This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
of the fabric | 70 |
this class of | 59 |
it will be | 59 |
the warp threads | 58 |
of the cloth | 56 |
in which the | 56 |
woven with a | 53 |
is used to | 51 |
used to designate | 47 |
in the same | 45 |
the use of | 45 |
warp and weft | 45 |
it is a | 44 |
the right side | 41 |
side of the | 40 |
will be seen | 40 |
one of the | 38 |
is known as | 37 |
part of the | 37 |
the warp and | 36 |
by means of | 36 |
surface of the | 35 |
the number of | 35 |
william and mary | 34 |
the surface of | 34 |
some of the | 33 |
the process of | 33 |
on the surface | 33 |
cotton warp and | 32 |
on the right | 32 |
in regard to | 32 |
face of the | 31 |
this name is | 31 |
used in the | 31 |
there is a | 31 |
of the material | 31 |
courtesy of messrs | 31 |
the fabric is | 31 |
the courtesy of | 31 |
the face of | 31 |
of the same | 31 |
by the courtesy | 31 |
as in the | 30 |
it may be | 30 |
the wrong side | 30 |
edge of the | 30 |
is to be | 30 |
the eighteenth century | 29 |
as well as | 29 |
known as a | 29 |
dyed in the | 29 |
the back of | 28 |
back of the | 28 |
leaving the loom | 27 |
of the warp | 27 |
end of the | 27 |
on the face | 27 |
and in the | 27 |
the cloth is | 27 |
more or less | 27 |
be seen that | 27 |
length of the | 26 |
which has been | 26 |
of the design | 26 |
class of fabric | 26 |
two or more | 26 |
is used for | 26 |
after leaving the | 25 |
the manufacture of | 25 |
the end of | 25 |
that it is | 24 |
of the art | 24 |
from to inches | 24 |
this fabric is | 24 |
the length of | 24 |
the fact that | 24 |
the same way | 24 |
the queen anne | 24 |
is applied to | 24 |
so as to | 24 |
or more colours | 23 |
as it is | 23 |
the edge of | 23 |
the days of | 22 |
the seventeenth century | 22 |
it is not | 22 |
on the same | 22 |
of the country | 22 |
which have been | 22 |
should be used | 22 |
in the piece | 22 |
chests of drawers | 21 |
to designate a | 21 |
with a plain | 21 |
on the wrong | 21 |
a series of | 21 |
one or more | 21 |
inches in width | 21 |
of the eighteenth | 21 |
is used in | 21 |
of the goods | 21 |
is given to | 21 |
applied to a | 21 |
shown in fig | 20 |
and it is | 20 |
a piece of | 20 |
the cabriole leg | 20 |
the form of | 20 |
the result of | 20 |
yards per piece | 20 |
may be used | 20 |
parts of the | 19 |
the textile art | 19 |
of this class | 19 |
warp and woof | 19 |
this style of | 19 |
at the back | 19 |
warp and filling | 19 |
a number of | 19 |
said to be | 19 |
which it is | 19 |
the name is | 19 |
used to describe | 19 |
from to yards | 19 |
the weft threads | 19 |
either one or | 19 |
the line of | 19 |
character of the | 18 |
cotton fabric woven | 18 |
according to the | 18 |
the windsor chair | 18 |
owing to the | 18 |
the character of | 18 |
cottage and farmhouse | 18 |
will be found | 18 |
this term is | 18 |
in either one | 18 |
used for the | 18 |
that is to | 17 |
due to the | 17 |
the case of | 17 |
so that the | 17 |
name is given | 17 |
on both sides | 17 |
at the bottom | 17 |
it is used | 17 |
that of the | 17 |
of the textile | 17 |
in the grey | 17 |
work of the | 17 |
should never be | 17 |
term is used | 17 |
of an inch | 17 |
woven as a | 17 |
is of the | 17 |
in the case | 17 |
a plain weave | 17 |
of the chair | 16 |
be used for | 16 |
given to a | 16 |
the top of | 16 |
of warp and | 16 |
and farmhouse furniture | 16 |
at right angles | 16 |
should always be | 16 |
yards in length | 16 |
wrong side of | 16 |
of the seventeenth | 16 |
the name of | 16 |
is to say | 16 |
the bottom of | 16 |
of the garment | 16 |
it is woven | 16 |
width of the | 15 |
the introduction of | 15 |
regard to the | 15 |
the same page | 15 |
should be made | 15 |
seams should be | 15 |
seen that the | 15 |
shown in the | 15 |
the appearance of | 15 |
of ornamentation by | 15 |
wool and cotton | 15 |
in the manufacture | 15 |
queen anne style | 15 |
style of weave | 15 |
but it is | 15 |
on account of | 15 |
days of the | 15 |
fabric having a | 15 |
the purpose of | 15 |
of the seam | 14 |
of which are | 14 |
the development of | 14 |
in order to | 14 |
of the skirt | 14 |
the work of | 14 |
evolution of the | 14 |
the nature of | 14 |
of the people | 14 |
at the top | 14 |
as shown in | 14 |
of which is | 14 |
are to be | 14 |
size of the | 14 |
to be a | 14 |
and weft threads | 14 |
is produced by | 14 |
the making of | 14 |
illustrations of ornamentation | 14 |
to the surface | 14 |
the width of | 14 |
a cotton fabric | 14 |
there is no | 14 |
chest of drawers | 14 |
and the other | 14 |
in width and | 14 |
to be found | 13 |
over and one | 13 |
in date about | 13 |
of the period | 13 |
both warp and | 13 |
term applied to | 13 |
in connexion with | 13 |
use of the | 13 |
of the piece | 13 |
on the back | 13 |
of the most | 13 |
is a plain | 13 |
on the other | 13 |
has not been | 13 |
selvedge to selvedge | 13 |
it should be | 13 |
of the sleeve | 13 |
the term is | 13 |
not specially enumerated | 13 |
the size of | 13 |
the material is | 13 |
met with in | 13 |
from selvedge to | 13 |
the waist line | 13 |
is shown in | 13 |
to yards per | 13 |
hooks and eyes | 13 |
of the weft | 13 |
which may be | 13 |
will be observed | 13 |
of fabric is | 13 |
finished with a | 13 |
also known as | 13 |
right side of | 13 |
in this class | 13 |
is an all | 13 |
that they are | 13 |
in the first | 13 |
a combination of | 13 |
is said to | 12 |
of the old | 12 |
the pattern is | 12 |
woven in the | 12 |
the evolution of | 12 |
a class of | 12 |
or weft threads | 12 |
the united states | 12 |
dyed after leaving | 12 |
be found in | 12 |
of which the | 12 |
in the fabric | 12 |
in the form | 12 |
a variety of | 12 |
the direction of | 12 |
plain or twill | 12 |
at the same | 12 |
of the threads | 12 |
which is a | 12 |
many of the | 12 |
they may be | 12 |
the style of | 12 |
the collection of | 12 |
that in the | 12 |
is essentially a | 12 |
the design is | 12 |
applied to the | 12 |
of home economics | 12 |
are known as | 12 |
simple or complex | 12 |
found in the | 12 |
is one of | 12 |
they should be | 12 |
name is used | 11 |
a fabric is | 11 |
in the weaving | 11 |
great variety of | 11 |
as the name | 11 |
middle of the | 11 |
and in length | 11 |
the same manner | 11 |
the center of | 11 |
in the collection | 11 |
known as the | 11 |
with geometric ornament | 11 |
top of the | 11 |
under the heading | 11 |
in the textile | 11 |
the age of | 11 |
to inches and | 11 |
in connection with | 11 |
on one side | 11 |
is the most | 11 |
in width from | 11 |
features of the | 11 |
it must be | 11 |
the most important | 11 |
of the early | 11 |
direction of the | 11 |
should be cut | 11 |
described as a | 11 |
to inches in | 11 |
fabrics which have | 11 |
much of the | 11 |
made in the | 11 |
it does not | 11 |
the middle of | 11 |
by the introduction | 11 |
lengthways of the | 11 |
to a process | 11 |
it is also | 11 |
for the purpose | 11 |
in such a | 11 |
of the yarn | 11 |
bottom of the | 11 |
the art of | 11 |
cotton fabric of | 11 |
warp threads are | 11 |
coiled basket with | 11 |
than that of | 11 |
threads of the | 11 |
in addition to | 11 |
chats on old | 11 |
fabric woven with | 11 |
obtained from the | 11 |
process whereby certain | 11 |
the ends of | 11 |
survival of the | 11 |
is found in | 11 |
printed on the | 11 |
should be taken | 11 |
edges of the | 11 |
portions of the | 11 |
inches and in | 10 |
to be made | 10 |
as a three | 10 |
it was not | 10 |
such as the | 10 |
means of a | 10 |
as to produce | 10 |
cotton and wool | 10 |
with the warp | 10 |
it has a | 10 |
two or three | 10 |
by combination of | 10 |
prior to weaving | 10 |
it would be | 10 |
between the two | 10 |
in the making | 10 |
the sixteenth century | 10 |
of the cotton | 10 |
sides of the | 10 |
as to the | 10 |
the same time | 10 |
belongs to the | 10 |
length per piece | 10 |
half of the | 10 |
a cotton warp | 10 |
as they are | 10 |
of the two | 10 |
a term applied | 10 |
to the inch | 10 |
form of the | 10 |
when it is | 10 |
quality of the | 10 |
of the needle | 10 |
the beginning of | 10 |
the majority of | 10 |
portion of the | 10 |
the time of | 10 |
the weaving of | 10 |
inches in length | 10 |
center of the | 10 |
the weave is | 10 |
warp or weft | 10 |
this kind of | 10 |
the edges of | 10 |
of queen anne | 10 |
in the preceding | 10 |
that the fabric | 10 |
should not be | 10 |
of the late | 10 |
at the end | 10 |
inches to inches | 10 |
the class of | 10 |
this is the | 10 |
illustrated on p | 10 |
american school of | 10 |
of the figure | 10 |
to each other | 10 |
in the trade | 10 |
this is a | 10 |
class of furniture | 10 |
to the collector | 10 |
is apt to | 10 |
to form a | 10 |
in length from | 9 |
thread should be | 9 |
distinctive feature of | 9 |
by wefts per | 9 |
of light weight | 9 |
seen in the | 9 |
term used to | 9 |
of the cabriole | 9 |
on each side | 9 |
queen anne period | 9 |
been ornamented by | 9 |
out of print | 9 |
this type of | 9 |
to be dyed | 9 |
of a fabric | 9 |
warp and a | 9 |
the filling threads | 9 |
through which the | 9 |
same manner as | 9 |
study of the | 9 |
nature of the | 9 |
from which it | 9 |
fact that the | 9 |
may have been | 9 |
is woven with | 9 |
is due to | 9 |
the lines of | 9 |
woven on a | 9 |
which they are | 9 |
in spite of | 9 |
the stitches should | 9 |
in imitation of | 9 |
under this heading | 9 |
yards to the | 9 |
to have been | 9 |
fabrics which are | 9 |
which is the | 9 |
is in the | 9 |
the distinctive feature | 9 |
the study of | 9 |
warp and wool | 9 |
of the fibers | 9 |
with a pile | 9 |
it is known | 9 |
this is done | 9 |
combination of weave | 9 |
on the market | 9 |
the william and | 9 |
early eighteenth century | 9 |
as a rule | 9 |
right angles to | 9 |
is similar to | 9 |
have been made | 9 |
length from to | 9 |
the quality of | 9 |
the description of | 9 |
habits of the | 9 |
of the various | 9 |
the woof threads | 9 |
of the buttonhole | 9 |
during the process | 9 |
which the warp | 9 |
those of the | 9 |
would be a | 9 |
used as a | 9 |
warp and one | 9 |
be observed that | 9 |
the warp is | 9 |
free from any | 9 |
the nineteenth century | 9 |
body of the | 9 |
the value of | 9 |
the other hand | 9 |
are produced by | 9 |
of the best | 8 |
lines of the | 8 |
native cotton cloth | 8 |
the shape of | 8 |
line of the | 8 |
of the work | 8 |
used in connexion | 8 |
there should be | 8 |
of form and | 8 |
in the farmhouse | 8 |
in the yarn | 8 |
towards the worker | 8 |
made of silk | 8 |
or to the | 8 |
fabric woven from | 8 |
to the cloth | 8 |
dyed plain cottons | 8 |
life of the | 8 |
and is used | 8 |
be an all | 8 |
it is the | 8 |
it is possible | 8 |
applied to fabrics | 8 |
across the face | 8 |
of the chincha | 8 |
is a good | 8 |
the seat is | 8 |
the same as | 8 |
or kindred weave | 8 |
in with the | 8 |
from the top | 8 |
is made to | 8 |
ornamented by having | 8 |
is also used | 8 |
of the century | 8 |
in the united | 8 |
and one weft | 8 |
as a distinctive | 8 |
it has been | 8 |
having certain designs | 8 |
outline of the | 8 |
its name from | 8 |
which are not | 8 |
piece of cloth | 8 |
what is known | 8 |
name given to | 8 |
by having certain | 8 |
a fabric which | 8 |
the foundation fabric | 8 |
in the provinces | 8 |
the surface is | 8 |
to produce a | 8 |
produced either by | 8 |
can be made | 8 |
in length per | 8 |
is made from | 8 |
out of the | 8 |
produced by the | 8 |
care should be | 8 |
may be said | 8 |
and wool weft | 8 |
there is nothing | 8 |
the textile system | 8 |
a dyed fabric | 8 |
in the chincha | 8 |
width from to | 8 |
any of the | 8 |
on the machine | 8 |
grey or bleached | 8 |
the survival of | 8 |
this material is | 8 |
they are made | 8 |
in the main | 8 |
in the back | 8 |
the skirt and | 8 |
woven in a | 8 |
have not been | 8 |
added to the | 8 |
should be done | 8 |
as a whole | 8 |
number of warp | 8 |
warps by wefts | 8 |
the variety of | 8 |
is of a | 8 |
to an all | 8 |
the top rail | 8 |
textiles and clothing | 8 |
shape of the | 8 |
to have the | 8 |
the yarn is | 8 |
will not be | 8 |
a process whereby | 8 |
the production of | 8 |
in the middle | 8 |
with reference to | 8 |
to form the | 8 |
designs in either | 8 |
warps crossed by | 8 |
to the pound | 8 |
cotton or linen | 8 |
warp and the | 8 |
fabric is essentially | 8 |
at a time | 8 |
the most beautiful | 8 |
is obtained by | 8 |
is made up | 8 |
beginning of the | 8 |
the pile of | 8 |
to the lining | 8 |
both sides of | 8 |
from which the | 8 |
woollen and cotton | 8 |
of the pile | 8 |
or complex designs | 8 |
the order of | 8 |
fabric which is | 8 |
to describe a | 8 |
in the art | 8 |
may be either | 8 |
plain weave and | 8 |
subjected to a | 8 |
in the centre | 8 |
applied to hosiery | 7 |
in textile art | 7 |
turned legs and | 7 |
of this type | 7 |
fabric of the | 7 |
the fabric in | 7 |
side by side | 7 |
the reign of | 7 |
woollen and worsted | 7 |
pattern produced by | 7 |
of warp threads | 7 |
is woven from | 7 |
to cover the | 7 |
development of the | 7 |
and at the | 7 |
also applied to | 7 |
the addition of | 7 |
put up in | 7 |
complex designs in | 7 |
to yards in | 7 |
appearance of the | 7 |
is taken from | 7 |
of the front | 7 |
or twill weave | 7 |
twill or kindred | 7 |
of the windsor | 7 |
school of home | 7 |
of the back | 7 |
on the left | 7 |
a generic term | 7 |
and the woof | 7 |
by the warp | 7 |
the yarn used | 7 |
relation to the | 7 |
point of view | 7 |
the gate table | 7 |
should be placed | 7 |
there are many | 7 |
certain simple or | 7 |
bulk of the | 7 |
as much as | 7 |
woven from hard | 7 |
that of a | 7 |
from inches to | 7 |
account of the | 7 |
often than not | 7 |
a line of | 7 |
cotton fabric having | 7 |
warp threads of | 7 |
old english chintzes | 7 |
the weft is | 7 |
one or both | 7 |
number of yards | 7 |
grey or white | 7 |
the centre of | 7 |
a great variety | 7 |
the top and | 7 |
the series of | 7 |
years of the | 7 |
crossed by single | 7 |
be considered as | 7 |
a fabric having | 7 |
of the plain | 7 |
of the first | 7 |
are used for | 7 |
to this day | 7 |
oak chest of | 7 |
to the eye | 7 |
made of the | 7 |
cloth may be | 7 |
it is generally | 7 |
the cloth and | 7 |
in the direction | 7 |
often met with | 7 |
is generally a | 7 |
cloth is a | 7 |
see twill weave | 7 |
of the queen | 7 |
a length of | 7 |
same page is | 7 |
the cat stitch | 7 |
at the ends | 7 |
the body of | 7 |
example of the | 7 |
there are two | 7 |
this makes a | 7 |
one of these | 7 |
isle of man | 7 |
the northwest coast | 7 |
have been impressed | 7 |
silk mixed with | 7 |
which have not | 7 |
reference to the | 7 |
be distinguished from | 7 |
line of sewing | 7 |
and the like | 7 |
in the illustration | 7 |
with each other | 7 |
style of weaving | 7 |
basket with geometric | 7 |
the fabric by | 7 |
the beauty of | 7 |
a plain or | 7 |
it is an | 7 |
in combination with | 7 |
name from the | 7 |
of two or | 7 |
of plain weave | 7 |
either plain or | 7 |
more often than | 7 |
of charles ii | 7 |
is also known | 7 |
dyed figured cotton | 7 |
of any kind | 7 |
are made of | 7 |
are woven with | 7 |
and with the | 7 |
would be known | 7 |
of the thread | 7 |
mixed with other | 7 |
use of a | 7 |
are made to | 7 |
fabric which has | 7 |
the type of | 7 |
is called a | 7 |
in the country | 7 |
woven on the | 7 |
the action of | 7 |
at the beginning | 7 |
imitation of the | 7 |
the ancient peruvians | 7 |
of the hem | 7 |
cotton yarn measures | 7 |
from the edge | 7 |
members of the | 7 |
if it is | 7 |
and mary period | 7 |
value of the | 7 |
to make a | 7 |
it is found | 7 |
is the result | 7 |
ends of the | 7 |
number of the | 7 |
fabric is a | 7 |
removed from the | 7 |
unless specially designated | 7 |
the growth of | 7 |
to make the | 7 |
is made of | 7 |
stitches may be | 7 |
should be basted | 7 |
name is applied | 7 |
department of agriculture | 7 |
process of weaving | 7 |
it was the | 7 |
the thumb and | 7 |
on old furniture | 7 |
the plain weave | 7 |
of the pattern | 7 |
apt to be | 7 |
than in the | 7 |
given to the | 7 |
made with a | 7 |
the web and | 7 |
on the outside | 7 |
filling or weft | 6 |
each other and | 6 |
from cotton warp | 6 |
but in the | 6 |
a cotton back | 6 |
not to be | 6 |
see silk yarns | 6 |
at hull house | 6 |
be used in | 6 |
with a cotton | 6 |
fourth of an | 6 |
the idea of | 6 |
whereby certain simple | 6 |
and to the | 6 |
of the original | 6 |
it will not | 6 |
the object of | 6 |
is generally used | 6 |
into the fabric | 6 |
pattern on the | 6 |
to designate the | 6 |
submitted to a | 6 |
by passing the | 6 |
figure of a | 6 |
been impressed on | 6 |
the life of | 6 |
the village cabinet | 6 |
number of threads | 6 |
having as a | 6 |
weft threads are | 6 |
are in the | 6 |
the country maker | 6 |
may be found | 6 |
they are not | 6 |
and the same | 6 |
weave in which | 6 |
be produced by | 6 |
thrown to the | 6 |
by the use | 6 |
to the description | 6 |
it is obvious | 6 |
ounces per yard | 6 |
in which it | 6 |
of silk mixed | 6 |
picks to the | 6 |
firmly woven from | 6 |
the lining is | 6 |
contemporary with the | 6 |
shown by the | 6 |
it is difficult | 6 |
to the last | 6 |
down to the | 6 |
is made by | 6 |
distance from the | 6 |
i have already | 6 |
in length pieces | 6 |
to preserve the | 6 |
wefts per inch | 6 |
of the sixteenth | 6 |
having the warp | 6 |
of the above | 6 |
similar to a | 6 |
yarn used in | 6 |
associated with the | 6 |
of the fiber | 6 |
is woven in | 6 |
of all kinds | 6 |
which is of | 6 |
taken from the | 6 |
various parts of | 6 |
so that it | 6 |
chats on english | 6 |
be described as | 6 |
cloth made from | 6 |
has been ornamented | 6 |
dyed and printed | 6 |
in date this | 6 |
combination of these | 6 |
the pile is | 6 |
over and over | 6 |
of different colours | 6 |
in the pattern | 6 |
the period of | 6 |
of the time | 6 |
should be carefully | 6 |
line of basting | 6 |
to the back | 6 |
in this country | 6 |
to the left | 6 |
the same color | 6 |
a hand loom | 6 |
back and forth | 6 |
this figure illustrates | 6 |
the better grades | 6 |
the designs are | 6 |
to the fact | 6 |
and worsted yarns | 6 |
the cotton variety | 6 |
to the number | 6 |
is difficult to | 6 |
it was a | 6 |
late seventeenth century | 6 |
cottages and farmhouses | 6 |
cotton pile fabric | 6 |
sea island cotton | 6 |
to the best | 6 |
tendencies of the | 6 |
a grey shirting | 6 |
of the trade | 6 |
it is now | 6 |
a true bias | 6 |
may be made | 6 |
on the warp | 6 |
of the fibres | 6 |
on the cloth | 6 |
not the same | 6 |
web and woof | 6 |
has been coloured | 6 |
of the great | 6 |
of different colors | 6 |
stitches should be | 6 |
the laws of | 6 |
is illustrated on | 6 |
effect produced by | 6 |
with other fibres | 6 |
called a pick | 6 |
better qualities of | 6 |
as a result | 6 |
and of the | 6 |
front of the | 6 |
it can be | 6 |
of the wool | 6 |
may be cut | 6 |
silk or cotton | 6 |
cotton fabrics of | 6 |
of this period | 6 |
tray with geometric | 6 |
cloths in the | 6 |
addition to the | 6 |
result of the | 6 |
the goods is | 6 |
a good plan | 6 |
used in this | 6 |
derived from the | 6 |
on to the | 6 |
art of the | 6 |
one side of | 6 |
and the number | 6 |
warp threads and | 6 |
the weave of | 6 |
the count of | 6 |
fabrics woven with | 6 |
and the back | 6 |
close to the | 6 |
angles to the | 6 |
system of decoration | 6 |
and may be | 6 |
woven in with | 6 |
a term used | 6 |
at an angle | 6 |
taken not to | 6 |
into which the | 6 |
are woven in | 6 |
in the better | 6 |
to the development | 6 |
the rest of | 6 |
which has not | 6 |
coloured woollen and | 6 |
is a term | 6 |
more colours have | 6 |
woven from a | 6 |
in pieces of | 6 |
and used for | 6 |
the cloth in | 6 |
color of the | 6 |
woolen and worsted | 6 |
a distinctive feature | 6 |
by arthur hayden | 6 |
to be done | 6 |
been subjected to | 6 |
between the thumb | 6 |
to the fabric | 6 |
of this fabric | 6 |
changing habits of | 6 |
appearing on the | 6 |
be dyed in | 6 |
floral or geometrical | 6 |
furniture of a | 6 |
of wool and | 6 |
see white lawn | 6 |
to the right | 6 |
rest of the | 6 |
seen in fig | 6 |
that they may | 6 |
to remove the | 6 |
run in the | 6 |
of a bird | 6 |
of the farmhouse | 6 |
from the loom | 6 |
white striped shirtings | 6 |
the thread should | 6 |
woven from cotton | 6 |
with which the | 6 |
at its best | 6 |
the threads are | 6 |
designate an all | 6 |
the product of | 6 |
made up of | 6 |
parallel with the | 6 |
of the dresser | 6 |
should be kept | 6 |
drawing out the | 6 |
which it was | 6 |
from left to | 6 |
into the manufacture | 6 |
it is sometimes | 6 |
in the days | 6 |
in most cases | 6 |
will be necessary | 6 |
the hem is | 6 |
prior to being | 6 |
much in the | 6 |
colours have been | 6 |
is denoted by | 6 |
are made from | 6 |
centre of the | 6 |
the bulk of | 6 |
this form of | 6 |
to weigh pound | 6 |
each side of | 6 |
fabric with a | 6 |
of weave and | 6 |
when applied to | 6 |
the furniture of | 6 |
made by the | 6 |
often used for | 6 |
is possible to | 6 |
the point of | 6 |
cotton and silk | 6 |
as will be | 6 |
be said to | 6 |
to be in | 6 |
stitch is used | 6 |
the work is | 6 |
and that it | 6 |
to hold the | 6 |
prior to the | 6 |
stitch on the | 6 |
left to right | 6 |
referred to as | 6 |
the presence of | 6 |
and having a | 6 |
a cotton and | 6 |
late chincha period | 6 |
the influence of | 6 |
is described under | 6 |
appear to be | 6 |
stage of culture | 6 |
and for the | 6 |
most of the | 6 |
in the process | 6 |
about in date | 6 |
on their surface | 6 |
on its face | 6 |
belong to the | 6 |
end twill weave | 6 |
the loose bits | 5 |
the material and | 5 |
width of inches | 5 |
in the text | 5 |
be used to | 5 |
the weft thread | 5 |
for the trade | 5 |
of standard cloth | 5 |
a plain one | 5 |
by the same | 5 |
the chain stitch | 5 |
to the bottom | 5 |
of the finest | 5 |
is obvious that | 5 |
the country cabinet | 5 |
the threads in | 5 |
that the country | 5 |
given in the | 5 |
for the collector | 5 |
form of a | 5 |
is a dyed | 5 |
of these weaves | 5 |
the angora goat | 5 |
the local cabinet | 5 |
confined to the | 5 |
the fabric has | 5 |
should be the | 5 |
the hands of | 5 |
an inch in | 5 |
made from the | 5 |
of the shuttle | 5 |
fabric is woven | 5 |
next to the | 5 |
be taken out | 5 |
queen anne splat | 5 |
is done by | 5 |
kindred weave fabric | 5 |
in those days | 5 |
that in which | 5 |
are given in | 5 |
line of stitching | 5 |
with the cane | 5 |
having a long | 5 |
at the time | 5 |
the two examples | 5 |
far removed from | 5 |
this weave is | 5 |
used for dress | 5 |
a width of | 5 |
and soft finish | 5 |
with cotton back | 5 |
from an ancient | 5 |
the filling thread | 5 |
the foundation cloth | 5 |
may be dyed | 5 |
a pile fabric | 5 |
good plan to | 5 |
is the name | 5 |
cotton or wool | 5 |
the under side | 5 |
the back and | 5 |
fabric made of | 5 |
may be woven | 5 |
action of the | 5 |
woven from coarse | 5 |
as an all | 5 |
reed and pick | 5 |
university of chicago | 5 |
on a hand | 5 |
to the same | 5 |
been dyed in | 5 |
a warp sateen | 5 |
the history of | 5 |
attributes of form | 5 |
from coarse yarns | 5 |
a wide range | 5 |
required to weigh | 5 |
the advent of | 5 |
northwest coast indians | 5 |
of the world | 5 |
the thread and | 5 |
linen or cotton | 5 |
cloth woven with | 5 |
fabric of light | 5 |
as in a | 5 |
upon the surface | 5 |
back from the | 5 |
is a cotton | 5 |
of the ground | 5 |
a silk fabric | 5 |
the last stitch | 5 |
of the real | 5 |
the threads of | 5 |
of cotton and | 5 |
woven from coloured | 5 |
the exception of | 5 |
pieces from inches | 5 |
it is of | 5 |
illustrated on the | 5 |
from dyed yarns | 5 |
threads on the | 5 |
employed in the | 5 |
strands of different | 5 |
silk and cotton | 5 |
connection with the | 5 |
found to be | 5 |
warp sateen weave | 5 |
it is always | 5 |
class of material | 5 |
in open twined | 5 |
of the village | 5 |
to the middle | 5 |
together with the | 5 |
cotton yarn is | 5 |
presented in fig | 5 |
a range of | 5 |
queen anne cabriole | 5 |
must be taken | 5 |
thickness of woollen | 5 |
the wool is | 5 |
manner in which | 5 |
of the northwest | 5 |
in the filling | 5 |
to per cent | 5 |
in the general | 5 |
having the pattern | 5 |
but as a | 5 |
running and back | 5 |
two examples illustrated | 5 |
of caustic soda | 5 |
to the edge | 5 |
or a combination | 5 |
kind of fabric | 5 |
or with a | 5 |
on cottage and | 5 |
illustration of a | 5 |
is a soft | 5 |
the printing of | 5 |
what may be | 5 |
or in the | 5 |
form and ornament | 5 |
point of the | 5 |
and finished with | 5 |
dress fabric of | 5 |
and filling threads | 5 |
there is an | 5 |
one of them | 5 |
turkey reds are | 5 |
the waist is | 5 |
the pattern or | 5 |
in many cases | 5 |
an angle of | 5 |
the better qualities | 5 |
silk and wool | 5 |
irrespective of the | 5 |
is that the | 5 |
late eighteenth century | 5 |
of this material | 5 |
from a single | 5 |
the results are | 5 |
as a general | 5 |
are dyed in | 5 |
certain of the | 5 |
waste and flocks | 5 |
running lengthways of | 5 |
generally used in | 5 |
described in the | 5 |
the fabric and | 5 |
and should be | 5 |
the upper one | 5 |
of a later | 5 |
of extra threads | 5 |
they have been | 5 |
threads to the | 5 |
from the fabric | 5 |
the neck and | 5 |
of the use | 5 |
known in the | 5 |
into general use | 5 |
connexion with weaving | 5 |
of weave is | 5 |
each other in | 5 |
the indians of | 5 |
is found that | 5 |
real turkey reds | 5 |
certain amount of | 5 |
an average width | 5 |
wide range of | 5 |
suitable for the | 5 |
over one and | 5 |
in which they | 5 |
to a special | 5 |
when the word | 5 |
such as are | 5 |
series of filaments | 5 |
composed of two | 5 |
to produce the | 5 |
surface effect produced | 5 |
to those of | 5 |
arrangement of the | 5 |
which the design | 5 |
and so on | 5 |
either by means | 5 |
has a very | 5 |
cloth used for | 5 |
have as a | 5 |
love of the | 5 |
effect is produced | 5 |
cloth which has | 5 |
threads in the | 5 |
in the lower | 5 |
of this style | 5 |
textile art in | 5 |
in its use | 5 |
bits of cut | 5 |
piece of furniture | 5 |
the finish of | 5 |
the material by | 5 |
the warp or | 5 |
style windsor chairs | 5 |
is generally recognised | 5 |
to have a | 5 |
the garment is | 5 |
trade of china | 5 |
surface produced by | 5 |
began to be | 5 |
within the art | 5 |
it is impossible | 5 |
running transversely across | 5 |
is also applied | 5 |
a kind of | 5 |
of the chest | 5 |
the chincha plain | 5 |
where it is | 5 |
the fibers of | 5 |
from right to | 5 |
of the days | 5 |
should be fitted | 5 |
produced by means | 5 |
fabric is described | 5 |
which is more | 5 |
at the waist | 5 |
a later date | 5 |
in the splat | 5 |
ready for the | 5 |
produced by interlacing | 5 |
with a uniform | 5 |
and it will | 5 |
to the waist | 5 |
the styles of | 5 |
generally used for | 5 |
interlacing strands of | 5 |
cloth is made | 5 |
warp yarn is | 5 |
as to form | 5 |
the effect of | 5 |
which the cloth | 5 |
of which it | 5 |
cotton or other | 5 |
the case with | 5 |
has been dyed | 5 |
on english china | 5 |
impressed on their | 5 |
has been said | 5 |
outside of the | 5 |
along the line | 5 |
seldom met with | 5 |
the whole of | 5 |
a more or | 5 |
from to ounces | 5 |
place in the | 5 |
similar to that | 5 |
to be of | 5 |
to the class | 5 |
cloth having a | 5 |
having a cotton | 5 |
furniture of the | 5 |
to a fabric | 5 |
the same number | 5 |
be sure that | 5 |
there is the | 5 |
varies in width | 5 |
been submitted to | 5 |
text is denoted | 5 |
to that of | 5 |
is not an | 5 |
unclassed native cotton | 5 |
by interlacing strands | 5 |
one and under | 5 |
ornamented by the | 5 |
characteristics of the | 5 |
its relation to | 5 |
of the artist | 5 |
the late eighteenth | 5 |
the conservation of | 5 |
pairs of warps | 5 |
this process is | 5 |
is always a | 5 |
it is probable | 5 |
the back is | 5 |
companion volume to | 5 |
cotton is the | 5 |
order of intersection | 5 |
figures from a | 5 |
to imitate the | 5 |
basted on the | 5 |
under the name | 5 |
with the exception | 5 |
with a smooth | 5 |
used with reference | 5 |
descriptions of standard | 5 |
should be considered | 5 |
may be placed | 5 |
would have been | 5 |
average width of | 5 |
pattern of the | 5 |
that there is | 5 |
a matter of | 5 |
it is made | 5 |
with double gates | 5 |
is also called | 5 |
in this chapter | 5 |
this is called | 5 |
may be added | 5 |
a dress fabric | 5 |
should be well | 5 |
that it has | 5 |
of the band | 5 |
they are usually | 5 |
we illustrate a | 5 |
black and white | 5 |
the cloth from | 5 |
them in the | 5 |
thread of the | 5 |
chairs of the | 5 |
the earliest form | 5 |
of the surface | 5 |
in color and | 5 |
stitched on the | 5 |
to suit the | 5 |
about the same | 5 |
likely to be | 5 |
made for the | 5 |
made of all | 5 |
of cotton or | 5 |
beauty of the | 5 |
the method of | 5 |
description of a | 5 |
in this case | 5 |
of charles i | 5 |
largely into the | 5 |
the kind of | 5 |
country chippendale style | 5 |
cotton fabrics woven | 5 |
if the material | 5 |
be recognised by | 5 |
of the gate | 5 |
is a fine | 5 |
it would appear | 5 |
of a high | 5 |
appear to have | 5 |
inches wide and | 5 |
one and over | 5 |
silk warp and | 5 |
in the cloth | 5 |
only in the | 5 |
has been woven | 5 |
chippendale and his | 5 |
which is known | 5 |
be known as | 5 |
of a fine | 5 |
here and there | 5 |
an illustration of | 5 |
such a way | 5 |
the same principle | 5 |
with cotton warp | 5 |
of the nineteenth | 5 |
would not be | 5 |
transversely across the | 5 |
a sort of | 5 |
length pieces from | 5 |
in the warp | 5 |
slow assimilation of | 5 |
may also be | 5 |
a certain amount | 5 |
in one piece | 5 |
and is a | 5 |
same way as | 5 |
and clothing part | 5 |
forms of art | 5 |
of cloth is | 5 |
ancient peruvian work | 5 |
of the class | 5 |
based on the | 5 |
a high degree | 5 |
under one and | 5 |
the trade of | 5 |
the effect is | 5 |
or combination of | 5 |
from any ornamentation | 5 |
right to left | 5 |
days of charles | 5 |
of the many | 5 |
the lower edge | 5 |
as a textile | 5 |
and cottage furniture | 5 |
need not be | 5 |
line with the | 5 |
when it was | 5 |
class of goods | 5 |
is often used | 5 |
the chincha cloths | 5 |
to designate an | 5 |
the cloth or | 5 |
application of the | 5 |
quarter of the | 5 |
woven from low | 5 |
in this group | 5 |
across the width | 5 |
the surface and | 5 |
as regards the | 5 |
of james ii | 5 |
of from to | 5 |
as early as | 5 |
weft or filling | 5 |
the cotton warp | 5 |
a type of | 5 |
an example of | 5 |
as a four | 5 |
of the opening | 5 |
in various parts | 5 |
the first place | 5 |
stripes or checks | 5 |
a wool weft | 5 |
enter into the | 5 |
in the two | 5 |
the figures are | 5 |
governed by the | 5 |
ends and picks | 5 |
pima indians of | 4 |
close together and | 4 |
to the collection | 4 |
been woven from | 4 |
by courtesy of | 4 |
at one time | 4 |
with a piece | 4 |
chair is of | 4 |
was in the | 4 |
such as cotton | 4 |
of the more | 4 |
mungo and shoddy | 4 |
the example illustrated | 4 |
made of fine | 4 |
a revolving cylinder | 4 |
and under two | 4 |
market descriptions of | 4 |
impregnated with a | 4 |
middle seventeenth century | 4 |
be remembered that | 4 |
to the use | 4 |
the employment of | 4 |
made by a | 4 |
back to the | 4 |
stitched to the | 4 |
of english furniture | 4 |
more fully described | 4 |
in the hand | 4 |
be seen from | 4 |
the chief wood | 4 |
from the first | 4 |
dyed prior to | 4 |
the protestant bible | 4 |
fabric is an | 4 |
beginning at the | 4 |
with double cupboards | 4 |
at a later | 4 |
of cottage furniture | 4 |
fifths of the | 4 |
is done to | 4 |
woven or printed | 4 |
there may be | 4 |
by having the | 4 |
a quarter of | 4 |
the dresser is | 4 |
dyed velvet cords | 4 |
in a general | 4 |
piece goods manual | 4 |
certain designs or | 4 |
a style of | 4 |
of the board | 4 |
be taken that | 4 |
and back stitch | 4 |
on which the | 4 |
with a warp | 4 |
in its loom | 4 |
same principle as | 4 |
process of manufacture | 4 |
the woven cloth | 4 |
given to an | 4 |
adding to the | 4 |
to being spun | 4 |
of such a | 4 |
two sets of | 4 |
anne cabriole leg | 4 |
in width it | 4 |
is an imitation | 4 |
a closely woven | 4 |
has had its | 4 |
of coloured yarns | 4 |
into the dye | 4 |
texture of the | 4 |
a view to | 4 |
which is woven | 4 |
the love of | 4 |
cotton yarn which | 4 |
in its relation | 4 |
in front of | 4 |
in opposition to | 4 |
the front of | 4 |
a high order | 4 |
answer to the | 4 |
it is applied | 4 |
that a silk | 4 |
three or four | 4 |
be seen in | 4 |
in all cases | 4 |
lighter in weight | 4 |
the upper part | 4 |
loose bits of | 4 |
by ideographic association | 4 |
so that they | 4 |
between and inches | 4 |
the expression of | 4 |
the construction of | 4 |
of the transfer | 4 |
we have a | 4 |
of the dress | 4 |
that the two | 4 |
the fabric are | 4 |
can be found | 4 |
or by having | 4 |
and the weft | 4 |
it to the | 4 |
pure silk plush | 4 |
which is used | 4 |
is noticeable in | 4 |
geometric system of | 4 |
of a garment | 4 |
if the goods | 4 |
apart from the | 4 |
the chippendale period | 4 |
is given under | 4 |
present in the | 4 |
wool is the | 4 |
having a surface | 4 |
of woollen cloths | 4 |
for the use | 4 |
all kinds of | 4 |
in the manner | 4 |
never be used | 4 |
and mary style | 4 |
or outline of | 4 |
the aid of | 4 |
medium and heavy | 4 |
the edges are | 4 |
first half of | 4 |
coloured crimp cloth | 4 |
the hair of | 4 |
in the seventeenth | 4 |
in conjunction with | 4 |
have been in | 4 |
should match the | 4 |
to this class | 4 |
of textile combination | 4 |
process of bleaching | 4 |
in relation to | 4 |
the character and | 4 |
a difference between | 4 |
the back with | 4 |
a cloth woven | 4 |
produced in the | 4 |
from coloured yarns | 4 |
the design should | 4 |
is not so | 4 |
the opposite side | 4 |
known as an | 4 |
a similar fabric | 4 |
with the same | 4 |
the american school | 4 |
the grandfather chair | 4 |
similar in construction | 4 |
cotton fabrics which | 4 |
a sample of | 4 |
seem to have | 4 |
exposed to the | 4 |
england by the | 4 |
bound into the | 4 |
the seam and | 4 |
away from the | 4 |
there is much | 4 |
and yards in | 4 |
we have the | 4 |
pattern or outline | 4 |
of the silk | 4 |
material in the | 4 |
similar to the | 4 |
the raw edge | 4 |
or filling threads | 4 |
of the coiled | 4 |
are among the | 4 |
in the example | 4 |
the only difference | 4 |
a pile weave | 4 |
could not be | 4 |
may be produced | 4 |
four or five | 4 |
in point of | 4 |
used for a | 4 |
be found a | 4 |
the pattern on | 4 |
this is not | 4 |
is a very | 4 |
material other than | 4 |
may be termed | 4 |
color and design | 4 |
to prevent the | 4 |
in the majority | 4 |
by hand and | 4 |
revised import tariff | 4 |
of the men | 4 |
the legs are | 4 |
the turned legs | 4 |
to the art | 4 |
of country furniture | 4 |
can be woven | 4 |
and grace of | 4 |
of the preceding | 4 |
inches by inches | 4 |
in what is | 4 |
on the edge | 4 |
are the most | 4 |
unit consists of | 4 |
age of machinery | 4 |
of the stretcher | 4 |
fold of the | 4 |
dresser and clock | 4 |
before being woven | 4 |
produced by impacting | 4 |
to which the | 4 |
the great variety | 4 |
eighth of an | 4 |
be called a | 4 |
can be recognised | 4 |
a different colour | 4 |
are generally packed | 4 |
placed at the | 4 |
and the name | 4 |
in use in | 4 |
thread is called | 4 |
of the three | 4 |
a cloth made | 4 |
lining should be | 4 |
because of the | 4 |
a line with | 4 |
such a fabric | 4 |
in the legs | 4 |
may be of | 4 |
pure silk velvet | 4 |
date this is | 4 |
they were made | 4 |
is that in | 4 |
fibres which have | 4 |
belonging to the | 4 |
in the upper | 4 |
names of fabrics | 4 |
nothing of the | 4 |
of a small | 4 |
in this instance | 4 |
a very early | 4 |
early days of | 4 |
in this volume | 4 |
the next stage | 4 |
of the new | 4 |
dyed velveteen cords | 4 |
the front stretcher | 4 |
is a somewhat | 4 |
farmhouse styles contemporary | 4 |
of james i | 4 |
to the chair | 4 |
of the term | 4 |
been coloured after | 4 |
which are woven | 4 |
styles contemporary with | 4 |
a smooth surface | 4 |
are the best | 4 |
in the opposite | 4 |
as applied to | 4 |
made by dissolving | 4 |
the slow assimilation | 4 |
each of these | 4 |
of the designs | 4 |
in number of | 4 |
whole of the | 4 |
if the skirt | 4 |
of the human | 4 |
of the jacobean | 4 |
used for weaving | 4 |
it has not | 4 |
of the fine | 4 |
of the length | 4 |
in this way | 4 |
a stout cotton | 4 |
of the walnut | 4 |
a touch of | 4 |
plain woven from | 4 |
the changing habits | 4 |
an inch below | 4 |
are found in | 4 |
are used to | 4 |
linen and cotton | 4 |
and mary gate | 4 |
reminiscent of the | 4 |
with a running | 4 |
all cotton and | 4 |
the city of | 4 |
which does not | 4 |
across the web | 4 |
sure that the | 4 |
which in the | 4 |
derives its name | 4 |
through the center | 4 |
of a different | 4 |
of yarn is | 4 |
warp and worsted | 4 |
of the forces | 4 |
and is the | 4 |
is not the | 4 |
to a cotton | 4 |
percentage of cotton | 4 |
of a somewhat | 4 |
and condenser wefts | 4 |
be applied to | 4 |
woven from yarn | 4 |
have been dyed | 4 |
be taken to | 4 |
made from cotton | 4 |
the seams are | 4 |
be used on | 4 |
which had been | 4 |
time of james | 4 |
advent of the | 4 |
used by the | 4 |
victoria and albert | 4 |
and free from | 4 |
dyed imitation turkey | 4 |
were made in | 4 |
will show the | 4 |
care being taken | 4 |
it is often | 4 |
be seen by | 4 |
the skirt is | 4 |
in the second | 4 |
worsted warp and | 4 |
and heavy weight | 4 |
threads should be | 4 |
and that the | 4 |
garment is to | 4 |
should be a | 4 |
wefts per in | 4 |
can readily be | 4 |
furniture of this | 4 |
shorter than that | 4 |
walnut and mahogany | 4 |
the splat is | 4 |
upper part of | 4 |
of a plain | 4 |
and thickness of | 4 |
jacobean chest of | 4 |
the other the | 4 |
is worthy of | 4 |
it always signifies | 4 |
and the pattern | 4 |
a great deal | 4 |
waste and condenser | 4 |
of the body | 4 |
one or two | 4 |
see white muslin | 4 |
which are afterwards | 4 |
the name shows | 4 |
great deal of | 4 |
plan for making | 4 |
queen anne type | 4 |
has the same | 4 |
material is a | 4 |
development of form | 4 |
indians of arizona | 4 |
a plain twill | 4 |
of old farmhouse | 4 |
under the point | 4 |
solution of caustic | 4 |
was not until | 4 |
a running stitch | 4 |
the left hand | 4 |
inch below the | 4 |
means of extra | 4 |
in some cases | 4 |
passing the fabric | 4 |
warp threads which | 4 |
of the woof | 4 |
having a raised | 4 |
bleached or dyed | 4 |
being a dyed | 4 |
vary with the | 4 |
the foundation of | 4 |
come under this | 4 |
parallel to each | 4 |
made from a | 4 |
it is too | 4 |
other classes of | 4 |
rep or rib | 4 |
cloths of the | 4 |
the removal of | 4 |
and cotton flannel | 4 |
raised cotton cloth | 4 |
used to denote | 4 |
the cloth may | 4 |
the stretchers are | 4 |
which is made | 4 |
raised or napped | 4 |
is true of | 4 |
the death of | 4 |
with sunk panels | 4 |
as we have | 4 |
grace of the | 4 |
are made with | 4 |
are made in | 4 |
used for weft | 4 |
extra warp or | 4 |
the spinning frame | 4 |
the victoria and | 4 |
many of them | 4 |
identical with the | 4 |
appear in the | 4 |
the amount of | 4 |
chair in its | 4 |
that it may | 4 |
the forms of | 4 |
colour to the | 4 |
that has been | 4 |
of both warp | 4 |
the early eighteenth | 4 |
fabric of a | 4 |
which there is | 4 |
but it was | 4 |
was used for | 4 |
variety of weaves | 4 |
light weight and | 4 |
figure illustrates a | 4 |
made of cotton | 4 |
jacobean oak chair | 4 |
the best grades | 4 |
the revised import | 4 |
fully described under | 4 |
and on the | 4 |
the splat back | 4 |
of silk and | 4 |
is such that | 4 |
essentially an all | 4 |
through the cloth | 4 |
bias strip of | 4 |
the weft or | 4 |
made on the | 4 |
fabric has been | 4 |
its early form | 4 |
even in the | 4 |
and his contemporaries | 4 |
mohair coney seal | 4 |
well as for | 4 |
has not the | 4 |
it is quite | 4 |
answering to the | 4 |
of the machine | 4 |
the tendencies of | 4 |
the stick legs | 4 |
the preparation of | 4 |
the seams should | 4 |
care of clothing | 4 |
that on the | 4 |
of different widths | 4 |
more difficult to | 4 |
based upon the | 4 |
is often of | 4 |
generally woven as | 4 |
this stitch is | 4 |
has been made | 4 |
the results of | 4 |
examples may be | 4 |
have been corrected | 4 |
is a bleached | 4 |
this should be | 4 |
always signifies the | 4 |
a third of | 4 |
farmhouse furniture is | 4 |
is probable that | 4 |
in the fact | 4 |
in the old | 4 |
the opposing series | 4 |
eye of the | 4 |
must have been | 4 |
of textiles in | 4 |
of domestic science | 4 |
in the seam | 4 |
that the width | 4 |
of a number | 4 |
a bird woven | 4 |
cotton back unless | 4 |
generally woven from | 4 |
a hundred years | 4 |
above and below | 4 |
farmhouse and cottage | 4 |
an imitation of | 4 |
be regarded as | 4 |
the date of | 4 |
the publication of | 4 |
are said to | 4 |
is no longer | 4 |
in the latter | 4 |
the range of | 4 |
they are also | 4 |
up in pieces | 4 |
a wide hem | 4 |
designs or patterns | 4 |
uniform colour over | 4 |
touches of ornament | 4 |
during the last | 4 |
of to inches | 4 |
the art and | 4 |
which may have | 4 |
be divided into | 4 |
bird woven in | 4 |
the right and | 4 |
goods should be | 4 |
seams and hems | 4 |
board of trade | 4 |
may be distinguished | 4 |
solidity of english | 4 |
are interesting as | 4 |
the charles ii | 4 |
the fiber is | 4 |
of fine wool | 4 |
use in the | 4 |
of a waist | 4 |
and there are | 4 |
and under the | 4 |
of the esthetic | 4 |
the weaving proper | 4 |
conservation of old | 4 |
pattern has been | 4 |
esthetic attributes of | 4 |
of his own | 4 |
suggestive of the | 4 |
it into a | 4 |
there are also | 4 |
that the gate | 4 |
the treatment of | 4 |
is impossible to | 4 |
the adjacent chair | 4 |
would be an | 4 |
be found that | 4 |
more than a | 4 |
few of the | 4 |
and its development | 4 |
hosiery or underwear | 4 |
the design impressed | 4 |
means of the | 4 |
in the field | 4 |
a general rule | 4 |
a row of | 4 |
of william and | 4 |
and ends of | 4 |
are the same | 4 |
in lieu of | 4 |
at the right | 4 |
the basis of | 4 |
right side and | 4 |
is a light | 4 |
often used in | 4 |
it is taken | 4 |
that have been | 4 |
are twisted together | 4 |
silk fabric having | 4 |
of worsted yarn | 4 |
or more of | 4 |
a twill weave | 4 |
one side only | 4 |
was known as | 4 |
is on the | 4 |
of the bible | 4 |
for the filling | 4 |
gives rise to | 4 |
in the loom | 4 |
grandeur of the | 4 |
or as a | 4 |
can be used | 4 |
in this manner | 4 |
basketry of the | 4 |
appear on the | 4 |
wool or cotton | 4 |
or rib running | 4 |
the products of | 4 |
of the curved | 4 |
out by the | 4 |
the manner in | 4 |
so far as | 4 |
a process of | 4 |
chinese maritime customs | 4 |
century pleasure gardens | 4 |
same number of | 4 |
to be used | 4 |
instance of the | 4 |
a textile term | 4 |
to the school | 4 |
made by taking | 4 |
the way of | 4 |
art in its | 4 |
penn wampum belt | 4 |
is the stronger | 4 |
dyed real turkey | 4 |
and under one | 4 |
the outside of | 4 |
in the next | 4 |
takes the form | 4 |
to chats on | 4 |
is wound on | 4 |
class of yarn | 4 |
the early days | 4 |
would appear to | 4 |
contact with the | 4 |
other branches of | 4 |
it is true | 4 |
italian cloth is | 4 |
from the fact | 4 |
top and bottom | 4 |
the material being | 4 |
the surfaces of | 4 |
the legs and | 4 |
lancashire oak settle | 4 |
does not show | 4 |
the same material | 4 |
it is only | 4 |
the light colored | 4 |
is at once | 4 |
be done on | 4 |
which has a | 4 |
of the figures | 4 |
fabric having an | 4 |
and woollen weft | 4 |
the name given | 4 |
reflecting light to | 4 |
like all other | 4 |
the best advantage | 4 |
came into use | 4 |
this may be | 4 |
weight and thickness | 4 |
weave fabric woven | 4 |
cloth is dyed | 4 |
the hooks and | 4 |
to a high | 4 |
in the former | 4 |
dyed or printed | 4 |
show on the | 4 |
which shows on | 4 |
are used in | 4 |
noticeable in the | 4 |
be done by | 4 |
a yard of | 4 |
the shoulder seams | 4 |
in that direction | 4 |
sunk panels and | 4 |
the popularity of | 4 |
of silk or | 4 |
used for linings | 4 |
combination of weaves | 4 |
old cottages and | 4 |
to hosiery or | 4 |
cloths in which | 4 |
rib crape effect | 4 |
woven from dyed | 4 |
a fabric woven | 4 |
to inches wide | 4 |
depends upon the | 4 |
style of printing | 4 |
with a view | 4 |
dyed plain cotton | 4 |
the most common | 4 |
distinguished from the | 4 |
must be remembered | 4 |
the pima indians | 4 |
volume to chats | 4 |
to keep the | 4 |
the wool and | 4 |
to a great | 4 |
the gathering threads | 4 |
has been printed | 4 |
the material in | 4 |
the same side | 4 |
to a thread | 4 |
touch of the | 4 |
bottom of a | 4 |
manner as the | 4 |
be a double | 4 |
warp and woollen | 4 |
to indicate the | 4 |
in making a | 4 |
a simple one | 4 |
the bottom edge | 4 |
fabric woven as | 4 |
of the true | 4 |
features of form | 4 |
to the touch | 4 |
of the weave | 4 |
development of a | 4 |
passed through the | 4 |
the needle is | 4 |
came into general | 4 |
under arm piece | 4 |
up to the | 4 |
of the stuarts | 4 |
of good quality | 4 |
of a certain | 4 |
or patterns impressed | 4 |
measuring from to | 4 |
coiled tray with | 4 |
chair illustrated p | 4 |
which the fabric | 4 |
in the finished | 4 |
the first of | 4 |
extensively used in | 4 |
is based on | 4 |
to the light | 4 |
up to inches | 4 |
wrong side and | 4 |
upon the fabric | 4 |
to be cut | 4 |
and is generally | 4 |
the front and | 4 |
be found to | 4 |
the open air | 4 |
yards per hank | 4 |
if the cloth | 4 |
distinct varieties of | 4 |
which form the | 4 |
is finer than | 4 |
face and back | 4 |
often of a | 4 |
pieces of furniture | 4 |
illustrated in fig | 4 |
to strengthen the | 4 |
two examples are | 4 |
on the spindle | 4 |
of textile ornament | 4 |
the classification of | 4 |
back and front | 4 |
silk having a | 4 |
have already shown | 4 |
a great extent | 4 |
running from selvedge | 4 |
and the end | 4 |
the lower grades | 4 |
be done with | 4 |
as having a | 4 |
to give the | 4 |
bone and checker | 4 |
an exhibit of | 4 |
branches of art | 4 |
and william and | 4 |
traces of the | 4 |
and the design | 4 |
coloured after leaving | 4 |
may be combined | 4 |
exhibited in the | 4 |
indicated by the | 4 |
in the way | 4 |
count of the | 4 |
or both sides | 4 |
of the waist | 4 |
is a remarkable | 4 |
in length and | 4 |
on one or | 4 |
herring bone and | 4 |
the eye of | 4 |
the upper edge | 4 |
weighing from to | 4 |
wound on the | 4 |
the sleeve is | 4 |
considered as having | 4 |
probably modified by | 4 |
takes its name | 4 |
are often used | 4 |
the grey or | 4 |
diameter of top | 4 |
the loom and | 4 |
of the outside | 4 |
it is one | 4 |
from the same | 4 |
in its construction | 4 |
in the other | 4 |
examples of the | 4 |
effects produced by | 4 |
in sweden and | 4 |
generally dyed in | 4 |
the illustration of | 4 |
of the charles | 4 |
general in its | 4 |
weave it is | 4 |
of some of | 4 |
in the open | 4 |
is most often | 4 |
impressed on the | 4 |
indians of the | 4 |
stitch is made | 4 |
the filling or | 4 |
be done in | 4 |
that there are | 4 |
placing the needle | 4 |
in early days | 4 |
half an inch | 4 |
may be done | 4 |
of the iron | 4 |
is an important | 4 |
records of the | 4 |
coming from the | 4 |
of the foundation | 4 |
also called a | 4 |
threads and picks | 4 |
and weft intersections | 4 |
woven cotton fabric | 4 |
coloured warp and | 4 |
impressed on its | 4 |
when a fabric | 4 |
chats on cottage | 4 |
was used in | 4 |
varies from to | 4 |
a fine example | 4 |
to the end | 4 |
can be done | 4 |
to ounces per | 4 |
may be finished | 4 |
and clock combined | 4 |
and albert museum | 4 |
a study of | 4 |
fabric is not | 4 |
cut in the | 4 |
cloth with a | 4 |
in the early | 4 |
chippendale style windsor | 4 |
that can be | 4 |
after which the | 4 |
is not a | 4 |
it is then | 4 |
in the following | 4 |
are so generally | 4 |
class of cloth | 4 |
the same fabric | 4 |
in hand sewing | 4 |
the bottom and | 4 |
the old style | 4 |
modified by ideographic | 4 |
and was made | 4 |
in this figure | 4 |
a uniform colour | 4 |
be taken not | 4 |
of the velveteen | 4 |
the other two | 4 |
is extensively used | 4 |
its loom state | 4 |
one on the | 4 |
care must be | 4 |
of the single | 4 |
of the nature | 4 |
the two or | 4 |
have been piece | 4 |
are of the | 4 |
legs and stretcher | 4 |
the opposite direction | 3 |
type prior to | 3 |
if the garment | 3 |
will be noticed | 3 |
like that of | 3 |
the design being | 3 |
more readily than | 3 |
a survival of | 3 |
from their respective | 3 |
generally met with | 3 |
the thread is | 3 |
are to a | 3 |
the part of | 3 |
through a series | 3 |
produced on a | 3 |
of the puritan | 3 |
of the loom | 3 |
was not a | 3 |
of them have | 3 |
is the work | 3 |
had its surface | 3 |
attention has been | 3 |
be combined with | 3 |
is used only | 3 |
preferred by many | 3 |
at one side | 3 |
in plain weaving | 3 |
nineteenth century we | 3 |
the pattern has | 3 |
in weight than | 3 |
it is advisable | 3 |
to the warp | 3 |
sturdy independence of | 3 |
lies in the | 3 |
upon a net | 3 |
thread may be | 3 |
in lengths of | 3 |
may be removed | 3 |
is of silk | 3 |
by the two | 3 |
as if the | 3 |
be cut in | 3 |
century days the | 3 |
in which a | 3 |
inches of the | 3 |
one thread and | 3 |
after completing the | 3 |
should be of | 3 |
found on the | 3 |
consists of a | 3 |
has become a | 3 |
the hand loom | 3 |
is derived from | 3 |
boots and shoes | 3 |
by the hands | 3 |
different kinds of | 3 |
observed that this | 3 |
should be opened | 3 |
that the surface | 3 |
by a series | 3 |
on the loom | 3 |
warp of the | 3 |
coloured warp threads | 3 |
name is also | 3 |
french term for | 3 |
found that the | 3 |
a somewhat hard | 3 |
generation to generation | 3 |
used for lining | 3 |
printed cotton fabric | 3 |
resist or reserve | 3 |
curves of the | 3 |
three chairs illustrated | 3 |
herring bone effect | 3 |
instead of the | 3 |
are in reality | 3 |
of cut pile | 3 |
which they were | 3 |
together to form | 3 |
in the development | 3 |
and one side | 3 |
woven with cotton | 3 |
of the middle | 3 |
photograph of c | 3 |
the cloth as | 3 |
transferred to the | 3 |
coming under this | 3 |
jacobean and william | 3 |
style with double | 3 |
outside cut by | 3 |
of similar weave | 3 |
of woolen and | 3 |
the typical jacobean | 3 |
this is an | 3 |
the farmhouse dresser | 3 |
wool weft and | 3 |
surface in either | 3 |
and worsted weft | 3 |
this type is | 3 |
material should be | 3 |
used for printing | 3 |
test questions on | 3 |
there is in | 3 |
the yarns are | 3 |
form of leg | 3 |
and the stitches | 3 |
a greater number | 3 |
the two side | 3 |
of threads and | 3 |
length of to | 3 |
certain parts of | 3 |
silk and the | 3 |
process of spinning | 3 |
the filling and | 3 |
hepplewhite and sheraton | 3 |
understood to be | 3 |
fabric is spoken | 3 |
of decorative design | 3 |
produced with the | 3 |
to be covered | 3 |
threads are made | 3 |
weft thread is | 3 |
crimp cloth is | 3 |
woven either as | 3 |
means that the | 3 |
and not too | 3 |
seems to be | 3 |
but which have | 3 |
if the yarn | 3 |
all over the | 3 |
represented in the | 3 |
should be held | 3 |
sign your full | 3 |
of carving found | 3 |
and weft are | 3 |
have been submitted | 3 |
surface of a | 3 |
such a manner | 3 |
a fine cotton | 3 |
intersections traversing one | 3 |
chapter v the | 3 |
which gives the | 3 |
types of furniture | 3 |
assimilation of foreign | 3 |
in this example | 3 |
over on the | 3 |
process during finishing | 3 |
from generation to | 3 |
and bears the | 3 |
threads which are | 3 |
and belong to | 3 |
be found on | 3 |
section of fabric | 3 |
one end of | 3 |
in this connection | 3 |
an attempt to | 3 |
from the illustration | 3 |
the percentage of | 3 |
a uniform or | 3 |
in a few | 3 |
construction of the | 3 |
by the aid | 3 |
to the finish | 3 |
how much of | 3 |
yarns of good | 3 |
of reflecting light | 3 |
series of fillets | 3 |
should be pressed | 3 |
to the piece | 3 |
iv the farmhouse | 3 |
worked upon a | 3 |
is the simplest | 3 |
the change from | 3 |
by no means | 3 |
from its very | 3 |
is a weft | 3 |