trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
de la vega	22
one of the	18
garcilasso de la	14
with so much	14
duke of alva	14
in which he	12
of all the	12
with which he	12
the poets of	12
and in the	11
that ye should	11
the duke of	11
ye should flow	11
of the language	11
meet that ye	11
the title of	11
as well as	10
of spanish poetry	10
the works of	10
lope de vega	10
at the same	9
the death of	9
to see the	9
of the most	9
that of the	9
juan de mena	9
with all the	9
the spirit of	9
the name of	9
it is a	9
de la torre	8
in which the	8
in the first	8
would have been	8
francisco de la	8
to have been	8
it was not	8
and from the	7
poets of the	7
the history of	7
of his own	7
i wish to	7
the author of	7
of the emperor	7
the same time	7
on the death	7
the king of	7
the first that	7
some of the	7
the nature of	7
and in his	7
of his poems	7
with which the	7
to which the	7
kinds of composition	7
in order to	7
the time of	7
to his lady	6
i know not	6
which he was	6
de la cueva	6
the sound of	6
the language of	6
of the poet	6
the character of	6
of good taste	6
don pedro lasso	6
and of the	6
that i am	6
but it is	6
the loss of	6
it is not	6
translation of the	6
and in a	6
him to the	6
that in the	6
gentleness of woe	6
of the first	6
of the same	6
the cause of	6
and with a	6
poets of spain	6
works of garcilasso	6
the gift of	6
the flower of	6
the city of	6
luis de leon	6
one of his	6
to the same	6
if we except	6
in gentleness of	6
he could not	6
and as the	6
of the original	6
how shall i	5
the end of	5
in the year	5
in the same	5
the order of	5
that i should	5
for the most	5
it is true	5
that he has	5
more or less	5
written in the	5
the verses which	5
the spanish poets	5
in the time	5
in such a	5
led me to	5
and it is	5
the most part	5
it is that	5
with the most	5
the count of	5
of his genius	5
or by the	5
and that the	5
in all the	5
night and day	5
the poetry of	5
to the lady	5
not satisfied with	5
the merit of	5
in spite of	5
if he had	5
as that of	5
as it is	5
the command of	5
of the art	5
of the day	5
spirit of the	5
character of the	5
of his time	5
and to the	5
time to time	5
the winds in	5
of the cid	5
in search of	5
of the order	5
of the spanish	5
death of garcilasso	5
from time to	5
to meet with	5
de arte mayor	5
a man of	5
in my opinion	5
to whom the	5
it has been	5
of his country	5
the battle of	5
under the title	5
the necessity of	5
and on the	5
of those who	5
that he was	5
there is a	5
it may be	5
with which they	5
the first place	5
met with in	4
may serve to	4
it was the	4
i have not	4
will be found	4
the force of	4
a thousand things	4
it is the	4
at the time	4
the talents of	4
to the flower	4
one or two	4
thou art the	4
of the field	4
not to be	4
the castilian language	4
a work of	4
to the present	4
may not be	4
the prince of	4
knew how to	4
and now the	4
to see my	4
of the great	4
the hour when	4
in the palace	4
coplas de arte	4
the odes of	4
the glory of	4
at the head	4
to be the	4
of one who	4
to the king	4
devotion to the	4
of the lady	4
middle of the	4
caused him to	4
we see that	4
the fire of	4
with such a	4
the head of	4
it in the	4
and it was	4
city of toledo	4
in which his	4
the taste and	4
a little woman	4
the case with	4
the spanish language	4
no less the	4
himself to the	4
him in the	4
and with the	4
of the ancients	4
is seen to	4
to the heart	4
and if he	4
of the sixteenth	4
to his own	4
with which i	4
on spanish poetry	4
modes of speech	4
are to be	4
that to the	4
was in the	4
and when the	4
the palm of	4
of the poets	4
but if the	4
in favour of	4
that no one	4
as in a	4
and even the	4
of francisco de	4
of that period	4
the arms of	4
that it was	4
said to have	4
i have been	4
of alonzo the	4
the dignity and	4
a gentleman of	4
of los arcos	4
was the first	4
i do not	4
the ear of	4
flower of gnido	4
of garcilasso de	4
order of st	4
the form of	4
the middle of	4
marquis del vasto	4
a son of	4
he did not	4
it should be	4
the invasion of	4
charles the fifth	4
alvarez de toledo	4
the church of	4
marques de santillana	4
there is no	4
no less than	4
the present day	4
he has left	4
in gentle woe	4
a thousand times	4
it would be	4
and by the	4
the example of	4
himself in the	4
don pedro and	4
is said to	4
some of his	4
led him to	4
of the country	4
hand in hand	4
the father of	4
and the most	4
but when the	4
account of the	4
the memory of	4
it was a	4
john de padilla	4
now the pen	3
which he has	3
who had been	3
i sit down	3
from the nature	3
alonzo the eleventh	3
seen in the	3
he is not	3
with what he	3
with a prefatory	3
genius of the	3
the gates of	3
naturally inclined to	3
was obliged to	3
within a little	3
as a foe	3
that thou wilt	3
which he had	3
to the muses	3
the course of	3
be regarded as	3
should not be	3
by the novelty	3
whom he was	3
the fall of	3
to speak more	3
marchioness of padula	3
the first of	3
by the king	3
of the shaded	3
that we may	3
it has not	3
to have given	3
my ill star	3
have had no	3
in the whole	3
volume of his	3
is seen in	3
if i were	3
the judgment and	3
from no one	3
the foot of	3
they have been	3
sit down to	3
the progress of	3
don pedro de	3
the lyric poetry	3
the king to	3
of the many	3
known that the	3
of a man	3
in the city	3
under the command	3
to the public	3
have been made	3
bottom of the	3
each to each	3
this kind of	3
from the same	3
absolutely necessary to	3
the authority of	3
one can be	3
woe to the	3
of the times	3
the other two	3
i should not	3
his style and	3
on his way	3
of elegance and	3
a life of	3
the literature of	3
the genius of	3
very distant from	3
in possession of	3
the only one	3
maria de la	3
by the author	3
and thus to	3
so many and	3
to make my	3
and not to	3
this is the	3
of so many	3
of fancy and	3
and by his	3
with the same	3
rudeness of the	3
the following verses	3
the success of	3
it was then	3
seems to me	3
the fine gold	3
found in the	3
he was obliged	3
would they not	3
of his author	3
a translation of	3
the truth of	3
which he lived	3
that would have	3
life of garcilasso	3
from on high	3
a crowd of	3
acquaintance with the	3
had not the	3
under the name	3
them in the	3
that the poets	3
of the other	3
through thee i	3
his way to	3
from the wave	3
with the king	3
any other poet	3
the price of	3
on which the	3
with magic of	3
to show the	3
like that of	3
in his poems	3
lady maria de	3
of the fates	3
them to have	3
tamaio de vargas	3
there can be	3
of one of	3
was every where	3
to see thee	3
as a specimen	3
between the two	3
it would appear	3
of this period	3
will suffice for	3
for the last	3
to the other	3
at that time	3
the fifteenth century	3
of the sweet	3
part of a	3
to the ground	3
refinement of thought	3
i have lost	3
he had not	3
be quoted as	3
in him to	3
the use of	3
to view my	3
that he had	3
to the life	3
more to be	3
which it had	3
of his style	3
to the last	3
a grief so	3
and if i	3
on whom they	3
to which he	3
pedro lasso was	3
for a space	3
and the whole	3
to take a	3
is not the	3
the writer is	3
in dignity and	3
the writings of	3
the path of	3
of all that	3
of the life	3
were seen to	3
themselves to the	3
confirmed by the	3
to the crown	3
the siege of	3
be considered as	3
the world shall	3
of little women	3
not with the	3
it will be	3
to the stars	3
there are in	3
verses on the	3
is not so	3
to the duke	3
king of navarre	3
will not be	3
pedro and his	3
of the principles	3
of the river	3
the marques de	3
much of the	3
into which the	3
words ave maria	3
movement of the	3
and a few	3
to see a	3
you love me	3
essay on spanish	3
with the spirit	3
devoted themselves to	3
he had been	3
all my heart	3
in my judgment	3
the springs of	3
to the mind	3
who would have	3
in the chronicle	3
on the wing	3
a great and	3
the writers of	3
speak of the	3
the voice of	3
in that age	3
of the fort	3
it was done	3
as not to	3
which is a	3
chronicle of alonzo	3
at thy feet	3
to thee the	3
i should die	3
favour of the	3
to attend the	3
of his eclogues	3
the style of	3
and the other	3
of the green	3
the torture of	3
the harmony and	3
verses which he	3
it with the	3
he would have	3
with the greatest	3
to which his	3
they not have	3
so may the	3
of the grand	3
to the sound	3
words and phrases	3
it must be	3
on every hand	3
wish to make	3
the manner of	3
indignant at the	3
it seems to	3
as it were	3
him in his	3
purity and elegance	3
enrique de villena	3
as it was	3
and that in	3
i should be	3
to see what	3
on the contrary	3
of the army	3
use of the	3
the spirit with	3
the most celebrated	3
the emperor to	3
in his own	3
by the same	3
at a distance	3
ferdinand and isabella	3
which he wrote	3
the words ave	3
of some of	3
i feel that	3
as they were	3
in its favour	3
lyric poetry of	3
is written in	3
the study of	3
great number of	3
the power of	3
of the kingdom	3
the chronicle of	3
the ear with	3
pedro de toledo	3
full of the	3
in his youth	3
the urn of	3
in the last	3
in concord with	3
how have i	3
of him in	3
would have said	3
title of the	3
in his comedies	3
whom he loved	3
the verses of	3
that the king	3
the crown of	3
with the desire	3
a number of	3
in their flight	3
filled with the	3
than that of	3
the poetic period	3
with his own	3
with whom he	3
tears i shed	3
of don pedro	3
the production of	3
many and such	3
of any other	3
of his age	3
the language and	3
many of his	3
in this e	3
so great a	3
to love thee	3
what is it	3
they could not	3
in a moment	3
a variety of	3
or of the	3
to the sky	3
to him the	3
the reputation of	3
have been written	3
of the monarch	3
of his verses	3
more delicate and	3
given to the	3
and to have	3
him the surname	3
a heart of	3
for in the	3
to don pedro	3
to be considered	3
were in the	3
had for the	3
from the spanish	3
and of good	3
by force of	3
to the earth	3
serve to show	3
the steps of	3
when we see	3
garcilasso to the	3
of the ode	3
me in the	3
in his works	3
were written in	3
there was no	3
with a generous	3
at any time	3
i am not	3
of a friend	3
seems to have	3
locks of gold	3
the court of	3
his hand a	3
of the city	3
the sixteenth century	3
he is a	3
that they should	3
the reign of	3
the perfection of	3
other kinds of	3
of lope de	3
to be so	3
of the commons	3
the land of	3
to reach the	3
we meet with	3
and other poems	3
have been the	3
the names of	3
or as a	3
the one and	3
who in his	3
which the poet	3
nor can i	3
the whole world	3
of the wood	3
and with them	3
must have been	3
and at the	3
to the city	3
is in the	3
it to the	3
not to mark	2
odes of horace	2
at one time	2
some fatal star	2
them on to	2
in tears and	2
spirit was conceived	2
to perceive the	2
of the verse	2
pointing out to	2
on the coast	2
in arms against	2
the whole was	2
that death had	2
style and diction	2
would have the	2
could not go	2
in my griefs	2
blew the winds	2
as were never	2
are offended with	2
the god of	2
any other that	2
to be met	2
shower of tears	2
one gifted with	2
the army of	2
success with which	2
the art of	2
to all sorts	2
satisfied with the	2
and see how	2
is absolutely necessary	2
our past friendship	2
and amongst them	2
that not the	2
of the muses	2
and purpureal rose	2
with in his	2
by the duke	2
by his own	2
i am wax	2
with dishevelled hair	2
literature of spain	2
in the vega	2
that i must	2
the english reader	2
by all i	2
of the middle	2
upon the whole	2
the best of	2
in thee i	2
which the book	2
the breaches of	2
rigour of the	2
sighs its sweet	2
what they desired	2
a shade of	2
to what a	2
made yet more	2
himself up without	2
the british museum	2
this work would	2
not to say	2
propriety with which	2
of a fierce	2
find in his	2
let it not	2
times there are	2
love and esteem	2
what a state	2
the midland main	2
maria de cardona	2
they may be	2
a disgrace to	2
of the wind	2
the light of	2
of king henry	2
but what is	2
in the charmed	2
to restrain this	2
has abandoned himself	2
the impulse which	2
offered by the	2
from the sands	2
towards the canal	2
sufficient for the	2
touch the ear	2
its flowery shore	2
a valley in	2
arising from the	2
nothing of the	2
in this situation	2
devoted to the	2
in this point	2
pray go back	2
celebrated duke of	2
lay amongst the	2
of all kinds	2
hear what i	2
of mount etna	2
but does not	2
that i dare	2
i might have	2
tower aloft in	2
study of the	2
thus her beauty	2
will be seen	2
in his writings	2
that my fancy	2
language and versification	2
nothing more than	2
dishevelled hair were	2
thy gentle heart	2
youth sounds thy	2
loss of life	2
the cruel winds	2
commanded by the	2
should be most	2
of taste which	2
sire in bondage	2
acquainted with the	2
strength of the	2
much of his	2
to meet the	2
with the heat	2
sweet life away	2
on whom revolvest	2
in any wise	2
all he could	2
and language of	2
than in the	2
lasso de la	2
charles the second	2
the skies and	2
good poets of	2
the following sonnet	2
necessary for him	2
of the events	2
his writings were	2
the still water	2
fair naiads of	2
who triumphs in	2
far and wide	2
the tone of	2
can be quoted	2
to the cortes	2
thy broken faith	2
in spanish poetry	2
followed in the	2
was all this	2
to the kind	2
and noble captains	2
at which the	2
face to face	2
which the art	2
distinguished by the	2
in the old	2
no one can	2
geronyma palova de	2
rights and privileges	2
keen desire to	2
have snapt in	2
if i am	2
for whom hast	2
manner in which	2
i will sooner	2
the mossy stones	2
as a punishment	2
to be more	2
pay the price	2
may so say	2
a fond mother	2
forgetfulness of all	2
spirit of a	2
the morisco ballads	2
in a short	2
wise and potent	2
afterwards the celebrated	2
of daphne bind	2
of a single	2
of but little	2
and the long	2
pictures of the	2
in speaking of	2
who in the	2
compared with the	2
till the whole	2
and neglect of	2
lost so much	2
the lucidness of	2
that we might	2
in an evil	2
that the whole	2
sweet to me	2
old bond street	2
a bosom so	2
an infinite number	2
the imagination and	2
a disciple of	2
is scarcely one	2
and all the	2
of the young	2
to receive it	2
of the germanada	2
which they gave	2
to contemplate my	2
the rudeness of	2
them more happily	2
buried in the	2
the castilian poets	2
palova de almogavar	2
elm in marriage	2
thy sweet voice	2
not one of	2
the other hand	2
so soon as	2
charmed with his	2
was seen to	2
on his brother	2
and at his	2
the commissioners of	2
if i live	2
his affluent floods	2
with a friend	2
full of flowers	2
a new translation	2
to the notice	2
have lost my	2
lashed by the	2
by the praises	2
from me the	2
the obscurity of	2
i thought to	2
in the reign	2
the defence of	2
have been his	2
esteem and affection	2
in the battle	2
was the hour	2
it is absolutely	2
in the original	2
the emperor charles	2
that floating in	2
no power to	2
it is only	2
followed by a	2
see what the	2
with him who	2
of his actions	2
of the camp	2
derived from the	2
four and twenty	2
a friend so	2
my tale of	2
of the former	2
the fantastic pirouette	2
gored by the	2
of castilian versification	2
the footnotes are	2
and amongst others	2
admiration of his	2
my darling ivy	2
thy face is	2
of this campaign	2
from my own	2
with the subject	2
to prove the	2
than from the	2
judgment and good	2
entering a valley	2
the praises of	2
manner of his	2
of being the	2
in the church	2
thy sweet will	2
care that the	2
with the very	2
written with so	2
yet a bosom	2
of a country	2
conceded to him	2
as one of	2
with the dignity	2
but the poet	2
the book of	2
touches of sensibility	2
must be regarded	2
by means of	2
the lightfoot nymphs	2
of the fifteenth	2
so sweet and	2
in the choice	2
the forces of	2
the monarch to	2
was not till	2
the picture of	2
the most exquisite	2
he is said	2
of passion for	2
and want of	2
i will now	2
the highest degree	2
of gold and	2
the invention of	2
truth anchors thy	2
to the grave	2
of their embassy	2
the esteem and	2
to give to	2
sceptre of the	2
spanish poetry of	2
the liberties of	2
not a single	2
did not allow	2
genius that could	2
to meet him	2
whom revolvest thou	2
if we consider	2
on the clear	2
awhile my hopes	2
this a great	2
to a lady	2
than any other	2
prayed me to	2
the drawing of	2
with all his	2
my heart and	2
one pause from	2
and vigorous imagination	2
the new versification	2
my griefs sole	2
the charm of	2
fully succeeded in	2
thy laughing lip	2
more from the	2
and hopes thy	2
more than one	2
of the noblest	2
it does not	2
a model of	2
the ear by	2
them from prose	2
from the first	2
of classical study	2
i seem to	2
understood to have	2
garcia de toledo	2
dost thou know	2
the lady geronyma	2
him for a	2
contented with the	2
of his verse	2
it is impossible	2
not in all	2
in the midst	2
in its first	2
never may the	2
more to the	2
i journeyed led	2
i see you	2
against another wall	2
writer is not	2
with more or	2
with the greater	2
arms of daphne	2
to thy sweet	2
compared with those	2
of the assembly	2
it will not	2
to fernando de	2
he could to	2
if he be	2
them to be	2
it is quite	2
with my own	2
know not how	2
did bespeak that	2
overcome by the	2
a state hast	2
that of quevedo	2
from garcilasso to	2
nothing more to	2
of their language	2
the absence of	2
loud blew the	2
oft claimed again	2
it was who	2
upraise your rosy	2
as a writer	2
but who can	2
poetry of burguillos	2
how was it	2
in the rear	2
the greatest poets	2
the stormy main	2
and its progress	2
listening to their	2
desire to see	2
hence it is	2
the dukes of	2
the surname de	2
tribute to the	2
a punishment for	2
and character of	2
look for it	2
that time was	2
as his own	2
her in her	2
torture of a	2
in the cool	2
nature of their	2
he is at	2
to his memory	2
magic of their	2
with the great	2
seen to shower	2
to the marchioness	2
oh that i	2
a single man	2
know how to	2
had no power	2
the toil of	2
him for his	2
obliged the governor	2
now thy laughing	2
that i could	2
has left in	2
the nature and	2
i fear to	2
the noon of	2
snapt in twain	2
grief and pity	2
through the breaches	2
thee for their	2
i am so	2
choice of subject	2
on the banks	2
are in them	2
the banks of	2
he is the	2
a desire to	2
the duchess of	2
on his return	2
of the rest	2
praise of little	2
away the hours	2
production of his	2
me with the	2
from the common	2
whom it is	2
and the fire	2
language and poetry	2
thou reduced my	2
in my soul	2
bosom so untrue	2
by me too	2
knowledge of the	2
not only in	2
by his countrymen	2
of quevedo in	2
from pole to	2
in her sweetest	2
the ancient spanish	2
the influence which	2
set themselves to	2
with the weight	2
or two that	2
gave to spanish	2
luis de la	2
to the many	2
the murmurs of	2
of the text	2
fierce spirit and	2
all know that	2
the best writers	2
not till he	2
is true that	2
heart of stone	2
siglo de oro	2
with the ancient	2
on the same	2
them as they	2
down to contemplate	2
the palace with	2
caused to be	2
more determinate and	2
if thou art	2
he only danced	2
arte mayor of	2
almost all his	2
himself to all	2
one of their	2
all sorts of	2
and his companions	2
foot of mount	2
the last of	2
of the castilian	2
by no one	2
ardour in the	2
mind and ear	2
pause from bloody	2
strange icy throes	2
had cropt her	2
the tumult of	2
all other things	2
the good it	2
the imitation of	2
to one of	2
and a more	2
a long time	2
the marriage of	2
her charming cheek	2
as a mere	2
want of taste	2
assuage the smart	2
recourse to the	2
determinate and fixed	2
these moments stolen	2
the midst of	2
of my death	2
the great writers	2
view my darling	2
knight was seen	2
or if at	2
through the crystal	2
written in my	2
if at times	2
all in the	2
like a white	2
that i fear	2
words of one	2
past now the	2
from lip to	2
the force and	2
into thy hands	2
goes as grief	2
the beauty of	2
the following age	2
contemplate my case	2
of the style	2
i lose all	2
sick infant lies	2
it was an	2
face of the	2
so far as	2
the youth who	2
tears and sighs	2
and perhaps the	2
choir of nymphs	2
icy throes the	2
torn from me	2
the approaching cortes	2
this babbling fountain	2
to return to	2
the public to	2
all the rest	2
its sweet life	2
in hand with	2
have been more	2
from the water	2
the accession of	2
to the love	2
shuttle of the	2
away amidst the	2
of its own	2
in depth of	2
the structure of	2
of their compositions	2
siege of granada	2
would not have	2
to a crowd	2
them to him	2
with which it	2
the slave of	2
in his hand	2
of spain had	2
less than the	2
journeyed led me	2
admiral of castile	2
am well aware	2
so much by	2
may serve as	2
product of a	2
not possible to	2
and left me	2
the feelings that	2
lily and purpureal	2
again and again	2
cross of the	2
and those of	2
with all its	2
from the west	2
those more perfect	2
and the high	2
and harmony of	2
me as i	2
part of the	2
sounds thy sweet	2
the principles of	2
the task of	2
to the dead	2
and the encouragement	2
a great part	2
the same that	2
on their part	2
revived towards the	2
they began to	2
whom hast thou	2
but it was	2
he will no	2
herrera was the	2
the influence of	2
given himself up	2
of the story	2
cause of this	2
and it may	2
in my brain	2
hoarse trumpet breaks	2
a knight of	2
to leave the	2
in this age	2
always respected as	2
succeeded in giving	2
his second eclogue	2
him to be	2
the monarch of	2
that was then	2
of the ignorant	2
had nothing to	2
it were the	2
another elm in	2
curling tendrils and	2
the cid and	2
which led him	2
is not one	2
the green turf	2
it would not	2
at the end	2
a distance from	2
in praise of	2
as a model	2
me in seasons	2
too fatal found	2
new translation of	2
situation of things	2
was intended to	2
you to take	2
i have already	2
authors of this	2
these verses and	2
of the enemy	2
now taking up	2
in a very	2
epitaph on his	2
to make his	2
my hopes will	2
but no sooner	2
distinguish them from	2
at length from	2
the hours of	2
the wish to	2
to whom it	2
in english spenserian	2
sickening where it	2
the advantage of	2
last third division	2
with all my	2
the good poets	2
yet not without	2
in his power	2
wells of water	2
of thy soul	2
to the purpose	2
of the wise	2
in a sandy	2
he dreads the	2
and the new	2
that they were	2
morn till night	2
of a jealous	2
of the ancient	2
the songs and	2
had entered into	2
in poetical pursuits	2
a fierce spirit	2
his success in	2
the introduction of	2
queen of france	2
and for his	2
so rudely left	2
the side of	2
more suited to	2
thousand times she	2
all the court	2
its curling tendrils	2
so untrue to	2
from morn till	2
distant from the	2
in his coplas	2
of this first	2
guerras civiles de	2
wounded in the	2
i no longer	2
the green herbs	2
that these are	2
translation of tasso	2
it is just	2
civiles de granada	2
caused them to	2
that his own	2
surrey and wyatt	2
they then this	2
breaches of the	2
of his subject	2
presses now thy	2
he could have	2
had they followed	2
me to the	2
who for his	2
scarce one pause	2
if lamentations and	2
had not been	2
the defeat of	2
and that their	2
of a style	2
is a disgrace	2
the difficulty of	2
with all expedition	2
much the more	2
that of all	2
and the king	2
me from the	2
a thousand hues	2
a tone more	2
imagination and the	2
by adopting the	2
the present work	2
the subject of	2
the palace of	2
in almost all	2
battle of lepanto	2
in the fine	2
writers of his	2
for me to	2
be a very	2
and dignity of	2
count of los	2
will tower aloft	2
soon as it	2
the least of	2
to gather from	2
without the torture	2
under which they	2
duke of bedford	2
of which it	2
at first sight	2
in the course	2
a white swan	2
well must know	2
his character and	2
and hence they	2
and love of	2
don luis de	2
was the case	2
so with the	2
hast thou reduced	2
more particularly as	2
might be quoted	2
any of his	2
the softness and	2
art from the	2
in seasons of	2
to take the	2
a country life	2
those who wish	2
have power to	2
length into thy	2
entrusted with the	2
around another elm	2
they knew how	2
the lady maria	2
foot of a	2
of the celebrated	2
his glory to	2
with keen desire	2
a castle on	2
nature of the	2
of a poet	2
which they sometimes	2
the first i	2
with them in	2
none of the	2
his language was	2
by cunning many	2
to all that	2
style and language	2
on they rode	2
the bottom of	2
to do and	2
comfort from the	2
smiling at his	2
as a lily	2
the monk onorato	2
the point of	2
this situation of	2
inclined to think	2
his soul of	2
and strength of	2
the other world	2
passion for his	2
in an age	2
in marriage hang	2
that facility and	2
it was only	2
without incurring the	2
griefs sole agent	2
them at a	2
my charmed spirit	2
i these moments	2
the cortes to	2
of the king	2
see my virgin	2
of them are	2
count they then	2
inclined to the	2
in the court	2
i know that	2
was conceived in	2
as he had	2
the rude and	2
ways i reach	2
of honour to	2
to destroy the	2
my virgin vine	2
whole world with	2
is not possible	2
and made his	2
the taste of	2
which the cid	2
i live on	2
discovery of the	2
to enjoy the	2
led me right	2
that which they	2
the distinction of	2
and that if	2
as the one	2
any thing but	2
in the void	2
to use in	2
bloomed rosiest in	2
the crystal air	2
to be paid	2
with a few	2
earth the lofty	2
truth and nature	2
of a pure	2
with love and	2
to my mind	2
for his lady	2
the expression of	2
trumpet breaks the	2
images and emotions	2
i would say	2
arrived at the	2
the horror of	2
description of the	2
on the green	2
the art from	2
part of his	2
that one so	2
grief so deep	2
on a departure	2
of his subjects	2
surname de la	2
i see no	2
and charm of	2
gave to the	2
throes the arms	2
of the sonnet	2
against the moors	2
is not now	2
steps of the	2
the corruption of	2
am wax to	2
accession to the	2
to our literature	2
he saw the	2
to imitate his	2
have conceded to	2
was distinguished by	2
and writings of	2
what may not	2
as he says	2
relinquishment of the	2
which he sent	2
greater part of	2
now the countries	2
language of gallantry	2
the lily and	2
the strength of	2
that i see	2
and complaints could	2
swains of the	2
spanish poets had	2
ever from the	2
that to thy	2
by the wind	2
life and writings	2
eyes upon the	2
but in vain	2
which at that	2
whilst youth bloomed	2
of it by	2
is no doubt	2
have been a	2
of gallantry which	2
sweet as the	2
life away amidst	2
viceroy of naples	2
they do not	2
him to imitate	2
the path i	2
say it was	2
gonfalon of mars	2
till the appearance	2
and elegance of	2
and at others	2
the appearance of	2
the grandeur of	2
as for example	2
the multitude of	2
that some of	2
this work of	2
las guerras civiles	2
by the new	2
considered as very	2
if they are	2
in the family	2
archpriest of hita	2
so far from	2
who has lost	2
the last third	2
that it has	2
both the one	2
kind of poetry	2
the theme of	2
that illumined face	2
bathed in tears	2
he who has	2
the words of	2
to tell the	2
to struggle with	2
of the last	2
of the fifth	2
my dear camilla	2
number of poets	2
anger and disdain	2
who presses now	2
francisco de figueroa	2
with one who	2
death had cropt	2
age in which	2
i have but	2
higher kinds of	2
upon which he	2
my heart that	2
i am well	2
the new system	2
and we must	2
the effect of	2
be found in	2
know that i	2
the family arms	2
to the height	2
on earth the	2
has been transmitted	2
somewhat of the	2
utter forgetfulness of	2
thy sweet sake	2
eternal guest of	2
that from the	2
of rhymes in	2
to the end	2
there are some	2
and with it	2
did i not	2
was of the	2
white swan that	2
with many a	2
taking up the	2
so to all	2
end of the	2
my soul with	2
that he holds	2
a season of	2
and he is	2
issuing from the	2
have excited in	2
of the work	2
for them in	2
recorded in the	2
no one has	2
such was the	2
in the most	2
to the light	2
pass from lip	2
for ever bathed	2
they were in	2
grief guides it	2
with a happier	2
to mario galeota	2
combination of rhymes	2
be displeased to	2
in their flow	2
agony and woe	2
with loud shouts	2
the generality of	2
disciple of the	2
youth bloomed rosiest	2
in the other	2
a host of	2
been one of	2
but night and	2
he led the	2
rosiest in her	2
in the manner	2
the images and	2
since in the	2
is that of	2
the simplicity of	2
which they were	2
the delegates from	2
in giving to	2
head of these	2
the events of	2
at length into	2
what the fine	2
the manner in	2
by no means	2
of the hills	2
a foe to	2
distance from the	2
english spenserian verse	2
good taste in	2
the circumstance that	2
the celebrated duke	2
the pain of	2
in a little	2
was followed by	2
potent king that	2
imitations of the	2
considered as a	2
is it a	2
valley in a	2
better known under	2
any chance be	2
coplas of his	2
into the palace	2
a jealous pang	2
hopes thy heaven	2
that with the	2
up the sword	2
principles of composition	2
gave his voice	2
the one who	2
by the count	2
was destined to	2
whose crimson sword	2
him by the	2
as grief guides	2
the emperor was	2
in that of	2
to touch the	2
lady whom he	2
thee i have	2
i have now	2
in turn the	2
aloft in air	2
two white arms	2
see the whole	2
by the small	2
he must have	2
such a manner	2
with purple flowers	2
of his court	2
lustre to the	2
the noble soul	2
the art in	2
face is written	2
in the second	2
of his cotemporaries	2
the imperial crown	2
to effect the	2
in the morning	2
course of his	2
the queen of	2
complaints could rein	2
of the people	2
the very thing	2
where thou art	2
acknowledgment of the	2
the presence of	2
by the way	2
his native poets	2
of the mind	2
to make thy	2
seen to play	2
but of a	2
born of one	2
i esteem him	2
sense of his	2
referring them to	2
as those which	2
the cross of	2
wax to thy	2
which in a	2
of the rights	2
the versification and	2
by the roots	2
emperor charles the	2
as many as	2
to study with	2
the sweetness of	2
is that has	2
the christian slaves	2
eclogue of tirsi	2
that i might	2
to which was	2
alonso de avalo	2
sound of the	2
merit of the	2
the choice of	2
the flowers with	2
to translate it	2
the sceptre of	2
of the lost	2
so much the	2
he has had	2
that by the	2
of the age	2
by the study	2
church of san	2
much delicacy and	2
that may be	2
laying waste the	2
had begun to	2
the life of	2
the house of	2
amongst the green	2
of the good	2
so much delicacy	2
to the task	2
sworn against me	2
the compositions of	2
enter into the	2
pale and meek	2
beloved youth sounds	2
it could not	2
treasures of spain	2
choice of his	2
purity of his	2
void of all	2
on the sacred	2
perhaps to be	2
composed upon his	2
neither could they	2
preserved in his	2
the power and	2
of that time	2
no sooner had	2
held his sire	2
but the more	2
a sandy waste	2
flowers with which	2
another wall or	2
take root against	2
from the city	2
to mark the	2
to the art	2
but this i	2
at every step	2
written in exile	2
the marquis de	2
with the care	2
and has left	2
the period when	2
tendrils and empurpled	2
beauty of the	2
may with little	2
whose sick infant	2
the noble words	2
abandoned himself to	2
spirit and insulting	2
rudely left my	2
memory of the	2
flower of gnide	2
garcilasso which he	2
his sire in	2
heaven of charms	2
are a great	2
to the harmony	2
the spot where	2
given by the	2
he has abandoned	2
illustration eclogue ii	2
what beloved youth	2
up by the	2
known in spain	2
the lofty column	2
thou canst not	2
the nobles of	2
leonora de la	2
stript of the	2
coplas with which	2
the product of	2
when it is	2
and sweetness of	2
other writers of	2
and i will	2
this mad desire	2
composition of his	2
versification and language	2
serve as a	2
names of subscribers	2
to look for	2
whose beauty did	2
the kings of	2
in his author	2
and maid of	2
a youth who	2
which i have	2
thou so rudely	2
the same instant	2
the frenzy of	2
had been left	2
to the words	2
i fear that	2
have not yet	2
we pass over	2
and the weak	2
i know the	2
with general applause	2
the improvement of	2
on the merit	2
near the still	2
those of garcilasso	2
my sad heart	2
all with dishevelled	2
infinite number of	2
have thought that	2
of that day	2
and process of	2
the many other	2
the most distinguished	2
in the presence	2
neglect of the	2
the count de	2
i am for	2
towards a bourn	2
prince of castilian	2
of it in	2
is to be	2
thou thy beautiful	2
be bold to	2
from the trees	2
in the fantastic	2
with the loss	2
my spirit was	2
so far behind	2
been given to	2
they could do	2
from bloody toil	2
the little ones	2
one who has	2
yet i cannot	2
taste for the	2
seem to have	2
in her charming	2
thinking the path	2
would appear that	2
most to the	2
the mind is	2
of his glory	2
from that time	2
with the lady	2
springs of his	2
the higher kinds	2
the same author	2
to behold the	2
he sees the	2
my sole replies	2
but to the	2
the care of	2
to her language	2
and that at	2
fernando de guzman	2
ease and elegance	2
in his second	2
in an instant	2
a century of	2
in this state	2
as of yore	2
has cost me	2
and day they	2
the old castilian	2
epoch of the	2
city of milan	2
he set himself	2
to him in	2
and propriety with	2
on the other	2
without ostentation or	2
as to myself	2
and desired to	2
side by side	2
his devotion to	2
strongly are the	2
to believe that	2
proof of the	2
so strongly are	2
who has not	2
not the same	2
had been long	2
the alcayde of	2
other cities of	2
history of spanish	2
is yet more	2
to all the	2
in the field	2
printed by james	2
when he was	2
in a thousand	2
age of thirty	2
countries of the	2
his name was	2
the charmed ear	2
urn of tormes	2
to make up	2
whom the french	2
all who are	2
the terror and	2
with those more	2
poetry to the	2
and leave me	2
at the last	2
see how from	2
of san pedro	2
wherein the greatest	2
no more than	2
in the woods	2
of the words	2
we pass to	2
to the spanish	2
would be difficult	2
that as his	2
the first rank	2
be difficult to	2
the exercises of	2
to the time	2
concurred to favour	2
it is probable	2
by any chance	2
if to the	2
of the alexandrine	2
my brain delight	2
i should have	2
the ode in	2
in the highest	2
has left are	2
root against another	2
her sweetest flower	2
with those who	2
of his expression	2
on by the	2
the rules of	2
jealousy of the	2
with all who	2
not without a	2
a myrtle bower	2
i could not	2
had recourse to	2
within my heart	2
of what beloved	2
with a lady	2
and the duke	2
to shower tears	2
amiable mind and	2
ere to thy	2
style of writing	2
but they could	2
be met with	2
of the following	2
winds in anger	2
an object of	2
the poet in	2
in ancient times	2
here am i	2
the number of	2
for it is	2
dignity and importance	2
to swim the	2
a stroke so	2
of my cry	2
they may serve	2
of his fancy	2
beautiful blue eyes	2
and we hope	2
the world a	2
the object of	2
some of their	2
applied themselves to	2
events of the	2
the italian school	2
met with the	2
raised his head	2
man to whom	2
the greater number	2
break of day	2
of thy two	2
delegates from toledo	2
he composed the	2
a species of	2
his taste in	2
and there is	2
from my love	2
of the tagus	2
that if i	2
touch of tenderness	2
of the empire	2
a poisonous snake	2
must we pass	2
he was received	2
to meet in	2
they did not	2
on his men	2
having married another	2
whom has not	2
then this a	2
of the christian	2
path i journeyed	2
is not always	2
to the father	2
at the foot	2
not to the	2
revolvest thou thy	2
of ferdinand and	2
am for ever	2
of this writer	2
to have had	2
with the rich	2
is at least	2
hurtado de mendoza	2
the novelty and	2
lip to lip	2
wish to reach	2
king that held	2
which cannot be	2
to the court	2
it was at	2
and from his	2
a few others	2
of the dukes	2
my weary soul	2
well as his	2
so strange a	2
to vary the	2
and the subject	2
with the spoils	2
suffice for our	2
well aware that	2
when i sit	2
the genius that	2
for thy sweet	2
charmed ear of	2
we examine the	2
the weight of	2
when the fine	2
and potent king	2
in the deep	2
has ever been	2
by rugged ways	2
has so long	2
to suppose that	2
in such confusion	2
of the bravest	2
reach towards a	2
his amatory verses	2
once more from	2
diego hurtado de	2
a friend of	2
disgrace to our	2
when one of	2
one short hour	2
fernando de herrera	2
when to the	2
oh lovely gifts	2
his chief confidence	2
the education of	2
the fruit of	2
this act of	2
with the title	2
if the name	2
runs through the	2
in a single	2
of his language	2
heaviness of the	2
of sense and	2
and insulting mien	2
the age in	2
return to the	2
i thank thee	2
and suffer more	2
amidst the reeds	2
as though thou	2
left my love	2
when the tale	2
were the first	2
as he was	2
the second eclogue	2
the very same	2
of the two	2
to the eye	2
he resolved to	2
to the native	2
many of them	2
have known that	2
the fond lover	2
deaf to my	2
the principal cities	2
as a fond	2
floating in my	2
are the cruel	2
to get free	2
to the loss	2
in the british	2
rugged ways i	2
the propriety of	2
the minds of	2
offer to the	2
anchors thy broken	2
noon of night	2
a wise and	2
that i have	2
to spanish poetry	2
attention to the	2
is the one	2
but now that	2
up in the	2
the last century	2
specimens of the	2
and which in	2
establishment of good	2
and he who	2
i have snapt	2
absence of the	2
the rest of	2
the jerusalem delivered	2
they gave to	2
thy heaven of	2
recommended to the	2
hair were seen	2
was not possible	2
and with new	2
maid of honour	2
to the world	2
you might see	2
it from the	2
in his poem	2
progress of passion	2
of other nations	2
the most classical	2
the air with	2
your rosy heads	2
what were best	2
hopes will tower	2
lady geronyma palova	2
by any of	2
the gonfalon of	2
has given to	2
the citadel of	2
to him who	2
whose name the	2
a great number	2
the same manner	2
to break the	2
its lucid face	2
of the year	2
how much more	2
restrain this mad	2
in the house	2
the surname of	2
of the century	2
and propriety of	2
in which they	2
the movement of	2
my tongue goes	2
what i have	2
by james moyes	2
a learned man	2
third division of	2
it must have	2
towards the end	2
a great offence	2
like the rose	2
within my spirit	2
and good taste	2
of the midland	2
that held his	2
that can be	2
but that which	2
be said that	2
thinking that the	2
donna maria de	2
on the public	2
him out as	2
of these authors	2
than with the	2
there are few	2
the extravagant and	2
little more than	2
and well the	2
fernando alvarez de	2
naiads of the	2
from the elegance	2
this would have	2
thy hands i	2
for the defence	2
nor is this	2
how keenly he	2
ear to the	2
elegance of the	2
form of a	2
be compared with	2
even in these	2
wall or prosperous	2
according to his	2
order to restrain	2
and make them	2
his diction and	2
me to love	2
of his diction	2
all that is	2
and in these	2
may be said	2
the dust of	2
it was that	2
the composition of	2
what i feel	2
not yet a	2
in himself the	2
have seen the	2
by the marquis	2
in the theft	2
was one of	2
of him who	2
of this monarch	2
from the tide	2
tongue goes as	2
one and the	2
will i relate	2
thy beautiful blue	2
i behold my	2
upon the ear	2
of them in	2
to and fro	2
ever bathed in	2
celebrated in the	2
of the goletta	2
a specimen of	2
it to his	2
prostrate on earth	2
in the finest	2
thy two white	2
to strike forcibly	2
of his compositions	2
know not what	2
example of lope	2
are the only	2
of his nation	2
of the aminta	2
as well for	2
with which she	2
in his history	2
been made by	2
the form which	2
swayed by shame	2
to be found	2
triumphs in the	2
in her sweet	2
vine around another	2
truth of the	2
process of my	2
though they may	2
gave him the	2
men in spain	2
even to the	2
is no more	2
so little of	2
of the whole	2
the volume of	2
marquis de mondejar	2
at a single	2
those of the	2
the greater part	2
lamentations and complaints	2
have i these	2
was it possible	2
since he has	2
i felt my	2
or prosperous pine	2
at length i	2
says to him	2
the rigour of	2
and if we	2
from ausias march	2
as i have	2
has not a	2
and i stray	2
poetry of francisco	2
of donna isabel	2
he at length	2
the lost field	2
the poet who	2
i reach towards	2
of the four	2
i proceed to	2
all the field	2
the thought of	2
from that illumined	2
gave to letters	2
and spirit of	2
which the versification	2
to that which	2
is full of	2
placed in the	2
not be amiss	2
to think that	2
with a graceful	2
are no more	2
hours of heat	2
he it was	2
i at least	2
his verses the	2
deep in my	2
it should not	2
amidst a thousand	2
a knight was	2
bespeak that death	2
a discovery of	2
and that which	2
nor a heart	2
the pleasure i	2
and in this	2
through thee the	2
from its infancy	2
soaring to the	2
might have been	2
that have been	2
of his poetry	2
the duties of	2
the causes of	2
the rights and	2
of his success	2
frenzy of the	2
with the utmost	2
virgin vine around	2
with the poets	2
the praises that	2
feel that i	2
in an hour	2
displeased to see	2
defence of their	2
he not only	2
of the way	2
of the quality	2
at least the	2
are the most	2
fancy and talent	2
of such a	2
through life the	2
to the high	2
a short time	2
horace would have	2
more than the	2
the range of	2
his verses is	2
of love and	2
of the italians	2
that don pedro	2
me too fatal	2
we have to	2
hast thou not	2
the taking of	2
here and there	2
monarch of castile	2
we except some	2
the countess of	2
there is not	2
in the steps	2
with the words	2
am inclined to	2
between these verses	2
has lost so	2
far from being	2
lofty column lies	2
with a new	2
hang its curling	2
state hast thou	2
to send an	2
his right foot	2
with all a	2
the verses in	2
rather for the	2
given the name	2
of the versification	2
to clear up	2
of modes of	2
by his example	2
a few moments	2
with scarce one	2
to the church	2
the one that	2
but much more	2
the moors and	2
the king in	2
confess that i	2
of the odes	2
in the public	2
the castle of	2
the time when	2
on my return	2
how much you	2
death of his	2
exercises of the	2