This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
the door of the | 72 |
penny and her father | 54 |
the edge of the | 53 |
in front of the | 49 |
the end of the | 46 |
get out of here | 43 |
for a few minutes | 40 |
the rear of the | 40 |
the bottom of the | 39 |
i want you to | 37 |
may be able to | 36 |
it must have been | 35 |
not far from the | 34 |
one of the men | 34 |
to do with it | 33 |
the direction of the | 33 |
the side of the | 33 |
for the first time | 31 |
to get out of | 31 |
what do you think | 30 |
as if she were | 30 |
a few minutes later | 30 |
the cry at midnight | 30 |
at the end of | 30 |
at the same time | 29 |
out of the car | 28 |
a few minutes ago | 28 |
the back of the | 28 |
in a few minutes | 27 |
i wish i could | 27 |
as soon as i | 27 |
might be able to | 26 |
what do you mean | 26 |
we may as well | 25 |
from the direction of | 25 |
the little french girl | 24 |
how did you get | 24 |
penny shook her head | 24 |
the rest of the | 24 |
voice from the cave | 24 |
if you want to | 24 |
at the edge of | 24 |
the far end of | 24 |
to the star office | 23 |
to one of the | 23 |
of the riverview star | 23 |
i wish you would | 23 |
a minute or two | 22 |
nothing to do with | 22 |
to get rid of | 22 |
in one of the | 22 |
but there was no | 22 |
anything to do with | 21 |
the mystery of the | 21 |
far end of the | 21 |
was not to be | 21 |
the front of the | 21 |
the man who had | 21 |
the top of the | 21 |
there was no sign | 21 |
came out of the | 21 |
the entrance to the | 20 |
behind the green door | 20 |
the clock strikes thirteen | 20 |
what do you want | 20 |
go back to the | 20 |
of the witch doll | 20 |
the old wishing well | 20 |
and i want to | 20 |
on the other side | 20 |
over to the police | 20 |
just as soon as | 20 |
of the silken ladder | 20 |
at the rear of | 19 |
as soon as the | 19 |
was no sign of | 19 |
mary louise and jane | 19 |
sat down on the | 19 |
front of the house | 19 |
are you going to | 19 |
the center of the | 19 |
tale of the witch | 19 |
for the time being | 19 |
at the far end | 19 |
by the time she | 18 |
danger at the drawbridge | 18 |
for a moment she | 18 |
out of the house | 18 |
in a low tone | 18 |
at this time of | 18 |
going to be a | 18 |
guilt of the brass | 18 |
it may have been | 18 |
of the brass thieves | 18 |
it looks as if | 18 |
if you ask me | 18 |
was nowhere to be | 18 |
clue of the silken | 18 |
i should like to | 18 |
would you like to | 18 |
to do with the | 18 |
but she could not | 18 |
had no intention of | 18 |
it was too late | 18 |
the name of the | 18 |
she returned to the | 17 |
saboteurs on the river | 17 |
only a few minutes | 17 |
at the side of | 17 |
to go to the | 17 |
signal in the dark | 17 |
company publishers new york | 17 |
hoofbeats on the turnpike | 17 |
up in front of | 17 |
by the name of | 17 |
at the star office | 17 |
ghost beyond the gate | 17 |
for a few days | 17 |
i wish we could | 17 |
in the dining room | 17 |
on the other hand | 16 |
her way to the | 16 |
it would be a | 16 |
if only i could | 16 |
the night of the | 16 |
the real estate man | 16 |
in the living room | 16 |
penny and louise were | 16 |
a quarter of a | 16 |
what are you doing | 16 |
a great deal of | 16 |
we may be able | 16 |
i want to get | 16 |
i have a hunch | 16 |
side of the road | 16 |
at one of the | 16 |
within view of the | 16 |
at the top of | 16 |
one of the best | 15 |
cupples and leon company | 15 |
the gate hoofbeats on | 15 |
new york penny parker | 15 |
it was only a | 15 |
island the cry at | 15 |
cloth illustrated tale of | 15 |
and leon company publishers | 15 |
clock strikes thirteen the | 15 |
you want me to | 15 |
the vanishing houseboat danger | 15 |
quarter of a mile | 15 |
houseboat danger at the | 15 |
in the dark whispering | 15 |
door clue of the | 15 |
dark whispering walls swamp | 15 |
there was no answer | 15 |
girls illustrated cupples and | 15 |
brass thieves signal in | 15 |
stories for girls illustrated | 15 |
beyond the gate hoofbeats | 15 |
thirteen the wishing well | 15 |
green door clue of | 15 |
mystery stories large mo | 15 |
thieves signal in the | 15 |
walls swamp island the | 15 |
strikes thirteen the wishing | 15 |
be able to get | 15 |
cupples and leon co | 15 |
parker mystery stories large | 15 |
what makes you think | 15 |
illustrated tale of the | 15 |
drawbridge behind the green | 15 |
on the river ghost | 15 |
for girls illustrated cupples | 15 |
witch doll the vanishing | 15 |
had nothing to do | 15 |
the green door clue | 15 |
the brass thieves signal | 15 |
author of mildred a | 15 |
the river ghost beyond | 15 |
wirt author of mildred | 15 |
from the cave guilt | 15 |
that it would be | 15 |
she could see the | 15 |
the wishing well saboteurs | 15 |
well saboteurs on the | 15 |
the dark whispering walls | 15 |
turnpike voice from the | 15 |
swamp island the cry | 15 |
the drawbridge behind the | 15 |
do you want to | 15 |
the turnpike voice from | 15 |
the secret pact the | 15 |
publishers new york penny | 15 |
on the turnpike voice | 15 |
to do is to | 15 |
pact the clock strikes | 15 |
their way to the | 15 |
the owner of the | 15 |
see what we can | 15 |
cave guilt of the | 15 |
penny parker mystery stories | 15 |
the silken ladder the | 15 |
secret pact the clock | 15 |
you may as well | 15 |
the witch doll the | 15 |
vanishing houseboat danger at | 15 |
mystery stories trailer stories | 15 |
stories trailer stories for | 15 |
silken ladder the secret | 15 |
river ghost beyond the | 15 |
trailer stories for girls | 15 |
the other side of | 15 |
wishing well saboteurs on | 15 |
ladder the secret pact | 15 |
the cave guilt of | 15 |
at the drawbridge behind | 15 |
hung up the receiver | 15 |
by cupples and leon | 15 |
gate hoofbeats on the | 15 |
illustrated cupples and leon | 15 |
leon company publishers new | 15 |
york penny parker mystery | 15 |
a member of the | 15 |
some distance from the | 15 |
wirt mystery stories trailer | 15 |
cry at midnight copyright | 15 |
whispering walls swamp island | 15 |
doll the vanishing houseboat | 15 |
put an end to | 15 |
whether or not to | 14 |
if i were you | 14 |
what will you do | 14 |
at the time of | 14 |
at the entrance to | 14 |
into the dining room | 14 |
open the car door | 14 |
to the door and | 14 |
tied up at the | 14 |
so far as i | 14 |
i thought i heard | 14 |
the thatched roof cottage | 14 |
in the direction of | 14 |
the identity of the | 14 |
her father and jerry | 14 |
i want to go | 14 |
on the verge of | 14 |
nowhere to be seen | 14 |
mystery of the fires | 14 |
are we going to | 14 |
i wish i knew | 14 |
to find out what | 14 |
she and louise had | 14 |
on one of the | 14 |
the foot of the | 14 |
a corner of the | 14 |
it seems to me | 14 |
something to do with | 14 |
a chance to get | 14 |
sprang to her feet | 14 |
she could not see | 14 |
but she did not | 13 |
have a chance to | 13 |
at the same instant | 13 |
other side of the | 13 |
louise shook her head | 13 |
to be able to | 13 |
the series by the | 13 |
in the opposite direction | 13 |
be with you in | 13 |
what are you going | 13 |
in the series by | 13 |
i may as well | 13 |
the way to the | 13 |
mary louise as she | 13 |
for a long while | 13 |
by the time penny | 13 |
that she could not | 13 |
get out of this | 13 |
just in time to | 13 |
as soon as he | 13 |
went back to the | 13 |
but he did not | 13 |
and the two girls | 13 |
replaced the list of | 13 |
occurred to her that | 13 |
series by the complete | 13 |
what became of the | 13 |
you want to know | 13 |
i want to see | 13 |
at the bottom of | 13 |
as in the final | 13 |
too far away to | 13 |
up and down the | 13 |
the other end of | 13 |
on the front porch | 13 |
the girls did not | 13 |
penny and louise had | 13 |
list of books in | 13 |
she went to the | 13 |
the remainder of the | 13 |
this time of night | 13 |
of books in the | 13 |
by the complete list | 13 |
that she had been | 13 |
books in the series | 13 |
within a few minutes | 13 |
the list of books | 13 |
the base of the | 13 |
other end of the | 13 |
i have an idea | 13 |
how would you like | 13 |
nearly all of the | 13 |
to the front door | 13 |
want to talk to | 13 |
in the final book | 13 |
could not hope to | 13 |
to the edge of | 13 |
in the first place | 13 |
in the center of | 12 |
could not see the | 12 |
as they approached the | 12 |
not in the least | 12 |
to take care of | 12 |
at the other end | 12 |
suppose you tell me | 12 |
what time is it | 12 |
get back to the | 12 |
opposite side of the | 12 |
went directly to the | 12 |
at the royal hotel | 12 |
that he had been | 12 |
the lady in black | 12 |
mary louise did not | 12 |
in front of a | 12 |
end of the line | 12 |
she saw that the | 12 |
a handful of palpable | 12 |
the dining room and | 12 |
a clump of bushes | 12 |
that her father would | 12 |
opened the door and | 12 |
drew a deep breath | 12 |
silently corrected a handful | 12 |
into the living room | 12 |
handful of palpable typos | 12 |
the opposite side of | 12 |
the floor of the | 12 |
the old lady was | 12 |
soon as i can | 12 |
caught a glimpse of | 12 |
drew up at the | 12 |
penny drew a deep | 12 |
far as i know | 12 |
to her feet and | 12 |
from one of the | 12 |
i thought it was | 12 |
no one was in | 12 |
the sound of the | 12 |
you going to do | 12 |
she was able to | 12 |
i thought you were | 12 |
what do you say | 12 |
corrected a handful of | 12 |
the one who had | 11 |
i can tell you | 11 |
she could think of | 11 |
out of the river | 11 |
why do you think | 11 |
as she entered the | 11 |
which led to the | 11 |
did not appear to | 11 |
may as well go | 11 |
the doorway of the | 11 |
as she reached the | 11 |
the capture of the | 11 |
the car to a | 11 |
learn the identity of | 11 |
to the hotel and | 11 |
side of the house | 11 |
i think i can | 11 |
for an instant she | 11 |
came within view of | 11 |
to me as if | 11 |
that she did not | 11 |
was one of the | 11 |
at the front door | 11 |
can you tell me | 11 |
to the back of | 11 |
i want to talk | 11 |
drew a deep sigh | 11 |
i never heard of | 11 |
of the green parrot | 11 |
penny said with a | 11 |
a couple of minutes | 11 |
key in the lock | 11 |
the middle of the | 11 |
that it was a | 11 |
mystery at dark cedars | 11 |
far side of the | 11 |
to the newspaper office | 11 |
did not wish to | 11 |
fast as you can | 11 |
in front of her | 11 |
to the house and | 11 |
drew up in front | 11 |
in a moment the | 11 |
it would not be | 11 |
so far as she | 11 |
to talk to him | 11 |
as fast as you | 11 |
out of the door | 11 |
out of the water | 11 |
end of the room | 11 |
to talk to you | 11 |
where did you get | 11 |
and there was a | 11 |
out of the question | 11 |
i want to know | 11 |
do you have a | 11 |
the two men were | 11 |
to see that the | 11 |
when she had finished | 11 |
went to the door | 11 |
opened the door of | 11 |
on the second floor | 11 |
as if it were | 11 |
she could hear the | 11 |
were startled to hear | 11 |
she said in a | 11 |
had no opportunity to | 11 |
a moment later the | 11 |
either side of the | 11 |
at the green parrot | 11 |
at the back of | 11 |
the license number of | 11 |
report to the police | 11 |
the far side of | 11 |
the key in the | 11 |
the door behind him | 10 |
for the rest of | 10 |
is going to be | 10 |
the front door of | 10 |
to the window and | 10 |
turn it over to | 10 |
the little old lady | 10 |
getting up from the | 10 |
out of the building | 10 |
to a stop at | 10 |
back of the house | 10 |
be able to see | 10 |
had a chance to | 10 |
of one of the | 10 |
with you in a | 10 |
on either side of | 10 |
we going to do | 10 |
what did you do | 10 |
to be on the | 10 |
are you trying to | 10 |
had no desire to | 10 |
how do you know | 10 |
and went to the | 10 |
to a sitting position | 10 |
a few of the | 10 |
do you expect to | 10 |
front door of the | 10 |
as soon as they | 10 |
they were able to | 10 |
the conway steel plant | 10 |
the surface of the | 10 |
was lost to view | 10 |
she saw that it | 10 |
a cup of coffee | 10 |
a day or two | 10 |
that her father had | 10 |
that she had not | 10 |
was too far away | 10 |
the head of the | 10 |
that he did not | 10 |
saw that it was | 10 |
he said in a | 10 |
if only we could | 10 |
go over to the | 10 |
to the second floor | 10 |
be able to help | 10 |
asked after a moment | 10 |
was out of the | 10 |
at the foot of | 10 |
it looks to me | 10 |
they came to a | 10 |
how do you like | 10 |
what are we going | 10 |
story for the star | 10 |
did not seem to | 10 |
see what you can | 10 |
to her own room | 10 |
tell me what happened | 10 |
only a short distance | 10 |
tell you about it | 10 |
do you think he | 10 |
the man on the | 10 |
license number of the | 10 |
as if they were | 10 |
her visit to the | 10 |
of the house and | 10 |
and a couple of | 10 |
it will be a | 10 |
peered down into the | 10 |
had little to say | 10 |
and a moment later | 10 |
i may be able | 10 |
it must be a | 10 |
anything i can do | 10 |
she had not been | 10 |
stood for a moment | 10 |
the girls could not | 10 |
the seventh street bridge | 10 |
not be able to | 10 |
with a sigh of | 10 |
see what i can | 10 |
in a loud voice | 10 |
on the night of | 10 |
across the room to | 10 |
but i have a | 10 |
of the man who | 10 |
to the first floor | 10 |
i might be able | 10 |
to find out about | 10 |
it was evident that | 10 |
back to the car | 10 |
are you sure you | 10 |
a sigh of relief | 10 |
but i want to | 10 |
he went to the | 10 |
sat down at the | 9 |
as if she had | 9 |
far as she could | 9 |
her back to the | 9 |
went to the window | 9 |
once in a while | 9 |
two at a time | 9 |
behind the steering wheel | 9 |
to get back to | 9 |
had no way of | 9 |
walked over to the | 9 |
as soon as possible | 9 |
the two men who | 9 |
what can i do | 9 |
in a low voice | 9 |
get away from here | 9 |
must have been the | 9 |
to be rid of | 9 |
they could see the | 9 |
what you can do | 9 |
by the time they | 9 |
where are you going | 9 |
it might have been | 9 |
it was impossible to | 9 |
i want to find | 9 |
i have no intention | 9 |
how do you mean | 9 |
mary louise nodded and | 9 |
looks to me as | 9 |
this part of the | 9 |
the man who was | 9 |
closed the door behind | 9 |
take a look at | 9 |
have anything to do | 9 |
came to a stop | 9 |
be able to learn | 9 |
i know nothing about | 9 |
parker and his daughter | 9 |
she stared at the | 9 |
appeared in the doorway | 9 |
to the dining room | 9 |
i have a feeling | 9 |
to the rear of | 9 |
a gap in the | 9 |
should be able to | 9 |
a lot of money | 9 |
if it had been | 9 |
tell me all about | 9 |
what in the world | 9 |
what do you suppose | 9 |
in a couple of | 9 |
how should i know | 9 |
the professor and his | 9 |
the interior of the | 9 |
the girls could hear | 9 |
professor and his wife | 9 |
went out into the | 9 |
at the newspaper office | 9 |
by this time the | 9 |
and her father were | 9 |
she shook her head | 9 |
how do you do | 9 |
to make sure that | 9 |
the stairs to the | 9 |
the hall to the | 9 |
one of the most | 9 |
were out of the | 9 |
i am afraid i | 9 |
the sound of a | 9 |
what to do with | 9 |
tell me what you | 9 |
drew in her breath | 9 |
could it have been | 9 |
i was afraid of | 9 |
for a long time | 9 |
one was in sight | 9 |
penny went to the | 9 |
in the bottom of | 9 |
what shall we do | 9 |
she had made a | 9 |
up at the curb | 9 |
out on the river | 9 |
in the shadow of | 9 |
at the door of | 9 |
know what to do | 9 |
he came to the | 9 |
what do you see | 9 |
do you mean by | 9 |
the corner of the | 9 |
the door behind her | 9 |
out of the way | 9 |
of such a thing | 9 |
was surprised to see | 9 |
will be all right | 9 |
went on down the | 9 |
in time to see | 9 |
he did not see | 9 |
to the fergus hotel | 9 |
the members of the | 9 |
have no intention of | 9 |
the stairway to the | 9 |
a drink of water | 9 |
had something to do | 9 |
as a matter of | 9 |
a few minutes before | 9 |
to come to the | 8 |
a look at the | 8 |
the man in gray | 8 |
jumped out of the | 8 |
at the sidell home | 8 |
a man in a | 8 |
by the sound of | 8 |
she saw that she | 8 |
aboard the river queen | 8 |
what do you know | 8 |
a short distance away | 8 |
meet me at the | 8 |
would be able to | 8 |
a friend of mine | 8 |
appeared to be a | 8 |
keep an eye on | 8 |
to find out who | 8 |
about an hour ago | 8 |
a glimpse of the | 8 |
to do a little | 8 |
is supposed to be | 8 |
what do you make | 8 |
a moment later she | 8 |
edition of the star | 8 |
that it was the | 8 |
want to see the | 8 |
as soon as we | 8 |
one side of the | 8 |
coming out of the | 8 |
as if i were | 8 |
i do for you | 8 |
pauline brooks and mary | 8 |
i have a little | 8 |
if i had a | 8 |
but it was not | 8 |
when i was a | 8 |
she opened the door | 8 |
no sign of the | 8 |
did you ever hear | 8 |
from the dining room | 8 |
want to ask you | 8 |
could think of no | 8 |
you have no idea | 8 |
the driver of the | 8 |
the contents of the | 8 |
pushed open the door | 8 |
turn him over to | 8 |
to pick up a | 8 |
startled to hear a | 8 |
but before she could | 8 |
at the fergus hotel | 8 |
it never occurred to | 8 |
take you to the | 8 |
you and your father | 8 |
the key to the | 8 |
made no attempt to | 8 |
he opened the door | 8 |
to see his face | 8 |
as she was told | 8 |
how did you know | 8 |
there was no time | 8 |
the deck of the | 8 |
stepped out of the | 8 |
on the back of | 8 |
he never would have | 8 |
would do no good | 8 |
to the top of | 8 |
as they left the | 8 |
at the breakfast table | 8 |
brooks and mary green | 8 |
as soon as she | 8 |
was the first to | 8 |
got to his feet | 8 |
in the composing room | 8 |
as if he were | 8 |
to the door of | 8 |
lying on the ground | 8 |
a few days ago | 8 |
take care of it | 8 |
other members of the | 8 |
a quick glance at | 8 |
down the hall to | 8 |
did you get it | 8 |
the man with the | 8 |
heard the sound of | 8 |
you may be sure | 8 |
she ran to the | 8 |
she and her father | 8 |
to pine top for | 8 |
it was a man | 8 |
to talk with you | 8 |
had gone to the | 8 |
fergus and harvey maxwell | 8 |
it occurred to her | 8 |
ask a few questions | 8 |
to take a chance | 8 |
get out of the | 8 |
jerry and the girls | 8 |
to the end of | 8 |
that the man had | 8 |
the front page of | 8 |
in no mood to | 8 |
what had become of | 8 |
the car at the | 8 |
is one of the | 8 |
the location of the | 8 |
if she had been | 8 |
was to be seen | 8 |
they could hear the | 8 |
as soon as you | 8 |
by means of a | 8 |
half an hour later | 8 |
not so much as | 8 |
here at shady nook | 8 |
by the time the | 8 |
he shook his head | 8 |
the young man was | 8 |
that she was a | 8 |
there could be no | 8 |
have a look at | 8 |
the time of the | 8 |
are you doing here | 8 |
mary louise assured her | 8 |
so that she could | 8 |
in charge of the | 8 |
there was only one | 8 |
the opening of the | 8 |
her eyes on the | 8 |
opened her eyes and | 8 |
to her that the | 8 |
it would have been | 8 |
ralph fergus and harvey | 8 |
the lid of the | 8 |
a couple of days | 8 |
went over to the | 8 |
the girl in the | 8 |
she could not be | 8 |
hundred and fifty dollars | 8 |
occurred to me that | 8 |
you in a minute | 8 |
let me tell you | 8 |
at once to the | 8 |
the vicinity of the | 8 |
none of my affair | 8 |
do you think the | 8 |
on top of the | 8 |
she was unable to | 8 |
why do you suppose | 8 |
the door was closed | 8 |
and at the same | 8 |
that the young man | 8 |
something of the sort | 8 |
made up my mind | 8 |
in and out of | 8 |
was not in the | 8 |
the first national bank | 8 |
an end to the | 8 |
have to work fast | 8 |
for the riverview star | 8 |
on down the road | 8 |
but it was a | 8 |
to learn the identity | 8 |
at the wishing well | 8 |
be able to tell | 8 |
do you think of | 8 |
a form of life | 8 |
he must have been | 8 |
do you make of | 8 |
it over to the | 8 |
how did you learn | 8 |
seemed to come from | 8 |
mary louise shook her | 8 |
i want to do | 8 |
at her wrist watch | 8 |
a picture of a | 7 |
an hour or so | 7 |
put in an appearance | 7 |
the girls entered the | 7 |
less than five minutes | 7 |
that must have been | 7 |
curious to learn what | 7 |
thank you so much | 7 |
startled to see a | 7 |
went to her own | 7 |
came into the room | 7 |
moved away from the | 7 |
only a few feet | 7 |
one of the boys | 7 |
she had never seen | 7 |
joe and clark clayton | 7 |
to return to the | 7 |
seemed to her that | 7 |
i thought i might | 7 |
a chair beside the | 7 |
if i can get | 7 |
to look at the | 7 |
and what do you | 7 |
know anything about it | 7 |
was too late to | 7 |
keep watch of the | 7 |
do you suppose he | 7 |
similar to the one | 7 |
may have been a | 7 |
no one was visible | 7 |
to give you a | 7 |
made no move to | 7 |
as the two girls | 7 |
she turned to the | 7 |
did as she was | 7 |
be one of the | 7 |
do no good to | 7 |
had anything to do | 7 |
as fast as she | 7 |
i want to be | 7 |
the pocket of her | 7 |
all i can say | 7 |
i was at the | 7 |
door of the cabin | 7 |
i just wanted to | 7 |
the car came to | 7 |
it was my fault | 7 |
do you think i | 7 |
most of the time | 7 |
out into the night | 7 |
that it was only | 7 |
and closed the door | 7 |
a prisoner in the | 7 |
looked at his watch | 7 |
crossed the room to | 7 |
i can do to | 7 |
she thought of the | 7 |
in the press car | 7 |
in the doorway of | 7 |
she was going to | 7 |
it seemed to her | 7 |
brought the car to | 7 |
me out of here | 7 |
attention was drawn to | 7 |
that the old lady | 7 |
surface of the water | 7 |
whether or not the | 7 |
through a gap in | 7 |
to give up the | 7 |
want you to do | 7 |
where she had left | 7 |
that was why i | 7 |
out of the room | 7 |
did you see the | 7 |
sat down on a | 7 |
have a good time | 7 |
thought it was a | 7 |
you ever hear of | 7 |
this is the way | 7 |
went to her room | 7 |
to stare at the | 7 |
i would like to | 7 |
they returned to the | 7 |
fast as she could | 7 |
know what to think | 7 |
she did not see | 7 |
to the bottom of | 7 |
this is the place | 7 |
about the green room | 7 |
i had no idea | 7 |
since the death of | 7 |
are you all right | 7 |
as she sat down | 7 |
to go to bed | 7 |
what i want to | 7 |
in spite of her | 7 |
it was too dark | 7 |
stopped with a jerk | 7 |
i thought i saw | 7 |
of the parker home | 7 |
end of the hall | 7 |
at the star plant | 7 |
he may have been | 7 |
and a pair of | 7 |
came the sound of | 7 |
lay on the floor | 7 |
tell me about the | 7 |
from among the trees | 7 |
pulled up at the | 7 |
on my way to | 7 |
as fast as they | 7 |
if you try to | 7 |
do you suppose the | 7 |
came back to the | 7 |
on her way to | 7 |
with a deep sigh | 7 |
the day of the | 7 |
the roof of the | 7 |
at the police station | 7 |
i thought i would | 7 |
man in a gray | 7 |
had been stolen from | 7 |
no one seems to | 7 |
when she returned to | 7 |
there was no reply | 7 |
what appeared to be | 7 |
me all about it | 7 |
rear of the house | 7 |
to tell you the | 7 |
give it to me | 7 |
she picked up the | 7 |
the girls reached the | 7 |
the rest of us | 7 |
if we can find | 7 |
get rid of the | 7 |
swinging open the car | 7 |
asked one of the | 7 |
part of the estate | 7 |
my wife and i | 7 |
to the living room | 7 |
she asked in a | 7 |
what am i to | 7 |
she had seen the | 7 |
the elevator to the | 7 |
and i have a | 7 |
back to the house | 7 |
one of the windows | 7 |
a couple of miles | 7 |
that her father was | 7 |
she had no desire | 7 |
as long as i | 7 |
mary louise could not | 7 |
come along with me | 7 |
what did you learn | 7 |
drove up to the | 7 |
she had no intention | 7 |
glancing at his watch | 7 |
i told you about | 7 |
me out of the | 7 |
in a day or | 7 |
the outskirts of the | 7 |
she did not believe | 7 |
a sheet of paper | 7 |
did not attempt to | 7 |
have been the one | 7 |
the mystery at dark | 7 |
in the midst of | 7 |
do you know about | 7 |
the house to the | 7 |
the girls to the | 7 |
tell me about it | 7 |
in another moment the | 7 |
and returned to the | 7 |
it was not until | 7 |
there will be a | 7 |
was the one who | 7 |
in an agitated voice | 7 |
him over to the | 7 |
said after a moment | 7 |
penny was tempted to | 7 |
let me out of | 7 |
the events of the | 7 |
what can we do | 7 |
the old man said | 7 |
from side to side | 7 |
corner of the room | 7 |
into the room and | 7 |
in a friendly way | 7 |
he seems to be | 7 |
of the car and | 7 |
must have been a | 7 |
on the front page | 7 |
a day or so | 7 |
on down the street | 7 |
where are you taking | 7 |
but mary louise was | 7 |
walked out of the | 7 |
think it would be | 7 |
penny could not see | 7 |
to gaze at the | 7 |
came from the direction | 7 |
earlier in the evening | 7 |
the door was opened | 7 |
out of the garage | 7 |
you tell me what | 7 |
the old man was | 7 |
on their way to | 7 |
by a man named | 7 |
the edge of a | 7 |
do you know what | 7 |
did not see the | 7 |
she realized that the | 7 |
in the act of | 7 |
closing the door behind | 7 |
in connection with the | 7 |
no sign of anyone | 7 |
mary louise was not | 7 |
back to the office | 7 |
made up her mind | 7 |
for a fleeting instant | 7 |
be able to go | 7 |
it would do no | 7 |
to break into the | 7 |
a good look at | 7 |
in the hope of | 7 |
back to the hotel | 7 |
her father and salt | 7 |
there would be no | 7 |
but it will be | 7 |
be able to find | 7 |
going to try to | 7 |
i never would have | 7 |
the shelter of the | 7 |
tell you all about | 7 |
at the crystal inn | 7 |
to get a story | 7 |
in the vicinity of | 7 |
and opened the door | 7 |
had no time to | 7 |
her attention to the | 7 |
what she had seen | 7 |
a certain amount of | 6 |
no one came to | 6 |
he had nothing to | 6 |
but not for long | 6 |
gap in the trees | 6 |
took the elevator to | 6 |
you trying to do | 6 |
there are so many | 6 |
put a stop to | 6 |
maybe we ought to | 6 |
one of the policemen | 6 |
back in time for | 6 |
you to tell me | 6 |
to go back to | 6 |
girls were startled to | 6 |
you want to see | 6 |
what had happened to | 6 |
we can do is | 6 |
to herself as she | 6 |
all we can do | 6 |
have a lot of | 6 |
was drawn to a | 6 |
get away with it | 6 |
to go for a | 6 |
lear and the burmasters | 6 |
seems to be the | 6 |
to spend the night | 6 |
out of here and | 6 |
the aid of a | 6 |
find out about it | 6 |
it was the only | 6 |
all the way from | 6 |
i am trying to | 6 |
with the aid of | 6 |
a thing like that | 6 |
she switched on the | 6 |
all the rest of | 6 |
hard pressed to keep | 6 |
it seemed as if | 6 |
opened the screen door | 6 |
as the two men | 6 |
at the two girls | 6 |
in out of the | 6 |
he started for the | 6 |
in the presence of | 6 |
as if it had | 6 |
penny picked up a | 6 |
a mile from the | 6 |
dorothy dixon and the | 6 |
was hard pressed to | 6 |
let me help you | 6 |
penny did not answer | 6 |
corner of the house | 6 |
i think we should | 6 |
in the photography room | 6 |
glad to have you | 6 |
was far down the | 6 |
on down the hall | 6 |
allowed herself to be | 6 |
the worst of it | 6 |
huddled against the wall | 6 |
never be able to | 6 |
what are you trying | 6 |
just as i thought | 6 |
she waited until the | 6 |
glad to do it | 6 |
i assure you i | 6 |
when i tell you | 6 |
publisher of the riverview | 6 |
where do you suppose | 6 |
stopped in front of | 6 |
the manner in which | 6 |
stepped out into the | 6 |
how do you feel | 6 |
the door of her | 6 |
the only thing to | 6 |
no choice but to | 6 |
in her breath sharply | 6 |
the star office to | 6 |
this must be the | 6 |
it would be possible | 6 |
steps two at a | 6 |
did not try to | 6 |
in time for the | 6 |
the last time i | 6 |
do something about it | 6 |
he asked in a | 6 |
to get hold of | 6 |
number of the car | 6 |
not to my knowledge | 6 |
i can do for | 6 |
by the wishing well | 6 |
out of the swamp | 6 |
penny explained that she | 6 |
you know what i | 6 |
he ought to be | 6 |
at the base of | 6 |
was startled to see | 6 |
when it comes to | 6 |
you want to go | 6 |
a time like this | 6 |
from far down the | 6 |
they were startled to | 6 |
could ask another question | 6 |
to get away from | 6 |
there it is again | 6 |
out into the hall | 6 |
only a moment before | 6 |
all the way to | 6 |
to say the least | 6 |
to the downey lodge | 6 |
the door swung open | 6 |
the car had been | 6 |
did you ever see | 6 |
i believe it was | 6 |
what she was doing | 6 |
a cup of tea | 6 |
or something of the | 6 |
penny pursued the subject | 6 |
yet she could not | 6 |
and the rest of | 6 |
a glass of water | 6 |
take a chance on | 6 |
on the trail of | 6 |
getting out of here | 6 |
for the most part | 6 |
car out of the | 6 |
to notify the police | 6 |
to be one of | 6 |
to the riverview star | 6 |
a copy of the | 6 |
at a time like | 6 |
what is going on | 6 |
that it was not | 6 |
you seem to be | 6 |
for the fun of | 6 |
if i were in | 6 |
which had been left | 6 |
up to the house | 6 |
down the license number | 6 |
has been trying to | 6 |
they made their way | 6 |
as fast as i | 6 |
i went to the | 6 |
i should say not | 6 |
replied the young man | 6 |
it looks like a | 6 |
wanted to talk to | 6 |
her place at the | 6 |
the time she reached | 6 |
ralph fergus or harvey | 6 |
seems to be a | 6 |
followed her into the | 6 |
have plenty of time | 6 |
who sat at the | 6 |
on the first floor | 6 |
the back of a | 6 |
of the secret band | 6 |
with a quick change | 6 |
edge of the swamp | 6 |
the fun of it | 6 |
stood in the shadow | 6 |
the face of a | 6 |
on the edge of | 6 |
the car in the | 6 |
she would have to | 6 |
very close to the | 6 |
of her visit to | 6 |
and shook her head | 6 |
knew that she had | 6 |
are you willing to | 6 |
sweeper joe and clark | 6 |
the window of the | 6 |
in this part of | 6 |
if only she could | 6 |
to know that the | 6 |
has a right to | 6 |
the last few days | 6 |
to the kitchen door | 6 |
went back to her | 6 |
as she could see | 6 |
even as she spoke | 6 |
were you able to | 6 |
yet there was no | 6 |
and ask him to | 6 |
had come to the | 6 |
time she reached the | 6 |
that is why i | 6 |
why are you so | 6 |
by the time we | 6 |
the benjamin franklin hotel | 6 |
could see no one | 6 |
i can help you | 6 |
not much of a | 6 |
turned the key in | 6 |
her to her feet | 6 |
on the third floor | 6 |
left the dining room | 6 |
the use of the | 6 |
a hole in the | 6 |
and see what happens | 6 |
can do is to | 6 |
thought it would be | 6 |
mixed up in the | 6 |
the subject of the | 6 |
door was opened by | 6 |
penny ran to the | 6 |
the main part of | 6 |
to think of it | 6 |
for mary louise to | 6 |
i am sure he | 6 |
try as she would | 6 |
out of the window | 6 |
louise and i saw | 6 |
not appear to be | 6 |
who do you think | 6 |
after a moment she | 6 |
no way of knowing | 6 |
penny opened the door | 6 |
but i thought you | 6 |
have a talk with | 6 |
get me out of | 6 |
the front door and | 6 |
up at the dock | 6 |
do you think she | 6 |
for the next hour | 6 |
she could find no | 6 |
you all about it | 6 |
the bow of the | 6 |
as she saw the | 6 |
to the star building | 6 |
thank you very much | 6 |
the time she had | 6 |
the walls of the | 6 |
she did not know | 6 |
for a cup of | 6 |
think we ought to | 6 |
walked back to the | 6 |
as he and penny | 6 |
which could be seen | 6 |
one of these days | 6 |
fell into step with | 6 |
in another moment she | 6 |
it may be a | 6 |
it may not be | 6 |
know nothing about the | 6 |
man at the wheel | 6 |
for the purpose of | 6 |
been taken from the | 6 |
the woman who had | 6 |
far down the street | 6 |
and all the time | 6 |
you stay here and | 6 |
by way of the | 6 |
penny sat down on | 6 |
to the kippenberg estate | 6 |
could have happened to | 6 |
with a show of | 6 |
the roar of the | 6 |
not been able to | 6 |
her way through the | 6 |
do you realize that | 6 |
into step with her | 6 |
make a dash for | 6 |
he was tall and | 6 |
penny was able to | 6 |
there will be no | 6 |
on the ground floor | 6 |
keeper of the light | 6 |
a big story for | 6 |
me to do it | 6 |
a young man who | 6 |
was no time to | 6 |
she led the way | 6 |
maybe i can get | 6 |
have to take a | 6 |
she could not hope | 6 |
in a clump of | 6 |
on the floor of | 6 |
tell me more about | 6 |
the girls came to | 6 |
in a minute or | 6 |
what is it you | 6 |
jerked open the door | 6 |
you mean by that | 6 |
her father had been | 6 |
that the old man | 6 |
not far from here | 6 |
her out of the | 6 |
in the middle of | 6 |
the shadow of the | 6 |
tried without success to | 6 |
only i could get | 6 |
was pushed off the | 6 |
i was in the | 6 |
did not wait to | 6 |
will you do with | 6 |
there was no sound | 6 |
gave it to me | 6 |
and out of the | 6 |
far from where the | 6 |
that must be the | 6 |
took possession of her | 6 |
from the rear of | 6 |
to her that she | 6 |
breakfast the next morning | 6 |
may be too late | 6 |
in no condition to | 6 |
he hung up the | 6 |
ran back to the | 6 |
outskirts of the city | 6 |
a few minutes earlier | 6 |
by means of the | 6 |
a bite to eat | 6 |
over to the desk | 6 |
as well as the | 6 |
of the morning press | 6 |
told her that the | 6 |
gaze fastened upon the | 6 |
was not lost upon | 6 |
for a couple of | 6 |
that she had made | 6 |
want to come along | 6 |
i never thought of | 6 |
that he was a | 6 |
the sound came from | 6 |
fergus or harvey maxwell | 6 |
of water from the | 6 |
her hat and coat | 6 |
i think we can | 6 |
for us to do | 6 |
that she and louise | 6 |
as much as you | 6 |
with all her strength | 6 |
fast as they could | 6 |
a piece of paper | 6 |
turned her attention to | 6 |
from his pocket and | 6 |
will have to be | 6 |
the railing of the | 6 |
want me to do | 6 |
want you to tell | 6 |
it was as if | 6 |
she came to a | 6 |
not going to be | 6 |
may not have been | 6 |
mary louise wanted to | 6 |
and i mean to | 6 |
the dorset tourist camp | 6 |
only thing to do | 6 |
not to be found | 6 |
at the downey lodge | 6 |
see if you can | 6 |
get into the house | 6 |
give me a chance | 6 |
the mary lou series | 6 |
she realized that she | 6 |
came out on the | 6 |
she closed the door | 6 |
was only a little | 6 |
what we can learn | 6 |
in a moment she | 6 |
not far from where | 6 |
be able to trace | 6 |
there must be a | 6 |
nothing of the kind | 6 |
he turned to the | 6 |
be on our way | 6 |
of the palette club | 6 |
the first time since | 6 |
the back of her | 6 |
as she and louise | 6 |
did not see them | 6 |
this is going to | 6 |
it was on the | 6 |
you will excuse me | 6 |
you know why i | 6 |
the sound of footsteps | 6 |
you must have heard | 6 |
she sprang to her | 6 |
but i doubt it | 6 |
on the opposite side | 6 |
know what you mean | 6 |
you seem to know | 6 |
have been trying to | 6 |
as she and penny | 6 |
of the two men | 6 |
all of a sudden | 6 |
they came to the | 6 |
a quick change of | 6 |
had no choice but | 6 |
in spite of the | 6 |
and disappeared into the | 6 |
her by the arm | 6 |
the death of mrs | 5 |
she jerked open the | 5 |
long as i have | 5 |
the path toward the | 5 |
she would be able | 5 |
we can get out | 5 |
i should think so | 5 |
how thankful she was | 5 |
went out the door | 5 |
was the first time | 5 |
to communicate with the | 5 |
across the room and | 5 |
swung open the door | 5 |
at the last minute | 5 |
on the deck of | 5 |
the one person who | 5 |
and then returned to | 5 |
know what i think | 5 |
any connection with the | 5 |
mixed up in some | 5 |
want to get to | 5 |
before he could speak | 5 |
door was flung open | 5 |
they were at the | 5 |
out the front door | 5 |
whether or not he | 5 |
that mary louise was | 5 |
you do with the | 5 |
be connected with the | 5 |
it will be all | 5 |
will you let me | 5 |
the steps to the | 5 |
did you hear what | 5 |
struggled to her feet | 5 |
until she had finished | 5 |
the white gold ring | 5 |
into the front seat | 5 |
money to pay for | 5 |
as she turned away | 5 |
which way did the | 5 |
on hands and knees | 5 |
within a few hours | 5 |
only take a minute | 5 |
to come from the | 5 |
in his pocket and | 5 |
that she had seen | 5 |
one of the reporters | 5 |
paying no heed to | 5 |
with the speed of | 5 |
with nothing to do | 5 |
a couple of weeks | 5 |
got to do something | 5 |
all the time she | 5 |
and for a moment | 5 |
far corner of the | 5 |
for at that moment | 5 |
over to the hotel | 5 |
after a few minutes | 5 |
lost no time in | 5 |
the old man chuckled | 5 |
the dining room with | 5 |
try to find out | 5 |
jumped to her feet | 5 |
was nothing she could | 5 |
at the head of | 5 |
when they reached the | 5 |
of the police force | 5 |
i am sure you | 5 |
do you suppose it | 5 |
she went down the | 5 |
get in touch with | 5 |
like to have me | 5 |
with a hand on | 5 |
into a state of | 5 |
i just want to | 5 |
the deepest part of | 5 |
of course i have | 5 |
at least we can | 5 |
to the effect that | 5 |
wait until i get | 5 |
going to pine top | 5 |
of the room was | 5 |
a moment or two | 5 |
be back in a | 5 |
carried it to the | 5 |
one of the tables | 5 |
been very kind to | 5 |
it might be a | 5 |
this is no time | 5 |
to ask you a | 5 |
a basket of food | 5 |
young man who had | 5 |
to her that her | 5 |
she saw a man | 5 |
in an attempt to | 5 |
on the kitchen table | 5 |
joyce and his men | 5 |
where it had been | 5 |
not a chance to | 5 |
the back door of | 5 |
had been sent to | 5 |
i wanted to get | 5 |
and came to a | 5 |
end of the road | 5 |
want to find out | 5 |
you mind if i | 5 |
i see you have | 5 |
did not bother to | 5 |
that they did not | 5 |
and carried it to | 5 |
prepared to leave the | 5 |
are you talking about | 5 |
there was a loud | 5 |
do you propose to | 5 |
that she would have | 5 |
hiding in the woods | 5 |
daughter of anthony parker | 5 |
if only we can | 5 |
quick glance at the | 5 |
that she was not | 5 |
pulling up at the | 5 |
got out of the | 5 |
you were trying to | 5 |
the door was locked | 5 |
the gleam of a | 5 |
a man who was | 5 |
she had picked up | 5 |
i prefer not to | 5 |
car to a stop | 5 |
am mary louise gay | 5 |
back to dark cedars | 5 |
to go with you | 5 |
fires at shady nook | 5 |
the arrival of the | 5 |
down the stairway to | 5 |
why did you do | 5 |
he started toward the | 5 |
a large sum of | 5 |
but there was nothing | 5 |
to make trouble for | 5 |
the significance of the | 5 |
did you get in | 5 |
her father had gone | 5 |
with a sinking heart | 5 |
penny and louise waited | 5 |
able to trace the | 5 |
the top of her | 5 |
a matter of fact | 5 |
it would be better | 5 |
glanced at her wrist | 5 |
down into the dark | 5 |
the matter with you | 5 |
the next fifteen minutes | 5 |
to believe that the | 5 |
go out to the | 5 |
had a feeling that | 5 |
tell you what i | 5 |
it would be impossible | 5 |
take care of that | 5 |
face to face with | 5 |
the only way to | 5 |
proved to be a | 5 |
one of the other | 5 |
a light went on | 5 |
ran to the window | 5 |
and she did not | 5 |
slipped it into her | 5 |
the car door and | 5 |
lost all interest in | 5 |
back to the star | 5 |
returned to the car | 5 |
it was not a | 5 |
get a chance to | 5 |
the front of her | 5 |
at the present time | 5 |
i thought it might | 5 |
is it you want | 5 |
penny saw that the | 5 |
carry out his threat | 5 |
for a space of | 5 |
get rid of her | 5 |
this is a case | 5 |
what time was that | 5 |
may as well give | 5 |
she was startled to | 5 |
only a minute or | 5 |
here in the house | 5 |
up not far from | 5 |
scrambled to his feet | 5 |
been the one who | 5 |
gave her a quick | 5 |
in time for supper | 5 |
even as he spoke | 5 |
what do you expect | 5 |
into the car and | 5 |
thought i heard someone | 5 |
to keep watch of | 5 |
standing in the doorway | 5 |
in just a minute | 5 |
she turned to her | 5 |
never thought of that | 5 |
the car into the | 5 |
for a minute or | 5 |
reached the top of | 5 |
mistress of rose acres | 5 |
not talk about it | 5 |
man shook his head | 5 |
going straight to the | 5 |
and shook his head | 5 |
in an excited voice | 5 |
but i am afraid | 5 |
the glare of the | 5 |
from the bottom of | 5 |
louise went to her | 5 |
while she was away | 5 |
she heard her name | 5 |
must have had a | 5 |
she whispered to herself | 5 |
against a tree trunk | 5 |
the top of a | 5 |
she opened her eyes | 5 |
the woman did not | 5 |
the girl did not | 5 |
stepped out onto the | 5 |
was a man who | 5 |
may not be so | 5 |
door of the hotel | 5 |
the light of the | 5 |
acted as if she | 5 |
we still have a | 5 |
she did not like | 5 |
she sat down on | 5 |
you never can tell | 5 |
a murmur of voices | 5 |
i wonder if it | 5 |
she was to be | 5 |
the young man who | 5 |
a little more about | 5 |
to the front of | 5 |
it would only be | 5 |
started on down the | 5 |
and her father had | 5 |
out of the running | 5 |
makes you think that | 5 |
at a loss to | 5 |
out of this room | 5 |
you come with me | 5 |
i only wanted to | 5 |
as far as the | 5 |
do you happen to | 5 |
she was afraid to | 5 |
there was a long | 5 |
turned over to the | 5 |
as she crossed the | 5 |
i wish i had | 5 |
know the name of | 5 |
found herself in a | 5 |
not wishing to be | 5 |
best bet is to | 5 |
but it must have | 5 |
with her back to | 5 |
as far as we | 5 |
a sheet of copy | 5 |
part of it is | 5 |
a moment and then | 5 |
her name was mrs | 5 |
he and penny were | 5 |
door of the house | 5 |
are we to do | 5 |
the staff of the | 5 |
i expect to be | 5 |
trying to get the | 5 |
did you happen to | 5 |
for a moment penny | 5 |
a reporter for the | 5 |
i have a date | 5 |
a view of the | 5 |
to think it over | 5 |
the start of the | 5 |
mary louise at the | 5 |
he closed the door | 5 |
if i could get | 5 |
but it was too | 5 |
to solve the mystery | 5 |
late in the afternoon | 5 |
it came to her | 5 |
up at the side | 5 |
with the evil eye | 5 |
a short distance ahead | 5 |
did not hear the | 5 |
the fact that it | 5 |
as soon as it | 5 |
to drive over to | 5 |
the heart of the | 5 |
of the dining room | 5 |
the matter of the | 5 |
she could not guess | 5 |
for a moment to | 5 |
car from the garage | 5 |
and the two men | 5 |
the door behind them | 5 |
started to leave the | 5 |
was a member of | 5 |
a few minutes after | 5 |
a glimpse of a | 5 |
i thought you had | 5 |
we have a little | 5 |
the warmth of the | 5 |
came at last to | 5 |
penny and louise wandered | 5 |
is no place for | 5 |
for a moment the | 5 |
in through the window | 5 |
the first time that | 5 |
thing to do is | 5 |
of all the nerve | 5 |
this kind of thing | 5 |
to make certain that | 5 |
voice at the other | 5 |
not to think about | 5 |
door of the shack | 5 |
what we can do | 5 |
which lay on the | 5 |
made a quick trip | 5 |
she saw that her | 5 |
penny and louise followed | 5 |
the story of the | 5 |
to be gained by | 5 |
able to help you | 5 |
penny could not understand | 5 |
i am inclined to | 5 |
and i have been | 5 |
deeper and deeper into | 5 |
there was nothing she | 5 |
in the car and | 5 |
car to a standstill | 5 |
knowing what to do | 5 |
a few yards away | 5 |
and was lost to | 5 |
she felt as if | 5 |
for one of the | 5 |
can i do for | 5 |
the victim of a | 5 |
see the magic curtain | 5 |
the rest of your | 5 |
center of the room | 5 |
box of gold pieces | 5 |
a long while to | 5 |
working on the case | 5 |
of the conway steel | 5 |
to make use of | 5 |
she could not make | 5 |
errors were corrected without | 5 |
only a couple of | 5 |
the man did not | 5 |
but why did you | 5 |
section of the city | 5 |
trying to keep her | 5 |
it dawned upon her | 5 |
a trail which led | 5 |
i feel sorry for | 5 |
mary louise went to | 5 |
the one at the | 5 |
across the river in | 5 |
woman shook her head | 5 |
the same fellow who | 5 |
stay where you are | 5 |
of the motor boat | 5 |
penny glanced at her | 5 |
springing to her feet | 5 |
want to do it | 5 |
mouth of bug run | 5 |
call it a day | 5 |
seized her by the | 5 |
do you think you | 5 |
down in the valley | 5 |
the door to the | 5 |
this is a very | 5 |
took a deep breath | 5 |
how long will it | 5 |
about the headless horseman | 5 |
the important thing is | 5 |
the same man who | 5 |
glad to hear it | 5 |
what happened last night | 5 |
i want to learn | 5 |
of the celestial temple | 5 |
went on to tell | 5 |
the basement of the | 5 |
when he left here | 5 |
the man at the | 5 |
she knew that she | 5 |
were trying to get | 5 |
tell you the truth | 5 |
i beg your pardon | 5 |
out on the porch | 5 |
penny had no time | 5 |
penny asked in surprise | 5 |
the secret ray machine | 5 |
quickly as you can | 5 |
penny tugged at the | 5 |
i should say so | 5 |
to tell you about | 5 |
until she came to | 5 |
case for the police | 5 |
after her father had | 5 |
into a chair beside | 5 |
footprints in the snow | 5 |
can do to help | 5 |
you seem to have | 5 |
far away to hear | 5 |
it seems to be | 5 |
you never should have | 5 |
to the capture of | 5 |
to learn more about | 5 |
been trying to get | 5 |
talk to you about | 5 |
to a series of | 5 |
a few minutes longer | 5 |
penny could ask another | 5 |
it would be more | 5 |
to be at the | 5 |
man of early middle | 5 |
on the floor and | 5 |
do you plan to | 5 |
low murmur of voices | 5 |
father benedict and winkey | 5 |
the cause of the | 5 |
juggler of notre dame | 5 |
penny knew that the | 5 |
at the other side | 5 |
she did not have | 5 |
to pick up the | 5 |
how do you suppose | 5 |
do you like that | 5 |
she darted to the | 5 |
what i can do | 5 |
had anything to eat | 5 |
the old man replied | 5 |
to the composing room | 5 |
one of the detectives | 5 |
but i think i | 5 |
her face against the | 5 |
maybe we can get | 5 |
how long do you | 5 |
and a few minutes | 5 |
thought better of it | 5 |
bottom of the pool | 5 |
to go over to | 5 |
main part of the | 5 |
was down in the | 5 |
the path of the | 5 |
trying to sell the | 5 |
typographical errors were corrected | 5 |
made their way to | 5 |
himself to a sitting | 5 |
the car out of | 5 |
of the men who | 5 |
was going to be | 5 |
felt as if she | 5 |
in the world did | 5 |
did you have a | 5 |
she was convinced that | 5 |
up a lot of | 5 |
to the back door | 5 |
in a few days | 5 |
her voice trailed off | 5 |
did not believe that | 5 |
the meaning of this | 5 |
herself to a sitting | 5 |
it into her pocket | 5 |
the only person who | 5 |
how did you happen | 5 |
sinking into a chair | 5 |
may not be able | 5 |
we can find it | 5 |
about a year ago | 5 |
did not see her | 5 |
front page of the | 5 |
they came within view | 5 |
she could see no | 5 |
did you do it | 5 |
as she opened the | 5 |
as she turned to | 5 |
going back to the | 5 |
that he was being | 5 |
do nothing of the | 5 |
pushed off the bridge | 5 |
on the opposite shore | 5 |
as well go home | 5 |
and gave it to | 5 |
out of the cabin | 5 |
so close to the | 5 |
at the yacht club | 5 |
i must be getting | 5 |
not much of anything | 5 |
she exclaimed in a | 5 |
of the fact that | 5 |
when i get through | 5 |
there was no response | 5 |
the end of that | 5 |
spirit of cousin david | 5 |
that she might be | 5 |
to the sidell home | 5 |
the outside of the | 5 |
until i get my | 5 |
the master of the | 5 |
i wanted to talk | 5 |
for half an hour | 5 |
coaten and his friend | 5 |
the riverview star and | 5 |
i was going to | 5 |
that he intended to | 5 |
make sense to me | 5 |
i were you i | 5 |
the picture of the | 5 |
and deeper into the | 5 |
i was afraid you | 5 |
it sounds like a | 5 |
back door of the | 5 |
soon as they were | 5 |
the cocoanut shell lamp | 5 |
very much interested in | 5 |
tossed it into the | 5 |
until they came to | 5 |
she and salt had | 5 |
that penny could not | 5 |
she came to the | 5 |
straight from the shoulder | 5 |
the curve of the | 5 |
i think it was | 5 |
professor bettenridge and his | 5 |
if you expect to | 5 |
do you mind if | 5 |
owner of the riverview | 5 |
at last she was | 5 |
on the lower floor | 5 |
once more she was | 5 |
that it would not | 5 |
that would be too | 5 |
which penny could not | 5 |
knock on the door | 5 |
to stop at the | 5 |
one end of the | 5 |
penny stared at the | 5 |
do you really think | 5 |
dangerously close to the | 5 |
make it a point | 5 |
here and keep watch | 5 |
night at dark cedars | 5 |
i want to ask | 5 |
with a quick movement | 5 |
exclaimed a moment later | 5 |
the car drew up | 5 |
i must have been | 5 |
do you know where | 5 |
to an abrupt end | 5 |
i do want to | 5 |
we get to the | 5 |
in about an hour | 5 |
what are we to | 5 |
we have to get | 5 |
to catch her breath | 5 |
more than a little | 5 |
started back toward the | 5 |
take it so hard | 5 |
were corrected without comment | 5 |
asked mary louise in | 5 |
do you suppose mrs | 5 |
as she stared at | 5 |
for the next fifteen | 5 |
of the previous night | 5 |
to be all right | 5 |
what happened to the | 5 |
had gone to bed | 5 |
for she knew that | 5 |
do you want me | 5 |
the hill to the | 5 |
penny glanced at the | 5 |
only a few yards | 5 |
into one of the | 5 |
an hour or two | 5 |
her father to the | 5 |
away from the dock | 5 |
have nothing to do | 5 |
as she saw that | 5 |
a dash for the | 5 |
only a moment ago | 5 |
gaze roved to the | 5 |
the waste paper basket | 5 |
was on the verge | 5 |
and you know it | 5 |
said with a shrug | 5 |
never occurred to me | 5 |
like this would happen | 5 |
a couple of hours | 5 |
louise and i were | 5 |
deeper into the swamp | 5 |
it gave her a | 5 |
low over his eyes | 5 |
no time to waste | 5 |
been sent to the | 5 |
that she would be | 5 |
only a few blocks | 5 |
as she approached the | 5 |
as quickly as you | 5 |
i may not be | 5 |
as mary louise had | 5 |
why do you say | 5 |
to leave the house | 5 |
getting to her feet | 5 |
she picked it up | 5 |
tapped lightly on the | 5 |
wish we could have | 5 |
would be sure to | 5 |
soon as i get | 5 |
a bend of the | 5 |
everything that had occurred | 5 |
to pace the floor | 5 |
as she picked up | 5 |
the car to the | 5 |
turned away from the | 5 |
flattened herself against the | 5 |
to the green room | 5 |
deepest part of the | 5 |
to the police station | 5 |
you expect me to | 5 |
glad to see you | 5 |
had returned to the | 5 |
not going to the | 5 |
i am mary louise | 5 |
to open the door | 5 |
the two girls were | 5 |
as she left the | 5 |
it will have to | 5 |
i want to make | 5 |
a half hour ago | 5 |
what became of him | 5 |
she was certain that | 5 |
something like this would | 5 |
dollar and a half | 5 |
if you have a | 5 |
i guess i was | 5 |
into the pocket of | 5 |
over to the royal | 5 |
thing we can do | 5 |
turned to face the | 5 |
how about a nice | 5 |
only long enough to | 5 |
wish i could go | 5 |
could be no doubt | 5 |
try to find him | 5 |
a case for the | 5 |
i want to tell | 5 |
she did not hear | 5 |
mystery of the secret | 5 |
go to my room | 5 |
her way along the | 5 |
of the evil eye | 5 |
bottom of the boat | 5 |
penny knew that she | 5 |
she went back to | 5 |
at the hubell tower | 5 |
the entrance of the | 5 |
the riverview yacht club | 5 |
to do with that | 5 |
it was one of | 5 |
to talk to her | 5 |
the car and drove | 5 |
she glanced at the | 5 |
that he was not | 5 |
getting rid of the | 5 |
with the toe of | 5 |
to penny that the | 5 |
may be connected with | 5 |
with a supreme effort | 5 |
she started for the | 5 |
no time at all | 5 |
have to go to | 5 |
the woman in black | 5 |
she would not be | 5 |
the direction from which | 5 |
eyes and ears open | 5 |
on his way to | 5 |
mary louise went on | 5 |
know what happened to | 5 |
to tell me what | 5 |
the barbed wire fence | 5 |
of the weekly times | 5 |
i am going to | 5 |
an account of the | 5 |
a stop at the | 5 |
to the third floor | 5 |
it occurred to me | 5 |
must have imagined it | 5 |
i do hope you | 5 |
penny admitted with a | 5 |
on the door of | 5 |
if you will excuse | 5 |
have a cup of | 5 |
for a glimpse of | 5 |
switched off the light | 5 |
stay here and keep | 5 |
like the idea of | 5 |
in the heart of | 5 |
a great deal to | 5 |
at the front of | 5 |
it was up to | 5 |
you can help me | 5 |
is the one who | 5 |
first thought was that | 5 |
farther down the road | 5 |
in less than five | 5 |
as if you had | 5 |
was in the room | 5 |
she went on to | 5 |
into the house and | 5 |
will be able to | 5 |
figure emerged from the | 5 |
of early middle age | 5 |
had a lot of | 5 |
down to sunset beach | 5 |
you would like to | 5 |
at the parker home | 5 |
pine top for the | 5 |
the mouth of bug | 5 |
be glad to do | 5 |
a bend in the | 5 |
of course i am | 5 |
to talk with him | 5 |
her hand encountered a | 5 |
just what do you | 5 |
corner of the building | 5 |
to try to learn | 5 |
find out what he | 5 |
one of the women | 5 |
the mistress of rose | 5 |
she was surprised to | 5 |
out of bed and | 5 |
what are you talking | 5 |
the names of the | 5 |
it came from the | 5 |
large sum of money | 5 |
there are any number | 4 |
exchanged a quick glance | 4 |
that they were being | 4 |
a chair by the | 4 |
of the harper house | 4 |
after a slight hesitation | 4 |
by that time the | 4 |
wish i could think | 4 |
out of your mind | 4 |
she noticed that the | 4 |
at the celestial temple | 4 |
break into the house | 4 |
conforming to later volumes | 4 |
i know how you | 4 |
and mary louise and | 4 |
as they reached the | 4 |
into a clump of | 4 |
quarters of an hour | 4 |
as she had expected | 4 |
package in the sand | 4 |
will be hard to | 4 |
is a member of | 4 |
flight of stairs to | 4 |
which had not been | 4 |
off to the right | 4 |
led away from the | 4 |
had seen in the | 4 |
young man in a | 4 |
to louise that they | 4 |
in the chapel bedroom | 4 |
tell you the story | 4 |
penny thought that she | 4 |
had not gone far | 4 |
was a slim one | 4 |
the voice from the | 4 |
had been unable to | 4 |
penny perched herself on | 4 |
directly in front of | 4 |
second cup of coffee | 4 |
i might have known | 4 |
gepper is a fraud | 4 |
she had come to | 4 |
a dollar and a | 4 |
to gaze toward the | 4 |
it was hard to | 4 |
were you saying about | 4 |
as much as i | 4 |
big story for the | 4 |
had never seen before | 4 |
near the kippenberg estate | 4 |
by the time i | 4 |
a man and a | 4 |
of the magic curtain | 4 |
it was in the | 4 |
which she had been | 4 |
shake of her head | 4 |
trying to get in | 4 |
should like to see | 4 |
but how did he | 4 |
face lighted up with | 4 |
the room was dark | 4 |
no trace of the | 4 |
by one of the | 4 |
been taken into custody | 4 |
spend the night with | 4 |
he was in a | 4 |
been one of the | 4 |
the silence of the | 4 |
be quick about it | 4 |
for a short distance | 4 |
that there was something | 4 |
which includes the original | 4 |
gave it to the | 4 |
the theft of the | 4 |
now get out of | 4 |
back to shady nook | 4 |
out of my way | 4 |
home in time for | 4 |
to call the police | 4 |
if it kills me | 4 |
that the girl was | 4 |
turned it over to | 4 |
all of a heap | 4 |
the boys and girls | 4 |
she turned to face | 4 |
wish we could find | 4 |
to learn what had | 4 |
penny had little to | 4 |
would like to know | 4 |
been hiding in the | 4 |
to go with me | 4 |
never even heard of | 4 |
had it not been | 4 |
had fled from the | 4 |
inclined to agree with | 4 |
to call on the | 4 |
i only hope it | 4 |
in the darkness and | 4 |
could not bear to | 4 |
the woman shook her | 4 |
glanced at the clock | 4 |
wessler and his companion | 4 |
from somewhere in the | 4 |
thing for us to | 4 |
the beauty of the | 4 |
gazed at each other | 4 |
it is only a | 4 |
glanced at his watch | 4 |
time there was no | 4 |
glance assured her that | 4 |
where i want to | 4 |
on dewitt as the | 4 |
that it must be | 4 |
open one of the | 4 |
then why do you | 4 |
called in a loud | 4 |
over in her mind | 4 |
i was looking for | 4 |
his own free will | 4 |
far as we know | 4 |
had picked up the | 4 |
contents chapter page i | 4 |
as if you were | 4 |
can you get me | 4 |
at the marborough place | 4 |
you can count on | 4 |
pricked up her ears | 4 |
what is the meaning | 4 |
rain began to fall | 4 |
edge of the pool | 4 |
one and the same | 4 |
of the wishing well | 4 |
opened the front door | 4 |
shack where the mines | 4 |
darted across the room | 4 |
side of the room | 4 |
the box of gold | 4 |
must have been in | 4 |
at the same moment | 4 |
we got to make | 4 |
set fire to the | 4 |
as if someone were | 4 |
i want to give | 4 |
is in the hospital | 4 |
go down to the | 4 |
penny was surprised to | 4 |
the face of the | 4 |
is a case for | 4 |
mary louise and her | 4 |
through the revolving doors | 4 |
and started for the | 4 |
the door from the | 4 |
go to the house | 4 |
burned in the living | 4 |
what are we waiting | 4 |
switched on a light | 4 |
i could think so | 4 |
the camp fund board | 4 |
the end of a | 4 |
solve the mystery of | 4 |
has an html version | 4 |
more to it than | 4 |
ran out of gas | 4 |
tell what you know | 4 |
have been in the | 4 |
the first time i | 4 |
the back room and | 4 |
the car with a | 4 |
she gave him a | 4 |
take good care of | 4 |
she said as she | 4 |
to ask a few | 4 |
then why not go | 4 |
through the plate glass | 4 |
but only for an | 4 |
of the bell tower | 4 |
see what was happening | 4 |
no one will ever | 4 |
to glance at the | 4 |
a detective on the | 4 |
got work to do | 4 |
row upon row of | 4 |
going on at the | 4 |
to the fourth floor | 4 |
go along with you | 4 |
that she had forgotten | 4 |
in a hoarse whisper | 4 |
and i think you | 4 |
the story had been | 4 |
on the way over | 4 |
for several minutes she | 4 |
penny returned to her | 4 |
and for a time | 4 |
the arm of the | 4 |
as he reached for | 4 |
for a chance to | 4 |
first act was to | 4 |
by the time mrs | 4 |
lying on the floor | 4 |
it could not be | 4 |
you out of the | 4 |
she asked after a | 4 |
i thought maybe she | 4 |
she could not understand | 4 |
to do with her | 4 |
her shoes and stockings | 4 |
returned the other girl | 4 |
like to know myself | 4 |
she thought of that | 4 |
foot on the starter | 4 |
i wanted to see | 4 |
been cut in the | 4 |
she had ever been | 4 |
took out her notebook | 4 |
talk it over with | 4 |
can get out of | 4 |
high point of land | 4 |
looked at each other | 4 |
pine top for christmas | 4 |
no one seemed to | 4 |
no one was there | 4 |
toward the rear of | 4 |
for her to enter | 4 |
rounding a corner of | 4 |
and penny did not | 4 |
as he saw her | 4 |
because he had been | 4 |
penny went to her | 4 |
a fleeting glimpse of | 4 |
on the door and | 4 |
walked slowly toward the | 4 |
sound of the engine | 4 |
over to the authorities | 4 |
a lot of questions | 4 |
from his pocket he | 4 |
along the water front | 4 |
plainly visible in the | 4 |
he came to riverview | 4 |
you can talk to | 4 |
but how did you | 4 |
she had expected to | 4 |
to tell him of | 4 |
not knowing what to | 4 |
it on the table | 4 |
why did you run | 4 |
their way through the | 4 |
his back to the | 4 |
shook his head as | 4 |
they had reached the | 4 |
got to get out | 4 |
she was certain she | 4 |
less than an hour | 4 |
keeping her voice low | 4 |
now what do you | 4 |
have to do something | 4 |
finger to her lips | 4 |
and down the river | 4 |
had to go to | 4 |
version of this file | 4 |
the juggler of notre | 4 |
of course i do | 4 |
she realized that her | 4 |
her so that she | 4 |
nothing to worry about | 4 |
if you wish to | 4 |
from ear to ear | 4 |
glad to hear you | 4 |
if only i can | 4 |
you think of the | 4 |
who might have been | 4 |
it out of the | 4 |
have a great deal | 4 |
did not know what | 4 |
minutes elapsed before the | 4 |
there seems to be | 4 |
it would be to | 4 |
us to sunset beach | 4 |
and the young people | 4 |
to the front porch | 4 |
now had reached the | 4 |
car and drove away | 4 |
none of our affair | 4 |
and then to the | 4 |
anything we can do | 4 |
remainder of the ride | 4 |
the sight of the | 4 |
and i had to | 4 |
he was a short | 4 |
her gaze fell upon | 4 |
jump at the chance | 4 |
did not like the | 4 |
and most of the | 4 |
to see whether i | 4 |
on a sheet of | 4 |
see to it that | 4 |
that for a moment | 4 |
rapped on the door | 4 |
were on their way | 4 |
everything she knew about | 4 |
if you want me | 4 |
have sense enough to | 4 |
to the entrance of | 4 |
going over to the | 4 |
shook her head and | 4 |
open the door of | 4 |
gazing down into the | 4 |
dawned upon her that | 4 |
they walked toward the | 4 |
there had been no | 4 |
wanted to get rid | 4 |