	5
an arch in the	5
a nave and chancel	5
side of the building	5
different from that of	5
to the chapter house	5
formed part of a	5
that he could not	5
to a considerable extent	5
central part of the	5
the walls of which	5
are said to have	5
take the place of	5
british school at athens	5
restored in memory of	5
the gate of saturninus	5
windows in the dome	5
figure of a man	5
of the early christian	5
the eleventh and twelfth	5
of the buildings of	5
the original plan of	5
the forum of nerva	5
of the capital of	5
the oldest part of	5
the glass in the	5
over the crossing is	5
the style is early	5
on the upper floor	5
the book of wisdom	5
it was the first	5
there was no fire	5
form part of the	5
quarter of the twelfth	5
covered with barrel vaults	5
right up to the	5
some of the most	5
the north window is	5
i am the door	5
he thought of the	5
site of the old	5
the same width as	5
the centres of the	5
the late duke of	5
of the beauty of	5
a few years ago	5
church consists of a	5
of our lord jesus	5
in the highest degree	5
church church of s	5
between it and the	5
the entrance to a	5
of nave and chancel	5
the eastern bay of	5
sides on the exterior	5
from the chancel by	5
beginning of the twelfth	5
the north porch is	5
it will be remembered	5
the features of the	5
knew that he had	5
second quarter of the	5
different parts of the	5
the era of the	5
along the south side	5
very similar to the	5
the laying on of	5
roof of the church	5
of faith in the	5
after the battle of	5
john the baptist of	5
of the churches in	5
to our own day	5
the date of this	5
was dedicated to s	5
of the identification of	5
the religion of the	5
is said in the	5
the hypostyle hall at	5
a considerable portion of	5
is entered from the	5
the same way as	5
higher than the rest	5
which belong to the	5
the door to the	5
and the lord saith	5
was made in the	5
burden too heavy to	5
elevation of the host	5
of the windows are	5
of the eastern part	5
style of the architecture	5
wall of the parecclesion	5
lighted by a large	5
in the design of	5
the choir and transept	5
and is in the	5
ribs of the vaulting	5
of which may be	5
the name of st	5
at the reformation the	5
the other side of	5
and was buried in	5
restoration of the cathedral	5
are on the north	5
guild of st mary	5
the service of the	5
at the council of	5
the attention of the	5
of which we shall	5
by the earl of	5
must be remembered that	5
were inserted in the	5
of a roman house	5
on both sides of	5
the acts of the	5
perfect example of the	5
was surrounded by a	5
old and new testament	5
situated in the quarter	5
tables of the law	5
about the time of	5
quarter of the fourteenth	5
so as to produce	5
th and th centuries	5
by means of the	5
the ringing of the	5
the ionic and corinthian	5
each of the four	5
on the ground floor	5
crossing of the nave	5
it was to be	5
of the building to	5
the south is a	5
of the south side	5
as it was in	5
an integral part of	5
the baths of diocletian	5
of stone or wood	5
are among the most	5
to be remarked that	5
the west part of	5
the chapels of st	5
way in which the	5
position of the altar	5
that he might be	5
of the dome is	5
heavy to be borne	5
little doubt that the	5
of the eastern church	5
it is certain that	5
on the eve of	5
is known to have	5
to the custom of	5
after the norman conquest	5
to be found at	5
ornament from rheims cathedral	5
of each of the	5
of the interior is	5
the enlargement of the	5
of the old chancel	5
the horns of the	5
the south and east	5
the north aisle was	5
of justinian the great	5
the proportions of the	5
in the eighth century	5
the custom of the	5
for some of the	5
than in any other	5
was built by abbot	5
the earliest christian churches	5
as soon as the	5
chapel of the holy	5
the work of a	5
the baptist in trullo	5
does not appear to	5
the eastern wall of	5
east and west porticoes	5
consists of a series	5
of the arches of	5
from north to south	5
with which it was	5
in the norman style	5
window in the north	5
in which it was	5
is the temple of	5
in the tracery of	5
right angles to the	5
the gallery on the	5
other side of the	5
the church of rome	5
is evident from the	5
the central area is	5
those of the early	5
the left of the	5
the seat of a	5
the choir of lincoln	5
used as a vestry	5
end of the world	5
middle of the thirteenth	5
the thrust of the	5
in the former case	5
a fine piece of	5
the law and the	5
not be forgotten that	5
as a sign of	5
church is to be	5
some of the early	5
the tower was built	5
dedication of the church	5
too heavy to be	5
the words of the	5
and especially of the	5
filled with modern glass	5
the transition from the	5
of the church with	5
is used as the	5
figures of our lord	5
a restoration of the	5
set forth in the	5
in our own day	5
near the west end	5
in the heart of	5
did much for the	5