This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
in the first | 20 |
in the aeneid | 20 |
one of the | 20 |
it is not | 19 |
seems to have | 17 |
of the aeneid | 17 |
of the poem | 14 |
the fact that | 14 |
there is no | 13 |
seems to be | 13 |
it is a | 12 |
in the second | 12 |
the beginning of | 12 |
as in the | 12 |
it is the | 12 |
to be sure | 11 |
end of the | 11 |
that it is | 11 |
as it is | 11 |
of the same | 11 |
to have been | 10 |
the end of | 10 |
it would be | 10 |
it may be | 10 |
at the end | 10 |
of the georgics | 9 |
the conclusion of | 9 |
could hardly have | 9 |
of the ciris | 9 |
on the other | 9 |
that the poet | 9 |
a matter of | 9 |
it has been | 9 |
catullus and calvus | 9 |
of the second | 9 |
the story of | 9 |
in the latin | 8 |
the auxiliary verb | 8 |
a man of | 8 |
of the first | 8 |
of the most | 8 |
the death of | 8 |
in the same | 8 |
in this respect | 8 |
not to be | 8 |
the sixth eclogue | 8 |
of his own | 8 |
out of the | 8 |
the other hand | 8 |
brutus and cassius | 8 |
so far as | 8 |
of the culex | 8 |
in the ciris | 8 |
that he had | 8 |
in so far | 7 |
as a matter | 7 |
syllable of the | 7 |
in the english | 7 |
lines of the | 7 |
fact that the | 7 |
as well as | 7 |
to be the | 7 |
part of the | 7 |
the fifth book | 7 |
the english language | 7 |
to be found | 7 |
at this time | 7 |
seem to be | 7 |
at the beginning | 7 |
in order to | 7 |
of all the | 7 |
it was not | 7 |
would have been | 7 |
the paradise lost | 7 |
have been a | 7 |
of the new | 7 |
the battle of | 7 |
to be a | 7 |
the golden age | 6 |
of the verse | 6 |
some of his | 6 |
of the english | 6 |
a time when | 6 |
the study of | 6 |
parts of the | 6 |
but there is | 6 |
this is the | 6 |
arms and the | 6 |
seem to have | 6 |
author of the | 6 |
the spirit of | 6 |
the allusio verborum | 6 |
man i sing | 6 |
and the man | 6 |
and of the | 6 |
the common pause | 6 |
may well be | 6 |
found in the | 6 |
of the eclogues | 6 |
vergil seems to | 6 |
he must have | 6 |
of the phrase | 6 |
matter of course | 6 |
the author of | 6 |
beginning of the | 6 |
inversion of the | 6 |
it would have | 6 |
that it was | 6 |
in the year | 6 |
in the third | 6 |
if we may | 6 |
the poet had | 6 |
of the very | 6 |
the po valley | 6 |
must have been | 6 |
but it is | 6 |
of this kind | 6 |
at any rate | 6 |
is to be | 6 |
the man i | 6 |
is not a | 6 |
and it is | 6 |
that in the | 6 |
it is to | 6 |
i am now | 6 |
thing to be | 6 |
it is at | 6 |
as it were | 6 |
the poem is | 6 |
when he wrote | 6 |
at a time | 6 |
and the like | 6 |
it was the | 6 |
we are told | 6 |
would be a | 5 |
as i have | 5 |
the rest of | 5 |
in his youth | 5 |
of the pause | 5 |
whether or not | 5 |
by means of | 5 |
varying of the | 5 |
the very first | 5 |
of the republic | 5 |
the sake of | 5 |
second and third | 5 |
the third book | 5 |
the subject of | 5 |
in the georgics | 5 |
the form of | 5 |
of catullus and | 5 |
the following are | 5 |
be found in | 5 |
the work of | 5 |
the varying of | 5 |
poet of the | 5 |
of the early | 5 |
ideals of the | 5 |
to recognize the | 5 |
the sixth book | 5 |
and in the | 5 |
the son of | 5 |
for the sake | 5 |
which is the | 5 |
of the empire | 5 |
the days of | 5 |
the civil wars | 5 |
of the iliad | 5 |
of the school | 5 |
the second line | 5 |
in the fifth | 5 |
member of the | 5 |
in all the | 5 |
the passage in | 5 |
indeed it is | 5 |
which he had | 5 |
and many others | 5 |
some of the | 5 |
a series of | 5 |
had to be | 5 |
the verse is | 5 |
none of the | 5 |
the inversion of | 5 |
that is the | 5 |
is of course | 5 |
ought to be | 5 |
as to the | 5 |
we are not | 5 |
the second book | 5 |
memories of the | 5 |
the queen of | 5 |
he does not | 5 |
of this nature | 5 |
book of the | 5 |
is upon the | 5 |
is not to | 5 |
in the two | 5 |
the fourth eclogue | 5 |
varying the pause | 5 |
a member of | 5 |
of the fourth | 5 |
of that day | 5 |
to become a | 5 |
the following lines | 5 |
the service of | 5 |
in any case | 5 |
are to be | 4 |
one dull line | 4 |
sub tegmine fagi | 4 |
to whom the | 4 |
the fugitive of | 4 |
the new poets | 4 |
to begin with | 4 |
if this be | 4 |
of which i | 4 |
the claims of | 4 |
the aeneid is | 4 |
the ninth catalepton | 4 |
and we may | 4 |
singular and plural | 4 |
first lines of | 4 |
than the latin | 4 |
here and there | 4 |
he wrote the | 4 |
to the latin | 4 |
the second and | 4 |
that vergil had | 4 |
enthusiasm for the | 4 |
the first who | 4 |
more than once | 4 |
to accept the | 4 |
it is difficult | 4 |
instance of this | 4 |
made use of | 4 |
in honor of | 4 |
the first syllable | 4 |
and that is | 4 |
which i have | 4 |
it would seem | 4 |
was of course | 4 |
when he was | 4 |
taking notice of | 4 |
that vergil was | 4 |
it appears that | 4 |
the first and | 4 |
an instance of | 4 |
a description of | 4 |
in the eclogues | 4 |
of the sixth | 4 |
time when the | 4 |
the history of | 4 |
conclusion of the | 4 |
two of the | 4 |
are told by | 4 |
as we shall | 4 |
and that the | 4 |
early as b | 4 |
what i am | 4 |
and i believe | 4 |
of the gods | 4 |
had not been | 4 |
contrary to the | 4 |
the case of | 4 |
interpretation of the | 4 |
alliteration in the | 4 |
apt to think | 4 |
in the sixth | 4 |
point of view | 4 |
he had been | 4 |
that we have | 4 |
in favour of | 4 |
in all his | 4 |
friend of catullus | 4 |
and that his | 4 |
we have in | 4 |
the generality of | 4 |
in which the | 4 |
the first line | 4 |
it is upon | 4 |
must have had | 4 |
many of the | 4 |
we have seen | 4 |
were not yet | 4 |
is a very | 4 |
as early as | 4 |
it may well | 4 |
all the world | 4 |
come now to | 4 |
that there are | 4 |
i will produce | 4 |
line it is | 4 |
years of age | 4 |
in favor of | 4 |
i am apt | 4 |
well have been | 4 |
the reason why | 4 |
of the golden | 4 |
to the sense | 4 |
most of the | 4 |
now to the | 4 |
the age of | 4 |
a kind of | 4 |
any one of | 4 |
but it may | 4 |
if he had | 4 |
more concise than | 4 |
i come now | 4 |
we shall see | 4 |
such is the | 4 |
in the fourth | 4 |
would naturally be | 4 |
the language of | 4 |
there is a | 4 |
and that he | 4 |
not at all | 4 |
is difficult to | 4 |
in one dull | 4 |
not a little | 4 |
in the case | 4 |
vergil wrote the | 4 |
of course to | 4 |
the poet has | 4 |
concise than the | 4 |
have been written | 4 |
so that the | 4 |
the manner of | 4 |
as we have | 4 |
in these two | 4 |
of the line | 4 |
these two lines | 4 |
a wonderful effect | 4 |
the last line | 4 |
am apt to | 4 |
might have been | 4 |
to his own | 4 |
has a wonderful | 4 |
his devotion to | 4 |
to do with | 4 |
at least a | 4 |
of the epicurean | 4 |
and plural numbers | 4 |
that he has | 4 |
was one of | 4 |
the heroic age | 4 |
could not have | 4 |
the father of | 4 |
line of the | 4 |
the same nature | 4 |
at the same | 4 |
of the time | 4 |
fact that vergil | 4 |
the next line | 4 |
father of the | 4 |
to julius caesar | 4 |
am now to | 4 |
of these two | 4 |
the same time | 4 |
but a few | 4 |
literature of the | 4 |
may well have | 4 |
has a very | 3 |
of his early | 3 |
the republican cause | 3 |
vergil in his | 3 |
a student of | 3 |
the theory of | 3 |
it is in | 3 |
the effect of | 3 |
the poem was | 3 |
at the age | 3 |
the civil war | 3 |
to judge from | 3 |
upon the first | 3 |
should perhaps be | 3 |
and the same | 3 |
in classical philology | 3 |
i cannot omit | 3 |
but we may | 3 |
cremona and mantua | 3 |
to vergil by | 3 |
the memory of | 3 |
sound of trumpets | 3 |
who had been | 3 |
of the garden | 3 |
the difference between | 3 |
he was still | 3 |
three or four | 3 |
epic of rome | 3 |
civil wars which | 3 |
and at the | 3 |
the basis of | 3 |
the names of | 3 |
the common pronunciation | 3 |
a place in | 3 |
sound to the | 3 |
books of the | 3 |
the young men | 3 |
of the simple | 3 |
the poet should | 3 |
near at hand | 3 |
a copy of | 3 |
and yet the | 3 |
her lap to | 3 |
it was this | 3 |
in the north | 3 |
verse would have | 3 |
the eastern provinces | 3 |
pageant of heroes | 3 |
of a line | 3 |
position in the | 3 |
the time when | 3 |
third book of | 3 |
but that is | 3 |
of the whole | 3 |
do with the | 3 |
that the english | 3 |
of his epic | 3 |
the order of | 3 |
it is usually | 3 |
of his life | 3 |
been able to | 3 |
summas levibus pellabitur | 3 |
the spring of | 3 |
than in the | 3 |
the influence of | 3 |
is owing to | 3 |
to be expected | 3 |
use of the | 3 |
his knowledge of | 3 |
of this art | 3 |
of the north | 3 |
of the plain | 3 |
of a new | 3 |
the description of | 3 |
say that the | 3 |
to the verse | 3 |
the eclogues were | 3 |
does it not | 3 |
back to the | 3 |
so long as | 3 |
of the finest | 3 |
point of fact | 3 |
how is the | 3 |
the first eclogue | 3 |
except in the | 3 |
there is nothing | 3 |
to return to | 3 |
georgics and the | 3 |
could only have | 3 |
to say that | 3 |
there is another | 3 |
the publication of | 3 |
have been in | 3 |
see chapter viii | 3 |
at the time | 3 |
totaque thuriferis panchaia | 3 |
the pause is | 3 |
vergil was then | 3 |
after the battle | 3 |
the epic of | 3 |
the need of | 3 |
which is very | 3 |
whence you are | 3 |
to which the | 3 |
on the esquiline | 3 |
the two last | 3 |
may the gods | 3 |
that i have | 3 |
the dark ages | 3 |
a passage in | 3 |
finally to the | 3 |
to the end | 3 |
is one of | 3 |
first syllable of | 3 |
the collocatio verborum | 3 |
but it has | 3 |
queen of love | 3 |
the most learned | 3 |
and in all | 3 |
of the roman | 3 |
generality of readers | 3 |
and that it | 3 |
strength to the | 3 |
laxas sciret dare | 3 |
the poet of | 3 |
a few years | 3 |
means of a | 3 |
the statements of | 3 |
in our language | 3 |
the two first | 3 |
dedication of the | 3 |
more than one | 3 |
si vero viciam | 3 |
that the whole | 3 |
lap to rest | 3 |
the first place | 3 |
of the neapolitan | 3 |
that he should | 3 |
not only the | 3 |
to the same | 3 |
julius caesar had | 3 |
mentioned in my | 3 |
ten low words | 3 |
the poet was | 3 |
may be said | 3 |
to the school | 3 |
is the reason | 3 |
translation of the | 3 |
the second foot | 3 |
the first book | 3 |
the neapolitan bay | 3 |
to the memory | 3 |
to the ear | 3 |
of these lines | 3 |
of his finest | 3 |
following are examples | 3 |
subject of the | 3 |
which the poet | 3 |
there seems to | 3 |
an epic of | 3 |
sciret dare jussus | 3 |
the characters of | 3 |
the aeneid has | 3 |
is well to | 3 |
and now is | 3 |
qui cultus habendo | 3 |
he seems to | 3 |
by the same | 3 |
hardly have been | 3 |
in this passage | 3 |
a greek city | 3 |
any thing else | 3 |
the greek and | 3 |
in the end | 3 |
what is a | 3 |
anger of achilles | 3 |
the sound to | 3 |
it is as | 3 |
it was a | 3 |
to make a | 3 |
that is not | 3 |
there is in | 3 |
language of the | 3 |
in the province | 3 |
and quintilius varus | 3 |
be proper to | 3 |
during this period | 3 |
with a full | 3 |
line in the | 3 |
here you see | 3 |
is the verse | 3 |
a vision of | 3 |
was at naples | 3 |
little of the | 3 |
rather in the | 3 |
of the doctrine | 3 |
years of his | 3 |
the opinion of | 3 |
i have spent | 3 |
beginning of a | 3 |
qui foedere certo | 3 |
of the celtic | 3 |
from naples to | 3 |
some aged oak | 3 |
there can be | 3 |
is in the | 3 |
arma virumque cano | 3 |
the new generation | 3 |
the english is | 3 |
at rome the | 3 |
than the english | 3 |
passage in homer | 3 |
is at present | 3 |
more than a | 3 |
the eighth catalepton | 3 |
is there any | 3 |
this be true | 3 |
to be explained | 3 |
the mother of | 3 |
the central theme | 3 |
the english bible | 3 |
in the very | 3 |
the position of | 3 |
rotis summas levibus | 3 |
the common measure | 3 |
an example in | 3 |
written soon after | 3 |
a little of | 3 |
the reader of | 3 |
in other words | 3 |
of the aetna | 3 |
that dwell in | 3 |
can be more | 3 |
of such a | 3 |
the toga virilis | 3 |
panchaia pinguis arenis | 3 |
the latin language | 3 |
it might be | 3 |
form of a | 3 |
if it had | 3 |
the poetry of | 3 |
before the first | 3 |
the man who | 3 |
there was no | 3 |
to the common | 3 |
may have been | 3 |
he published the | 3 |
in every line | 3 |
to avoid the | 3 |
of the day | 3 |
a man who | 3 |
auxiliary verb is | 3 |
the latin status | 3 |
italy and the | 3 |
artful way of | 3 |
that he never | 3 |
the young poet | 3 |
a part of | 3 |
nothing can be | 3 |
over their heads | 3 |
it must be | 3 |
this is of | 3 |
in the poem | 3 |
in some measure | 3 |
the memories of | 3 |
men of the | 3 |
first book of | 3 |
taken notice of | 3 |
i have said | 3 |
or two of | 3 |
the same place | 3 |
and even the | 3 |
body of the | 3 |
the stile of | 3 |
a passage of | 3 |
the ideals of | 3 |
it is well | 3 |
we may believe | 3 |
in this case | 3 |
the efforts of | 3 |
syllables in the | 3 |
the georgics and | 3 |
the verse would | 3 |
the support of | 3 |
in point of | 3 |
of the allusio | 3 |
from whence i | 3 |
but it was | 3 |
refer to the | 3 |
of the scholiasts | 3 |
as soon as | 3 |
the want of | 3 |
the teacher of | 3 |
of course not | 3 |
the last syllable | 3 |
levibus pellabitur undas | 3 |
of what i | 3 |
may not be | 3 |
tendencies of the | 3 |
i should not | 3 |
came with it | 3 |
the poem to | 3 |
to take notice | 3 |
vergil did not | 3 |
the shrine of | 3 |
and it was | 3 |
of the two | 3 |
not to have | 3 |
he could hardly | 3 |
of the heroic | 3 |
one of which | 3 |
that vergil wrote | 3 |
peace of brundisium | 3 |
of mark antony | 3 |
though it was | 3 |
the midst of | 3 |
mantua dives avis | 3 |
in the midst | 3 |
on the whole | 3 |
in the new | 3 |
the tendencies of | 3 |
that he was | 3 |
of the neoteric | 3 |
take notice of | 3 |
of the last | 3 |
of cisalpine gaul | 3 |
the words are | 3 |
from the beginning | 3 |
the eighth eclogue | 3 |
to this period | 3 |
are not told | 3 |
the assonantia syllabarum | 3 |
peleus and thetis | 3 |
the years of | 3 |
instances of the | 3 |
to have thought | 3 |
of the poet | 3 |
passage of this | 3 |
after his death | 3 |
vergil does not | 3 |
the poem has | 3 |
in the last | 3 |
may be proper | 3 |
in her lap | 3 |
the details of | 3 |
to reject the | 3 |
upon the ear | 3 |
could he have | 3 |
published the georgics | 3 |
and grecian warriors | 3 |
makes the reader | 3 |
to be his | 3 |
of the third | 3 |
friendly to the | 3 |
soon after the | 3 |
recubans sub tegmine | 3 |
in the spring | 3 |
that of the | 3 |
thuriferis panchaia pinguis | 3 |
as has been | 3 |
a few of | 3 |
the poet is | 3 |
him to the | 3 |
before he had | 3 |
the mixing of | 3 |
begin with the | 3 |
battle of philippi | 3 |
well as the | 3 |
ulmisque adjungere vites | 3 |
the singular and | 3 |
in his own | 3 |
and what is | 2 |
hopes of the | 2 |
of this subject | 2 |
warble as ye | 2 |
then the poet | 2 |
english is almost | 2 |
a poem of | 2 |
use of that | 2 |
and so are | 2 |
the tenth eclogue | 2 |
i am taking | 2 |
the reader cannot | 2 |
a picture of | 2 |
in these matters | 2 |
to africa and | 2 |
an age of | 2 |
in the former | 2 |
of the old | 2 |
theme worthy of | 2 |
must not be | 2 |
that we may | 2 |
that all the | 2 |
work of his | 2 |
eastern provinces from | 2 |
poem is not | 2 |
many of them | 2 |
and before him | 2 |
quanta experientia parcis | 2 |
sibi esse facta | 2 |
and safely to | 2 |
seque dedicat tibi | 2 |
with all its | 2 |
and cassius in | 2 |
stile of homer | 2 |
exactly in the | 2 |
are in virgil | 2 |
in the law | 2 |
probable that vergil | 2 |
for the most | 2 |
shall see presently | 2 |
metaphysical processes of | 2 |
the spirits of | 2 |
came to the | 2 |
suppose that he | 2 |
and gave their | 2 |
was the very | 2 |
nature had to | 2 |
be that as | 2 |
to point to | 2 |
caesar had been | 2 |
can it be | 2 |
any one else | 2 |
in the story | 2 |
and fourth books | 2 |
the very beginning | 2 |
along the level | 2 |
radiant carr he | 2 |
reference to the | 2 |
simois correpta sub | 2 |
the ciris is | 2 |
to regain your | 2 |
born of earth | 2 |
that siro had | 2 |
by no means | 2 |
from any thing | 2 |
the augustan age | 2 |
it in the | 2 |
he kept his | 2 |
not only does | 2 |
last days at | 2 |
prove that the | 2 |
to the temptation | 2 |
he probably did | 2 |
the delicacy of | 2 |
the georgics the | 2 |
gemelle castor et | 2 |
him to a | 2 |
italy as a | 2 |
man of very | 2 |
o nimium coelo | 2 |
can possibly be | 2 |
terms with octavian | 2 |
a theme worthy | 2 |
characters of the | 2 |
of very great | 2 |
terram insectabere rastris | 2 |
to go to | 2 |
alfenus and gallus | 2 |
now shew you | 2 |
his lectures and | 2 |
that there is | 2 |
where simois streams | 2 |
hirtius and pansa | 2 |
julius caesar is | 2 |
quite apart from | 2 |
the blissful seat | 2 |
despite the fact | 2 |
before him humbled | 2 |
this line is | 2 |
for all the | 2 |
if we could | 2 |
the scanning conclusive | 2 |
of what the | 2 |
make a plausible | 2 |
there is also | 2 |
share in the | 2 |
to have come | 2 |
epigram and epic | 2 |
man who could | 2 |
works that vergil | 2 |
mulcere dedit fluctus | 2 |
taught the new | 2 |
observed that this | 2 |
shows that the | 2 |
set to music | 2 |
at their shady | 2 |
of the period | 2 |
student at athens | 2 |
seems to date | 2 |
in a style | 2 |
and the rulers | 2 |
is almost one | 2 |
they had never | 2 |
is all that | 2 |
of the scientific | 2 |
i should weave | 2 |
what an effect | 2 |
in the service | 2 |
religious experience of | 2 |
spoliis orientis onustum | 2 |
but the whole | 2 |
to virgil in | 2 |
of trumpets loud | 2 |
and this is | 2 |
view of nature | 2 |
the growth of | 2 |
tribute to a | 2 |
the tale of | 2 |
upon the monosyllable | 2 |
will produce an | 2 |
of a woman | 2 |
vi epigram and | 2 |
warn us that | 2 |
from the eclogues | 2 |
as it may | 2 |
at the very | 2 |
of which is | 2 |
he had so | 2 |
in verse writing | 2 |
kind out of | 2 |
dwell upon the | 2 |
this same time | 2 |
far removed from | 2 |
in some such | 2 |
that he could | 2 |
such manner as | 2 |
it was at | 2 |
again in the | 2 |
the aeneid the | 2 |
imply that the | 2 |
wrote the georgics | 2 |
was to be | 2 |
to have taken | 2 |
but for the | 2 |
of literary criticism | 2 |
of this line | 2 |
is compelled to | 2 |
without leaving a | 2 |
as a member | 2 |
of what he | 2 |
to messalla that | 2 |
he wrote his | 2 |
himself with the | 2 |
assigned to this | 2 |
had never had | 2 |
and it would | 2 |
waves their rage | 2 |
in a balmy | 2 |
we find in | 2 |
had adopted the | 2 |
we may learn | 2 |
ye that warble | 2 |
accord with the | 2 |
reges et proelia | 2 |
has been suggested | 2 |
in political life | 2 |
has frequently been | 2 |
adorant sub coelo | 2 |
at that time | 2 |
arts of verse | 2 |
triumphant death his | 2 |
up the reins | 2 |
in the following | 2 |
oft creep in | 2 |
him the most | 2 |
xiii the circle | 2 |
he in his | 2 |
we have as | 2 |
is no longer | 2 |
of the rhyme | 2 |
admit that all | 2 |
be expected of | 2 |
et hoc negat | 2 |
any other roman | 2 |
of the varying | 2 |
examples of the | 2 |
have found a | 2 |
man and nature | 2 |
no occasion to | 2 |
which there is | 2 |
appears that the | 2 |
the flood arose | 2 |
as there is | 2 |
servius has provided | 2 |
happen to know | 2 |
i will now | 2 |
fifteen years before | 2 |
certo et premere | 2 |
assumed the toga | 2 |
why he so | 2 |
nature of the | 2 |
been assigned to | 2 |
we may be | 2 |
he must know | 2 |
the friends of | 2 |
his steeds he | 2 |
and ought to | 2 |
glory of a | 2 |
olympo et surrentini | 2 |
music and sung | 2 |
the time they | 2 |
and as they | 2 |
is indeed a | 2 |
in the next | 2 |
in verses of | 2 |
in italy at | 2 |
you what is | 2 |
on italian soil | 2 |
in this verse | 2 |
numen adorant sub | 2 |
plot of the | 2 |
i believe it | 2 |
of his eclogues | 2 |
the temptation of | 2 |
english language is | 2 |
addressed to messalla | 2 |
attribution of the | 2 |
breathe soft or | 2 |
in the form | 2 |
you will easily | 2 |
the first few | 2 |
one of these | 2 |
was on the | 2 |
to the lord | 2 |
rex et mulcere | 2 |
like the greeks | 2 |
of varying the | 2 |
not yet been | 2 |
here you have | 2 |
but twenty one | 2 |
the very time | 2 |
so that i | 2 |
the direful spring | 2 |
vergil and varius | 2 |
student of philosophy | 2 |
verses contrary to | 2 |
of the single | 2 |
did the roaring | 2 |
at the conclusion | 2 |
unus erat toto | 2 |
caesar is still | 2 |
the roman people | 2 |
pronunciation of words | 2 |
verse is not | 2 |
rapt by his | 2 |
is very much | 2 |
was he who | 2 |
and they were | 2 |
at naples had | 2 |
with them the | 2 |
in the morning | 2 |
the people of | 2 |
would be difficult | 2 |
which aeneas had | 2 |
a view of | 2 |
is a particular | 2 |
are examples of | 2 |
tuos te caesar | 2 |
and to the | 2 |
his mould behemoth | 2 |
had always been | 2 |
this sort of | 2 |
helms high on | 2 |
of three syllables | 2 |
good reason to | 2 |
we have the | 2 |
in the far | 2 |
tot simois correpta | 2 |
he had writ | 2 |
keep in mind | 2 |
composition of the | 2 |
on the roadside | 2 |
they chanted loud | 2 |
had no love | 2 |
eclogue is a | 2 |
of which there | 2 |
all of them | 2 |
the pageant of | 2 |
alone of his | 2 |
brought death into | 2 |
the test of | 2 |
the whole book | 2 |
us that his | 2 |
common pause in | 2 |
have in it | 2 |
with the slain | 2 |
last syllable of | 2 |
in my former | 2 |
atmosphere in which | 2 |
he was not | 2 |
if the poet | 2 |
carthage was the | 2 |
though he was | 2 |
before he assumed | 2 |
in an epic | 2 |
the seat of | 2 |
in speaking of | 2 |
the stile is | 2 |
and though horace | 2 |
the classical ideals | 2 |
to date from | 2 |
but now ye | 2 |
to naples and | 2 |
all the more | 2 |
which of course | 2 |
and wave your | 2 |
processes of thought | 2 |
to recall the | 2 |
the vowel i | 2 |
told by the | 2 |
his great head | 2 |
the duty of | 2 |
throws up the | 2 |
manner of the | 2 |
hominum rex et | 2 |
and see whether | 2 |
high on their | 2 |
people that had | 2 |
be difficult to | 2 |
of the theme | 2 |
but to the | 2 |
truth in this | 2 |
bare he in | 2 |
of the d | 2 |
the single alliteratio | 2 |
facti de nomine | 2 |
the first of | 2 |
at variance with | 2 |
whence it appears | 2 |
faith admit that | 2 |
the vita of | 2 |
art in the | 2 |
but he had | 2 |
with dignity and | 2 |
which comes in | 2 |
because of the | 2 |
of the story | 2 |
years before he | 2 |
laeva sive dextera | 2 |
there are in | 2 |
in the verse | 2 |
the excellency of | 2 |
if this is | 2 |
vergil had no | 2 |
almost one third | 2 |
deis sibi esse | 2 |
those years of | 2 |
the last six | 2 |
celtic origin is | 2 |
may faith admit | 2 |
the precision of | 2 |
which to the | 2 |
and did not | 2 |
dum vita manebat | 2 |
see classical philology | 2 |
the art of | 2 |
in a new | 2 |
of his greek | 2 |
is apparent from | 2 |
publication of the | 2 |
brought to rome | 2 |
or any other | 2 |
of this monosyllable | 2 |
we should be | 2 |
the greeks did | 2 |
solution of the | 2 |
not easy to | 2 |
the more remarkable | 2 |
the world of | 2 |
of a republic | 2 |
of the book | 2 |
the power of | 2 |
force of the | 2 |
heard of the | 2 |
after all not | 2 |
in his later | 2 |
their heads they | 2 |
the defeat of | 2 |
is a rapid | 2 |
was not yet | 2 |
it is all | 2 |
the theme of | 2 |
have been more | 2 |
of the catalepton | 2 |
her as she | 2 |
then mounted on | 2 |
falce premes umbras | 2 |
into the blissful | 2 |
syrian branch of | 2 |
men whose names | 2 |
to keep the | 2 |
the very end | 2 |
came to be | 2 |
which seem to | 2 |
her father to | 2 |
does not represent | 2 |
these poems had | 2 |
spirit of homer | 2 |
the rhetorical course | 2 |
who came with | 2 |
the picture of | 2 |
might well have | 2 |
in the mountains | 2 |
the reader see | 2 |
on the ground | 2 |
raise storms at | 2 |
the evidence is | 2 |
of descent from | 2 |
pelago confise sereno | 2 |
time to time | 2 |
whither lies your | 2 |
the site of | 2 |
must have felt | 2 |
of every kind | 2 |
must be read | 2 |
poetry of the | 2 |
written about b | 2 |
of this passage | 2 |
by taking a | 2 |
the verse and | 2 |
passages of the | 2 |
of the church | 2 |
speaking of the | 2 |
sire of gods | 2 |
and again in | 2 |
in this letter | 2 |
the new era | 2 |
in a province | 2 |
to be so | 2 |
by failing to | 2 |
details of the | 2 |
the example of | 2 |
recent critics have | 2 |
that could be | 2 |
bending his ear | 2 |
that of lucretius | 2 |
that can be | 2 |
by way of | 2 |
way of writing | 2 |
could hardly be | 2 |
that this line | 2 |
in harmony in | 2 |
humbled all my | 2 |
a master of | 2 |
or that he | 2 |
than those of | 2 |
takes the form | 2 |
which seems to | 2 |
leaving a trace | 2 |
is not quite | 2 |
the clouds away | 2 |
but to go | 2 |
and majesty of | 2 |
there is not | 2 |
lines in our | 2 |
generation to reject | 2 |
behemoth biggest born | 2 |
and valerius cato | 2 |
and may be | 2 |
their shady lodge | 2 |
the momentous decision | 2 |
of the classical | 2 |
ubi tot simois | 2 |
another learned foreigner | 2 |
stoicism with its | 2 |
of the beginning | 2 |
so they would | 2 |
the defeated remnant | 2 |
he flies in | 2 |
that he wrote | 2 |
the aeneid was | 2 |
st syllable of | 2 |
called attention to | 2 |
one in the | 2 |
of which the | 2 |
of two syllables | 2 |
and skims the | 2 |
and that in | 2 |
he had himself | 2 |
heroes to the | 2 |
creep in one | 2 |
far as it | 2 |
but then the | 2 |
for reasons of | 2 |
to his death | 2 |
rather than a | 2 |
it is apparent | 2 |
of a very | 2 |
in an instant | 2 |
the fifth line | 2 |
old enough to | 2 |
long as he | 2 |
looked upon as | 2 |
on the culex | 2 |
may learn from | 2 |
with no little | 2 |
two first lines | 2 |
nor was it | 2 |
in the translation | 2 |
service of poetry | 2 |
et les origines | 2 |
to make this | 2 |
fact that there | 2 |
drawn to the | 2 |
learn from the | 2 |
a city rose | 2 |
de poematum cantu | 2 |
vergil was probably | 2 |
there is little | 2 |
habits of work | 2 |
which has a | 2 |
manner as to | 2 |
of the catullan | 2 |
returning to the | 2 |
to give his | 2 |
the centuries of | 2 |
virgil and milton | 2 |
and the greek | 2 |
to the soft | 2 |
come into the | 2 |
it is just | 2 |
to vergil in | 2 |
that in this | 2 |
have taken notice | 2 |
whose mortal taste | 2 |
haec prius fuere | 2 |
was the name | 2 |
the pastoral scenery | 2 |
and alfenus varus | 2 |
a trace of | 2 |
de nomine byrsam | 2 |
so many of | 2 |
of appealing to | 2 |
cannot be compared | 2 |
the setting is | 2 |
the news of | 2 |
also seems to | 2 |
comprehension of the | 2 |
second is a | 2 |
in his poems | 2 |
of the words | 2 |
gave their bodies | 2 |
this is an | 2 |
ten dull words | 2 |
the year b | 2 |
all of the | 2 |
in the most | 2 |
in the learned | 2 |
in the manner | 2 |
than of the | 2 |
the average man | 2 |
what makes the | 2 |
to take the | 2 |
of your father | 2 |
to the republican | 2 |
ii school and | 2 |
the purpose of | 2 |
two celebrated lines | 2 |
to the reader | 2 |
poem to vergil | 2 |
the anger of | 2 |
storms at thy | 2 |
aeneid ought to | 2 |
many others that | 2 |
the passage is | 2 |
in his first | 2 |
et esse cognitissima | 2 |
sed haec prius | 2 |
even the names | 2 |
concerning poetical translations | 2 |
if it were | 2 |
a trochaick foot | 2 |
trace of the | 2 |
spirits of the | 2 |
majesty and strength | 2 |
claims of art | 2 |
be sure the | 2 |
and the sense | 2 |
hills of the | 2 |
of the alps | 2 |
the form and | 2 |
ut rei naturam | 2 |
inde tot per | 2 |
the romans had | 2 |
biggest born of | 2 |
of the flood | 2 |
in prose and | 2 |
this is one | 2 |
materialism in the | 2 |
was the first | 2 |
supposing that the | 2 |
to the early | 2 |
the style of | 2 |
sake of the | 2 |
the book is | 2 |
here we have | 2 |
cremona was the | 2 |
despite his devotion | 2 |
in both the | 2 |
in fact his | 2 |
bay of naples | 2 |
which had to | 2 |
of the best | 2 |
of his brother | 2 |
though it is | 2 |
xi the evictions | 2 |
wit of man | 2 |
expression to a | 2 |
of the tides | 2 |
fortia corpora volvit | 2 |
a political career | 2 |
lucretius and vergil | 2 |
had left it | 2 |
in all their | 2 |
understanding of the | 2 |
reason for his | 2 |
as a very | 2 |
observe in the | 2 |
it is easily | 2 |
the loud billows | 2 |
to have written | 2 |
this high office | 2 |
than the latter | 2 |
is after all | 2 |
of our language | 2 |
beginning to the | 2 |
to attempt to | 2 |
leges pretio atque | 2 |
was written before | 2 |
from trojan shores | 2 |
pause at the | 2 |
of the greek | 2 |
had in mind | 2 |
it does not | 2 |
the light of | 2 |
a practical education | 2 |
inferred from the | 2 |
reader cannot but | 2 |
it is indeed | 2 |
and smooth the | 2 |
lies your way | 2 |
is the more | 2 |
after the death | 2 |
scenes of the | 2 |
the honor of | 2 |
instances of this | 2 |
of ten syllables | 2 |
to be rather | 2 |
all that i | 2 |
was in a | 2 |
of the epic | 2 |
the speech of | 2 |
model of style | 2 |
seen in the | 2 |
an adept at | 2 |
that of his | 2 |
of trojan heroes | 2 |
that on earth | 2 |
xv the aeneid | 2 |
of that forbidden | 2 |
had already written | 2 |
the nature of | 2 |
an infinity of | 2 |
would have had | 2 |
lend itself to | 2 |
collocation of words | 2 |
a student at | 2 |
the fruit of | 2 |
the arts of | 2 |
caesar in the | 2 |
on his radiant | 2 |
influence in behalf | 2 |
the third thing | 2 |
with the theme | 2 |
there are four | 2 |
pretio atque refixit | 2 |
it is clear | 2 |
the introduction of | 2 |
ubi iste post | 2 |
the last foot | 2 |
to be no | 2 |
that day that | 2 |
need not be | 2 |
and ten low | 2 |
to take off | 2 |
did not occur | 2 |
it were an | 2 |
as much as | 2 |
has come to | 2 |
following are instances | 2 |
far from being | 2 |
genus qui ducis | 2 |
of his epigrams | 2 |
upon the whole | 2 |
the adapting the | 2 |
and the fruit | 2 |
heads triumphant death | 2 |
capua and nuceria | 2 |
for the first | 2 |
mind the fact | 2 |
to give any | 2 |
makes the verse | 2 |
possible for the | 2 |
in the words | 2 |
skims the watry | 2 |
it possible for | 2 |
from whence it | 2 |
a few more | 2 |
of ancient fame | 2 |
him humbled all | 2 |
to the second | 2 |
the reader will | 2 |
and the sea | 2 |
days at the | 2 |
poem was written | 2 |
they did not | 2 |
his stile from | 2 |
sidere terram vertere | 2 |
insuper altos imposuit | 2 |
the center of | 2 |
that at the | 2 |
the dedication of | 2 |
the city to | 2 |
opaci falce premes | 2 |
xiv the georgics | 2 |
of the lines | 2 |
charge of the | 2 |
foret volare sive | 2 |
to venus genetrix | 2 |
the golden bay | 2 |
the last to | 2 |
do not know | 2 |
battlefield of pharsalia | 2 |
varius and pollio | 2 |
on land and | 2 |
on their heads | 2 |
is not easy | 2 |
that caesar had | 2 |
of the tale | 2 |
in this place | 2 |
that from us | 2 |
a more fitting | 2 |
be sure that | 2 |
that the reader | 2 |
to the upper | 2 |
creed in the | 2 |
et mulcere dedit | 2 |
and though the | 2 |
of the senate | 2 |
then did the | 2 |
apt to be | 2 |
example in this | 2 |
on the question | 2 |
few years later | 2 |
abounds in rhyme | 2 |
conclusion of this | 2 |
than the beginning | 2 |
of it is | 2 |
what seems to | 2 |
the several following | 2 |
mixt alliteration in | 2 |
a few have | 2 |
the poet at | 2 |
of latin literature | 2 |
balmy cloud with | 2 |
of this letter | 2 |
that vergil did | 2 |
is come into | 2 |
had in any | 2 |
soft idalian grove | 2 |
for since i | 2 |
a plea for | 2 |
the poor peasants | 2 |
biography of vergil | 2 |
of his god | 2 |
mixing the singular | 2 |
i will mention | 2 |
from a passage | 2 |
there any thing | 2 |
to find out | 2 |
be able to | 2 |
spirited sly snake | 2 |
the old roman | 2 |
not to take | 2 |
all sorts of | 2 |
had had a | 2 |
just now recollect | 2 |
the empire and | 2 |
the collocation of | 2 |
et gemelle castoris | 2 |
to be done | 2 |
but i might | 2 |
the beauties of | 2 |
a tyrian colony | 2 |
close of the | 2 |
and under open | 2 |
to an end | 2 |
fruit of that | 2 |
indeed the very | 2 |
which he was | 2 |
a group of | 2 |
we may at | 2 |
aeneid are at | 2 |
sing to the | 2 |
that as it | 2 |
give you to | 2 |
when he published | 2 |
of the general | 2 |
vultus in orbe | 2 |
did not die | 2 |
particles que and | 2 |
as if the | 2 |
raises the attention | 2 |
and strength to | 2 |
owing to the | 2 |
for the republican | 2 |
the gift of | 2 |
in accord with | 2 |
by which the | 2 |
probably did not | 2 |
words oft creep | 2 |
writer of epics | 2 |
in the work | 2 |
of expression and | 2 |
and plants of | 2 |
on which he | 2 |
the passages of | 2 |
it is plain | 2 |
the year that | 2 |
not occur to | 2 |
was the only | 2 |
regain your native | 2 |
had already been | 2 |
chanted loud and | 2 |
in this line | 2 |
to the fifth | 2 |
of another learned | 2 |
horrid helms high | 2 |
of the kind | 2 |
to this purpose | 2 |
if only to | 2 |
from time to | 2 |
mount of revelations | 2 |
atoms of fire | 2 |
had learned from | 2 |
changing the common | 2 |
was in the | 2 |
of the speech | 2 |
even in the | 2 |
the garden school | 2 |
loud and clear | 2 |
to warn us | 2 |
details in the | 2 |
outside the city | 2 |
venistis ab oris | 2 |
a line of | 2 |
cinna and cornificius | 2 |
of the question | 2 |
to respond to | 2 |
litoris ara vocat | 2 |
last line of | 2 |
a poet who | 2 |
virgile et les | 2 |
beg leave to | 2 |
letters concerning poetical | 2 |
that vergil began | 2 |
homer will be | 2 |
upon the last | 2 |
favor of the | 2 |
into a bird | 2 |
neque ulla vota | 2 |
level of the | 2 |
at about this | 2 |
on the capitoline | 2 |
to see the | 2 |
kind of verse | 2 |
in which a | 2 |
fixit leges pretio | 2 |
et inde tot | 2 |
broad bare backs | 2 |
the students of | 2 |
the most high | 2 |
i will give | 2 |
in his description | 2 |
the value of | 2 |
his judgments on | 2 |
in the least | 2 |
cannot but perceive | 2 |
nothing but a | 2 |
fourth thing to | 2 |
adapting the sound | 2 |
greek and latin | 2 |
could have been | 2 |
the poet indeed | 2 |
it was on | 2 |
the body of | 2 |
to the aetna | 2 |
for a moment | 2 |
the plain direct | 2 |
the second century | 2 |
and in his | 2 |
ab oris italiam | 2 |
came as a | 2 |
that the verse | 2 |
the pastoral scene | 2 |
and therefore he | 2 |
de qua ambigitur | 2 |
montis insuper altos | 2 |
be attributed to | 2 |
the writer of | 2 |
lines in his | 2 |
was probably not | 2 |
is a new | 2 |
and many a | 2 |
their jolly notes | 2 |
work of the | 2 |
comes to the | 2 |
have spent many | 2 |
a few cases | 2 |
been written before | 2 |
in love with | 2 |
should be read | 2 |
the changing the | 2 |
the right to | 2 |
the new literary | 2 |
a public career | 2 |
literary associations of | 2 |
property of majesty | 2 |
the attack upon | 2 |
more and more | 2 |
off his great | 2 |
passage in milton | 2 |
in his eighth | 2 |
of this type | 2 |
v a student | 2 |
quove tenetis iter | 2 |
that he is | 2 |
the wrath of | 2 |
the ciris was | 2 |
classical ideals of | 2 |
king of men | 2 |
are in the | 2 |
said to be | 2 |
master and his | 2 |
wave your tops | 2 |
the second is | 2 |
and cicero had | 2 |
their heads triumphant | 2 |
to italy and | 2 |
in the light | 2 |
as he has | 2 |
plain direct rhyme | 2 |
temple to venus | 2 |
in a few | 2 |
much more concise | 2 |
to the main | 2 |
the privilege of | 2 |
the romans of | 2 |
in gloomy caves | 2 |
that he preferred | 2 |
when the great | 2 |
cum canerem reges | 2 |
was a student | 2 |
preface to his | 2 |
catullus and the | 2 |
the aeneid are | 2 |
last six books | 2 |
while he was | 2 |
the first lines | 2 |
tibi haec fuisse | 2 |
when i was | 2 |
reason why he | 2 |
illi inter sese | 2 |
himself in the | 2 |
maxima taurus victima | 2 |
to support brutus | 2 |
most of them | 2 |
an example of | 2 |
it from the | 2 |
so strange a | 2 |
haec fuisse et | 2 |
pages of the | 2 |
of the liberators | 2 |
and of a | 2 |
in the spirit | 2 |
first and ninth | 2 |
now ye strangers | 2 |
his own people | 2 |
surrentini litoris ara | 2 |
had of course | 2 |
sir philip sidney | 2 |
reason why their | 2 |
it not appear | 2 |
what is the | 2 |
than the roman | 2 |
messianic hopes of | 2 |
a fragment of | 2 |
and which i | 2 |
which is a | 2 |
the myths of | 2 |
cultus habendo sit | 2 |
auctor ad herennium | 2 |
to be vergilian | 2 |
that forbidden tree | 2 |
was then twenty | 2 |
than the first | 2 |
and beyond the | 2 |
carried with them | 2 |
we happen to | 2 |
to assume that | 2 |
the whole passage | 2 |
gardens on the | 2 |
might be produced | 2 |
oak uprears his | 2 |
syllabarum or rhyme | 2 |
the training of | 2 |
to catch the | 2 |
edition of the | 2 |
in all its | 2 |
it is evident | 2 |
because of its | 2 |
descent from venus | 2 |
of italy and | 2 |
the reason for | 2 |
the city of | 2 |
he was probably | 2 |
the dignity of | 2 |
latin language is | 2 |
the trojan shore | 2 |
that on the | 2 |
well be a | 2 |
had not yet | 2 |
it did not | 2 |
had good reason | 2 |
more than the | 2 |
iii the culex | 2 |
in all probability | 2 |
was of the | 2 |
very probable that | 2 |
the strength of | 2 |
direful spring of | 2 |
tyrii tenuere coloni | 2 |
whom the poem | 2 |
essay on criticism | 2 |
of the sea | 2 |
a descendant of | 2 |
steeds he flies | 2 |
lies in the | 2 |
illustrated in the | 2 |
i would suggest | 2 |
to be as | 2 |
at the first | 2 |
to the very | 2 |
of the particles | 2 |
i might have | 2 |
beginning of it | 2 |
that sort of | 2 |
seems to point | 2 |
provided him with | 2 |
iv the ciris | 2 |
to speak of | 2 |
and why he | 2 |
is nothing in | 2 |
apibus quanta experientia | 2 |
as fast as | 2 |
qui ducis olympo | 2 |
was an important | 2 |
son of jove | 2 |
the most significant | 2 |
displayed by the | 2 |
of action in | 2 |
it was he | 2 |
some time in | 2 |
if i had | 2 |
what it is | 2 |
sing heavenly muse | 2 |
part in the | 2 |
the doctrines of | 2 |
as ye flow | 2 |
with which it | 2 |
it is only | 2 |
et sonitu terrebis | 2 |
vergil had himself | 2 |
of a master | 2 |
nor does it | 2 |
now in the | 2 |
the aid of | 2 |
studiisque asperrima belli | 2 |
death his dart | 2 |
it has the | 2 |
we have now | 2 |
generation of the | 2 |
this respect than | 2 |
the hands of | 2 |
are told that | 2 |
italian and lavinian | 2 |
with the first | 2 |
in such a | 2 |
common pronunciation of | 2 |
at the garden | 2 |
several of the | 2 |
the fourth thing | 2 |
those of the | 2 |
this monosyllable collocation | 2 |
of a few | 2 |
and regain the | 2 |
julius caesar in | 2 |
that the ciris | 2 |
the triumvirate was | 2 |
was tall and | 2 |
to be much | 2 |
his home at | 2 |
gallus had been | 2 |
the most beautiful | 2 |
strength of the | 2 |
and carthage was | 2 |
those who were | 2 |
the mixt alliteration | 2 |
he might have | 2 |
the words of | 2 |
et sola in | 2 |
wheels along the | 2 |
their verse is | 2 |
had demonstrated that | 2 |
examples of this | 2 |
and the reason | 2 |
virgil in this | 2 |
realize that gallus | 2 |
all my heart | 2 |
as can possibly | 2 |
and what an | 2 |
death into the | 2 |
his verse with | 2 |
and there were | 2 |
indeed one of | 2 |
opus foret volare | 2 |
be used in | 2 |
te caesar olympo | 2 |
the winter of | 2 |
this may be | 2 |
dare jussus habenas | 2 |
of the oriental | 2 |
for they had | 2 |
more instances of | 2 |
hinc canere incipiam | 2 |
the autumn of | 2 |
the experience of | 2 |
be assigned to | 2 |
the composition of | 2 |
he could not | 2 |
of literary art | 2 |
i beg leave | 2 |
of the villa | 2 |
words of anchises | 2 |
an opportunity to | 2 |
am taking notice | 2 |
is careful to | 2 |
scanning conclusive rhyme | 2 |
that the poem | 2 |
all the hurry | 2 |
any other language | 2 |
to all the | 2 |
in terms that | 2 |
the close of | 2 |
it is possible | 2 |
the same difference | 2 |
death of caesar | 2 |
quibus aut venistis | 2 |
example or two | 2 |
in the youthful | 2 |
bide here and | 2 |
both in the | 2 |
a migrating group | 2 |
to write the | 2 |
provinces from the | 2 |
in september b | 2 |
that followed the | 2 |
just the same | 2 |
which we have | 2 |
the masters of | 2 |
give way to | 2 |
as they are | 2 |
sort of rhyme | 2 |
will now shew | 2 |
to keep his | 2 |
with respect to | 2 |
of the several | 2 |
the conviction that | 2 |
the same manner | 2 |
that it may | 2 |
the souls of | 2 |
treatment of the | 2 |
souls of many | 2 |
two first words | 2 |
to the romans | 2 |
from the ciris | 2 |
and the poet | 2 |
his mighty standard | 2 |
all parts of | 2 |
the bay of | 2 |
and there i | 2 |
an example from | 2 |
the view of | 2 |
mounted on his | 2 |
castor et gemelle | 2 |
take off his | 2 |
in such manner | 2 |
capable of it | 2 |
relegated to a | 2 |
behalf of vergil | 2 |
his farewell to | 2 |
this has a | 2 |
not much later | 2 |
become a poet | 2 |
a variety of | 2 |
to reveal the | 2 |
as that of | 2 |
illa levem fugiens | 2 |
to the present | 2 |
the blissful field | 2 |
in which he | 2 |
be called a | 2 |
little patience with | 2 |
in behalf of | 2 |
has been overlooked | 2 |
the eclogues in | 2 |
the level of | 2 |
confession that his | 2 |
of the year | 2 |
from the greek | 2 |
way of varying | 2 |
the mysteries of | 2 |
that vergil could | 2 |
words are composed | 2 |
the first word | 2 |
and the senate | 2 |
a restoration of | 2 |
is an example | 2 |
and ye that | 2 |
back to his | 2 |
the ancient aristocracy | 2 |
the length of | 2 |
is a good | 2 |
his description of | 2 |
heads they bear | 2 |
is the first | 2 |
your native shores | 2 |
you will meet | 2 |
from tyber far | 2 |
of his new | 2 |
is not merely | 2 |
we do not | 2 |
is no occasion | 2 |
the great father | 2 |
in the court | 2 |
poets of the | 2 |
which octavian had | 2 |
in the east | 2 |
the whole poem | 2 |
and innumerable others | 2 |
their rage compose | 2 |
the soft idalian | 2 |
in the aetna | 2 |
and wheels along | 2 |
the majesty of | 2 |
the fourth book | 2 |
order of composition | 2 |
find a more | 2 |
properly called the | 2 |
to appreciate the | 2 |
mind that the | 2 |
his human characters | 2 |
the treatment of | 2 |
away from his | 2 |
be expected from | 2 |
of rhyme in | 2 |
as his own | 2 |
that gallus was | 2 |
we have a | 2 |
and all the | 2 |
under open sky | 2 |
i found milton | 2 |
had grown up | 2 |
role of a | 2 |
for the same | 2 |
would be to | 2 |
and lavinian coast | 2 |
the syrian branch | 2 |
than they knew | 2 |
had been chosen | 2 |
foedere certo et | 2 |
safely to regain | 2 |
me perdidit iste | 2 |
the mount of | 2 |
the first time | 2 |
difference between the | 2 |
the beginning to | 2 |
of them a | 2 |
him for the | 2 |
more or less | 2 |
and heroes to | 2 |
was addressed to | 2 |
the property of | 2 |
the same kind | 2 |
that the romans | 2 |
of civil war | 2 |
warlike sound of | 2 |
the gods in | 2 |
on the road | 2 |
which vergil had | 2 |
the praises of | 2 |
the society of | 2 |
for the young | 2 |
and you will | 2 |
during the civil | 2 |
phoebo digna locuti | 2 |
uprears his reverend | 2 |
the governor of | 2 |
to the alliteratio | 2 |
first eclogue and | 2 |
these two eclogues | 2 |
the watry way | 2 |
be said to | 2 |
like that of | 2 |
the roman and | 2 |
of the syrian | 2 |
and of course | 2 |
but if the | 2 |
of one of | 2 |
the roaring waves | 2 |
low words oft | 2 |
at once that | 2 |
experience of the | 2 |
the leader of | 2 |
passage in the | 2 |
assonantia syllabarum or | 2 |
the lord with | 2 |
in three or | 2 |
quod tegit omnia | 2 |
of the middle | 2 |
his radiant carr | 2 |
had received the | 2 |
into the world | 2 |
that they had | 2 |
caesar olympo et | 2 |
in the paradise | 2 |
the leaders of | 2 |
he have been | 2 |
both of these | 2 |
mortal taste brought | 2 |
to the greeks | 2 |
urbs antiqua fuit | 2 |
in the autumn | 2 |
the supposition that | 2 |
arts of versification | 2 |
dequa saepe tibi | 2 |
branch of the | 2 |
the third line | 2 |
in mind that | 2 |
the latin or | 2 |
i mantua dives | 2 |
in those days | 2 |
by the author | 2 |
of the universe | 2 |
that alfenus had | 2 |
people that on | 2 |
to the stoic | 2 |
to the latter | 2 |
epics and tragedies | 2 |
roaring waves their | 2 |
a syncretism of | 2 |
old habit of | 2 |
in which aeneas | 2 |
in the state | 2 |
used the greek | 2 |
verse and the | 2 |
and mantua were | 2 |
sonitu terrebis aves | 2 |
vii epicurean politics | 2 |
true of all | 2 |
to adapt the | 2 |
i mean the | 2 |
study of the | 2 |
contact with the | 2 |
to music and | 2 |
fuisse et esse | 2 |
many years later | 2 |
this was the | 2 |
his lot with | 2 |
endless sorrows bring | 2 |
caecilius of caleacte | 2 |
a recognition of | 2 |
supported by a | 2 |
to raise storms | 2 |
not unlikely that | 2 |
purpose of the | 2 |
of the young | 2 |
before his death | 2 |
had decided to | 2 |
the very few | 2 |
new meaning in | 2 |
on the bay | 2 |
now is come | 2 |
sensible of this | 2 |
and whither lies | 2 |
is not unlikely | 2 |
the new poetry | 2 |
phrase de qua | 2 |
the early augustans | 2 |
in his lectures | 2 |
to think mr | 2 |
day in the | 2 |
carr he rides | 2 |
the corny reed | 2 |
who in the | 2 |
sicily and the | 2 |
the most part | 2 |
taste brought death | 2 |
the poet seems | 2 |
his taste in | 2 |
the fourth line | 2 |
produce more examples | 2 |
the hypotheses of | 2 |
laws of causality | 2 |
has been lost | 2 |
two years before | 2 |
made it possible | 2 |
to them a | 2 |
a catalogue of | 2 |
seen at rome | 2 |
to produce more | 2 |
first in the | 2 |
which julius caesar | 2 |
you to level | 2 |
naples was the | 2 |
appears that virgil | 2 |
aged oak uprears | 2 |
epicurean scorn for | 2 |
from which he | 2 |
cisalpine gaul had | 2 |
at cremona and | 2 |
to hide his | 2 |
at the warlike | 2 |
a balmy cloud | 2 |
of the dark | 2 |
to win his | 2 |
of so many | 2 |
did not have | 2 |
now learned to | 2 |
both by the | 2 |
his first book | 2 |
the alexandrian poets | 2 |
the interpretation of | 2 |
a full rhyme | 2 |
a later day | 2 |
flies in open | 2 |
respect for the | 2 |
viii last days | 2 |
et surrentini litoris | 2 |
is merely a | 2 |
the pathetic fallacy | 2 |
aut venistis ab | 2 |
school and war | 2 |
we need not | 2 |
nothing of the | 2 |
twenty years later | 2 |
for which he | 2 |
the circle of | 2 |
ultima ex origine | 2 |
molemque montis insuper | 2 |
his translation of | 2 |
even after the | 2 |
in an english | 2 |
this kind of | 2 |
concerned about the | 2 |
would suggest that | 2 |
in this particular | 2 |
by any means | 2 |
to the study | 2 |
que and et | 2 |
customs of the | 2 |
he assumed the | 2 |
been written at | 2 |
and all our | 2 |
his reverend head | 2 |
would be in | 2 |
been one of | 2 |
turned to the | 2 |
was apt to | 2 |
be much more | 2 |
on the ides | 2 |
that the auxiliary | 2 |
latin or greek | 2 |
his dart shook | 2 |
the student of | 2 |
of vergil have | 2 |
de rerum natura | 2 |
even to have | 2 |
is indeed one | 2 |
quo sidere terram | 2 |
from the time | 2 |
see what is | 2 |
is the most | 2 |
in his hose | 2 |
to be more | 2 |
for his own | 2 |
his insight into | 2 |
i would observe | 2 |
to understand the | 2 |
we have no | 2 |
of vergil should | 2 |
find a new | 2 |
seems not to | 2 |
hills and the | 2 |
must have seen | 2 |
of the circle | 2 |
or four lines | 2 |
how does the | 2 |
and horrid helms | 2 |
several sorts of | 2 |
in the days | 2 |
to search for | 2 |
and the aeneid | 2 |
ante mare tellus | 2 |
fast as possible | 2 |
ruris opaci falce | 2 |
of these poems | 2 |
some fifteen years | 2 |
did endless sorrows | 2 |
the wit of | 2 |
an english line | 2 |
soft or loud | 2 |
of the word | 2 |
bear in mind | 2 |
appear to be | 2 |
in many other | 2 |
we may then | 2 |
picture of the | 2 |
after the peace | 2 |
shrine at sorrento | 2 |
except in so | 2 |
of fact the | 2 |
his love for | 2 |
has shown that | 2 |
of the passage | 2 |
was not till | 2 |
they were of | 2 |
atque hominum rex | 2 |
an explanation of | 2 |
who knew the | 2 |
with as much | 2 |
in several places | 2 |
illustrated by the | 2 |
a new meaning | 2 |
i have shewn | 2 |
i think we | 2 |
esse cognitissima ait | 2 |
in so many | 2 |
in mind the | 2 |
nothing to do | 2 |
land and sea | 2 |
regain the blissful | 2 |
all the beauties | 2 |
it is certain | 2 |
the st syllable | 2 |
full of personal | 2 |
devotion to his | 2 |
poem in the | 2 |
the will of | 2 |
by his steeds | 2 |
i think the | 2 |
in this instance | 2 |
all our woe | 2 |
in any one | 2 |
an effect this | 2 |
the question of | 2 |
strikes the ear | 2 |
that vergil favored | 2 |
in the preface | 2 |
during those years | 2 |
the first in | 2 |
the senate in | 2 |
vergil by the | 2 |
the battlefield of | 2 |
that warble as | 2 |
was forced to | 2 |
he has no | 2 |
not by any | 2 |
he was a | 2 |
student of vergil | 2 |
circle of maecenas | 2 |
no reason for | 2 |
vero viciam que | 2 |
will meet with | 2 |
the literature of | 2 |
occurred in the | 2 |
many of his | 2 |
of the dead | 2 |
in a long | 2 |
from the same | 2 |
to prepare for | 2 |
written in b | 2 |
of his day | 2 |
a province that | 2 |
young men of | 2 |
much of the | 2 |
fair and good | 2 |
few have accepted | 2 |
for there is | 2 |
be the more | 2 |
there are many | 2 |
studies of the | 2 |
the second eclogue | 2 |
had drawn him | 2 |
of brutus and | 2 |
a career in | 2 |
told that he | 2 |
seemed natural to | 2 |
who was a | 2 |
who does not | 2 |
in the household | 2 |
that for the | 2 |
the rules of | 2 |
the name of | 2 |
which of these | 2 |
for the year | 2 |
that the body | 2 |
may be seen | 2 |
the following is | 2 |
each of the | 2 |
have in this | 2 |
may be very | 2 |
x recubans sub | 2 |
of the stoic | 2 |
question of authenticity | 2 |
has always been | 2 |
the best teachers | 2 |
is no reason | 2 |
on this subject | 2 |
in the ninth | 2 |
this will prayer | 2 |
great father of | 2 |
secat aethera pennis | 2 |
habendo sit pecori | 2 |
him with a | 2 |
the sixteenth epode | 2 |
greeks did endless | 2 |
found in all | 2 |
the atoms of | 2 |
in one of | 2 |
is a kind | 2 |
in open day | 2 |
when he says | 2 |
shall we say | 2 |
written many years | 2 |
viciam que seres | 2 |
revelation of his | 2 |
of the four | 2 |
ought to warn | 2 |
able to make | 2 |
the exigencies of | 2 |
the fear of | 2 |
for the great | 2 |
some of its | 2 |
had it not | 2 |
canerem reges et | 2 |
assiduis terram insectabere | 2 |
fact that he | 2 |
still recognized as | 2 |
ix materialism in | 2 |
the founder of | 2 |
to varus the | 2 |
the warlike sound | 2 |
whereas in the | 2 |
in which milton | 2 |
that i can | 2 |
with the matter | 2 |
he had found | 2 |
he entered the | 2 |
written probably in | 2 |
here for the | 2 |
is also a | 2 |
of those who | 2 |
atque rotis summas | 2 |
in cisalpine gaul | 2 |
of a later | 2 |
an allusion to | 2 |
founder of the | 2 |
by the civil | 2 |
who in their | 2 |
through this period | 2 |
sympathy for the | 2 |
had apparently been | 2 |
smooth the seas | 2 |
to level priam | 2 |
the peace of | 2 |
the road to | 2 |
to be taken | 2 |