trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
on the stage	642
one of the	600
of the stage	353
out of the	299
it was a	271
as well as	256
there was a	250
that he was	245
the part of	232
to have been	220
it was not	217
part of the	217
the end of	208
that it was	200
at drury lane	185
to the stage	183
and in the	180
he was a	179
it is not	177
of the theatre	167
i do not	162
there was no	160
in the same	160
of the play	159
it is a	158
that he had	156
it was the	156
be able to	154
of the most	153
and it was	152
he did not	150
to be a	148
i could not	147
he had been	146
to the theatre	146
in which he	146
some of the	146
would have been	141
there is a	140
at the same	139
was one of	138
end of the	136
upon the stage	135
in new york	135
on the th	135
but it was	134
he was not	133
there is no	133
the name of	132
the th of	131
it would be	130
of the company	127
not to be	126
of his own	124
at the end	124
it may be	122
of the house	122
the duke of	122
and it is	120
in the world	119
the character of	118
he could not	118
seems to have	117
the first time	116
must have been	115
one of his	114
which he was	114
a sort of	114
said to have	114
the same time	114
in the first	109
he was the	107
that i was	107
in which the	107
the fact that	107
i have been	106
that she was	106
of the world	105
to be the	103
was to be	102
for the first	102
but it is	102
of the old	101
i did not	100
a man of	100
was in the	98
it is the	98
the rest of	98
as he was	97
that he would	96
from the stage	96
i am not	94
for a moment	94
of the audience	94
in the play	94
at the theatre	93
in order to	93
for the stage	92
could not be	91
when he was	89
the play was	89
at that time	89
the art of	89
it will be	89
to see the	87
side of the	87
as it was	86
and at the	85
but he was	85
one of them	85
she was a	84
on the other	84
the author of	82
she did not	82
of the first	81
and he was	81
two or three	80
the head of	80
was the first	80
that of the	79
which he had	79
of the same	79
behind the scenes	79
that it is	79
off the stage	79
of all the	79
as it is	78
one of those	78
who had been	78
that there was	78
the death of	78
he would have	77
of the drama	77
have been a	77
at covent garden	77
and when the	77
as to the	77
down to the	76
of the day	76
is said to	76
she could not	76
of the great	75
a kind of	75
more than a	75
as an actor	75
in a few	75
i was not	74
had not been	74
to go to	73
as soon as	73
of the actors	73
in spite of	73
the middle of	73
in the house	73
in one of	73
him in the	73
of the best	72
his first appearance	72
to make a	72
he had a	72
in front of	72
would not be	72
that i had	72
back to the	71
had been a	71
she was not	70
and in a	70
he had not	69
ought to be	69
did not know	69
he is a	69
in the morning	69
was on the	69
the best of	68
when i was	68
in the last	68
up to the	68
at the haymarket	68
in the year	68
she had been	68
seemed to be	68
the life of	68
of the season	67
the success of	67
might have been	67
at this time	67
to the last	66
it has been	66
if it were	66
is not a	66
front of the	66
as he had	65
was about to	65
of which he	65
she was the	65
a great deal	64
of the two	64
a man who	64
in love with	63
to make the	63
as i have	63
the earl of	63
it had been	63
in which she	63
the red flier	63
the house was	63
of drury lane	62
of the town	62
do not know	62
i should have	62
history of the	62
the stage in	62
one of these	62
in the character	62
at the time	62
to think of	61
the cause of	61
that she had	61
as if he	61
and when he	61
i have seen	61
him to the	61
in the theatre	61
the first act	61
it seemed to	61
if he had	61
rest of the	61
and that the	61
the time of	61
in his own	61
at that moment	61
was not a	60
and i was	60
of the public	60
the lord chamberlain	60
i had been	60
in those days	60
of one of	60
he would not	59
in the middle	59
this was the	59
it must be	59
to go on	59
of those who	59
was not the	59
for some time	59
is to be	58
the hands of	58
a couple of	58
do you think	58
now and then	58
up and down	58
to say that	58
the close of	58
and i have	58
a good deal	57
members of the	57
on the first	57
go to the	57
for the last	57
i had not	57
a few days	57
but in the	57
as much as	57
is one of	57
a bit of	57
may have been	56
was going to	56
the beginning of	56
a part of	56
the memory of	56
could not have	56
could not help	56
the stage was	56
men and women	56
was the original	56
in the way	56
so far as	55
the stage and	55
of the room	55
at the head	55
in all the	55
more or less	55
many of the	55
that i have	55
what do you	55
account of his	54
it might be	54
for a few	54
that he has	54
for me to	54
in the part	54
the first night	54
to new york	54
the man who	53
of a man	53
in the old	53
the english stage	53
and as i	53
was a great	53
which i have	53
the story of	52
of the piece	52
was not so	52
by the way	52
the season of	52
to play the	52
that was the	51
and the other	51
out of a	51
this is a	51
that in the	51
i had to	51
with all the	51
and all the	51
the power of	51
of the actor	51
and that he	51
i would not	51
out of his	51
of the english	51
on the same	50
a pair of	50
on the part	50
of the other	50
of the last	50
the theatre in	50
one or two	50
was the most	50
i have not	50
and of the	50
first appearance in	49
it was in	49
and she was	49
i shall be	49
a piece of	49
that he might	49
which had been	49
i was a	49
to the other	49
would be a	49
i had a	49
that they were	49
that she would	49
the idea of	49
and with a	48
and when i	48
but there was	48
any of the	48
years of age	48
the daughter of	48
the back of	48
as far as	48
one of my	48
and on the	48
he had to	48
the presence of	47
that he could	47
was the only	47
for many years	47
to have a	47
of the latter	47
of the patent	47
author of the	47
in such a	47
i am sure	47
the second act	47
a long time	47
in the country	47
of his time	47
the acting of	47
to do with	46
the next day	46
the last act	46
to be found	46
if he were	46
the appearance of	46
went to the	46
to see him	46
it did not	46
he would be	46
it is to	46
for a time	46
share in the	46
middle of the	46
would not have	45
the other hand	45
to be in	45
a member of	45
in the very	45
she would have	45
of the new	45
of the part	45
is in the	45
it is said	45
the last time	45
the course of	45
at all events	44
as i had	44
of my own	44
it to the	44
to the public	44
that i should	44
i want to	44
in the pit	44
between the two	44
to me that	44
of the man	44
the pleasure of	44
account of the	44
of her own	44
to that of	44
was at the	44
he was to	44
the history of	44
on the road	43
the last of	43
of a play	43
the way of	43
to do it	43
were to be	43
to be an	43
and there was	43
it in the	43
on the ground	43
on one occasion	43
be found in	43
to take the	43
i ever saw	43
had to be	43
of his life	43
of an actor	43
in my life	43
according to the	43
he was in	43
to do so	43
was a man	42
and then the	42
the play is	42
on account of	42
the benefit of	42
a few minutes	42
as an actress	42
to come to	42
to those who	42
with which he	42
and i am	42
when she was	42
when it was	42
he might have	42
have been the	42
the subject of	42
master of the	42
as long as	41
share of the	41
the age of	41
as that of	41
on to the	41
the performance of	41
said to be	41
which she had	41
that is the	41
this is the	41
by burt l	41
the drury lane	41
and to the	41
on the subject	41
a lot of	41
when it is	40
it would have	40
to drury lane	40
and for the	40
time to time	40
if i had	40
was not to	40
there is something	40
i used to	40
some of them	40
as i was	40
the expression of	40
i have a	40
there was something	40
was born in	40
as she was	40
from time to	40
would have to	40
there was an	40
the spirit of	40
that of a	40
ladies and gentlemen	40
as he did	40
the stage is	40
of the greatest	40
of my life	39
at the close	39
of which i	39
as one of	39
i was to	39
is a very	39
of the time	39
of the character	39
close of the	39
and he had	39
scene of the	39
the eyes of	39
than that of	39
the theatre royal	39
he does not	39
to one of	39
a few years	39
not seem to	39
he had the	39
for a long	39
the management of	39
supposed to be	39
one of her	39
of his career	39
the original representative	38
and there is	38
as in the	38
to the end	38
which i had	38
i have heard	38
view of the	38
in the second	38
seems to me	38
the son of	38
being able to	38
in the season	38
the way to	38
up in the	38
going to be	38
came to the	38
to tell you	38
i was in	38
is not to	38
he made a	38
seems to be	38
the point of	38
of the lord	37
for him to	37
when he had	37
should have been	37
of the young	37
in the course	37
the effect of	37
made his first	37
that i am	37
the words of	37
there was nothing	37
seem to have	37
and they were	37
had come to	37
for the benefit	37
to his own	37
the third act	37
the reign of	37
at the door	37
she had to	37
the top of	37
come to the	37
was a very	37
it was only	37
a matter of	37
the use of	37
of a new	36
in real life	36
a number of	36
and when she	36
in the next	36
and his wife	36
the state of	36
the production of	36
returned to the	36
was in a	36
i had the	36
way to the	36
will not be	36
in a word	36
member of the	36
be said to	36
i am afraid	36
was forced to	36
on the floor	36
a young man	36
been able to	36
to listen to	36
i think i	36
but she was	36
not at all	36
it seems to	36
the only one	36
there is nothing	36
to return to	35
a few moments	35
the comic man	35
if i were	35
had not yet	35
not in the	35
with the same	35
in the following	35
and one of	35
of the whole	35
ought to have	35
of a good	35
i will not	35
and i had	35
the stage to	35
he told me	35
theatre in the	35
the stage as	35
him on the	35
not have been	35
the corner of	35
three or four	35
at the beginning	35
think of it	35
of a great	35
the manner of	35
of the present	35
she had not	35
the piece was	35
before the curtain	35
to give the	35
out of my	35
the old man	34
as if it	34
on the night	34
to the play	34
the days of	34
i should be	34
part of his	34
sense of the	34
the night of	34
it on the	34
name of the	34
the face of	34
he was an	34
the actor who	34
are you going	34
i never saw	34
the wife of	34
the conduct of	34
is not the	34
to see a	34
to believe that	34
the other side	34
in the street	34
you are not	34
those who have	34
he had no	34
a copy of	34
merchant of venice	33
that there is	33
of such a	33
the merry wives	33
love for love	33
half an hour	33
to which he	33
there was the	33
for his benefit	33
there is not	33
the stage for	33
i have no	33
if they were	33
by way of	33
he came to	33
think of the	33
but he had	33
great deal of	33
this was a	33
the house in	33
at a time	33
if you are	33
i have never	33
that he is	33
the honour of	33
she would not	33
he is not	33
was that of	33
of which was	33
for his own	33
good deal of	33
and the stage	33
there was not	33
man in the	33
down on the	32
the influence of	32
of the duke	32
the side of	32
to speak to	32
the whole of	32
and that was	32
and after a	32
and as the	32
he had seen	32
in the patent	32
he went on	32
but there is	32
the last century	32
the house of	32
more and more	32
a sense of	32
give you a	32
for the sake	32
in the end	32
it could not	32
what i have	32
the truth of	32
and a few	32
i tell you	32
would like to	32
to appear in	32
and with the	32
parts of the	32
not going to	32
and down the	32
so as to	32
of her life	32
the dignity of	32
of the year	32
and in his	32
to the ground	32
on this occasion	32
who did not	32
the purpose of	32
a letter from	32
the result of	32
i went to	32
love in a	31
back of the	31
of the second	31
in the face	31
nothing to do	31
the front of	31
the first of	31
if she had	31
there had been	31
he had never	31
in the latter	31
to see her	31
if you will	31
of the author	31
i came to	31
who was a	31
him to be	31
for the next	31
which she was	31
he was so	31
most of the	31
man who had	31
on the contrary	31
he said to	31
used to be	31
the sake of	31
sir john vanbrugh	31
to be seen	31
his description of	31
was able to	31
they were all	31
the time when	31
an actor of	31
all over the	31
the value of	31
and then he	31
he used to	31
after he had	30
the members of	30
as it were	30
a little more	30
and as he	30
all the time	30
in the most	30
when they were	30
her first appearance	30
the sense of	30
the loss of	30
he made his	30
the merit of	30
place in the	30
away from the	30
of which the	30
i had no	30
me in the	30
to think that	30
were in the	30
state of the	30
you want to	30
but i was	30
no more than	30
to make it	30
i have said	30
as if she	30
drury lane in	30
did not seem	30
man with the	30
to give you	30
i began to	30
the stage manager	30
play of the	30
were going to	30
i should like	30
the midst of	30
the sight of	30
those of the	30
on the table	30
over to the	30
him from the	30
me at the	30
an air of	30
the heart of	30
to the best	30
in a very	30
but i am	30
the names of	30
in the summer	30
return to the	30
to the great	29
came into the	29
in a play	29
prince of wales	29
edition of the	29
the play of	29
as they were	29
in this way	29
want you to	29
there can be	29
by the author	29
sight of the	29
of their own	29
the curtain fell	29
to speak of	29
told me that	29
to see you	29
him in a	29
to be made	29
the latter was	29
with him in	29
the door of	29
she would be	29
here and there	29
you will be	29
something of the	29
head of the	29
that they had	29
she had a	29
was not until	29
shillings a week	29
kate did not	29
the little man	29
from the first	29
they did not	29
played the part	29
that he should	29
the good old	29
not be able	29
the scene of	29
it is true	29
the meaning of	29
out of it	28
which it is	28
half a dozen	28
if they had	28
left the stage	28
it must have	28
is the most	28
but when he	28
was not only	28
well as the	28
part in the	28
i saw the	28
to the audience	28
when i had	28
the merchant of	28
me to the	28
him with a	28
it is only	28
i can only	28
gentlemen of the	28
the hearts of	28
about the year	28
of the three	28
a great actor	28
he said he	28
for the moment	28
it was at	28
to give a	28
the old actor	28
was not in	28
it was an	28
to give it	28
at last the	28
in favour of	28
and that is	28
of what i	28
at the age	28
if he was	28
the sound of	28
with that of	28
after the play	28
the case of	28
to be as	28
i am going	28
to have the	28
the first to	28
the title of	28
was a little	28
that had been	27
you do not	27
in the case	27
such a thing	27
it was to	27
to take a	27
of the ladies	27
you going to	27
sir courtly nice	27
seemed to her	27
had not the	27
and out of	27
his share in	27
it should be	27
corner of the	27
happened to be	27
as if they	27
i think it	27
me on the	27
was produced at	27
as i am	27
in the room	27
he has a	27
i might have	27
he is the	27
the tragedy of	27
a friend of	27
in which i	27
what he had	27
art of acting	27
and then i	27
actors of the	27
copy of the	27
came to a	27
the delight of	27
to see me	27
comedy of the	27
more than one	27
they were not	27
in presence of	27
of some of	27
the thought of	27
she is a	27
not so much	27
i have already	27
they had been	27
that i would	27
that it would	27
the exception of	27
of what he	27
sir richard steele	27
of the way	27
it was so	27
have been in	27
we are told	27
daughter of a	27
the new york	27
of the revels	27
be in the	27
not one of	27
the same year	27
in his hand	27
the stage of	27
for the most	27
in the wrong	27
go back to	27
a time when	27
the prince of	26
attention to the	26
to look at	26
in the scene	26
to have had	26
take care of	26
may be said	26
was followed by	26
the place of	26
but for the	26
have been an	26
he was very	26
with the exception	26
will be a	26
i ought to	26
the most part	26
to make him	26
of the people	26
was more than	26
i shall never	26
beginning of the	26
the aid of	26
of which she	26
seemed to have	26
an account of	26
seemed to me	26
when the curtain	26
a woman who	26
in the midst	26
go on the	26
all that is	26
but as the	26
to be so	26
came to me	26
will be found	26
i wanted to	26
you are a	26
down in the	26
found in the	26
he must have	26
and the most	26
which i was	26
and if he	26
by one of	26
a man in	26
in the company	26
a short time	26
art of the	26
as a rule	26
whom he had	26
do not think	26
that no one	26
that this was	26
that if he	26
him in his	26
could have been	26
two of the	26
it was impossible	26
would have done	26
she was to	26
the new theatre	26
i said to	26
at the last	26
from the theatre	26
in the haymarket	26
but i must	26
to the old	26
may not be	26
it was said	26
i would have	26
way in which	26
the father of	26
he seems to	25
only to be	25
manner in which	25
in any other	25
in the town	25
the person of	25
what is the	25
romeo and juliet	25
way of the	25
night of the	25
in the boxes	25
stood in the	25
seem to be	25
to be able	25
to be done	25
at the top	25
or in the	25
she was in	25
the direction of	25
up in a	25
he was one	25
it does not	25
at end of	25
his account of	25
interest in the	25
that is to	25
a few nights	25
and did not	25
give me a	25
actors and actresses	25
in the early	25
and he is	25
i have ever	25
the interest of	25
to me to	25
produced at drury	25
him for the	25
should like to	25
in a new	25
for he was	25
a touch of	25
on one side	25
drury lane theatre	25
he began to	25
in the new	25
a series of	25
owing to the	25
a state of	25
in the least	25
part of it	25
that the audience	25
it would not	25
into the room	25
he had ever	25
should not be	25
in a moment	25
do you mean	25
door of the	25
but i have	25
the first and	25
i think you	25
as he could	25
in which there	25
him by the	25
power of the	25
the soul of	25
and as she	25
the following year	25
what are you	25
them in the	25
he was going	25
that was not	25
to me and	25
the actors of	25
other side of	25
have had a	25
for which he	25
in which they	25
what he was	25
and he would	25
when we were	25
we have seen	25
had never been	25
of a young	25
of the question	25
and by the	25
the audience were	24
ought not to	24
of a very	24
the matter with	24
he had made	24
of a woman	24
there were two	24
i know it	24
who had not	24
that i could	24
was the last	24
had been the	24
that we were	24
was of the	24
to his feet	24
said to me	24
had never seen	24
thought of the	24
for the purpose	24
and to be	24
and if i	24
possession of the	24
which was the	24
by no means	24
for it was	24
much of the	24
of the past	24
but when the	24
the american stage	24
they would have	24
at the back	24
it is in	24
as if i	24
something more than	24
the centre of	24
is to say	24
little more than	24
life of the	24
of the players	24
at last he	24
the union square	24
i assure you	24
out of her	24
that she might	24
is the only	24
the line of	24
man of the	24
in the front	24
if i could	24
so long as	24
his wife and	24
in a great	24
part of a	24
do you know	24
the company was	24
in the road	24
all the same	24
with a little	24
of the french	24
the first place	24
all sorts of	24
the great actor	24
the remainder of	24
produced at the	24
about this time	24
of the city	24
in search of	24
of the poet	24
success of the	24
portion of the	24
of the story	24
of the opera	24
he left the	24
there were no	23
but i think	23
in the days	23
to leave the	23
was too much	23
so much of	23
he has not	23
in drury lane	23
it is that	23
at the very	23
in the reign	23
the beauty of	23
the attention of	23
of the family	23
of human nature	23
the reputation of	23
as good as	23
if she were	23
some of his	23
a good actor	23
to the author	23
to tell me	23
and at last	23
as they are	23
they could not	23
friend of mine	23
i had seen	23
he seemed to	23
the work of	23
his life of	23
see memoir of	23
and some of	23
was the best	23
to which the	23
going to do	23
on the occasion	23
to keep him	23
of the curtain	23
was an actor	23
story of the	23
it as a	23
with regard to	23
in the air	23
at the first	23
of edmund kean	23
union of the	23
the representation of	23
in order that	23
is a great	23
at the moment	23
and from the	23
i believe i	23
as if the	23
he might be	23
i told him	23
able to do	23
the shape of	23
him that he	23
the opening of	23
with all his	23
him as a	23
to each other	23
to get a	23
of colley cibber	23
character of the	23
we had a	23
at the opera	23
know how to	23
had been so	23
with which the	23
the theatre to	23
the st of	23
i have often	23
of an old	23
looked at him	23
the audience was	23
and the play	23
to make his	23
a woman of	23
brisco and spangler	23
out of sight	23
to him in	23
well as a	23
of his father	22
the union of	22
we could not	22
presence of a	22
i had never	22
of charles ii	22
the master of	22
end of second	22
to find a	22
alexander the great	22
not a little	22
that when he	22
to me the	22
given to the	22
the foot of	22
the bottom of	22
it was no	22
has not been	22
the play and	22
new theatre in	22
in his arms	22
to such a	22
it with a	22
in the piece	22
it was that	22
and not to	22
i thought it	22
if he would	22
and this is	22
to be told	22
to be at	22
people in the	22
of the women	22
at the union	22
them to the	22
more than the	22
appearance in london	22
and had been	22
the other day	22
i shall have	22
over and over	22
the first part	22
lady betty modish	22
that all the	22
the present day	22
i have to	22
it is impossible	22
not to have	22
to which i	22
of his voice	22
to the same	22
to laugh at	22
the date of	22
look at the	22
he has been	22
son of a	22
looked at me	22
of the night	22
that she could	22
was full of	22
she began to	22
to me in	22
in the hay	22
the provoked husband	22
even in the	22
it was very	22
that sort of	22
the period of	22
original representative of	22
if he could	22
that it had	22
the theatre was	22
it with the	22
did not like	22
all that was	22
it was all	22
i want you	22
which is the	22
in some of	22
we do not	22
i am very	22
a few of	22
all my life	22
in the green	22
the door and	22
and i were	22
of second volume	22
on the platform	22
who was the	22
it is no	22
i think he	22
what is it	22
the greatest of	22
of the heart	22
to the house	22
he went to	22
of the original	22
am going to	22
was a most	22
went into the	22
i should not	22
it to be	22
close to the	22
i have had	21
the scene in	21
in the great	21
because of the	21
reference to the	21
was obliged to	21
eyes of the	21
are to be	21
where he was	21
me for a	21
me with a	21
knowledge of the	21
who was then	21
it was his	21
of his character	21
to take it	21
i was the	21
of it was	21
and i will	21
the edge of	21
sat in the	21
listened to the	21
at the other	21
and the lady	21
if you want	21
while i was	21
in the dark	21
in the person	21
duke of newcastle	21
we were all	21
and during the	21
belonged to the	21
for the rest	21
to get the	21
it was my	21
the career of	21
the same play	21
the king and	21
himself in the	21
the said sir	21
beg your pardon	21
to this day	21
of the table	21
i have known	21
a word of	21
all the world	21
in this play	21
there may be	21
me that i	21
the voice of	21
in the whole	21
a glass of	21
his opinion of	21
they do not	21
i hope you	21
of this play	21
house in the	21
that there were	21
once or twice	21
thinking of the	21
who had a	21
he tried to	21
to know what	21
of course i	21
can be no	21
he was at	21
the duchess of	21
but there were	21
the two stages	21
a letter to	21
be allowed to	21
one hundred and	21
was no longer	21
and in this	21
th of april	21
of the car	21
that they would	21
from one of	21
as he is	21
her in the	21
that the actor	21
either of them	21
to see it	21
of what was	21
about the same	21
is the first	21
his original characters	21
to the king	21
the excellence of	21
enough to be	21
i have always	21
him at the	21
of the king	21
they are not	21
whom i have	21
after a long	21
comparison between the	21
to the door	21
and then a	21
for her to	21
and that of	21
centre of the	21
the most beautiful	21
i was so	21
the chambers street	21
spite of the	21
the fall of	21
to give him	21
said sir william	21
appearance on the	21
to whom he	21
and i shall	21
one in the	21
sir john brute	21
that he did	21
came back to	21
the actors were	21
this was not	21
and a half	21
in the best	21
between him and	21
new york and	21
and i know	21
actor of the	21
to be sure	21
the nature of	21
could not see	21
i shall not	20
followed by a	20
like to know	20
meaning of the	20
of a theatre	20
gave him a	20
of the human	20
i am so	20
a very good	20
account of her	20
they had not	20
i must have	20
is a little	20
that you are	20
the next morning	20
the number of	20
wives of windsor	20
it was as	20
the body of	20
if you please	20
the profits of	20
has been said	20
first night of	20
by the same	20
production of the	20
she used to	20
her to the	20
face of the	20
get rid of	20
a company of	20
the stage has	20
in this respect	20
to me as	20
when he is	20
of the music	20
of the scene	20
play the part	20
the spanish friar	20
but he is	20
or two of	20
in the orphan	20
the united states	20
than any other	20
a few weeks	20
for more than	20
of the late	20
of the chorus	20
and then she	20
could not but	20
when the play	20
when he came	20
of the performance	20
the very first	20
few of the	20
then came the	20
appeal to the	20
had it not	20
for want of	20
early in the	20
he should be	20
i could have	20
the young man	20
i had made	20
to the company	20
of the act	20
if you had	20
any one of	20
and in that	20
for several years	20
all the rest	20
no matter what	20
that they are	20
this sort of	20
the habit of	20
to get out	20
to the part	20
the careless husband	20
sir harry wildair	20
such was the	20
the coming of	20
but on the	20
going to the	20
the advantage of	20
if you have	20
there are many	20
of his art	20
he had done	20
the road to	20
into the world	20
any part of	20
of the law	20
he will be	20
and if you	20
in the eyes	20
used to say	20
i cannot say	20
which has been	20
there was one	20
be all right	20
that has been	20
daughter of the	20
i dare say	20
at the old	20
might not be	20
the stage with	20
but at the	20
has never been	20
he was on	20
the service of	20
in all his	20
a play of	20
on the right	20
from that time	20
the seventeenth century	20
on the st	20
so that the	20
again and again	19
merry wives of	19
across the stage	19
so much as	19
which there is	19
in the hands	19
was cast for	19
of the few	19
would be to	19
came to be	19
sides of the	19
of the hotel	19
against the wall	19
i knew the	19
the strength of	19
has always been	19
the price of	19
that the stage	19
because it is	19
of the art	19
in the presence	19
and he has	19
and then to	19
was the cause	19
in the drury	19
able to get	19
the fate of	19
but this is	19
i am sorry	19
to play a	19
and the old	19
the author was	19
get out of	19
foot of the	19
of richard iii	19
that he will	19
is no doubt	19
his treatment of	19
a score of	19
of her voice	19
have been so	19
of the life	19
the stage child	19
that they should	19
appeared to be	19
the taste of	19
was only a	19
had he been	19
that is a	19
i found myself	19
of his acting	19
at which the	19
i found it	19
the absence of	19
it was on	19
and the public	19
of the plays	19
is supposed to	19
on in the	19
appeared on the	19
at the play	19
at the piano	19
to the actors	19
but at last	19
a quarter of	19
opened the door	19
the liberty of	19
in covent garden	19
the man of	19
the fourth act	19
every one of	19
if i am	19
all the while	19
the woman who	19
at the lyceum	19
the two men	19
you may be	19
in connection with	19
after the restoration	19
but he could	19
to have seen	19
at the stage	19
you have a	19
hands of the	19
i beg your	19
dollars a week	19
so great a	19
many of them	19
if he does	19
and a little	19
in the former	19
then there was	19
the quality of	19
point of view	19
a part in	19
like to see	19
a new york	19
i cannot help	19
i can do	19
on the back	19
does not seem	19
at each other	19
was not yet	19
gave me a	19
in possession of	19
it in his	19
to the first	19
he was born	19
for the life	19
in her own	19
of the century	19
nothing of the	19
will be no	19
up at the	19
that part of	19
is that of	19
the london stage	19
i went on	19
if it is	19
a desire to	19
in his life	19
lives of the	19
in time to	19
as to be	19
to the actor	19
i know i	19
while we were	19
to see if	19
his share of	19
him of the	19
which was not	19
to be given	19
i think that	19
what was the	19
women of the	19
and looked at	19
man and wife	19
was made to	19
had made a	19
that when the	19
and she could	19
which he has	19
but if you	19
be one of	19
those who were	19
in the autumn	19
at the corner	19
i am a	19
a new play	19
added to the	19
he returned to	19
the form of	19
no one could	19
the stage by	19
of the words	19
in the city	19
performance of the	19
of the seventeenth	19
to him that	19
of the many	19
time of his	19
if it had	19
of the royal	18
with such a	18
but i do	18
the picture of	18
the occasion of	18
but he has	18
to see that	18
to the hotel	18
will have to	18
this is not	18
and the next	18
but as i	18
the result was	18
of the patentees	18
in the west	18
spirit of the	18
you know that	18
as to make	18
did not care	18
on the english	18
young and handsome	18
a few months	18
action of the	18
the profession of	18
that could be	18
it not been	18
an actor who	18
that i might	18
on the bed	18
to go out	18
other members of	18
to an end	18
this is what	18
and made a	18
very fond of	18
from the french	18
the two companies	18
i looked at	18
by the hand	18
as a man	18
cause of the	18
by this time	18
were not so	18
at this moment	18
no matter how	18
his voice was	18
management of the	18
but they are	18
the play in	18
to say to	18
me that he	18
but she had	18
to which she	18
is not always	18
under the management	18
of the little	18
none of the	18
her in a	18
garrick and barry	18
of his wife	18
and we were	18
and the young	18
would be the	18
i should say	18
and the whole	18
of covent garden	18
the comedy of	18
and not a	18
had ever seen	18
the school for	18
of the church	18
duke of york	18
which i am	18
do with the	18
with a good	18
the business of	18
had always been	18
to my room	18
the question of	18
in my own	18
it was then	18
at a loss	18
and the author	18
and from that	18
the idea that	18
on one of	18
you would have	18
of the woman	18
equal to the	18
as we were	18
where he had	18
would never have	18
in the public	18
the stage from	18
a new theatre	18
of them all	18
she has been	18
and told him	18
of a gentleman	18
from which he	18
there has been	18
the hand of	18
looked at the	18
of the voice	18
in a hurry	18
was a good	18
richard the third	18
the works of	18
edge of the	18
that he never	18
in which it	18
as for the	18
after a pause	18
whom i had	18
half of the	18
to the front	18
and i should	18
she was so	18
have been more	18
of new york	18
the privilege of	18
he may have	18
his way to	18
it is all	18
she might have	18
i was on	18
her by the	18
tone of voice	18
the curtain was	18
course of the	18
up with a	18
as a matter	18
who used to	18
at last i	18
i saw him	18
last of the	18
in my mind	18
because it was	18
in that way	18
it was with	18
it was one	18
so that he	18
was that the	18
in his mind	18
do you want	18
there is much	18
for the part	18
appeared in the	18
of the court	18
company of actors	18
it is possible	18
how he had	18
we had been	18
when he played	18
the old gentleman	18
in the right	18
the height of	18
at the foot	18
a cup of	18
was glad to	18
and when they	18
but they were	18
or any other	18
from the same	18
of him in	18
that it should	18
the night before	18
there would be	18
have you been	18
me to be	18
he could do	18
a group of	18
of that name	18
which it was	18
for you to	18
the actor is	18
part of her	18
that she is	18
that if the	18
of the bed	18
of the window	18
his history of	18
the hero of	18
the way in	17
in the matter	17
is not so	17
latter end of	17
for i was	17
in the epilogue	17
about the stage	17
in the general	17
i knew that	17
went on the	17
by which he	17
for one of	17
ladies of the	17
a round of	17
the stage at	17
was supposed to	17
which was a	17
in a little	17
the shadow of	17
a gentleman of	17
of men and	17
he was about	17
that at the	17
come up to	17
the time i	17
a look of	17
it cannot be	17
if she would	17
a crowd of	17
and not the	17
his success in	17
a long silence	17
the old school	17
on his face	17
road to ruin	17
from the time	17
only in the	17
that is not	17
would not do	17
apology for the	17
end of his	17
to hear the	17
it is an	17
as he has	17
that you may	17
and i never	17
in the other	17
to open the	17
a set of	17
the little girls	17
proved to be	17
his performance of	17
in the box	17
a human being	17
but i had	17
of the action	17
stage in the	17
to reach the	17
and in all	17
on the way	17
once in a	17
you are the	17
a feeling of	17
she is the	17
the same way	17
opening of the	17
him out of	17
been on the	17
to go through	17
are apt to	17
of queen anne	17
must be a	17
of a few	17
the heroine of	17
of what is	17
by means of	17
to act in	17
school for scandal	17
of the evening	17
yet it was	17
him and his	17
the force of	17
was compelled to	17
the run of	17
to account for	17
has been a	17
i thought i	17
there will be	17
with whom he	17
there is an	17
the eighteenth century	17
me if i	17
on the street	17
the study of	17
how do you	17
the man in	17
not be so	17
while he was	17
four or five	17
presence of the	17
he had come	17
and you will	17
of all his	17
he was as	17
of the street	17
am not sure	17
time of the	17
he must be	17
of the period	17
description of the	17
more than once	17
and there were	17
but he did	17
i was going	17
of the road	17
was but one	17
the wit of	17
was in his	17
he gave a	17
he will not	17
to keep the	17
to see them	17
of the men	17
and that i	17
the mother of	17
be out of	17
in any of	17
seen in the	17
of it in	17
a play which	17
the countess of	17
had been in	17
stage of the	17
i never knew	17
to look after	17
to and fro	17
on his way	17
a cry of	17
if he is	17
favour of the	17
in the car	17
of the moment	17
you will find	17
to show that	17
i can say	17
much to the	17
the young actor	17
of the american	17
of his plays	17
was played by	17
it was for	17
the authority of	17
as to what	17
interested in the	17
himself to the	17
from the very	17
shook his head	17
i may be	17
in the words	17
as you like	17
up on the	17
give him a	17
year or two	17
in that character	17
she was going	17
in her mind	17
all of them	17
it for the	17
the assistance of	17
of the book	17
but this was	17
you will have	17
was said to	17
there is little	17
of the country	17
have seen the	17
and the audience	17
the theatre at	17
and if the	17
it came to	17
her that she	17
the music of	17
was to play	17
appearance of a	17
and this was	17
he died in	17
which they were	17
the favour of	17
of the highest	17
to be his	17
him if he	17
i can see	17
on which he	17
of the very	17
told him i	17
the humour of	17
in a manner	17
to be played	17
into the house	17
i made my	17
said that he	17
have been as	17
and all that	17
to give up	16
we were to	16
of an english	16
i heard the	16
then and there	16
that of his	16
and over again	16
would be able	16
that there are	16
he is said	16
idea of the	16
fall of the	16
at the conclusion	16
back in the	16
for a man	16
it may have	16
the origin of	16
to the right	16
for his wife	16
to know that	16
in the provoked	16
of the red	16
is apt to	16
as he passed	16
to fill the	16
th of november	16
to the most	16
they would not	16
it is very	16
of the week	16
he could be	16
in his eyes	16
in the open	16
me out of	16
i told you	16
to the general	16
he may be	16
i may say	16
in a theatre	16
into good society	16
a small part	16
i wish to	16
after a few	16
on their way	16
it ought to	16
the stage door	16
the love of	16
man who was	16
in the centre	16
had given him	16
and have a	16
to do that	16
in a minute	16
to come and	16
description of mrs	16
chambers street theatre	16
you think of	16
a young lady	16
but the public	16
was out of	16
of one who	16
the part to	16
the object of	16
and she had	16
of her husband	16
a gentleman who	16
and that it	16
he would never	16
way through the	16
for a walk	16
have to be	16
if you can	16
that was all	16
in the shop	16
the door was	16
who was so	16
which he could	16
yet it is	16
in the direction	16
to his wife	16
it necessary to	16
sir thomas skipwith	16
the ladies of	16
conscious of the	16
after the manner	16
you will not	16
i have the	16
of the following	16
it was too	16
in the tragedy	16
what had happened	16
he was always	16
it is difficult	16
let me go	16
the sum of	16
on both sides	16
under the influence	16
on th january	16
when i saw	16
in the church	16
representative of the	16
you think i	16
of his profession	16
of the comedy	16
of the actress	16
she was very	16
there have been	16
not been for	16
they were in	16
of king john	16
with which they	16
at which he	16
the first english	16
to read the	16
by his own	16
the manner in	16
she had never	16
that the play	16
he has to	16
with the aid	16
in the entrance	16
a year or	16
but when it	16
and handsome star	16
of a fine	16
and you are	16
of the theatrical	16
to use the	16
we were in	16
the secret of	16
but in this	16
so that i	16
to talk to	16
did not see	16
was always a	16
manager of the	16
the part was	16
to be of	16
appears to have	16
just the same	16
a burst of	16
i knew it	16
have been made	16
to find out	16
think of him	16
the grace and	16
you know i	16
a bottle of	16
characters in the	16
any of them	16
those who had	16
to tell the	16
the performance was	16
with a few	16
as it may	16
in addition to	16
that i may	16
the summer of	16
one of our	16
what it was	16
to go back	16
made use of	16
standing in the	16
the moment of	16
the latter end	16
that the public	16
the gallant man	16
for the night	16
and had a	16
for an instant	16
to the world	16
only a few	16
and began to	16
not to say	16
who died in	16
the leading lady	16
study of the	16
of the manager	16
on the d	16
the house and	16
in the present	16
to come into	16
he was then	16
out of this	16
the theatre and	16
was going on	16
no right to	16
that such a	16
that she should	16
the town was	16
known as the	16
a right to	16
of the principal	16
never failed to	16
the d of	16
the man with	16
at the new	16
in his hands	16
to find the	16
of the word	16
and the man	16
it came about	16
to be one	16
after the performance	16
though he was	16
her on the	16
reminds me of	16
taste of the	16
retired from the	16
the arrival of	16
to whom the	16
and i would	16
i was very	16
been in the	16
men of the	16
to find that	16
with the other	16
with the old	16
time in the	16
the thought that	16
if i have	16
his voice and	16
this time the	15
does not appear	15
day and night	15
and the actor	15
he felt that	15
of his old	15
with the best	15
with one of	15
i thought you	15
but i could	15
into the pit	15
as they had	15
and she is	15
the faces of	15
he had just	15
and that they	15
on any stage	15
by the duke	15
she had no	15
whole of the	15
the accession of	15
the year of	15
the play to	15
to be taken	15
as she had	15
scene in the	15
was the great	15
the fine gentlemen	15
it was like	15
tell you that	15
it out of	15
the cost of	15
time for the	15
through all the	15
the reason of	15
there was but	15
i was then	15
i am now	15
the light of	15
just as he	15
that a man	15
in this character	15
me to do	15
the fair penitent	15
there are some	15
direction of the	15
humour of the	15
for some years	15
i suppose you	15
an attempt to	15
the conclusion that	15
as to his	15
put on the	15
the government of	15
bit of a	15
look at me	15
as an author	15
the feelings of	15
told him that	15
come to a	15
the walls of	15
back to her	15
just as i	15
in the third	15
such is the	15
the satisfaction of	15
of his first	15
from the other	15
of the eighteenth	15
the public were	15
but when i	15
with a certain	15
it was acted	15
it was played	15
a young girl	15
the characters of	15
in the history	15
i made a	15
connected with the	15
to her husband	15
on that night	15
and as they	15
to go into	15
the ground that	15
the other house	15
was the daughter	15
why should i	15
come into the	15
with as much	15
no reason to	15
prologue to the	15
less than a	15
to do something	15
never to be	15
more of the	15
and she would	15