quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
a work of art	51
ballad of reading gaol	43
for the first time	37
the ballad of reading	35
at the same time	34
in the case of	31
importance of being earnest	30
the importance of being	27
the picture of dorian	25
at the end of	25
picture of dorian gray	24
on the other hand	23
one of the most	22
for the sake of	22
i do not think	22
to lord alfred douglas	22
the duchess of padua	21
is one of the	21
on the part of	20
the soul of man	20
the editor of the	20
to be found in	19
i am going to	18
the end of the	18
in spite of the	17
that he was a	17
it seemed to me	17
i do not know	17
from time to time	17
as soon as he	16
to the editor of	16
in the sphere of	16
a good deal of	15
i could not help	15
woman of no importance	15
the marquis of queensberry	15
it seems to me	14
of the man who	14
the hands of the	14
the story of the	14
of the fact that	13
to be able to	13
it would have been	13
there is not a	13
that he did not	13
as if he had	13
to me to be	13
the pall mall gazette	13
it is true that	12
as soon as the	12
nothing to do with	12
as a matter of	12
i said to myself	12
that is to say	12
a great deal of	12
in the course of	12
i have no doubt	12
as well as the	12
for the most part	12
that he could not	11
the name of the	11
of lord alfred douglas	11
of a young man	11
in the midst of	11
is not to be	11
the use of the	11
is the secret of	11
of a work of	11
towards the end of	11
the nature of the	11
the philosophy of history	11
work of art is	11
the end of his	11
from the point of	10
if he had been	10
he told me that	10
a copy of the	10
lord alfred douglas and	10
but it is not	10
to do with the	10
it is impossible to	10
as soon as i	10
with lord alfred douglas	10
of a man who	10
the writer of the	10
a woman of no	10
the point of view	10
in the hands of	10
do not think that	10
to say that he	10
the rest of the	10
that there was no	10
in spite of his	10
on to say that	10
lord alfred douglas had	10
seems to me to	10
that oscar wilde was	9
one of the greatest	9
a house of pomegranates	9
with regard to the	9
in the presence of	9
the art of the	9
of some of the	9
over and over again	9
the secret of the	9
that he had been	9
he went on to	9
are to be found	9
soul of man under	9
the character of the	9
to go to the	9
and lord alfred douglas	9
in the habit of	9
criticisms by robert ross	9
of one of the	9
sense of the word	9
the first time in	9
i did not know	9
the part of the	9
a matter of fact	9
the only thing that	9
i told him i	9
the result of the	9
he was able to	9
he did not know	9
in the middle of	9
may be said to	9
the case of the	9
i want you to	9
at the time of	9
i had no idea	9
i should like to	9
as an example of	8
that oscar wilde had	8
there is no such	8
for a long time	8
was one of the	8
the spirit of the	8
a couple of years	8
i do not wish	8
there can be no	8
is to be found	8
a little later i	8
prince and other tales	8
in one of the	8
the action of the	8
there is only one	8
there is nothing in	8
the proprietor of the	8
the portrait of mr	8
trial of oscar wilde	8
it is in the	8
i shall be able	8
it is to be	8
for the purpose of	8
of man under socialism	8
court and society review	8
i am glad to	8
if he had not	8
a great romantic passion	8
out of his own	8
happy prince and other	8
that there is no	8
came out of prison	8
on the one hand	8
the fact that the	8
but i do not	8
as a sort of	8
proprietor of the hotel	8
and there is no	8
the beginning of the	8
in the old days	8
but he would not	8
be found in the	8
the value of the	8
should be able to	7
a friend of mine	7
i should have been	7
in the nineteenth century	7
letters to lord alfred	7
it is not for	7
shall be able to	7
in your issue of	7
the success of the	7
he came out of	7
i went to the	7
the cathedrals of northern	7
would have been a	7
at the close of	7
point of view of	7
and some of the	7
that it would be	7
is impossible not to	7
so far as to	7
the happy prince and	7
and the value of	7
the head of jokanaan	7
an example of the	7
the man and his	7
has nothing to do	7
the middle of the	7
to believe that the	7
it may be that	7
a young man who	7
the question of the	7
i need hardly say	7
made up his mind	7
had no idea that	7
the whole of the	7
be said to have	7
at the savoy hotel	7
told me that he	7
that it was not	7
there is no need	7
went on to say	7
in the garden of	7
on the day of	7
notre dame de liesse	7
of the soul of	7
and asked him to	7
in the history of	7
that it is the	7
to go into the	7
it is a great	7
it is impossible not	7
have no doubt that	7
i wish i could	7
the case of a	7
he would have been	7
i should not have	7
to me in the	7
the life of the	7
in the fortnightly review	7
the trial of oscar	7
there is no doubt	7
in one of his	7
of the nineteenth century	7
the work of a	7
it is interesting to	7
the house of commons	7
will be able to	7
the artistic value of	6
i think it is	6
it would be a	6
to the fact that	6
the image of the	6
imprisonment with hard labour	6
as a work of	6
to deal with the	6
that the man who	6
elkin mathews and john	6
where the artistic life	6
not be able to	6
that it is a	6
in spite of all	6
under the title of	6
am not going to	6
is nothing in the	6
i know of nothing	6
a day or two	6
to look at the	6
that lord alfred douglas	6
in order to be	6
as if he were	6
by the fact that	6
at the beginning of	6
of the age of	6
the peacock blue has	6
the beauty of the	6
but there is no	6
the lives of others	6
is a matter of	6
the influence of the	6
that i do not	6
on the ground that	6
at the present moment	6
is not a single	6
the greater part of	6
in connection with the	6
on the occasion of	6
peacock blue has a	6
and in spite of	6
as it should be	6
i do not see	6
of a man of	6
that he should be	6
it is quite true	6
of the book is	6
it is possible that	6
seemed to me to	6
face to face with	6
at the old bailey	6
the sweet sage green	6
did you first meet	6
for its own sake	6
as he had been	6
the arts and crafts	6
for the sweet sage	6
i said to him	6
for a single moment	6
to me that he	6
of the laws of	6
the history of the	6
it is for the	6
as a man of	6
a picture of the	6
had nothing to do	6
went so far as	6
mathews and john lane	6
again and again he	6
is the only thing	6
he pointed out that	6
that i have been	6
has a sacred sheen	6
the conduct of the	6
in the work of	6
and he did not	6
blue has a sacred	6
of art should be	6
which is the secret	6
in the house of	6
of one who is	6
for the use of	6
to say that the	6
the daughter of the	6
but there is a	6
and as soon as	6
nothing could be more	6
as if it were	6
of the nature of	6
as well as in	6
it is full of	6
in the eyes of	6
the soul of a	6
of art in the	6
the son of the	6
and that he had	6
house in tite street	6
the work of art	6
of the scots observer	6
head of john the	5
the head of the	5
sir william wilde was	5
do not know what	5
in view of the	5
as well as a	5
in the art of	5
as one of the	5
no such thing as	5
it is a very	5
between oscar wilde and	5
sir edward clarke then	5
the worst of it	5
in and out of	5
as well as of	5
if it had been	5
not think that the	5
in favour of the	5
abroad in the darkness	5
allow me to correct	5
in the pages of	5
whose sweet rains fall	5
and it would be	5
will hang the night	5
is that of the	5
on the fact that	5
two or three of	5
in the choice of	5
did not wish to	5
sir william and lady	5
the wings of the	5
footprints so that none	5
the wind over my	5
a man of genius	5
artistic life leads a	5
on account of the	5
of john the baptist	5
the man who wrote	5
literary and other notes	5
me in the sphere	5
track me to my	5
first time in my	5
of which he was	5
he goes on to	5
come and see me	5
sweet rains fall on	5
is a work of	5
the beautiful young hermit	5
the rocks where i	5
into the witness box	5
you will allow me	5
that he would not	5
the first time the	5
the introduction of the	5
of the ballad of	5
it is possible to	5
she will cleanse me	5
do not think it	5
was to be done	5
the clerk of arraigns	5
and the love of	5
me that he had	5
by the hands of	5
the darkness without stumbling	5
woman covered with jewels	5
in the pall mall	5
editor of the st	5
he knew nothing about	5
none may track me	5
i had to go	5
again and again in	5
the night with stars	5
what do you mean	5
silence i may weep	5
by sir edward clarke	5
that he would have	5
of the romantic movement	5
the sins of the	5
on the other side	5
and with bitter herbs	5
of art is not	5
so forth and so	5
and send the wind	5
is the result of	5
is more or less	5
to allow me to	5
where i may hide	5
and that it was	5
and on japanese vellum	5
that in spite of	5
of the artist to	5
if we are to	5
oscar wilde had been	5
so that i may	5
he said he was	5
goes on to say	5
that he should have	5
said that he was	5
may track me to	5
time in my life	5
hang the night with	5
in the first act	5
in the daily chronicle	5
unjust and just alike	5
me that he was	5
a great friend of	5
the author of the	5
to the art and	5
at the base of	5
we do not know	5
a man who has	5
stars so that i	5
the man who had	5
editor of the scots	5
did not want to	5
end of the play	5
of the importance of	5
he tells us that	5
it might have been	5
and that it is	5
may walk abroad in	5
the courage of the	5
it is one of	5
i may weep undisturbed	5
that sir william wilde	5
forth and so on	5
the secret of life	5
that it should be	5
as long as the	5
me in great waters	5
with bitter herbs make	5
so that none may	5
whose silence i may	5
have clefts in the	5
but i could not	5
the time of the	5
i will give it	5
of the pall mall	5
life leads a man	5
last years in paris	5
the house of pomegranates	5
in whose silence i	5
valleys in whose silence	5
when the time came	5
bitter herbs make me	5
the steps of the	5
secret valleys in whose	5
of the young man	5
and on large paper	5
i am not going	5
with a touch of	5
night with stars so	5
it was in the	5
herbs make me whole	5
after he left prison	5
the mouth of the	5
me to my hurt	5
that i may walk	5
on the very day	5
the precursor of the	5
i could not get	5
it must be admitted	5
she will hang the	5
i may walk abroad	5
whatever to do with	5
in its relation to	5
clefts in the rocks	5
made a point of	5
the course of this	5
in the evolution of	5
over my footprints so	5
why did you not	5
on the question of	5
the evidence of the	5
the artistic life leads	5
and so forth and	5
some of the best	5
i have got to	5
of the very highest	5
at the expense of	5
is no need to	5
it is too late	5
i shall never forget	5
it is not true	5
of the world and	5
on the face of	5
of the picture of	5
william and lady wilde	5
that none may track	5
the close of the	5
at the head of	5
priest and the acolyte	5
rocks where i may	5
was a sort of	5
there was not a	5
to take their place	5
wilde and lord alfred	5
the eyes of the	5
life as a whole	5
my footprints so that	5
will allow me to	5
in the heart of	5
he did not think	5
will have clefts in	5
the man who was	5
to a young man	5
it is the only	5
to him in the	5
in the whole world	5
have the opportunity of	5
the other side of	5
it will be remembered	5
the attention of the	5
what do you think	5
the feet of the	5
it would be impossible	5
i think it was	5
the priest and the	5
in the rocks where	5
nothing whatever to do	5
he had been a	5
wind over my footprints	5
in the darkness without	5
it is not necessary	5
will cleanse me in	5
do not wish to	5
send the wind over	5
oscar wilde and lord	5
he was the first	5
came up to me	5
with stars so that	5
i regret to say	5
as far as i	5
he is to be	5
from first to last	5
i need not tell	5
and secret valleys in	5
to the house of	5
is a piece of	5
is worthy to rank	5
was regarded as a	5
the work of the	5
in order to make	5
of the eighteenth century	5
it is only the	5
me again and again	5
was not in the	5
in so far as	5
in the ballad of	5
is no more than	5
go to the jury	5
in a short time	5
in the english language	5
cleanse me in great	5
a man who had	5
the description of the	5
walk abroad in the	5
what he had done	5
the critic as artist	5
it seemed to him	5
tell me you were	4
the artist and the	4
the charges of conspiracy	4
seemed to me the	4
did not know it	4
and it is for	4
all day long in	4
one of the first	4
the romantic movement in	4
would not have been	4
of the man and	4
with a copy of	4
he shrugged his shoulders	4
there was no corroboration	4
of the author of	4
a large sum for	4
i did not want	4
to the perfection of	4
the saturday review and	4
many plates and minor	4
to my astonishment oscar	4
it is difficult to	4
of all the arts	4
might just as well	4
that it does not	4
a certain amount of	4
lord douglas of hawick	4
it may be worth	4
translated into english by	4
in our own day	4
the editor of a	4
it is the spectator	4
being the nearest possible	4
of the artist in	4
and i gave him	4
the fact that he	4
be able to help	4
of the man of	4
the first condition of	4
the poet is the	4
the book is not	4
heaved a deep sigh	4
he wrote to me	4
the course of the	4
which we call the	4
in accordance with the	4
the type and the	4
sphinx without a secret	4
after he came out	4
come out of prison	4
in praise of shame	4
if it were not	4
of light and shade	4
to account for the	4
for continental circulation only	4
it is not so	4
and the rest of	4
of sir william wilde	4
as far as the	4
seemed to me a	4
the first edition of	4
if you want to	4
a piece of prose	4
and i do not	4
and above all the	4
a matter of course	4
ask you to allow	4
wilde to lord alfred	4
a few days later	4
the spirit of beauty	4
of the value of	4
might have been the	4
always seemed to me	4
as that of the	4
again and again i	4
english renaissance of art	4
he did not see	4
not been able to	4
with a sense of	4
at one of the	4
should be allowed to	4
your issue of today	4
the rest of his	4
no more than a	4
that there was something	4
in the nature of	4
look on the face	4
of the happy prince	4
in the middle ages	4
the door of the	4
the woman of no	4
i have not done	4
and the method of	4
have got to make	4
of me to have	4
evidence of this witness	4
that it is also	4
day or two later	4
like a treasure in	4
as well as for	4
came to him in	4
of notre dame de	4
it is no longer	4
not for a moment	4
it is worth while	4
his release from prison	4
those who have not	4
end of his life	4
when i asked him	4
could not have been	4
i do not like	4
is the essence of	4
takes place in the	4
the same time he	4
the shadow of the	4
he took rooms in	4
price of everything and	4
he had not written	4
went to the door	4
now for the first	4
that if he had	4
the dress of the	4
i need not say	4
a man of letters	4
the back of the	4
interest of the story	4
i asked him to	4
worthy to rank with	4
then there is the	4
which appeared in the	4
by means of the	4
a purely artistic effect	4
in the light of	4
he said that the	4
he does not understand	4
that there is a	4
part of de profundis	4
is not necessary to	4
no more than the	4
was no corroboration of	4
the picture of the	4
as the precursor of	4
approach to the perfection	4
art of the world	4
of the most important	4
had not yet been	4
declared that he had	4
it was said that	4
was the first to	4
copies and on large	4
did not like to	4
i am afraid of	4
it is not a	4
to believe that he	4
tone of good society	4
as being the nearest	4
my friendship with you	4
if they did not	4
the case for the	4
i went to see	4
you to tell me	4
it will be seen	4
submitted that there was	4
came to see me	4
that i should be	4
of the history of	4
a lord of language	4
on the walls of	4
in the soul of	4
of the abstract method	4
he said to me	4
in the latter case	4
sir edward clarke rose	4
is not so much	4
romantic movement in life	4
you are an artist	4
it is always twilight	4
he had been in	4
but oscar wilde was	4
that lord queensberry had	4
one of the best	4
work of art in	4
in the sense of	4
at the arts and	4
shrugged his shoulders and	4
i wrote to oscar	4
of the play is	4
birds of the air	4
that he would be	4
that he had not	4
has just gone out	4
of the portrait of	4
a fresh mode of	4
the mind of the	4
is quite true that	4
the same as that	4
out of the room	4
of the spirit of	4
does not seem to	4
the artist is not	4
of which i was	4
number of young men	4
treasure in a field	4
nothing whatsoever to do	4
to which he had	4
what beautiful things they	4
the song of the	4
its relation to conduct	4
this is not the	4
in a work of	4
not likely to be	4
there is no comparison	4
one of the gods	4
things of which i	4
he had written the	4
to the daily chronicle	4
a man of fashion	4
the love of god	4
the sphere of history	4
in a letter to	4
by one of the	4
he seemed to have	4
is that it is	4
lord alfred douglas was	4
when did you first	4
seemed to him to	4
i ask you to	4
i have ever known	4
want to know what	4
appeared in the fortnightly	4
is no doubt that	4
to him that he	4
fragment of venetian glass	4
the opinion of the	4
editor of the pall	4
the strength of the	4
gold medal for greek	4
what was to be	4
he has all the	4
not look on the	4
to be compared with	4
is only to be	4
to the end of	4
of one who has	4
with some of the	4
the nearest possible approach	4
write the first act	4
it ought not to	4
the expression of the	4
you not tell me	4
that he had a	4
also copies on large	4
that art really mirrors	4
of such men as	4
on the subject of	4
the sphere of thought	4
he said that he	4
things as they are	4
he declared that the	4
as soon as possible	4
same as that of	4
he heaved a deep	4
admitted that he had	4
in little college street	4
point out to you	4
the source of all	4
edition for continental circulation	4
by the author of	4
that it was written	4
on unjust and just	4
grew more and more	4
bear the burden of	4
of reading gaol was	4
up my mind to	4
did not know that	4
his life and confessions	4
is that there is	4
to do with art	4
of the marquis of	4
the garden of the	4
it must not be	4
of form and colour	4
a treasure in a	4
talk of him as	4
he left prison he	4
men of the world	4
the first of these	4
in the minds of	4
the truth is that	4
it is not the	4
the names of the	4
i shall not be	4
in the world of	4
in the story of	4
everything and the value	4
and the school of	4
have been able to	4
with his own hands	4
did not know what	4
for the jury to	4
great romantic passion is	4
beautiful things they might	4
i wish you would	4
but there was no	4
the ethics of journalism	4
to the time of	4
the study of the	4
that he was not	4
can be no doubt	4
the tone of good	4
the decay of lying	4
is to be hoped	4
a friend of his	4
symbolic relations to the	4
and not for the	4
from the pen of	4
had been able to	4
at the back of	4
copies on large paper	4
has the courage of	4
would not hear of	4
i shall have to	4
the midst of the	4
fall on unjust and	4
a great deal about	4
the sale of the	4
of everything and the	4
the petals of a	4
i would point out	4
the death of the	4
by lord alfred douglas	4
that there was nothing	4
you to allow me	4
he was going to	4
the state of the	4
that a man who	4
it was clear that	4
the interest of the	4
fisherman and his soul	4
is worth while to	4
the basis of his	4
as i have said	4
not tell me you	4
it is for you	4
be no doubt that	4
precursor of the romantic	4
the fact that it	4
what a great romantic	4
work of art should	4
of reading gaol is	4
in reference to the	4
the witness did not	4
in the development of	4
no less than in	4
it is said that	4
in the grosvenor gallery	4
plates and minor decorations	4
that he had no	4
and it is impossible	4
and i told him	4
were in the habit	4
is always twilight in	4
the servant of the	4
great friend of mine	4
it is not that	4
stood in symbolic relations	4
in a few years	4
life of oscar wilde	4
and out of season	4
is no such thing	4
it is with the	4
to the savoy hotel	4
must have been the	4
rains fall on unjust	4
is the spirit of	4
i want to live	4
of course i was	4
that a work of	4
the price of everything	4
not think of it	4
when i was at	4
the difference between the	4
is only one thing	4
what i want to	4
no less than the	4
it is no less	4
would be impossible to	4
of the lives of	4
it is as if	4
did you know that	4
courage of the opinions	4
take the trouble to	4
that it was only	4
draws attention to the	4
in symbolic relations to	4
but he could not	4
that it is an	4
it may be mentioned	4
whom i have already	4
at little college street	4
the latter part of	4
i used to think	4
relations to the art	4
i wish to thank	4
seemed to me that	4
though he did not	4
was never able to	4
did you not tell	4
there is but one	4
may be worth while	4
of the most beautiful	4
one morning in the	4
and the life of	4
i ought to have	4
verdict of not guilty	4
the head of john	4
that this is a	4
that you have been	4
i was going out	4
for whom the world	4
it was he who	4
the philosopher of the	4
and all the while	4
but it is in	4
his attitude towards life	4
of our own day	4
possible approach to the	4
if i live in	4
on the th of	4
is one of those	4
in the saturday review	4
ought not to have	4
the evidence of this	4
it is the most	4
but it is a	4
the attitude of the	4
that he might be	4
nearest possible approach to	4
he was unable to	4
and on the day	4
lord alfred douglas is	4
writer of the article	4
in the united states	4
that i could not	4
the woman covered with	4
the face of woman	4
what seemed to me	4
it would not be	4
i stared at him	4
the origin of the	4
the sake of the	4
the first time that	4
say that i am	4
it has been objected	4
to do is to	4
the art and culture	4
man who wrote it	4
art and culture of	4
i think it would	4
again and again and	4
the value of nothing	4
that some of the	4
that oscar wilde should	4
when i go out	4
with many plates and	4
this to be said	3
the meaning of the	3
in the volume of	3
i was going to	3
i pointed out to	3
the play was written	3
for those who have	3
in the same way	3
he told the audience	3
the laws under which	3
oscar wilde should be	3
a master of all	3
less and loved me	3
and gave it to	3
of the artistic life	3
but in the case	3
that it is no	3
it is as though	3
all the other arts	3
the enlarged version of	3
on account of its	3
bring without pity against	3
time he sighed heavily	3
very dangerous thing to	3
such thing as a	3
the joy of the	3
those whom i have	3
the remainder of the	3
cannot help feeling that	3
of art is the	3
and made others feel	3
man of the world	3
to have the opportunity	3
the goddess of wisdom	3
success of the plays	3
it is of course	3
in my life i	3
you want to know	3
pictures that make you	3
took no interest in	3
the world has known	3
who had gone bail	3
the only one of	3
be unable to realise	3
that the only thing	3
me to have entertained	3
the paradox was to	3
he was one of	3
shoulders the burden of	3
that has happened to	3
i am thinking of	3
a story of cheiromancy	3
is more difficult to	3
the writer of a	3
argent splendour of white	3
are among the most	3
to consider their verdict	3
think it would be	3
unpublished portion of de	3
and i could not	3
as one who had	3
of art and the	3
have seen many of	3
to those who are	3
an account of the	3
you are going to	3
is the only way	3
to get to the	3
of the world is	3
as opposed to the	3
of the case was	3
artistic life considered in	3
the mere fact that	3
the different kinds of	3
the higher education of	3
is a truism that	3
who seems to stand	3
he was never able	3
the good things of	3
used to say that	3
he did not wear	3
enlisted in the army	3
soon as it was	3
the opening of the	3
but it has been	3
liked me less and	3
to be drawn from	3
a critical study by	3
published in book form	3
more spiritual message or	3
is going to be	3
that are to be	3
soul of a man	3
who will not look	3
the only way to	3
am glad to see	3
in his heart he	3
birthday of the infanta	3
the days of the	3
wrong and unjust laws	3
the fact that in	3
of my tortured past	3
on the character of	3
were it not that	3
what is beautiful and	3
this book is not	3
in the person of	3
as a type of	3
to me at all	3
but i think that	3
of oscar wilde and	3
was sent to the	3
of which i have	3
a story with a	3
of the artist that	3
not hear of it	3
create an artistic movement	3
different from any other	3
as pure as it	3
a trivial comedy for	3
that he does not	3
i made up my	3
in book form in	3
of view of art	3
what can i do	3
be read by the	3
the present state of	3
can be found in	3
temper in which a	3
as a proof of	3
of a great man	3
in the first instance	3
he could not give	3
he spoke of the	3
as we have constituted	3
but i was not	3
to admit the possibility	3
which is the very	3
in order to show	3
in the open air	3
told me he had	3
that i did not	3
of the lilies of	3
me the head of	3
paradox was to me	3
of his life and	3
of the work of	3
in the matter of	3
are in their essence	3
not ask me to	3
had a sort of	3
for nearly two years	3
one side of the	3
spectator of his own	3
with sir william wilde	3
was half the excitement	3
years of age and	3
do you really think	3
in two or three	3
portions of de profundis	3
to paris in september	3
he had never seen	3
i blame myself for	3
regarded sin and suffering	3
that oscar had written	3
i gave him the	3
the spirit of art	3
that i am not	3
i have ever heard	3
art is not to	3
the english are very	3
of life and the	3
to leave the room	3
at the court of	3
i am trying to	3
that the laws under	3
he was a snob	3
he had taken the	3
you must stay with	3
verdict against a father	3
lord alfred douglas to	3
the choice of the	3
at a time when	3
i will not go	3
part of the case	3
of them have been	3
the things of the	3
of his own mouth	3
the enormous importance of	3
next day at lunch	3
as being in themselves	3
nightingale and the rose	3
who had been employed	3
the history of art	3
work of art from	3
by its means he	3
and this is the	3
the true principles of	3
of my release i	3
not one of the	3
when he sat down	3
it could not be	3
a critic of the	3
from the standpoint of	3
though they may not	3
as if it had	3
to know nothing of	3
i think i can	3
of him as a	3
grew careless of the	3
play about a good	3
the way in which	3
the best life of	3
the needs of the	3
that the man of	3
who sit for the	3
he got up and	3
ready to say so	3
dare not speak its	3
that he had ever	3
i hope you will	3
as soon as it	3
in england and america	3
to be allowed to	3
indeed one of the	3
to stand or fall	3
the mercure de france	3
i will not say	3
i thought you were	3
this pitiless indictment i	3
of life and art	3
it must be confessed	3
kinetic and potential speech	3
would not like to	3
is always looking for	3
the frieze of the	3
at the haymarket theatre	3
to face the world	3
i am told that	3
to give you any	3
had to be carried	3
will have nothing to	3
on the english renaissance	3
fell in love with	3
in the best way	3
and again and again	3
may be regarded as	3
half of his kingdom	3
the evil things of	3
in spite of its	3
the very day of	3
met lord alfred douglas	3
has none to offer	3
the time of his	3
we have constituted it	3
he would not be	3
incomparable and ingenious history	3
sense of beauty and	3
it came as a	3
the problem of poverty	3
the same time that	3
if he had a	3
it is only when	3
to be a great	3
does not help me	3
the breath of life	3
when he was in	3
will be sure to	3
he did not wish	3
the change in him	3
of those who have	3
at a purely artistic	3
that i have said	3
is the slave of	3
to break off the	3
to do with its	3
there seems to be	3
the passion of his	3
cannot be separated from	3
one of the finest	3
and all of them	3
the birds of the	3
from the black waters	3
the object of his	3
by the hand of	3
i have not got	3
to remember that the	3
the first time i	3
could think of nothing	3
quarter of an hour	3
did not care to	3
careless of the lives	3
is a very different	3
me less and loved	3
one of the very	3
am quite ready to	3
me you were so	3
it was not the	3
but it is too	3
man who had been	3
life considered in its	3
he was a great	3
the last refuge of	3
i told him what	3
at the palace theatre	3
of nothing but the	3
say that such a	3
pointed out that there	3
the madness of kissing	3
just the sort of	3
great deal of the	3
that it is impossible	3
had been in the	3
had come out of	3
greater part of the	3
it had been the	3
the south kensington museum	3
of the critic as	3
is realised is right	3
can only say that	3
danger was half the	3
they may not think	3
the burden of the	3
to point out that	3
do not know how	3
the hero of the	3
from the rest of	3
in the second act	3
had gone bail for	3
he said that wilde	3
government of the world	3
for the joy of	3
into the mouth of	3
but he did not	3
and the music of	3
there is a fatality	3
here and there a	3
with the eyes of	3
breeches and silk stockings	3
relations of the artist	3
i had to tell	3
that i wanted to	3
from beginning to end	3
in spite of their	3
there are times when	3
waters of my tortured	3
classes of this country	3
to take up again	3
of the play was	3
of the real spirit	3
his own shoulders the	3
one who is in	3
which he had not	3
in the world and	3
after his release from	3
the manuscript of the	3
of the two men	3
did not respond to	3
in the picture of	3
to go at once	3
which i beg you	3
given to us by	3
i bought for a	3
the author of intentions	3
they are like the	3
is of course a	3
and at the same	3
noticed that he was	3
i did not believe	3
and in a few	3
the literary theatre club	3
which i have been	3
of the story is	3
reference to the case	3
no place for me	3
stay with your child	3
and makes it bleed	3
do you think i	3
i was allowed to	3
i asked him what	3
reminds us of the	3
the sense of beauty	3
a very short time	3
give me the head	3
he was a little	3
he had been guilty	3
took the place of	3
it could not have	3
stand or fall by	3
it is not an	3
this seems to me	3
saw from the black	3
the spirit of revolt	3
and loved me more	3
the only one that	3
and the ballad of	3
it is for this	3
upon the other hand	3
believe it to be	3
wilde had at length	3
the danger was half	3
conduct of the prosecution	3
was not to be	3
we have not yet	3
than anything he had	3
had written the play	3
i would rather not	3
if i had been	3
of his own class	3
not propose to discuss	3
would have been wrong	3
part of the book	3
he had had a	3
the page of herodias	3
is the reason of	3
past the argent splendour	3
did not know the	3
crime and other prose	3
de profundis as a	3
the day of his	3
is the quality of	3
from day to day	3
between decoration and realism	3
and in the course	3
do you want to	3
for a moment to	3
the fact that oscar	3
and the proprietor of	3
the ground that the	3
which seems to have	3
does not understand me	3
now and then one	3
of what took place	3
in saying that i	3
the whole of this	3
the very soul of	3
in the sonnets of	3
gave it to him	3
that i told him	3
the face of the	3
the critic of the	3
trivial comedy for serious	3
had an intrigue with	3
as much as he	3
to whom the end	3
the plea of justification	3
the form of a	3
it is easy to	3
went into the witness	3
a touch of the	3
third act takes place	3
there has been no	3
and other prose pieces	3
the shadows of the	3
on the way to	3
supreme vice is shallowness	3
a certain number of	3
to a certain extent	3
suffering as being in	3
a new and delightful	3
the production of the	3
secret of life is	3
me to go to	3
a pity it is	3
which he gave the	3
oscar wilde was arrested	3
had little or no	3
the third act takes	3
and i want you	3
of the latter to	3
of language and the	3
may not think it	3
i have said that	3
behind sorrow there is	3
felt that there was	3
indictment i bring without	3
to be hoped that	3
he was proud of	3
wish to thank mr	3
the black waters of	3
wanted to know if	3
and a delight in	3
and i felt that	3
there will be no	3
here and there like	3
denied that he had	3
the supreme vice is	3
new and delightful form	3
an end in itself	3
of the existence of	3
i went into the	3
on the stage of	3
a play about a	3
was a man of	3
give an account of	3
it was not in	3
rest of his life	3
came out of the	3
so as not to	3
gave him the money	3
and i am sure	3
the pleasure of the	3
not too much to	3
to show that he	3
of a fair trial	3
the argent splendour of	3
last refuge of the	3
being in themselves beautiful	3
the very heart of	3
thou liked me less	3
the majority of the	3
there is in the	3
he was at his	3
will give you a	3
of the jury to	3
spent the whole of	3
and ingenious history of	3
have a fair trial	3
course i know that	3
a few years later	3
it was in this	3
artistic point of view	3
that i had not	3
there is no other	3
on the eve of	3
appeared in the daily	3
to understand is to	3
is the aim of	3
of what is beautiful	3
he had not had	3
is not he who	3
man i have ever	3
as soon as she	3
rue des beaux arts	3
in every possible way	3
there is nothing else	3
for our own part	3
and at the end	3
that he had had	3
a copy of it	3
his rooms at the	3
under the impression that	3
did you give him	3
that it was a	3
of more vital issue	3
little to do with	3
to give him the	3
at the bijou theatre	3
you must not judge	3
me the name of	3
a little of it	3
a large sum of	3
it dreadful of me	3
edward clarke rose and	3
the act of sodomy	3
not seem to me	3
but i would not	3
one point of view	3
for the secret of	3
be able to take	3
the system under which	3
in it with a	3
do you think that	3
of the young men	3
it at the time	3
as far as that	3
place in the world	3
to the very end	3
the contrast between the	3
of course i know	3
but it was not	3
to the verge of	3
one after the other	3
views on the subject	3
for a few days	3
use of the young	3
perversity became to me	3
first produced at the	3
the progress of the	3
the fact that i	3
we learn that he	3
i wish i had	3
which lord alfred douglas	3
but as soon as	3
and told him to	3
of the queensberry trial	3
to my astonishment he	3
has nothing whatever to	3
in the gallery of	3
one of his plays	3
went to see him	3
the expense of the	3
two and a half	3
him from time to	3
whom the world is	3
the fact that wilde	3
to ask you a	3
an exquisite fragment of	3
it is the one	3
was a man who	3
have said to you	3
think of nothing but	3
was always full of	3
men in the world	3
anything of the kind	3
to the young man	3
those who have been	3
so dear to the	3
at the very moment	3
daughter of the emperor	3
wanted to be a	3
the play was a	3
would have been the	3
to my friendship with	3
to tell the truth	3
far as to say	3
channels by which all	3
could have been so	3
this was not the	3
he is the son	3
was writ in water	3
the topmost height of	3
of being a poet	3
the lives of the	3
he may have been	3
of the use of	3
need not tell you	3
out of the court	3
him to come and	3
one would have thought	3
in spite of a	3
of a man whose	3
be worth while to	3
that miss travers had	3
of a new creed	3
i will give you	3
as it may seem	3
editor of the daily	3
a young man to	3
on account of his	3
when i say that	3
he came up to	3
on one of the	3
the title of the	3
black waters of my	3
had never seen the	3
received a letter from	3
that there is nothing	3
to us in the	3
i grew careless of	3
lady of the sonnets	3
that it was the	3
hotel de la plage	3
what a pity it	3
when i was in	3
to leave the country	3
your men and women	3
i have ever met	3
the body of the	3
that i am the	3
to me that i	3
and that he was	3
a very different thing	3
it has been suggested	3
do not desire to	3
that he must not	3
a portion of the	3
it is worthy to	3
ingenious history of mr	3
was at his best	3
am trying to say	3
it was possible to	3
could never have been	3
a very dangerous thing	3
pages of the book	3
the sphere of poetry	3
he was in the	3
have a right to	3
that is born of	3
he had not only	3
a change in the	3
and modes of perfection	3
it was not so	3
of the greatest of	3
the idea of the	3
to do him justice	3
out at the time	3
on the following day	3
to the door and	3
a man of sorrows	3
love in my heart	3
a letter from him	3
from the tyranny of	3
is for you to	3
he replied with a	3
works of oscar wilde	3
as a critic of	3
the dance of the	3
to him a great	3
that would have been	3
me one of the	3
the lower education of	3
he was incapable of	3
whom the end of	3
of the greek spirit	3
a wrong and unjust	3
when oscar was in	3
turns out to be	3
the end of life	3
phrases and philosophies for	3
a purely decorative thing	3
the idea of a	3
to the love of	3
i am quite ready	3
it would be too	3
be a matter of	3
was about this time	3
on one occasion he	3
the carrying out of	3
i let myself be	3
to do what is	3
the foreman of the	3
he would never have	3
jury retired to consider	3
at the instance of	3
i think i have	3
all the world was	3
i have a right	3
carrying out of the	3
he ought to have	3
the nineteenth century in	3
his mode of life	3
the daughter of a	3
would be difficult to	3
but at the time	3
it is indeed a	3
is the one thing	3
and that those who	3
to the student of	3
the half of his	3
free to do all	3
know what a great	3
till the next sessions	3
of the royal academy	3
the evidence of shelley	3
in the name of	3
for half an hour	3
illustrated by bernard partridge	3
rest of the day	3
it is better to	3
a year or so	3
of no use to	3
his attention to the	3
has been objected that	3
he would not hear	3
i have said to	3
the feeling of the	3
notes and a memoir	3
gone out of the	3
the cathedrals of southern	3
was to me in	3
we had a great	3
out of the window	3
the eyes of all	3
one of the few	3
i saw from the	3
as well as to	3
the jury retired to	3
day long in the	3
the central criminal court	3
not a particle of	3
there is a wide	3
to him by the	3
under the influence of	3
and one of the	3
i need not remind	3
never for a moment	3
as in the case	3
i have already said	3
estimate of wilde by	3
a man of his	3
the lilies of the	3
it had to be	3
say that it was	3
life and soul of	3
it is not only	3
and what is the	3
no doubt that he	3
that he could bear	3
the truth when he	3
as an artist in	3
the sake of a	3
the life of a	3
just where the artistic	3
to get him to	3
that he will not	3
a judge in chambers	3
had the pleasure of	3
do not think i	3
the faces of the	3
day of my release	3
is a beautifully coloured	3
to tell me that	3
i had never heard	3
desire on the part	3
distinction between decoration and	3
and wanted to know	3
comedy for serious people	3
to those who were	3
will have no place	3
that make you say	3
his life and his	3
she went on to	3
say that there is	3
of the fifteenth century	3
by the name of	3
the author of lady	3
the midst of a	3
that it could be	3
of the world are	3
this is the spirit	3
platform of clapham junction	3
as it is always	3
to be a question	3
the importance of which	3
the crucifixion of the	3
the dust of the	3
was not allowed to	3
in the mind of	3
to time he sighed	3
a beautifully coloured surface	3
for the death of	3
with the beauty of	3
for there is nothing	3
trying to say so	3
borne in mind that	3
blooming in the gardens	3
here and there are	3
and begged him to	3
the purpose of giving	3
not so with the	3
form of sexual indulgence	3
tile from the wall	3
inventive and creative handling	3
a list of the	3
those of us who	3
at the albemarle hotel	3
he was not only	3
be said of the	3
he knew that he	3
in the form of	3
in the introduction of	3
sin and suffering as	3
it does not seem	3
have been known to	3
the son of man	3
it would be better	3
and suffering as being	3
hands of the clock	3
in which he tells	3
is not too much	3
i should be quite	3
i was in a	3
you give him money	3
between lord alfred douglas	3
that you should have	3
made others feel it	3
which he was convicted	3
as a factor in	3
it is not too	3
it should not be	3
of white limbs ascend	3
rochester road police station	3
in his summing up	3
and it was not	3
read out in court	3
to see that the	3
have no place for	3
a man of the	3
and of no account	3
the tyranny of the	3
dust that dances in	3
and again in the	3
quite as much as	3
did not attempt to	3
of those who knew	3
the relations of the	3
the whole of his	3
what is called the	3
thank you for your	3
the minds of the	3
lord queensberry had been	3
should be capable of	3
end of the year	3
in his own day	3
from every point of	3
the dust that dances	3
i tried to be	3
by which all noble	3
other side of the	3
till the end of	3
and now and then	3
the true secret of	3
for a couple of	3
all that has happened	3
need not remind you	3
out of the question	3
but it is for	3
to go to america	3
people thought it dreadful	3
in answer to the	3
is not so with	3
do you think of	3
tells him that the	3
let me tell you	3
in the faces of	3
of it in the	3
course of this narrative	3
you came out of	3
was proud of meeting	3
to me in london	3
a picture of a	3
may be said in	3
the means by which	3
have been allowed to	3
of the state of	3
of the book and	3
the personality of the	3
admit the possibility of	3
the costume of the	3
as a rule the	3
with a sort of	3
that it was impossible	3
it was produced in	3
oscar wilde had already	3
an intrigue with sir	3
essay on decorative art	3
the life and soul	3
of queen joan of	3
an essay on decorative	3
if one wants to	3
of these things i	3
a first class in	3
the one and the	3
beautiful work of art	3
in the literature of	3
of the trial of	3
he is in the	3
the new stage club	3
as a young man	3
to write to you	3
the portrait of dorian	3
to be carried out	3
of the play and	3
what the paradox was	3
exquisite fragment of venetian	3
to tell us that	3
he seemed to take	3
it is an old	3
with a view to	3
it was for the	3
the fact that a	3
that there is any	3
a verdict against a	3
of the goddess of	3
must stay with your	3
dance of the seven	3
want to live here	3
culture of my age	3
and the practice of	3
trying to protect his	3
the walls of the	3
into the hands of	3
action of the piece	3
had an extraordinary success	3
he was in a	3
which is one of	3
i wanted to know	3
is of the same	3
by the same author	3
it was about this	3
the part of sir	3
i gave him a	3
we are glad to	3
rooms at the savoy	3
during the last few	3
i noticed that the	3
wrong and unjust system	3
the jury in the	3
that dare not speak	3
each and all of	3
certain that he would	3
the duty of the	3
for some time before	3
only one thing for	3
will be blooming in	3
blue tile from the	3
considered in its relation	3
splendour of white limbs	3
reproduced in the appendix	3
bought for a halfpenny	3
say that he was	3
unity of the arts	3
i could not make	3
did not hesitate to	3
time to time he	3
i think that the	3
though it is not	3
a great part of	3
could not fail to	3
is in love with	3
i know it is	3
in so many words	3
i do not propose	3
why it was so	3
to rochester road police	3
and did not know	3
that one of the	3
had seemed to him	3
he had not been	3
so far as it	3
whom he knew to	3
and i can only	3
spiritual message or meaning	3
of the artistic value	3
to the development of	3
and the name of	3
of the seven veils	3
hour and a half	3
think that it is	3
i had known him	3
not profess to be	3
you must admit that	3
of the influence of	3
to pass into a	3
that he was in	3
intrigue with sir william	3
impossible for me to	3
in the gardens of	3
a word of the	3
the love of the	3
the greeks would say	3
in an english prison	3
and all the world	3
a thing that is	3
as a piece of	3
portion of de profundis	3
of dorian gray was	3
christ as the precursor	3
the man of sorrows	3
let me say this	3
pity it is that	3
the song of solomon	3
half an hour later	3
the effect of the	3
there is really no	3
as soon as we	3
him to give me	3
so that all the	3
i bring without pity	3
in the realm of	3
retired to consider their	3
the judge held that	3
is going to happen	3
he could not be	3
summing up of the	3
out of the house	3
in the present state	3
are not those of	3
matter of fact i	3
and he went on	3
he who does not	3
that his hair was	3
what he was doing	3
but that it is	3
and said to him	3
that i bought for	3
be borne in mind	3
solid social foundations in	3
of all time and	3
did not wear his	3
end of his imprisonment	3
every point of view	3
to see him in	3
suffered a wrong and	3
in the same year	3
the principle of beauty	3
story with a moral	3
if you are an	3
from his life in	3
there was nothing in	3
signed by the author	3
so much to do	3
have nothing to do	3
could not help saying	3
find a place here	3
worth while to notice	3
after i am free	3
had no right to	3
philosophies for the use	3
seems to me a	3
a man who was	3
you to give me	3
of which we have	3
was said to have	3
the story of his	3
it at the present	3
the glory of the	3
too much to be	3
with one of the	3
to me when i	3
of a little child	3
i ought not to	3
this is the only	3
published in your columns	3
on his way to	3
of his intimacy with	3
is the use of	3
taken to rochester road	3
i should have to	3
the day of my	3
up to the present	3
did not realise that	3
an expression of the	3
that the artist must	3
from the wall of	3
the genius of the	3
about a good woman	3
was that he was	3
to myself that i	3
with notes and a	3
i could tell you	3
he knew to be	3
and left the room	3
came to me at	3
it would be difficult	3
as it is the	3
he gave me a	3
no more spiritual message	3
to allow it to	3
told him i was	3
addressed to a young	3
in the preface to	3
those who sit for	3
of which he knows	3
end of life is	3
should be tried separately	3
music is the art	3
that there have been	3
the real spirit of	3
him to dinner at	3
lilies of the field	3
to those who have	3
to do with his	3
to the eyes of	3
two or three days	3
he used to say	3
a picture is a	3
lord alfred douglas in	3
that it is not	3
it seems a pity	3
is that he was	3
it would be quite	3
as i have already	3
in answer to his	3
i do not believe	3
of the most delightful	3
the rise of the	3
if i did not	3
large sum of money	3
as has been said	3
on his knees and	3
the sphere of art	3
thought it dreadful of	3
i was in the	3
you have nothing to	3
that we should be	3
quite ready to say	3
the existence of the	3
name was writ in	3
knew nothing of the	3
letter of oscar wilde	3
they would have to	3
and i want to	3
what i have said	3
and talk to him	3
one of the earliest	3
just gone out of	3
and culture of my	3
in which it is	3
one of the great	3
i can do nothing	3
of the middle ages	3
the side of the	3
i wanted him to	3
came to me with	3
or any other of	3
my tortured past the	3
of those who are	3
is just where the	3
my lank limp lily	3
to live in the	3
to me one of	3
should be read by	3
glad to see you	3
asked him to lunch	3
the man in the	3
the worship of beauty	3
knows the price of	3
i should not mind	3
the hands of a	3
his life as a	3
the day of the	3
made up my mind	3
will not look on	3
the gloom of the	3
in order to induce	3
for us to do	3
a question for the	3
the formation of a	3
so that i could	3
did not think that	3
copies on handmade paper	3
my release i shall	3
in his life of	3
see that there is	3
and you will be	3
i felt it myself	3
to one of his	3
the channels by which	3
it pleased him to	3
without pity against myself	3
is due to the	3
of his age and	3
the wall of damascus	3
was one of those	3
at the feet of	3
learn that he is	3
became to me in	3
it was written in	3
the artistic beauty of	3
in front of the	3
who stood in symbolic	3
from week to week	3
the new sculpture room	3
to some of the	3
is this to be	3
in the works of	3
there are a few	3
after the manner of	3
the fact that his	3
seemed to be a	3
history of mr w	3
the loveliness of the	3
hadst thou liked me	3
to ask you to	3
with which he had	3
given to the world	3
a quarter of an	3
than an exquisite fragment	3
to go back to	3
meeting with lord alfred	3
be capable of being	3
seemed to him a	3
as the greeks would	3
la sainte courtisane is	3
be better able to	3
portrait of dorian gray	3
allowed pleasure to dominate	3
there should be no	3
i come to the	3
out that there was	3
before and after his	3
seems to have been	3
i will tell you	3
sorrow there is always	3
the value of a	3
to dine with you	3
wanted to know whether	3
is to be an	3
be blooming in the	3
it would be to	3
in the place of	3
be regarded as a	3
all the way from	3
the mere fact of	3
to notice that the	3
in which he is	3
it may not be	3
the world of art	3
of men and women	3
no less than a	3
would point out to	3
the gods and the	3
tortured past the argent	3
there is this to	3
pitiless indictment i bring	3
it should be made	3
case for the prosecution	3
in some of the	3
and the sense of	3
to the world of	3
the romantic movement of	3
as long as i	3
but i am not	3
have not got it	3
it may be a	3
think it at the	3
tell her that i	3
and it will be	3
do not propose to	3
a blue tile from	3
own shoulders the burden	3
that dances in the	3
the reading of the	3
but at the same	3
about the subject of	3
all through his life	3
and the line of	3
i did not like	3
from the mouth of	3
one of them as	3
i could hardly believe	3
of the character of	3
me to be a	3
numbered from to inclusive	3
for the rest of	3
never been able to	3
the agony of the	3
he was a man	3
to which he has	3
to me of the	3
to which i have	3
seems to me that	3
of the catholic faith	3
to be given to	3
not think it at	3
not be out of	3
great works of art	3
have you ever met	3
act takes place in	3
be out of place	3
in which it was	3
know that it is	3
the people who have	3
dreadful of me to	3
the wind in the	3
a piece of paper	3
in the poetry of	3
is the son of	3
you had not been	3
the english renaissance of	3
of oscar as a	3
is at once the	3
and philosophies for the	3
is the story of	3
sir edward clarke submitted	3
was in no way	3
is no less than	3
in the whole of	3
his first comedy was	2
will not take the	2
introduction to rose leaf	2
you have no right	2
makes or unmakes character	2
that makes sorrow grotesque	2
brutality of plain realism	2
the entrance of the	2
instinct with beautiful life	2
the use of queen	2
to be merely a	2
the painful noise from	2
as it was written	2
the voice of his	2
wilde was able to	2
to point to the	2
no sense of the	2
is not generally known	2
sing the song of	2
are very fond of	2
naturally adapted for decorative	2
is expecting a lady	2
or i should have	2
epigrams in dorian gray	2
he who mirrors it	2
which was published in	2
two nurses were out	2
to be the most	2
on the charge of	2
that your literature needs	2
tailpieces to each chapter	2
and have affection for	2
for the life of	2
waiting for the train	2
he was responsible for	2
a punishment inflicted by	2
complex phenomena of life	2
a mode of autobiography	2
to arrive at an	2
a review of my	2
sweet repentance of the	2
you know you are	2
of those who attain	2
the spendthrift of my	2
the satyricon of petronius	2
and it never ceased	2
william wilde to go	2
but their artistic spirit	2
not leave the room	2
us that he had	2
to tell him that	2
of lord henry wotton	2
the conditions of art	2
the art whose subject	2
the head of a	2
lyre is false in	2
i think you can	2
one from the other	2
as was what the	2
culture of his time	2
it with a bitterness	2
for the sins of	2
that at one time	2
in the fact that	2
took the name of	2
the young man turns	2
incredible in the idea	2
tells us that the	2
it my duty to	2
a sonnet on the	2
a child is as	2
ideas upon dress reform	2
should be placed on	2
he gives us a	2
of the spoken word	2