This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
at the age of | 63 |
for the first time | 59 |
lady of the roses | 56 |
one of the most | 52 |
for a long time | 49 |
kate van der berg | 45 |
at the end of | 44 |
the end of the | 38 |
at the same time | 36 |
is said to have | 35 |
what do you mean | 34 |
i want you to | 33 |
was one of the | 32 |
for a few minutes | 28 |
in the midst of | 26 |
in the black forest | 26 |
one of the greatest | 25 |
the head of the | 25 |
the rest of the | 24 |
at the head of | 24 |
for a little while | 24 |
out of the room | 24 |
in spite of the | 24 |
to go to the | 23 |
what is the matter | 22 |
to go back to | 22 |
as if he were | 22 |
the lady of the | 21 |
she shook her head | 20 |
that he did not | 19 |
it was not until | 19 |
on the edge of | 19 |
the story of the | 19 |
i am going to | 19 |
it is said that | 19 |
the foot of the | 18 |
became a pupil of | 18 |
a great deal of | 18 |
is one of the | 18 |
what do you think | 18 |
she was going to | 18 |
in the middle of | 17 |
in the history of | 17 |
as if it were | 17 |
it would have been | 17 |
out of the window | 17 |
she said to herself | 17 |
it seemed as if | 17 |
are you going to | 16 |
in the musical world | 16 |
the edge of the | 16 |
in the habit of | 16 |
the side of the | 16 |
it must have been | 16 |
the rest of us | 16 |
as one of the | 16 |
ten cents a bunch | 16 |
a good deal of | 16 |
in the first place | 16 |
with the exception of | 15 |
with an air of | 15 |
the back of the | 15 |
the other side of | 15 |
said to have been | 15 |
the close of the | 15 |
he shook his head | 15 |
in the way of | 15 |
the top of the | 14 |
as if i were | 14 |
in a few minutes | 14 |
i can tell you | 14 |
a member of the | 14 |
to the window and | 14 |
at the top of | 14 |
of one of the | 14 |
at the close of | 14 |
he was going to | 14 |
the middle of the | 14 |
you are going to | 14 |
a minute or two | 14 |
was a man of | 14 |
it was only a | 13 |
that he could not | 13 |
of the greatest of | 13 |
i want to see | 13 |
the son of a | 13 |
i want to know | 13 |
the face of the | 13 |
at the sight of | 13 |
go back to the | 13 |
every now and then | 13 |
in the united states | 13 |
as well as the | 13 |
in the hands of | 12 |
to his feet and | 12 |
a lot of money | 12 |
seems to have been | 12 |
the art of violin | 12 |
one of the best | 12 |
to the point of | 12 |
said the old man | 12 |
the history of the | 12 |
there was no answer | 12 |
sat up in bed | 12 |
the violin and bow | 12 |
on the other side | 12 |
to the effect that | 12 |
he looked at her | 12 |
made up my mind | 12 |
for the benefit of | 12 |
from time to time | 12 |
at one of the | 12 |
to be able to | 12 |
it would be a | 12 |
would you like to | 12 |
to the end of | 12 |
on the other hand | 12 |
for the rest of | 12 |
the heart of the | 12 |
visited the united states | 12 |
for a short time | 11 |
his lady of the | 11 |
the words of the | 11 |
other side of the | 11 |
her hand upon his | 11 |
out of the way | 11 |
rose to his feet | 11 |
of the philharmonic society | 11 |
at the foot of | 11 |
in front of the | 11 |
and there was a | 11 |
as if she were | 11 |
but he did not | 11 |
tell me about it | 11 |
on the th of | 11 |
in a low tone | 11 |
but it was not | 11 |
the bottom of the | 11 |
and it was not | 11 |
do you want to | 11 |
to the united states | 11 |
he was able to | 11 |
you want me to | 11 |
in a low voice | 11 |
found in the black | 11 |
at the house of | 11 |
the way in which | 11 |
as soon as i | 11 |
up and down the | 11 |
the man who had | 11 |
at the time of | 11 |
i was going to | 11 |
looked at each other | 11 |
and he began to | 11 |
the sound of a | 11 |
in spite of her | 10 |
was the son of | 10 |
he is said to | 10 |
one of the first | 10 |
to go to bed | 10 |
she was about to | 10 |
of the great violinist | 10 |
that it was the | 10 |
made the acquaintance of | 10 |
the man and the | 10 |
and at the same | 10 |
the center of the | 10 |
was not to be | 10 |
on account of the | 10 |
he was born in | 10 |
it was as if | 10 |
the sight of the | 10 |
and for a moment | 10 |
got to his feet | 10 |
of a man who | 10 |
he went to the | 10 |
and began to play | 10 |
her hand on the | 10 |
for the time being | 10 |
the first time in | 10 |
she would have to | 10 |
in he went to | 10 |
rose to her feet | 10 |
on his return to | 10 |
became one of the | 10 |
the direction of the | 10 |
child found in the | 10 |
and out of the | 10 |
at the holly farmhouse | 10 |
that she had been | 10 |
i wish i could | 10 |
but all the same | 10 |
as soon as he | 10 |
as a matter of | 10 |
it seemed to me | 10 |
friends in the forest | 10 |
princess and the pauper | 9 |
it was in the | 9 |
was by no means | 9 |
the face of a | 9 |
come to live with | 9 |
expression on his face | 9 |
if she had been | 9 |
end of the room | 9 |
one to the other | 9 |
that it would be | 9 |
the age of fourteen | 9 |
from one of the | 9 |
if you want to | 9 |
to study the violin | 9 |
for a few days | 9 |
there was something in | 9 |
to the far country | 9 |
to talk to you | 9 |
and went to the | 9 |
she looked up at | 9 |
went out into the | 9 |
what are you doing | 9 |
which enabled him to | 9 |
his angels charge over | 9 |
the little brown book | 9 |
simeon holly and his | 9 |
the benefit of the | 9 |
she went to the | 9 |
that i am not | 9 |
as long as i | 9 |
it seems to me | 9 |
i would like to | 9 |
the age of six | 9 |
and i am sure | 9 |
going to have a | 9 |
in the course of | 9 |
of the nineteenth century | 9 |
was the first to | 9 |
in the face of | 9 |
i knew that i | 9 |
that he had been | 9 |
and that it was | 9 |
that sort of thing | 9 |
the song of the | 9 |
such a lot of | 9 |
and i had to | 9 |
he was a man | 9 |
i think it is | 9 |
he looked up at | 9 |
what are you going | 8 |
as she did so | 8 |
went to the door | 8 |
play at a concert | 8 |
the child found in | 8 |
the door of the | 8 |
david shook his head | 8 |
had been in the | 8 |
it would be better | 8 |
came the sound of | 8 |
i want to tell | 8 |
was one of those | 8 |
buried his face in | 8 |
as well as i | 8 |
from the very first | 8 |
him to go to | 8 |
the other end of | 8 |
was it possible that | 8 |
out into the hall | 8 |
must have been a | 8 |
anything in the world | 8 |
i might as well | 8 |
from one to the | 8 |
but there was a | 8 |
for a moment the | 8 |
the end of her | 8 |
had come to the | 8 |
play on the violin | 8 |
the service of the | 8 |
she laid her hand | 8 |
for the sake of | 8 |
as if he had | 8 |
what kind of a | 8 |
given his angels charge | 8 |
to be found in | 8 |
the violin at the | 8 |
was born in at | 8 |
up in bed and | 8 |
smile upon her lips | 8 |
and one of the | 8 |
in front of her | 8 |
know what to do | 8 |
the early part of | 8 |
could not have been | 8 |
the way to the | 8 |
in the art of | 8 |
in the presence of | 8 |
holly and his wife | 8 |
his career as a | 8 |
from head to foot | 8 |
he said to himself | 8 |
i ought to have | 8 |
went to the window | 8 |
a large number of | 8 |
she held out her | 8 |
the following year he | 8 |
held out her hand | 8 |
it was such a | 8 |
who was born at | 8 |
and at the end | 8 |
just as soon as | 8 |
drew a long breath | 8 |
you going to do | 8 |
angels charge over thee | 8 |
in one of the | 8 |
the music of the | 8 |
there can be no | 8 |
years of his life | 8 |
the hands of the | 8 |
for the last time | 8 |
back in her chair | 8 |
appears to have been | 8 |
glad to see you | 8 |
sprang to his feet | 8 |
face to face with | 8 |
looked up at the | 8 |
i want to talk | 8 |
he was one of | 8 |
on one of the | 8 |
she looked at him | 8 |
the greater part of | 8 |
but she could not | 8 |
the van der bergs | 8 |
laid her hand upon | 8 |
what do you say | 8 |
the corner of the | 8 |
she said in a | 8 |
professor of violin at | 8 |
the string of death | 8 |
is it not so | 8 |
she was in the | 8 |
he was thinking of | 8 |
and the old man | 8 |
then all at once | 8 |
on account of his | 8 |
of violin at the | 8 |
on the evening of | 7 |
would have to be | 7 |
i might have known | 7 |
the air of a | 7 |
in a few days | 7 |
i could see that | 7 |
he made his first | 7 |
the fact that he | 7 |
the time of the | 7 |
to play at the | 7 |
in connection with the | 7 |
came into the room | 7 |
he ought to be | 7 |
not be able to | 7 |
to play the violin | 7 |
she did not speak | 7 |
his face in the | 7 |
there must be some | 7 |
thing in the world | 7 |
as well as a | 7 |
twenty years of age | 7 |
am not going to | 7 |
looked up at her | 7 |
a composer for the | 7 |
he ought to have | 7 |
the whole of his | 7 |
as if they were | 7 |
of the room and | 7 |
back in his chair | 7 |
for the fourth string | 7 |
it was one of | 7 |
of the most eminent | 7 |
me all about it | 7 |
david did not know | 7 |
in a state of | 7 |
who was born in | 7 |
for the most part | 7 |
if she could have | 7 |
it might have been | 7 |
the age of nine | 7 |
of the beautiful world | 7 |
to the king of | 7 |
out of the house | 7 |
other end of the | 7 |
i made up my | 7 |
out in the world | 7 |
the end of his | 7 |
in love with a | 7 |
for violin and orchestra | 7 |
during which time he | 7 |
the age of twenty | 7 |
his father had said | 7 |
in her own room | 7 |
what can i do | 7 |
a day or two | 7 |
she sat up in | 7 |
at the back of | 7 |
do you say to | 7 |
the princess and the | 7 |
that i ought to | 7 |
in the following year | 7 |
i thought it was | 7 |
it ought to be | 7 |
came out of the | 7 |
was sitting on the | 7 |
to do something for | 7 |
the midst of the | 7 |
the beauty of the | 7 |
that it was only | 7 |
caught a glimpse of | 7 |
the noise of the | 7 |
going to ask you | 7 |
from side to side | 7 |
would like to have | 7 |
you ought to be | 7 |
of the greatest violinists | 7 |
tell me all about | 7 |
he did not know | 7 |
do you mean by | 7 |
the worst of it | 7 |
going to be a | 7 |
she closed her eyes | 7 |
i felt as if | 7 |
that he was able | 7 |
was at that time | 7 |
jinnie shook her head | 7 |
to play in public | 7 |
to her feet and | 7 |
i am not going | 7 |
and it would be | 7 |
he was received with | 7 |
to look at the | 7 |
the good little fiddle | 7 |
the manner in which | 7 |
not one of them | 7 |
the first part of | 7 |
they were in the | 7 |
and looked down into | 7 |
it may be said | 7 |
the house of the | 7 |
as if i had | 7 |
the name of the | 7 |
laid her hand on | 7 |
to take up the | 7 |
want to tell you | 7 |
he returned to paris | 7 |
made a concert tour | 7 |
on the g string | 7 |
looked at her with | 7 |
that it was a | 7 |
not been able to | 7 |
i should like to | 7 |
with a gesture of | 7 |
and closed the door | 6 |
if you do not | 6 |
he began to play | 6 |
in the mean time | 6 |
him back to the | 6 |
to which he was | 6 |
the emperor of austria | 6 |
that had come to | 6 |
of the dead man | 6 |
but it is a | 6 |
he went to london | 6 |
to speak of the | 6 |
as he rose to | 6 |
he was a good | 6 |
he opened the door | 6 |
was going to be | 6 |
i told her that | 6 |
it was not the | 6 |
do something for him | 6 |
his way to the | 6 |
to the center of | 6 |
alone in the world | 6 |
the exception of a | 6 |
she would not have | 6 |
a series of concerts | 6 |
as the door closed | 6 |
me to do it | 6 |
i do not need | 6 |
was a child of | 6 |
in the early part | 6 |
the cobbler and his | 6 |
that she had not | 6 |
how do you know | 6 |
know what to say | 6 |
at an early age | 6 |
at the side of | 6 |
it had not been | 6 |
at the brookside station | 6 |
the child of the | 6 |
he raised his head | 6 |
at the conclusion of | 6 |
did not want to | 6 |
did not hesitate to | 6 |
i wish i had | 6 |
of his life in | 6 |
and i told her | 6 |
i beg of you | 6 |
he seems to have | 6 |
in the next room | 6 |
he was appointed professor | 6 |
i want to ask | 6 |
was thinking of the | 6 |
now and then to | 6 |
the beginning of the | 6 |
did not intend to | 6 |
i just had to | 6 |
the history of music | 6 |
in one of his | 6 |
in spite of his | 6 |
her to go to | 6 |
had not been able | 6 |
i thought you would | 6 |
school of violin playing | 6 |
the boy did not | 6 |
jinnie went to the | 6 |
i should say not | 6 |
in all the world | 6 |
in regard to the | 6 |
the hanover square rooms | 6 |
the origin of the | 6 |
if i could only | 6 |
he was about to | 6 |
career as a virtuoso | 6 |
up my mind to | 6 |
the daughter of the | 6 |
be able to help | 6 |
house that jack built | 6 |
on the choice of | 6 |
he was the first | 6 |
want you to go | 6 |
for the purpose of | 6 |
found in the forest | 6 |
went up the hill | 6 |
the light of dreams | 6 |
got to her feet | 6 |
to be an artist | 6 |
and looked at him | 6 |
knew what i was | 6 |
up his violin and | 6 |
as well tell you | 6 |
to think of it | 6 |
love and who loves | 6 |
he was not a | 6 |
i think it was | 6 |
it was a very | 6 |
to say that the | 6 |
a matter of fact | 6 |
did not seem to | 6 |
the middle of a | 6 |
across the room to | 6 |
when he was a | 6 |
in the possession of | 6 |
i think you are | 6 |
her in his arms | 6 |
eyes were full of | 6 |
i am but a | 6 |
in a sort of | 6 |
the sound of the | 6 |
a couple of hours | 6 |
let me tell you | 6 |
that he was a | 6 |
of what use is | 6 |
looked up at him | 6 |
on the back of | 6 |
if it had been | 6 |
she thought of the | 6 |
at the door of | 6 |
technics of violoncello playing | 6 |
the figure of the | 6 |
it is difficult to | 6 |
a few minutes later | 6 |
to the study of | 6 |
how do you do | 6 |
to the door and | 6 |
and she did not | 6 |
and the little ones | 6 |
as if we were | 6 |
to have been the | 6 |
to ask you to | 6 |
the matter with you | 6 |
as if in a | 6 |
you know very well | 6 |
tell me what you | 6 |
and that he was | 6 |
in a tone of | 6 |
to live with us | 6 |
there had been no | 6 |
of the man who | 6 |
little more than a | 6 |
paganini seems to have | 6 |
in all my life | 6 |
and drew the bow | 6 |
give it to me | 6 |
he went to paris | 6 |
the bow across the | 6 |
you think i am | 6 |
tuned a semitone higher | 6 |
not one of the | 6 |
and the pail of | 6 |
as well as of | 6 |
in the service of | 6 |
to tell you something | 6 |
and i want you | 6 |
to take care of | 6 |
in the world to | 6 |
walked over to the | 6 |
is not to be | 6 |
and down the room | 6 |
to speak to them | 6 |
i thought i would | 6 |
the boston symphony orchestra | 6 |
under the tuition of | 6 |
as much as he | 6 |
drew the bow across | 6 |
you see i was | 6 |
of his own composition | 6 |
a cup of tea | 6 |
was a pupil of | 6 |
was the first time | 6 |
the technique of the | 6 |
you may be sure | 6 |
had gone to bed | 6 |
but it was a | 6 |
he rose to his | 6 |
in a voice that | 6 |
at the thought of | 6 |
to play at a | 6 |
with a sense of | 6 |
i asked you to | 6 |
started for the door | 6 |
you would like to | 6 |
the greatest of all | 6 |
prize for violin playing | 6 |
a moment or two | 6 |
in front of him | 6 |
in and out of | 6 |
continued the old man | 6 |
in the same way | 6 |
one of the girls | 6 |
my lady of the | 6 |
it would be so | 6 |
she raised her head | 6 |
she had come to | 6 |
as a composer for | 6 |
was going to say | 6 |
first prize for violin | 6 |
the house that jack | 6 |
she led the way | 6 |
that i was the | 6 |
all the rest of | 6 |
it was said that | 6 |
i shall have to | 6 |
is the string of | 6 |
opened the door and | 6 |
there must always be | 6 |
was appointed professor of | 6 |
but there was no | 6 |
the dear god has | 6 |
he came to the | 6 |
of the eighteenth century | 6 |
but of course i | 6 |
the possessor of a | 6 |
in the same house | 6 |
benefit of the poor | 6 |
that he had a | 6 |
and i have been | 6 |
i do not know | 6 |
there would be no | 6 |
it was the first | 6 |
it was the most | 6 |
going to happen to | 6 |
the result of his | 6 |
the new school of | 6 |
that there was no | 6 |
a week or two | 6 |
composer for the piano | 6 |
which he had a | 6 |
to tell the truth | 6 |
am but a man | 6 |
and of course i | 6 |
he was sent to | 5 |
the viola and violoncello | 5 |
late in the afternoon | 5 |
she caught sight of | 5 |
that led to the | 5 |
has no social position | 5 |
after a while i | 5 |
if ever a man | 5 |
i dare say you | 5 |
me out of the | 5 |
we have written of | 5 |
of the most important | 5 |
to have been a | 5 |
the country as a | 5 |
in love with her | 5 |
we are going to | 5 |
the united states in | 5 |
and the following year | 5 |
she turned to leave | 5 |
as he used to | 5 |
for a few moments | 5 |
in answer to a | 5 |
it never occurred to | 5 |
me what to do | 5 |
as a virtuoso and | 5 |
seems to me that | 5 |
out of my way | 5 |
at the last moment | 5 |
feel as if i | 5 |
make a long story | 5 |
art of violin playing | 5 |
the midst of a | 5 |
in a short time | 5 |
good of you to | 5 |
was at this time | 5 |
corner of the room | 5 |
in the summer of | 5 |
more beautiful than ever | 5 |
schuyler van der berg | 5 |
he was born at | 5 |
had already begun to | 5 |
from all parts of | 5 |
looked at him with | 5 |
for a good while | 5 |
the roar of the | 5 |
i should have been | 5 |
the shadow of the | 5 |
in the shadow of | 5 |
and in a few | 5 |
became a member of | 5 |
it was at the | 5 |
the towers of sunnycrest | 5 |
i am sure i | 5 |
as if you were | 5 |
in such a manner | 5 |
it was not till | 5 |
not until he had | 5 |
moved toward the door | 5 |
i want to go | 5 |
by the time we | 5 |
i tell you that | 5 |
his first appearance in | 5 |
i was in a | 5 |
necessary for him to | 5 |
for a minute or | 5 |
caught sight of the | 5 |
out of the car | 5 |
was in the habit | 5 |
was asked to play | 5 |
was said to be | 5 |
the water in the | 5 |
i sat on the | 5 |
looked down into the | 5 |
it would be of | 5 |
he was wont to | 5 |
there was no one | 5 |
the tips of his | 5 |
as she said this | 5 |
what shall we do | 5 |
what did she say | 5 |
knelt down by the | 5 |
going to tell you | 5 |
knew that i was | 5 |
seems to me the | 5 |
made his first appearance | 5 |
and some of the | 5 |
i have come to | 5 |
on the point of | 5 |
the presence of the | 5 |
with a feeling of | 5 |
there was only the | 5 |
you are the most | 5 |
to play on the | 5 |
she walked to the | 5 |
the age of ten | 5 |
is it to be | 5 |
she would have been | 5 |
toward the end of | 5 |
do you think it | 5 |
up on the mountain | 5 |
i was in the | 5 |
to his feet with | 5 |
on the floor and | 5 |
the evening of the | 5 |
the musical life of | 5 |
and went into the | 5 |
what have i done | 5 |
from day to day | 5 |
of interest in the | 5 |
babe in her arms | 5 |
illustrated by harriet roosevelt | 5 |
i shall never forget | 5 |
if she had known | 5 |
side of the room | 5 |
but he had not | 5 |
when he came to | 5 |
the invention of the | 5 |
looking from one to | 5 |
it is too late | 5 |
the rest of his | 5 |
want to talk to | 5 |
he said in a | 5 |
the wide awake girls | 5 |
at covent garden theatre | 5 |
the father of the | 5 |
threw back his head | 5 |
i want to do | 5 |
anne shook her head | 5 |
i had a feeling | 5 |
waiting for an answer | 5 |
and began to talk | 5 |
he had to stop | 5 |
as man and artist | 5 |
at the hanover square | 5 |
i thought he was | 5 |
ought to have been | 5 |
his reputation as a | 5 |
said in a low | 5 |
i am so glad | 5 |
back into the room | 5 |
i want to be | 5 |
like that of a | 5 |
the first movement of | 5 |
of the opera at | 5 |
the violin has the | 5 |
i am sure she | 5 |
to give a concert | 5 |
solo violinist to the | 5 |
it was not a | 5 |
happy in spite of | 5 |
and stood over her | 5 |
on the anniversary of | 5 |
conductor of the opera | 5 |
he has no social | 5 |
i wonder if he | 5 |
what do you suppose | 5 |
if it were not | 5 |
to be one of | 5 |
she caught her breath | 5 |
variations on a theme | 5 |
could not seem to | 5 |
the first time she | 5 |
but you see i | 5 |
there was no sign | 5 |
that she was a | 5 |
he was compelled to | 5 |
was a member of | 5 |
do you think i | 5 |
sat down on the | 5 |
in a way that | 5 |
to speak to the | 5 |
at the sound of | 5 |
as a quartet player | 5 |
with a lady of | 5 |
the study of the | 5 |
going to get well | 5 |
it is probable that | 5 |
from the fact that | 5 |
of the most celebrated | 5 |
eyes rested upon her | 5 |
looked at him in | 5 |
of his own age | 5 |
to make a long | 5 |
a long time ago | 5 |
could go to college | 5 |
but one of the | 5 |
that he might have | 5 |
a few years later | 5 |
have a feeling that | 5 |
in order to hear | 5 |
she opened the door | 5 |
might as well tell | 5 |
do you know that | 5 |
not to speak of | 5 |
for a moment he | 5 |
to get rid of | 5 |
to leave the room | 5 |
violinists of his time | 5 |
and that he could | 5 |
in the power of | 5 |
room over the kitchen | 5 |
that it might be | 5 |
he had not seen | 5 |
if in a dream | 5 |
up at her with | 5 |
all the time that | 5 |
to the side of | 5 |
for violin and guitar | 5 |
sank into a chair | 5 |
some of the most | 5 |
did not fail to | 5 |
was nothing but a | 5 |
he has given his | 5 |
go down to the | 5 |
he threw back his | 5 |
you thought i was | 5 |
had a chance to | 5 |
van der berg had | 5 |
when the door opened | 5 |
what i have done | 5 |
i must tell you | 5 |
to be in the | 5 |
the day of the | 5 |
into the other room | 5 |
as fast as i | 5 |
and shut the door | 5 |
he was in his | 5 |
in the style of | 5 |
i wish i were | 5 |
on a concert tour | 5 |
about the same time | 5 |
if he did not | 5 |
presented him with a | 5 |
the conclusion of the | 5 |
for the second time | 5 |
won the first prize | 5 |
the beauty of it | 5 |
will you let me | 5 |
a pupil of joachim | 5 |
of which he had | 5 |
under the spell of | 5 |
has given his angels | 5 |
in the form of | 5 |
glad to see me | 5 |
the remainder of his | 5 |
so far as to | 5 |
of the royal band | 5 |
it is only a | 5 |
it was difficult to | 5 |
and i tell you | 5 |
that he was not | 5 |
the first prize for | 5 |
he became a pupil | 5 |
a long story short | 5 |
as if it had | 5 |
after an absence of | 5 |
will you try to | 5 |
the attention of the | 5 |
that he would be | 5 |
the violin in his | 5 |
could see that he | 5 |
was appointed solo violinist | 5 |
the hand of the | 5 |
i have a feeling | 5 |
a little while ago | 5 |
it is not the | 5 |
edge of the bed | 5 |
eyes fell upon the | 5 |
want you to be | 5 |
the th of march | 5 |
to do with it | 5 |
and i could see | 5 |
bessie armitage and her | 5 |
the first time he | 5 |
the best of the | 5 |
in front of them | 5 |
to the musical world | 5 |
at the court of | 5 |
held out his hand | 5 |
she is going to | 5 |
to tell you that | 5 |
as long as you | 5 |
i do hate to | 5 |
at the same moment | 5 |
kind of you to | 5 |
now that you are | 5 |
more than i do | 5 |
in his heart and | 5 |
been the means of | 5 |
to say to you | 5 |
in the shape of | 5 |
but after a while | 5 |
how would you like | 5 |
the only thing to | 5 |
he threw out his | 5 |
she was a little | 5 |
to the emperor of | 5 |
first appearance in public | 5 |
looked down upon her | 5 |
he did not see | 5 |
was the only person | 5 |
soon as i can | 5 |
had she been so | 5 |
it was because she | 5 |
the mind of the | 5 |
and became a pupil | 5 |
i will give you | 5 |
fast as i could | 5 |
a deep impression on | 5 |
on the shoulders of | 5 |
first violin in the | 5 |
will be all right | 5 |
he said to me | 5 |
it was a new | 5 |
for me to do | 5 |
that she would be | 5 |
her hand on his | 5 |
she sat down beside | 5 |
as he thought of | 5 |
occurred to me that | 5 |
he turned his head | 5 |
the violin from the | 5 |
the leading artists of | 5 |
at the paris conservatoire | 5 |
as much as possible | 5 |
as well as his | 5 |
his arms about her | 5 |
he could not have | 5 |
it was at this | 5 |
it was a great | 5 |
only one of the | 5 |
it was she who | 5 |
after all these years | 5 |
picked up his violin | 5 |
at that moment the | 5 |
to go to college | 5 |
before he could say | 5 |
concerto in e flat | 5 |
he closed the door | 5 |
she stood on the | 5 |
was something in the | 5 |
her friends in the | 5 |
put out his hand | 5 |
make the best of | 5 |
is the matter with | 5 |
to speak to you | 5 |
a step or two | 5 |
she saw that she | 5 |
little room over the | 5 |
study of the violin | 5 |
it is not a | 5 |
in the name of | 5 |
felt as if i | 5 |
sitting up in bed | 5 |
went to the table | 5 |
the end of it | 5 |
you want to know | 5 |
with all my heart | 5 |
one of the finest | 5 |
hand on the knob | 5 |
the fact that the | 5 |
i cannot bear to | 5 |
of the black forest | 5 |
to go with you | 5 |
a repetition of the | 5 |
to speak to him | 5 |
armitage and her brother | 5 |
during this period of | 5 |
the daughter of a | 5 |
with an expression of | 5 |
now and then a | 5 |
the greatest violinists of | 5 |
the editor of the | 5 |
a virtuoso and composer | 5 |
saw that she had | 5 |
it was you who | 5 |
by harriet roosevelt richards | 5 |
where are you going | 5 |
the door closed behind | 5 |
to be married to | 5 |
not in the least | 5 |
he was anxious to | 5 |
in the winter of | 5 |
at the expense of | 5 |
as pianist and composer | 5 |
tell you about it | 5 |
a matter of course | 5 |
and what do you | 5 |
put down his hammer | 5 |
an account of the | 5 |
as he looked at | 5 |
of the same year | 5 |
i have been thinking | 5 |
if you were a | 5 |
of what she had | 5 |
he is a good | 5 |
in the direction of | 5 |
walked to the window | 5 |
first appearance in concert | 5 |
wanted to see him | 5 |
walking back and forth | 5 |
one of them was | 5 |
as if she had | 5 |
his head with a | 5 |
we are told that | 5 |
but i did not | 5 |
that would be a | 5 |
as he opened the | 5 |
but her heart was | 5 |
the rest of my | 5 |
ought to be able | 5 |
way in which he | 5 |
is in love with | 5 |
flowers on the street | 5 |
live happy ever after | 5 |
a short time before | 5 |
her father and mother | 5 |
he said it was | 5 |
at the very first | 5 |
but i had a | 5 |
did not know the | 5 |
the genius of the | 5 |
see if i can | 5 |
was out of the | 5 |
with her to the | 5 |
and by the time | 5 |
led the way to | 5 |
that kate van der | 5 |
and that if he | 5 |
there are so many | 5 |
try to forgive me | 5 |
came to the door | 5 |
she got up and | 5 |
down in the valley | 5 |
for him to go | 5 |
center of the room | 5 |
to the table and | 5 |
as soon as she | 5 |
i ought to know | 5 |
he is going to | 5 |
when she came to | 5 |
it was i who | 5 |
toss of her head | 5 |
head of the stairs | 5 |
the place of the | 5 |
that one of the | 5 |
what in the world | 5 |
as she entered the | 5 |
the last of august | 5 |
the end of a | 5 |
the band of the | 5 |
was little more than | 5 |
to have had a | 5 |
he might have been | 5 |
upon the bed and | 5 |
lump in her throat | 5 |
at the bottom of | 5 |
back to the shop | 5 |
on account of her | 5 |
in the domain of | 5 |
to one of the | 5 |
he loves her still | 5 |
it will be a | 5 |
for a moment she | 5 |
cobbler and his wife | 4 |
in addition to his | 4 |
about it in the | 4 |
returned to his native | 4 |
teachers of the violin | 4 |
had taken possession of | 4 |
the lights were turned | 4 |
of the cremona society | 4 |
the greatest of his | 4 |
have a good time | 4 |
be happy in spite | 4 |
she could not tell | 4 |
she added with a | 4 |
beside the bed and | 4 |
he knew that he | 4 |
was very fond of | 4 |
lady of high rank | 4 |
on the fourth string | 4 |
of the present day | 4 |
to have been very | 4 |
that i was stone | 4 |
with the rest of | 4 |
under the care of | 4 |
she and her husband | 4 |
with the air of | 4 |
his violin and began | 4 |
a level with the | 4 |
she had never known | 4 |
as i could go | 4 |
she is an angel | 4 |
knelt down by him | 4 |
went on his way | 4 |
what i was saying | 4 |
he went to berlin | 4 |
and looked at her | 4 |
her if she had | 4 |
took the instrument from | 4 |
do lots of things | 4 |
that he was going | 4 |
his first concert in | 4 |
at the brussels conservatoire | 4 |
and he threw his | 4 |
at the hands of | 4 |
do you propose to | 4 |
middle of the room | 4 |
when i was a | 4 |
to allow him to | 4 |
he was obliged to | 4 |
the second proscenium box | 4 |
get ready for dinner | 4 |
in one of those | 4 |
but this time she | 4 |
top of the house | 4 |
the writer of the | 4 |
performer on the violin | 4 |
why do you ask | 4 |
bow across the strings | 4 |
was a very good | 4 |
know that it is | 4 |
the fact that she | 4 |
i would have been | 4 |
it is i who | 4 |
you will not forget | 4 |
did not care to | 4 |
the whole thing was | 4 |
to go for a | 4 |
for a day or | 4 |
the orchestra of the | 4 |
his hand on the | 4 |
works for the piano | 4 |
upon it dies at | 4 |
the founder of the | 4 |
that it was from | 4 |
she did not want | 4 |
the events of the | 4 |
gave a series of | 4 |
were full of tears | 4 |
of the great master | 4 |
such a thing as | 4 |
it was found that | 4 |
there had been a | 4 |
stradiuarius and joseph guarnerius | 4 |
fell into a chair | 4 |
if it were a | 4 |
this is the way | 4 |
as the result of | 4 |
had the pleasure of | 4 |
the love of the | 4 |
i have ever seen | 4 |
the completion of the | 4 |
and the master of | 4 |
in the development of | 4 |
made me think of | 4 |
in the glory of | 4 |
the violinist on the | 4 |
to gain her love | 4 |
of the most remarkable | 4 |
i was afraid you | 4 |
appeared at the door | 4 |
hardly knew what i | 4 |
of playing the violin | 4 |
the magic of his | 4 |
as soon as we | 4 |
received by the author | 4 |
play on it for | 4 |
what have you done | 4 |
is it not most | 4 |
at that sort of | 4 |
was going to ask | 4 |
you do not understand | 4 |
the boy at the | 4 |
there is nothing to | 4 |
who strikes the chord | 4 |
did not speak again | 4 |
the trouble lies not | 4 |
must go at once | 4 |
then i began to | 4 |
she had promised to | 4 |
he had the air | 4 |
you know what i | 4 |
is made director of | 4 |
foot of the stairs | 4 |
to put on his | 4 |
compositions for the violin | 4 |
asked her if she | 4 |
all sorts of things | 4 |
i know what you | 4 |
to the foot of | 4 |
he took her hand | 4 |
you will have to | 4 |
he took up his | 4 |
two or three times | 4 |
here and there a | 4 |
where she had been | 4 |
rest of the day | 4 |
was sure of that | 4 |
caught the sound of | 4 |
of what he was | 4 |
looked up into the | 4 |
i know you are | 4 |
she clasped her hands | 4 |
and here and there | 4 |
was a good deal | 4 |
i tell you i | 4 |
the chord that is | 4 |
who plays upon it | 4 |
it was the same | 4 |
be interesting to know | 4 |
there seemed to be | 4 |
seemed to be in | 4 |
where did you get | 4 |
chord that is responsive | 4 |
to learn to play | 4 |
of his time in | 4 |
longer than they should | 4 |
invited to play at | 4 |
that is more than | 4 |
the use of the | 4 |
been in the habit | 4 |
he leaned forward and | 4 |
and is said to | 4 |
his eyes on the | 4 |
we love each other | 4 |
she had told him | 4 |
she would like to | 4 |
i was so young | 4 |
she was not a | 4 |
out in the street | 4 |
the choice of a | 4 |
made no effort to | 4 |
gave his first concert | 4 |
the story of her | 4 |
lafe put down his | 4 |
just at that moment | 4 |
up into his face | 4 |
sir richard and lady | 4 |
was for many years | 4 |
in the brookside station | 4 |
and tell me what | 4 |
he began his career | 4 |
for a moment or | 4 |
entered the service of | 4 |
i never saw anything | 4 |
at the last minute | 4 |
to hear him play | 4 |
violin at the conservatoire | 4 |
as she stood there | 4 |
and it was only | 4 |
of some of the | 4 |
to go with me | 4 |
the musical world for | 4 |
may be said to | 4 |
the municipal museum at | 4 |
the day of his | 4 |
to look at it | 4 |
his face as he | 4 |
and it may be | 4 |
but he was a | 4 |
technics of violin playing | 4 |
i must have been | 4 |
very glad to see | 4 |
she had not been | 4 |
i am not great | 4 |
had her hands full | 4 |
foot of the bed | 4 |
it will be most | 4 |
the soul of the | 4 |
of the old world | 4 |
i could say anything | 4 |
stand on his feet | 4 |
the babe in her | 4 |
back to the city | 4 |
to play upon it | 4 |
by the name of | 4 |
of technics of violin | 4 |
go back to mottville | 4 |
play that duet with | 4 |
was too ill to | 4 |
they had reached the | 4 |
on his face that | 4 |
if it had not | 4 |
the brother of the | 4 |
of letter received by | 4 |
his account of the | 4 |
did i tell you | 4 |
just as he was | 4 |
when i returned to | 4 |
and that she was | 4 |
the fire and sipped | 4 |
tell me what to | 4 |
it as much as | 4 |
all alone in the | 4 |
was buried in the | 4 |
and then went on | 4 |
the work of a | 4 |
he looked down upon | 4 |
were out of the | 4 |
was going to take | 4 |
to return to his | 4 |
it is you who | 4 |
in the same tone | 4 |
he turned to the | 4 |
mean to say that | 4 |
voice was full of | 4 |
it is not so | 4 |
he had gone to | 4 |
it dies at once | 4 |
think it will be | 4 |
of such a thing | 4 |
first time she had | 4 |
faced woman on his | 4 |
his face was very | 4 |
as that of a | 4 |
i could see he | 4 |
choked back a sob | 4 |
and of course that | 4 |
fell to the floor | 4 |
ought to have known | 4 |
and then i told | 4 |
he looked at the | 4 |
i suppose i ought | 4 |
in his arms and | 4 |
when i went out | 4 |
copy of letter received | 4 |
as a sort of | 4 |
that is responsive in | 4 |
i was so afraid | 4 |
which was to be | 4 |
he was presented with | 4 |
until he reached the | 4 |
in a fit of | 4 |
not allow her to | 4 |
and made for the | 4 |
happy in spite a | 4 |
the birth of the | 4 |
play a duet with | 4 |
you have given me | 4 |
it was with the | 4 |
a wild desire to | 4 |
by ethel pennewill brown | 4 |
it seems as if | 4 |
when she came in | 4 |
did you happen to | 4 |
to the present day | 4 |
it had been the | 4 |
and then i knew | 4 |
the midst of his | 4 |
at each other in | 4 |
you ought not to | 4 |
what else to do | 4 |
the story of a | 4 |
he has been compared | 4 |
of the great masters | 4 |
did not dare to | 4 |
of the first to | 4 |
of his right hand | 4 |
a dress for you | 4 |
in the center of | 4 |
it is only the | 4 |
is well known in | 4 |
he had meant to | 4 |
drooping clytie could be | 4 |
but it seemed to | 4 |
was at an end | 4 |
going to do about | 4 |
not been for the | 4 |
she turned her head | 4 |
in the other room | 4 |
the history of violin | 4 |
dear god has made | 4 |
claire looked at him | 4 |
give it to you | 4 |
it was too late | 4 |
between her and the | 4 |
the world for him | 4 |
not seem to have | 4 |
the dwellers in the | 4 |
his father was a | 4 |
and the house is | 4 |
you like to come | 4 |
and closed his eyes | 4 |
i hope you will | 4 |
the girl to the | 4 |
of which he was | 4 |
hands with a gesture | 4 |
intended to be a | 4 |
is not necessary to | 4 |
he thought of the | 4 |
a great deal to | 4 |
of the violin and | 4 |
and by and by | 4 |
by the author from | 4 |
want to ask you | 4 |
i want her to | 4 |
he had been so | 4 |
turned to leave the | 4 |
have been caused by | 4 |
would have been more | 4 |
as a man of | 4 |
and yet there was | 4 |
to say the least | 4 |
it is impossible to | 4 |
i did not know | 4 |
of his life was | 4 |
tell you how much | 4 |
for piano and violin | 4 |
want to know the | 4 |
if she had not | 4 |
had been able to | 4 |
allow any one to | 4 |
influence on the musical | 4 |
and buried himself in | 4 |
rest of his life | 4 |
when i first came | 4 |
part of his life | 4 |
letter received by the | 4 |
the age of twelve | 4 |
and no one else | 4 |
and all sorts of | 4 |
for which he had | 4 |
to say nothing of | 4 |
quarterly musical magazine and | 4 |
had been invited to | 4 |
on the verge of | 4 |
is said to be | 4 |
running up and down | 4 |
she turned and walked | 4 |
fact that he had | 4 |
of the music jury | 4 |
said to be the | 4 |
to hear her play | 4 |
violinists of the day | 4 |
turned toward the house | 4 |
such a manner as | 4 |
had given to her | 4 |
the charm of the | 4 |
i am ready to | 4 |
think it would be | 4 |
into the mysteries of | 4 |
any child of hers | 4 |
beside him on the | 4 |
what is it that | 4 |
returned to the hotel | 4 |
we were all very | 4 |
it for granted that | 4 |
it was not strange | 4 |
was in love with | 4 |
branches of the trees | 4 |
a concert at the | 4 |
all there is to | 4 |
to do with him | 4 |
quarter of a mile | 4 |
that when he was | 4 |
was placed under the | 4 |
be found in the | 4 |
trouble lies not with | 4 |
man of the world | 4 |
not so long as | 4 |
president of the cremona | 4 |
in which he was | 4 |
at the philharmonic concerts | 4 |
do you want me | 4 |
he made the acquaintance | 4 |
the advantage of being | 4 |
of the first movement | 4 |
and took hold of | 4 |
hold of my arm | 4 |
of the art of | 4 |
on a theme from | 4 |
and of course we | 4 |
under the schoolroom table | 4 |
that i was in | 4 |
made up his mind | 4 |
side of the road | 4 |
in the whole world | 4 |
you have come to | 4 |
you think i was | 4 |
are you thinking of | 4 |
to be with him | 4 |
she knew that the | 4 |
which might have been | 4 |
there is no reason | 4 |
have no desire to | 4 |
that you do not | 4 |
at that very moment | 4 |
molly shook her head | 4 |
he asked me to | 4 |
be a great deal | 4 |
how much i love | 4 |
great enough for her | 4 |
know what i mean | 4 |
one side of the | 4 |
will give you rest | 4 |
has been made to | 4 |
those who have been | 4 |
as soon as the | 4 |
her head with a | 4 |
one of the few | 4 |
years of age he | 4 |
in spite of all | 4 |
she said she had | 4 |
the name of heinz | 4 |
to have gone to | 4 |
she said she was | 4 |
at the crystal palace | 4 |
and together they made | 4 |
that he had not | 4 |
i wish you would | 4 |
only for a little | 4 |
she was no longer | 4 |
laid his hand on | 4 |
and phil and felix | 4 |
see that it is | 4 |
i shall be very | 4 |
to pay for it | 4 |
it was in that | 4 |
of you to take | 4 |
i am sure it | 4 |
and the sound of | 4 |
of the child found | 4 |
was the daughter of | 4 |
but how can i | 4 |
and in spite of | 4 |
in view of the | 4 |
this sort of thing | 4 |
responsive in my soul | 4 |
tears in her eyes | 4 |
and his wife were | 4 |
be the one to | 4 |
he was asked to | 4 |
to put up with | 4 |
had made a mistake | 4 |
to molly the merry | 4 |
to make you happy | 4 |
be more constant than | 4 |
up into her face | 4 |
drawing to a close | 4 |
had not been so | 4 |
she is an american | 4 |
and he used to | 4 |
and he did not | 4 |
to her mind the | 4 |
must have been the | 4 |
they made their way | 4 |
was so great that | 4 |
was startled by the | 4 |
what does it mean | 4 |
i told you that | 4 |
the outcome of a | 4 |
just wait a minute | 4 |
an intimate friend of | 4 |
when i was in | 4 |
drew in her breath | 4 |
the old man had | 4 |
did you think i | 4 |
until she is twenty | 4 |
and at the close | 4 |
am not great enough | 4 |
he was trying to | 4 |
first violin at the | 4 |
van der berg was | 4 |
any one in the | 4 |
on a theme by | 4 |
musical magazine and review | 4 |
the announcement of the | 4 |
the slim young figure | 4 |
of the orchestra at | 4 |
in his later years | 4 |
will be most kind | 4 |
i never thought of | 4 |
i told you i | 4 |
i suppose you think | 4 |
of the kind that | 4 |
away from the window | 4 |
she was thinking of | 4 |
he made a concert | 4 |
concerto in b minor | 4 |
put an end to | 4 |
in the annals of | 4 |
him to play on | 4 |
antonius stradiuarius and joseph | 4 |
the display of his | 4 |
he appeared at the | 4 |
in the first part | 4 |
he had told her | 4 |
want to speak to | 4 |
that he had no | 4 |
sitting on the edge | 4 |
and as long as | 4 |
the quarterly musical magazine | 4 |
it would be best | 4 |
now and then the | 4 |
but the boy did | 4 |
not speak of that | 4 |
can not do it | 4 |
knew that it was | 4 |
from the german of | 4 |
the power of the | 4 |
be the first to | 4 |
you what to do | 4 |
at such a time | 4 |
were it not for | 4 |
with fear in his | 4 |
gave it to him | 4 |
you love and who | 4 |
in the world but | 4 |
a lump in her | 4 |
where she became a | 4 |
i want to believe | 4 |
did not know how | 4 |
she went back to | 4 |
would be likely to | 4 |
came to america in | 4 |
he did not appear | 4 |
at this time in | 4 |
as a violin expert | 4 |
if i were a | 4 |
the bed and took | 4 |
only thing to do | 4 |
as long as possible | 4 |
as he could be | 4 |
may be able to | 4 |
and from that time | 4 |
uncle sanders was right | 4 |
the theme of the | 4 |
there was a new | 4 |
the age of eighteen | 4 |
as will be seen | 4 |
to talk with you | 4 |
of the origin of | 4 |
and yet it was | 4 |
in which he had | 4 |
i have no desire | 4 |
he was unable to | 4 |
it was settled that | 4 |
she must have been | 4 |
on the banks of | 4 |
since i was a | 4 |
i prefer to have | 4 |
objection to the man | 4 |
was presented to him | 4 |
her out of the | 4 |
very good to me | 4 |
more than a year | 4 |
the home of the | 4 |
that i must go | 4 |
attracted the attention of | 4 |
raised his head and | 4 |
the woman who had | 4 |
man and his work | 4 |
a lady of high | 4 |
and i will give | 4 |
in the shade of | 4 |
was going to do | 4 |
i am sorry i | 4 |
her first appearance in | 4 |
he said he was | 4 |
i have an idea | 4 |
but a short time | 4 |
that i shall never | 4 |
where he became a | 4 |
a quarter of a | 4 |
and who loves you | 4 |
to know all about | 4 |
engaged to be married | 4 |
did not like to | 4 |
tell you not to | 4 |
to tell me that | 4 |
looked up into his | 4 |
feeling came over me | 4 |
to do the right | 4 |
not the kind of | 4 |
can be no doubt | 4 |
he held out his | 4 |
a strange mixture of | 4 |
the sound of her | 4 |
come to the end | 4 |
the loss of his | 4 |
the members of the | 4 |
and at the age | 4 |
sat down beside the | 4 |
in the nature of | 4 |
he had met her | 4 |
would have liked to | 4 |
after he had gone | 4 |
there was but one | 4 |
was given at the | 4 |
he played a concerto | 4 |
on the porch steps | 4 |
on his way to | 4 |
was the work of | 4 |
in a couple of | 4 |
of the holy ghost | 4 |
but none the less | 4 |
what he was saying | 4 |
sound of a violin | 4 |
made a negative gesture | 4 |
one else in the | 4 |
out for a walk | 4 |
the voice of a | 4 |
raised her head and | 4 |
as you call them | 4 |
before i could say | 4 |
in the palace of | 4 |
by the time i | 4 |
for the display of | 4 |
she allowed him to | 4 |
than i to him | 4 |
deep interest in the | 4 |
has been called the | 4 |
since i saw you | 4 |
was a native of | 4 |
he did not like | 4 |
and he who plays | 4 |
of flesh and blood | 4 |
he sat up in | 4 |
to the literature of | 4 |
there was no other | 4 |
to tell me what | 4 |
director of the grand | 4 |
that he was the | 4 |
he came into the | 4 |
words of the bible | 4 |
of the man and | 4 |
out of the little | 4 |
sense of the word | 4 |
appointed director of the | 4 |
i do want to | 4 |
like to go to | 4 |
that he would not | 4 |
the word of god | 4 |
wave of his hand | 4 |
fear in his heart | 4 |
expert in law courts | 4 |
he also wrote a | 4 |
to his room and | 4 |
drew her to him | 4 |
she pushed him away | 4 |
returned to paris to | 4 |
as much as i | 4 |
strikes the chord that | 4 |
was not strange that | 4 |
with such force that | 4 |
fiddle and the pail | 4 |
and walked to the | 4 |
he nodded his head | 4 |
it seems that the | 4 |
who had gone to | 4 |
at that moment she | 4 |
looking at the portrait | 4 |
of the blind child | 4 |
sat down on a | 4 |
in france and germany | 4 |
the circumstances under which | 4 |
the author from the | 4 |
i was so surprised | 4 |
want to believe him | 4 |
center of the stage | 4 |
for one of his | 4 |
but there is no | 4 |
was looking at him | 4 |
to say that i | 4 |
i cannot bear it | 4 |
was about to be | 4 |
of the woman you | 4 |
rest of my life | 4 |
to play like that | 4 |
by the sound of | 4 |
not cut it off | 4 |
with the aid of | 4 |
we were in the | 4 |
you want to see | 4 |
go with you to | 4 |
began his career as | 4 |
in the hope that | 4 |
have a right to | 4 |
it was the work | 4 |
holding out his hand | 4 |
was accustomed to say | 4 |
in an attitude of | 4 |
that he had heard | 4 |
the string of pity | 4 |
do not hesitate to | 4 |
she went into the | 4 |
one of the great | 4 |
over and over again | 4 |
on the schoolroom table | 4 |
back into the chair | 4 |
you propose to do | 4 |
the character of the | 4 |
he left the hotel | 4 |
the girl in the | 4 |
turned away from the | 4 |
for the g string | 4 |
there was only one | 4 |
the eyes of the | 4 |
hand down on the | 4 |
it had been a | 4 |
the directors of the | 4 |
municipal museum at genoa | 4 |
had the air of | 4 |
and asked her to | 4 |
thought it would be | 4 |
in one of our | 4 |
when she saw the | 4 |
he is in love | 4 |
her hand upon the | 4 |
you must go to | 4 |
early part of the | 4 |
must be some mistake | 4 |
there was such a | 4 |
birth and early life | 4 |
i to him who | 4 |
was going to have | 4 |
he took the violin | 4 |
his reception by the | 4 |
in the municipal museum | 4 |
him as a pupil | 4 |
he was in the | 4 |
that is why i | 4 |
van der berg and | 4 |
woman on his arm | 4 |
the only authorised edition | 4 |
as much as ever | 4 |
when father and daughter | 4 |
this is what he | 4 |
his style of playing | 4 |
from the back of | 4 |
the rest of you | 4 |
i beg your pardon | 4 |
he was twenty years | 4 |
theodore looked at her | 4 |
she put her hand | 4 |
things on the street | 4 |
a work of art | 4 |
and early life of | 4 |
ran to the window | 4 |
i had a chance | 4 |
i want to speak | 4 |
i heard her say | 4 |
she asked the question | 4 |
his hat and coat | 4 |
half an hour later | 4 |
of director of the | 4 |
out his hand and | 4 |
came to the rescue | 4 |
the remainder of the | 4 |
i had to laugh | 4 |
of course i was | 4 |
to him who strikes | 4 |
professor of the violin | 4 |
first visit to england | 4 |
this is one of | 4 |
the compositions of the | 4 |
the picture of the | 4 |
in the garden of | 4 |
she smiled at him | 4 |
more than i can | 4 |
the twins and alan | 4 |
at a time when | 4 |
a great number of | 4 |
when i think of | 4 |
that he was very | 4 |
and there is no | 4 |
in spite of herself | 4 |
the best i can | 4 |
to attend his concerts | 4 |
wide awake girls series | 4 |
short flight of steps | 4 |
back upon the pillow | 4 |
would be interesting to | 4 |
with some of the | 4 |
home on the mountain | 4 |
she hesitated a moment | 4 |
up the back stairs | 4 |
and variations on the | 4 |
be no doubt that | 4 |
the next instant she | 4 |
is the only authorised | 4 |
think it is the | 4 |
to play on it | 4 |
she could see the | 4 |
as she looked at | 4 |
be very glad to | 4 |
that there had been | 4 |
is responsive in my | 4 |
and laid her hand | 4 |
on it for me | 4 |
up and down stairs | 4 |
in the little room | 4 |
that of a great | 4 |
proved to be the | 4 |
gave a concert at | 4 |
as a solo instrument | 4 |
that the man who | 4 |
more constant than i | 4 |
where he could see | 4 |
the success of the | 4 |
shall not allow her | 4 |
at last i got | 4 |
but what do you | 4 |
violin from the case | 4 |
he bent over her | 4 |
the technics of violoncello | 4 |
the beauty in white | 4 |
it is wrapped with | 4 |
a passionate lover of | 4 |
the whole of the | 4 |
she had gone to | 4 |
you might as well | 4 |
i think it would | 4 |
went back to the | 4 |
in the hall and | 4 |
what i told you | 4 |
went to paris and | 4 |
the little blind boy | 4 |
the son of the | 4 |
he sat down upon | 4 |
only authorised edition of | 4 |
account of the origin | 4 |
of the most interesting | 4 |
with the view of | 4 |
in the key of | 4 |
i heard him say | 4 |
the cause of the | 4 |
know what it is | 4 |
when they reached the | 4 |
at his first concert | 4 |
i told you to | 4 |
better than i do | 4 |
reasonable objection to the | 4 |
and if i had | 4 |
which resulted in the | 4 |
the first movement was | 4 |
under the escort of | 4 |
on the floor with | 4 |
gave me a little | 4 |
invention of the piano | 4 |
she was sure of | 4 |
the author of the | 4 |
on the brink of | 4 |
with a look of | 4 |
to kiss the cross | 4 |
the royal worcester plate | 4 |
not great enough for | 4 |
in the fact that | 4 |
says the fond parent | 4 |
accepted the post of | 4 |
by the side of | 4 |
with a sidelong glance | 4 |
but what is it | 4 |
memories of the past | 4 |
the shoulders of the | 4 |
was found to be | 4 |
he was a boy | 4 |
did not wish to | 4 |
it is a great | 4 |
of the schoolroom table | 4 |
but i do not | 4 |
if i had been | 4 |
and he could not | 4 |
not have been more | 4 |
he was a pupil | 4 |
violin and began to | 4 |
he went toward the | 4 |
in a few moments | 4 |
she had left the | 4 |
lights were turned low | 4 |
and gave it to | 4 |
who is said to | 4 |
himself into a chair | 4 |
the woman you love | 4 |
to the house of | 4 |
at the beginning of | 4 |
she might have been | 4 |
not touch that string | 4 |
of the italian opera | 4 |
to me from the | 4 |
it was only the | 4 |
and looked up at | 4 |
he buried his face | 4 |
in any of the | 4 |
of the fact that | 4 |
did not touch that | 4 |
he was appointed solo | 4 |
turned away to hide | 4 |
make up your mind | 4 |
to make matters worse | 4 |
came to the conclusion | 4 |
the violin to the | 4 |
at that time in | 4 |
do you think of | 4 |
plays upon it dies | 4 |
how glad i am | 4 |
it has been shown | 4 |
there came to her | 4 |
to do but to | 4 |
in a minute or | 4 |
to the holly farmhouse | 4 |
i have thought of | 4 |
clock on the mantel | 4 |
he was accustomed to | 4 |
in which the master | 4 |
appointed professor of violin | 4 |
the man in the | 4 |
but it is not | 4 |
threw out his hands | 4 |
was the picture of | 4 |
and for a while | 4 |
edition of technics of | 4 |
back to the world | 4 |
to the piano and | 4 |
but it did not | 4 |
took up the violin | 4 |
the thought of the | 4 |
he rose to go | 4 |
time in her life | 4 |
had the misfortune to | 4 |
he got up and | 4 |
to do about it | 4 |
as he did so | 4 |
and his influence on | 4 |
did not appear to | 4 |
is a most interesting | 4 |
he who plays upon | 4 |
in the little house | 4 |
the corners of her | 4 |
as it had been | 4 |
on a level with | 4 |
it seemed to be | 4 |
you will let me | 4 |
tells the story of | 4 |
came to an end | 4 |
in the wilds of | 4 |
in the bottom of | 4 |
at that moment a | 4 |
no drooping clytie could | 4 |
over me that i | 4 |
so that he might | 4 |
a man of the | 4 |
the works of the | 4 |
want to do it | 4 |
had played on the | 4 |
from the other side | 4 |
the length of the | 4 |
new school of music | 4 |
him to see you | 4 |
her eyes fell upon | 4 |
so i had to | 4 |
he played at the | 4 |
as they neared the | 4 |
the art of playing | 4 |
it was to be | 4 |
was standing by the | 4 |
or any child of | 4 |
as she turned to | 4 |
on the technics of | 4 |
might be able to | 4 |
i ask you to | 4 |
a deep interest in | 4 |
and i got so | 4 |
this was the first | 4 |
the past few years | 4 |
it would be interesting | 4 |
lafe shook his head | 4 |
to give it up | 4 |
the position of the | 4 |
had gone to the | 4 |
the age of four | 4 |
the influence of the | 4 |
constant than i to | 4 |
out of the common | 4 |
that she did not | 4 |
was the same as | 4 |
the admiration of the | 4 |
to do things for | 4 |
she felt as if | 4 |
out her hand and | 4 |
gave it to me | 4 |
would have thought of | 4 |
some time or other | 4 |
told me what to | 4 |
i was a little | 4 |
well known in the | 4 |
lies not with you | 4 |
seemed as if the | 4 |
just the same as | 4 |
he seemed to have | 4 |
nothing to do but | 4 |
made a deep impression | 4 |
as she spoke she | 4 |
and as she spoke | 4 |
for her to go | 4 |
i felt sorry for | 4 |
a cup of chocolate | 4 |
her arms about the | 4 |
in the world for | 4 |
hand upon his arm | 4 |
put a stop to | 4 |
had not meant to | 4 |
with a toss of | 4 |
it was played by | 4 |
when i saw you | 4 |
on the score of | 4 |
a cry of pity | 4 |
she did not know | 4 |
and was obliged to | 4 |
expression of his face | 4 |
this was too much | 4 |
will be a great | 4 |
of whom we have | 4 |
i hardly knew what | 4 |
the hearts of all | 4 |
there is to it | 4 |
with the thought of | 4 |
clytie could be more | 4 |
the failure of the | 4 |
made director of the | 4 |
i had not the | 4 |
to a far country | 4 |
that he might be | 4 |
do not need you | 4 |
but i had to | 4 |
i will tell you | 4 |
him who strikes the | 4 |
the age of eight | 4 |
with a cry of | 4 |
it is not necessary | 4 |
on the part of | 4 |
in the mood for | 4 |
with a species of | 4 |
when i got to | 4 |
could be more constant | 4 |
not fall in love | 4 |
i wanted to see | 4 |
to the conclusion that | 4 |
to look at him | 4 |
not know how to | 4 |
pages of the fetich | 4 |
shall be very glad | 4 |
in a kind of | 4 |
over him like a | 4 |
get out of here | 4 |
for one of the | 4 |
you should have seen | 4 |
with a sigh of | 4 |
to be at the | 4 |
there was very little | 4 |
look in his eyes | 4 |
it may be that | 3 |
as they fell upon | 3 |
to do with my | 3 |
that is the reason | 3 |
i have never said | 3 |
the garden of eden | 3 |
that she was going | 3 |
letters of introduction to | 3 |
he was a most | 3 |
higher than the rest | 3 |
great deal of money | 3 |
the making of a | 3 |
ought to have a | 3 |
the concerto in b | 3 |
the violins at the | 3 |
went to the kitchen | 3 |
her bible and read | 3 |
is a beautiful world | 3 |
as well as for | 3 |
i wanted to go | 3 |
his constantly pure intonation | 3 |
back to the window | 3 |
has been shown that | 3 |
with whom he was | 3 |
glad to have me | 3 |
as red as a | 3 |
down the hall and | 3 |
why do you want | 3 |
i should love to | 3 |
the clock on the | 3 |
he gave his first | 3 |
that was the first | 3 |
he had not yet | 3 |
an image of grace | 3 |
in the chimney cupboard | 3 |
it was a beautiful | 3 |
students of the violin | 3 |
that i am going | 3 |
to the god of | 3 |
the introduction of the | 3 |
us play the last | 3 |
world as a violin | 3 |
was the face of | 3 |
shake of her head | 3 |
in all his concerts | 3 |
then goes on to | 3 |
a good thing for | 3 |
to let us know | 3 |
did as she was | 3 |
into the nearest chair | 3 |
a state of mind | 3 |
when he reached home | 3 |
the wind and the | 3 |
to me at the | 3 |
to speak of his | 3 |
ever since i was | 3 |
taught by his father | 3 |
she sat up and | 3 |
top of the hill | 3 |
the image of her | 3 |
from which she had | 3 |
that it was her | 3 |
to get up and | 3 |
the literature of the | 3 |
the pitch of the | 3 |
which i have never | 3 |
thou art with me | 3 |
the violin part in | 3 |
the banks of the | 3 |
the group of girls | 3 |
i heard she was | 3 |
was unable to appear | 3 |
to get ready for | 3 |
before the evening was | 3 |
was a friend of | 3 |
he covered it with | 3 |
look as if you | 3 |
at the present day | 3 |
illustrated by ethel pennewill | 3 |
in the beginning and | 3 |
by the author of | 3 |
be glad to see | 3 |
musical world as a | 3 |
of the concerto in | 3 |
if it is only | 3 |
liszt and his son | 3 |
on the seat beside | 3 |
he held in his | 3 |
and at that moment | 3 |
the better part of | 3 |
he had not heard | 3 |
if you love me | 3 |
moved about the room | 3 |
to say something to | 3 |
i opened the door | 3 |
who lived in the | 3 |
much as he could | 3 |
first time in her | 3 |
took hold of the | 3 |
the most distinguished of | 3 |
if i were in | 3 |
had a long talk | 3 |
the last passage together | 3 |
range of her vision | 3 |
a friend of the | 3 |
for an instant against | 3 |
to be the only | 3 |
bound together by a | 3 |
them curtains was on | 3 |
his hand on his | 3 |
he was a little | 3 |
of course it was | 3 |
dress for you to | 3 |
on his own account | 3 |
he was greeted with | 3 |
he might not have | 3 |
i told her what | 3 |
he stared at her | 3 |
her hand to his | 3 |
to think it over | 3 |
to the extent of | 3 |
i guess if i | 3 |
to say that he | 3 |
but she was not | 3 |
smile upon his lips | 3 |
something more than a | 3 |
if you had seen | 3 |
tell you what to | 3 |
violin at the age | 3 |
on to describe the | 3 |
and as soon as | 3 |
had closed the door | 3 |
violin at his chin | 3 |
he seized his violin | 3 |
want me to come | 3 |
at him in amazement | 3 |
was not a little | 3 |
in spite of everything | 3 |
and when i turned | 3 |
he had grown to | 3 |
monsieur le don key | 3 |
to the floor and | 3 |
he stood before her | 3 |
so it came to | 3 |
the sound of their | 3 |
of paganini in the | 3 |
he had insisted upon | 3 |
she said in an | 3 |
of the shadow of | 3 |
bed she opened the | 3 |
but he shook his | 3 |
under the influence of | 3 |
like the rest of | 3 |
at the open door | 3 |
if i had my | 3 |
no one in the | 3 |
be all right in | 3 |
back against the wall | 3 |
to get out of | 3 |
rest of the company | 3 |
the latter part of | 3 |
get out of the | 3 |
spread over his face | 3 |
it could not have | 3 |
do it for you | 3 |
no less than three | 3 |
he is one of | 3 |
devoted himself to the | 3 |
of the duke of | 3 |
the renowned tuscan violinist | 3 |
he loved another woman | 3 |
he played for us | 3 |
be tuned a semitone | 3 |
to have a little | 3 |
she wanted to go | 3 |
the memory of you | 3 |
sat on the edge | 3 |
he rose and walked | 3 |
with all manner of | 3 |
that it was not | 3 |
as it has been | 3 |
would like to take | 3 |
never have thought of | 3 |
to be nice to | 3 |
having her own way | 3 |
bread and the pail | 3 |
and went to bed | 3 |
know that you are | 3 |
that he began to | 3 |
went back to his | 3 |
up the stairs with | 3 |
in the south of | 3 |
but in any case | 3 |
to walk in the | 3 |
anything to do with | 3 |
and the long night | 3 |
she glanced at her | 3 |
with a great deal | 3 |
but at that moment | 3 |
and the blizzard swallowed | 3 |
with variations on a | 3 |
ought not to be | 3 |
that she could not | 3 |
you ought to have | 3 |
it not for the | 3 |
home in a few | 3 |
the child consented to | 3 |
what became of the | 3 |
he threw his arm | 3 |
rose from the piano | 3 |
grow farther and farther | 3 |
the floor and the | 3 |
and left the room | 3 |
and because there is | 3 |
in a hundred ways | 3 |
i must go at | 3 |
her career as a | 3 |
i thought it would | 3 |
frown on his face | 3 |
was done to make | 3 |
you will have the | 3 |
know what you mean | 3 |
to possess herself of | 3 |
father took him to | 3 |
sank back with a | 3 |
niece of a cobbler | 3 |
i shall try to | 3 |
he had come to | 3 |
and what did she | 3 |
plays the violin like | 3 |
would be better not | 3 |
for a period of | 3 |
his chair closer to | 3 |
that he would have | 3 |
looked down upon the | 3 |
two lessons a week | 3 |
set to work to | 3 |
in many of the | 3 |
it was not easy | 3 |
bosom of the happy | 3 |
in his life of | 3 |
speak again until they | 3 |
i have always felt | 3 |
until i get back | 3 |
that part of the | 3 |
directly in front of | 3 |
did not see the | 3 |
you think it is | 3 |
when i thought of | 3 |
under the tall trees | 3 |
thing in my life | 3 |
looking down upon him | 3 |
manner of playing the | 3 |
said that he was | 3 |
a lot of us | 3 |
the more so that | 3 |
following year he was | 3 |
me to come to | 3 |
that these were the | 3 |
seem to have been | 3 |
where he made his | 3 |
accompanied her to the | 3 |
of one who has | 3 |