This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
at the end of | 107 |
the end of the | 103 |
on the th of | 103 |
at the same time | 100 |
one of the most | 98 |
for the first time | 83 |
was one of the | 75 |
is said to have | 68 |
the rest of the | 61 |
seems to have been | 58 |
at the head of | 55 |
the part of the | 51 |
in the character of | 50 |
in the middle of | 49 |
on the part of | 49 |
i do not know | 46 |
said to have been | 45 |
on the other hand | 43 |
the middle of the | 43 |
from time to time | 40 |
the close of the | 39 |
in the part of | 39 |
in front of the | 36 |
in the course of | 36 |
and it was not | 34 |
a good deal of | 33 |
for the benefit of | 33 |
at the close of | 33 |
a great deal of | 33 |
made his first appearance | 32 |
for the sake of | 31 |
one of the greatest | 31 |
in the season of | 30 |
the name of the | 30 |
was not to be | 30 |
the front of the | 29 |
not be able to | 29 |
it was not until | 29 |
that he was not | 29 |
on the first night | 29 |
but it was not | 29 |
is not to be | 29 |
one of the best | 28 |
in which he was | 28 |
the author of the | 28 |
for the last time | 28 |
the head of the | 28 |
the merchant of venice | 28 |
his first appearance in | 28 |
at the age of | 27 |
was the original representative | 27 |
in the way of | 27 |
in one of the | 27 |
that it was a | 27 |
to go to the | 27 |
it would have been | 27 |
of the duke of | 27 |
up and down the | 27 |
of the english stage | 27 |
as well as the | 27 |
with the exception of | 26 |
the beginning of the | 26 |
for the most part | 26 |
in the midst of | 26 |
of which he was | 26 |
the history of the | 25 |
for a long time | 25 |
members of the company | 25 |
as one of the | 25 |
i could not help | 25 |
be said to have | 25 |
the other side of | 25 |
as if he had | 25 |
history of the stage | 25 |
of one of the | 25 |
is one of the | 25 |
the art of acting | 25 |
to be found in | 24 |
and at the same | 24 |
to the end of | 24 |
to be able to | 24 |
on to the stage | 24 |
are you going to | 24 |
his share in the | 24 |
in the reign of | 23 |
in the first act | 23 |
of the last century | 23 |
produced at drury lane | 23 |
it must have been | 22 |
in one of his | 22 |
i am going to | 22 |
at end of second | 22 |
share in the patent | 22 |
as well as a | 22 |
i do not think | 22 |
what do you think | 22 |
i want you to | 22 |
end of second volume | 22 |
the original representative of | 22 |
in the first place | 21 |
that he could not | 21 |
the back of the | 21 |
the th of april | 21 |
he was one of | 21 |
that he was the | 21 |
between the two stages | 21 |
in spite of the | 21 |
go on the stage | 21 |
i should like to | 21 |
in the case of | 21 |
the daughter of a | 21 |
it seems to me | 21 |
at the top of | 21 |
at the beginning of | 21 |
in the last act | 21 |
the state of the | 21 |
the said sir william | 21 |
comparison between the two | 21 |
in the person of | 20 |
a member of the | 20 |
on the night of | 20 |
that he was a | 20 |
that is to say | 20 |
on the st of | 20 |
there can be no | 19 |
on the other side | 19 |
as if it were | 19 |
it seemed to her | 19 |
the foot of the | 19 |
for the purpose of | 19 |
master of the revels | 19 |
i beg your pardon | 19 |
could not have been | 19 |
the way of the | 19 |
front of the house | 19 |
that there was no | 19 |
merry wives of windsor | 19 |
was the first to | 18 |
in the same year | 18 |
the prince of wales | 18 |
that it would be | 18 |
at the union square | 18 |
for the life of | 18 |
in the second act | 18 |
the power of the | 18 |
account of his career | 18 |
the eyes of the | 18 |
the centre of the | 18 |
of a man who | 18 |
first appearance in london | 18 |
it is to be | 18 |
the members of the | 18 |
go to the theatre | 18 |
and one of the | 18 |
out of the house | 18 |
to have been a | 18 |
as a matter of | 18 |
other side of the | 18 |
under the management of | 18 |
to go on the | 18 |
at the theatre royal | 18 |
the duke of newcastle | 18 |
in a few days | 18 |
the side of the | 17 |
the art of the | 17 |
nothing to do with | 17 |
in the drury lane | 17 |
was a man of | 17 |
as if he were | 17 |
she was the original | 17 |
the merry wives of | 17 |
had it not been | 17 |
the last of the | 17 |
to do with the | 17 |
would have been a | 17 |
out of the window | 17 |
of some of the | 17 |
by one of the | 17 |
the hands of the | 17 |
it was in the | 17 |
i am not sure | 17 |
he was the original | 17 |
must have been a | 17 |
on the english stage | 17 |
that it was not | 17 |
at drury lane in | 17 |
in the presence of | 17 |
of the seventeenth century | 17 |
to the best of | 17 |
she did not know | 17 |
in the hands of | 17 |
was one of those | 17 |
it was not the | 17 |
was going to be | 17 |
did not seem to | 17 |
but it is not | 17 |
share of the patent | 16 |
the way in which | 16 |
his description of mrs | 16 |
for the rest of | 16 |
out of the room | 16 |
the first night of | 16 |
young and handsome star | 16 |
that there was a | 16 |
the course of the | 16 |
the manner in which | 16 |
under the influence of | 16 |
out of the way | 16 |
of the lord chamberlain | 16 |
would be able to | 16 |
seem to have been | 16 |
at the corner of | 16 |
he seems to have | 16 |
over and over again | 16 |
on the stage in | 16 |
the door of the | 16 |
with the aid of | 16 |
on the subject of | 16 |
a year or two | 16 |
a part of the | 16 |
the latter end of | 16 |
the edge of the | 16 |
that he had not | 16 |
way of the world | 15 |
down to the theatre | 15 |
the chambers street theatre | 15 |
the man who had | 15 |
in the eyes of | 15 |
the road to ruin | 15 |
he is said to | 15 |
the time of his | 15 |
does not seem to | 15 |
it is not a | 15 |
at the time of | 15 |
at the back of | 15 |
the whole of the | 15 |
was on the stage | 15 |
end of the season | 15 |
it was the first | 15 |
it was a great | 15 |
the cause of the | 15 |
in the following year | 15 |
he was going to | 15 |
was the cause of | 15 |
the son of a | 15 |
love in a riddle | 15 |
in the history of | 15 |
it was one of | 15 |
was the daughter of | 15 |
but it was a | 15 |
on the d of | 15 |
in the shape of | 15 |
after the manner of | 15 |
the character of the | 15 |
the success of the | 15 |
on the ground that | 15 |
the master of the | 15 |
the management of the | 15 |
at a time when | 15 |
to one of the | 15 |
the opening of the | 15 |
at the foot of | 15 |
as if they had | 14 |
by the duke of | 14 |
but there was a | 14 |
there is not a | 14 |
member of the company | 14 |
be able to get | 14 |
he was on the | 14 |
in love for love | 14 |
it has been said | 14 |
if you want to | 14 |
that it was the | 14 |
after the death of | 14 |
with an air of | 14 |
the th of october | 14 |
that he did not | 14 |
when he came to | 14 |
it could not be | 14 |
if he had been | 14 |
to be one of | 14 |
a copy of the | 14 |
the first time in | 14 |
be found in the | 14 |
and in a few | 14 |
appearance on the stage | 14 |
into the hands of | 14 |
in which he had | 14 |
the stage in the | 14 |
there was but one | 14 |
the th of november | 14 |
the scene of the | 14 |
it not been for | 14 |
not being able to | 14 |
the story of the | 14 |
in the play of | 14 |
he did not know | 14 |
the face of the | 14 |
the man with the | 14 |
to get rid of | 14 |
the sake of the | 13 |
on account of the | 13 |
he was able to | 13 |
and that was the | 13 |
that she was not | 13 |
the benefit of the | 13 |
he was a man | 13 |
i told him i | 13 |
there is no doubt | 13 |
men and women of | 13 |
it would be a | 13 |
in the habit of | 13 |
in a few minutes | 13 |
the school for scandal | 13 |
the good old man | 13 |
as well as of | 13 |
it was impossible to | 13 |
to get out of | 13 |
state of the stage | 13 |
as he had been | 13 |
man of the world | 13 |
the gentlemen of the | 13 |
about the same time | 13 |
the reign of king | 13 |
the fact that he | 13 |
it seemed to me | 13 |
other members of the | 13 |
the presence of a | 13 |
if it were not | 13 |
a few of the | 13 |
was a sort of | 13 |
by the name of | 13 |
in the same way | 13 |
i did not know | 13 |
i was going to | 13 |
but there was no | 13 |
a quarter of a | 13 |
it is impossible to | 13 |
of the eighteenth century | 13 |
there was no one | 13 |
he was the first | 13 |
returned to the stage | 13 |
and she could not | 13 |
the service of the | 13 |
it is difficult to | 13 |
with that of the | 13 |
to have been the | 13 |
the meaning of the | 13 |
one of the few | 13 |
had the pleasure of | 13 |
the first time i | 13 |
and it is not | 13 |
not seem to have | 12 |
on the stage is | 12 |
do you think of | 12 |
in the merry wives | 12 |
in the face of | 12 |
in which there is | 12 |
the union of the | 12 |
and there was a | 12 |
at the same moment | 12 |
was the only one | 12 |
on the point of | 12 |
the best of his | 12 |
of the actors of | 12 |
of the stage and | 12 |
the remainder of the | 12 |
in the road to | 12 |
i said to myself | 12 |
ought to have been | 12 |
the fall of the | 12 |
theatre in the haymarket | 12 |
that he had been | 12 |
as you like it | 12 |
union of the two | 12 |
to play the part | 12 |
the time of the | 12 |
as if they were | 12 |
she was forced to | 12 |
she stoops to conquer | 12 |
in love with her | 12 |
shall be able to | 12 |
in a state of | 12 |
seems to me that | 12 |
made her first appearance | 12 |
to be in the | 12 |
out of the question | 12 |
i shall never forget | 12 |
the direction of the | 12 |
as well as i | 12 |
that it is a | 12 |
was produced at drury | 12 |
the fact that the | 12 |
which he was the | 12 |
with some of the | 12 |
as soon as he | 12 |
in the name of | 12 |
the first part of | 12 |
the new theatre in | 12 |
go down to the | 12 |
to be an actor | 12 |
on the power of | 12 |
with him in the | 12 |
of the man who | 12 |
of the character of | 12 |
it will be a | 12 |
to the conclusion that | 12 |
his share of the | 12 |
in the same play | 12 |
said to be the | 12 |
the th of march | 12 |
am not sure that | 12 |
the first english actress | 12 |
the ladies of the | 12 |
of the theatre royal | 12 |
on the stage of | 12 |
side of the stage | 12 |
of the present day | 12 |
but he did not | 12 |
when the play was | 12 |
i had not been | 12 |
first appearance on the | 11 |
i should have been | 11 |
on the back of | 11 |
at the idea of | 11 |
i am speaking of | 11 |
from the lips of | 11 |
the other end of | 11 |
on the death of | 11 |
came to a pause | 11 |
by the lord chamberlain | 11 |
the production of the | 11 |
the spirit of the | 11 |
fair quaker of deal | 11 |
was the author of | 11 |
he was not a | 11 |
the th of january | 11 |
it was not till | 11 |
to give you a | 11 |
on the london stage | 11 |
the influence of the | 11 |
the th of december | 11 |
asked him if he | 11 |
for a few nights | 11 |
to take care of | 11 |
to go back to | 11 |
that she could not | 11 |
is one of those | 11 |
to think of it | 11 |
the th of may | 11 |
the theatre royal in | 11 |
apology for the life | 11 |
what are you going | 11 |
of the third act | 11 |
to the theatre in | 11 |
it on the stage | 11 |
the play was over | 11 |
he would not be | 11 |
in the centre of | 11 |
a large number of | 11 |
part of the house | 11 |
of the two companies | 11 |
by the fact that | 11 |
end of the act | 11 |
it may have been | 11 |
the end of a | 11 |
who seems to have | 11 |
if it had been | 11 |
it seemed as if | 11 |
the bottom of the | 11 |
to new york and | 11 |
the drury lane company | 11 |
in the days when | 11 |
in the autumn of | 11 |
as soon as the | 11 |
a friend of mine | 11 |
the hands of a | 11 |
he said to himself | 11 |
in sir courtly nice | 11 |
been on the stage | 11 |
it ought to be | 11 |
the favour of the | 11 |
the night of the | 11 |
when the curtain fell | 11 |
his history of the | 11 |
the corner of the | 11 |
after a long silence | 11 |
in the days of | 11 |
the end of his | 11 |
to return to the | 11 |
but he could not | 11 |
of the old school | 11 |
and it may be | 11 |
in the direction of | 11 |
that i had not | 11 |
of the fact that | 11 |
the life of the | 11 |
as if she were | 11 |
on account of his | 11 |
high life below stairs | 11 |
in the provoked husband | 11 |
of the first act | 11 |
the stage of the | 11 |
as if she had | 11 |
the life of mr | 11 |
on the stage to | 10 |
what do you want | 10 |
is a kind of | 10 |
you are going to | 10 |
may be said to | 10 |
it is certain that | 10 |
in the preface to | 10 |
a bit of a | 10 |
at that moment the | 10 |
at the thought of | 10 |
the best of my | 10 |
that part of the | 10 |
it came about that | 10 |
it is said that | 10 |
that i was not | 10 |
the sight of the | 10 |
one of the actors | 10 |
during the run of | 10 |
account of her career | 10 |
in the light of | 10 |
and i do not | 10 |
back of the stage | 10 |
view of the stage | 10 |
as a sort of | 10 |
you were going to | 10 |
what is the matter | 10 |
that it might be | 10 |
than in any other | 10 |
it could not have | 10 |
she could not help | 10 |
the comparison between the | 10 |
at the hands of | 10 |
that he might be | 10 |
and was about to | 10 |
in a sort of | 10 |
the th of september | 10 |
and some of the | 10 |
there had been a | 10 |
short view of the | 10 |
a few days after | 10 |
the only one who | 10 |
the head of a | 10 |
to come to the | 10 |
but he was a | 10 |
i was on the | 10 |
so far as to | 10 |
superior to his successors | 10 |
and at the end | 10 |
in a few moments | 10 |
who had been a | 10 |
under the name of | 10 |
centre of the stage | 10 |
end of the play | 10 |
on one of the | 10 |
there will be no | 10 |
in the summer of | 10 |
he would have been | 10 |
i can tell you | 10 |
he would have to | 10 |
i shall be able | 10 |
the business of the | 10 |
the young and handsome | 10 |
all the rest of | 10 |
at the conclusion of | 10 |
of one of his | 10 |
the man in the | 10 |
advertisement regarding his salary | 10 |
i would not have | 10 |
he was the most | 10 |
as if i had | 10 |
the humour of the | 10 |
it is not to | 10 |
the stage and the | 10 |
of the second act | 10 |
and out of the | 10 |
on and off the | 10 |
a cup of tea | 10 |
i am sorry to | 10 |
on the occasion of | 10 |
an apology for the | 10 |
the appearance of a | 10 |
there would have been | 10 |
i have seen the | 10 |
on the side of | 10 |
that i should be | 10 |
the stage as a | 10 |
would not be able | 10 |
in the expression of | 10 |
the quality of the | 10 |
the men and women | 10 |
other end of the | 10 |
did not know how | 10 |
and one or two | 10 |
but he was not | 10 |
it was not so | 10 |
text is denoted by | 10 |
went on the stage | 10 |
way in which he | 10 |
every one of them | 10 |
could not help thinking | 10 |
in the old days | 10 |
in order that he | 10 |
at the expense of | 10 |
to the theatre to | 10 |
as i have said | 10 |
in the memory of | 10 |
that he would not | 10 |
to be the first | 10 |
the attention of the | 10 |
going to the theatre | 10 |
you will have to | 9 |
he seemed to be | 9 |
and in the same | 9 |
when it comes to | 9 |
i have ever met | 9 |
the ladies and gentlemen | 9 |
the shape of a | 9 |
of the patent to | 9 |
close of the season | 9 |
the taste of the | 9 |
a man who was | 9 |
in the spanish friar | 9 |
in presence of the | 9 |
theatre in new york | 9 |
in the poor gentleman | 9 |
under the title of | 9 |
to appear in the | 9 |
papal tyranny in the | 9 |
it is one of | 9 |
on their way to | 9 |
he was not the | 9 |
of the life of | 9 |
the daughter of the | 9 |
after the painting by | 9 |
the ghost in hamlet | 9 |
after the picture by | 9 |
he must have been | 9 |
the skill of the | 9 |
it did not take | 9 |
the drury lane season | 9 |
that sort of thing | 9 |
going on the stage | 9 |
the stage for the | 9 |
the wife of a | 9 |
bought and paid for | 9 |
i could not have | 9 |
i have never seen | 9 |
he may have been | 9 |
at the last moment | 9 |
the play went on | 9 |
seemed to her that | 9 |
was at this time | 9 |
appears to have been | 9 |
i could not be | 9 |
and on the th | 9 |
of the merry wives | 9 |
in and out of | 9 |
in spite of his | 9 |
the part of a | 9 |
to be allowed to | 9 |
he was about to | 9 |
was that of a | 9 |
the words of the | 9 |
i shall have to | 9 |
of men and women | 9 |
to speak to you | 9 |
i have known him | 9 |
of the play is | 9 |
the center of the | 9 |
part of the town | 9 |
in the same piece | 9 |
in the merchant of | 9 |
when we were twenty | 9 |
the drury lane patent | 9 |
the performance of the | 9 |
last half of the | 9 |
fall of the curtain | 9 |
might be able to | 9 |
at the bottom of | 9 |
be able to do | 9 |
at the feet of | 9 |
asked me if i | 9 |
when i was a | 9 |
i can find no | 9 |
at a later period | 9 |
the first day of | 9 |
that he might have | 9 |
reign of king john | 9 |
the story of his | 9 |
there could be no | 9 |
he said to me | 9 |
made up my mind | 9 |
one side of the | 9 |
of the united states | 9 |
a short view of | 9 |
the delight of the | 9 |
tyranny in the reign | 9 |
in the third act | 9 |
in any part of | 9 |
at the lyceum theatre | 9 |
at the same theatre | 9 |
she said to herself | 9 |
the arrival of the | 9 |
at the opera comique | 9 |
to the fact that | 9 |
the duke of york | 9 |
that he would have | 9 |
she was going to | 9 |
with a sense of | 9 |
if he does not | 9 |
with regard to the | 9 |
ten shillings a week | 9 |
for a few days | 9 |
and there was no | 9 |
but it was the | 9 |
thought it would be | 9 |
history of the english | 9 |
she would like to | 9 |
her in his arms | 9 |
to the duke of | 9 |
the th of june | 9 |
of the merchant of | 9 |
a matter of fact | 9 |
the last half of | 9 |
in the manner of | 9 |
the scene in which | 9 |
it had been a | 9 |
he would like to | 9 |
the reign of charles | 9 |
the sound of the | 9 |
the good fortune to | 9 |
was by no means | 9 |
years of his life | 9 |
the action of the | 9 |
ought not to have | 9 |
the conclusion of the | 9 |
part of the audience | 9 |
got out of the | 9 |
so far as we | 9 |
in a kind of | 9 |
for a few moments | 9 |
had the advantage of | 9 |
to drury lane in | 9 |
a tour of the | 9 |
the union square theatre | 9 |
in front of a | 9 |
the first appearance of | 9 |
i went to the | 9 |
it may be said | 9 |
the early part of | 9 |
which he was not | 9 |
much ado about nothing | 9 |
did not care to | 9 |
there would be no | 9 |
the date of the | 9 |
and off the stage | 9 |
the interest of the | 9 |
but i could not | 9 |
the government of the | 9 |
as if i were | 9 |
the other members of | 9 |
the fact that she | 8 |
to say that the | 8 |
consultation of external sources | 8 |
face to face with | 8 |
at the theatre in | 8 |
but she was not | 8 |
the middle of a | 8 |
he returned to the | 8 |
be one of the | 8 |
through the medium of | 8 |
not a bit of | 8 |
there is a great | 8 |
the theatre in the | 8 |
of drury lane theatre | 8 |
on the same night | 8 |
you going to do | 8 |
in which she was | 8 |
but i did not | 8 |
as far as i | 8 |
not in the least | 8 |
the text and consultation | 8 |
careful comparison with other | 8 |
message from the dying | 8 |
the greater part of | 8 |
in any of the | 8 |
in the same company | 8 |
one or two of | 8 |
errors have been corrected | 8 |
in the minds of | 8 |
by the side of | 8 |
end of the week | 8 |
the best of them | 8 |
with the result that | 8 |
was the result of | 8 |
with the duke of | 8 |
was the son of | 8 |
to be ashamed of | 8 |
a man of his | 8 |
the licensing act of | 8 |
whom i have ever | 8 |
for more than a | 8 |
on his way to | 8 |
supposed to be a | 8 |
at drury lane on | 8 |
to act on the | 8 |
that i was to | 8 |
and punctuation errors have | 8 |
a roar of laughter | 8 |
art of the actor | 8 |
to be out of | 8 |
and consultation of external | 8 |
the heir at law | 8 |
comparison with other occurrences | 8 |
by some of the | 8 |
could not help it | 8 |
i want to know | 8 |
it was said that | 8 |
lick at the laureat | 8 |
within the text and | 8 |
in the british museum | 8 |
to the service of | 8 |
drury lane season of | 8 |
been corrected after careful | 8 |
italic text is denoted | 8 |
be that as it | 8 |
was not one of | 8 |
in the height of | 8 |
the actors of the | 8 |
occurrences within the text | 8 |
which he had been | 8 |
on the stage as | 8 |
of the greatest of | 8 |
for my own part | 8 |
i have not yet | 8 |
his account of the | 8 |
a message from the | 8 |
than that of the | 8 |
admitted into good society | 8 |
there seems to be | 8 |
was an actor of | 8 |
has nothing to do | 8 |
for his treatment of | 8 |
in which there was | 8 |
of the part of | 8 |
there was nothing to | 8 |
the conduct of the | 8 |
have been corrected after | 8 |
i hope you will | 8 |
he had come to | 8 |
would like to see | 8 |
the liberty of the | 8 |
in the mean time | 8 |
the honour of the | 8 |
the earl of essex | 8 |
in the form of | 8 |
at last he said | 8 |
was born in the | 8 |
and one of them | 8 |
but at that moment | 8 |
in love in a | 8 |
the dignity of the | 8 |
the first of the | 8 |
and that he had | 8 |
on the opposite side | 8 |
fall in love with | 8 |
was a man who | 8 |
to say nothing of | 8 |
we are told that | 8 |
the play of the | 8 |
text and consultation of | 8 |
for the part of | 8 |
the names of the | 8 |
punctuation errors have been | 8 |
on the american stage | 8 |
the second part of | 8 |
that he was going | 8 |
of the most beautiful | 8 |
the identity of the | 8 |
the duke of marlborough | 8 |
and it is a | 8 |
a share in the | 8 |
to be at the | 8 |
it was a very | 8 |
as well as in | 8 |
in a letter to | 8 |
on the edge of | 8 |
found it difficult to | 8 |
not been for the | 8 |
i am glad to | 8 |
on the way to | 8 |
was a member of | 8 |
to look out for | 8 |
get out of the | 8 |
the matter with you | 8 |
in the management of | 8 |
the affairs of the | 8 |
back to new york | 8 |
it is not the | 8 |
with the assistance of | 8 |
she had come to | 8 |
that i am not | 8 |
one of his own | 8 |
in the school for | 8 |
it would not be | 8 |
his lives of the | 8 |
he was the only | 8 |
play the part of | 8 |
it goes without saying | 8 |
as that of the | 8 |
for its own sake | 8 |
with other occurrences within | 8 |
house in the haymarket | 8 |
he was an actor | 8 |
the feelings of the | 8 |
with one of the | 8 |
on the stage was | 8 |
would have to be | 8 |
what was going on | 8 |
that it was only | 8 |
be the first english | 8 |
the walls of the | 8 |
was buried in the | 8 |
to the lord chamberlain | 8 |
and it seemed to | 8 |
it would be better | 8 |
is denoted by underscores | 8 |
by the author of | 8 |
the comedy of the | 8 |
as soon as i | 8 |
with the rest of | 8 |
as if it had | 8 |
opposite side of the | 8 |
account of the english | 8 |
will be found in | 8 |
produced at the theatre | 8 |
that she did not | 8 |
to those who have | 8 |
the top of the | 8 |
out of the theatre | 8 |
of the art of | 8 |
the life of a | 8 |
as well as by | 8 |
it must be confessed | 8 |
in tragedy and comedy | 8 |
the success of his | 8 |
that it should be | 8 |
after careful comparison with | 8 |
the opposite side of | 8 |
his father was a | 8 |
or two of the | 8 |
of the earl of | 8 |
she would not be | 8 |
what i have said | 8 |
what was the matter | 8 |
of the stage was | 8 |
i should have thought | 8 |
quarter of a century | 8 |
found it necessary to | 8 |
there is no one | 8 |
of the play to | 8 |
in the fair penitent | 8 |
i would not be | 8 |
now and then a | 8 |
the curtain went up | 8 |
to the effect that | 8 |
had no right to | 8 |
his way to the | 8 |
rest of the company | 8 |
it was not a | 8 |
to be seen in | 8 |
for which he was | 8 |
with those of the | 8 |
he made his first | 8 |
he felt that he | 8 |
corrected after careful comparison | 8 |
i think he was | 8 |
for the time being | 8 |
me out of the | 8 |
side of the question | 8 |
who is said to | 8 |
a great number of | 8 |
he was born in | 8 |
and the duke of | 8 |
from beginning to end | 8 |
it was a long | 8 |
in the fourth act | 8 |
in such a manner | 8 |
it may be that | 8 |
anything in the world | 8 |
the scene in the | 8 |
in which it is | 8 |
with a kind of | 8 |
he said he would | 8 |
other occurrences within the | 8 |
the origin of the | 8 |
would have liked to | 8 |
he is not a | 8 |
appearance in new york | 8 |
do you want to | 7 |
retirement from the stage | 7 |
the end of it | 7 |
of which i was | 7 |
in the epilogue to | 7 |
he ought to have | 7 |
to the stage and | 7 |
as well as to | 7 |
but there is no | 7 |
i had never seen | 7 |
the truth of the | 7 |
and for the first | 7 |
three or four days | 7 |
i was one of | 7 |
he came to the | 7 |
the man of the | 7 |
to the front of | 7 |
will be all right | 7 |
the heat of the | 7 |
which was to be | 7 |
is supposed to be | 7 |
at the other end | 7 |
the truth of this | 7 |
the lines of the | 7 |
it is a very | 7 |
if he did not | 7 |
and he was a | 7 |
the way to the | 7 |
a moment or two | 7 |
to that of a | 7 |
as long as the | 7 |
appeared on the stage | 7 |
that he was in | 7 |
they were going to | 7 |
his way through the | 7 |
was a time when | 7 |
such a thing as | 7 |
for his own benefit | 7 |
she was about to | 7 |
the end of this | 7 |
to the time of | 7 |
came back to her | 7 |
i have already spoken | 7 |
the presence of the | 7 |
a few years after | 7 |
he had been a | 7 |
but i do not | 7 |
at the opening of | 7 |
at a salary of | 7 |
as long as he | 7 |
the fact that i | 7 |
that i do not | 7 |
i am sure he | 7 |
he had never seen | 7 |
favour of the town | 7 |
to look at the | 7 |
the last years of | 7 |
bold stroke for a | 7 |
in high life below | 7 |
one of the great | 7 |
would not have been | 7 |
and the result was | 7 |
equal to that of | 7 |
that i could not | 7 |
all over the country | 7 |
gentlemen of the great | 7 |
of the great chamber | 7 |
was not in the | 7 |
twenty years of age | 7 |
the woman who had | 7 |
told me that he | 7 |
the efforts of the | 7 |
the squire of alsatia | 7 |
that he had a | 7 |
in the cause of | 7 |
that he would be | 7 |
the cause of this | 7 |
for a few minutes | 7 |
that she was a | 7 |
one of the many | 7 |
here and there a | 7 |
on the ground of | 7 |
the fifth avenue theatre | 7 |
in the spirit of | 7 |
was supposed to be | 7 |
you may be sure | 7 |
that i have been | 7 |
it was as if | 7 |
the place of the | 7 |
had a mind to | 7 |
have the pleasure of | 7 |
was to be found | 7 |
seemed to me that | 7 |
the prince and princess | 7 |
on my way to | 7 |
when it came to | 7 |
shall never forget the | 7 |
lion and the mouse | 7 |
audience on the stage | 7 |
a sharer in the | 7 |
to her that she | 7 |
one of his most | 7 |
first night of the | 7 |
to give way to | 7 |
by a benefit play | 7 |
five dollars a week | 7 |
of the th of | 7 |
to go on for | 7 |
he could not see | 7 |
played at drury lane | 7 |
no more than a | 7 |
that i have seen | 7 |
on the opening of | 7 |
but it is the | 7 |
should like to know | 7 |
one of the first | 7 |
the shadow of the | 7 |
i should never have | 7 |
by sir godfrey kneller | 7 |
the memory of the | 7 |
her that she was | 7 |
i had the pleasure | 7 |
was produced at the | 7 |
as in the case | 7 |
in the very first | 7 |
in the beginning of | 7 |
and that he was | 7 |
from which he was | 7 |
actors of his time | 7 |
if i had not | 7 |
was one of his | 7 |
the illusion of the | 7 |
to say that i | 7 |
on the opening night | 7 |
in the state of | 7 |
i was in a | 7 |
to tell you the | 7 |
there is a certain | 7 |
the expression of the | 7 |
between you and me | 7 |
when he was not | 7 |
in the first part | 7 |
people on the stage | 7 |
it was the custom | 7 |
i have heard him | 7 |
with the hope of | 7 |
it was to be | 7 |
grew more and more | 7 |
the faces of the | 7 |
of the royal family | 7 |
the father of the | 7 |
as on the stage | 7 |
farewell to the stage | 7 |
but as it was | 7 |
would have been more | 7 |
the only thing that | 7 |
he would not have | 7 |
there is nothing in | 7 |
in love with a | 7 |
of the stage to | 7 |
in front of me | 7 |
in the art of | 7 |
invader of his country | 7 |
that she would not | 7 |
to the theatre and | 7 |
to have had a | 7 |
to let you know | 7 |
had been able to | 7 |
it seemed to him | 7 |
as well as his | 7 |
to get to the | 7 |
was not the only | 7 |
on the success of | 7 |
on the stage from | 7 |
in which she had | 7 |
the th of the | 7 |
is reported to have | 7 |
is said to be | 7 |
to enable him to | 7 |
all i can say | 7 |
in presence of a | 7 |
that he is a | 7 |
it may be no | 7 |
was the first of | 7 |
of which i have | 7 |
the new york stage | 7 |
of lady betty modish | 7 |
was a native of | 7 |
once in a while | 7 |
up my mind to | 7 |
seems to have had | 7 |
in new york in | 7 |
patted me on the | 7 |
in the next chapter | 7 |
he was to be | 7 |
the heroine of the | 7 |
the title of the | 7 |
from one of the | 7 |
on the stage for | 7 |
and the rest of | 7 |
in such a way | 7 |
some of the most | 7 |
and it was a | 7 |
the author of a | 7 |
one hundred and fifty | 7 |
was seized with a | 7 |
for me at the | 7 |
by the children of | 7 |
the house in the | 7 |
the son of the | 7 |
never be able to | 7 |
that i was a | 7 |
and it was so | 7 |
at one of the | 7 |
of the last half | 7 |
the subject of the | 7 |
it did not seem | 7 |
the production of a | 7 |
had a right to | 7 |
on the stage when | 7 |
a word or two | 7 |
on the road with | 7 |
i had ever seen | 7 |
of the same kind | 7 |
returned to new york | 7 |
the rear of the | 7 |
as that of a | 7 |
in the life of | 7 |
go back to the | 7 |
me on the shoulder | 7 |
give me leave to | 7 |
his treatment of authors | 7 |
every member of the | 7 |
on the verge of | 7 |
in the place of | 7 |
and the author of | 7 |
during the time of | 7 |
way to keep him | 7 |
she must have been | 7 |
he left the stage | 7 |
in the time of | 7 |
very kind of you | 7 |
to the earl of | 7 |
she would have to | 7 |
some of the best | 7 |
could not afford to | 7 |
will not be able | 7 |
in front of him | 7 |
in the open air | 7 |
the little theatre in | 7 |
was the first time | 7 |
him if he had | 7 |
that it is the | 7 |
she would and she | 7 |
a man who had | 7 |
him on the stage | 7 |
a glass of water | 7 |
to do with it | 7 |
of the play was | 7 |
so long as the | 7 |
at the moment of | 7 |
me that he was | 7 |
a part of his | 7 |
to believe that the | 7 |
there was a time | 7 |
kate did not answer | 7 |
did not know what | 7 |
a matter of course | 7 |
of which she was | 7 |
but on the stage | 7 |
did not know that | 7 |
retired from the stage | 7 |
see note on page | 7 |
it was in this | 7 |
in the tragedy of | 7 |
then there was a | 7 |
to such an extent | 7 |
come upon the stage | 7 |
it will be remembered | 7 |
the name of a | 7 |
and she was the | 7 |
drury lane on th | 7 |
both sides of the | 7 |
i was cast for | 7 |
if she had been | 7 |
from place to place | 7 |
happened to be in | 7 |
the voice of a | 7 |
the end of that | 7 |
the first time that | 7 |
union of the companies | 7 |
i was sent to | 7 |
sense of the word | 7 |
not one of the | 7 |
till the end of | 7 |
i think it was | 7 |
that she had not | 7 |
was glad to see | 7 |
of those who have | 7 |
i ought to have | 7 |
to leave the stage | 7 |
was a woman of | 7 |
in his own words | 7 |
in addition to the | 7 |
of the value of | 7 |
in the words of | 7 |
to have been in | 7 |
in the act of | 7 |
of what i have | 7 |
this is the first | 7 |
new edition of the | 7 |
the top of her | 7 |
as quickly as possible | 7 |
were on the stage | 7 |
in a spirit of | 7 |
for the entertainment of | 7 |
it was not long | 7 |
i thought you were | 7 |
at such a time | 7 |
i was about to | 7 |
and for some time | 7 |
was not only a | 7 |
i was forced to | 7 |
return to the stage | 7 |
to be wondered at | 7 |
from a painting by | 7 |
in the house of | 7 |
in the dedication of | 7 |
not to be found | 7 |
and she did not | 7 |
it was difficult to | 7 |
be little doubt that | 7 |
of the success of | 7 |
in a few weeks | 7 |
when she was a | 7 |
am sorry to say | 7 |
his connection with steele | 6 |
to such a height | 6 |
i have no doubt | 6 |
as soon as we | 6 |
certain and more by | 6 |
the painting by sir | 6 |
i am very sorry | 6 |
been one of the | 6 |
to which he had | 6 |
a bit of it | 6 |
a company of players | 6 |
it is not surprising | 6 |
the tragedy of the | 6 |
in some of the | 6 |
do you think i | 6 |
the duke of monmouth | 6 |
the lion and the | 6 |
her first appearance as | 6 |
for an hour or | 6 |
in the early part | 6 |
tell you the truth | 6 |
of a fine lady | 6 |
to the point of | 6 |
as long as i | 6 |
was not equal to | 6 |
to me in the | 6 |
in the collection of | 6 |
was at the head | 6 |
the aid of a | 6 |
and from that time | 6 |
for the coming season | 6 |
and then there was | 6 |
me that i was | 6 |
irving and ellen terry | 6 |
in the comparison between | 6 |
as much as i | 6 |
the play is a | 6 |
had the good fortune | 6 |
if he were to | 6 |
edition of the roscius | 6 |
the study of the | 6 |
little more than a | 6 |
after the contemporary design | 6 |
under the impression that | 6 |
since the days of | 6 |
in the power of | 6 |
the wall of the | 6 |
the last act of | 6 |
he had made a | 6 |
and women of the | 6 |
have been one of | 6 |
the lives of the | 6 |
but a short time | 6 |
this sort of thing | 6 |
was looked upon as | 6 |
to a man of | 6 |
appear to have been | 6 |
and i am not | 6 |
part of the public | 6 |
and yet it is | 6 |
the memory of that | 6 |
for two or three | 6 |
the death of the | 6 |
he should not be | 6 |
to which he was | 6 |
he was a most | 6 |
a score of years | 6 |
i was not a | 6 |
in the corner of | 6 |
that they might not | 6 |
to become a manager | 6 |
in the way to | 6 |
the character of a | 6 |
men and women who | 6 |
the death of betterton | 6 |
may be able to | 6 |
front of the stage | 6 |
went over to the | 6 |
which he was to | 6 |
drury lane and covent | 6 |
he had been the | 6 |
some of the ladies | 6 |
the light of a | 6 |
the body of the | 6 |
what shall i do | 6 |
in a way that | 6 |
of the necessity of | 6 |
a part in which | 6 |
in the gold mine | 6 |
middle of the floor | 6 |
is supposed to have | 6 |
when he was in | 6 |
was not so much | 6 |
it is in the | 6 |
you do not know | 6 |
one of the ladies | 6 |
patentee of drury lane | 6 |
it was at this | 6 |
it was that the | 6 |
to tell him that | 6 |
the judgment of the | 6 |
if i had been | 6 |
there are so many | 6 |
on the stage he | 6 |
she was the daughter | 6 |
to the author of | 6 |
give you my word | 6 |
the manner of a | 6 |
must have been the | 6 |
i am in the | 6 |
and his wife were | 6 |
are to be found | 6 |
wild horse of tartary | 6 |
at the door of | 6 |
one of his plays | 6 |
do not know if | 6 |
i see no reason | 6 |
of those who were | 6 |
in the old batchelor | 6 |
any part of the | 6 |
as it is called | 6 |
the mirror up to | 6 |
it would be to | 6 |
in the arms of | 6 |
as he left the | 6 |
of being able to | 6 |
end of the table | 6 |
every part of the | 6 |
in the prologue to | 6 |
it may be a | 6 |
old to go into | 6 |
the heart of the | 6 |
that as it may | 6 |
was on the point | 6 |
will be able to | 6 |
the fact that it | 6 |
in his life of | 6 |
but at the same | 6 |
i have always been | 6 |
with such effect that | 6 |
as it has been | 6 |
to that of the | 6 |
mirror up to nature | 6 |
was very fond of | 6 |
upon the stage in | 6 |
sound of his voice | 6 |
of the death of | 6 |
what are you doing | 6 |
but there is a | 6 |
had nothing to do | 6 |
the last year of | 6 |
produced at covent garden | 6 |
i looked at the | 6 |
under cover of the | 6 |
is not so much | 6 |
of the most famous | 6 |
was not going to | 6 |
beauty and the barge | 6 |
opened on the th | 6 |
did not know whether | 6 |
walked up and down | 6 |
and more by computation | 6 |
is no doubt that | 6 |
goes without saying that | 6 |
in the spring of | 6 |
was said to be | 6 |
tragedy of that name | 6 |
every man in his | 6 |
of which she had | 6 |
any one of them | 6 |
the run of the | 6 |
should we say if | 6 |
steele during the dispute | 6 |
and she would not | 6 |
the curtain had fallen | 6 |
and there is a | 6 |
to the memory of | 6 |
that it had been | 6 |
to the other side | 6 |
to me to be | 6 |
there should be no | 6 |
it might have been | 6 |
may be gathered from | 6 |
came to the conclusion | 6 |
if it were a | 6 |
first appearance in new | 6 |
i made up my | 6 |
was a long time | 6 |
visit to drury lane | 6 |
i do not remember | 6 |
the actor who is | 6 |
in a short time | 6 |
and it is to | 6 |
in the double dealer | 6 |
for one of the | 6 |
appearing on the stage | 6 |
and when it was | 6 |
it were not for | 6 |
my husband and i | 6 |
part of the stage | 6 |
too much to say | 6 |
when the time came | 6 |
of the first rank | 6 |
of which he had | 6 |
however this may be | 6 |
that he does not | 6 |
what should we say | 6 |
power of the lord | 6 |
in the center of | 6 |
year of his age | 6 |
to be published in | 6 |
stroke for a wife | 6 |
as a rogue and | 6 |
in the neighbourhood of | 6 |
the prologue to the | 6 |
in romeo and juliet | 6 |
by the appearance of | 6 |
on our way to | 6 |
from first to last | 6 |
lane and covent garden | 6 |
on the first day | 6 |
a letter from mr | 6 |
such an extent that | 6 |
we are accustomed to | 6 |
is not surprising that | 6 |
a gentleman of the | 6 |
the drama of the | 6 |
was about to be | 6 |
parts of the house | 6 |
there is something in | 6 |
as fast as they | 6 |
note italic text is | 6 |
to look forward to | 6 |
the requirements of the | 6 |
henry irving and ellen | 6 |
but this was not | 6 |
to be a great | 6 |
to and from the | 6 |
the manager of the | 6 |
her back to the | 6 |
of the drama in | 6 |
with steele during the | 6 |
in proportion to the | 6 |
that he was an | 6 |
is to be found | 6 |
night of the th | 6 |
coming out of the | 6 |
on the eve of | 6 |
at which he was | 6 |
the comic man is | 6 |
a hundred years ago | 6 |
the duke of devonshire | 6 |
for him in the | 6 |
which i could not | 6 |
to be thankful for | 6 |
with a sort of | 6 |
as sir harry wildair | 6 |
he had not yet | 6 |
after the fashion of | 6 |
and in that way | 6 |
little theatre in the | 6 |
i do not understand | 6 |
made the acquaintance of | 6 |
lives of the late | 6 |
to come and see | 6 |
of the chambers street | 6 |
the proprietor of the | 6 |
has been said that | 6 |
i would have to | 6 |
it was the most | 6 |
in the scene of | 6 |
to the honour of | 6 |
was not long before | 6 |
connection with steele during | 6 |
i will give you | 6 |
during the dispute about | 6 |
too old to go | 6 |
in the same place | 6 |
i have a mind | 6 |
as much as you | 6 |
she was a woman | 6 |
to be a little | 6 |
i came to the | 6 |
th of the same | 6 |
in the nature of | 6 |
the most famous of | 6 |
in a former chapter | 6 |
and it is only | 6 |
the midst of the | 6 |
but as soon as | 6 |
there has been a | 6 |
for the stage and | 6 |
he used to say | 6 |
swiney and others in | 6 |
there was not even | 6 |
that there was nothing | 6 |
there are a few | 6 |
of the red flier | 6 |
that the stage was | 6 |
the night of his | 6 |
was owing to the | 6 |
the beginning of this | 6 |
three hours after marriage | 6 |
to listen to the | 6 |
one of the cleverest | 6 |
the whole body of | 6 |
is the matter with | 6 |
the reputation of the | 6 |
to have been an | 6 |
as well as he | 6 |
and went into the | 6 |
his visit to drury | 6 |
the fate of the | 6 |
in the annals of | 6 |
be able to tell | 6 |
more than a year | 6 |
to the edge of | 6 |
and the fact that | 6 |
i was able to | 6 |
in all the world | 6 |
between him and his | 6 |
this new edition of | 6 |
in order to get | 6 |
with a cry of | 6 |
i should say so | 6 |
one of his best | 6 |
was followed by the | 6 |
early part of the | 6 |
and in order to | 6 |
a rogue and vagabond | 6 |
has been replaced by | 6 |
that he would give | 6 |
one of the finest | 6 |
a great part of | 6 |
to make it a | 6 |
but to return to | 6 |
of the roscius anglicanus | 6 |
seems to me to | 6 |
in the heart of | 6 |
manager with swiney and | 6 |
to go on with | 6 |
of whom i have | 6 |
superior to that of | 6 |
he was forced to | 6 |
that there is no | 6 |
of the same nature | 6 |
there can be little | 6 |
looked at each other | 6 |
in such parts as | 6 |
all parts of the | 6 |
order that he might | 6 |
i am not a | 6 |
to have been at | 6 |
the beauty of the | 6 |
had come to the | 6 |
and he had a | 6 |
the minds of the | 6 |
in honour of the | 6 |
the use of the | 6 |
the merit of the | 6 |
a few years later | 6 |
was to be a | 6 |
prince and princess of | 6 |
had been accustomed to | 6 |
for the loss of | 6 |
typographical errors and punctuation | 6 |
season at drury lane | 6 |
the best of it | 6 |
the top of his | 6 |
it was some time | 6 |
up to this time | 6 |
on both sides of | 6 |
it will be no | 6 |
would have been better | 6 |
he had to play | 6 |
in the recruiting officer | 6 |
errors and punctuation errors | 6 |
kate looked at him | 6 |
the order of the | 6 |
seems to be a | 6 |
every now and then | 6 |
but he would not | 6 |
i am not going | 6 |
was called upon to | 6 |
had been in the | 6 |
am not going to | 6 |
at the other house | 6 |
would and she would | 6 |
account of his life | 6 |
the house of commons | 6 |
of it in the | 6 |
into the next room | 6 |
one of the two | 6 |
in which she played | 6 |
if i were to | 6 |
about half an hour | 6 |
a time when the | 6 |
to fill up the | 6 |
a day or two | 6 |
to the stage in | 6 |
the play was the | 6 |
and when he was | 6 |
and when the curtain | 6 |
he was a great | 6 |
came on the stage | 6 |
no reason to doubt | 6 |
went out of the | 6 |
his first appearance at | 6 |
in the guise of | 6 |
have been known to | 6 |
the man behind the | 6 |
king charles the second | 6 |
he made his exit | 6 |
if you do not | 6 |
on the stage are | 6 |
on the top of | 6 |
for a long while | 6 |
know what to do | 6 |
the sock and buskin | 6 |
you are the only | 6 |
to give him a | 6 |
i do not believe | 6 |
was not until she | 6 |
persons of the drama | 6 |
in all my life | 6 |
to think of him | 6 |
annals of the stage | 6 |
to make use of | 6 |
that i had been | 6 |
the head of them | 6 |
from the fact that | 6 |
do not seem to | 6 |
in the matter of | 6 |
it was at the | 6 |
was standing in the | 6 |
it may not be | 6 |
many and many a | 6 |
the case of the | 6 |
the play was a | 6 |
is in the counting | 6 |
there is not much | 6 |
the scene with the | 6 |
the stage from to | 6 |
the midst of a | 6 |
a long time to | 6 |
of the late famous | 6 |
so much of the | 6 |
a new theatre in | 6 |
and was buried in | 6 |
with the air of | 6 |
original etchings by r | 6 |
he did not care | 6 |
the inns of court | 6 |
it was a most | 6 |
to listen to his | 6 |
the heads of the | 6 |
do not think he | 6 |
of the house and | 6 |
foot of the bed | 6 |
on one side of | 6 |
for many a day | 6 |
should be able to | 6 |
quarters of an hour | 6 |
a play called the | 6 |
but one of the | 6 |
it must not be | 6 |
the form of a | 6 |
the legs of the | 6 |
not been able to | 6 |
a corner of the | 6 |
a man of genius | 6 |
it might not be | 6 |
of the members of | 6 |
took advantage of the | 6 |
of two or three | 6 |
in a manner that | 6 |
the following account of | 6 |
eight years of age | 6 |
obvious typographical errors and | 6 |
the rest of us | 6 |
the soul of a | 6 |
you will not be | 6 |
with the addition of | 6 |
towards the close of | 6 |
one of the company | 6 |
taken into good society | 6 |
to go into charles | 6 |
the contemporary design by | 6 |
so it came about | 6 |
to laugh at the | 6 |
may be found in | 6 |
taming of the shrew | 6 |
she raised her eyes | 6 |
the stage is not | 6 |
oe ligature has been | 6 |
it is a pleasure | 6 |
the strength of the | 6 |
go into charles i | 6 |
a new york theatre | 6 |
in the hopes of | 6 |
to the extent of | 6 |
and he was not | 6 |
was not likely to | 6 |
the profession of acting | 6 |
i could not see | 6 |
about the beginning of | 6 |
and i said to | 6 |
on the stage at | 6 |
children of the revels | 6 |
was present at the | 6 |
the last time on | 6 |
but she did not | 6 |
dramatized in the ludus | 6 |
the vicar of wakefield | 6 |
his edition of the | 6 |
and he did not | 6 |
the first time the | 6 |
it was a man | 6 |
cannot be said to | 6 |
let me give you | 6 |
ligature has been replaced | 6 |
i will venture to | 6 |
on the same day | 6 |
his heirs and assigns | 6 |
with swiney and others | 6 |
claiming to become a | 6 |
in connection with the | 6 |
a glimpse of the | 6 |
it seemed to be | 6 |
the preface to the | 6 |
first appearance as an | 6 |
the next day i | 6 |
at last it was | 6 |
to one of his | 6 |
at the opera house | 6 |
a shout of laughter | 6 |
it is true that | 6 |
in the grecian daughter | 6 |
the oe ligature has | 6 |
said to be a | 6 |
why may i not | 6 |
can be little doubt | 6 |
and it was with | 6 |
to be made a | 5 |
the reason for this | 5 |
the year of his | 5 |
so that she might | 5 |
there was a great | 5 |
might not be so | 5 |
in the selection of | 5 |
brief supplement to colley | 5 |
the success of a | 5 |
there was nothing for | 5 |
from the success of | 5 |
was too much for | 5 |
if they had been | 5 |
and the other on | 5 |
to be in his | 5 |
and i had to | 5 |
not to be described | 5 |
she had been a | 5 |
as soon as they | 5 |
in the production of | 5 |
in the last scene | 5 |
he told me i | 5 |
her first appearance in | 5 |
from the pen of | 5 |
he and his wife | 5 |
one of the chief | 5 |
north london collegiate school | 5 |
it is probable that | 5 |
of the fifth avenue | 5 |
i had to be | 5 |
of the time when | 5 |
i am sure that | 5 |
will give you a | 5 |
in love with the | 5 |
to the level of | 5 |
the audience would not | 5 |
he turned to the | 5 |
the corner of a | 5 |
i was a boy | 5 |
the first man who | 5 |
my young and handsome | 5 |
the burning of the | 5 |
of the theatre in | 5 |
i was born in | 5 |
to say the least | 5 |
center of the stage | 5 |
should like to see | 5 |
wore the uniform of | 5 |
it was he who | 5 |
could not repress a | 5 |
the occasion of his | 5 |
the bosom of his | 5 |
a night or two | 5 |
there was such a | 5 |
king and no king | 5 |
of the inns of | 5 |
to say a word | 5 |
and so it came | 5 |
the destruction of the | 5 |
was the case of | 5 |
to me that i | 5 |
of the line of | 5 |
for the convenience of | 5 |
an account of the | 5 |
the part of hamlet | 5 |
patentees of drury lane | 5 |
i did not think | 5 |
the emperor of the | 5 |
the work of a | 5 |
in one or two | 5 |
had from time to | 5 |
at the very moment | 5 |
in the first instance | 5 |
felt that he was | 5 |
he was supposed to | 5 |
i think i shall | 5 |
is by no means | 5 |
there are not many | 5 |
end of the room | 5 |
ought to be a | 5 |
he told me he | 5 |
the assistance of the | 5 |
life was one of | 5 |
on the new york | 5 |
not too much to | 5 |
and all the time | 5 |
the song of the | 5 |
which was followed by | 5 |
in his manner of | 5 |
he has never been | 5 |
there was no more | 5 |
look at me there | 5 |
as much as he | 5 |
was supposed to have | 5 |
in this way the | 5 |
she was able to | 5 |
at the new amsterdam | 5 |
i thought it was | 5 |
to make the best | 5 |
he was glad to | 5 |
the work of the | 5 |
in spite of a | 5 |
and there is no | 5 |
he was not so | 5 |
and much to my | 5 |
one of the plays | 5 |
we come to the | 5 |
large sum of money | 5 |
she returned to the | 5 |
i have heard that | 5 |
there is also a | 5 |
with reference to the | 5 |
went back to the | 5 |
reign of charles i | 5 |
to break up the | 5 |
he was trying to | 5 |
the back of his | 5 |
had no one to | 5 |
i never saw a | 5 |
but i do know | 5 |
of actors and actresses | 5 |
the stage at the | 5 |
was more than a | 5 |
in time for the | 5 |
the duke of clarence | 5 |
that the play was | 5 |
his back to the | 5 |
the aid of the | 5 |
the receipts of the | 5 |
to which we have | 5 |
able to make a | 5 |
this part of the | 5 |
have been in the | 5 |
as i have already | 5 |
in some of his | 5 |
it seems to have | 5 |
that he was to | 5 |
she was a little | 5 |
the whole of his | 5 |
he was cast for | 5 |
ladies of the company | 5 |
they could not be | 5 |
to put on the | 5 |
i am not certain | 5 |
to one of those | 5 |
at the present time | 5 |
if it were possible | 5 |
to be told that | 5 |
he had never been | 5 |
was said to have | 5 |
in the rear of | 5 |
to enable them to | 5 |
he was in the | 5 |
wanted to speak to | 5 |
was a part of | 5 |
was nothing to do | 5 |
anything to do with | 5 |
half of the seventeenth | 5 |
of the scottish stage | 5 |
of the women who | 5 |
if you only knew | 5 |
as we think of | 5 |
the agent in advance | 5 |
which he could not | 5 |
was out of the | 5 |
found at the end | 5 |
me by the hand | 5 |
she was on the | 5 |
all along the line | 5 |
a cross between a | 5 |
if i were a | 5 |
scene of the play | 5 |
the handle of the | 5 |
to the part of | 5 |
is to be seen | 5 |
of a broken heart | 5 |
and in the end | 5 |
in the theatrical profession | 5 |
and the countess of | 5 |
come down to the | 5 |
her first appearance on | 5 |
the very middle of | 5 |
in a little time | 5 |
down to the ground | 5 |
in new york and | 5 |
love with each other | 5 |
in the provoked wife | 5 |
jonson was an unsuccessful | 5 |
the place of her | 5 |
the north london collegiate | 5 |
a patron of the | 5 |
to me that the | 5 |
i will tell you | 5 |
nearly a quarter of | 5 |
he would have done | 5 |
played on the th | 5 |
keep off the grass | 5 |
is a pleasure to | 5 |
the author of which | 5 |
be able to go | 5 |
his heirs or assigns | 5 |
was some time before | 5 |
was followed by a | 5 |
this is a very | 5 |
in mizzoura one of | 5 |
and i was not | 5 |
his comedy of the | 5 |
in a fit of | 5 |
be seen in the | 5 |
two or three times | 5 |
before the end of | 5 |
not help thinking that | 5 |
part of the season | 5 |
him to be a | 5 |
are apt to be | 5 |
not seem to be | 5 |
the king and court | 5 |
as soon as she | 5 |
lend me five shillings | 5 |
on the strength of | 5 |
he would be able | 5 |
liberty of the stage | 5 |
and looked at me | 5 |
there was more of | 5 |
one from the other | 5 |
to get hold of | 5 |
the patentees of drury | 5 |
of brisco and spangler | 5 |
nothing to do but | 5 |
the late famous actors | 5 |
to get away from | 5 |
for the success of | 5 |
that of all the | 5 |
you wish me to | 5 |
of the day was | 5 |
that would have been | 5 |
up in her mind | 5 |
historical view of the | 5 |
i was at the | 5 |
in the same season | 5 |
for him to come | 5 |
to the study of | 5 |
to be associated with | 5 |
i have reason to | 5 |
to speak to her | 5 |
and now let us | 5 |
of a man in | 5 |
with a view to | 5 |
i have been told | 5 |
have it out with | 5 |
i was a little | 5 |
let me tell you | 5 |
to give it to | 5 |
all over the house | 5 |
him that he would | 5 |
to the taste of | 5 |
of the reign of | 5 |
and after a few | 5 |
of the season was | 5 |
i am willing to | 5 |
something more than a | 5 |
behind the scenes and | 5 |
from the dying or | 5 |
yet it is not | 5 |
a keen sense of | 5 |
a large sum of | 5 |
in the bosom of | 5 |
remained on the stage | 5 |
the best of her | 5 |
you ought to be | 5 |
while the play was | 5 |
that i would not | 5 |
would have been an | 5 |
but i think i | 5 |
of what he was | 5 |
that there should be | 5 |
supplement to colley cibber | 5 |
of garrick and barry | 5 |
he is a most | 5 |
and that he would | 5 |
for the production of | 5 |
a gentleman who has | 5 |
do such a thing | 5 |
you going to give | 5 |
of the trees and | 5 |
how it came about | 5 |
the progress of the | 5 |
to which it is | 5 |
the authority of the | 5 |
made a great hit | 5 |
the women of the | 5 |
love in a tub | 5 |
then there was the | 5 |
in the early days | 5 |
to him in the | 5 |
will you let me | 5 |
when he heard that | 5 |
to go down to | 5 |
took her in his | 5 |
had been unable to | 5 |
at a loss to | 5 |
between the two women | 5 |
of london and westminster | 5 |
about one hundred and | 5 |
the effect of the | 5 |
could not refrain from | 5 |
the record of a | 5 |
desire to see the | 5 |
was never to be | 5 |
to induce her to | 5 |
but that was not | 5 |
all that could be | 5 |
an actor of the | 5 |
made his way to | 5 |
was that of the | 5 |
it will be all | 5 |
the description of the | 5 |
was to be done | 5 |
through the city streets | 5 |
in the construction of | 5 |
to go for a | 5 |
there was not the | 5 |
during the course of | 5 |
that it could not | 5 |
the back of a | 5 |
it as well as | 5 |
glad to see that | 5 |
he could not help | 5 |
in the hearts of | 5 |
of plays and players | 5 |
possession of the stage | 5 |
to make room for | 5 |
the profits of the | 5 |
the edges of the | 5 |
it was only the | 5 |
of the stage is | 5 |
to keep out of | 5 |
years i have been | 5 |
it is better to | 5 |
her on the stage | 5 |
back to the theatre | 5 |
an order from the | 5 |
in the suspicious husband | 5 |
it did not occur | 5 |
you want me to | 5 |
can hardly be said | 5 |
into the middle of | 5 |
i think he is | 5 |
he would not do | 5 |
in his peculiar line | 5 |
the mystery of the | 5 |
but at last the | 5 |
in she stoops to | 5 |
to the rest of | 5 |
master of his art | 5 |
one of the other | 5 |
in the pages of | 5 |
lord and lady townley | 5 |
the call of the | 5 |
is a copy of | 5 |
looked up at him | 5 |
his first appearance as | 5 |
did not hesitate to | 5 |
in the english language | 5 |
the shape of the | 5 |
ought to be in | 5 |
on the th november | 5 |
to the part he | 5 |
in her own way | 5 |
the life of me | 5 |
the red flier and | 5 |
i do not wish | 5 |
in the silent woman | 5 |
of human nature in | 5 |
if we are to | 5 |
with some degree of | 5 |
there ought to be | 5 |
of a man of | 5 |
the hearts of his | 5 |
proposed that they should | 5 |
the last day of | 5 |
at the chambers street | 5 |
i was compelled to | 5 |
acted at the theatre | 5 |
of the greatest actors | 5 |
as much as possible | 5 |
the thought of the | 5 |
he went to the | 5 |
i think it is | 5 |
the ground that he | 5 |
if he had any | 5 |
did not in the | 5 |
driven from the stage | 5 |
of mars and venus | 5 |
i do know that | 5 |
and he would have | 5 |
and i have often | 5 |
a little on the | 5 |
is going to be | 5 |
it was impossible for | 5 |
the first time on | 5 |
end of the third | 5 |
the performance of a | 5 |
the inhabitants of the | 5 |
state of the theatre | 5 |
what he had done | 5 |
that he has not | 5 |
that this was the | 5 |
did not occur to | 5 |
love makes a man | 5 |
there is not one | 5 |
and as it was | 5 |
year and a half | 5 |
for the expression of | 5 |
appearance on any stage | 5 |
when the curtain had | 5 |
he said as he | 5 |
did not like to | 5 |
the purpose of the | 5 |
saw that he was | 5 |
i was privileged to | 5 |
and it is in | 5 |
in the faces of | 5 |
do not think i | 5 |
as i looked at | 5 |
of the company were | 5 |
was not until the | 5 |
rest of the world | 5 |
for the honour of | 5 |
you know you are | 5 |
it is possible to | 5 |
famous actors and actresses | 5 |
i found it was | 5 |
he was a very | 5 |
would never be able | 5 |
of rip van winkle | 5 |
the very essence of | 5 |
hat from his head | 5 |
the very sight of | 5 |
his life of booth | 5 |
ought to be ashamed | 5 |
of the same month | 5 |
of the city of | 5 |
but it is no | 5 |
there was so much | 5 |
sense of what is | 5 |
the th day of | 5 |
and on one occasion | 5 |
to the theatre that | 5 |
that she would have | 5 |
his father and mother | 5 |
for the remainder of | 5 |
of the house was | 5 |
than those of the | 5 |
on an equality with | 5 |
so far as the | 5 |
had been on the | 5 |
the power of a | 5 |
you will see that | 5 |
for a moment and | 5 |
of wit and humour | 5 |
to go on as | 5 |
have no right to | 5 |
censured for his treatment | 5 |
the epilogue to the | 5 |
for a man to | 5 |
just in time to | 5 |
was at drury lane | 5 |
conversation then came to | 5 |
to make up for | 5 |
can be no doubt | 5 |
he told her that | 5 |
i used to be | 5 |
at the front of | 5 |
the king and queen | 5 |
in the county of | 5 |
me as you do | 5 |
it was owing to | 5 |
it was announced that | 5 |
to the best advantage | 5 |
was in love with | 5 |
at a loss for | 5 |
it was then that | 5 |
on the rear platform | 5 |
writing for the stage | 5 |
now and then in | 5 |
and i have heard | 5 |
act on the stage | 5 |
had the courage to | 5 |
and it will be | 5 |
his portrait of betterton | 5 |
a few moments after | 5 |
during the reign of | 5 |
to the theatre with | 5 |
this was in the | 5 |
i knew i was | 5 |
to him for the | 5 |
to appear on the | 5 |
did not wish to | 5 |
others of less note | 5 |
his love in a | 5 |
was thinking of the | 5 |
to appear at the | 5 |
it was hard to | 5 |
middle of the stage | 5 |
it was time for | 5 |
painting by sir godfrey | 5 |
in his younger days | 5 |
but i am afraid | 5 |
from the lord chamberlain | 5 |
a few minutes later | 5 |
manner in which the | 5 |
the reason of the | 5 |
the duke and duchess | 5 |
by the death of | 5 |
on the high gear | 5 |
in the city of | 5 |
i believe i have | 5 |
as i have been | 5 |
actor who wore the | 5 |
was sure to be | 5 |
the two little girls | 5 |
you on the stage | 5 |
that was the last | 5 |
and he began to | 5 |
the wit of the | 5 |
a certain amount of | 5 |
could not be more | 5 |
the fact that her | 5 |
he used to be | 5 |
to the place where | 5 |
of the stage of | 5 |
the majority of the | 5 |
the matter with me | 5 |
in the first scene | 5 |
when the act was | 5 |
at that moment a | 5 |
a round of applause | 5 |
a few years ago | 5 |
of man and wife | 5 |
the sound of his | 5 |
that we could not | 5 |
he told me to | 5 |
out of the car | 5 |
and i never saw | 5 |
she was thinking of | 5 |
the story of a | 5 |
might be as well | 5 |
no one has ever | 5 |
laid the foundations of | 5 |
i have had the | 5 |
the hearts of the | 5 |
early in the morning | 5 |
on a level with | 5 |
know what you are | 5 |
had the honour to | 5 |
is a sort of | 5 |
on the one hand | 5 |
was not the man | 5 |
the stage to the | 5 |
the charge of the | 5 |
was the end of | 5 |
it had always been | 5 |
you think of that | 5 |
may have been the | 5 |
to be known by | 5 |
and as soon as | 5 |
that there was not | 5 |
to speak of the | 5 |
but i want to | 5 |
and after a long | 5 |
ben jonson was an | 5 |
the ears of the | 5 |
the approbation of the | 5 |
of the elizabethan dramatists | 5 |
history of the drama | 5 |
mistress of the house | 5 |
in which all the | 5 |
a young man of | 5 |
from the earl of | 5 |
the force of the | 5 |
in one of those | 5 |
to the stage for | 5 |
at the winter garden | 5 |
had not been able | 5 |
in the latter part | 5 |
the trip to scarborough | 5 |
be able to make | 5 |
for a short time | 5 |
the representation of his | 5 |
the best that was | 5 |
the glory of the | 5 |
this way and that | 5 |
have been an actor | 5 |
as he did so | 5 |
last actor who wore | 5 |
what kind of a | 5 |
the line of the | 5 |
must be a very | 5 |
the works of the | 5 |
there was a little | 5 |
the conversation came to | 5 |
as she had been | 5 |
proved to be a | 5 |
as much as they | 5 |
was the delight of | 5 |
the captain of the | 5 |
i should not have | 5 |
a quarter of an | 5 |
much to say that | 5 |
full in the face | 5 |
it had not been | 5 |
was to play the | 5 |
from the eyes of | 5 |
of wilks and booth | 5 |
appeared at drury lane | 5 |
actors on the stage | 5 |