trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
of the fabric	70
this class of	59
it will be	59
the warp threads	58
of the cloth	56
in which the	56
woven with a	53
is used to	51
used to designate	47
in the same	45
the use of	45
warp and weft	45
it is a	44
the right side	41
side of the	40
will be seen	40
one of the	38
is known as	37
part of the	37
the warp and	36
by means of	36
surface of the	35
the number of	35
william and mary	34
the surface of	34
some of the	33
the process of	33
on the surface	33
cotton warp and	32
on the right	32
in regard to	32
face of the	31
this name is	31
used in the	31
there is a	31
of the material	31
courtesy of messrs	31
the fabric is	31
the courtesy of	31
the face of	31
of the same	31
by the courtesy	31
as in the	30
it may be	30
the wrong side	30
edge of the	30
is to be	30
the eighteenth century	29
as well as	29
known as a	29
dyed in the	29
the back of	28
back of the	28
leaving the loom	27
of the warp	27
end of the	27
on the face	27
and in the	27
the cloth is	27
more or less	27
be seen that	27
length of the	26
which has been	26
of the design	26
class of fabric	26
two or more	26
is used for	26
after leaving the	25
the manufacture of	25
the end of	25
that it is	24
of the art	24
from to inches	24
this fabric is	24
the length of	24
the fact that	24
the same way	24
the queen anne	24
is applied to	24
so as to	24
or more colours	23
as it is	23
the edge of	23
the days of	22
the seventeenth century	22
it is not	22
on the same	22
of the country	22
which have been	22
should be used	22
in the piece	22
chests of drawers	21
to designate a	21
with a plain	21
on the wrong	21
a series of	21
one or more	21
inches in width	21
of the eighteenth	21
is used in	21
of the goods	21
is given to	21
applied to a	21
shown in fig	20
and it is	20
a piece of	20
the cabriole leg	20
the form of	20
the result of	20
yards per piece	20
may be used	20
parts of the	19
the textile art	19
of this class	19
warp and woof	19
this style of	19
at the back	19
warp and filling	19
a number of	19
said to be	19
which it is	19
the name is	19
used to describe	19
from to yards	19
the weft threads	19
either one or	19
the line of	19
character of the	18
cotton fabric woven	18
according to the	18
the windsor chair	18
owing to the	18
the character of	18
cottage and farmhouse	18
will be found	18
this term is	18
in either one	18
used for the	18
that is to	17
due to the	17
the case of	17
so that the	17
name is given	17
on both sides	17
at the bottom	17
it is used	17
that of the	17
of the textile	17
in the grey	17
work of the	17
should never be	17
term is used	17
of an inch	17
woven as a	17
is of the	17
in the case	17
a plain weave	17
of the chair	16
be used for	16
given to a	16
the top of	16
of warp and	16
and farmhouse furniture	16
at right angles	16
should always be	16
yards in length	16
wrong side of	16
of the seventeenth	16
the name of	16
is to say	16
the bottom of	16
of the garment	16
it is woven	16
width of the	15
the introduction of	15
regard to the	15
the same page	15
should be made	15
seams should be	15
seen that the	15
shown in the	15
the appearance of	15
of ornamentation by	15
wool and cotton	15
in the manufacture	15
queen anne style	15
style of weave	15
but it is	15
on account of	15
days of the	15
fabric having a	15
the purpose of	15
of the seam	14
of which are	14
the development of	14
in order to	14
of the skirt	14
the work of	14
evolution of the	14
the nature of	14
of the people	14
at the top	14
as shown in	14
of which is	14
are to be	14
size of the	14
to be a	14
and weft threads	14
is produced by	14
the making of	14
illustrations of ornamentation	14
to the surface	14
the width of	14
a cotton fabric	14
there is no	14
chest of drawers	14
and the other	14
in width and	14
to be found	13
over and one	13
in date about	13
of the period	13
both warp and	13
term applied to	13
in connexion with	13
use of the	13
of the piece	13
on the back	13
of the most	13
is a plain	13
on the other	13
has not been	13
selvedge to selvedge	13
it should be	13
of the sleeve	13
the term is	13
not specially enumerated	13
the size of	13
the material is	13
met with in	13
from selvedge to	13
the waist line	13
is shown in	13
to yards per	13
hooks and eyes	13
of the weft	13
which may be	13
will be observed	13
of fabric is	13
finished with a	13
also known as	13
right side of	13
in this class	13
is an all	13
that they are	13
in the first	13
a combination of	13
is said to	12
of the old	12
the pattern is	12
woven in the	12
the evolution of	12
a class of	12
or weft threads	12
the united states	12
dyed after leaving	12
be found in	12
of which the	12
in the fabric	12
in the form	12
a variety of	12
the direction of	12
plain or twill	12
at the same	12
of the threads	12
which is a	12
many of the	12
they may be	12
the style of	12
the collection of	12
that in the	12
is essentially a	12
the design is	12
applied to the	12
of home economics	12
are known as	12
simple or complex	12
found in the	12
is one of	12
they should be	12
name is used	11
a fabric is	11
in the weaving	11
great variety of	11
as the name	11
middle of the	11
and in length	11
the same manner	11
the center of	11
in the collection	11
known as the	11
with geometric ornament	11
top of the	11
under the heading	11
in the textile	11
the age of	11
to inches and	11
in connection with	11
on one side	11
is the most	11
in width from	11
features of the	11
it must be	11
the most important	11
of the early	11
direction of the	11
should be cut	11
described as a	11
to inches in	11
fabrics which have	11
much of the	11
made in the	11
it does not	11
the middle of	11
by the introduction	11
lengthways of the	11
to a process	11
it is also	11
for the purpose	11
in such a	11
of the yarn	11
bottom of the	11
the art of	11
cotton fabric of	11
warp threads are	11
coiled basket with	11
than that of	11
threads of the	11
in addition to	11
chats on old	11
fabric woven with	11
obtained from the	11
process whereby certain	11
the ends of	11
survival of the	11
is found in	11
printed on the	11
should be taken	11
edges of the	11
portions of the	11
inches and in	10
to be made	10
as a three	10
it was not	10
such as the	10
means of a	10
as to produce	10
cotton and wool	10
with the warp	10
it has a	10
two or three	10
by combination of	10
prior to weaving	10
it would be	10
between the two	10
in the making	10
the sixteenth century	10
of the cotton	10
sides of the	10
as to the	10
the same time	10
belongs to the	10
length per piece	10
half of the	10
a cotton warp	10
as they are	10
of the two	10
a term applied	10
to the inch	10
form of the	10
when it is	10
quality of the	10
of the needle	10
the beginning of	10
the majority of	10
portion of the	10
the time of	10
the weaving of	10
inches in length	10
center of the	10
the weave is	10
warp or weft	10
this kind of	10
the edges of	10
of queen anne	10
in the preceding	10
that the fabric	10
should not be	10
of the late	10
at the end	10
inches to inches	10
the class of	10
this is the	10
illustrated on p	10
american school of	10
of the figure	10
to each other	10
in the trade	10
this is a	10
class of furniture	10
to the collector	10
is apt to	10
to form a	10
in length from	9
thread should be	9
distinctive feature of	9
by wefts per	9
of light weight	9
seen in the	9
term used to	9
of the cabriole	9
on each side	9
queen anne period	9
been ornamented by	9
out of print	9
this type of	9
to be dyed	9
of a fabric	9
warp and a	9
the filling threads	9
through which the	9
same manner as	9
study of the	9
nature of the	9
from which it	9
fact that the	9
may have been	9
is woven with	9
is due to	9
the lines of	9
woven on a	9
which they are	9
in spite of	9
the stitches should	9
in imitation of	9
under this heading	9
yards to the	9
to have been	9
fabrics which are	9
which is the	9
is in the	9
the distinctive feature	9
the study of	9
warp and wool	9
of the fibers	9
with a pile	9
it is known	9
this is done	9
combination of weave	9
on the market	9
the william and	9
early eighteenth century	9
as a rule	9
right angles to	9
is similar to	9
have been made	9
length from to	9
the quality of	9
the description of	9
habits of the	9
of the various	9
the woof threads	9
of the buttonhole	9
during the process	9
which the warp	9
those of the	9
would be a	9
used as a	9
warp and one	9
be observed that	9
the warp is	9
free from any	9
the nineteenth century	9
body of the	9
the value of	9
the other hand	9
are produced by	9
of the best	8
lines of the	8
native cotton cloth	8
the shape of	8
line of the	8
of the work	8
used in connexion	8
there should be	8
of form and	8
in the farmhouse	8
in the yarn	8
towards the worker	8
made of silk	8
or to the	8
fabric woven from	8
to the cloth	8
dyed plain cottons	8
life of the	8
and is used	8
be an all	8
it is the	8
it is possible	8
applied to fabrics	8
across the face	8
of the chincha	8
is a good	8
the seat is	8
the same as	8
or kindred weave	8
in with the	8
from the top	8
is made to	8
ornamented by having	8
is also used	8
of the century	8
in the united	8
and one weft	8
as a distinctive	8
it has been	8
having certain designs	8
outline of the	8
its name from	8
which are not	8
piece of cloth	8
what is known	8
name given to	8
by having certain	8
a fabric which	8
the foundation fabric	8
in the provinces	8
the surface is	8
to produce a	8
produced either by	8
can be made	8
in length per	8
is made from	8
out of the	8
produced by the	8
care should be	8
may be said	8
and wool weft	8
there is nothing	8
the textile system	8
a dyed fabric	8
in the chincha	8
width from to	8
any of the	8
on the machine	8
grey or bleached	8
the survival of	8
this material is	8
they are made	8
in the main	8
in the back	8
the skirt and	8
woven in a	8
have not been	8
added to the	8
should be done	8
as a whole	8
number of warp	8
warps by wefts	8
the variety of	8
is of a	8
to an all	8
the top rail	8
textiles and clothing	8
shape of the	8
to have the	8
the yarn is	8
will not be	8
a process whereby	8
the production of	8
in the middle	8
with reference to	8
to form the	8
designs in either	8
warps crossed by	8
to the pound	8
cotton or linen	8
warp and the	8
fabric is essentially	8
at a time	8
the most beautiful	8
is obtained by	8
is made up	8
beginning of the	8
the pile of	8
to the lining	8
both sides of	8
from which the	8
woollen and cotton	8
of the pile	8
or complex designs	8
the order of	8
fabric which is	8
to describe a	8
in the art	8
may be either	8
plain weave and	8
subjected to a	8
in the centre	8
applied to hosiery	7
in textile art	7
turned legs and	7
of this type	7
fabric of the	7
the fabric in	7
side by side	7
the reign of	7
woollen and worsted	7
pattern produced by	7
of warp threads	7
is woven from	7
to cover the	7
development of the	7
and at the	7
also applied to	7
the addition of	7
put up in	7
complex designs in	7
to yards in	7
appearance of the	7
is taken from	7
of the front	7
or twill weave	7
twill or kindred	7
of the windsor	7
school of home	7
of the back	7
on the left	7
a generic term	7
and the woof	7
by the warp	7
the yarn used	7
relation to the	7
point of view	7
the gate table	7
should be placed	7
there are many	7
certain simple or	7
bulk of the	7
as much as	7
woven from hard	7
that of a	7
from inches to	7
account of the	7
often than not	7
a line of	7
cotton fabric having	7
warp threads of	7
old english chintzes	7
the weft is	7
one or both	7
number of yards	7
grey or white	7
the centre of	7
a great variety	7
the top and	7
the series of	7
years of the	7
crossed by single	7
be considered as	7
a fabric having	7
of the plain	7
of the first	7
are used for	7
to this day	7
oak chest of	7
to the eye	7
made of the	7
cloth may be	7
it is generally	7
the cloth and	7
in the direction	7
often met with	7
is generally a	7
cloth is a	7
see twill weave	7
of the queen	7
a length of	7
same page is	7
the cat stitch	7
at the ends	7
the body of	7
example of the	7
there are two	7
this makes a	7
one of these	7
isle of man	7
the northwest coast	7
have been impressed	7
silk mixed with	7
which have not	7
reference to the	7
be distinguished from	7
line of sewing	7
and the like	7
in the illustration	7
with each other	7
style of weaving	7
basket with geometric	7
the fabric by	7
the beauty of	7
a plain or	7
it is an	7
in combination with	7
name from the	7
of two or	7
of plain weave	7
either plain or	7
more often than	7
of charles ii	7
is also known	7
dyed figured cotton	7
of any kind	7
are made of	7
are woven with	7
and with the	7
would be known	7
of the thread	7
mixed with other	7
use of a	7
are made to	7
fabric which has	7
the type of	7
is called a	7
in the country	7
woven on the	7
the action of	7
at the beginning	7
imitation of the	7
the ancient peruvians	7
of the hem	7
cotton yarn measures	7
from the edge	7
members of the	7
if it is	7
and mary period	7
value of the	7
to make a	7
it is found	7
is the result	7
ends of the	7
number of the	7
fabric is a	7
removed from the	7
unless specially designated	7
the growth of	7
to make the	7
is made of	7
stitches may be	7
should be basted	7
name is applied	7
department of agriculture	7
process of weaving	7
it was the	7
the thumb and	7
on old furniture	7
the plain weave	7
of the pattern	7
apt to be	7
than in the	7
given to the	7
made with a	7
the web and	7
on the outside	7
filling or weft	6
each other and	6
from cotton warp	6
but in the	6
a cotton back	6
not to be	6
see silk yarns	6
at hull house	6
be used in	6
with a cotton	6
fourth of an	6
the idea of	6
whereby certain simple	6
and to the	6
of the original	6
it will not	6
the object of	6
is generally used	6
into the fabric	6
pattern on the	6
to designate the	6
submitted to a	6
by passing the	6
figure of a	6
been impressed on	6
the life of	6
the village cabinet	6
number of threads	6
having as a	6
weft threads are	6
are in the	6
the country maker	6
may be found	6
they are not	6
and the same	6
weave in which	6
be produced by	6
thrown to the	6
by the use	6
to the description	6
it is obvious	6
ounces per yard	6
in which it	6
of silk mixed	6
picks to the	6
firmly woven from	6
the lining is	6
contemporary with the	6
shown by the	6
it is difficult	6
to the last	6
down to the	6
is made by	6
distance from the	6
i have already	6
in length pieces	6
to preserve the	6
wefts per inch	6
of the sixteenth	6
having the warp	6
of the above	6
similar to a	6
yarn used in	6
associated with the	6
of the fiber	6
is woven in	6
of all kinds	6
which is of	6
taken from the	6
various parts of	6
so that it	6
chats on english	6
be described as	6
cloth made from	6
has been ornamented	6
dyed and printed	6
in date this	6
combination of these	6
the pile is	6
over and over	6
of different colours	6
in the pattern	6
the period of	6
of the time	6
should be carefully	6
line of basting	6
to the back	6
in this country	6
to the left	6
the same color	6
a hand loom	6
back and forth	6
this figure illustrates	6
the better grades	6
the designs are	6
to the fact	6
and worsted yarns	6
the cotton variety	6
to the number	6
is difficult to	6
it was a	6
late seventeenth century	6
cottages and farmhouses	6
cotton pile fabric	6
sea island cotton	6
to the best	6
tendencies of the	6
a grey shirting	6
of the trade	6
it is now	6
a true bias	6
may be made	6
on the warp	6
of the fibres	6
on the cloth	6
not the same	6
web and woof	6
has been coloured	6
of the great	6
of different colors	6
stitches should be	6
the laws of	6
is illustrated on	6
effect produced by	6
with other fibres	6
called a pick	6
better qualities of	6
as a result	6
and of the	6
front of the	6
it can be	6
of the wool	6
may be cut	6
silk or cotton	6
cotton fabrics of	6
of this period	6
tray with geometric	6
cloths in the	6
addition to the	6
result of the	6
the goods is	6
a good plan	6
used in this	6
derived from the	6
on to the	6
art of the	6
one side of	6
and the number	6
warp threads and	6
the weave of	6
the count of	6
fabrics woven with	6
and the back	6
close to the	6
angles to the	6
system of decoration	6
and may be	6
woven in with	6
a term used	6
at an angle	6
taken not to	6
into which the	6
are woven in	6
in the better	6
to the development	6
the rest of	6
which has not	6
coloured woollen and	6
is a term	6
more colours have	6
woven from a	6
in pieces of	6
and used for	6
the cloth in	6
color of the	6
woolen and worsted	6
a distinctive feature	6
by arthur hayden	6
to be done	6
been subjected to	6
between the thumb	6
to the fabric	6
of this fabric	6
changing habits of	6
appearing on the	6
be dyed in	6
floral or geometrical	6
furniture of a	6
of wool and	6
see white lawn	6
to the right	6
rest of the	6
seen in fig	6
that they may	6
to remove the	6
run in the	6
of a bird	6
of the farmhouse	6
from the loom	6
white striped shirtings	6
the thread should	6
woven from cotton	6
with which the	6
at its best	6
the threads are	6
designate an all	6
the product of	6
made up of	6
parallel with the	6
of the dresser	6
should be kept	6
drawing out the	6
which it was	6
from left to	6
into the manufacture	6
it is sometimes	6
in the days	6
in most cases	6
will be necessary	6
the hem is	6
prior to being	6
much in the	6
colours have been	6
is denoted by	6
are made from	6
centre of the	6
the bulk of	6
this form of	6
to weigh pound	6
each side of	6
fabric with a	6
of weave and	6
when applied to	6
the furniture of	6
made by the	6
often used for	6
is possible to	6
the point of	6
cotton and silk	6
as will be	6
be said to	6
to be in	6
stitch is used	6
the work is	6
and that it	6
to hold the	6
prior to the	6
stitch on the	6
left to right	6
referred to as	6
the presence of	6
and having a	6
a cotton and	6
late chincha period	6
the influence of	6
is described under	6
appear to be	6
stage of culture	6
and for the	6
most of the	6
in the process	6
about in date	6
on their surface	6
on its face	6
belong to the	6
end twill weave	6
the loose bits	5
the material and	5
width of inches	5
in the text	5
be used to	5
the weft thread	5
for the trade	5
of standard cloth	5
a plain one	5
by the same	5
the chain stitch	5
to the bottom	5
of the finest	5
is obvious that	5
the country cabinet	5
the threads in	5
that the country	5
given in the	5
for the collector	5
form of a	5
is a dyed	5
of these weaves	5
the angora goat	5
the local cabinet	5
confined to the	5
the fabric has	5
should be the	5
the hands of	5
an inch in	5
made from the	5
of the shuttle	5
fabric is woven	5
next to the	5
be taken out	5
queen anne splat	5
is done by	5
kindred weave fabric	5
in those days	5
that in which	5
are given in	5
line of stitching	5
with the cane	5
having a long	5
at the time	5
the two examples	5
far removed from	5
this weave is	5
used for dress	5
a width of	5
and soft finish	5
with cotton back	5
from an ancient	5
the filling thread	5
the foundation cloth	5
may be dyed	5
a pile fabric	5
good plan to	5
is the name	5
cotton or wool	5
the under side	5
the back and	5
fabric made of	5
may be woven	5
action of the	5
woven from coarse	5
as an all	5
reed and pick	5
university of chicago	5
on a hand	5
to the same	5
been dyed in	5
a warp sateen	5
the history of	5
attributes of form	5
from coarse yarns	5
a wide range	5
required to weigh	5
the advent of	5
northwest coast indians	5
of the world	5
the thread and	5
linen or cotton	5
cloth woven with	5
fabric of light	5
as in a	5
upon the surface	5
back from the	5
is a cotton	5
of the ground	5
a silk fabric	5
the last stitch	5
of the real	5
the threads of	5
of cotton and	5
woven from coloured	5
the exception of	5
pieces from inches	5
it is of	5
illustrated on the	5
from dyed yarns	5
threads on the	5
employed in the	5
strands of different	5
silk and cotton	5
connection with the	5
found to be	5
warp sateen weave	5
it is always	5
class of material	5
in open twined	5
of the village	5
to the middle	5
together with the	5
cotton yarn is	5
presented in fig	5
a range of	5
queen anne cabriole	5
must be taken	5
thickness of woollen	5
the wool is	5
manner in which	5
of the northwest	5
in the filling	5
to per cent	5
in the general	5
having the pattern	5
but as a	5
running and back	5
two examples illustrated	5
of caustic soda	5
to the edge	5
or a combination	5
kind of fabric	5
or with a	5
on cottage and	5
illustration of a	5
is a soft	5
the printing of	5
what may be	5
or in the	5
form and ornament	5
point of the	5
and finished with	5
dress fabric of	5
and filling threads	5
there is an	5
one of them	5
turkey reds are	5
the waist is	5
the pattern or	5
in many cases	5
an angle of	5
the better qualities	5
silk and wool	5
irrespective of the	5
is that the	5
late eighteenth century	5
of this material	5
from a single	5
the results are	5
as a general	5
are dyed in	5
certain of the	5
waste and flocks	5
running lengthways of	5
generally used in	5
described in the	5
the fabric and	5
and should be	5
the upper one	5
of a later	5
of extra threads	5
they have been	5
threads to the	5
from the fabric	5
the neck and	5
of the use	5
known in the	5
into general use	5
connexion with weaving	5
of weave is	5
each other in	5
the indians of	5
is found that	5
real turkey reds	5
certain amount of	5
an average width	5
wide range of	5
suitable for the	5
over one and	5
in which they	5
to a special	5
when the word	5
such as are	5
series of filaments	5
composed of two	5
to produce the	5
surface effect produced	5
to those of	5
arrangement of the	5
which the design	5
and so on	5
either by means	5
has a very	5
cloth used for	5
have as a	5
love of the	5
effect is produced	5
cloth which has	5
threads in the	5
in the lower	5
of this style	5
textile art in	5
in its use	5
bits of cut	5
piece of furniture	5
the finish of	5
the material by	5
the warp or	5
style windsor chairs	5
is generally recognised	5
to have a	5
the garment is	5
trade of china	5
surface produced by	5
began to be	5
within the art	5
it is impossible	5
running transversely across	5
is also applied	5
a kind of	5
of the chest	5
the chincha plain	5
where it is	5
the fibers of	5
from right to	5
of the days	5
should be fitted	5
produced by means	5
fabric is described	5
which is more	5
at the waist	5
a later date	5
in the splat	5
ready for the	5
produced by interlacing	5
with a uniform	5
and it will	5
to the waist	5
the styles of	5
generally used for	5
interlacing strands of	5
cloth is made	5
warp yarn is	5
as to form	5
the effect of	5
which the cloth	5
of which it	5
cotton or other	5
the case with	5
has been dyed	5
on english china	5
impressed on their	5
has been said	5
outside of the	5
along the line	5
seldom met with	5
the whole of	5
a more or	5
from to ounces	5
place in the	5
similar to that	5
to be of	5
to the class	5
cloth having a	5
having a cotton	5
furniture of the	5
to a fabric	5
the same number	5
be sure that	5
there is the	5
varies in width	5
been submitted to	5
text is denoted	5
to that of	5
is not an	5
unclassed native cotton	5
by interlacing strands	5
one and under	5
ornamented by the	5
characteristics of the	5
its relation to	5
of the artist	5
the late eighteenth	5
the conservation of	5
pairs of warps	5
this process is	5
is always a	5
it is probable	5
the back is	5
companion volume to	5
cotton is the	5
order of intersection	5
figures from a	5
to imitate the	5
basted on the	5
under the name	5
with the exception	5
with a smooth	5
used with reference	5
descriptions of standard	5
should be considered	5
may be placed	5
would have been	5
average width of	5
pattern of the	5
that there is	5
a matter of	5
it is made	5
with double gates	5
is also called	5
in this chapter	5
this is called	5
may be added	5
a dress fabric	5
should be well	5
that it has	5
of the band	5
they are usually	5
we illustrate a	5
black and white	5
the cloth from	5
them in the	5
thread of the	5
chairs of the	5
the earliest form	5
of the surface	5
in color and	5
stitched on the	5
to suit the	5
about the same	5
likely to be	5
made for the	5
made of all	5
of cotton or	5
beauty of the	5
the method of	5
description of a	5
in this case	5
of charles i	5
largely into the	5
the kind of	5
country chippendale style	5
cotton fabrics woven	5
if the material	5
be recognised by	5
of the gate	5
is a fine	5
it would appear	5
of a high	5
appear to have	5
inches wide and	5
one and over	5
silk warp and	5
in the cloth	5
only in the	5
has been woven	5
chippendale and his	5
which is known	5
be known as	5
of a fine	5
here and there	5
an illustration of	5
such a way	5
the same principle	5
with cotton warp	5
of the nineteenth	5
would not be	5
transversely across the	5
a sort of	5
length pieces from	5
in the warp	5
slow assimilation of	5
may also be	5
a certain amount	5
in one piece	5
and is a	5
same way as	5
and clothing part	5
forms of art	5
of cloth is	5
ancient peruvian work	5
of the class	5
based on the	5
a high degree	5
under one and	5
the trade of	5
the effect is	5
or combination of	5
from any ornamentation	5
right to left	5
days of charles	5
of the many	5
the lower edge	5
as a textile	5
and cottage furniture	5
need not be	5
line with the	5
when it was	5
class of goods	5
is often used	5
the chincha cloths	5
to designate an	5
the cloth or	5
application of the	5
quarter of the	5
woven from low	5
in this group	5
across the width	5
the surface and	5
as regards the	5
of james ii	5
of from to	5
as early as	5
weft or filling	5
the cotton warp	5
a type of	5
an example of	5
as a four	5
of the opening	5
in various parts	5
the first place	5
stripes or checks	5
a wool weft	5
enter into the	5
in the two	5
the figures are	5
governed by the	5
ends and picks	5
pima indians of	4
close together and	4
to the collection	4
been woven from	4
by courtesy of	4
at one time	4
with a piece	4
chair is of	4
was in the	4
such as cotton	4
of the more	4
mungo and shoddy	4
the example illustrated	4
made of fine	4
a revolving cylinder	4
and under two	4
market descriptions of	4
impregnated with a	4
middle seventeenth century	4
be remembered that	4
to the use	4
the employment of	4
made by a	4
back to the	4
stitched to the	4
of english furniture	4
more fully described	4
in the hand	4
be seen from	4
the chief wood	4
from the first	4
dyed prior to	4
the protestant bible	4
fabric is an	4
beginning at the	4
with double cupboards	4
at a later	4
of cottage furniture	4
fifths of the	4
is done to	4
woven or printed	4
there may be	4
by having the	4
a quarter of	4
the dresser is	4
dyed velvet cords	4
in a general	4
piece goods manual	4
certain designs or	4
a style of	4
of the board	4
be taken that	4
and back stitch	4
on which the	4
with a warp	4
in its loom	4
same principle as	4
process of manufacture	4
the woven cloth	4
given to an	4
adding to the	4
to being spun	4
of such a	4
two sets of	4
anne cabriole leg	4
in width it	4
is an imitation	4
a closely woven	4
has had its	4
of coloured yarns	4
into the dye	4
texture of the	4
a view to	4
which is woven	4
the love of	4
cotton yarn which	4
in its relation	4
in front of	4
in opposition to	4
the front of	4
a high order	4
answer to the	4
it is applied	4
that a silk	4
three or four	4
be seen in	4
in all cases	4
lighter in weight	4
the upper part	4
loose bits of	4
by ideographic association	4
so that they	4
between and inches	4
the expression of	4
the construction of	4
of the transfer	4
we have a	4
of the dress	4
that the two	4
the fabric are	4
can be found	4
or by having	4
and the weft	4
it to the	4
pure silk plush	4
which is used	4
is noticeable in	4
geometric system of	4
of a garment	4
if the goods	4
apart from the	4
the chippendale period	4
is given under	4
present in the	4
wool is the	4
having a surface	4
of woollen cloths	4
for the use	4
all kinds of	4
in the manner	4
never be used	4
and mary style	4
or outline of	4
the aid of	4
medium and heavy	4
the edges are	4
first half of	4
coloured crimp cloth	4
the hair of	4
in the seventeenth	4
in conjunction with	4
have been in	4
should match the	4
to this class	4
of textile combination	4
process of bleaching	4
in relation to	4
the character and	4
a difference between	4
the back with	4
a cloth woven	4
produced in the	4
from coloured yarns	4
the design should	4
is not so	4
the opposite side	4
known as an	4
a similar fabric	4
with the same	4
the american school	4
the grandfather chair	4
similar in construction	4
cotton fabrics which	4
a sample of	4
seem to have	4
exposed to the	4
england by the	4
bound into the	4
the seam and	4
away from the	4
there is much	4
and yards in	4
we have the	4
pattern or outline	4
of the silk	4
material in the	4
similar to the	4
the raw edge	4
or filling threads	4
of the coiled	4
are among the	4
in the example	4
the only difference	4
a pile weave	4
could not be	4
may be produced	4
four or five	4
in point of	4
used for a	4
be found a	4
the pattern on	4
this is not	4
is a very	4
material other than	4
may be termed	4
color and design	4
to prevent the	4
in the majority	4
by hand and	4
revised import tariff	4
of the men	4
the legs are	4
the turned legs	4
to the art	4
of country furniture	4
can be woven	4
and grace of	4
of the preceding	4
inches by inches	4
in what is	4
on the edge	4
are the most	4
unit consists of	4
age of machinery	4
of the stretcher	4
fold of the	4
dresser and clock	4
before being woven	4
produced by impacting	4
to which the	4
the great variety	4
eighth of an	4
be called a	4
can be recognised	4
a different colour	4
are generally packed	4
placed at the	4
and the name	4
in use in	4
thread is called	4
of the three	4
a cloth made	4
lining should be	4
because of the	4
a line with	4
such a fabric	4
in the legs	4
may be of	4
pure silk velvet	4
date this is	4
they were made	4
is that in	4
fibres which have	4
belonging to the	4
in the upper	4
names of fabrics	4
nothing of the	4
of a small	4
in this instance	4
a very early	4
early days of	4
in this volume	4
the next stage	4
of the new	4
dyed velveteen cords	4
the front stretcher	4
is a somewhat	4
farmhouse styles contemporary	4
of james i	4
to the chair	4
of the term	4
been coloured after	4
which are woven	4
styles contemporary with	4
a smooth surface	4
are the best	4
in the opposite	4
as applied to	4
made by dissolving	4
the slow assimilation	4
each of these	4
of the designs	4
in number of	4
whole of the	4
if the skirt	4
of the human	4
of the jacobean	4
used for weaving	4
it has not	4
of the fine	4
of the length	4
in this way	4
a stout cotton	4
of the walnut	4
a touch of	4
plain woven from	4
the changing habits	4
an inch below	4
are found in	4
are used to	4
linen and cotton	4
and mary gate	4
reminiscent of the	4
with a running	4
all cotton and	4
the city of	4
which does not	4
across the web	4
sure that the	4
which in the	4
derives its name	4
through the center	4
of a different	4
of yarn is	4
warp and worsted	4
of the forces	4
and is the	4
is not the	4
to a cotton	4
percentage of cotton	4
of a somewhat	4
and condenser wefts	4
be applied to	4
woven from yarn	4
have been dyed	4
be taken to	4
made from cotton	4
the seams are	4
be used on	4
which had been	4
time of james	4
advent of the	4
used by the	4
victoria and albert	4
and free from	4
dyed imitation turkey	4
were made in	4
will show the	4
care being taken	4
it is often	4
be seen by	4
the skirt is	4
in the second	4
worsted warp and	4
and heavy weight	4
threads should be	4
and that the	4
garment is to	4
should be a	4
wefts per in	4
can readily be	4
furniture of this	4
shorter than that	4
walnut and mahogany	4
the splat is	4
upper part of	4
of a plain	4
and thickness of	4
jacobean chest of	4
the other the	4
is worthy of	4
it always signifies	4
and the pattern	4
a great deal	4
waste and condenser	4
of the body	4
one or two	4
see white muslin	4
which are afterwards	4
the name shows	4
great deal of	4
plan for making	4
queen anne type	4
has the same	4
material is a	4
development of form	4
indians of arizona	4
a plain twill	4
of old farmhouse	4
under the point	4
solution of caustic	4
was not until	4
a running stitch	4
the left hand	4
inch below the	4
means of extra	4
in some cases	4
passing the fabric	4
warp threads which	4
of the woof	4
having a raised	4
bleached or dyed	4
being a dyed	4
vary with the	4
the foundation of	4
come under this	4
parallel to each	4
made from a	4
it is too	4
other classes of	4
rep or rib	4
cloths of the	4
the removal of	4
and cotton flannel	4
raised cotton cloth	4
used to denote	4
the cloth may	4
the stretchers are	4
which is made	4
raised or napped	4
is true of	4
the death of	4
with sunk panels	4
as we have	4
grace of the	4
are made with	4
are made in	4
used for weft	4
extra warp or	4
the spinning frame	4
the victoria and	4
many of them	4
identical with the	4
appear in the	4
the amount of	4
chair in its	4
that it may	4
the forms of	4
colour to the	4
that has been	4
of both warp	4
the early eighteenth	4
fabric of a	4
which there is	4
but it was	4
was used for	4
variety of weaves	4
light weight and	4
figure illustrates a	4
made of cotton	4
jacobean oak chair	4
the best grades	4
the revised import	4
fully described under	4
and on the	4
the splat back	4
of silk and	4
is such that	4
essentially an all	4
through the cloth	4
bias strip of	4
the weft or	4
made on the	4
fabric has been	4
its early form	4
even in the	4
and his contemporaries	4
mohair coney seal	4
well as for	4
has not the	4
it is quite	4
answering to the	4
of the machine	4
the tendencies of	4
the stick legs	4
the preparation of	4
the seams should	4
care of clothing	4
that on the	4
of different widths	4
more difficult to	4
based upon the	4
is often of	4
generally woven as	4
this stitch is	4
has been made	4
the results of	4
examples may be	4
have been corrected	4
is a bleached	4
this should be	4
always signifies the	4
a third of	4
farmhouse furniture is	4
is probable that	4
in the fact	4
in the old	4
the opposing series	4
eye of the	4
must have been	4
of textiles in	4
of domestic science	4
in the seam	4
that the width	4
of a number	4
a bird woven	4
cotton back unless	4
generally woven from	4
a hundred years	4
above and below	4
farmhouse and cottage	4
an imitation of	4
be regarded as	4
the date of	4
the publication of	4
are said to	4
is no longer	4
in the latter	4
the range of	4
they are also	4
up in pieces	4
a wide hem	4
designs or patterns	4
uniform colour over	4
touches of ornament	4
during the last	4
of to inches	4
the art and	4
which may have	4
be divided into	4
bird woven in	4
the right and	4
goods should be	4
seams and hems	4
board of trade	4
may be distinguished	4
solidity of english	4
are interesting as	4
the charles ii	4
the fiber is	4
of fine wool	4
use in the	4
of a waist	4
and there are	4
and under the	4
of the esthetic	4
the weaving proper	4
conservation of old	4
pattern has been	4
esthetic attributes of	4
of his own	4
suggestive of the	4
it into a	4
there are also	4
that the gate	4
the treatment of	4
is impossible to	4
the adjacent chair	4
would be an	4
be found that	4
more than a	4
few of the	4
and its development	4
hosiery or underwear	4
the design impressed	4
means of the	4
in the field	4
a general rule	4
a row of	4
of william and	4
and ends of	4
are the same	4
in lieu of	4
at the right	4
the basis of	4
right side and	4
is a light	4
often used in	4
it is taken	4
that have been	4
are twisted together	4
silk fabric having	4
of worsted yarn	4
or more of	4
a twill weave	4
one side only	4
was known as	4
is on the	4
of the bible	4
for the filling	4
gives rise to	4
in the loom	4
grandeur of the	4
or as a	4
can be used	4
in this manner	4
basketry of the	4
appear on the	4
wool or cotton	4
or rib running	4
the products of	4
of the curved	4
out by the	4
the manner in	4
so far as	4
a process of	4
chinese maritime customs	4
century pleasure gardens	4
same number of	4
to be used	4
instance of the	4
a textile term	4
to the school	4
made by taking	4
the way of	4
art in its	4
penn wampum belt	4
is the stronger	4
dyed real turkey	4
and under one	4
the outside of	4
in the next	4
takes the form	4
to chats on	4
is wound on	4
class of yarn	4
the early days	4
would appear to	4
contact with the	4
other branches of	4
it is true	4
italian cloth is	4
from the fact	4
top and bottom	4
the material being	4
the surfaces of	4
the legs and	4
lancashire oak settle	4
does not show	4
the same material	4
it is only	4
the light colored	4
is at once	4
be done on	4
which has a	4
of the figures	4
fabric having an	4
and woollen weft	4
the name given	4
reflecting light to	4
like all other	4
the best advantage	4
came into use	4
this may be	4
weight and thickness	4
weave fabric woven	4
cloth is dyed	4
the hooks and	4
to a high	4
in the former	4
dyed or printed	4
show on the	4
which shows on	4
are used in	4
noticeable in the	4
be done by	4
a yard of	4
the shoulder seams	4
in that direction	4
sunk panels and	4
the popularity of	4
of silk or	4
used for linings	4
combination of weaves	4
old cottages and	4
to hosiery or	4
cloths in which	4
rib crape effect	4
woven from dyed	4
a fabric woven	4
to inches wide	4
depends upon the	4
style of printing	4
with a view	4
dyed plain cotton	4
the most common	4
distinguished from the	4
must be remembered	4
the pima indians	4
volume to chats	4
to keep the	4
the wool and	4
to a great	4
the gathering threads	4
has been printed	4
the material in	4
the same side	4
to a thread	4
touch of the	4
bottom of a	4
manner as the	4
be a double	4
warp and woollen	4
to indicate the	4
in making a	4
a simple one	4
the bottom edge	4
fabric woven as	4
of the true	4
features of form	4
to the touch	4
of the weave	4
development of a	4
passed through the	4
the needle is	4
came into general	4
under arm piece	4
up to the	4
of the stuarts	4
of good quality	4
of a certain	4
or patterns impressed	4
measuring from to	4
coiled tray with	4
chair illustrated p	4
which the fabric	4
in the finished	4
the first of	4
extensively used in	4
is based on	4
to the light	4
up to inches	4
wrong side and	4
upon the fabric	4
to be cut	4
and is generally	4
the front and	4
be found to	4
the open air	4
yards per hank	4
if the cloth	4
distinct varieties of	4
which form the	4
is finer than	4
face and back	4
often of a	4
pieces of furniture	4
illustrated in fig	4
to strengthen the	4
two examples are	4
on the spindle	4
of textile ornament	4
the classification of	4
back and front	4
silk having a	4
have already shown	4
a great extent	4
running from selvedge	4
and the end	4
the lower grades	4
be done with	4
as having a	4
to give the	4
bone and checker	4
an exhibit of	4
branches of art	4
and william and	4
traces of the	4
and the design	4
coloured after leaving	4
may be combined	4
exhibited in the	4
indicated by the	4
in the way	4
count of the	4
or both sides	4
of the waist	4
is a remarkable	4
in length and	4
on one or	4
herring bone and	4
the eye of	4
the upper edge	4
weighing from to	4
wound on the	4
the sleeve is	4
considered as having	4
probably modified by	4
takes its name	4
are often used	4
the grey or	4
diameter of top	4
the loom and	4
of the outside	4
it is one	4
from the same	4
in its construction	4
in the other	4
examples of the	4
effects produced by	4
in sweden and	4
generally dyed in	4
the illustration of	4
of the charles	4
general in its	4
weave it is	4
of some of	4
in the open	4
is most often	4
impressed on the	4
indians of the	4
stitch is made	4
the filling or	4
be done in	4
that there are	4
placing the needle	4
in early days	4
half an inch	4
may be done	4
of the iron	4
is an important	4
records of the	4
coming from the	4
of the foundation	4
also called a	4
threads and picks	4
and weft intersections	4
woven cotton fabric	4
coloured warp and	4
impressed on its	4
when a fabric	4
chats on cottage	4
was used in	4
varies from to	4
a fine example	4
to the end	4
can be done	4
to ounces per	4
may be finished	4
and clock combined	4
and albert museum	4
a study of	4
fabric is not	4
cut in the	4
cloth with a	4
in the early	4
chippendale style windsor	4
that can be	4
after which the	4
is not a	4
it is then	4
in the following	4
are so generally	4
class of cloth	4
the same fabric	4
in hand sewing	4
the bottom and	4
the old style	4
modified by ideographic	4
and was made	4
in this figure	4
a uniform colour	4
be taken not	4
of the velveteen	4
the other two	4
is extensively used	4
its loom state	4
one on the	4
care must be	4
of the single	4
of the nature	4
the two or	4
have been piece	4
are of the	4
legs and stretcher	4
the opposite direction	3
type prior to	3
if the garment	3
will be noticed	3
like that of	3
the design being	3
more readily than	3
a survival of	3
from their respective	3
generally met with	3
the thread is	3
are to a	3
the part of	3
through a series	3
produced on a	3
of the puritan	3
of the loom	3
was not a	3
of them have	3
is the work	3
had its surface	3
attention has been	3
be combined with	3
is used only	3
preferred by many	3
at one side	3
in plain weaving	3
nineteenth century we	3
the pattern has	3
in weight than	3
it is advisable	3
to the warp	3
sturdy independence of	3
lies in the	3
upon a net	3
thread may be	3
in lengths of	3
may be removed	3
is of silk	3
by the two	3
as if the	3
be cut in	3
century days the	3
in which a	3
inches of the	3
one thread and	3
after completing the	3
should be of	3
found on the	3
consists of a	3
has become a	3
the hand loom	3
is derived from	3
boots and shoes	3
by the hands	3
different kinds of	3
observed that this	3
should be opened	3
that the surface	3
by a series	3
on the loom	3
warp of the	3
coloured warp threads	3
name is also	3
french term for	3
found that the	3
a somewhat hard	3
generation to generation	3
used for lining	3
printed cotton fabric	3
resist or reserve	3
curves of the	3
three chairs illustrated	3
herring bone effect	3
instead of the	3
are in reality	3
of cut pile	3
which they were	3
together to form	3
in the development	3
and one side	3
woven with cotton	3
of the middle	3
photograph of c	3
the cloth as	3
transferred to the	3
coming under this	3
jacobean and william	3
style with double	3
outside cut by	3
of similar weave	3
of woolen and	3
the typical jacobean	3
this is an	3
the farmhouse dresser	3
wool weft and	3
surface in either	3
and worsted weft	3
this type is	3
material should be	3
used for printing	3
test questions on	3
there is in	3
the yarns are	3
form of leg	3
and the stitches	3
a greater number	3
the two side	3
of threads and	3
length of to	3
certain parts of	3
silk and the	3
process of spinning	3
the filling and	3
hepplewhite and sheraton	3
understood to be	3
fabric is spoken	3
of decorative design	3
produced with the	3
to be covered	3
threads are made	3
weft thread is	3
crimp cloth is	3
woven either as	3
means that the	3
and not too	3
seems to be	3
but which have	3
if the yarn	3
all over the	3
represented in the	3
should be held	3
sign your full	3
of carving found	3
and weft are	3
have been submitted	3
surface of a	3
such a manner	3
a fine cotton	3
intersections traversing one	3
chapter v the	3
which gives the	3
types of furniture	3
assimilation of foreign	3
in this example	3
over on the	3
process during finishing	3
from generation to	3
and bears the	3
threads which are	3
and belong to	3
be found on	3
section of fabric	3
one end of	3
in this connection	3
an attempt to	3
from the illustration	3
the percentage of	3
a uniform or	3
in a few	3
construction of the	3
by the aid	3
to the finish	3
how much of	3
yarns of good	3
of reflecting light	3
series of fillets	3
should be pressed	3
to the piece	3
iv the farmhouse	3
worked upon a	3
is the simplest	3
the change from	3
by no means	3
from its very	3
is a weft	3