quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
early english books online	19
the end of the	15
the heads of the	15
a paraphrase on the	10
represented either as utf	8
paraphrase on the same	8
on the same ode	8
characters represented either as	8
he adviseth his friend	7
in respect of the	6
the habit of vertue	6
would you have me	6
for keying and markup	5
and coded from proquest	5
the fury of the	5
work described above is	5
english books online text	5
markup reviewed and edited	5
and markup reviewed and	5
even for commercial purposes	5
i text is available	5
notes for div a	5
owned by the institutions	5
the work described above	5
end of the first	5
text is available for	5
text can be copied	5
institutions providing financial support	5
encoded text transcribed from	5
to the terms of	5
assigned for keying and	5
tcp assigned for keying	5
the institutions providing financial	5
all without asking permission	5
of the work described	5
phase i text is	5
financial support to the	5
coded from proquest page	5
keyboarded and encoded edition	5
books online text creation	5
adviseth his friend to	5
images scanned from microfilm	5
encoded edition of the	5
this keyboarded and encoded	5
the true nature of	5
of the first book	5
the poems of horace	5
a banquet of essayes	5
from proquest page images	5
described above is co	5
iv tiff page images	5
this phase i text	5
by the institutions providing	5
text and markup reviewed	5
providing financial support to	5
online text creation partnership	5
according to the terms	5
support to the early	5
edition of the work	5
and encoded edition of	5
to the early english	5
keyed and coded from	5
the terms of creative	5
the text can be	5
is available for reuse	5
the early english books	5
terms of creative commons	5
assumptions that can be	4
the text encoding initiative	4
with level of the	4
request that due credit	4
of the process of	4
cambridge bibliography of english	4
of famous owens confectionary	4
gaps by user contributors	4
a number of works	4
a second or later	4
text was proofread for	4
transcription and basic encoding	4
processes should make clear	4
overall quality of tcp	4
tcp data is very	4
of creating the tcp	4
what kind of madness	4
p using tcp tei	4
of a work was	4
limit of instances per	4
the people of rome	4
be marked as illegible	4
assurance was then carried	4
to create accurately transcribed	4
we respectfully request that	4
of the texts have	4
to page images in	4
a limit of instances	4
into the public domain	4
have been looked at	4
new cambridge bibliography of	4
tcp is to encode	4
as opposed to critical	4
project was divided into	4
included and sometimes a	4
there are a number	4
is given to their	4
and linked to page	4
have been released into	4
looked at by a	4
and those which did	4
proquest via their early	4
or elements to simplify	4
simplify the filling in	4
to range over a	4
and therefore chose to	4
is to encode one	4
characters marked as illegible	4
the encoding was enhanced	4
of known extent have	4
by a tcp editor	4
to external keying companies	4
reflect the true nature	4
level of the tei	4
tei p using tcp	4
were returned to the	4
texts have been issued	4
their early english books	4
that in all likelihood	4
created during phase of	4
use these texts for	4
accordance with level of	4
illegible were corrected where	4
for an anonymous work	4
si mea laudas omnia	4
works in other languages	4
should bear in mind	4
and some readable characters	4
while the overall quality	4
project restraints of time	4
the tei in libraries	4
was based on the	4
on the text encoding	4
are available at the	4
were sent to external	4
range over a wide	4
any assumptions that can	4
available at the text	4
the project have been	4
which did not meet	4
notably latin and welsh	4
but we respectfully request	4
domain as of january	4
for transcription and basic	4
of the second book	4
on the new cambridge	4
of every monographic english	4
encoded texts based on	4
issued variously as sgml	4
the overall quality of	4
based on the image	4
divided into two phases	4
up at the table	4
text creation partnership web	4
the object of praise	4
some errors will remain	4
via their early english	4
the keyers to be	4
sup with me to	4
and the publisher proquest	4
carried out by editorial	4
can be made about	4
proofread for accuracy and	4
gap elements of known	4
ocm this keyboarded and	4
users should be aware	4
reason to do so	4
and attribution is given	4
corrected where possible up	4
qa standards were returned	4
guidelines are available at	4
released into the public	4
true nature of the	4
standards were returned to	4
texts for their own	4
of time and funding	4
keying and markup guidelines	4
in of gaps by	4
and or corrected and	4
project have been released	4
have been transformed into	4
to reflect the true	4
for accuracy and those	4
now take and use	4
to their original source	4
fetcht out of famous	4
the table of mecoenas	4
accuracy and those which	4
was then carried out	4
not meet qa standards	4
errors will remain and	4
although there are a	4
the universities of michigan	4
will remain and some	4
creation partnership web site	4
the print record of	4
public domain as of	4
was proofread for accuracy	4
by editorial teams in	4
a wide variety of	4
language title published between	4
then carried out by	4
was enhanced and or	4
the text creation partnership	4
between and available in	4
quantities of textual data	4
on the image sets	4
filling in of gaps	4
of any assumptions that	4
mnemonic sdata character entities	4
to be thought a	4
were encoded as gap	4
created by converting tcp	4
as well as i	4
there was a compelling	4
tcp is a partnership	4
likelihood such instances will	4
sets published by proquest	4
restraints of time and	4
have been issued variously	4
a work was chosen	4
and therefore of any	4
transformed into placeholder characters	4
whichever is the greater	4
bibliography of english literature	4
sets were sent to	4
the general aim of	4
keyers to be redone	4
respectfully request that due	4
oxford and the publisher	4
of gaps by user	4
been transformed into placeholder	4
and markup guidelines are	4
and use these texts	4
of works in other	4
or tei g elements	4
can now take and	4
of the project have	4
in the midst of	4
number of works in	4
works in english were	4
textual data within the	4
unicode or text strings	4
proquest to create accurately	4
edition of a work	4
michigan and oxford and	4
been looked at by	4
aimed to produce large	4
was a compelling reason	4
understanding these processes should	4
never have been looked	4
been released into the	4
of textual data within	4
meet qa standards were	4
image sets were sent	4
published between and available	4
and characters marked as	4
enhanced and or corrected	4
text strings within braces	4
credit and attribution is	4
create accurately transcribed and	4
where possible up to	4
or corrected and characters	4
encoded and linked to	4
if there was a	4
some readable characters will	4
encoding based on the	4
of a works in	4
keying companies for transcription	4
the process of creating	4
creating the tcp texts	4
chosen if there was	4
any remaining illegibles were	4
of each text was	4
within the usual project	4
usual project restraints of	4
selection was based on	4
and sometimes a second	4
the usual project restraints	4
text selection was based	4
and oxford and the	4
between the universities of	4
copies of the texts	4
take and use these	4
based on the text	4
print record of the	4
of the tei in	4
of the print record	4
out of famous owens	4
then their works are	4
published by proquest via	4
encoded as gap s	4
will be marked as	4
over a wide variety	4
markup guidelines are available	4
texts were encoded and	4
the goods of the	4
with changes to facilitate	4
corrected and characters marked	4
are eligible for inclusion	4
to tei p using	4
tcp files to tei	4
record of the period	4
what shall i do	4
text with mnemonic sdata	4
were encoded and linked	4
a compelling reason to	4
usually the first edition	4
the publisher proquest to	4
placeholder characters or elements	4
out by editorial teams	4
unicode or tei g	4
work was chosen if	4
teams in oxford and	4
therefore chose to create	4
r ocm this keyboarded	4
was intended to range	4
instances will never have	4
in english were prioritized	4
the image sets published	4
during phase of the	4
images in accordance with	4
you have me do	4
was divided into two	4
characters will be marked	4
editorial teams in oxford	4
to a limit of	4
second or later edition	4
given to their original	4
did not meet qa	4
texts based on the	4
in accordance with level	4
extent have been transformed	4
data within the usual	4
tcp aimed to produce	4
in all likelihood such	4
his friend to live	4
variety of subject areas	4
by converting tcp files	4
illegibles were encoded as	4
general aim of eebo	4
users should bear in	4
are a number of	4
texts created during phase	4
remain and some readable	4
first editions of a	4
tcp project was divided	4
each text was proofread	4
files to tei p	4
should be aware of	4
partnership between the universities	4
the filling in of	4
a world of pain	4
the public domain as	4
or text strings within	4
that due credit and	4
these processes should make	4
been issued variously as	4
readable characters will be	4
in oxford and michigan	4
without the help of	4
elements of known extent	4
anyone can now take	4
a works in english	4
to create diplomatic transcriptions	4
publisher proquest to create	4
to produce large quantities	4
intended to range over	4
quality of tcp data	4
structural encoding based on	4
and encoded texts based	4
the texts have been	4
accurately transcribed and encoded	4
that can be made	4
mainly structural encoding based	4
mind that in all	4
a partnership between the	4
sent to external keying	4
should make clear that	4
at the text creation	4
companies for transcription and	4
returned to the keyers	4
be made about the	4
characters or elements to	4
wide variety of subject	4
for their own purposes	4
transcribed and encoded texts	4
editions of a works	4
large quantities of textual	4
all likelihood such instances	4
chose to create diplomatic	4
estc r ocm this	4
quality assurance was then	4
by university of nebraska	4
to encode one copy	4
ascii text with mnemonic	4
into placeholder characters or	4
tei in libraries guidelines	4
their works are eligible	4
bear in mind that	4
is not enough to	4
works are eligible for	4
marked as illegible were	4
was chosen if there	4
title published between and	4
be aware of the	4
the new cambridge bibliography	4
is a partnership between	4
of instances per text	4
made about the data	4
encoding was enhanced and	4
known extent have been	4
those which did not	4
aware of the process	4
elements to simplify the	4
converting tcp files to	4
such instances will never	4
to simplify the filling	4
these texts for their	4
sometimes a second or	4
produce large quantities of	4
with mnemonic sdata character	4
later edition of a	4
process of creating the	4
up to a limit	4
of michigan and oxford	4
the first book of	4
by proquest via their	4
of tcp data is	4
linked to page images	4
possible up to a	4
phase of the project	4
nature of the print	4
compelling reason to do	4
image sets published by	4
the texts were encoded	4
page images in accordance	4
as illegible were corrected	4
and available in eebo	4
friend to live merrily	4
to the keyers to	4
based on the new	4
remaining illegibles were encoded	4
attribution is given to	4
in mind that in	4
or for an anonymous	4
selection was intended to	4
therefore of any assumptions	4
changes to facilitate morpho	4
i know not what	4
at by a tcp	4
or later edition of	4
data is very good	4
will never have been	4
end of the second	4
were corrected where possible	4
opposed to critical editions	4
at the table of	4
external keying companies for	4
due credit and attribution	4
universities of michigan and	4
what would you have	4
processed by university of	4
the help of art	3
from the original text	3
be thought a god	3
honourable the earl of	3
several places of horace	3
reproduction of original in	3
yet after all this	3
the gods have heard	3
that he did not	3
taught me how to	3
by the help of	3
english verse by several	3
heads of the second	3
text notes for div	3
by sea and land	3
in these glasses the	3
if you would have	3
that came to view	3
be the object of	3
translated from the greek	3
a man may be	3
laid up in store	3
the goods of fortune	3
to make a god	3
the gods have given	3
now in the press	3
i must be gone	3
the original text notes	3
wing h estc r	3
an hundred years ago	3
if i can i	3
translated into english by	3
the art of poetry	3
english by the right	3
is the height of	3
is worthy of praise	3
the right honourable the	3
by the name of	3
as much as he	3
and epistles of horace	3
i have not the	3
doth strike at all	3
what should i do	3
taught them how to	3
a slave made free	3
rendred in english verse	3
and i am sure	3
what we ought to	3
to several places of	3
right honourable the earl	3
say that you are	3
in the mean time	3
so dear a friend	3
a discourse of poetry	3
heads of the first	3
in vain shalt thou	3
made english by the	3
and which is better	3
the eye of his	3
but he that hath	3
aptara keyed and coded	3
a wing h estc	3
he that would have	3
a man to be	3
h estc r ocm	3
i wish to know	3
he that bids thee	3
to the people of	3
verse by several persons	3
printed for jacob tonson	3
with me to night	3
in the sight of	3
the earl of roscommon	3
to speak a word	3
for a man to	3
original text notes for	3
newly translated from the	3
what is just and	3
makes a man blessed	3
in english verse by	3
which of the two	3
the true object of	3
when thou art gone	3
all the wine he	2
and live content with	2
difference is it whether	2
me to my former	2
and epistles rendred in	2
to set me free	2
son of the freed	2
allusions to several places	2
at such a sight	2
the glory of their	2
table of mecoenas by	2
then thou shalt sing	2
country before the city	2
that would not have	2
free from all the	2
those that call thee	2
what end the gods	2
once to be wild	2
to write as well	2
the cause of the	2
with an unerring bow	2
mecoenas by henry harflete	2
and rome is too	2
estate which he had	2
of the original in	2
may comprehend them soon	2
xxv select allusions to	2
to defend than mend	2
of the use of	2
of all things hate	2
the words of the	2
and the base drudgery	2
out of his wits	2
that would have his	2
is given to a	2
and so great a	2
the inner temple gate	2
how do you like	2
goodwin at the maiden	2
better of the two	2
with the eye of	2
no more than i	2
a description of his	2
as a grave matron	2
to please the wanton	2
striving to be short	2
and land him on	2
for the common good	2
use to think on	2
the country before the	2
i dare be bold	2
the master of the	2
and swoln with hate	2
the son of a	2
the course of life	2
smiles of a designing	2
as much as heaven	2
to please the great	2
ready to engage in	2
to engage in another	2
from morn till night	2
word too faithfully translate	2
to this and that	2
which of these two	2
you would call me	2
when he is out	2
if these are goods	2
was heretofore a credit	2
as i am now	2
gold loves to break	2
the reader or hearer	2
to apollo and diana	2
the thieves and birds	2
of mecoenas by henry	2
let him that has	2
whose object must be	2
is all in vain	2
how great a vertue	2
that good which is	2
at rome i tyber	2
a nurse for her	2
and what a port	2
was wont to say	2
as who should say	2
as if he were	2
pleasures of a country	2
no more i crave	2
such and such a	2
tost up and down	2
one that has a	2
the son of the	2
the life of horace	2
venus guide thy sails	2
to run a race	2
take a world of	2
more strong than brass	2
i have often done	2
the winds will roar	2
arrival of the spring	2
the splendour of his	2
word for word too	2
his pious hand shall	2
and the noise of	2
of the holy ghost	2
by the right honourable	2
but if a friend	2
to take the air	2
all the spices of	2
is just and good	2
heads of the fifth	2
are to be sold	2
to fall in love	2
and justle all you	2
justle all you meet	2
useless piece of wood	2
i can i will	2
nor lives he ill	2
on the wings of	2
if you desire to	2
when shall i see	2
his friend julius florus	2
at the sign of	2
was i that first	2
or else makes verses	2
who is there that	2
to grace thy head	2
thy mind from fear	2
temple of the holy	2
for word too faithfully	2
a piece out of	2
the noble and the	2
inventions of my own	2
if i may so	2
he would be at	2
in another civil war	2
of all my friends	2
back into the main	2
i go to church	2
goods of the minde	2
you are not invited	2
poems of horace consisting	2
of my woods and	2
doth he design to	2
dare to be wise	2
what face of death	2
he leads in chains	2
what part of the	2
at last on him	2
and dost thou think	2
vindicate the title of	2
are now in the	2
the argument of the	2
is enough to say	2
all the rest is	2
once on a time	2
a friend of mine	2
and turn me to	2
what do i then	2
wanting to my self	2
it is not the	2
would be thought to	2
in love with a	2
unless the captive youth	2
less than what we	2
but to my self	2
of poetry made english	2
and sold by r	2
is hard to be	2
hath been often told	2
changes every hour his	2
must not draw her	2
when they have made	2
see him with his	2
as well as to	2
and knew not how	2
and this i think	2
as if he had	2
he that desires his	2
or pleader at the	2
the seas are rough	2
to his friend julius	2
that which he had	2
a bitter rogue to	2
then if he should	2
almost as high as	2
is the life of	2
from his own mouth	2
kind of madness i	2
with every tide and	2
be content with that	2
of right to be	2
stars from seats above	2
till words and names	2
can raise a man	2
he lives well that	2
to gain true happiness	2
he may be known	2
get vast heaps of	2
content my self with	2
which did seem to	2
from whence i came	2
and winds are high	2
my former life again	2
with his own hand	2
decently and in order	2
as large as my	2
i would not change	2
sign of the temple	2
have the greatest share	2
say he is a	2
be the objects of	2
a welcome to his	2
i have been away	2
as big as i	2
what did he do	2
big as i am	2
if i say i	2
is a kinde of	2
i may very well	2
me from my self	2
is out of his	2
when you are not	2
the just disposer of	2
shall i that can	2
the rest of his	2
but when two cowards	2
too weighty for my	2
more than what is	2
but those that call	2
horace done into english	2
the best of all	2
to many countrys went	2
to think on when	2
what makes it then	2
it must have a	2
men keep no mean	2
that was all my	2
to my former life	2
my woods and pleasant	2
as much as if	2
then if it be	2
the party of the	2
thing in them that	2
is more then thine	2
first book of satyrs	2
when he makes a	2
that he who is	2
as he did pass	2
the figure of a	2
he resolves to be	2
pleader at the bar	2
how much he left	2
and the rest which	2
and when they would	2
underneath a myrtle shade	2
reproduction of the original	2
of original in huntington	2
eagerly rush on to	2
of the freed man	2
stole me from my	2
that there is no	2
in the chariot of	2
with his own condition	2
shadow doth the body	2
earth on her own	2
and wanton in the	2
rome i tyber love	2
love a miss that	2
i would not have	2
next day was a	2
and this is one	2
the next day was	2
and are to be	2
the force of fate	2
me if i do	2
trojan dust severely gay	2
the persian and the	2
as mad as he	2
whether it be in	2
sprung from royal blood	2
great preferment of the	2
should not offend his	2
to commend my self	2
than what we see	2
printed for peter buck	2
but the sad cypress	2
with the little boys	2
were covetous of nought	2
thousand foot in length	2
which may not be	2
would feed on guts	2
the arrival of the	2
time and care have	2
they are loth to	2
this way of writing	2
horace consisting of odes	2
description of an impertinent	2
a description of a	2
by which they may	2
of horace consisting of	2
that which before thou	2
not half so good	2
the best of the	2
which is against the	2
if it be too	2
i of all things	2
should i by chance	2
if what i have	2
is it else but	2
fates would spare me	2
and bark about the	2
to the very much	2
when he is too	2
as one that must	2
to my self the	2
i written by mr	2
he that hopes to	2
i was the first	2
have just occasion to	2
the history of the	2
in the first place	2
i thank my stars	2
as bad as those	2
that which should be	2
i live in town	2
lest it run into	2
bark about the room	2
or he that bids	2
he is out of	2
rears his fruitful head	2
think that thou art	2
and follies of the	2
gray before my time	2
we drink him dry	2
to church and pray	2
a most unsettled fellow	2
the men of skill	2
inner temple gate in	2
me if you can	2
his father bred him	2
but because he doth	2
much esteemed john dryden	2
kickt out of door	2
just disposer of the	2
shade on flowry banks	2
and that was all	2
art of poetry made	2
think on when alone	2
to bear with the	2
the glory of our	2
as high as you	2
to buy the dearest	2
with too much patience	2
and ought to be	2
in all things else	2
is worth your while	2
the glory of thy	2
not such as natta	2
and wander thro the	2
buy the dearest fish	2
lot must take his	2
the earth on her	2
bear with the weaknesse	2
yet so as to	2
as long as life	2
the other in the	2
much as he that	2
too weak to bear	2
and great in charms	2
the spices of the	2
pious hand shall never	2
as fixt as fate	2
me sleep and ease	2
to draw a shipwrack	2
the soft delights of	2
and of the use	2
expence of honesty and	2
every tide and wind	2
and that which is	2
a man that hath	2
he adviseth his friends	2
to what end is	2
how to use the	2
i did not say	2
knew not how to	2
the praise of the	2
poetry made english by	2
and in a small	2
i do not like	2
to his dear friend	2
i am free from	2
what difference is it	2
and served up at	2
no more then i	2
the judgement of the	2
a man of great	2
you would be at	2
that thou art mad	2
not make a man	2
i use to think	2
a thousand foot in	2
a just man in	2
business of the day	2
and when he finds	2
of horace done into	2
thee back into the	2
out of the common	2
whom he exhorteth to	2
doth all things move	2
darling of the gods	2
deaf to all remorse	2
me mad in fashion	2
me of my pain	2
sarmentus was a slave	2
i must be mad	2
if fates would spare	2
loves to break through	2
all the soft delights	2
be sold by joseph	2
and a world of	2
in one hours time	2
a man upon the	2
of a noble stem	2
and free from fear	2
so good a man	2
to his friend lollius	2
what is it else	2
to be sold by	2
as the lawyers speak	2
me as a friend	2
dunstans church in fleetstreet	2
how to behave himself	2
and for the same	2
of the third book	2
the sum of all	2
secure and free from	2
the pleasures of the	2
he has a mind	2
those that would not	2
that call thee so	2
you know your self	2
i have lost my	2
with that which he	2
fond mother for her	2
and kings delight to	2
love hinders him from	2
may and ought to	2
for i wish to	2
the smiles of a	2
to save his life	2
and i must be	2
of gold and silver	2
make all the haste	2
shall force him out	2
near the inner temple	2
part i written by	2
from east to west	2
not as mad as	2
which is given to	2
turn me to my	2
as we see others	2
that is to say	2
fall into a pit	2
that you would be	2
of such a father	2
strives in vain to	2
and when i do	2
great part of thy	2
rome is too indulgent	2
much as if i	2
him as he was	2
select allusions to several	2
make that thy business	2
such things as these	2
of god and man	2
when i am dead	2
he invites mecaenas to	2
myrtle shade on flowry	2
the sight of the	2
eat their easy way	2
the things of the	2
from my self away	2
kings delight to hear	2
he that hath once	2
of all these things	2
stem the highest tide	2
to spend the day	2
an enemy to himself	2
reads and understands not	2
i am a king	2
the same by sir	2
for one or two	2
these lascivious pamphlets and	2
was heretofore a common	2
than i my self	2
you think is best	2
epistles rendred in english	2
tho none with equal	2
a pot of gold	2
by the gods i	2
t is hard to	2
to the tunes he	2
ask him how he	2
and all the soft	2
of all the trees	2
to make them their	2
quarrel in their drink	2
his weeping friends he	2
he hears no more	2
knows not how to	2
land him on the	2
but now to tell	2
to lay his thunder	2
that he should live	2
take as many as	2
is full as mad	2
in the balance of	2
and pure from sin	2
and then he will	2
what could a nurse	2
pimples of his friend	2
of the fourth satyr	2
and such a one	2
and ask no more	2
and of a noble	2
teach them how to	2
must take his turn	2
a defence of his	2
the business of the	2
if he were a	2
and all the world	2
the people hiss me	2
are you my master	2
spare me at last	2
into the praises of	2
another discourse of poetry	2
the turns of fate	2
have a care of	2
the use of things	2
i have hung up	2
i fall short of	2
engage in another civil	2
bully of the town	2
or imitate the hair	2
go to church and	2
who then is free	2
and eager to enjoy	2
and what is good	2
may improve the common	2
she will be kind	2
of the fifth satyr	2
must have a guide	2
of a designing knave	2
not thy wealth thy	2
hope to write as	2
not half the heat	2
end of the third	2
heads of the third	2
the original in the	2
to sup with me	2
defend than mend your	2
that he would not	2
all this i use	2
this i use to	2
tranquillity of the minde	2
can make a man	2
i love a miss	2
what have i done	2
is one of those	2
tell you what you	2
what shall i go	2
the very much esteemed	2
by nature fitted to	2
from their tender age	2
was the object of	2
to the roman state	2
to patch up his	2
enough to make a	2
could a nurse for	2
which i of all	2
with the weaknesse of	2
and be a tribune	2
of the third satyr	2
too late thou shalt	2
in mars his field	2
not offend his friend	2
unless we drink him	2
which is full as	2
on flowry banks supinely	2
to make use of	2
be thought to be	2
then say he is	2
how his father bred	2
part of thy disease	2
or read a while	2
he should be thought	2
is a great vice	2
but patience makes that	2
some for their good	2
end of the epodes	2
when i light on	2
that great preferment of	2
to whom will iove	2
and teach the laws	2
the troubles of a	2
he hath spent his	2
mind and body too	2
to try to make	2
very much esteemed john	2
the printers presse is	2
as well as he	2
there are that love	2
the love of all	2
this is one of	2
the slave in two	2
is enough for me	2
art thou in thy	2
he that does a	2
the choice delight of	2
the temple of the	2
of the eighth satyr	2
which before thou didst	2
the courts of kings	2
by striving to be	2
of greater charms than	2
the wise and good	2
that you are still	2
thou must forgoe thy	2
spreads the fields with	2
than what is fit	2
the praises of augustus	2
the use of poetry	2
of honesty and innocence	2
to prick him forward	2
a description of an	2
to the left hand	2
of the first satyr	2
nor let the medes	2
stand was heretofore a	2
then says mine host	2
was a just man	2
as great a fault	2
as i have often	2
true object of praise	2
which he had got	2
may the gods be	2
all the trouble of	2
more covetous than you	2
flowry banks supinely laid	2
a comedy by mr	2
that which is blessed	2
and sold by tim	2
original in huntington library	2
presse is like unto	2
horses ears are in	2
merione in trojan dust	2
goods of the body	2
a man politically blessed	2
up to the chin	2
be the true object	2
to spend thy time	2
was the first that	2
printed for henry herringman	2
in what part of	2
the second book of	2
it else but to	2
and smile to see	2
a glass of wine	2
epistles of horace done	2
if you would call	2
the passions of the	2
because he doth nihil	2
a greater lord of	2
what dost thou think	2
cotes for henry brome	2
that the habit of	2
my self to you	2
printers presse is like	2
and why this caution	2
in his old age	2
with the same disease	2
or is he new	2
he invites him to	2
served up at the	2
such a one is	2
you would have me	2
the title of a	2
death with equal hand	2
man of great estate	2
and i have done	2
is like unto a	2
in trojan dust severely	2
what does he say	2
half so much as	2
of the second satyr	2
the sign of the	2
like sick mens dreams	2
content with that which	2
i hate to be	2
all the rogues and	2