This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
early english books online | 984 |
to the tune of | 484 |
characters represented either as | 432 |
represented either as utf | 432 |
for keying and markup | 256 |
to the terms of | 256 |
english books online text | 256 |
all without asking permission | 256 |
tcp assigned for keying | 256 |
even for commercial purposes | 256 |
of the work described | 256 |
work described above is | 256 |
and coded from proquest | 256 |
financial support to the | 256 |
the text can be | 256 |
this phase i text | 256 |
encoded edition of the | 256 |
text is available for | 256 |
edition of the work | 256 |
and encoded edition of | 256 |
providing financial support to | 256 |
owned by the institutions | 256 |
to the early english | 256 |
text can be copied | 256 |
online text creation partnership | 256 |
encoded text transcribed from | 256 |
keyed and coded from | 256 |
the early english books | 256 |
the terms of creative | 256 |
according to the terms | 256 |
coded from proquest page | 256 |
terms of creative commons | 256 |
markup reviewed and edited | 256 |
institutions providing financial support | 256 |
books online text creation | 256 |
the institutions providing financial | 256 |
assigned for keying and | 256 |
from proquest page images | 256 |
the work described above | 256 |
by the institutions providing | 256 |
and markup reviewed and | 256 |
phase i text is | 256 |
this keyboarded and encoded | 256 |
i text is available | 256 |
images scanned from microfilm | 256 |
support to the early | 256 |
is available for reuse | 256 |
keyboarded and encoded edition | 256 |
text and markup reviewed | 256 |
described above is co | 256 |
iv tiff page image | 237 |
proofread for accuracy and | 216 |
to create diplomatic transcriptions | 216 |
by a tcp editor | 216 |
in of gaps by | 216 |
be made about the | 216 |
simplify the filling in | 216 |
works in other languages | 216 |
mind that in all | 216 |
tcp data is very | 216 |
was a compelling reason | 216 |
these processes should make | 216 |
these texts for their | 216 |
users should be aware | 216 |
elements of known extent | 216 |
the filling in of | 216 |
returned to the keyers | 216 |
likelihood such instances will | 216 |
later edition of a | 216 |
oxford and the publisher | 216 |
and markup guidelines are | 216 |
remain and some readable | 216 |
creating the tcp texts | 216 |
gaps by user contributors | 216 |
the publisher proquest to | 216 |
then their works are | 216 |
of a work was | 216 |
a work was chosen | 216 |
based on the new | 216 |
with level of the | 216 |
then carried out by | 216 |
usual project restraints of | 216 |
proquest to create accurately | 216 |
teams in oxford and | 216 |
credit and attribution is | 216 |
was chosen if there | 216 |
of a works in | 216 |
and some readable characters | 216 |
into placeholder characters or | 216 |
to the keyers to | 216 |
reflect the true nature | 216 |
of every monographic english | 216 |
by proquest via their | 216 |
looked at by a | 216 |
a partnership between the | 216 |
remaining illegibles were encoded | 216 |
true nature of the | 216 |
never have been looked | 216 |
issued variously as sgml | 216 |
notably latin and welsh | 216 |
have been released into | 216 |
level of the tei | 216 |
external keying companies for | 216 |
respectfully request that due | 216 |
of works in other | 216 |
as illegible were corrected | 216 |
michigan and oxford and | 216 |
works are eligible for | 216 |
a works in english | 216 |
and attribution is given | 216 |
while the overall quality | 216 |
there are a number | 216 |
characters will be marked | 216 |
possible up to a | 216 |
on the text encoding | 216 |
texts were encoded and | 216 |
phase of the project | 216 |
images in accordance with | 216 |
was proofread for accuracy | 216 |
wide variety of subject | 216 |
data is very good | 216 |
of each text was | 216 |
published between and available | 216 |
and the publisher proquest | 216 |
therefore of any assumptions | 216 |
partnership between the universities | 216 |
quantities of textual data | 216 |
of instances per text | 216 |
and therefore of any | 216 |
within the usual project | 216 |
of gaps by user | 216 |
via their early english | 216 |
nature of the print | 216 |
included and sometimes a | 216 |
of creating the tcp | 216 |
encoded texts based on | 216 |
to range over a | 216 |
placeholder characters or elements | 216 |
for accuracy and those | 216 |
should be aware of | 216 |
have been transformed into | 216 |
intended to range over | 216 |
therefore chose to create | 216 |
be marked as illegible | 216 |
meet qa standards were | 216 |
editions of a works | 216 |
is given to their | 216 |
request that due credit | 216 |
texts based on the | 216 |
copies of the texts | 216 |
a second or later | 216 |
public domain as of | 216 |
transcription and basic encoding | 216 |
illegible were corrected where | 216 |
companies for transcription and | 216 |
transcribed and encoded texts | 216 |
any assumptions that can | 216 |
processed by university of | 216 |
should make clear that | 216 |
by university of nebraska | 216 |
works in english were | 216 |
are available at the | 216 |
keying companies for transcription | 216 |
record of the period | 216 |
or later edition of | 216 |
or tei g elements | 216 |
universities of michigan and | 216 |
some errors will remain | 216 |
the texts were encoded | 216 |
image sets were sent | 216 |
at by a tcp | 216 |
known extent have been | 216 |
project have been released | 216 |
between the universities of | 216 |
for their own purposes | 216 |
been looked at by | 216 |
sets published by proquest | 216 |
image sets published by | 216 |
carried out by editorial | 216 |
use these texts for | 216 |
markup guidelines are available | 216 |
was based on the | 216 |
of the tei in | 216 |
to external keying companies | 216 |
standards were returned to | 216 |
and encoded texts based | 216 |
enhanced and or corrected | 216 |
accordance with level of | 216 |
of the print record | 216 |
filling in of gaps | 216 |
take and use these | 216 |
texts for their own | 216 |
there was a compelling | 216 |
title published between and | 216 |
anyone can now take | 216 |
create accurately transcribed and | 216 |
p using tcp tei | 216 |
converting tcp files to | 216 |
processes should make clear | 216 |
structural encoding based on | 216 |
a number of works | 216 |
language title published between | 216 |
during phase of the | 216 |
each text was proofread | 216 |
of any assumptions that | 216 |
encoding was enhanced and | 216 |
editorial teams in oxford | 216 |
but we respectfully request | 216 |
in oxford and michigan | 216 |
tei p using tcp | 216 |
encoding based on the | 216 |
proquest via their early | 216 |
on the new cambridge | 216 |
accuracy and those which | 216 |
to encode one copy | 216 |
elements to simplify the | 216 |
up to a limit | 216 |
characters marked as illegible | 216 |
the project have been | 216 |
now take and use | 216 |
of known extent have | 216 |
text with mnemonic sdata | 216 |
process of creating the | 216 |
given to their original | 216 |
accurately transcribed and encoded | 216 |
a compelling reason to | 216 |
tcp is a partnership | 216 |
and or corrected and | 216 |
all likelihood such instances | 216 |
texts created during phase | 216 |
transformed into placeholder characters | 216 |
print record of the | 216 |
of michigan and oxford | 216 |
based on the image | 216 |
number of works in | 216 |
the encoding was enhanced | 216 |
such instances will never | 216 |
encoded as gap s | 216 |
which did not meet | 216 |
usually the first edition | 216 |
sometimes a second or | 216 |
cambridge bibliography of english | 216 |
is a partnership between | 216 |
to their original source | 216 |
any remaining illegibles were | 216 |
text selection was based | 216 |
assurance was then carried | 216 |
did not meet qa | 216 |
the usual project restraints | 216 |
produce large quantities of | 216 |
mainly structural encoding based | 216 |
or corrected and characters | 216 |
keying and markup guidelines | 216 |
quality of tcp data | 216 |
understanding these processes should | 216 |
linked to page images | 216 |
selection was intended to | 216 |
project restraints of time | 216 |
assumptions that can be | 216 |
large quantities of textual | 216 |
the tei in libraries | 216 |
creation partnership web site | 216 |
was divided into two | 216 |
illegibles were encoded as | 216 |
where possible up to | 216 |
project was divided into | 216 |
the universities of michigan | 216 |
were sent to external | 216 |
will remain and some | 216 |
the new cambridge bibliography | 216 |
at the text creation | 216 |
of the project have | 216 |
texts have been issued | 216 |
bibliography of english literature | 216 |
keyers to be redone | 216 |
qa standards were returned | 216 |
the text encoding initiative | 216 |
of tcp data is | 216 |
aimed to produce large | 216 |
as opposed to critical | 216 |
we respectfully request that | 216 |
available at the text | 216 |
mnemonic sdata character entities | 216 |
the print record of | 216 |
should bear in mind | 216 |
tcp files to tei | 216 |
the general aim of | 216 |
for an anonymous work | 216 |
have been looked at | 216 |
tcp aimed to produce | 216 |
were corrected where possible | 216 |
released into the public | 216 |
the overall quality of | 216 |
chose to create diplomatic | 216 |
the public domain as | 216 |
chosen if there was | 216 |
first editions of a | 216 |
the image sets published | 216 |
opposed to critical editions | 216 |
with changes to facilitate | 216 |
the keyers to be | 216 |
the process of creating | 216 |
been released into the | 216 |
domain as of january | 216 |
in all likelihood such | 216 |
limit of instances per | 216 |
to simplify the filling | 216 |
were encoded and linked | 216 |
data within the usual | 216 |
be aware of the | 216 |
the text creation partnership | 216 |
and therefore chose to | 216 |
reason to do so | 216 |
instances will never have | 216 |
readable characters will be | 216 |
compelling reason to do | 216 |
on the image sets | 216 |
a limit of instances | 216 |
are eligible for inclusion | 216 |
sent to external keying | 216 |
to produce large quantities | 216 |
guidelines are available at | 216 |
in mind that in | 216 |
that in all likelihood | 216 |
variety of subject areas | 216 |
sets were sent to | 216 |
created during phase of | 216 |
that due credit and | 216 |
were encoded as gap | 216 |
a wide variety of | 216 |
was then carried out | 216 |
unicode or tei g | 216 |
bear in mind that | 216 |
extent have been transformed | 216 |
tcp project was divided | 216 |
their works are eligible | 216 |
divided into two phases | 216 |
and characters marked as | 216 |
overall quality of tcp | 216 |
in english were prioritized | 216 |
aware of the process | 216 |
changes to facilitate morpho | 216 |
or text strings within | 216 |
new cambridge bibliography of | 216 |
can be made about | 216 |
corrected where possible up | 216 |
due credit and attribution | 216 |
marked as illegible were | 216 |
text strings within braces | 216 |
by converting tcp files | 216 |
and those which did | 216 |
were returned to the | 216 |
been transformed into placeholder | 216 |
encoded and linked to | 216 |
if there was a | 216 |
to reflect the true | 216 |
general aim of eebo | 216 |
by editorial teams in | 216 |
and oxford and the | 216 |
have been issued variously | 216 |
and available in eebo | 216 |
and linked to page | 216 |
or for an anonymous | 216 |
or elements to simplify | 216 |
text was proofread for | 216 |
edition of a work | 216 |
quality assurance was then | 216 |
to create accurately transcribed | 216 |
of the texts have | 216 |
to tei p using | 216 |
of time and funding | 216 |
to a limit of | 216 |
published by proquest via | 216 |
whichever is the greater | 216 |
users should bear in | 216 |
page images in accordance | 216 |
and use these texts | 216 |
for transcription and basic | 216 |
was intended to range | 216 |
will be marked as | 216 |
unicode or text strings | 216 |
restraints of time and | 216 |
tcp is to encode | 216 |
range over a wide | 216 |
although there are a | 216 |
gap elements of known | 216 |
been issued variously as | 216 |
over a wide variety | 216 |
tei in libraries guidelines | 216 |
publisher proquest to create | 216 |
of textual data within | 216 |
made about the data | 216 |
of the process of | 216 |
characters or elements to | 216 |
based on the text | 216 |
is to encode one | 216 |
into the public domain | 216 |
those which did not | 216 |
can now take and | 216 |
files to tei p | 216 |
text creation partnership web | 216 |
to page images in | 216 |
selection was based on | 216 |
work was chosen if | 216 |
ascii text with mnemonic | 216 |
corrected and characters marked | 216 |
not meet qa standards | 216 |
some readable characters will | 216 |
attribution is given to | 216 |
and sometimes a second | 216 |
will never have been | 216 |
out by editorial teams | 216 |
created by converting tcp | 216 |
their early english books | 216 |
textual data within the | 216 |
second or later edition | 216 |
in accordance with level | 216 |
errors will remain and | 216 |
with mnemonic sdata character | 216 |
the texts have been | 216 |
are a number of | 216 |
was enhanced and or | 216 |
the true nature of | 216 |
that can be made | 216 |
between and available in | 216 |
ocm this keyboarded and | 166 |
global keyed and coded | 164 |
spi global keyed and | 164 |
reproduction of original in | 164 |
to the same tune | 148 |
in the british library | 128 |
original in the british | 125 |
of original in the | 125 |
mona logarbo text and | 118 |
logarbo text and markup | 118 |
interim tract supplement guide | 112 |
logarbo sampled and proofread | 111 |
mona logarbo sampled and | 111 |
and xml conversion the | 108 |
tract supplement guide c | 80 |
of the original in | 79 |
the original in the | 79 |
a stc estc s | 70 |
s this keyboarded and | 66 |
of publication suggested by | 66 |
the tune of the | 66 |
estc s this keyboarded | 66 |
at head of each | 66 |
head of each part | 64 |
woodcuts at head of | 61 |
stc estc s this | 60 |
to a pleasant new | 59 |
and xml conversion a | 59 |
a pleasant new tune | 59 |
date of publication suggested | 58 |
and date of publication | 56 |
publication suggested by wing | 56 |
place and date of | 50 |
aptara keyed and coded | 49 |
printed at london for | 49 |
r ocm this keyboarded | 49 |
estc r ocm this | 49 |
the leaves so green | 44 |
reproduction of the original | 44 |
covantage keyed and coded | 43 |
apex covantage keyed and | 43 |
leaves so green a | 42 |
amongst the leaves so | 42 |
pas text and markup | 41 |
john pas text and | 41 |
pas sampled and proofread | 41 |
in the harvard university | 41 |
john pas sampled and | 41 |
at making the text | 40 |
and professional end users | 40 |
text has been tokenized | 40 |
the display of a | 40 |
many walks of life | 40 |
is an enriched version | 40 |
author or stationer meant | 40 |
display of a text | 40 |
text in a standardized | 40 |
format that preserves archaic | 40 |
end users from many | 40 |
in a standardized format | 40 |
support the display of | 40 |
a text in a | 40 |
metadata enrichments aim at | 40 |
of the tcp digital | 40 |
the english short title | 40 |
or stationer meant to | 40 |
an enriched version of | 40 |
the tcp digital transcription | 40 |
in the english short | 40 |
changes aim at restoring | 40 |
the text has been | 40 |
and linguistically annotated with | 40 |
the text more computationally | 40 |
the author or stationer | 40 |
a standardized format that | 40 |
linguistically annotated with morphadorner | 40 |
standard spellings that support | 40 |
curation by amateur and | 40 |
standardized format that preserves | 40 |
text is an enriched | 40 |
based collaborative curation by | 40 |
this text has not | 40 |
at restoring the text | 40 |
restoring the text the | 40 |
aim at making the | 40 |
not been fully proofread | 40 |
collaborative curation by amateur | 40 |
textual changes and metadata | 40 |
english short title catalog | 40 |
making the text more | 40 |
includes standard spellings that | 40 |
users from many walks | 40 |
spellings that support the | 40 |
textual changes aim at | 40 |
aim at restoring the | 40 |
stationer meant to publish | 40 |
text more computationally tractable | 40 |
been fully proofread approx | 40 |
version of the tcp | 40 |
the annotation includes standard | 40 |
enriched version of the | 40 |
tokenized and linguistically annotated | 40 |
has not been fully | 40 |
this text is an | 40 |
changes and metadata enrichments | 40 |
by amateur and professional | 40 |
amateur and professional end | 40 |
enrichments aim at making | 40 |
been tokenized and linguistically | 40 |
annotation includes standard spellings | 40 |
has been tokenized and | 40 |
the text the author | 40 |
text has not been | 40 |
that preserves archaic forms | 40 |
professional end users from | 40 |
and metadata enrichments aim | 40 |
and suitable for network | 40 |
from many walks of | 40 |
of a text in | 40 |
text the author or | 40 |
that support the display | 40 |
original in the harvard | 36 |
reproductions of the original | 36 |
category of texts with | 33 |
this text in the | 33 |
rate of defects per | 33 |
puts this text in | 33 |
the rate of defects | 33 |
words puts this text | 33 |
supplement guide ebb h | 29 |
tract supplement guide ebb | 29 |
to an excellent new | 28 |
this is a good | 28 |
the second part to | 28 |
second part to the | 28 |
part to the same | 28 |
o this is a | 28 |
a good old woman | 28 |
s ocm this keyboarded | 27 |
publication date from stc | 27 |
estc s ocm this | 27 |
and are to be | 27 |
is a good old | 26 |
publication date suggested by | 26 |
o this was one | 26 |
then you may say | 26 |
in the bodleian library | 26 |
this was one of | 25 |
original in the bodleian | 25 |
was one of my | 25 |
at the golden ball | 24 |
to see the gowlin | 23 |
date suggested by stc | 23 |
texts with between and | 23 |
brooksby at the golden | 23 |
of texts with between | 23 |
ah woe is me | 23 |
between and defects per | 23 |
huber text and markup | 23 |
with between and defects | 23 |
are to be sold | 22 |
estc r this keyboarded | 22 |
date of publication from | 22 |
r this keyboarded and | 22 |
huber sampled and proofread | 22 |
on the mending hand | 21 |
this may be printed | 21 |
tcp digital transcription a | 20 |
megan marion text and | 20 |
transcription a of text | 20 |
to a new tune | 20 |
marion text and markup | 20 |
digital transcription b of | 20 |
digital transcription a of | 20 |
marion sampled and proofread | 20 |
tcp digital transcription b | 20 |
megan marion sampled and | 20 |
transcription b of text | 20 |
one of my aunts | 19 |
the figure of two | 19 |
sweet thing is love | 19 |
the golden ball in | 19 |
iv tiff page images | 19 |
to know a faithfull | 19 |
the signe of the | 19 |
life and death of | 19 |
at the signe of | 19 |
a sweet thing is | 19 |
to be sold at | 18 |
a marke a yeare | 18 |
old cap was new | 18 |
supper on saturday night | 18 |
lord jesus forgive me | 17 |
and the british library | 17 |
euer we forced king | 16 |
of publication from wing | 16 |
that euer we forced | 16 |
r in the english | 16 |
of text r in | 16 |
how ere the world | 16 |
text r in the | 16 |
worke for a cooper | 16 |
b interim tract supplement | 16 |
i make a shot | 16 |
forced king edward to | 16 |
that is the debt | 16 |
the debt we owe | 16 |
is the debt we | 16 |
we forced king edward | 16 |
ebb h ocm this | 15 |
proofe of a pudding | 15 |
c the rate of | 15 |
when i was young | 15 |
text in the c | 15 |
oh fie on this | 15 |
the c category of | 15 |
ere the world goe | 15 |
in the c category | 15 |
guide ebb h ocm | 15 |
i love not you | 15 |
and bolts doe hinder | 15 |
the proofe of a | 15 |
library and the british | 15 |
locks and bolts doe | 15 |
h ocm this keyboarded | 15 |
this old cap was | 15 |
an excellent new tune | 15 |
a estc r ocm | 15 |
c category of texts | 15 |
a pleasant new song | 15 |
houghton library and the | 14 |
and a little above | 14 |
is that any pen | 14 |
great pitie t is | 14 |
is the lasse that | 14 |
sweet is the lasse | 14 |
the like did hear | 14 |
a little above my | 14 |
happy is he whom | 14 |
of text s in | 14 |
the hackney coaches downe | 14 |
never the like did | 14 |
t is that any | 14 |
little above my knee | 14 |
s in the english | 14 |
ye never the like | 14 |
h interim tract supplement | 14 |
with the hackney coaches | 14 |
pitie t is that | 14 |
is he whom other | 14 |
text s in the | 14 |
the lasse that loues | 14 |
was the first that | 13 |
the first that taught | 13 |
a song at the | 13 |
and to shun satans | 13 |
lovers all take my | 13 |
hasten to loves paradice | 13 |
that my mother gaue | 13 |
a true relation of | 13 |
he whom other mens | 13 |
and that my mother | 13 |
a pudding is all | 13 |
is all in the | 13 |
a dainty new ditty | 13 |
downe in yonder dale | 13 |
all take my advice | 13 |
imprint suggested by wing | 13 |
pudding is all in | 13 |
the second part of | 13 |
first that taught me | 13 |
harmes can make to | 13 |
a of text s | 13 |
hey tro nonney nonney | 13 |
o such a rogue | 13 |
other mens harmes can | 13 |
king edward to die | 13 |
and death of the | 13 |
to shun satans charmes | 13 |
my mother gaue me | 13 |
that taught me to | 13 |
and downe in yonder | 13 |
all in the eating | 13 |
the new found deedle | 13 |
of a pudding is | 13 |
with hey tro nonney | 13 |
taught me to see | 13 |
and the world went | 13 |
then lovers all take | 13 |
and hasten to loves | 13 |
when this old cap | 13 |
whistle in the winde | 13 |
can make to beware | 13 |
whom other mens harmes | 13 |
me to see the | 13 |
mens harmes can make | 13 |
if it haue a | 12 |
that euer had man | 12 |
wife that euer had | 12 |
siefring text and markup | 12 |
wing b interim tract | 12 |
a dainty new tune | 12 |
to a dainty new | 12 |
ebb h interim tract | 12 |
guide ebb h interim | 12 |
judith siefring text and | 12 |
b wing b interim | 12 |
at the upper end | 12 |
upper end of the | 12 |
how ere the wind | 12 |
this merry conceit of | 12 |
yet i cannot get | 12 |
conceit of the deedle | 12 |
she was the first | 12 |
the assignes of thomas | 12 |
end of the old | 12 |
boys up go we | 12 |
mo a stc estc | 12 |
none but a sea | 12 |
hey boys up go | 12 |
but locks and bolts | 12 |
to have a care | 12 |
my money in store | 12 |
the upper end of | 12 |
merry conceit of the | 12 |
so sweet is the | 11 |
wing p interim tract | 11 |
i cannot get her | 11 |
b wing p interim | 11 |
story it is true | 11 |
and yet i cannot | 11 |
of publication from stc | 11 |
not how ere the | 11 |
for the love of | 11 |
should note such hate | 11 |
king edward the second | 11 |
care not how ere | 11 |
a interim tract supplement | 11 |
oh house of commons | 11 |
the life and death | 11 |
p interim tract supplement | 11 |
but let her chuse | 10 |
but a marke a | 10 |
see the gowlin my | 10 |
and publication date from | 10 |
rogue would be hangd | 10 |
the gowlin my jo | 10 |
will wooe a wench | 10 |
printed by and for | 10 |
both day and night | 10 |
i le forsake for | 10 |
b of text in | 10 |
him i make a | 10 |
to the city for | 10 |
a rogue would be | 10 |
such a rogue would | 10 |
printed by the assignes | 10 |
ta ra ra ra | 10 |
keep my money in | 10 |
trumpets sounding as they | 10 |
tan ta ra ra | 10 |
lasse that loues me | 10 |
haue but a marke | 10 |
whither wilt thou goe | 10 |
both old and young | 10 |
by the assignes of | 10 |
the wind doth blow | 10 |
ra ra ra tan | 10 |
song in praise of | 10 |
sure thrice happy c | 10 |
i haue but a | 10 |
be sold at his | 10 |
then let not faire | 10 |
liues a woman that | 10 |
we like our humour | 10 |
of king edward the | 10 |
of text in the | 10 |
text in the english | 10 |
le forsake for thee | 10 |
stc estc s ocm | 10 |
at him i make | 10 |
and we like our | 10 |
publication date conjectured by | 10 |
ere the wind doth | 10 |
like our humour well | 10 |
in the f category | 9 |
in the county of | 9 |
f category of texts | 9 |
both rich and poor | 9 |
god a mercy penny | 9 |
when i am dead | 9 |
england nere the like | 9 |
at his shop in | 9 |
when the stormy windes | 9 |
in an excellent ditty | 9 |
hey the brave granadeers | 9 |
variable changes in this | 9 |
o rare beyond compare | 9 |
that any pen should | 9 |
the famous thomas stukely | 9 |
i le tell you | 9 |
still on the mending | 9 |
signe of the hors | 9 |
of texts with or | 9 |
l interim tract supplement | 9 |
place of publication and | 9 |
texts with or more | 9 |
time of queen elizabeth | 9 |
name and publication date | 9 |
and keep my money | 9 |
printed for richard harper | 9 |
song at the kings | 9 |
at the angel in | 9 |
the brave granadeers ho | 9 |
and at the last | 9 |
the f category of | 9 |
with or more defects | 9 |
the rest of the | 9 |
text in the f | 9 |
give me the willow | 9 |
come to the city | 9 |
from a flattering foe | 9 |
b of text r | 9 |
judith siefring sampled and | 9 |
at the kings house | 9 |
wing d interim tract | 9 |
and if it haue | 9 |
the variable changes in | 9 |
death of the famous | 9 |
f the rate of | 9 |
or more defects per | 9 |
but god a mercy | 9 |
wing l interim tract | 9 |
of the famous thomas | 9 |
any pen should note | 9 |
true relation of the | 9 |
signes to know a | 9 |
in england nere the | 9 |
what thinke you of | 9 |
stricking on a row | 9 |
siefring sampled and proofread | 9 |
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when the stormy winds | 9 |
friend from a flattering | 9 |
three kings of barbary | 9 |
at london for i | 9 |
stormy windes doe blow | 9 |
sounding as they goe | 9 |
d interim tract supplement | 9 |
concerning the variable changes | 9 |
to a new court | 9 |
thus liues a woman | 9 |
publication suggested by stc | 9 |
being a most pleasant | 9 |
and he that would | 9 |
b wing d interim | 9 |
b wing l interim | 9 |
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blaney text and markup | 8 |
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let not faire words | 8 |
my love and i | 8 |
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the tune of fortune | 8 |
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good wife is a | 8 |
hate tvvixt christian men | 8 |
is a portion every | 8 |
the harvard university library | 8 |
love of george strangwidge | 8 |
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elspeth healey text and | 8 |
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jonathan blaney text and | 8 |
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doth wish ill to | 8 |
date conjectured by stc | 8 |
shall marry with me | 8 |
dwelling at the upper | 8 |
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original in the pepys | 8 |
text in the d | 8 |
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london for thomas lambert | 8 |
husband hath no fore | 8 |
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b stc interim tract | 8 |
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the best of all | 8 |
stc interim tract supplement | 8 |
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blaney sampled and proofread | 8 |
attributed to martin parker | 8 |
her counsell is good | 8 |
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the love of george | 8 |
date and place of | 8 |
printed for iohn wright | 8 |
wife is a portion | 8 |
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golden ball in pye | 8 |
letter for a christian | 8 |
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portrait of king henry | 8 |
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jonathan blaney sampled and | 8 |
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pen should note such | 8 |
the like was never | 8 |
a portion every day | 8 |
this is a merry | 8 |
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brimmer to the king | 7 |
new ditty composed and | 7 |
for old and young | 7 |
the world i le | 7 |
world went well with | 7 |
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merry mans resolution or | 7 |
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at their first entrance | 7 |
text has no known | 7 |
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i le of man | 7 |
national library of scotland | 7 |
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known defects that were | 7 |
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famous thomas stukely an | 7 |
good wives a song | 7 |
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cuckold is a good | 7 |
the fair one let | 7 |
at the last she | 7 |
the merry carelesse lover | 7 |
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that would be a | 7 |
o happy is he | 7 |
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cannot tell with whom | 7 |
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place of publication from | 7 |
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the pottles and gallons | 7 |
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wooe a wench with | 7 |
though locks and bolts | 7 |
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come fill us the | 7 |
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to its own proper | 7 |
world i le forsake | 7 |
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the time of transcription | 7 |
one let me in | 7 |
the merry mans resolution | 7 |
it was my chance | 7 |
rest of the issue | 7 |
richard harper in smithfield | 7 |
cosen makes a cuckold | 7 |
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the world went well | 7 |
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i le hold thee | 7 |
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thomas stukely an english | 7 |
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vi vel a roy | 7 |
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woodcut illustrations at head | 7 |
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an old souldier c | 7 |
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no body else shall | 7 |
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the new made hay | 6 |
its own proper tune | 6 |
i come to thee | 6 |
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the cooper served the | 6 |
of the old baily | 6 |
to blaze the praise | 6 |
faithfull friend from a | 6 |
a faithfull friend from | 6 |
raw the north did | 6 |
of famous thomas stukely | 6 |
of fortune my foe | 6 |
whereof you never heard | 6 |
no comfort in the | 6 |
play us my grannams | 6 |
dearely i doe loue | 6 |
more worke for a | 6 |
take this advice of | 6 |
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any worke for a | 6 |
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warning for all estates | 6 |
betwixt two very young | 6 |
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to a delicate new | 6 |
in request at court | 6 |
printed for john andrews | 6 |
the tune of dulcina | 6 |
english gentleman in the | 6 |
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the stormy winds doe | 6 |
i will be a | 6 |
to avoid all strife | 6 |
ballad you may see | 6 |
most excellent warning for | 6 |
angel gabriel of bristol | 6 |
how dearely i doe | 6 |
death of famous thomas | 6 |
of very eminent quality | 6 |
pend the deeds of | 6 |
the like whereof you | 6 |
an excellent new scotch | 6 |
consent to his murther | 6 |
tune of fortune my | 6 |
both heart and mind | 6 |
world to women that | 6 |
gentleman in the time | 6 |
and death of famous | 6 |
relation of their perils | 6 |
the three kings of | 6 |
drink the spanish wine | 6 |
and you quickly shall | 6 |
my kind heart had | 6 |
of a breeding larke | 6 |
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you may admire at | 6 |
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being persons of very | 6 |
of a true christian | 6 |
b wing p a | 6 |
stormy winds doe blow | 6 |
this ballad you may | 6 |
song much in request | 6 |
of the extraordinary hazards | 6 |
fill the pottles and | 6 |
quickly shall hear how | 6 |
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ask me no more | 6 |
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make bold with my | 6 |
at london for iohn | 6 |
mo b wing p | 6 |
his shop in the | 6 |
amarillis told her swain | 6 |
the dolefull dance and | 6 |
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the cold winter away | 6 |
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all young men that | 6 |
in the west of | 6 |
shepheards on salisburie plaine | 6 |
go not from mee | 6 |
heart hath undone me | 6 |
leader haughs and yarow | 6 |
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the time of queen | 6 |
the other od quart | 6 |
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the two faithful lovers | 6 |
hear how it was | 6 |
composed and pend the | 6 |
old age will come | 6 |
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dolefull dance and song | 6 |
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the north did blow | 6 |
fill us the other | 6 |
shall hear how it | 6 |
in praise of the | 6 |
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in this ballad you | 6 |
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the west of england | 6 |
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bid all our sorrowes | 6 |
pleasant and delightful courtship | 6 |
to the wars againe | 6 |
he is as good | 6 |
this song it was | 6 |
in this ditty you | 6 |
the tune of blew | 6 |
we come upon the | 6 |
the world is full | 6 |
women that are kind | 6 |
my kind heart hath | 6 |
a most pleasant and | 6 |
maid that to gravesend | 6 |
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a wench with a | 6 |
now i come to | 6 |
famous thomas stukely johnson | 6 |
the words made to | 6 |
this ditty you may | 6 |
cooper served the brewer | 6 |
their first entrance into | 6 |
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besse now i come | 6 |
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b wing w a | 6 |
lady lie neer me | 6 |
signed at the end | 6 |
aime not too high | 6 |
young men and maids | 6 |
which you may admire | 6 |
bold with my own | 6 |
love in the blossome | 6 |
character of a true | 6 |
fancy in the bud | 6 |
the world to women | 6 |
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changes in this world | 6 |
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persons of very eminent | 6 |
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this advice of me | 6 |
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how the cooper served | 6 |
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portrait of king edward | 6 |
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the world went ill | 6 |
for a marke a | 6 |
a warning for all | 6 |
come play us my | 6 |
like whereof you never | 6 |
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in time of need | 6 |
the spanish ladies love | 6 |
the cooper of norfolke | 6 |
rules both heart and | 6 |
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us my grannams deedle | 6 |
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the brewer in his | 6 |
you quickly shall hear | 6 |
of the three kings | 6 |
the god of love | 6 |
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upon this joyfull day | 6 |
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to women that are | 6 |
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dance and song of | 6 |
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o he is as | 6 |
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best wife that euer | 6 |
the duke of hereford | 5 |
in all their extremities | 5 |
cold and raw the | 5 |
at barstable in devonshire | 5 |
lord iesus forgive me | 5 |
of their rejoycing on | 5 |
praise of great northumberland | 5 |
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will to king and | 5 |
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men and women to | 5 |
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one of my men | 5 |
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fill us a bumper | 5 |
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while we are here | 5 |
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the author of the | 5 |
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wing d estc r | 5 |
to you i will | 5 |
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of the lord matreuers | 5 |
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wife from a bad | 4 |
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golden ball in west | 4 |
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by and for w | 4 |
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w interim tract supplement | 4 |
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jason colman text and | 4 |
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the old world now | 4 |
and surely though i | 4 |
your time in waste | 4 |
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by sea or land | 4 |
thou shalt have thy | 4 |
may with sorrow sadly | 4 |
more in england see | 4 |
paire of turtle doves | 4 |
a dialogue betweene master | 4 |
then all you good | 4 |
the blind boy love | 4 |
that my husband shall | 4 |
of the table round | 4 |
betweene the soule and | 4 |
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buckle and thong together | 4 |
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wing w estc r | 4 |
reproductions of the originals | 4 |
may come at last | 4 |
many did thinke they | 4 |
as in this story | 4 |
is the cause of | 4 |
be merry my hearts | 4 |
publication date estimated by | 4 |
go home in the | 4 |
did thinke they never | 4 |
from fair elise to | 4 |
view the drinking healths | 4 |
which makes me sigh | 4 |
but now shall plainly | 4 |
consenting to the death | 4 |
lamentation of george strangwidge | 4 |
good newes in a | 4 |
way of sweet content | 4 |
of false young men | 4 |
save the king boyes | 4 |
and the great paine | 4 |
beene expected god grant | 4 |
or else it may | 4 |
tune of tarltons medley | 4 |
which hath beene expected | 4 |
at the sun and | 4 |
and xml conversion strange | 4 |
i know no harme | 4 |
her husband to be | 4 |
mans compass or a | 4 |
the originals in the | 4 |
excellent majesties royal and | 4 |
black bess of the | 4 |
a true subiects wish | 4 |
both reall and true | 4 |
p a this text | 4 |
by his vnquiet wife | 4 |
london printed for h | 4 |
may view the drinking | 4 |
the merry old vvoman | 4 |
tune of cheevy chase | 4 |
woodcut illustration at head | 4 |
choyse among my store | 4 |
as well as i | 4 |
tune of flying fame | 4 |
hold thee five shillings | 4 |
at the house of | 4 |
relation of a dog | 4 |
xml conversion the two | 4 |
not your time in | 4 |
hey down derry derry | 4 |
the happy successe of | 4 |
he has cause to | 4 |
was my chance to | 4 |
colman sampled and proofread | 4 |
being condemned to be | 4 |
wench with a black | 4 |
time of need it | 4 |
when a good wife | 4 |
majesties royal and triumphant | 4 |
in a wanton posture | 4 |
once more in england | 4 |
him as my life | 4 |
i le make him | 4 |
liues a poore woman | 4 |
upon our english coast | 4 |
must and i will | 4 |
come to me soon | 4 |
hanged at yorke for | 4 |
man and his wife | 4 |
to be hanged at | 4 |
now is turned a | 4 |
all the factions in | 4 |
his robberies and trespasses | 4 |
to each other prove | 4 |
dialogue betweene master guesright | 4 |
master guesright and poore | 4 |
death of the piper | 4 |
for causing her husband | 4 |
of a dog and | 4 |
rambled up and down | 4 |
his brief declaration made | 4 |
their king and country | 4 |
expected god grant that | 4 |
dialogue betweene john and | 4 |
yield to death at | 4 |
a pleasant new dialogue | 4 |
until he felt a | 4 |
a proper new ballad | 4 |
it in your mind | 4 |
thus to conclude and | 4 |
man and the husband | 4 |
if this be true | 4 |
wing p a estc | 4 |
crowning his sonne king | 4 |
i a husband have | 4 |
i wish i had | 4 |
woe is me that | 4 |
take off your glass | 4 |
why are my eyes | 4 |
or strange altrations which | 4 |
why should i not | 4 |
there did the king | 4 |
good strong beere to | 4 |
the factious rebellion of | 4 |
lay up your money | 4 |
at his shop at | 4 |
that is so brown | 4 |
me no more why | 4 |
shewing what men for | 4 |
good fellows all i | 4 |
here in this song | 4 |
signe of the sunne | 4 |
and would not be | 4 |
the soule and the | 4 |
couragious way of vvooing | 4 |
nose from looking pale | 4 |
the day before his | 4 |
with loss of text | 4 |
sorrowes adieu when the | 4 |
she was not coy | 4 |
pretty iest of a | 4 |
from and publication date | 4 |
here you may see | 4 |
yorke for his robberies | 4 |
surely though i say | 4 |
makes many good women | 4 |
original in the folger | 4 |
o yong men c | 4 |
good wife from a | 4 |
from amongst the leaves | 4 |
proofes both reall and | 4 |
and i care not | 4 |
of an ocean of | 4 |
gave him the rout | 4 |
betweene john and bessee | 4 |
pride must bated bee | 4 |
ocean of flies dropping | 4 |
the wandring jews chronicle | 4 |
good ale for my | 4 |
had to supper on | 4 |
doe use their wives | 4 |
a few proofes both | 4 |
kingdoms joyful day of | 4 |
trap that was laid | 4 |
the thirteenth day of | 4 |
from door to door | 4 |
and therefore make me | 4 |
name and suggested publication | 4 |
king of faire england | 4 |
get the upper hand | 4 |
have her loved since | 4 |
in all the world | 4 |
the ioviall broome man | 4 |
the dutchesse of suffolkes | 4 |
i may with sorrow | 4 |
university of glasgow library | 4 |
in heart and mind | 4 |
the sun and bible | 4 |
resist the factious rebellion | 4 |
coronation that past in | 4 |
times my love commend | 4 |
to the death of | 4 |
wrote the day before | 4 |
one pot or two | 4 |
approach of a free | 4 |
few proofes both reall | 4 |
in a mad fashion | 4 |
call for the new | 4 |
adieu when the figure | 4 |
second of that name | 4 |
that cures his nose | 4 |
for the blind boy | 4 |
and good strong beere | 4 |
betwixt nell and sisse | 4 |
you dance the shaking | 4 |
scotch dialogue between a | 4 |
use their wives amisse | 4 |
army preparing to resist | 4 |
song wherein you may | 4 |
and kingdoms joyful day | 4 |
trade of a cooper | 4 |
our royall army preparing | 4 |
sweet song of an | 4 |
shop in the old | 4 |
he felt a wounded | 4 |
for his robberies and | 4 |
a health vnto my | 4 |
deeds of brave sea | 4 |
the epitaph of habbie | 4 |
of originals in the | 4 |
long as i had | 4 |
new merry dialogue betweene | 4 |
to resist the factious | 4 |
a wife that is | 4 |
a penny as near | 4 |
now alas i am | 4 |
and all my friends | 4 |
an ocean of flies | 4 |
alas poore scholler whither | 4 |
marry a young wife | 4 |
and the body of | 4 |
boy love was caught | 4 |
wherein you may view | 4 |
of all the factions | 4 |
which he wrote the | 4 |
must yield to death | 4 |
sold at the horse | 4 |
his nose from looking | 4 |
two houses of parliament | 4 |
for the proofe of | 4 |
want good workmen then | 4 |
description of the manner | 4 |
fancy none but thee | 4 |
know you not that | 4 |
of all his travels | 4 |
to leave it off | 4 |
at the approach of | 4 |
r interim tract supplement | 4 |
golden ball in py | 4 |
this eight of may | 4 |
maiestie and his nobles | 4 |
heart is filled with | 4 |
towne of bodnam in | 4 |
many good women bad | 4 |
condemned to be hanged | 4 |
the shaking of the | 4 |
we made king edward | 4 |
doe what you can | 4 |
lest in old age | 4 |
men and maids i | 4 |
if that be all | 4 |
preparing to resist the | 4 |
with a black brow | 4 |
heigh downe a downe | 4 |
entered according to order | 4 |
the body of a | 4 |
compass or a dainty | 4 |
spend not your time | 4 |
love was caught and | 4 |
it will be your | 4 |
and an elders maid | 4 |
a gentleman and his | 4 |
if that thy friend | 4 |
in a ballat more | 4 |
i know not what | 4 |
of each coronation that | 4 |
the city for their | 4 |
lusty brave lovers of | 4 |
death of king iohn | 4 |
single life is best | 4 |
kings most excellent majesties | 4 |
that will wooe a | 4 |
aim not too high | 4 |
b wing w interim | 4 |
for in time of | 4 |
upon the towne of | 4 |
a paire of turtle | 4 |
remember that old age | 4 |
but he that hath | 4 |
men that doe use | 4 |
how hee rambled up | 4 |
best of all the | 4 |
a most sweet song | 4 |
the tune of tarltons | 4 |
tell you of a | 4 |
the lamentation of george | 4 |
wife he doth dayly | 4 |
at the dukes house | 4 |
at yorke for his | 4 |
take care how in | 4 |
the city for your | 4 |
new song wherein you | 4 |
collection of new songs | 4 |
drunke in sider and | 4 |
attributed to tobias bowne | 4 |
dropping out of a | 4 |
was prest to death | 4 |
merry new song wherein | 4 |
the cause of my | 4 |
the like of him | 4 |
if you will know | 4 |
past in this nation | 4 |
he scorned cupid and | 4 |
of the piper of | 4 |
strange and true newes | 4 |
brief declaration made in | 4 |
and triumphant coming to | 4 |
but now alas i | 4 |
xml conversion the good | 4 |
in england see a | 4 |
the white lion near | 4 |
second crowning his sonne | 4 |
am dead and gone | 4 |
of our royall army | 4 |
i cannot go home | 4 |
has cause to repent | 4 |
cures his nose from | 4 |
of a damned man | 4 |
most excellent majesties royal | 4 |
sir lancelot du lake | 4 |
that euer we made | 4 |
lovers of the country | 4 |
and publication date conjectured | 4 |
discourse between the serving | 4 |
as in this ditty | 4 |
euer we made king | 4 |
to an excellent tune | 4 |
elise to sweet william | 4 |
the tune of a | 4 |
in sider and perrie | 4 |
could no longer stay | 4 |
betweene master guesright and | 4 |
pretty kate of edenborough | 4 |
this many a day | 4 |
joyful day of triumph | 4 |
i have her loved | 4 |
want of a man | 4 |
a damned man newly | 4 |
and this is love | 4 |
of a penny as | 4 |
the towne of bodnam | 4 |
of the city of | 4 |
hey the brave scottish | 4 |
newes of an ocean | 4 |
his sonne king of | 4 |
to passe the seas | 4 |
the drinking healths of | 4 |
successe of our royall | 4 |
and i will have | 4 |
young men wherever they | 4 |
the brave scottish boyes | 4 |
letter to his love | 4 |
or a few proofes | 4 |
therefore make me roome | 4 |
i am dead and | 4 |
between a lusty bride | 4 |
repent before it be | 4 |
men for mony will | 4 |
he doth dayly sustaine | 4 |
of an english merchant | 4 |
of sheet contains the | 4 |
altrations which at this | 4 |
and if that it | 4 |
which did make the | 4 |
he wrote the day | 4 |
in the parish of | 4 |
i bid thee now | 4 |
the two lusty brave | 4 |
an old soldier c | 4 |
ale that is so | 4 |
tune of the ladies | 4 |
were a great pitty | 4 |
colman text and markup | 4 |
the king and kingdoms | 4 |
for iohn wright junior | 4 |
our sorrowes adieu when | 4 |
maist part from me | 4 |
with all his might | 4 |
with the manner of | 4 |
last farewell to his | 4 |
and praise must goe | 4 |
at head of first | 4 |
drinking healths of a | 4 |
sign of the hors | 4 |
that you will be | 4 |
make the lads mery | 4 |
love a lasse since | 4 |
and i le tell | 4 |
have a good old | 4 |
i know not whom | 4 |
by and for a | 4 |
the two houses of | 4 |
the rarest sport that | 4 |
his last farewell to | 4 |
false young men wherever | 4 |
lofty pride must bated | 4 |
and listen to my | 4 |
the trade of a | 4 |
who were executed together | 4 |
i know what i | 4 |
then mourn no more | 4 |
for men to know | 4 |
and go home in | 4 |
men to praise and | 4 |
before he went away | 4 |
old world now is | 4 |
pretty kate of edenbrough | 4 |
i le hold you | 4 |
faithful to each other | 4 |
take choyse among my | 4 |
me when i am | 4 |
both correspondent in affection | 4 |
old historian his brief | 4 |
i could find in | 4 |
famous flower of serving | 4 |
by an hoastess that | 4 |
the approach of a | 4 |
dealing is grown out | 4 |
a letter to his | 4 |
now shall plainly understand | 4 |
a kent street souldiers | 4 |
i would desire to | 4 |
that was drunke in | 4 |
while life doth last | 4 |
i have a good | 4 |
factious rebellion of those | 4 |
made to several pleasant | 4 |
i love a lasse | 4 |
the flatteries of fate | 4 |
strange altrations which at | 4 |
merry dialogue betweene john | 4 |
grome and his bride | 4 |
brave scottish boyes ho | 4 |
the rose of england | 4 |
tell me no more | 4 |
epitaph of habbie simpson | 4 |
wing d a estc | 4 |
for feare of the | 4 |
his maiestie and his | 4 |
soule and the body | 4 |
in four columns with | 4 |
exact description of the | 4 |
much of a penny | 4 |
p a estc r | 4 |
thousand times my love | 4 |
men to know a | 4 |
healths of a ioviall | 4 |
when shall i so | 4 |
fast as they could | 4 |
a messe of all | 4 |
the right honourable the | 4 |
fashion of each coronation | 4 |
sonne king of england | 4 |
observe what here is | 4 |
a couragious way of | 4 |
of the ladies daughter | 4 |
dialogue between a yong | 4 |
being an answer to | 4 |
an hoastess that lives | 4 |
printed at london by | 4 |
kirk on the green | 4 |
and goe to take | 4 |
o then i think | 4 |
of bodnam in cornwall | 4 |
sold at the signe | 4 |
to live so long | 4 |
most sweet song of | 4 |
you good women their | 4 |
none but thee alone | 4 |
two lusty brave lovers | 4 |
the man that i | 4 |
out of the town | 4 |
brave lovers of the | 4 |
a mad fashion of | 4 |
her lord being slain | 4 |
to death at last | 4 |
discourse betwixt nell and | 4 |
a health to all | 4 |
his travels in every | 4 |
rebellion of those insolent | 4 |
wing b estc r | 4 |
and not till then | 4 |
manner how his maiestie | 4 |
you may view the | 4 |
the second crowning his | 4 |
then take care how | 4 |
match me this vvedding | 4 |
the like of this | 4 |
historian his brief declaration | 4 |
to his former acquaintance | 4 |
all you that do | 4 |
my heart is filled | 4 |
if that you will | 4 |
felt a wounded heart | 4 |
love and true affection | 4 |
for the poor silly | 4 |
which at this time | 4 |
of need it will | 4 |
lasse that loues thee | 4 |
triumphant coming to london | 4 |
causing her husband to | 4 |
for thou didst neuer | 4 |
do what i can | 4 |
a dainty new scotch | 4 |
that doe use their | 4 |
i long to be | 4 |
rage of the cooper | 4 |
of those insolent covenanters | 4 |
and still we are | 4 |
name from and publication | 4 |
the lofty pride must | 4 |
straw throughout the field | 4 |
to a romish rime | 4 |
world now is turned | 4 |
for the happy successe | 4 |
but now i find | 4 |
bear it in your | 4 |
fellowes resolution of strong | 4 |
the ready way of | 4 |
near as you can | 4 |
a health that was | 4 |
to lead a single | 4 |
man and his mistresse | 4 |
a dog and an | 4 |
damned man newly deceased | 4 |
and true newes of | 4 |
new scotch dialogue between | 4 |
a new merry dialogue | 4 |
for want of a | 4 |
can you dance the | 4 |
are from me fled | 4 |
and to place thee | 4 |
a pleasant new ditty | 4 |
blind boy love was | 4 |
thou didst neuer proue | 4 |
and suggested publication date | 4 |
cause to repent at | 4 |
and bolts do hinder | 4 |
i fancy none but | 4 |
true newes of an | 4 |
hee rambled up and | 4 |
are my eyes still | 4 |
if that it be | 4 |
down derry derry down | 4 |
ever i a husband | 4 |
street souldiers exact relation | 4 |
else it may be | 4 |
faith is fled from | 4 |
i must commend her | 4 |
the factions in the | 4 |
locks and bolts do | 4 |
brief description of pleasure | 4 |
i le be a | 4 |
a brief description of | 4 |
none with her that | 4 |
the manner how his | 4 |
wing w interim tract | 4 |
return of the figure | 4 |
in the folger shakespeare | 4 |
didst neuer proue what | 4 |
shewing the ready way | 4 |
the manner of proclaiming | 4 |
lane as fast as | 4 |
all his travels in | 4 |
city for their delights | 4 |
wing c estc r | 4 |
both high and low | 4 |
fear god and repent | 4 |
castle with an advertisement | 4 |
a hey down down | 4 |
then what do you | 4 |
jason colman sampled and | 4 |
whereas i could not | 4 |
dog and an elders | 4 |
for if that be | 4 |
dutchesse of suffolkes calamitie | 4 |
a pretty new ditty | 4 |
when a man is | 4 |
the discourse between the | 4 |
in praise of a | 4 |
oh this is a | 4 |
for may come at | 4 |
fair elise to sweet | 4 |
bid farwell good fellowship | 4 |
royall army preparing to | 4 |
all you good women | 4 |
like of him was | 4 |
with sorrow sadly say | 4 |
mad fashion of each | 4 |
wing w a estc | 4 |
drink one pot or | 4 |
is grown out of | 4 |
lives in the city | 4 |
that past in this | 4 |
at his own weapon | 4 |
for mony will doe | 4 |
no more worke for | 4 |
a merry new song | 4 |
young gallant foild at | 4 |
the countrey peoples felicity | 4 |
hoastess that lives in | 4 |
d a estc r | 4 |
day before his death | 4 |
of the figure of | 4 |
plainely know a faithfull | 4 |
his shop at the | 4 |
but he shall be | 4 |
out of a cloud | 4 |
then fear god and | 4 |
make much of a | 4 |
of a ioviall crew | 4 |
health that was drunke | 4 |
be the cause of | 4 |
le tell you how | 4 |
i must and i | 4 |
hey for the woosted | 4 |
the old historian his | 4 |
of all the three | 4 |
to conclude and make | 4 |
the poor silly maid | 4 |
as near as you | 4 |
through all the suburbs | 4 |
penny as near as | 4 |
man sent a letter | 4 |
god grant that we | 4 |
a pleasant dialogue between | 4 |
made king edward away | 4 |
declaration made in a | 4 |
horrible relation of a | 4 |
and poore neighbour needy | 4 |
three thousand men in | 4 |
love him as my | 4 |
be hanged at yorke | 4 |
on pain of death | 4 |
iest of a brewer | 4 |
do you say to | 4 |
no more to say | 4 |
the young gallant foild | 4 |
royal and triumphant coming | 4 |
true relation of a | 4 |
a dainty discourse betwixt | 4 |
robert was prest to | 4 |
himself down by her | 4 |
flies dropping out of | 4 |
i bid you all | 4 |
entred according to order | 4 |
what do you say | 4 |
a horrible relation of | 4 |
goe to take another | 4 |
english fleet and the | 3 |
the rich merchant man | 3 |
so churlish currish in | 3 |
them looke before they | 3 |
so remarkable an example | 3 |
return from this voyage | 3 |
for which with fate | 3 |
a dialogue discovering a | 3 |
all you that stand | 3 |
honour of the angel | 3 |
love no man but | 3 |
the mirror of the | 3 |
pleasant ballad of patient | 3 |
came on spanish ground | 3 |
farmers use to act | 3 |
as he did ride | 3 |
the comfortable expectation of | 3 |
what ere you be | 3 |
bloody was the slaughter | 3 |
hereby you may plainely | 3 |
cannot lose his money | 3 |
to a gallant new | 3 |
a dialogue betweene edmund | 3 |
agreed not with his | 3 |
meet her in the | 3 |
the bad husbands amendment | 3 |
a carrouse to the | 3 |
this song may learn | 3 |
young men that have | 3 |
in his courteous company | 3 |
and i le be | 3 |
which had foure sonnes | 3 |
in marrying one so | 3 |
my youthful days are | 3 |
a ioviall exaltation of | 3 |
closed up her starry | 3 |
by the late mr | 3 |
earl of wigtoun and | 3 |
a day in waste | 3 |
begger and the king | 3 |
observe this song which | 3 |
to be had without | 3 |
wife is so churlish | 3 |
twineing of a wheelband | 3 |
hang then to keepe | 3 |
description of a strange | 3 |
he that loves sack | 3 |
many resort daily to | 3 |
they shall come out | 3 |
the twineing of a | 3 |
latine made a gallant | 3 |
will have my humour | 3 |
that it is true | 3 |
and constant alwayes did | 3 |
the maidens former fear | 3 |
all that breeds the | 3 |
every line speaks a | 3 |
did most wickedly consent | 3 |
takes away her fathers | 3 |
do live on earth | 3 |
to those who are | 3 |
out of his hand | 3 |
bee patient in trouble | 3 |
the tune of labandalashot | 3 |
fought in that conflict | 3 |
the recantation of a | 3 |
dayes of thy life | 3 |
gold and silver i | 3 |
instructions for old and | 3 |
wit made it who | 3 |
a fairing for young | 3 |
store of silver and | 3 |
of their money their | 3 |
she for a husband | 3 |
a cruell murther committed | 3 |
own delight now he | 3 |
you what they did | 3 |
run to two or | 3 |
at length he sold | 3 |
and so by chance | 3 |
other tradesman can with | 3 |
came to enioy his | 3 |
to remember that old | 3 |
he was angry at | 3 |
and internal parts and | 3 |
i well call it | 3 |
b ocm this keyboarded | 3 |
the stormy winds do | 3 |
committed lately upon the | 3 |
both for old and | 3 |
the lamentation of john | 3 |
speakes a contrary sences | 3 |
misery his time he | 3 |
she a begger still | 3 |
my humour sweet kate | 3 |
betwixt kit and pegge | 3 |
a briefe touch of | 3 |
make use of now | 3 |
the doctrine of antichrist | 3 |
run the years threescore | 3 |
cause of a thousand | 3 |
table to find the | 3 |
like an old souldier | 3 |
a fleshly desire brings | 3 |
which was ten acres | 3 |
of the said ballad | 3 |
the good fellowes best | 3 |
columns are not separated | 3 |
court song much in | 3 |
to grind all sorts | 3 |
body by the divell | 3 |
in the baetle of | 3 |
many a true word | 3 |
was quickly made his | 3 |
sustain this kind captivity | 3 |
them i make a | 3 |
their reignes and power | 3 |
shee teacheth all mayds | 3 |
this counsell i send | 3 |
youngman came unto a | 3 |
king henries daughter of | 3 |
of basse his careere | 3 |
the amorous damsel of | 3 |
that many a true | 3 |
he resolves her how | 3 |
for a married man | 3 |
rent in peices and | 3 |
no no not yet | 3 |
will teach you to | 3 |
that denyes bacchus supplyes | 3 |
two of the dutch | 3 |
bad husbands to amend | 3 |
offence i shall die | 3 |
will be the merry | 3 |
seaman to his love | 3 |
some occasion of newes | 3 |
scorn in all thy | 3 |
be spoken of in | 3 |
i these verses here | 3 |
concerning the affaires of | 3 |
rise and first pedigrees | 3 |
changes in this life | 3 |
here comes all that | 3 |
as many sad tormentings | 3 |
did accompany the best | 3 |
for all those that | 3 |
an excellent new court | 3 |
come she does refuse | 3 |
ballat more sweet to | 3 |
cares not much whether | 3 |
lady lye near me | 3 |
ditty of many things | 3 |
neer unto the famous | 3 |
the event whereof you | 3 |
by birth and parentage | 3 |
she asks him when | 3 |
here related concerning the | 3 |
happy union and marriage | 3 |
the imperfect is called | 3 |
common he thinks it | 3 |
their money their witts | 3 |
by that protestant catholike | 3 |
now beaten with his | 3 |
her how long he | 3 |
him to depart the | 3 |
i took the pains | 3 |
the admirable stomacke of | 3 |
jewels in like sort | 3 |
found a loving one | 3 |
kind of wooing as | 3 |
your friends whole nights | 3 |
upon this day of | 3 |
thou hast been long | 3 |
chance he met his | 3 |
vve forced king edvvard | 3 |
comber brave i love | 3 |
of young tom of | 3 |
his heart with sorrow | 3 |
thrifts to beware of | 3 |
song made by a | 3 |
famous city of london | 3 |
true word hath been | 3 |
and sleepe and some | 3 |
consideration of so remarkable | 3 |
that do promise make | 3 |
thread is handsomely spunne | 3 |
it is well known | 3 |
since celias my foe | 3 |
by the country damsel | 3 |
had there their horses | 3 |
and all her laws | 3 |
for iohn wright iunior | 3 |
upon us judgements showre | 3 |
wherin ye may marke | 3 |
virgins parents makes redress | 3 |
they shall have no | 3 |
how the angel gabriel | 3 |