This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
early english books | 1245 |
english books online | 984 |
text creation partnership | 688 |
based on the | 648 |
to the tune | 487 |
the tune of | 484 |
keying and markup | 472 |
characters represented either | 432 |
marked as illegible | 432 |
represented either as | 432 |
either as utf | 432 |
according to the | 260 |
sampled and proofread | 257 |
of creative commons | 256 |
and encoded edition | 256 |
from proquest page | 256 |
books online text | 256 |
for commercial purposes | 256 |
to the early | 256 |
encoded edition of | 256 |
can be copied | 256 |
to the terms | 256 |
described above is | 256 |
even for commercial | 256 |
and xml conversion | 256 |
this phase i | 256 |
and markup reviewed | 256 |
scanned from microfilm | 256 |
phase i text | 256 |
online text creation | 256 |
available for reuse | 256 |
markup reviewed and | 256 |
encoded text transcribed | 256 |
pfs batch review | 256 |
coded from proquest | 256 |
images scanned from | 256 |
keyboarded and encoded | 256 |
the text can | 256 |
terms of creative | 256 |
kb of xml | 256 |
text transcribed from | 256 |
owned by the | 256 |
tcp assigned for | 256 |
the work described | 256 |
for keying and | 256 |
by the institutions | 256 |
distributed and performed | 256 |
keyed and coded | 256 |
institutions providing financial | 256 |
all without asking | 256 |
providing financial support | 256 |
the terms of | 256 |
above is co | 256 |
the institutions providing | 256 |
of the work | 256 |
text and markup | 256 |
edition of the | 256 |
the early english | 256 |
support to the | 256 |
text is available | 256 |
and coded from | 256 |
iv tiff page | 256 |
financial support to | 256 |
work described above | 256 |
i text is | 256 |
is available for | 256 |
assigned for keying | 256 |
text can be | 256 |
this keyboarded and | 256 |
proquest page images | 256 |
reviewed and edited | 256 |
without asking permission | 256 |
tiff page image | 237 |
there was a | 227 |
on the new | 221 |
is very good | 218 |
that can be | 218 |
can be made | 218 |
bear in mind | 218 |
which did not | 217 |
a number of | 217 |
of each text | 217 |
in mind that | 217 |
that in all | 217 |
is given to | 217 |
did not meet | 216 |
data within the | 216 |
the text creation | 216 |
intended to range | 216 |
proquest via their | 216 |
therefore of any | 216 |
accurately transcribed and | 216 |
qa standards were | 216 |
those which did | 216 |
page images in | 216 |
the general aim | 216 |
teams in oxford | 216 |
and some readable | 216 |
encoding was enhanced | 216 |
accordance with level | 216 |
of the print | 216 |
variously as sgml | 216 |
of textual data | 216 |
instances per text | 216 |
sometimes a second | 216 |
where possible up | 216 |
sets published by | 216 |
text selection was | 216 |
published by proquest | 216 |
their own purposes | 216 |
have been looked | 216 |
to do so | 216 |
wide variety of | 216 |
using tcp tei | 216 |
and therefore chose | 216 |
standards were returned | 216 |
been looked at | 216 |
tei g elements | 216 |
external keying companies | 216 |
linked to page | 216 |
between and available | 216 |
created during phase | 216 |
or text strings | 216 |
published between and | 216 |
that due credit | 216 |
general aim of | 216 |
of a work | 216 |
project have been | 216 |
returned to the | 216 |
released into the | 216 |
proofread for accuracy | 216 |
accuracy and those | 216 |
to encode one | 216 |
markup guidelines are | 216 |
should make clear | 216 |
of creating the | 216 |
chose to create | 216 |
or for an | 216 |
due credit and | 216 |
of instances per | 216 |
usual project restraints | 216 |
tei p using | 216 |
should be aware | 216 |
into two phases | 216 |
works in other | 216 |
elements to simplify | 216 |
for accuracy and | 216 |
likelihood such instances | 216 |
request that due | 216 |
of english literature | 216 |
image sets were | 216 |
strings within braces | 216 |
english were prioritized | 216 |
of michigan and | 216 |
the first edition | 216 |
illegible were corrected | 216 |
included and sometimes | 216 |
assumptions that can | 216 |
to produce large | 216 |
was then carried | 216 |
processes should make | 216 |
a limit of | 216 |
and sometimes a | 216 |
in oxford and | 216 |
reason to do | 216 |
sets were sent | 216 |
by a tcp | 216 |
usually the first | 216 |
universities of michigan | 216 |
remaining illegibles were | 216 |
as illegible were | 216 |
to their original | 216 |
to range over | 216 |
their original source | 216 |
a works in | 216 |
the true nature | 216 |
can now take | 216 |
public domain as | 216 |
quantities of textual | 216 |
the usual project | 216 |
illegibles were encoded | 216 |
assurance was then | 216 |
texts for their | 216 |
should bear in | 216 |
reflect the true | 216 |
will never have | 216 |
over a wide | 216 |
encoding based on | 216 |
or tei g | 216 |
was a compelling | 216 |
the new cambridge | 216 |
and markup guidelines | 216 |
users should bear | 216 |
on the text | 216 |
converting tcp files | 216 |
to create diplomatic | 216 |
language title published | 216 |
between the universities | 216 |
sdata character entities | 216 |
as opposed to | 216 |
have been released | 216 |
via their early | 216 |
to tei p | 216 |
unicode or tei | 216 |
tei in libraries | 216 |
the public domain | 216 |
and those which | 216 |
known extent have | 216 |
given to their | 216 |
to reflect the | 216 |
overall quality of | 216 |
compelling reason to | 216 |
these texts for | 216 |
not meet qa | 216 |
texts based on | 216 |
within the usual | 216 |
by user contributors | 216 |
enhanced and or | 216 |
to a limit | 216 |
made about the | 216 |
the image sets | 216 |
selection was based | 216 |
with changes to | 216 |
encoded as gap | 216 |
the project have | 216 |
if there was | 216 |
we respectfully request | 216 |
characters marked as | 216 |
readable characters will | 216 |
to be redone | 216 |
a compelling reason | 216 |
understanding these processes | 216 |
and linked to | 216 |
ascii text with | 216 |
of known extent | 216 |
sent to external | 216 |
be marked as | 216 |
was chosen if | 216 |
some readable characters | 216 |
selection was intended | 216 |
then carried out | 216 |
guidelines are available | 216 |
the filling in | 216 |
create diplomatic transcriptions | 216 |
all likelihood such | 216 |
any remaining illegibles | 216 |
partnership web site | 216 |
therefore chose to | 216 |
quality assurance was | 216 |
transcription and basic | 216 |
companies for transcription | 216 |
phase of the | 216 |
been issued variously | 216 |
have been transformed | 216 |
process of creating | 216 |
if an author | 216 |
of the period | 216 |
was proofread for | 216 |
text with mnemonic | 216 |
characters will be | 216 |
gaps by user | 216 |
by proquest via | 216 |
texts were encoded | 216 |
placeholder characters or | 216 |
first editions of | 216 |
for their own | 216 |
or later edition | 216 |
to the keyers | 216 |
a partnership between | 216 |
in of gaps | 216 |
simplify the filling | 216 |
as of january | 216 |
to simplify the | 216 |
have been issued | 216 |
tcp is to | 216 |
every monographic english | 216 |
copies of the | 216 |
a work was | 216 |
and the publisher | 216 |
are eligible for | 216 |
in all likelihood | 216 |
textual data within | 216 |
issued variously as | 216 |
data is very | 216 |
restraints of time | 216 |
be aware of | 216 |
keying companies for | 216 |
is a partnership | 216 |
of the project | 216 |
will remain and | 216 |
creating the tcp | 216 |
during phase of | 216 |
project was divided | 216 |
structural encoding based | 216 |
files to tei | 216 |
later edition of | 216 |
opposed to critical | 216 |
text strings within | 216 |
mnemonic sdata character | 216 |
and encoded texts | 216 |
been released into | 216 |
corrected and characters | 216 |
number of works | 216 |
available in eebo | 216 |
divided into two | 216 |
errors will remain | 216 |
of subject areas | 216 |
created by converting | 216 |
michigan and oxford | 216 |
on the image | 216 |
of every monographic | 216 |
of time and | 216 |
instances will never | 216 |
variety of subject | 216 |
now take and | 216 |
the publisher proquest | 216 |
the universities of | 216 |
partnership between the | 216 |
is to encode | 216 |
into placeholder characters | 216 |
with level of | 216 |
of any assumptions | 216 |
true nature of | 216 |
extent have been | 216 |
possible up to | 216 |
transformed into placeholder | 216 |
the overall quality | 216 |
project restraints of | 216 |
notably latin and | 216 |
by converting tcp | 216 |
aware of the | 216 |
university of nebraska | 216 |
the tcp texts | 216 |
a wide variety | 216 |
of the tei | 216 |
of tcp data | 216 |
into the public | 216 |
were returned to | 216 |
respectfully request that | 216 |
elements of known | 216 |
carried out by | 216 |
appears in ncbel | 216 |
editions of a | 216 |
about the data | 216 |
in libraries guidelines | 216 |
bibliography of english | 216 |
make clear that | 216 |
then their works | 216 |
processed by university | 216 |
up to a | 216 |
title published between | 216 |
keyers to be | 216 |
in other languages | 216 |
was divided into | 216 |
mainly structural encoding | 216 |
meet qa standards | 216 |
of works in | 216 |
second or later | 216 |
and or corrected | 216 |
and attribution is | 216 |
remain and some | 216 |
attribution is given | 216 |
is the greater | 216 |
print record of | 216 |
quality of tcp | 216 |
to critical editions | 216 |
by university of | 216 |
produce large quantities | 216 |
looked at by | 216 |
and characters marked | 216 |
at by a | 216 |
transcribed and encoded | 216 |
in english were | 216 |
encoded texts based | 216 |
image sets published | 216 |
a second or | 216 |
a tcp editor | 216 |
anyone can now | 216 |
or elements to | 216 |
corrected where possible | 216 |
and use these | 216 |
and basic encoding | 216 |
to create accurately | 216 |
to external keying | 216 |
but we respectfully | 216 |
any assumptions that | 216 |
each text was | 216 |
large quantities of | 216 |
proquest to create | 216 |
record of the | 216 |
of gaps by | 216 |
use these texts | 216 |
with mnemonic sdata | 216 |
editorial teams in | 216 |
of the texts | 216 |
creation partnership web | 216 |
aim of eebo | 216 |
nature of the | 216 |
are a number | 216 |
gap elements of | 216 |
work was chosen | 216 |
be made about | 216 |
users should be | 216 |
texts created during | 216 |
although there are | 216 |
limit of instances | 216 |
tcp files to | 216 |
was intended to | 216 |
these processes should | 216 |
the texts have | 216 |
level of the | 216 |
filling in of | 216 |
were encoded as | 216 |
the text encoding | 216 |
to page images | 216 |
works are eligible | 216 |
are available at | 216 |
time and funding | 216 |
were corrected where | 216 |
an anonymous work | 216 |
their early english | 216 |
works in english | 216 |
available at the | 216 |
as gap s | 216 |
of a works | 216 |
oxford and michigan | 216 |
for transcription and | 216 |
credit and attribution | 216 |
oxford and the | 216 |
whichever is the | 216 |
tcp is a | 216 |
the texts were | 216 |
to facilitate morpho | 216 |
were sent to | 216 |
was enhanced and | 216 |
while the overall | 216 |
was based on | 216 |
create accurately transcribed | 216 |
out by editorial | 216 |
been transformed into | 216 |
and available in | 216 |
or lossless xml | 216 |
p using tcp | 216 |
texts have been | 216 |
publisher proquest to | 216 |
edition of a | 216 |
never have been | 216 |
or corrected and | 216 |
for an anonymous | 216 |
the tei in | 216 |
there are a | 216 |
range over a | 216 |
take and use | 216 |
will be marked | 216 |
at the text | 216 |
some errors will | 216 |
aimed to produce | 216 |
the encoding was | 216 |
encode one copy | 216 |
encoded and linked | 216 |
the process of | 216 |
images in accordance | 216 |
tcp data is | 216 |
lincoln and northwestern | 216 |
tcp aimed to | 216 |
the print record | 216 |
unicode or text | 216 |
cambridge bibliography of | 216 |
their works are | 216 |
by editorial teams | 216 |
text was proofread | 216 |
and therefore of | 216 |
text encoding initiative | 216 |
chosen if there | 216 |
and oxford and | 216 |
such instances will | 216 |
were encoded and | 216 |
domain as of | 216 |
new cambridge bibliography | 216 |
tcp project was | 216 |
changes to facilitate | 216 |
in accordance with | 216 |
the keyers to | 216 |
mind that in | 216 |
eligible for inclusion | 216 |
of the process | 216 |
characters or elements | 216 |
latin and welsh | 216 |
original in the | 204 |
of original in | 166 |
ocm this keyboarded | 166 |
spi global keyed | 164 |
global keyed and | 164 |
reproduction of original | 164 |
the second part | 160 |
to the same | 159 |
the same tune | 148 |
the british library | 145 |
in the british | 128 |
logarbo text and | 118 |
mona logarbo text | 118 |
printed at london | 115 |
tract supplement guide | 112 |
interim tract supplement | 112 |
mona logarbo sampled | 111 |
logarbo sampled and | 111 |
xml conversion the | 108 |
date of publication | 98 |
a pleasant new | 90 |
in two parts | 84 |
of the original | 80 |
supplement guide c | 80 |
the original in | 79 |
at head of | 75 |
suggested by wing | 74 |
a stc estc | 70 |
stc estc s | 70 |
early works to | 68 |
tune of the | 68 |
publication suggested by | 67 |
of publication suggested | 66 |
head of each | 66 |
s this keyboarded | 66 |
estc s this | 66 |
of each part | 65 |
pleasant new tune | 64 |
printed for f | 63 |
woodcuts at head | 62 |
to a pleasant | 62 |
printed for p | 61 |
xml conversion a | 59 |
and date of | 57 |
at london for | 57 |
the tune is | 55 |
this is a | 52 |
place and date | 50 |
r ocm this | 49 |
estc r ocm | 49 |
aptara keyed and | 49 |
at the golden | 48 |
this text has | 47 |
reproduction of the | 45 |
leaves so green | 44 |
the leaves so | 44 |
covantage keyed and | 43 |
text in the | 43 |
apex covantage keyed | 43 |
to a new | 42 |
amongst the leaves | 42 |
so green a | 42 |
at the last | 42 |
pas text and | 41 |
pas sampled and | 41 |
in the harvard | 41 |
john pas sampled | 41 |
john pas text | 41 |
has not been | 41 |
suggested by stc | 41 |
the harvard university | 41 |
been fully proofread | 40 |
and suitable for | 40 |
easier to read | 40 |
changes and metadata | 40 |
enriched version of | 40 |
aim at making | 40 |
text more computationally | 40 |
based collaborative curation | 40 |
of the tcp | 40 |
author or stationer | 40 |
short title catalog | 40 |
collaborative curation by | 40 |
english short title | 40 |
suitable for network | 40 |
a text in | 40 |
this text is | 40 |
the text more | 40 |
textual changes aim | 40 |
enrichments aim at | 40 |
spellings that support | 40 |
curation by amateur | 40 |
aim at restoring | 40 |
professional end users | 40 |
and metadata enrichments | 40 |
earlyprint project evanston | 40 |
an enriched version | 40 |
that preserves archaic | 40 |
the text the | 40 |
standardized format that | 40 |
stationer meant to | 40 |
linguistically annotated with | 40 |
annotated with morphadorner | 40 |
amateur and professional | 40 |
or stationer meant | 40 |
in a standardized | 40 |
that support the | 40 |
and linguistically annotated | 40 |
support the display | 40 |
text the author | 40 |
at making the | 40 |
more computationally tractable | 40 |
text has been | 40 |
from many walks | 40 |
restoring the text | 40 |
changes aim at | 40 |
has been tokenized | 40 |
tokenized and linguistically | 40 |
standard spellings that | 40 |
by amateur and | 40 |
preserves archaic forms | 40 |
display of a | 40 |
textual changes and | 40 |
a standardized format | 40 |
tcp digital transcription | 40 |
metadata enrichments aim | 40 |
the annotation includes | 40 |
meant to publish | 40 |
format that preserves | 40 |
includes standard spellings | 40 |
the text has | 40 |
fully proofread approx | 40 |
not been fully | 40 |
annotation includes standard | 40 |
the tcp digital | 40 |
version of the | 40 |
and professional end | 40 |
end users from | 40 |
walks of life | 40 |
been tokenized and | 40 |
the display of | 40 |
text has not | 40 |
making the text | 40 |
is an enriched | 40 |
in the english | 40 |
text in a | 40 |
at restoring the | 40 |
users from many | 40 |
reproductions of the | 40 |
of a text | 40 |
many walks of | 40 |
the author or | 40 |
the english short | 40 |
text is an | 40 |
is a good | 37 |
to see the | 37 |
day and night | 35 |
woe is me | 35 |
an excellent new | 34 |
rate of defects | 33 |
this text in | 33 |
of defects per | 33 |
a good old | 33 |
of texts with | 33 |
words puts this | 33 |
puts this text | 33 |
i will not | 33 |
the rate of | 33 |
category of texts | 33 |
a good wife | 32 |
are to be | 32 |
to an excellent | 32 |
then you may | 32 |
if you will | 31 |
and are to | 31 |
see the gowlin | 30 |
for to be | 30 |
how ere the | 30 |
you may say | 30 |
guide ebb h | 29 |
i will be | 29 |
supplement guide ebb | 29 |
of publication from | 29 |
was one of | 29 |
a dainty new | 29 |
good old woman | 28 |
one of my | 28 |
part to the | 28 |
second part to | 28 |
o this is | 28 |
know a faithfull | 28 |
of all the | 28 |
but now i | 28 |
publication date from | 28 |
printed for j | 28 |
o this was | 27 |
date from stc | 27 |
out of the | 27 |
it is a | 27 |
the bodleian library | 27 |
estc s ocm | 27 |
s ocm this | 27 |
london printed for | 26 |
you may see | 26 |
in the bodleian | 26 |
gillian of croyden | 26 |
i do not | 26 |
this was one | 26 |
date suggested by | 26 |
publication date suggested | 26 |
and i will | 26 |
when i was | 25 |
when i am | 25 |
as well as | 25 |
brooksby at the | 25 |
then of with | 25 |
there is no | 24 |
the golden ball | 24 |
signed at end | 24 |
the man that | 24 |
place of publication | 24 |
the cause of | 23 |
to be sold | 23 |
the new found | 23 |
with between and | 23 |
huber text and | 23 |
ah woe is | 23 |
to know a | 23 |
with many a | 23 |
between and defects | 23 |
and defects per | 23 |
texts with between | 23 |
b wing p | 23 |
this may be | 22 |
i am a | 22 |
life and death | 22 |
old and young | 22 |
for all the | 22 |
estc r this | 22 |
huber sampled and | 22 |
and in the | 22 |
all you that | 22 |
r this keyboarded | 22 |
that i had | 22 |
that is the | 21 |
all the world | 21 |
the mending hand | 21 |
if it be | 21 |
imprint suggested by | 21 |
i have been | 21 |
may be printed | 21 |
the figure of | 21 |
on the mending | 21 |
a estc r | 21 |
portrait of king | 21 |
to be a | 21 |
transcription b of | 20 |
for thomas lambert | 20 |
in praise of | 20 |
a new tune | 20 |
marion text and | 20 |
is full of | 20 |
made by a | 20 |
digital transcription b | 20 |
a of text | 20 |
the lamentation of | 20 |
locks and bolts | 20 |
b of text | 20 |
that i may | 20 |
megan marion text | 20 |
figure of two | 20 |
digital transcription a | 20 |
marion sampled and | 20 |
t is that | 20 |
transcription a of | 20 |
megan marion sampled | 20 |
that euer we | 20 |
in the morning | 19 |
signe of the | 19 |
and he that | 19 |
he that would | 19 |
thing is love | 19 |
a sweet thing | 19 |
golden ball in | 19 |
as good as | 19 |
sweet thing is | 19 |
tiff page images | 19 |
the signe of | 19 |
my grannams deedle | 19 |
but when the | 19 |
at the signe | 19 |
money in store | 19 |
and death of | 19 |
of my aunts | 19 |
down plumpton park | 18 |
marke a yeare | 18 |
is but a | 18 |
and thou shalt | 18 |
for iohn wright | 18 |
on saturday night | 18 |
i could not | 18 |
be sold at | 18 |
when the stormy | 18 |
pleasant new song | 18 |
take my advice | 18 |
cap was new | 18 |
old cap was | 18 |
a marke a | 18 |
university of glasgow | 18 |
to the king | 18 |
the praise of | 18 |
have a care | 18 |
all in the | 18 |
and when the | 18 |
for a cooper | 18 |
supper on saturday | 18 |
a young man | 18 |
dery dery downe | 17 |
but when i | 17 |
it is true | 17 |
jesus forgive me | 17 |
now i am | 17 |
with all his | 17 |
and the british | 17 |
if that you | 17 |
i care not | 17 |
that we may | 17 |
my heart is | 17 |
lord jesus forgive | 17 |
with a hey | 17 |
a health to | 17 |
was the first | 17 |
i make a | 17 |
r in the | 16 |
is the debt | 16 |
i love not | 16 |
civilwar no the | 16 |
great and small | 16 |
with the hackney | 16 |
ere the world | 16 |
and yet i | 16 |
and so i | 16 |
like to a | 16 |
publication from wing | 16 |
and publication date | 16 |
end of the | 16 |
night and day | 16 |
and sold by | 16 |
song at the | 16 |
b interim tract | 16 |
i le make | 16 |
worke for a | 16 |
of king edward | 16 |
forced king edward | 16 |
separated for mounting | 16 |
up and down | 16 |
king edward to | 16 |
of text r | 16 |
the debt we | 16 |
up go we | 16 |
why should i | 16 |
man and wife | 16 |
the time of | 16 |
make a shot | 16 |
and many a | 16 |
when as the | 16 |
text r in | 16 |
the duke of | 16 |
euer we forced | 16 |
debt we owe | 16 |
we forced king | 16 |
b wing b | 16 |
you that are | 15 |
proofe of a | 15 |
i was young | 15 |
this old cap | 15 |
now and then | 15 |
in the c | 15 |
is he whom | 15 |
to be seen | 15 |
my love and | 15 |
a little above | 15 |
the world goe | 15 |
king edward the | 15 |
item at a | 15 |
and to the | 15 |
and at the | 15 |
a single life | 15 |
c the rate | 15 |
is all in | 15 |
library and the | 15 |
is that any | 15 |
and bolts doe | 15 |
mother gaue me | 15 |
i pray you | 15 |
the proofe of | 15 |
and if it | 15 |
ebb h ocm | 15 |
men and maids | 15 |
at his shop | 15 |
none but a | 15 |
ball in pye | 15 |
i le not | 15 |
and a little | 15 |
fortune my foe | 15 |
of a pudding | 15 |
a woman that | 15 |
happy is he | 15 |
b wing d | 15 |
bolts doe hinder | 15 |
fie on this | 15 |
c category of | 15 |
to have a | 15 |
which makes me | 15 |
h ocm this | 15 |
famous thomas stukely | 15 |
the lasse that | 15 |
all must die | 15 |
haughs and yarow | 15 |
and for the | 15 |
love not you | 15 |
o such a | 15 |
rich and poor | 15 |
oh fie on | 15 |
excellent new tune | 15 |
that any pen | 15 |
a man of | 15 |
if i should | 15 |
the first that | 15 |
as he did | 15 |
the c category | 15 |
lasse that loues | 14 |
my ale was | 14 |
text s in | 14 |
of text s | 14 |
the angel gabriel | 14 |
printed for h | 14 |
i would have | 14 |
a bad husband | 14 |
the love of | 14 |
for francis grove | 14 |
and in his | 14 |
the protestants answere | 14 |
the like did | 14 |
the best of | 14 |
taught me to | 14 |
according to order | 14 |
pitie t is | 14 |
i know not | 14 |
never good till | 14 |
a cup of | 14 |
that i am | 14 |
ye never the | 14 |
great pitie t | 14 |
thou shalt have | 14 |
s in the | 14 |
king of england | 14 |
it will be | 14 |
houghton library and | 14 |
attributed to thomas | 14 |
the world is | 14 |
i le be | 14 |
the king did | 14 |
let me in | 14 |
come to the | 14 |
hackney coaches downe | 14 |
the doubting virgin | 14 |
is the lasse | 14 |
in time of | 14 |
i saw a | 14 |
above my knee | 14 |
and with his | 14 |
such a rogue | 14 |
sweet is the | 14 |
that i have | 14 |
little above my | 14 |
she was the | 14 |
the hackney coaches | 14 |
he whom other | 14 |
thus liues a | 14 |
h interim tract | 14 |
all the rest | 14 |
writer of ballads | 14 |
this is the | 14 |
like did hear | 14 |
mo b wing | 14 |
would not be | 14 |
never the like | 14 |
first that taught | 13 |
if thou wilt | 13 |
shun satans charmes | 13 |
many a day | 13 |
i cannot get | 13 |
new found deedle | 13 |
the king of | 13 |
all take my | 13 |
of great northumberland | 13 |
i was a | 13 |
i le hold | 13 |
edward to die | 13 |
of the hors | 13 |
i le tell | 13 |
sure thrice happy | 13 |
in the world | 13 |
hasten to loves | 13 |
and all their | 13 |
make to beware | 13 |
and the world | 13 |
good ipse hee | 13 |
then lovers all | 13 |
second part of | 13 |
mo a stc | 13 |
lovers all take | 13 |
dainty new ditty | 13 |
in all the | 13 |
that loues me | 13 |
downe in yonder | 13 |
and this is | 13 |
a song at | 13 |
she is a | 13 |
to shun satans | 13 |
but he that | 13 |
a true relation | 13 |
death of the | 13 |
the world went | 13 |
that my mother | 13 |
and when i | 13 |
with hey tro | 13 |
and the rest | 13 |
in my heart | 13 |
part of the | 13 |
hey tro nonney | 13 |
in the eating | 13 |
i will have | 13 |
care not how | 13 |
that taught me | 13 |
of that which | 13 |
to loves paradice | 13 |
and downe in | 13 |
and that my | 13 |
with loss of | 13 |
the world to | 13 |
harmes can make | 13 |
me to see | 13 |
in the winde | 13 |
pudding is all | 13 |
so long as | 13 |
blow merry merry | 13 |
the like was | 13 |
hey the brave | 13 |
whom other mens | 13 |
thou shalt be | 13 |
warning for all | 13 |
house of peeres | 13 |
the death of | 13 |
when this old | 13 |
true relation of | 13 |
my mother gaue | 13 |
tro nonney nonney | 13 |
and like a | 13 |
a pudding is | 13 |
for i am | 13 |
can make to | 13 |
the god of | 13 |
in yonder dale | 13 |
it was a | 13 |
mens harmes can | 13 |
and hasten to | 13 |
i pray thee | 13 |
whistle in the | 13 |
the rest of | 13 |
and to shun | 13 |
other mens harmes | 13 |
to the city | 13 |
he that hath | 12 |
of publication and | 12 |
new court tune | 12 |
the manner of | 12 |
euer had man | 12 |
a thousand times | 12 |
as i was | 12 |
ere the wind | 12 |
ho ho ho | 12 |
siefring text and | 12 |
a new court | 12 |
yet i cannot | 12 |
imprinted at london | 12 |
and for my | 12 |
me no more | 12 |
that was so | 12 |
my heart did | 12 |
they could not | 12 |
both rich and | 12 |
that you will | 12 |
but locks and | 12 |
whither wilt thou | 12 |
to a dainty | 12 |
and i le | 12 |
oh house of | 12 |
make an end | 12 |
assignes of thomas | 12 |
date conjectured by | 12 |
the life and | 12 |
wife that euer | 12 |
on a row | 12 |
merry conceit of | 12 |
the name of | 12 |
this merry conceit | 12 |
know you not | 12 |
judith siefring text | 12 |
my kind heart | 12 |
a most pleasant | 12 |
in the west | 12 |
description of a | 12 |
and if you | 12 |
i love thee | 12 |
and there he | 12 |
in the county | 12 |
and i wish | 12 |
it was my | 12 |
at the upper | 12 |
will wooe a | 12 |
for now i | 12 |
it haue a | 12 |
of the old | 12 |
if it haue | 12 |
but a sea | 12 |
boys up go | 12 |
i mean to | 12 |
and let me | 12 |
that euer had | 12 |
ebb h interim | 12 |
then be not | 12 |
cast in him | 12 |
the assignes of | 12 |
my money in | 12 |
went to the | 12 |
wooe a wench | 12 |
in the old | 12 |
wing b interim | 12 |
and by the | 12 |
upper end of | 12 |
young men that | 12 |
of the same | 12 |
the king and | 12 |
that in the | 12 |
of george strangwidge | 12 |
hey boys up | 12 |
dainty new tune | 12 |
and when that | 12 |
all those that | 12 |
and all the | 12 |
by tobias bowne | 12 |
in such a | 12 |
and none but | 12 |
conceit of the | 12 |
of the deedle | 12 |
house of commons | 12 |
the upper end | 12 |
edward the second | 11 |
by the way | 11 |
good fellows all | 11 |
i haue but | 11 |
let her chuse | 11 |
of a young | 11 |
wing p a | 11 |
a dialogue betweene | 11 |
to you i | 11 |
to the poor | 11 |
both day and | 11 |
must not be | 11 |
wing p interim | 11 |
but let her | 11 |
dialogue between a | 11 |
with all the | 11 |
printed for i | 11 |
found northerne deedle | 11 |
cannot get her | 11 |
p interim tract | 11 |
heart and mind | 11 |
you shall have | 11 |
b wing w | 11 |
the city for | 11 |
not how ere | 11 |
printed for francis | 11 |
of the times | 11 |
on the ground | 11 |
i have a | 11 |
the honour of | 11 |
note such hate | 11 |
as in this | 11 |
publication from stc | 11 |
of all his | 11 |
in this world | 11 |
for the love | 11 |
should note such | 11 |
relation of a | 11 |
could not be | 11 |
so sweet is | 11 |
out of his | 11 |
printed for richard | 11 |
derry derry down | 11 |
the lord matreuers | 11 |
i dare not | 11 |
i tell you | 11 |
a wife that | 11 |
make much of | 11 |
if you please | 11 |
and all things | 11 |
and you that | 11 |
but in the | 11 |
as soon as | 11 |
description of the | 11 |
the papist proceedes | 11 |
i have no | 11 |
he that is | 11 |
a interim tract | 11 |
story it is | 11 |
at the first | 11 |
quoth the cooper | 11 |
the thing that | 11 |
i doe not | 11 |
he could not | 11 |
i am not | 11 |
let not faire | 11 |
by the hand | 10 |
gold and silver | 10 |
for thee i | 10 |
the wind doth | 10 |
the gowlin my | 10 |
haue but a | 10 |
wherein you may | 10 |
our humour well | 10 |
and keep my | 10 |
and i am | 10 |
dwelling at the | 10 |
publication date conjectured | 10 |
then let not | 10 |
this is my | 10 |
by and for | 10 |
and we like | 10 |
love and i | 10 |
at him i | 10 |
and thus i | 10 |
is to be | 10 |
will not be | 10 |
the world i | 10 |
with such a | 10 |
in the city | 10 |
b wing l | 10 |
would be hangd | 10 |
gave her a | 10 |
and for to | 10 |
trumpets sounding as | 10 |
brave granadeers ho | 10 |
hand in hand | 10 |
to hear the | 10 |
to make him | 10 |
sold at the | 10 |
both old and | 10 |
would be a | 10 |
give me the | 10 |
in spight of | 10 |
hey down down | 10 |
i le forsake | 10 |
forsake for thee | 10 |
printed by the | 10 |
his shop in | 10 |
new ditty composed | 10 |
thou wilt be | 10 |
wind doth blow | 10 |
suffered death at | 10 |
printed by and | 10 |
she may be | 10 |
of the city | 10 |
the same to | 10 |
ta ra ra | 10 |
sold at his | 10 |
gowlin my jo | 10 |
stricking on a | 10 |
him i make | 10 |
here in this | 10 |
hath no fore | 10 |
rogue would be | 10 |
thrice happy c | 10 |
ra ra ra | 10 |
of queen elizabeth | 10 |
we like our | 10 |
song in praise | 10 |
that he was | 10 |
the twineing of | 10 |
alas poore scholler | 10 |
i would not | 10 |
lancelot du lake | 10 |
le forsake for | 10 |
a rogue would | 10 |
in this song | 10 |
men and women | 10 |
and with a | 10 |
in this nation | 10 |
that she was | 10 |
at the angel | 10 |
when we come | 10 |
he shall be | 10 |
ra ra tan | 10 |
by the assignes | 10 |
we all must | 10 |
for which fact | 10 |
not too high | 10 |
wilt thou goe | 10 |
sounding as they | 10 |
keep my money | 10 |
wing w a | 10 |
and if i | 10 |
all in vain | 10 |
but a marke | 10 |
b estc r | 10 |
like our humour | 10 |
the brave granadeers | 10 |
tan ta ra | 10 |
liues a woman | 10 |
of text in | 10 |
loss of print | 10 |
with me then | 10 |
thou art the | 10 |
for old and | 10 |
with or more | 9 |
no more to | 9 |
the variable changes | 9 |
is as good | 9 |
me the willow | 9 |
stormy windes doe | 9 |
civilwar no a | 9 |
name and publication | 9 |
a thing that | 9 |
all you young | 9 |
be not so | 9 |
the stormy windes | 9 |
l interim tract | 9 |
this joyfull day | 9 |
harvard university library | 9 |
i am gone | 9 |
for a new | 9 |
god a mercy | 9 |
you will be | 9 |
accept of my | 9 |
this song it | 9 |
will make you | 9 |
two faithful lovers | 9 |
pen should note | 9 |
man that is | 9 |
siefring sampled and | 9 |
and you shall | 9 |
the angel in | 9 |
and all her | 9 |
pretty kate of | 9 |
to thee i | 9 |
for my money | 9 |
more defects per | 9 |
conjectured by stc | 9 |
o rare beyond | 9 |
in an excellent | 9 |
in the town | 9 |
the absence of | 9 |
at length i | 9 |
thinke you of | 9 |
the f category | 9 |
and all his | 9 |
for the same | 9 |
rare beyond compare | 9 |
but if that | 9 |
she was a | 9 |
what thinke you | 9 |
from a flattering | 9 |
judith siefring sampled | 9 |
what i shall | 9 |
at the horse | 9 |
that i was | 9 |
any pen should | 9 |
the kings house | 9 |
the earl of | 9 |
to be had | 9 |
at the kings | 9 |
f category of | 9 |
my heart and | 9 |
a delicate new | 9 |
and how the | 9 |
and when they | 9 |
for such a | 9 |
the right honourable | 9 |
that he had | 9 |
i have done | 9 |
rest of the | 9 |
an excellent ditty | 9 |
what they did | 9 |
as i am | 9 |
i will never | 9 |
in heart and | 9 |
london for i | 9 |
to get a | 9 |
which when the | 9 |
my true love | 9 |
i told her | 9 |
a new song | 9 |
what makes your | 9 |
in england nere | 9 |
those that are | 9 |
man and his | 9 |
wing l interim | 9 |
and bring the | 9 |
of high degree | 9 |
to a delicate | 9 |
as may be | 9 |
what i can | 9 |
best of all | 9 |
nere the like | 9 |
i am dead | 9 |
for want of | 9 |
concerning the variable | 9 |
not faire words | 9 |
but when he | 9 |
in the night | 9 |
of a gentleman | 9 |
i come to | 9 |
all sorts of | 9 |
much in request | 9 |
a caveat for | 9 |
o yong men | 9 |
is the cause | 9 |
a flattering foe | 9 |
therefore my deare | 9 |
and of the | 9 |
of the land | 9 |
relation of the | 9 |
three kings of | 9 |
and the constant | 9 |
it is my | 9 |
and then the | 9 |
dead and gone | 9 |
the county of | 9 |
of the lord | 9 |
t is true | 9 |
texts with or | 9 |
no no no | 9 |
it may be | 9 |
kings of barbary | 9 |
the stormy winds | 9 |
wing d interim | 9 |
signes to know | 9 |
none but thee | 9 |
for if you | 9 |
to no man | 9 |
time of queen | 9 |
printed for w | 9 |
by and by | 9 |
as they goe | 9 |
f the rate | 9 |
the new made | 9 |
for feare of | 9 |
in every place | 9 |
friend from a | 9 |
for love is | 9 |
being a most | 9 |
the glory of | 9 |
shoo in smithfield | 9 |
changes in this | 9 |
you need not | 9 |
the geneva ballad | 9 |
in every degree | 9 |
windes doe blow | 9 |
england nere the | 9 |
in the f | 9 |
name from wing | 9 |
to the world | 9 |
the like of | 9 |
of the famous | 9 |
but god a | 9 |
or more defects | 9 |
his royall grace | 9 |
to make a | 9 |
marry with me | 9 |
me of my | 9 |
d interim tract | 9 |
the old baily | 9 |
the flower of | 9 |
variable changes in | 9 |
a mercy penny | 9 |
still on the | 9 |
give me a | 9 |
but all in | 9 |
of the cooper | 9 |
all young men | 9 |
like to the | 9 |
the famous thomas | 9 |
the earle of | 9 |
to his love | 9 |
pleasant and delightful | 9 |
come to thee | 9 |
le tell you | 9 |
for richard harper | 9 |
and for his | 8 |
printed for iohn | 8 |
right half of | 8 |
originals in the | 8 |
now i come | 8 |
of imprint suggested | 8 |
all in a | 8 |
of king henry | 8 |
my love is | 8 |
is a portion | 8 |
when a man | 8 |
good wife is | 8 |
though i haue | 8 |
such hate tvvixt | 8 |
i have her | 8 |
merry old woman | 8 |
for all good | 8 |
through all the | 8 |
in the d | 8 |
love is full | 8 |
i did not | 8 |
as it is | 8 |
of the town | 8 |
elspeth healey text | 8 |
king henrie the | 8 |
to each other | 8 |
hate tvvixt christian | 8 |
cares and feares | 8 |
it is not | 8 |
wife is a | 8 |
i wish i | 8 |
he will not | 8 |
halfe a score | 8 |
the pepys library | 8 |
london for thomas | 8 |
robin and kate | 8 |
as fast as | 8 |
this coozening age | 8 |
d estc r | 8 |
and if that | 8 |
like was never | 8 |
publication taken from | 8 |
you that will | 8 |
i went to | 8 |
when we have | 8 |
at that time | 8 |
for p hilip | 8 |
with me to | 8 |
of a man | 8 |
person of quality | 8 |
that it be | 8 |
are still on | 8 |
as my life | 8 |
but if you | 8 |
the tyrant hath | 8 |
as they did | 8 |
wish ill to | 8 |
is a merry | 8 |
the story it | 8 |
but at the | 8 |
the body of | 8 |
in the pepys | 8 |
what i have | 8 |
healey text and | 8 |
are certaine signes | 8 |
thou shalt not | 8 |
love of george | 8 |
out of date | 8 |
and now i | 8 |
me to the | 8 |
he had a | 8 |
to the parliament | 8 |
a wench with | 8 |
and then i | 8 |
a merry old | 8 |
and in a | 8 |
attributed to martin | 8 |
new found northerne | 8 |
a person of | 8 |
in this ditty | 8 |
d the rate | 8 |
to martin parker | 8 |
if that be | 8 |
half of sheet | 8 |
song it was | 8 |
xml conversion an | 8 |
to the figure | 8 |
with all my | 8 |
that in a | 8 |
date and place | 8 |
blaney text and | 8 |
which made the | 8 |
for the new | 8 |
for which he | 8 |
good as ere | 8 |
to haue a | 8 |
the words made | 8 |
take heed of | 8 |
you may hear | 8 |
certaine signes to | 8 |
in the time | 8 |
and place of | 8 |
thus have i | 8 |
you will wooe | 8 |
shall be my | 8 |
doth wish ill | 8 |
taken from wing | 8 |
for a christian | 8 |
up and downe | 8 |
come all you | 8 |
and euery one | 8 |
d category of | 8 |
that would be | 8 |
then my love | 8 |
jonathan blaney text | 8 |
with an old | 8 |
do not love | 8 |
that he would | 8 |
both great and | 8 |
for he that | 8 |
of thomas symcocke | 8 |
to the tavern | 8 |
all in vaine | 8 |
lords and commons | 8 |
the d category | 8 |
wing d a | 8 |
for my part | 8 |
a wing d | 8 |
of a woman | 8 |
b stc interim | 8 |
o happy is | 8 |
counsell is good | 8 |
she bid me | 8 |
by a person | 8 |
in the land | 8 |
her counsell is | 8 |
that i doe | 8 |
like an old | 8 |
to the heart | 8 |
as ere twangd | 8 |
tom of lincoln | 8 |
and when he | 8 |
none but you | 8 |
which was a | 8 |
stc interim tract | 8 |
jonathan blaney sampled | 8 |
and will not | 8 |
a portion every | 8 |
then to the | 8 |
date of imprint | 8 |
in a trice | 8 |
on umi microfilm | 8 |
blaney sampled and | 8 |
healey sampled and | 8 |
an old souldier | 8 |
tune of fortune | 8 |
thus to conclude | 8 |
the fair one | 8 |
i le of | 8 |
is the man | 8 |
printed for william | 8 |
husband hath no | 8 |
he was a | 8 |
as soone as | 8 |
of the spanish | 8 |
for i have | 8 |
yet i am | 8 |
hand and heart | 8 |
come to me | 8 |
of the best | 8 |
we have done | 8 |
letter for a | 8 |
no more on | 8 |
vp and downe | 8 |
then let us | 8 |
a young mans | 8 |
tvvixt christian men | 8 |
of publication taken | 8 |
shall marry with | 8 |
sir thomas gurney | 8 |
and do not | 8 |
our noble king | 8 |
portion every day | 8 |
a maid that | 8 |
these are certaine | 8 |
woodcut illustrations at | 8 |
what if a | 8 |
you shall hear | 8 |
my husband hath | 8 |
a christian family | 8 |
old souldier c | 8 |
and with her | 8 |
the manner how | 8 |
all my heart | 8 |
our angel gabriel | 8 |
of my counsell | 8 |
is a thing | 8 |
of such a | 8 |
in the end | 8 |
and all that | 8 |
then i wish | 8 |
that i might | 8 |
elspeth healey sampled | 8 |
and left me | 8 |
a cuckold of | 7 |
and when you | 7 |
i long to | 7 |
a warning for | 7 |
wo is me | 7 |
death at barstable | 7 |
and iacke straw | 7 |
a man that | 7 |
a tallen a | 7 |
composed and pend | 7 |
a prince of | 7 |
a cuckold is | 7 |
on the green | 7 |
alas may we | 7 |
which all men | 7 |
and all my | 7 |
cosen makes a | 7 |
as i walkt | 7 |
bear it in | 7 |
my heart to | 7 |
go not from | 7 |
a good fellow | 7 |
on salisburie plaine | 7 |
buckle and thong | 7 |
both night and | 7 |
brimmer to the | 7 |
i have not | 7 |
vi vel a | 7 |
for your delights | 7 |
was my chance | 7 |
printed for thomas | 7 |
to the ground | 7 |
for i must | 7 |
recorded as gap | 7 |
t is not | 7 |
but know you | 7 |
make use of | 7 |
if i were | 7 |
he is a | 7 |
that i must | 7 |
of my heart | 7 |
bid all our | 7 |
their first entrance | 7 |
with all their | 7 |
to him that | 7 |
that they had | 7 |
and if he | 7 |
body else shall | 7 |
and when we | 7 |
listen to my | 7 |
london for h | 7 |
and then you | 7 |
near the hospital | 7 |
they are not | 7 |
tallen a brimmer | 7 |
grove on snow | 7 |
husband to be | 7 |
i haue done | 7 |
will be your | 7 |
my wife is | 7 |
the best wife | 7 |
ditty composed and | 7 |
and song of | 7 |
praise and commend | 7 |
i see her | 7 |
to be the | 7 |
he shall have | 7 |
that will not | 7 |
pottles and gallons | 7 |
no known defects | 7 |
were recorded as | 7 |
that had no | 7 |
how it was | 7 |
c estc r | 7 |
come upon the | 7 |
as gap elements | 7 |
i am the | 7 |
my love i | 7 |
for william gilbertson | 7 |
came to the | 7 |
shall hear how | 7 |
of sheet contains | 7 |
as i did | 7 |
by a maid | 7 |
i am sure | 7 |
man shall marry | 7 |
an english gentleman | 7 |
it must be | 7 |
praise of the | 7 |
with mercy relieve | 7 |
exact description of | 7 |
mourn no more | 7 |
till my kind | 7 |
merry carelesse lover | 7 |
deeds of brave | 7 |
a young wife | 7 |
and that they | 7 |
come fill us | 7 |
le hold thee | 7 |
one of the | 7 |
health to the | 7 |
world i le | 7 |
shall have abundance | 7 |
i do love | 7 |
has no known | 7 |
that i should | 7 |
he to the | 7 |
a this text | 7 |
brief description of | 7 |
i hope you | 7 |
but that i | 7 |
london for f | 7 |
a merry new | 7 |
a brimmer to | 7 |
at court and | 7 |
us the other | 7 |
the patient mans | 7 |
in west smithfield | 7 |
cannot tell with | 7 |
names from wing | 7 |
excellent new play | 7 |
shooe in smithfield | 7 |
a good mans | 7 |
my name is | 7 |
is my grannams | 7 |
fill us the | 7 |
i must confess | 7 |
but yet i | 7 |
good wives a | 7 |
according to their | 7 |
the more he | 7 |
be not sad | 7 |
to its own | 7 |
begin with a | 7 |
to all true | 7 |
the good fellows | 7 |
the cold winter | 7 |
and the king | 7 |
and let them | 7 |
it in her | 7 |
earle of salisburie | 7 |
shop in the | 7 |
i had not | 7 |
god of love | 7 |
the merry carelesse | 7 |
ended his life | 7 |
world went well | 7 |
to conclude and | 7 |
to the church | 7 |
by his side | 7 |
to the rest | 7 |
the i le | 7 |
being a true | 7 |
i have for | 7 |
that you are | 7 |
king and country | 7 |
life is best | 7 |
this ballad you | 7 |
one let me | 7 |
an exact description | 7 |
now i find | 7 |
young men to | 7 |
let it alone | 7 |
london for francis | 7 |
i should marry | 7 |
the hogshead in | 7 |
not to be | 7 |
was the cause | 7 |
song of death | 7 |
care not for | 7 |
when you are | 7 |
my cosen makes | 7 |
if i can | 7 |
he in his | 7 |
oh such a | 7 |
richard harper in | 7 |
i heard a | 7 |
a messe of | 7 |
i met with | 7 |
would i had | 7 |
the countrey lasse | 7 |
then hey c | 7 |
an answer to | 7 |
and then they | 7 |
world is full | 7 |
the merry mans | 7 |
at the time | 7 |
let me not | 7 |
harper in smithfield | 7 |
the worst wife | 7 |
what i say | 7 |
time of transcription | 7 |
the author of | 7 |
le of man | 7 |
not love thee | 7 |
that is a | 7 |
farewell to the | 7 |
its own proper | 7 |
of the green | 7 |
elements at the | 7 |
stukely an english | 7 |
and then he | 7 |
you i will | 7 |
that will be | 7 |
you please to | 7 |
still we are | 7 |
of the two | 7 |
choice collection of | 7 |
yet for all | 7 |
defects that were | 7 |
all good wives | 7 |
and with their | 7 |
may admire at | 7 |
with my own | 7 |
pretty new ditty | 7 |
in a dialogue | 7 |
if that i | 7 |
have been a | 7 |
library of scotland | 7 |
at london by | 7 |
with a tallen | 7 |
it is so | 7 |
all true christians | 7 |
mercy relieve me | 7 |
my life is | 7 |
the force of | 7 |
fair one let | 7 |
are on the | 7 |
when he came | 7 |
my mind to | 7 |
tooke the cup | 7 |
maid that to | 7 |
should marry a | 7 |
illustrations at head | 7 |
mars and venus | 7 |
if a man | 7 |
in old age | 7 |
with young men | 7 |
a ioviall crew | 7 |
downe a downe | 7 |
my dearest love | 7 |
silver and gold | 7 |
a faithfull friend | 7 |
and by this | 7 |
it is but | 7 |
that were recorded | 7 |
knight of the | 7 |
out of hand | 7 |
should not be | 7 |
mo a wing | 7 |
merry mans resolution | 7 |
young men and | 7 |
sure it was | 7 |
national library of | 7 |
makes a cuckold | 7 |
then shall i | 7 |
the winning of | 7 |
thou art a | 7 |
when a good | 7 |
a downe a | 7 |
be so much | 7 |
make bold with | 7 |
ill to no | 7 |
out of their | 7 |
to my self | 7 |
to the court | 7 |
we are on | 7 |
and his wife | 7 |
for thou didst | 7 |
of all my | 7 |
though locks and | 7 |
leave me not | 7 |
and to his | 7 |
when the king | 7 |
ask no more | 7 |
for her sake | 7 |
and alas may | 7 |
dub a dub | 7 |
the city of | 7 |
tell you how | 7 |
a health vnto | 7 |
or a dainty | 7 |
tell with whom | 7 |
he did say | 7 |
all my friends | 7 |
of cares and | 7 |
and doe not | 7 |
wives a song | 7 |
the ready way | 7 |
which you may | 7 |
rose of england | 7 |
text has no | 7 |
o my love | 7 |
to praise and | 7 |
known defects that | 7 |
grant that we | 7 |
here you may | 7 |
if she refuse | 7 |
he that doth | 7 |
went well with | 7 |
life doth last | 7 |
good people all | 7 |
many a noble | 7 |
our royall king | 7 |
bold with my | 7 |
to the ale | 7 |
though i am | 7 |
which is the | 7 |
great store of | 7 |
not a pin | 7 |
the imprisonment of | 7 |
full of cares | 7 |
age will come | 7 |
but that he | 7 |
for to wooe | 7 |
well with me | 7 |
hey for the | 7 |
vel a roy | 7 |
i should be | 7 |
cuckold is a | 7 |
at their first | 7 |
you good women | 7 |
if i may | 7 |
will be thy | 7 |
he cares not | 7 |
good mans fellow | 7 |
she did say | 7 |
he is not | 7 |
thomas stukely an | 7 |
she was not | 7 |
a fig for | 7 |
it be so | 7 |
now in the | 7 |
my mind is | 7 |
leader haughs and | 7 |
if this be | 7 |
at the end | 7 |
gallons and bring | 7 |
i needs must | 7 |
two or three | 7 |
give her a | 7 |
in my belly | 7 |
when he did | 7 |
when he is | 7 |
suggested publication date | 7 |
gap elements at | 7 |
cuckold of me | 7 |
contains the second | 7 |
the last she | 7 |
that are kind | 7 |
a married man | 7 |
no body else | 7 |
as they could | 7 |
bring the hogshead | 7 |
and shall have | 7 |
old age you | 7 |
upon the ground | 7 |
of the issue | 7 |
you never heard | 7 |
my heart with | 7 |
happy is that | 7 |
if that he | 7 |
could no longer | 7 |
a song in | 7 |
lovers of the | 7 |
no more then | 7 |
the deeds of | 7 |
the pottles and | 7 |
and gallons and | 7 |
of the three | 7 |
then sure it | 7 |
that he did | 7 |
to be found | 7 |
if you can | 7 |
house and land | 7 |
the morning early | 7 |
then hey for | 7 |
mans resolution or | 7 |
a description of | 7 |
down by the | 6 |
hey iolly broome | 6 |
at the bible | 6 |
and i have | 6 |
o then my | 6 |
for a marke | 6 |
then if you | 6 |
then said the | 6 |
man of fashion | 6 |
and the coopers | 6 |
and won her | 6 |
and by my | 6 |
in bodleian library | 6 |
you may admire | 6 |
dolefull dance and | 6 |
now i have | 6 |
this ditty you | 6 |
lady lie neer | 6 |
first entrance into | 6 |
and a most | 6 |
this advice of | 6 |
when the figure | 6 |
to blaze the | 6 |
now all my | 6 |
when shall i | 6 |
and delightful courtship | 6 |
tune of dulcina | 6 |
the spanish ladies | 6 |
stay at home | 6 |
licensed according to | 6 |
me by the | 6 |
his wife is | 6 |
wench with a | 6 |
and raw the | 6 |
on snow hill | 6 |
him for to | 6 |
a relation of | 6 |
me thy love | 6 |
king of man | 6 |
amarillis told her | 6 |
drink the spanish | 6 |
the cooper served | 6 |
for when a | 6 |
hath undone me | 6 |
me roome man | 6 |
and therefore he | 6 |
cupids cruell wrong | 6 |
vpon his death | 6 |
to make me | 6 |
and ga not | 6 |
of the world | 6 |
if ever i | 6 |
a breeding larke | 6 |
they were both | 6 |
for the poor | 6 |
printed for john | 6 |
excellent warning for | 6 |
o how i | 6 |
of men that | 6 |
oh this is | 6 |
be merry my | 6 |
and for their | 6 |
world to women | 6 |
the best that | 6 |
a green gown | 6 |
that to the | 6 |
example take by | 6 |
is that which | 6 |
from me fled | 6 |
heart hath undone | 6 |
to avoid all | 6 |
the first part | 6 |
my selfe i | 6 |
young and old | 6 |
quickly shall hear | 6 |
world went ill | 6 |
the two faithful | 6 |
winds doe blow | 6 |
men ought to | 6 |
words made to | 6 |
sung to the | 6 |
one that is | 6 |
as he stood | 6 |
a pretty new | 6 |
he did not | 6 |
or else it | 6 |
a paire of | 6 |
my wife she | 6 |
best wife that | 6 |
excellent new scotch | 6 |
proue what doth | 6 |
women that are | 6 |
but now he | 6 |
the wars againe | 6 |
according to his | 6 |
ditty you may | 6 |
a character of | 6 |
that man that | 6 |
i le haue | 6 |
out of her | 6 |
was on a | 6 |
when i see | 6 |
but if the | 6 |
to women that | 6 |
to be kind | 6 |
for his sake | 6 |
i am well | 6 |
that hath a | 6 |
hear how it | 6 |
by this meanes | 6 |
in this case | 6 |
you shall haue | 6 |
answered no no | 6 |
to his wife | 6 |
love to me | 6 |
to passe the | 6 |
the other od | 6 |
all is not | 6 |
the like whereof | 6 |
and let my | 6 |
so that the | 6 |
english gentleman in | 6 |
for john andrews | 6 |
but if thou | 6 |
what doth to | 6 |
cup in hand | 6 |
that she did | 6 |
that for a | 6 |
both heart and | 6 |
discourse of a | 6 |
upon this joyfull | 6 |
north did blow | 6 |
the mad mans | 6 |
such is the | 6 |
being a relation | 6 |
a true and | 6 |
written by thomas | 6 |
the king was | 6 |
which at this | 6 |
so true a | 6 |
my self i | 6 |
her for to | 6 |
but poor mens | 6 |
very eminent quality | 6 |
will be the | 6 |
times seven a | 6 |
how can i | 6 |
and for a | 6 |
so much in | 6 |
shalt finde in | 6 |
pleasant either to | 6 |
before her death | 6 |
blaze the praise | 6 |
is no comfort | 6 |
in my face | 6 |
to whom i | 6 |
over the plain | 6 |
be too late | 6 |
city of london | 6 |
or to the | 6 |
mo b stc | 6 |
for francis coules | 6 |
of the round | 6 |
and cannot tell | 6 |
original in bodleian | 6 |
is a brave | 6 |
basse his careere | 6 |
set on fire | 6 |
the example of | 6 |
my life for | 6 |
most excellent warning | 6 |
when they are | 6 |
a choice collection | 6 |
good counsell for | 6 |
tune of i | 6 |
worst wife that | 6 |
whereof you never | 6 |
which did make | 6 |
take this advice | 6 |
a token that | 6 |
and care not | 6 |
cooper served the | 6 |
all our sorrowes | 6 |
when he had | 6 |
in her hand | 6 |
which he had | 6 |
avoid all strife | 6 |
men that are | 6 |
lose my life | 6 |
new scotch tune | 6 |
clarke of bodnam | 6 |
i in my | 6 |
of famous thomas | 6 |
in the blossome | 6 |
the cooper of | 6 |
ball in west | 6 |
then with a | 6 |
shepheards on salisburie | 6 |
old age will | 6 |
there is none | 6 |
as she did | 6 |
relation of their | 6 |
told her swain | 6 |
new made hay | 6 |
constancy of a | 6 |
in your mind | 6 |
her answer was | 6 |
money makes a | 6 |
that i could | 6 |
his life in | 6 |
i like a | 6 |
of great fame | 6 |
have a good | 6 |
but her answer | 6 |
that is so | 6 |
the three kings | 6 |
other od quart | 6 |
in the bud | 6 |
delicate new tune | 6 |
ho down down | 6 |
he was to | 6 |
did the king | 6 |
with a good | 6 |
he is as | 6 |
doe loue thee | 6 |
that i can | 6 |
me to my | 6 |
spend his money | 6 |
but now alas | 6 |
song of the | 6 |
a lady gay | 6 |
a most excellent | 6 |
i think there | 6 |
and all to | 6 |
though i say | 6 |
raile no more | 6 |
at last she | 6 |
fayth of christ | 6 |
in my arms | 6 |
praise of betty | 6 |
the brewer in | 6 |
to take the | 6 |
the bad husband | 6 |
some for their | 6 |
it would be | 6 |
thou shalt finde | 6 |
gentleman in the | 6 |
two very young | 6 |
a friends aduice | 6 |
containing a pretty | 6 |
kind heart hath | 6 |
play us my | 6 |
brewer in his | 6 |
come play us | 6 |
west of england | 6 |
let us sing | 6 |
things be dear | 6 |
in four columns | 6 |
good i le | 6 |
being persons of | 6 |
no more of | 6 |
you may find | 6 |
but when they | 6 |
a true christian | 6 |
song much in | 6 |
cooper of norfolke | 6 |
to the wars | 6 |
in this ballad | 6 |
you will not | 6 |
excellent discourse of | 6 |
their perils and | 6 |
makes a man | 6 |
the main chance | 6 |
ballad you may | 6 |
to play with | 6 |
and so they | 6 |
for i will | 6 |
cold winter away | 6 |
to loue belong | 6 |
how he was | 6 |
i le warrant | 6 |
as i will | 6 |
against her will | 6 |
my love commend | 6 |
that i did | 6 |
o he is | 6 |
on leader side | 6 |
hearts in one | 6 |
raw the north | 6 |
being from his | 6 |
he made his | 6 |
as bad as | 6 |
of the table | 6 |
a pot of | 6 |
in sight of | 6 |
it be too | 6 |
if i had | 6 |
cause to repent | 6 |
now alas i | 6 |
is a man | 6 |
like whereof you | 6 |
as i had | 6 |
of my men | 6 |
the winchester wedding | 6 |
the towne of | 6 |
fill the pottles | 6 |
served the brewer | 6 |
i am in | 6 |
you quickly shall | 6 |
the maids answer | 6 |
to king and | 6 |
them of their | 6 |
although i am | 6 |
as if he | 6 |
with heart and | 6 |
she answered no | 6 |
pend the deeds | 6 |
live and dye | 6 |
here is a | 6 |
signed at the | 6 |
had undone me | 6 |
author of the | 6 |
the spanish wine | 6 |
at length he | 6 |
friends will be | 6 |
will make a | 6 |
love thee for | 6 |
finde in heart | 6 |
not from mee | 6 |
in this following | 6 |
out of a | 6 |
t is a | 6 |
is of such | 6 |
now or never | 6 |
i shall die | 6 |
pale and wan | 6 |
more worke for | 6 |
it rules both | 6 |
and you quickly | 6 |
and now in | 6 |
hunting of the | 6 |
we are here | 6 |
in the field | 6 |
rules both heart | 6 |
fancy in the | 6 |
lie neer me | 6 |
persons of very | 6 |
of fortune my | 6 |
when i did | 6 |
noble earle of | 6 |
to his mind | 6 |
as much as | 6 |
betwixt two very | 6 |
if i would | 6 |
by the example | 6 |
what you can | 6 |
perils and dangers | 6 |
dance and song | 6 |
time of need | 6 |
death of famous | 6 |
praise of a | 6 |
to all the | 6 |
to lead a | 6 |
character of a | 6 |
she would not | 6 |
he met his | 6 |
heart had undone | 6 |
my pretty betty | 6 |
which was his | 6 |
the extraordinary hazards | 6 |
consent to his | 6 |
aime not too | 6 |
printed by t | 6 |
no longer stay | 6 |
now must i | 6 |
eight of may | 6 |
and his nobles | 6 |
i must not | 6 |
a letter for | 6 |
with thee i | 6 |
in your youth | 6 |
for all estates | 6 |
that i would | 6 |
thomas stukely johnson | 6 |
and pend the | 6 |
of the main | 6 |
an excellent sonnet | 6 |
an excellent discourse | 6 |
all men ought | 6 |
the fayth of | 6 |
will make me | 6 |
at this time | 6 |
comfort in the | 6 |
of a brewer | 6 |
what do you | 6 |
that all the | 6 |
in the praise | 6 |
with that a | 6 |
faithfull friend from | 6 |
in his heart | 6 |
to be in | 6 |
of the extraordinary | 6 |
love in the | 6 |
identified as wing | 6 |
the noble earle | 6 |
dear but poor | 6 |
spanish ladies love | 6 |
the wife of | 6 |
any worke for | 6 |
to a pretty | 6 |
london for iohn | 6 |
the bad husbands | 6 |
what shall i | 6 |
how dearely i | 6 |
a wing b | 6 |
of a breeding | 6 |
imprint from wing | 6 |
answer to the | 6 |
her by the | 6 |
long as i | 6 |
and i must | 6 |
i doe loue | 6 |
was not in | 6 |
ga not to | 6 |
is in vain | 6 |
and faithful to | 6 |
of very eminent | 6 |
and all good | 6 |
to him she | 6 |